{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026page=13\u0026view=list","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026page=12\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026page=14\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026page=5466\u0026view=list"},"meta":{"pages":{"current_page":13,"next_page":14,"prev_page":12,"total_pages":5466,"limit_value":10,"offset_value":120,"total_count":54656,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_1613_c01_c16_c15","type":"File","attributes":{"title":"1982 Personnel/1985 Personnel Board/1985 Personnel (Personnel Rules, Management, Job Descriptions, Morgantown Library)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1613_c01_c16_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1613_c01_c16_c15","ref_ssm":["wvmturhc_repositories_2_resources_1613_c01_c16_c15"],"id":"wvmturhc_repositories_2_resources_1613_c01_c16_c15","ead_ssi":"wvmturhc_repositories_2_resources_1613","_root_":"wvmturhc_repositories_2_resources_1613","_nest_parent_":"wvmturhc_repositories_2_resources_1613_c01_c16","parent_ssi":"wvmturhc_repositories_2_resources_1613_c01_c16","parent_ssim":["wvmturhc_repositories_2_resources_1613","wvmturhc_repositories_2_resources_1613_c01","wvmturhc_repositories_2_resources_1613_c01_c16"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1613","wvmturhc_repositories_2_resources_1613_c01","wvmturhc_repositories_2_resources_1613_c01_c16"],"parent_unittitles_ssm":["Morgantown Municipal Records","Addendum of 2018/06/25","City Manager Office 1985"],"parent_unittitles_tesim":["Morgantown Municipal Records","Addendum of 2018/06/25","City Manager Office 1985"],"text":["Morgantown Municipal Records","Addendum of 2018/06/25","City Manager Office 1985","1982 Personnel/1985 Personnel Board/1985 Personnel (Personnel Rules, Management, Job Descriptions, Morgantown Library)","Box 20"],"title_filing_ssi":"1982 Personnel/1985 Personnel Board/1985 Personnel (Personnel Rules, Management, Job Descriptions, Morgantown Library)","title_ssm":["1982 Personnel/1985 Personnel Board/1985 Personnel (Personnel Rules, Management, Job Descriptions, Morgantown Library)"],"title_tesim":["1982 Personnel/1985 Personnel Board/1985 Personnel (Personnel Rules, Management, Job Descriptions, Morgantown Library)"],"unitdate_inclusive_ssm":["1985"],"normalized_date_ssm":["1985"],"normalized_title_ssm":["1982 Personnel/1985 Personnel Board/1985 Personnel (Personnel Rules, Management, Job Descriptions, Morgantown Library)"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Morgantown Municipal Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":512,"parent_access_restrict_tesm":["All or part of this collection is stored offsite. 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Va.)","Elections","Politics and government.","All or part of this collection is stored offsite. Please make an appointment prior to visiting.","The addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. Some boxes described at the folder level do not contain foldered materials; some boxes described at the box level contain foldered materials. Series titles were derived from the original \"box description\".","Collection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.","Sixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). 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Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Elections","Politics and government."],"access_subjects_ssm":["Elections","Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["67.65 Linear Feet Summary: 67 ft. 7 3/4 in. (47 record cartons, 15 in. each); (61 reels of microfilm, 1.75 in. each)"],"extent_tesim":["67.65 Linear Feet Summary: 67 ft. 7 3/4 in. (47 record cartons, 15 in. each); (61 reels of microfilm, 1.75 in. each)"],"date_range_isim":[1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eAll or part of this collection is stored offsite. 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Series titles were derived from the original \"box description\"."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Morgantown Municipal Records, A\u0026amp;M 3304, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Morgantown Municipal Records, A\u0026M 3304, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.\u003c/p\u003e\n","\u003cp\u003eSixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). 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Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.","It is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1fa0e1928c3b83f407222986ae13710f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Merrill, Dr. David Partlett (Associate Dean of the Law School, Australian National University), Chuck Robb (Governor of Virginia), The Sir Robert Menzies Memorial Trust, UVA President Frank L. Hereford; Sir Anthony Frank Mason, K. B. E.; Judge Collins Seitz (USCA 3rd Cir.); memoranda re: Australia-Virginia Lecturer Series, list of candidates. Memoranda re: selection of Sir Robert Mason as the Australian lecturer and Judge Collins Seitz as the American lecturer. Text of Sir Robert Mason lecture: \"The Role of a Constitutional Court in a Federation.\"","box 1"],"title_filing_ssi":"1983-1985; Menzies Lectureship – correspondence between Dennis Pearce, Walter Wadlington, Richard A. Merrill, Dr. David Partlett (Associate Dean of the Law School, Australian National University), Chuck Robb (Governor of Virginia), The Sir Robert Menzies Memorial Trust, UVA President Frank L. Hereford; Sir Anthony Frank Mason, K. B. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["Box 31"],"_nest_path_":"/components#0/components#0","timestamp":"2026-04-30T23:05:21.485Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1613","ead_ssi":"wvmturhc_repositories_2_resources_1613","_root_":"wvmturhc_repositories_2_resources_1613","_nest_parent_":"wvmturhc_repositories_2_resources_1613","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1613.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/201687","title_ssm":["Morgantown Municipal Records"],"title_tesim":["Morgantown Municipal Records"],"unitdate_ssm":["1838-2013"],"unitdate_inclusive_ssm":["1838-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3304","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1613"],"text":["A\u0026M 3304","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1613","Morgantown Municipal Records","Morgantown (W. Va.)","Elections","Politics and government.","All or part of this collection is stored offsite. Please make an appointment prior to visiting.","The addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. Some boxes described at the folder level do not contain foldered materials; some boxes described at the box level contain foldered materials. Series titles were derived from the original \"box description\".","Collection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.","Sixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). The deed books include not only deeds but also contracts, leases, and agreements. There are records of street annulments, private property sold to the city, and about infrastructure facilities such as traffic lights, buses, the airport, and the water treatment plant.","Addendum of 2018/06/25 includes paper records from the office of the city clerk, and some records which appear to be from the office of the city manager. Types of records include reports, correspondence, publications, financial records, and more. Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.","It is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk","English \n.    "],"unitid_tesim":["A\u0026M 3304","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1613"],"normalized_title_ssm":["Morgantown Municipal Records"],"collection_title_tesim":["Morgantown Municipal Records"],"collection_ssim":["Morgantown Municipal Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"creator_ssim":["Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"creator_corpname_ssim":["Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"creators_ssim":["Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Elections","Politics and government."],"access_subjects_ssm":["Elections","Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["67.65 Linear Feet Summary: 67 ft. 7 3/4 in. (47 record cartons, 15 in. each); (61 reels of microfilm, 1.75 in. each)"],"extent_tesim":["67.65 Linear Feet Summary: 67 ft. 7 3/4 in. (47 record cartons, 15 in. each); (61 reels of microfilm, 1.75 in. each)"],"date_range_isim":[1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eAll or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["All or part of this collection is stored offsite. Please make an appointment prior to visiting."],"arrangement_html_tesm":["\u003cp\u003eThe addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. Some boxes described at the folder level do not contain foldered materials; some boxes described at the box level contain foldered materials. Series titles were derived from the original \"box description\".\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. Some boxes described at the folder level do not contain foldered materials; some boxes described at the box level contain foldered materials. Series titles were derived from the original \"box description\"."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Morgantown Municipal Records, A\u0026amp;M 3304, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Morgantown Municipal Records, A\u0026M 3304, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.\u003c/p\u003e\n","\u003cp\u003eSixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). 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Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.\u003c/p\u003e\n","\u003cp\u003eIt is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.","Sixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). The deed books include not only deeds but also contracts, leases, and agreements. There are records of street annulments, private property sold to the city, and about infrastructure facilities such as traffic lights, buses, the airport, and the water treatment plant.","Addendum of 2018/06/25 includes paper records from the office of the city clerk, and some records which appear to be from the office of the city manager. Types of records include reports, correspondence, publications, financial records, and more. Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.","It is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1fa0e1928c3b83f407222986ae13710f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Morgantown (W. Va.)"],"names_ssim":["West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"corpname_ssim":["West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":800,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:05:21.485Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1613_c01_c01"}},{"id":"wvmturhc_repositories_2_resources_1613_c01_c26_c07","type":"File","attributes":{"title":"1983 Purchase Orders (Plaques, Office Supplies, Blank Forms, Typewrite Parts)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1613_c01_c26_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1613_c01_c26_c07","ref_ssm":["wvmturhc_repositories_2_resources_1613_c01_c26_c07"],"id":"wvmturhc_repositories_2_resources_1613_c01_c26_c07","ead_ssi":"wvmturhc_repositories_2_resources_1613","_root_":"wvmturhc_repositories_2_resources_1613","_nest_parent_":"wvmturhc_repositories_2_resources_1613_c01_c26","parent_ssi":"wvmturhc_repositories_2_resources_1613_c01_c26","parent_ssim":["wvmturhc_repositories_2_resources_1613","wvmturhc_repositories_2_resources_1613_c01","wvmturhc_repositories_2_resources_1613_c01_c26"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1613","wvmturhc_repositories_2_resources_1613_c01","wvmturhc_repositories_2_resources_1613_c01_c26"],"parent_unittitles_ssm":["Morgantown Municipal Records","Addendum of 2018/06/25","P-Z 1985"],"parent_unittitles_tesim":["Morgantown Municipal Records","Addendum of 2018/06/25","P-Z 1985"],"text":["Morgantown Municipal Records","Addendum of 2018/06/25","P-Z 1985","1983 Purchase Orders (Plaques, Office Supplies, Blank Forms, Typewrite Parts)","Box 23"],"title_filing_ssi":"1983 Purchase Orders (Plaques, Office Supplies, Blank Forms, Typewrite Parts)","title_ssm":["1983 Purchase Orders (Plaques, Office Supplies, Blank Forms, Typewrite Parts)"],"title_tesim":["1983 Purchase Orders (Plaques, Office Supplies, Blank Forms, Typewrite Parts)"],"unitdate_inclusive_ssm":["1983–1985"],"normalized_date_ssm":["1983/1985"],"normalized_title_ssm":["1983 Purchase Orders (Plaques, Office Supplies, Blank Forms, Typewrite Parts)"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Morgantown Municipal Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":676,"parent_access_restrict_tesm":["All or part of this collection is stored offsite. Please make an appointment prior to visiting."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. 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(47 record cartons, 15 in. each); (61 reels of microfilm, 1.75 in. each)"],"date_range_isim":[1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eAll or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["All or part of this collection is stored offsite. Please make an appointment prior to visiting."],"arrangement_html_tesm":["\u003cp\u003eThe addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. Some boxes described at the folder level do not contain foldered materials; some boxes described at the box level contain foldered materials. Series titles were derived from the original \"box description\".\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. 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Series titles were derived from the original \"box description\"."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Morgantown Municipal Records, A\u0026amp;M 3304, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Morgantown Municipal Records, A\u0026M 3304, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.\u003c/p\u003e\n","\u003cp\u003eSixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). The deed books include not only deeds but also contracts, leases, and agreements. There are records of street annulments, private property sold to the city, and about infrastructure facilities such as traffic lights, buses, the airport, and the water treatment plant.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2018/06/25 includes paper records from the office of the city clerk, and some records which appear to be from the office of the city manager. Types of records include reports, correspondence, publications, financial records, and more. Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.\u003c/p\u003e\n","\u003cp\u003eIt is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.","Sixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). The deed books include not only deeds but also contracts, leases, and agreements. There are records of street annulments, private property sold to the city, and about infrastructure facilities such as traffic lights, buses, the airport, and the water treatment plant.","Addendum of 2018/06/25 includes paper records from the office of the city clerk, and some records which appear to be from the office of the city manager. Types of records include reports, correspondence, publications, financial records, and more. Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.","It is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1fa0e1928c3b83f407222986ae13710f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Morgantown (W. Va.)"],"names_ssim":["West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"corpname_ssim":["West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":800,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:05:21.485Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1613_c01_c26_c07"}},{"id":"vifgm_arenastage_c04_c03_c62","type":"File","attributes":{"title":"1984-1985 - December 1984 - February 1985,","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c62#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c62#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c04_c03_c62","ref_ssm":["vifgm_arenastage_c04_c03_c62"],"id":"vifgm_arenastage_c04_c03_c62","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c04_c03","parent_ssi":"vifgm_arenastage_c04_c03","parent_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"parent_unittitles_ssm":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,"],"parent_unittitles_tesim":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,"],"text":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,","1984-1985 - December 1984 - February 1985,","Box 696","Folder 2",""],"title_filing_ssi":"1984-1985 - December 1984 - February 1985, \n","title_ssm":["1984-1985 - December 1984 - February 1985, \n"],"title_tesim":["1984-1985 - December 1984 - February 1985, \n"],"unitdate_other_ssim":["1984-1985\n"],"normalized_date_ssm":["1984/1985"],"normalized_title_ssm":["1984-1985 - December 1984 - February 1985,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7962,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1984,1985],"containers_ssim":["Box 696","Folder 2"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#3/components#2/components#61","timestamp":"2026-05-01T00:52:17.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  "],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English\n            "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:52:17.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c62"}},{"id":"vifgm_repositories_2_resources_416_c04_c03_c62","type":"File","attributes":{"title":"1984-1985 - December 1984 - February 1985","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c62#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c04_c03_c62","ref_ssm":["vifgm_repositories_2_resources_416_c04_c03_c62"],"id":"vifgm_repositories_2_resources_416_c04_c03_c62","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c04_c03","parent_ssi":"vifgm_repositories_2_resources_416_c04_c03","parent_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"parent_unittitles_ssm":["Arena Stage records","Series 4: Oversize materials","Subseries 4.3: Scrapbooks"],"parent_unittitles_tesim":["Arena Stage records","Series 4: Oversize materials","Subseries 4.3: Scrapbooks"],"text":["Arena Stage records","Series 4: Oversize materials","Subseries 4.3: Scrapbooks","1984-1985 - December 1984 - February 1985","box 696","folder 2"],"title_filing_ssi":"1984-1985 - December 1984 - February 1985","title_ssm":["1984-1985 - December 1984 - February 1985"],"title_tesim":["1984-1985 - December 1984 - February 1985"],"unitdate_other_ssim":["1984-1985"],"normalized_date_ssm":["1984/1985"],"normalized_title_ssm":["1984-1985 - December 1984 - February 1985"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7962,"parent_access_restrict_tesm":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1984,1985],"containers_ssim":["box 696","folder 2"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#61","timestamp":"2026-05-01T00:23:25.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c62"}},{"id":"vifgm_kincannon_c01_c117","type":"File","attributes":{"title":"1984-1985 Season Preview, Folger Theatre,","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_kincannon_c01_c117#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eBrochure.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_kincannon_c01_c117#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_kincannon_c01_c117","ref_ssm":["vifgm_kincannon_c01_c117"],"id":"vifgm_kincannon_c01_c117","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon_c01","parent_ssi":"vifgm_kincannon_c01","parent_ssim":["vifgm_kincannon","vifgm_kincannon_c01"],"parent_ids_ssim":["vifgm_kincannon","vifgm_kincannon_c01"],"parent_unittitles_ssm":["Claire Kincannon theatre collection","Series 1: Washington, D.C.,"],"parent_unittitles_tesim":["Claire Kincannon theatre collection","Series 1: Washington, D.C.,"],"text":["Claire Kincannon theatre collection","Series 1: Washington, D.C.,","1984-1985 Season Preview, Folger Theatre,","Box 6","Folder 13","Brochure."],"title_filing_ssi":"1984-1985 Season Preview, Folger Theatre,","title_ssm":["1984-1985 Season Preview, Folger Theatre,"],"title_tesim":["1984-1985 Season Preview, Folger Theatre,"],"unitdate_other_ssim":["1984-1985 season"],"normalized_date_ssm":["1984/1985"],"normalized_title_ssm":["1984-1985 Season Preview, Folger Theatre,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Claire Kincannon theatre collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":118,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1984,1985],"containers_ssim":["Box 6","Folder 13"],"scopecontent_html_tesm":["\u003cp\u003eBrochure.\u003c/p\u003e"],"scopecontent_tesim":["Brochure."],"_nest_path_":"/components#0/components#116","timestamp":"2026-05-01T00:54:47.290Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_kincannon","ead_ssi":"vifgm_kincannon","_root_":"vifgm_kincannon","_nest_parent_":"vifgm_kincannon","ead_source_url_ssi":"data/gmu/kincannon.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/kincannon.html","title_ssm":["Claire Kincannon theatre collection"],"title_tesim":["Claire Kincannon theatre collection"],"unitdate_ssm":["1955-2011"],"unitdate_other_ssim":["1955-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018"],"text":["C0018","Claire Kincannon theatre collection","Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings.","There are no access restrictions.","All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.","Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33) Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31) Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27) Series 4: Film-related Materials, 1956-1992 (Box 29) Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)","Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Special Collections and Archives also holds many other \n                theatre collections.","The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.","There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.","George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire.","English\n\t\t"],"unitid_tesim":["C0018"],"normalized_title_ssm":["Claire Kincannon theatre collection"],"collection_title_tesim":["Claire Kincannon theatre collection"],"collection_ssim":["Claire Kincannon theatre collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lois Claire Kincannon"],"creator_ssim":["Lois Claire Kincannon"],"creator_persname_ssim":["Lois Claire Kincannon"],"creators_ssim":["Lois Claire Kincannon"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Claire Kincannon in 2007-2008 and 2011."],"access_subjects_ssim":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Motion pictures.","Theater--England--London.","Theater--New York (State)--New York.","Theater--Ohio.","Theater--Washington (D.C.)","Live sound recordings.","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear feet (40 boxes)"],"extent_tesim":["20.0 Linear feet (40 boxes)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eAll of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["All of the \"Behind the Scenes with Claire Kincannon\" shows on audiotape are available in digital format."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Broadway and London Productions, 1955-2007 (Boxes 25-27)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Film-related Materials, 1956-1992 (Box 29)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Series 1: Washington, D.C., 1971-2008 (Boxes 1-20, 28, 30, 32, 33) Series 2: Ohio Regional Theatres, 1955-1982 (Boxes 21-24, 31) Series 3: Broadway and London Productions, 1955-2007 (Boxes 25-27) Series 4: Film-related Materials, 1956-1992 (Box 29) Series 5: Audiovisual Materials, 1983-1986 (Boxes 34-40)"],"bioghist_html_tesm":["\u003cp\u003eClaire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Claire Kincannon graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she became a radio journalist and theatre critic in the Washington, D.C., area, starring in her own radio program, Behind the Scenes. It was during this time that she worked as a theatre critic, reviewing the performances she attended on her radio show. She moved to Paris, France in late 1992 with her husband, eventually returning in 2000. She founded Dancing Ink Press while in Paris, using it to publish several books including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. She still lives in the Washington, D.C., area and continues to write books and exhibit artwork."],"prefercite_html_tesm":["\u003cp\u003eClaire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Claire Kincannon theatre collection, C0018, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other \n                theatre collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other \n                theatre collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).\u003c/p\u003e","\u003cp\u003eThe collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.\u003c/p\u003e","\u003cp\u003eMany of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.\u003c/p\u003e","\u003cp\u003eThe first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Claire Kincannon theatre collection represents a lifetime and a career of theatre appreciation and attendance. Materials that comprise this collection track Kincannon's attendance at area performances in Ohio (1955-1982) and on Broadway (1955-2007), as well as her work as a theatre critic in Washington, D.C. (1971-2011).","The collection includes programs, press releases, photographs, and other outreach materials of various theatre productions. Also included in the collection are ticket stubs, invitations, schedules, and advertisements for certain productions. Some of the programs also contain the hand-written notes of Kincannon from when she worked as a critic; these notes provide unique insights into the job of a critic. There are also marketing releases for motion pictures, including photographs, press releases, and \"behind the scenes\" information.","Many of the programs are from the Kennedy Center, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and other various theaters in the D.C. area. Also included in the collection are productions by the Kenley Players and Victory Theatre in Dayton, OH, among others in the area. The Broadway collection encompasses several theaters' productions.","The first series covers Kincannon's time as a critic in Washington, D.C., from 1971-2008. This series contains programs, press releases, photographs, and other behind the scenes and marketing information. The second series covers Kincannon's early interest in theatre while in the Ohio area (1955-1982). It contains mostly playbooks and programs from area performances. The third series is the collection of Broadway and London productions Kincannon attended from 1955-2007. This series consists of mostly playbills and programs. The fourth series is film-related materials from 1956-1992, consisting of souvenir books, magazines, and press packets relating to each film. The fifth series is audiovisual materials from 1983-1992, consisting of reel-to-reel audiotapes, audiotape cartridges, and videocassettes. Much of the material is from the Behind the Scenes with Claire Kincannon radio program. Behind the Scenes was a three-minute feature on the performing arts, and was available via the Public Radio Satellite System."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Claire Kincannon theatre collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains promotional materials for plays in the Washington, D.C., area, including programs, photographs, and press kits as well as a selection of programs and playbills from theaters in New York, London, and regional theaters in Ohio dating back to 1955, as well as some limited film-related materials. In addition to paper materials there are also audio visual materials featuring Kincannon's radio show Behind the Scenes and a project on Hungary."],"names_ssim":["George Mason University Special Collections \u0026 Archives","Lois Claire Kincannon","Kincannon, Lois Claire."],"corpname_ssim":["George Mason University Special Collections \u0026 Archives"],"persname_ssim":["Lois Claire Kincannon","Kincannon, Lois Claire."],"language_ssim":["English\n\t\t"],"total_component_count_is":853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:54:47.290Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_kincannon_c01_c117"}},{"id":"wvmturhc_repositories_2_resources_3530_c1102","type":"File","attributes":{"title":"1984-1992 NYSC Newspaper Articles","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3530_c1102#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3530_c1102","ref_ssm":["wvmturhc_repositories_2_resources_3530_c1102"],"id":"wvmturhc_repositories_2_resources_3530_c1102","ead_ssi":"wvmturhc_repositories_2_resources_3530","_root_":"wvmturhc_repositories_2_resources_3530","_nest_parent_":"wvmturhc_repositories_2_resources_3530","parent_ssi":"wvmturhc_repositories_2_resources_3530","parent_ssim":["wvmturhc_repositories_2_resources_3530"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3530"],"parent_unittitles_ssm":["National Youth Science Camp Records"],"parent_unittitles_tesim":["National Youth Science Camp Records"],"text":["National Youth Science Camp Records","1984-1992 NYSC Newspaper Articles","Box 45"],"title_filing_ssi":"1984-1992 NYSC Newspaper Articles","title_ssm":["1984-1992 NYSC Newspaper Articles"],"title_tesim":["1984-1992 NYSC Newspaper Articles"],"unitdate_inclusive_ssm":["1984-1992"],"normalized_date_ssm":["1984/1992"],"normalized_title_ssm":["1984-1992 NYSC Newspaper Articles"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["National Youth Science Camp Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1102,"parent_access_restrict_tesm":["Requires signed form, since special access restriction applies.  All or part of this collection is stored offsite. Please make an appointment prior to visiting."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["Box 45"],"_nest_path_":"/components#1101","timestamp":"2026-04-30T23:05:35.771Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3530","ead_ssi":"wvmturhc_repositories_2_resources_3530","_root_":"wvmturhc_repositories_2_resources_3530","_nest_parent_":"wvmturhc_repositories_2_resources_3530","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3530.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197375","title_ssm":["National Youth Science Camp Records"],"title_tesim":["National Youth Science Camp Records"],"unitdate_ssm":["ca. 1960-2000"],"unitdate_inclusive_ssm":["ca. 1960-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4084","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3530"],"text":["A\u0026M 4084","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3530","National Youth Science Camp Records","Requires signed form, since special access restriction applies.  All or part of this collection is stored offsite. Please make an appointment prior to visiting.","Records of the National Youth Science Camp, an annual science education camp for recent high school graduates held each summer at Camp Pocahontas near Thornwood, West Virginia.  Includes administrative records, such as minutes, correspondence, reports, financial records, and some facilities and construction records.  There are also student delegate files, yearbooks, press books, press releases, clippings, photographs, and materials regarding a senate luncheon held regularly which includes invited speakers.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","National Youth Science Foundation","English"],"unitid_tesim":["A\u0026M 4084","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3530"],"normalized_title_ssm":["National Youth Science Camp Records"],"collection_title_tesim":["National Youth Science Camp Records"],"collection_ssim":["National Youth Science Camp Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["National Youth Science Foundation"],"creator_ssim":["National Youth Science Foundation"],"creator_corpname_ssim":["National Youth Science Foundation"],"creators_ssim":["National Youth Science Foundation"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"has_online_content_ssim":["false"],"extent_ssm":["62.5 Linear Feet Summary: 62 ft. 6 in. (50 record cartons, 15 in. each)"],"extent_tesim":["62.5 Linear Feet Summary: 62 ft. 6 in. (50 record cartons, 15 in. each)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eRequires signed form, since special access restriction applies.  All or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Requires signed form, since special access restriction applies.  All or part of this collection is stored offsite. Please make an appointment prior to visiting."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], National Youth Science Camp Records, A\u0026amp;M 4084, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], National Youth Science Camp Records, A\u0026M 4084, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of the National Youth Science Camp, an annual science education camp for recent high school graduates held each summer at Camp Pocahontas near Thornwood, West Virginia.  Includes administrative records, such as minutes, correspondence, reports, financial records, and some facilities and construction records.  There are also student delegate files, yearbooks, press books, press releases, clippings, photographs, and materials regarding a senate luncheon held regularly which includes invited speakers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records of the National Youth Science Camp, an annual science education camp for recent high school graduates held each summer at Camp Pocahontas near Thornwood, West Virginia.  Includes administrative records, such as minutes, correspondence, reports, financial records, and some facilities and construction records.  There are also student delegate files, yearbooks, press books, press releases, clippings, photographs, and materials regarding a senate luncheon held regularly which includes invited speakers."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_dc104c16d3f855f95686186977e4a8d1\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["National Youth Science Foundation"],"names_ssim":["West Virginia and Regional History Center","National Youth Science Foundation"],"corpname_ssim":["West Virginia and Regional History Center","National Youth Science Foundation"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1141,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:05:35.771Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3530_c1102"}},{"id":"vircu_repositories_5_resources_586_c46","type":"File","attributes":{"title":"1984-1993 minutes book (1/2)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_586_c46#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_586_c46","ref_ssm":["vircu_repositories_5_resources_586_c46"],"id":"vircu_repositories_5_resources_586_c46","ead_ssi":"vircu_repositories_5_resources_586","_root_":"vircu_repositories_5_resources_586","_nest_parent_":"vircu_repositories_5_resources_586","parent_ssi":"vircu_repositories_5_resources_586","parent_ssim":["vircu_repositories_5_resources_586"],"parent_ids_ssim":["vircu_repositories_5_resources_586"],"parent_unittitles_ssm":["Interfaith Council of Greater Richmond records"],"parent_unittitles_tesim":["Interfaith Council of Greater Richmond records"],"text":["Interfaith Council of Greater Richmond records","1984-1993 minutes book (1/2)","box 6","folder 1"],"title_filing_ssi":"1984-1993 minutes book (1/2)","title_ssm":["1984-1993 minutes book (1/2)"],"title_tesim":["1984-1993 minutes book (1/2)"],"unitdate_inclusive_ssm":["1984-1987"],"normalized_date_ssm":["1984/1987"],"normalized_title_ssm":["1984-1993 minutes book (1/2)"],"component_level_isim":[1],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Interfaith Council of Greater Richmond records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":46,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1984,1985,1986,1987],"containers_ssim":["box 6","folder 1"],"_nest_path_":"/components#45","timestamp":"2026-05-01T00:17:59.403Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_586","ead_ssi":"vircu_repositories_5_resources_586","_root_":"vircu_repositories_5_resources_586","_nest_parent_":"vircu_repositories_5_resources_586","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_586.xml","title_ssm":["Interfaith Council of Greater Richmond records"],"title_tesim":["Interfaith Council of Greater Richmond records"],"unitdate_ssm":["1936-1999"],"unitdate_inclusive_ssm":["1936-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 321","/repositories/5/resources/586"],"text":["M 321","/repositories/5/resources/586","Interfaith Council of Greater Richmond records","Virginia -- Richmond","Social service -- Virginia -- Richmond -- History","Interdenominational cooperation","Religious institutions","Social service -- Virginia","Voluntarism","Collection is open to research.","The Interfaith Council of Richmond records are arranged chronologically, largely following their original order. Prior to 1960, correspondence, minutes, etc. were generally organized by year, with some exceptions. Folders in box 1 that begin with a president's name have been slightly reorganized to follow the format of presidential terms (which started in May) instead of calendar years. Otherwise, original groupings and arrangement have been preserved. Post-1960, the collection was predominately organized chronologically in albums of each president's term, with some binders of meeting minutes and other administrative documents spanning multiple terms. Collection materials have been removed from binders and albums and added to folders, but the groupings have been preserved.","The Interfaith Council of Greater Richmond (ICGR) is an organization of 19 different religious denominations in the city of Richmond, Virginia and surrounding counties. The 98 member congregations within these faith groups bring together diverse doctrinal, cultural, and ethnic backgrounds. ","Prior to 1900, it was common for volunteers from various religious groups to assume some responsibility for public welfare in their communities. However, with the development of the profession of Social Work in the 1920s, many city governments began to employ public welfare workers. The need for communication among the public and private organizations, professionals, and volunteers in Richmond, VA led to the formation of the Richmond Council of Social Agencies in the early 1920s, and subsequently the Richmond Community Fund in 1924. Dr. Arthur Guild was the Executive Director of both groups.","There was confusion between the new social work professionals and volunteers from churches engaged in public welfare work around the new division of responsibilities. The Council of Social Agencies along with the Richmond Ministerial Union saw the need for understanding and cooperation between religious communities and the social agencies. To address this need, the Rev. Dr. James C. Faw, a member of the Board of Directors for both agencies, turned to the women of the churches and synagogues who were already organized within their organizations. The recommendation passed and a subcommittee of the Council was established. Dr. Faw and Mr. Guild assisted women from three faiths - Protestant, Catholic and Jewish - to organize the Council of Church Women in 1929 as a Sub-Council of the Council of Society Agencies. This Council of Church Women was the first name of the Interfaith Council of Greater Richmond. Mrs. McClean Whittet became the first Chair.","In 1940, the name of the Council of Church Women was changed to The Interfaith Council of the Richmond Area Church Women to avoid confusion with The Women's Council of Churches, an existing Protestant group. ","In 1979, The Interfaith Council of Richmond Area Church Women shortened its name to The Interfaith Council in order to reflect more clearly the diversity of religious traditions it represented. The Baha'i Faith was the first expansion faith to join ICGR in the 1970s. In the same year, the Interfaith Council accepted an invitation to affiliate with the National Conference of Christians and Jews (NCCJ). In 1991-92, the Council added the Virginia Council of Churches (VCC) and the Virginia Interfaith Center for Public Policy to its circle of affiliations.","In 1986, the Interfaith Council changed its name to the Interfaith Council of Greater Richmond (ICGR) to expand its membership to the entire area. In 1991-92, representatives from Muslim, Sikh, Hindu, Buddhist, Jain, and American Baptist groups were welcomed into membership. Previously, the group almsot exclusively represented Christian and Jewish religious denominations.","In 1983-84, a member of the Greek Orthodox Church and in 1991-92, a member of the Church of Jesus Christ of Latter Day Saints were elected President. The Board voted in January 1992 to incorporate all member religious organizations into the rotation for presidential election.","Past Presidents of ICGR note: pre-1990, the vast majority of the ICGR presidents were identified by their husband's name in official documentation. Women's full names have been included where we were able to find them.","1929-30 Mrs. McLean Whittet, Presbyterian\n 1930-32 Mrs. Franklin Johnson, Baptist\n 1932-34\tMrs. James A. Richardson, Methodist\n 1934-36\tMrs. Raphael Levy, Jewish\n 1936-38\tMrs. J. McC. C. Greathead, Episcopal\n 1938-40\tMrs. Carroll C. Roberts, Christian\n 1940-42\tHenrietta Knightly, Catholic\n 1942-44\tMrs. T. W. Smith, Baptist\n 1944-45\tMrs. James E. Gardner, Lutheran\n 1945-46\tMrs. John 0. MacKinnon, Unitarian\n 1946-47\tArleene (sometimes spelled Arleen) G. Fairly, Presbyterian\n 1947-48\tMrs. Henry Fine, Jewish\n 1948-49\tMrs. Dalton Flanagan, Methodist\n 1949-50\tMrs. Cyrus M. Bache, Episcopal\n 1950-51\tMrs. Bernard W. Glass, Christian\n 1951-52\tMrs. W. J. Burlee, Sr., Catholic\n 1952-53\tMrs. E. Harold Thompson, Baptist\n 1953-54\tMrs. B. V. VanHorn, Presbyterian\n 1954-55\tMrs. Lewis Markel, Sr., Jewish\n 1955-56\tMrs. C. W. Hinchman, Methodist\n 1956-57\tMrs. Frank O. Higgins, Episcopal\n 1957-58\tMrs. Alton C. Griffin, Christian\n 1958-59\tMrs. Herman F. Gallasch, Lutheran\n 1959-60\tKathryne Crowe, Catholic\n 1960 Mrs. E.F. MacDonald (resigned), Unknown\n 1960-61\tJosephine Baskerville (completed MacDonald's term before starting her own), Baptist\n 1961-62\tLucy Blanton, Presbyterian\n 1962-63\tBertha Meyer, Jewish\n 1963-64\tMartha Carson, Methodist\n 1964-65\tPolly Parker, Episcopal\n 1965-66\tJune H. Jarman, Christian\n 1966-67\tDorothy Gundlach, Catholic\n 1967-68\tGeorgia Dieker, Baptist\n 1968-69\tInez Hartley, Presbyterian\n 1969-70\tMrs. Bert Mann, Jewish\n 1970-71\tDorothy Turner, Methodist\n 1971-72\tAnne McKenney, Episcopal\n 1972-73\tHelen Pohling, Lutheran\n 1973-74\tMrs. Edmund G. Schmitz, Catholic\n 1974-75\tMrs. William P. Anderson, Presbyterian\n 1975-76\tBertha Laster, Jewish\n 1976-77\tPhyllis  Clifford, Baptist\n 1977-78\tSophia U. Hodges, Methodist\n 1978-79\tMrs. Edward L. Hill, Episcopal\n 1979-80\tLouise Hawkins, Lutheran\n 1980-81\tLeslie C. Boze, Presbyterian\n 1981-82\tLeigh Budwell, Baptist\n 1982-83\tMrs. Earl 0. Sims, Catholic\n 1983-84\tHelen Parthemos, Greek Orthodox\n 1984-85\tRita Stein, Jewish\n 1985-86\tDr. Vivien K. Ely, Methodist\n 1986-87\tLouise Lipscomb, Episcopal\n 1987-88\tRuby Turner, Lutheran\n 1988-89\tGrace Deane, Presbyterian\n 1989-90\tVirginia Johnson, Baptist\n 1990-91\tDolores Ross, Catholic\n 1991-92\tDr. Lee Pratt, Church of Jesus Christ of Latter-day Saints\n 1992-93\tBarni Schlein, Jewish\n 1993-94\tZoa Mottley, Methodist\n 1994-95\tLouise Reza, Unitarian\n 1995-96\tMidge Falconer, Bahá'i\n 1996-97\tSaba Abed, Islam\n 1997-98\tShobha Shenoy, Hindu\n 1998-99\tJoan E. v.H. Everett, Episcopal\n 1999-00\tIngrid Zoll Vetter, Lutheran\n 2000-01\tMiriam T. Bailey, Presbyterian\n 2001-02\tVirginia Smith, Baptist\n 2002-03\tSharon C. Clayton, Church of Jesus Christ of Latter-day Saints\n 2003-04\tAnne H. Woods, Jewish\n 2004-05 Marian Agnew, Bahá'í\n 2005-06 Dr. Jeffrey Clark, Unitarian Universalist\n 2006-07 Lynn Johnston, Unity\n 2007-08 Annette Khan, Islam\n 2008-09 Dr. Baljit S. Sidhu, Sikh\n 2009-10 Kusum Jain, Jain\n 2010-11 Sandy Willis, The Church of Jesus Christ of Latter-day Saints\n 2011-12 Malik Khan, Islam\n 2012-13 Rebecca Skinner, Unity\n 2013-14 Rebecca Skinner, Unity\n 2014-15 Sabrina Dent, Member at Large\n 2015-16 Sabrina Dent, Member at Large\n 2016-17 Ashley Pelli, Omnism","\nThe materials in this collection range from 1936 to 1999 and include correspondence, treasurer's reports, meeting minutes, photographs, yearbooks, news clippings, and ephemera from the Interfaith Council of Greater Richmond. The collection highlights the annual events and the meetings of the organization.\n","There are no restrictions.","VCU James Branch Cabell Library","Interfaith Council of Greater Richmond","English \n.    "],"unitid_tesim":["M 321","/repositories/5/resources/586"],"normalized_title_ssm":["Interfaith Council of Greater Richmond records"],"collection_title_tesim":["Interfaith Council of Greater Richmond records"],"collection_ssim":["Interfaith Council of Greater Richmond records"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"geogname_ssm":["Virginia -- Richmond"],"geogname_ssim":["Virginia -- Richmond"],"creator_ssm":["Interfaith Council of Greater Richmond"],"creator_ssim":["Interfaith Council of Greater Richmond"],"creator_corpname_ssim":["Interfaith Council of Greater Richmond"],"creators_ssim":["Interfaith Council of Greater Richmond"],"places_ssim":["Virginia -- Richmond"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Interfaith Council of Greater Richmond, VA in 2003"],"access_subjects_ssim":["Social service -- Virginia -- Richmond -- History","Interdenominational cooperation","Religious institutions","Social service -- Virginia","Voluntarism"],"access_subjects_ssm":["Social service -- Virginia -- Richmond -- History","Interdenominational cooperation","Religious institutions","Social service -- Virginia","Voluntarism"],"has_online_content_ssim":["false"],"extent_ssm":["3.33 Linear Feet 8 letter document boxes"],"extent_tesim":["3.33 Linear Feet 8 letter document boxes"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe Interfaith Council of Richmond records are arranged chronologically, largely following their original order. Prior to 1960, correspondence, minutes, etc. were generally organized by year, with some exceptions. Folders in box 1 that begin with a president's name have been slightly reorganized to follow the format of presidential terms (which started in May) instead of calendar years. Otherwise, original groupings and arrangement have been preserved. Post-1960, the collection was predominately organized chronologically in albums of each president's term, with some binders of meeting minutes and other administrative documents spanning multiple terms. Collection materials have been removed from binders and albums and added to folders, but the groupings have been preserved.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Interfaith Council of Richmond records are arranged chronologically, largely following their original order. Prior to 1960, correspondence, minutes, etc. were generally organized by year, with some exceptions. Folders in box 1 that begin with a president's name have been slightly reorganized to follow the format of presidential terms (which started in May) instead of calendar years. Otherwise, original groupings and arrangement have been preserved. Post-1960, the collection was predominately organized chronologically in albums of each president's term, with some binders of meeting minutes and other administrative documents spanning multiple terms. Collection materials have been removed from binders and albums and added to folders, but the groupings have been preserved."],"bioghist_html_tesm":["\u003cp\u003eThe Interfaith Council of Greater Richmond (ICGR) is an organization of 19 different religious denominations in the city of Richmond, Virginia and surrounding counties. The 98 member congregations within these faith groups bring together diverse doctrinal, cultural, and ethnic backgrounds. \u003c/p\u003e\n","\u003cp\u003ePrior to 1900, it was common for volunteers from various religious groups to assume some responsibility for public welfare in their communities. However, with the development of the profession of Social Work in the 1920s, many city governments began to employ public welfare workers. The need for communication among the public and private organizations, professionals, and volunteers in Richmond, VA led to the formation of the Richmond Council of Social Agencies in the early 1920s, and subsequently the Richmond Community Fund in 1924. Dr. Arthur Guild was the Executive Director of both groups.\u003c/p\u003e\n","\u003cp\u003eThere was confusion between the new social work professionals and volunteers from churches engaged in public welfare work around the new division of responsibilities. The Council of Social Agencies along with the Richmond Ministerial Union saw the need for understanding and cooperation between religious communities and the social agencies. To address this need, the Rev. Dr. James C. Faw, a member of the Board of Directors for both agencies, turned to the women of the churches and synagogues who were already organized within their organizations. The recommendation passed and a subcommittee of the Council was established. Dr. Faw and Mr. Guild assisted women from three faiths - Protestant, Catholic and Jewish - to organize the Council of Church Women in 1929 as a Sub-Council of the Council of Society Agencies. This Council of Church Women was the first name of the Interfaith Council of Greater Richmond. Mrs. McClean Whittet became the first Chair.\u003c/p\u003e\n","\u003cp\u003eIn 1940, the name of the Council of Church Women was changed to The Interfaith Council of the Richmond Area Church Women to avoid confusion with The Women's Council of Churches, an existing Protestant group. \u003c/p\u003e\n","\u003cp\u003eIn 1979, The Interfaith Council of Richmond Area Church Women shortened its name to The Interfaith Council in order to reflect more clearly the diversity of religious traditions it represented. The Baha'i Faith was the first expansion faith to join ICGR in the 1970s. In the same year, the Interfaith Council accepted an invitation to affiliate with the National Conference of Christians and Jews (NCCJ). In 1991-92, the Council added the Virginia Council of Churches (VCC) and the Virginia Interfaith Center for Public Policy to its circle of affiliations.\u003c/p\u003e\n","\u003cp\u003eIn 1986, the Interfaith Council changed its name to the Interfaith Council of Greater Richmond (ICGR) to expand its membership to the entire area. In 1991-92, representatives from Muslim, Sikh, Hindu, Buddhist, Jain, and American Baptist groups were welcomed into membership. Previously, the group almsot exclusively represented Christian and Jewish religious denominations.\u003c/p\u003e\n","\u003cp\u003eIn 1983-84, a member of the Greek Orthodox Church and in 1991-92, a member of the Church of Jesus Christ of Latter Day Saints were elected President. The Board voted in January 1992 to incorporate all member religious organizations into the rotation for presidential election.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"underline\"\u003ePast Presidents of ICGR\u003c/emph\u003e\n\u003cbr\u003enote: pre-1990, the vast majority of the ICGR presidents were identified by their husband's name in official documentation. Women's full names have been included where we were able to find them.\u003c/p\u003e\n","\u003cp\u003e1929-30 Mrs. McLean Whittet, Presbyterian\n\u003cbr\u003e1930-32 Mrs. Franklin Johnson, Baptist\n\u003cbr\u003e1932-34\tMrs. James A. Richardson, Methodist\n\u003cbr\u003e1934-36\tMrs. Raphael Levy, Jewish\n\u003cbr\u003e1936-38\tMrs. J. McC. C. Greathead, Episcopal\n\u003cbr\u003e1938-40\tMrs. Carroll C. Roberts, Christian\n\u003cbr\u003e1940-42\tHenrietta Knightly, Catholic\n\u003cbr\u003e1942-44\tMrs. T. W. Smith, Baptist\n\u003cbr\u003e1944-45\tMrs. James E. Gardner, Lutheran\n\u003cbr\u003e1945-46\tMrs. John 0. MacKinnon, Unitarian\n\u003cbr\u003e1946-47\tArleene (sometimes spelled Arleen) G. Fairly, Presbyterian\n\u003cbr\u003e1947-48\tMrs. Henry Fine, Jewish\n\u003cbr\u003e1948-49\tMrs. Dalton Flanagan, Methodist\n\u003cbr\u003e1949-50\tMrs. Cyrus M. Bache, Episcopal\n\u003cbr\u003e1950-51\tMrs. Bernard W. Glass, Christian\n\u003cbr\u003e1951-52\tMrs. W. J. Burlee, Sr., Catholic\n\u003cbr\u003e1952-53\tMrs. E. Harold Thompson, Baptist\n\u003cbr\u003e1953-54\tMrs. B. V. VanHorn, Presbyterian\n\u003cbr\u003e1954-55\tMrs. Lewis Markel, Sr., Jewish\n\u003cbr\u003e1955-56\tMrs. C. W. Hinchman, Methodist\n\u003cbr\u003e1956-57\tMrs. Frank O. Higgins, Episcopal\n\u003cbr\u003e1957-58\tMrs. Alton C. Griffin, Christian\n\u003cbr\u003e1958-59\tMrs. Herman F. Gallasch, Lutheran\n\u003cbr\u003e1959-60\tKathryne Crowe, Catholic\n\u003cbr\u003e1960 Mrs. E.F. MacDonald (resigned), Unknown\n\u003cbr\u003e1960-61\tJosephine Baskerville (completed MacDonald's term before starting her own), Baptist\n\u003cbr\u003e1961-62\tLucy Blanton, Presbyterian\n\u003cbr\u003e1962-63\tBertha Meyer, Jewish\n\u003cbr\u003e1963-64\tMartha Carson, Methodist\n\u003cbr\u003e1964-65\tPolly Parker, Episcopal\n\u003cbr\u003e1965-66\tJune H. Jarman, Christian\n\u003cbr\u003e1966-67\tDorothy Gundlach, Catholic\n\u003cbr\u003e1967-68\tGeorgia Dieker, Baptist\n\u003cbr\u003e1968-69\tInez Hartley, Presbyterian\n\u003cbr\u003e1969-70\tMrs. Bert Mann, Jewish\n\u003cbr\u003e1970-71\tDorothy Turner, Methodist\n\u003cbr\u003e1971-72\tAnne McKenney, Episcopal\n\u003cbr\u003e1972-73\tHelen Pohling, Lutheran\n\u003cbr\u003e1973-74\tMrs. Edmund G. Schmitz, Catholic\n\u003cbr\u003e1974-75\tMrs. William P. Anderson, Presbyterian\n\u003cbr\u003e1975-76\tBertha Laster, Jewish\n\u003cbr\u003e1976-77\tPhyllis  Clifford, Baptist\n\u003cbr\u003e1977-78\tSophia U. Hodges, Methodist\n\u003cbr\u003e1978-79\tMrs. Edward L. Hill, Episcopal\n\u003cbr\u003e1979-80\tLouise Hawkins, Lutheran\n\u003cbr\u003e1980-81\tLeslie C. Boze, Presbyterian\n\u003cbr\u003e1981-82\tLeigh Budwell, Baptist\n\u003cbr\u003e1982-83\tMrs. Earl 0. Sims, Catholic\n\u003cbr\u003e1983-84\tHelen Parthemos, Greek Orthodox\n\u003cbr\u003e1984-85\tRita Stein, Jewish\n\u003cbr\u003e1985-86\tDr. Vivien K. Ely, Methodist\n\u003cbr\u003e1986-87\tLouise Lipscomb, Episcopal\n\u003cbr\u003e1987-88\tRuby Turner, Lutheran\n\u003cbr\u003e1988-89\tGrace Deane, Presbyterian\n\u003cbr\u003e1989-90\tVirginia Johnson, Baptist\n\u003cbr\u003e1990-91\tDolores Ross, Catholic\n\u003cbr\u003e1991-92\tDr. Lee Pratt, Church of Jesus Christ of Latter-day Saints\n\u003cbr\u003e1992-93\tBarni Schlein, Jewish\n\u003cbr\u003e1993-94\tZoa Mottley, Methodist\n\u003cbr\u003e1994-95\tLouise Reza, Unitarian\n\u003cbr\u003e1995-96\tMidge Falconer, Bahá'i\n\u003cbr\u003e1996-97\tSaba Abed, Islam\n\u003cbr\u003e1997-98\tShobha Shenoy, Hindu\n\u003cbr\u003e1998-99\tJoan E. v.H. Everett, Episcopal\n\u003cbr\u003e1999-00\tIngrid Zoll Vetter, Lutheran\n\u003cbr\u003e2000-01\tMiriam T. Bailey, Presbyterian\n\u003cbr\u003e2001-02\tVirginia Smith, Baptist\n\u003cbr\u003e2002-03\tSharon C. Clayton, Church of Jesus Christ of Latter-day Saints\n\u003cbr\u003e2003-04\tAnne H. Woods, Jewish\n\u003cbr\u003e2004-05 Marian Agnew, Bahá'í\n\u003cbr\u003e2005-06 Dr. Jeffrey Clark, Unitarian Universalist\n\u003cbr\u003e2006-07 Lynn Johnston, Unity\n\u003cbr\u003e2007-08 Annette Khan, Islam\n\u003cbr\u003e2008-09 Dr. Baljit S. Sidhu, Sikh\n\u003cbr\u003e2009-10 Kusum Jain, Jain\n\u003cbr\u003e2010-11 Sandy Willis, The Church of Jesus Christ of Latter-day Saints\n\u003cbr\u003e2011-12 Malik Khan, Islam\n\u003cbr\u003e2012-13 Rebecca Skinner, Unity\n\u003cbr\u003e2013-14 Rebecca Skinner, Unity\n\u003cbr\u003e2014-15 Sabrina Dent, Member at Large\n\u003cbr\u003e2015-16 Sabrina Dent, Member at Large\n\u003cbr\u003e2016-17 Ashley Pelli, Omnism\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Interfaith Council of Greater Richmond (ICGR) is an organization of 19 different religious denominations in the city of Richmond, Virginia and surrounding counties. The 98 member congregations within these faith groups bring together diverse doctrinal, cultural, and ethnic backgrounds. ","Prior to 1900, it was common for volunteers from various religious groups to assume some responsibility for public welfare in their communities. However, with the development of the profession of Social Work in the 1920s, many city governments began to employ public welfare workers. The need for communication among the public and private organizations, professionals, and volunteers in Richmond, VA led to the formation of the Richmond Council of Social Agencies in the early 1920s, and subsequently the Richmond Community Fund in 1924. Dr. Arthur Guild was the Executive Director of both groups.","There was confusion between the new social work professionals and volunteers from churches engaged in public welfare work around the new division of responsibilities. The Council of Social Agencies along with the Richmond Ministerial Union saw the need for understanding and cooperation between religious communities and the social agencies. To address this need, the Rev. Dr. James C. Faw, a member of the Board of Directors for both agencies, turned to the women of the churches and synagogues who were already organized within their organizations. The recommendation passed and a subcommittee of the Council was established. Dr. Faw and Mr. Guild assisted women from three faiths - Protestant, Catholic and Jewish - to organize the Council of Church Women in 1929 as a Sub-Council of the Council of Society Agencies. This Council of Church Women was the first name of the Interfaith Council of Greater Richmond. Mrs. McClean Whittet became the first Chair.","In 1940, the name of the Council of Church Women was changed to The Interfaith Council of the Richmond Area Church Women to avoid confusion with The Women's Council of Churches, an existing Protestant group. ","In 1979, The Interfaith Council of Richmond Area Church Women shortened its name to The Interfaith Council in order to reflect more clearly the diversity of religious traditions it represented. The Baha'i Faith was the first expansion faith to join ICGR in the 1970s. In the same year, the Interfaith Council accepted an invitation to affiliate with the National Conference of Christians and Jews (NCCJ). In 1991-92, the Council added the Virginia Council of Churches (VCC) and the Virginia Interfaith Center for Public Policy to its circle of affiliations.","In 1986, the Interfaith Council changed its name to the Interfaith Council of Greater Richmond (ICGR) to expand its membership to the entire area. In 1991-92, representatives from Muslim, Sikh, Hindu, Buddhist, Jain, and American Baptist groups were welcomed into membership. Previously, the group almsot exclusively represented Christian and Jewish religious denominations.","In 1983-84, a member of the Greek Orthodox Church and in 1991-92, a member of the Church of Jesus Christ of Latter Day Saints were elected President. The Board voted in January 1992 to incorporate all member religious organizations into the rotation for presidential election.","Past Presidents of ICGR note: pre-1990, the vast majority of the ICGR presidents were identified by their husband's name in official documentation. Women's full names have been included where we were able to find them.","1929-30 Mrs. McLean Whittet, Presbyterian\n 1930-32 Mrs. Franklin Johnson, Baptist\n 1932-34\tMrs. James A. Richardson, Methodist\n 1934-36\tMrs. Raphael Levy, Jewish\n 1936-38\tMrs. J. McC. C. Greathead, Episcopal\n 1938-40\tMrs. Carroll C. Roberts, Christian\n 1940-42\tHenrietta Knightly, Catholic\n 1942-44\tMrs. T. W. Smith, Baptist\n 1944-45\tMrs. James E. Gardner, Lutheran\n 1945-46\tMrs. John 0. MacKinnon, Unitarian\n 1946-47\tArleene (sometimes spelled Arleen) G. Fairly, Presbyterian\n 1947-48\tMrs. Henry Fine, Jewish\n 1948-49\tMrs. Dalton Flanagan, Methodist\n 1949-50\tMrs. Cyrus M. Bache, Episcopal\n 1950-51\tMrs. Bernard W. Glass, Christian\n 1951-52\tMrs. W. J. Burlee, Sr., Catholic\n 1952-53\tMrs. E. Harold Thompson, Baptist\n 1953-54\tMrs. B. V. VanHorn, Presbyterian\n 1954-55\tMrs. Lewis Markel, Sr., Jewish\n 1955-56\tMrs. C. W. Hinchman, Methodist\n 1956-57\tMrs. Frank O. Higgins, Episcopal\n 1957-58\tMrs. Alton C. Griffin, Christian\n 1958-59\tMrs. Herman F. Gallasch, Lutheran\n 1959-60\tKathryne Crowe, Catholic\n 1960 Mrs. E.F. MacDonald (resigned), Unknown\n 1960-61\tJosephine Baskerville (completed MacDonald's term before starting her own), Baptist\n 1961-62\tLucy Blanton, Presbyterian\n 1962-63\tBertha Meyer, Jewish\n 1963-64\tMartha Carson, Methodist\n 1964-65\tPolly Parker, Episcopal\n 1965-66\tJune H. Jarman, Christian\n 1966-67\tDorothy Gundlach, Catholic\n 1967-68\tGeorgia Dieker, Baptist\n 1968-69\tInez Hartley, Presbyterian\n 1969-70\tMrs. Bert Mann, Jewish\n 1970-71\tDorothy Turner, Methodist\n 1971-72\tAnne McKenney, Episcopal\n 1972-73\tHelen Pohling, Lutheran\n 1973-74\tMrs. Edmund G. Schmitz, Catholic\n 1974-75\tMrs. William P. Anderson, Presbyterian\n 1975-76\tBertha Laster, Jewish\n 1976-77\tPhyllis  Clifford, Baptist\n 1977-78\tSophia U. Hodges, Methodist\n 1978-79\tMrs. Edward L. Hill, Episcopal\n 1979-80\tLouise Hawkins, Lutheran\n 1980-81\tLeslie C. Boze, Presbyterian\n 1981-82\tLeigh Budwell, Baptist\n 1982-83\tMrs. Earl 0. Sims, Catholic\n 1983-84\tHelen Parthemos, Greek Orthodox\n 1984-85\tRita Stein, Jewish\n 1985-86\tDr. Vivien K. Ely, Methodist\n 1986-87\tLouise Lipscomb, Episcopal\n 1987-88\tRuby Turner, Lutheran\n 1988-89\tGrace Deane, Presbyterian\n 1989-90\tVirginia Johnson, Baptist\n 1990-91\tDolores Ross, Catholic\n 1991-92\tDr. Lee Pratt, Church of Jesus Christ of Latter-day Saints\n 1992-93\tBarni Schlein, Jewish\n 1993-94\tZoa Mottley, Methodist\n 1994-95\tLouise Reza, Unitarian\n 1995-96\tMidge Falconer, Bahá'i\n 1996-97\tSaba Abed, Islam\n 1997-98\tShobha Shenoy, Hindu\n 1998-99\tJoan E. v.H. Everett, Episcopal\n 1999-00\tIngrid Zoll Vetter, Lutheran\n 2000-01\tMiriam T. Bailey, Presbyterian\n 2001-02\tVirginia Smith, Baptist\n 2002-03\tSharon C. Clayton, Church of Jesus Christ of Latter-day Saints\n 2003-04\tAnne H. Woods, Jewish\n 2004-05 Marian Agnew, Bahá'í\n 2005-06 Dr. Jeffrey Clark, Unitarian Universalist\n 2006-07 Lynn Johnston, Unity\n 2007-08 Annette Khan, Islam\n 2008-09 Dr. Baljit S. Sidhu, Sikh\n 2009-10 Kusum Jain, Jain\n 2010-11 Sandy Willis, The Church of Jesus Christ of Latter-day Saints\n 2011-12 Malik Khan, Islam\n 2012-13 Rebecca Skinner, Unity\n 2013-14 Rebecca Skinner, Unity\n 2014-15 Sabrina Dent, Member at Large\n 2015-16 Sabrina Dent, Member at Large\n 2016-17 Ashley Pelli, Omnism"],"prefercite_html_tesm":["\u003cp\u003eInterfaith Council of Greater Richmond records, 1936-1999, Collection # M 321, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Interfaith Council of Greater Richmond records, 1936-1999, Collection # M 321, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003e\nThe materials in this collection range from 1936 to 1999 and include correspondence, treasurer's reports, meeting minutes, photographs, yearbooks, news clippings, and ephemera from the Interfaith Council of Greater Richmond. The collection highlights the annual events and the meetings of the organization.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["\nThe materials in this collection range from 1936 to 1999 and include correspondence, treasurer's reports, meeting minutes, photographs, yearbooks, news clippings, and ephemera from the Interfaith Council of Greater Richmond. The collection highlights the annual events and the meetings of the organization.\n"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Interfaith Council of Greater Richmond"],"corpname_ssim":["VCU James Branch Cabell Library","Interfaith Council of Greater Richmond"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":62,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:17:59.403Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_586_c46"}},{"id":"virmu_repositories_2_resources_41_c01_c45","type":"File","attributes":{"title":"1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_41_c01_c45#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_41_c01_c45","ref_ssm":["virmu_repositories_2_resources_41_c01_c45"],"id":"virmu_repositories_2_resources_41_c01_c45","ead_ssi":"virmu_repositories_2_resources_41","_root_":"virmu_repositories_2_resources_41","_nest_parent_":"virmu_repositories_2_resources_41_c01","parent_ssi":"virmu_repositories_2_resources_41_c01","parent_ssim":["virmu_repositories_2_resources_41","virmu_repositories_2_resources_41_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_41","virmu_repositories_2_resources_41_c01"],"parent_unittitles_ssm":["Records of the Collectors' Circle (RG-19)","Series 1: Season Files"],"parent_unittitles_tesim":["Records of the Collectors' Circle (RG-19)","Series 1: Season Files"],"text":["Records of the Collectors' Circle (RG-19)","Series 1: Season Files","1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos","box RG-19 Box 2","folder 20"],"title_filing_ssi":"1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos","title_ssm":["1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos"],"title_tesim":["1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos"],"unitdate_other_ssim":["1984-1985"],"normalized_date_ssm":["1984/1985"],"normalized_title_ssm":["1984-85 Season: announcement of events, members-memo, correspondence; Fall Meeting-memos, agenda, Paul Perrot (speaker) biography; Collector of the Year (Fisher)-press release, correspondence, photos; Dinner-program, announcement, memos, guest list, remarks, related correspondence, Spring Meeting-announcement, Arthur Janson (speaker) correspondence, remarks; policy-memos"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Collectors' Circle (RG-19)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":46,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1984,1985],"containers_ssim":["box RG-19 Box 2","folder 20"],"_nest_path_":"/components#0/components#44","timestamp":"2026-04-30T23:55:22.590Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_41","ead_ssi":"virmu_repositories_2_resources_41","_root_":"virmu_repositories_2_resources_41","_nest_parent_":"virmu_repositories_2_resources_41","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_41.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/41","title_filing_ssi":"Collectors' Circle (RG-19)","title_ssm":["Records of the Collectors' Circle (RG-19)"],"title_tesim":["Records of the Collectors' Circle (RG-19)"],"unitdate_ssm":["1959-2007"],"unitdate_inclusive_ssm":["1959-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-19","/repositories/2/resources/41"],"text":["RG-19","/repositories/2/resources/41","Records of the Collectors' Circle (RG-19)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).","The collection is organized into three series, and items are arranged chronologically within each series.","Series 1 Season Files, 1959-2007 Series 2 Dealer Files, 1963-1972 Series 3 General Files, 1959-2002, undated","The collection was transferred from the Collections Department and Foundation through periodic deposits.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English \n.    "],"unitid_tesim":["RG-19","/repositories/2/resources/41"],"normalized_title_ssm":["Records of the Collectors' Circle (RG-19)"],"collection_title_tesim":["Records of the Collectors' Circle (RG-19)"],"collection_ssim":["Records of the Collectors' Circle (RG-19)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. 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