{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"virmu_repositories_2_resources_465_c01_c05_c02","type":"Item","attributes":{"title":"Cinque Gallery Brochure","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_465_c01_c05_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_465_c01_c05_c02","ref_ssm":["virmu_repositories_2_resources_465_c01_c05_c02"],"id":"virmu_repositories_2_resources_465_c01_c05_c02","ead_ssi":"virmu_repositories_2_resources_465","_root_":"virmu_repositories_2_resources_465","_nest_parent_":"virmu_repositories_2_resources_465_c01_c05","parent_ssi":"virmu_repositories_2_resources_465_c01_c05","parent_ssim":["virmu_repositories_2_resources_465","virmu_repositories_2_resources_465_c01","virmu_repositories_2_resources_465_c01_c05"],"parent_ids_ssim":["virmu_repositories_2_resources_465","virmu_repositories_2_resources_465_c01","virmu_repositories_2_resources_465_c01_c05"],"parent_unittitles_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers","Series 1: Benjamin L. Wigfall","Sub-Series 1.5: Art and Exhibitions"],"parent_unittitles_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers","Series 1: Benjamin L. Wigfall","Sub-Series 1.5: Art and Exhibitions"],"text":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers","Series 1: Benjamin L. Wigfall","Sub-Series 1.5: Art and Exhibitions","Cinque Gallery Brochure","Paper","New York (N.Y.)","English","Item VA12.01.5.002","Digitization has been made possible by the National Endowment for the Humanities.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate."],"title_filing_ssi":"Cinque Gallery Brochure","title_ssm":["Cinque Gallery Brochure"],"title_tesim":["Cinque Gallery Brochure"],"unitdate_inclusive_ssm":["1985"],"normalized_date_ssm":["1985"],"normalized_title_ssm":["Cinque Gallery Brochure"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"physdesc_tesim":["Paper"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"physfacet_tesim":["Brochures"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":53,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate."],"date_range_isim":[1985],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Michael Gino Wigfall and Gia Oke-Bello."],"language_ssim":["English"],"containers_ssim":["Item VA12.01.5.002"],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Digitization has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate."],"_nest_path_":"/components#0/components#4/components#1","timestamp":"2026-05-21T02:56:50.129Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_465","ead_ssi":"virmu_repositories_2_resources_465","_root_":"virmu_repositories_2_resources_465","_nest_parent_":"virmu_repositories_2_resources_465","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_465.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/465","title_filing_ssi":"Wigfall, Benjamin (VA-12)","title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"unitdate_ssm":["1880-2023"],"unitdate_inclusive_ssm":["1880-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-12","/repositories/2/resources/465"],"text":["VA-12","/repositories/2/resources/465","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers","Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints).","The collection is open for research.","The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1 Benjamin L. Wigfall, 1944-2023 Series 2 Mary Carter Wigfall, 1949-2017 Series 3 Wigfall Family Records, 1944-2014 Series 4 Communications Village, 1880-1980 Series 5 Watermark/Cargo Gallery, 1969-2004 Series 6 Migrant Children's Center, 1965-1999 Series 7 New York, 1917-2018 Series 8 Art and Printmaking, 1951-1993 Series 9 Photography Projects - Communications Village, 1970s-2000s Series 10 Other Artists and Friends, 1949-2020","Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. ","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. ","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.","The collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This photograph was printed in reverse - Wigfall was right-handed.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Edward Scott, Benjamin Wigfall, Larry Carpenter, Michael van Dyke.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Larry Carpenter, Mary Lou Morgan, Edward Scott.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Line 1: Martin Gordon, Kenny Howell, Ernest Frazier\nLine 2: Martin Gordon, Kenny Howell, Alfreda Drake, Sonia Easter, Ernest Frazier\nLines 3-4: Kingston Seventh Day Adventist Church","Line 2, left-to-right: Phyllis Barnes, Debbie Washington, Dawn Washington, Everett Winrow","In the center, Edward Scott and Val Hunt.","Yvonne Thomas Easter in long, dark, patterned dress surrounded by other unidentified individuals.","Annie Jackson is the only individual whose face can be seen in the photograph.","Joe Ramos on the left. Henry Raleigh in the center.","In striped shirt, Leroy Washington. In number 32 shirt, James Peeble's \"Little Bro.\" In plaid shirt, Dennis Washington.","Letter on Communcations Village letterhead. From Benjamin Wigfall, announcing and asking for participation in a community documentation project, made possible through CETA funding. Thanks Larry Kithcart and John Gilmore.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Negatives correspond to contact sheet.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","The back of the woodblock is metal.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Only two pages were digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Mr. David Prescott, Yale University, New Haven\"","Stamped \"Art in America\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Yale Print Collection, New Haven, Conn.\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Miss Jane Doggett - New Haven\"","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item was returned to the Archives on December 6, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.","The photo album was dismantled and items within it were placed in archival quality sleeves to better preserve them. The digital copy preserves the original order of the album.","VA12.08.7.008","VA12.08.1.008","VA12.08.1.008","2022.198","51.7.5","VA12.01.5.009","51.7.5","VA12.04.6.001","VA12.01.5.005","VA12.01.5.004","VA12.08.2.006","VA12.01.2.014","58.13.6","58.13.6","51.7.5","2022.201","VA12.01.8.011, VA12.01.8.012","VA12.03.2.001","VA12.03.2.001","VA12.01.8.001, VA12.01.8.012","VA12.01.8.001, VA12.01.8.011","VA12.3.2.002, VA12.3.2.004","VA12.03.2.001","VA12.03.2.001","VA12.04.4.007","VA12.04.4.006","VA12.04.4.010","VA12.04.4.009","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.012","VA12.04.8.001","VA12.04.7.001","2022.189","2022.190","2022.199, 2022.198","2022.201","2022.215, VA12.08.6.004","2022.222","2022.221","2022.220","2022.220","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.199, VA12.08.1.003","2022.226","2022.227","2022.224","2022.224","2022.201","The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.","This series is compromised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Wigfall's life, education, career, and family.","This sub-series is comprised of Benjamin L. Wigfall's biographical material such as resumes, certificates, photos, and other related materials.","This sub-series is comprised of materials related to Benjamin L. Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Wigfall's teaching careers at Hampton Institute and SUNY New Paltz such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to the Wigfall Family preceding Benjamin L. Wigfall such as family reunion documents and more.","This sub-series is comprised of material relating to Wigfall's artistic career, such as exhibition ephemera, exhibition correspondence, magazines, photographs, and more.","This sub-series is comprised of material relating to awards and accolades recieved by Wigfall.","This sub-series contains material relating to Wigfall's death on February 9th, 2017, such as obituaries, funeral texts, articles, and funeral invitations.","This sub-series contains photographs of Benjamin L. Wigfall unrelated to other topics.","This series is comprised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Carter Wigfall's life, education, career, and family.","This series is comprised of clippings and other manuscripts related to the life of Mary Carter Wigfall.","This sub-series is comprised of materials related to Mary Carter Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Mary Carter Wigfall's teaching and directorial career at both Maggie Walker High School as well as the Migrant Childcare Center such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to Mary Carter Wigfall's artistic career, sketches, drawings, and photographs of her weavings.","This sub-series contains photographs of Mary Carter Wigfall unrelated to other topics.","This sub-series is comprised of material relating to the Carter family preceding Mary Carter Wigfall such as family reunion documents and more.","This series is comprised of correspondence, photographs, family albums, books, and other material related to the joined Benjamin Wigfall and Mary Carter Wigfall family.","This sub-series contains manuscript material related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains albums related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains photographs related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains financial documents related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Communications Village organization.","This sub-series contains documents relating to the foundation of Communications Village Ltd., such as directorial information, staff information, proposals, and more.","This sub-series contains financial documents related to Communications Village, including grant proposals and applications, as well as donation requests, receipts, and more.","This sub-series contains newspaper and magazine articles written about Communications Village.","This sub-series contains materials related to workshops and exhibitions held with Communications Village, such as ephemera, press releases, photographs, and more.","This sub-series contains a series of transcribed oral interviews from Poughkeepsie, NY residents.","This sub-series contains documents and photographs related to the 1976 Intaglio Prints Editions exhibition in which 10 artists created intaglio prints for the students of Communications Village to reproduce for sale.","This sub-series contains posters created at Communications Village.","This sub-series contains material related to the building that housed Communications Village.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Watermark/Cargo Gallery.","This sub-series contains documents relating to the administrative work of Watermark/Cargo, such as directorial information, staff information, proposals, and more.","This sub-series contains ephemera related to exhibitions held at Watermark/Cargo.","This sub-series contains material such as resumes and articles collected by Wigfall relating to the exhibiting artists of Watermark/Cargo, as well as slides sent by the exhibiting artists for review.","This sub-series contains clippings and newspaper articles written about Watermark/Cargo.","This sub-series contains photographs of the Watermark/Cargo gallery and exhibitions.","This sub-series contains material such as postcards, articles, and other documents that could have inspired aspects of Watermark/Cargo Gallery.","This sub-series contains correspondence related to the Watermark/Cargo Gallery.","This sub-series contains records of art dealings done with the Watermark/Cargo Gallery.","This series is comprised of correspondence, photographs, lesson plans, newspaper clippings, ephemera, slides, negatives, and more related to the Migrant Children's Center.","This series contains documents related to the founding and planning of the Migrant Childcare Center, directed by Mary Carter Wigfall.","This sub-series contains financial documents related to the Migrant Children's Center, including grant proposals and applications, as well as donation requests.","This sub-series contains photographs of the children and staff of the Migrant Children's Center.","This sub-series contains ephemera related to the summer programs run by Mary Carter Wigfall through the Migrant Children's Center in her own home at New Paltz, NY.","This sub-series contains art projects created by the students and staff of the Migrant Children's Center.","This sub-series contains articles written about the Migrant Children's Center.","This series is comprised of photographs, slides, negatives, newspaper clippings, correspondence, posters, and more related to Wigfall's communities in New York.","This sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York.","This sub-series contains articles, posters, photographs, and more related to the SCORE organization, also known as the Strand Community Organization for the Rehabilitation of the Environment.","This sub-series contains photographs, slides, and negatives of community residents around Wigfall's home in New York.","This series consists of etching plates, carved printing blocks, particle board, audio tapes, records, CD's, photographs, slides, negatives, and more materials related to the art and printmaking of Benjamin L. Wigfall and other related artists.","This sub-series contains printing plates and blocks created by Benjamin L. Wigfall.","This sub-series contains preliminary artwork created by Benjamin L. Wigfall such as loose sketches, sketchbooks, and more.","This sub-series contains four cut-outs related to Wigfall's \"Jumprope Girl\" and \"Composition\" (1952-1954) prints.","This sub-series contains printing plates and blocks created by artists around and related to Benjamin L. Wigfall.","This sub-series contains prints created by young artists around and related to Benjamin L. Wigfall.","This sub-series contains slides and negatives of Benjamin L. Wigfall's artwork.","This sub-series contains photographs and reproductions of Benjamin L. Wigfall's artwork.","This sub-series contains audio and visual material related to Benjamin L. Wigfall and his life.","This series contains photographs and metal plates related to respective photography projects.","This sub-series contains photographs taken of African American women in Ulster County, NY.","This sub-series contains photographs and metal plates of Benjamin L. Wigfall and Patricia Jow Kagemoto in themed Western attire.","This series is comprised of correspondence, photographs, slides, negatives, newspaper clippings, ephemera, and more related to other artists and friends around Benjamin L. Wigfall.","This sub-series contains correspondence between Wigfall and other artists and friends in his life.","This sub-series contains ephemera of other artist's exhibitions that Benjamin L. Wigfall was presumably invited to attend.","This sub-series is comprised of photographs of other artists' artwork.","This sub-series is comprised of photographs and slides of other artists and friends in Wigfall's life.","This sub-series contains articles written about other artists and friends within Wigfalls life.","This sub-series contains material related to Thomas Cannon such as articles, correspondence, and more.","This sub-series contains material related to Yale Epstien such as articles, correspondence, and more.","This sub-series contains material related to Ernest Frazier such as articles, correspondence, and more.","This sub-series contains material related to Richard Frumess such as articles, correspondence, and more.","This sub-series contains material related to Patricia Jow Kagemoto such as articles, correspondence, and more.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Pat Jow Kagemoto.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970.","English"],"unitid_tesim":["VA-12","/repositories/2/resources/465"],"normalized_title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"collection_title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"collection_ssim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creators_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"access_subjects_ssm":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"has_online_content_ssim":["false"],"extent_ssm":["21.875 Linear Feet 50 boxes; 63 folders"],"extent_tesim":["21.875 Linear Feet 50 boxes; 63 folders"],"genreform_ssim":["Woodcuts (prints).","Etchings (prints)."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eBenjamin L. Wigfall, 1944-2023\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eMary Carter Wigfall, 1949-2017\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWigfall Family Records, 1944-2014\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eCommunications Village, 1880-1980\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eWatermark/Cargo Gallery, 1969-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eMigrant Children's Center, 1965-1999\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003eNew York, 1917-2018\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003eArt and Printmaking, 1951-1993\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003ePhotography Projects - Communications Village, 1970s-2000s\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eOther Artists and Friends, 1949-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1 Benjamin L. Wigfall, 1944-2023 Series 2 Mary Carter Wigfall, 1949-2017 Series 3 Wigfall Family Records, 1944-2014 Series 4 Communications Village, 1880-1980 Series 5 Watermark/Cargo Gallery, 1969-2004 Series 6 Migrant Children's Center, 1965-1999 Series 7 New York, 1917-2018 Series 8 Art and Printmaking, 1951-1993 Series 9 Photography Projects - Communications Village, 1970s-2000s Series 10 Other Artists and Friends, 1949-2020"],"bioghist_html_tesm":["\u003cp\u003eBenjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. \u003c/p\u003e\n","\u003cp\u003eAfter receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. \u003c/p\u003e\n","\u003cp\u003eWigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. ","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. ","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York."],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated by the artist's estate in December 2022. 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Howell, Alfreda Drake, Sonia Easter, Ernest Frazier\nLines 3-4: Kingston Seventh Day Adventist Church\u003c/p\u003e","\u003cp\u003eLine 2, left-to-right: Phyllis Barnes, Debbie Washington, Dawn Washington, Everett Winrow\u003c/p\u003e","\u003cp\u003eIn the center, Edward Scott and Val Hunt.\u003c/p\u003e","\u003cp\u003eYvonne Thomas Easter in long, dark, patterned dress surrounded by other unidentified individuals.\u003c/p\u003e","\u003cp\u003eAnnie Jackson is the only individual whose face can be seen in the photograph.\u003c/p\u003e","\u003cp\u003eJoe Ramos on the left. Henry Raleigh in the center.\u003c/p\u003e","\u003cp\u003eIn striped shirt, Leroy Washington. In number 32 shirt, James Peeble's \"Little Bro.\" In plaid shirt, Dennis Washington.\u003c/p\u003e","\u003cp\u003eLetter on Communcations Village letterhead. From Benjamin Wigfall, announcing and asking for participation in a community documentation project, made possible through CETA funding. Thanks Larry Kithcart and John Gilmore.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.\u003c/p\u003e","\u003cp\u003ePoster for Community Work Sessions at Communications Village in Kingston, NY. 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for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization has been made possible by the National Endowment 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by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This photograph was printed in reverse - Wigfall was right-handed.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Edward Scott, Benjamin Wigfall, Larry Carpenter, Michael van Dyke.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","From left-to-right: Larry Carpenter, Mary Lou Morgan, Edward Scott.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Line 1: Martin Gordon, Kenny Howell, Ernest Frazier\nLine 2: Martin Gordon, Kenny Howell, Alfreda Drake, Sonia Easter, Ernest Frazier\nLines 3-4: Kingston Seventh Day Adventist Church","Line 2, left-to-right: Phyllis Barnes, Debbie Washington, Dawn Washington, Everett Winrow","In the center, Edward Scott and Val Hunt.","Yvonne Thomas Easter in long, dark, patterned dress surrounded by other unidentified individuals.","Annie Jackson is the only individual whose face can be seen in the photograph.","Joe Ramos on the left. Henry Raleigh in the center.","In striped shirt, Leroy Washington. In number 32 shirt, James Peeble's \"Little Bro.\" In plaid shirt, Dennis Washington.","Letter on Communcations Village letterhead. From Benjamin Wigfall, announcing and asking for participation in a community documentation project, made possible through CETA funding. Thanks Larry Kithcart and John Gilmore.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Poster for Community Work Sessions at Communications Village in Kingston, NY. Notes funding by the New York State Council on the Arts and CETA.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Negatives correspond to contact sheet.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","The back of the woodblock is metal.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Only two pages were digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","This item has not been digitized.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Mr. David Prescott, Yale University, New Haven\"","Stamped \"Art in America\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection of the Artist\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Yale Print Collection, New Haven, Conn.\"","Digitization has been made possible by the National Endowment for the Humanities.","\"Collection Miss Jane Doggett - New Haven\"","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities.","Digitization has been made possible by the National Endowment for the Humanities."],"originalsloc_html_tesm":["\u003cp\u003eThis item was returned to the Archives on December 6, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e","\u003cp\u003eThis item was returned to the archives on September 18, 2023.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["This item was returned to the Archives on December 6, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023.","This item was returned to the archives on September 18, 2023."],"prefercite_html_tesm":["\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.\u003c/p\u003e","\u003cp\u003eItem-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.\u003c/p\u003e","\u003cp\u003eThe photo album was dismantled and items within it were placed in archival quality sleeves to better preserve them. The digital copy preserves the original order of the album.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.","The photo album was dismantled and items within it were placed in archival quality sleeves to better preserve them. The digital copy preserves the original order of the album."],"relatedmaterial_html_tesm":["\u003cp\u003eVA12.08.7.008\u003c/p\u003e","\u003cp\u003eVA12.08.1.008\u003c/p\u003e","\u003cp\u003eVA12.08.1.008\u003c/p\u003e","\u003cp\u003e2022.198\u003c/p\u003e","\u003cp\u003e51.7.5\u003c/p\u003e","\u003cp\u003eVA12.01.5.009\u003c/p\u003e","\u003cp\u003e51.7.5\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.01.5.005\u003c/p\u003e","\u003cp\u003eVA12.01.5.004\u003c/p\u003e","\u003cp\u003eVA12.08.2.006\u003c/p\u003e","\u003cp\u003eVA12.01.2.014\u003c/p\u003e","\u003cp\u003e58.13.6\u003c/p\u003e","\u003cp\u003e58.13.6\u003c/p\u003e","\u003cp\u003e51.7.5\u003c/p\u003e","\u003cp\u003e2022.201\u003c/p\u003e","\u003cp\u003eVA12.01.8.011, VA12.01.8.012\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.01.8.001, VA12.01.8.012\u003c/p\u003e","\u003cp\u003eVA12.01.8.001, VA12.01.8.011\u003c/p\u003e","\u003cp\u003eVA12.3.2.002, VA12.3.2.004\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.03.2.001\u003c/p\u003e","\u003cp\u003eVA12.04.4.007\u003c/p\u003e","\u003cp\u003eVA12.04.4.006\u003c/p\u003e","\u003cp\u003eVA12.04.4.010\u003c/p\u003e","\u003cp\u003eVA12.04.4.009\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.001\u003c/p\u003e","\u003cp\u003eVA12.04.6.012\u003c/p\u003e","\u003cp\u003eVA12.04.8.001\u003c/p\u003e","\u003cp\u003eVA12.04.7.001\u003c/p\u003e","\u003cp\u003e2022.189\u003c/p\u003e","\u003cp\u003e2022.190\u003c/p\u003e","\u003cp\u003e2022.199, 2022.198\u003c/p\u003e","\u003cp\u003e2022.201\u003c/p\u003e","\u003cp\u003e2022.215, VA12.08.6.004\u003c/p\u003e","\u003cp\u003e2022.222\u003c/p\u003e","\u003cp\u003e2022.221\u003c/p\u003e","\u003cp\u003e2022.220\u003c/p\u003e","\u003cp\u003e2022.220\u003c/p\u003e","\u003cp\u003e2022.198, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.198, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.198, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.199, VA12.08.1.003\u003c/p\u003e","\u003cp\u003e2022.226\u003c/p\u003e","\u003cp\u003e2022.227\u003c/p\u003e","\u003cp\u003e2022.224\u003c/p\u003e","\u003cp\u003e2022.224\u003c/p\u003e","\u003cp\u003e2022.201\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["VA12.08.7.008","VA12.08.1.008","VA12.08.1.008","2022.198","51.7.5","VA12.01.5.009","51.7.5","VA12.04.6.001","VA12.01.5.005","VA12.01.5.004","VA12.08.2.006","VA12.01.2.014","58.13.6","58.13.6","51.7.5","2022.201","VA12.01.8.011, VA12.01.8.012","VA12.03.2.001","VA12.03.2.001","VA12.01.8.001, VA12.01.8.012","VA12.01.8.001, VA12.01.8.011","VA12.3.2.002, VA12.3.2.004","VA12.03.2.001","VA12.03.2.001","VA12.04.4.007","VA12.04.4.006","VA12.04.4.010","VA12.04.4.009","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.001","VA12.04.6.012","VA12.04.8.001","VA12.04.7.001","2022.189","2022.190","2022.199, 2022.198","2022.201","2022.215, VA12.08.6.004","2022.222","2022.221","2022.220","2022.220","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.198, VA12.08.1.003","2022.199, VA12.08.1.003","2022.226","2022.227","2022.224","2022.224","2022.201"],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.\u003c/p\u003e","\u003cp\u003eThis series is compromised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Wigfall's life, education, career, and family.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of Benjamin L. Wigfall's biographical material such as resumes, certificates, photos, and other related materials.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of materials related to Benjamin L. Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material primarily relating to Wigfall's teaching careers at Hampton Institute and SUNY New Paltz such as correspondence, clippings, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to the Wigfall Family preceding Benjamin L. Wigfall such as family reunion documents and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to Wigfall's artistic career, such as exhibition ephemera, exhibition correspondence, magazines, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to awards and accolades recieved by Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material relating to Wigfall's death on February 9th, 2017, such as obituaries, funeral texts, articles, and funeral invitations.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of Benjamin L. Wigfall unrelated to other topics.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Carter Wigfall's life, education, career, and family.\u003c/p\u003e","\u003cp\u003eThis series is comprised of clippings and other manuscripts related to the life of Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of materials related to Mary Carter Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material primarily relating to Mary Carter Wigfall's teaching and directorial career at both Maggie Walker High School as well as the Migrant Childcare Center such as correspondence, clippings, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to Mary Carter Wigfall's artistic career, sketches, drawings, and photographs of her weavings.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of Mary Carter Wigfall unrelated to other topics.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of material relating to the Carter family preceding Mary Carter Wigfall such as family reunion documents and more.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, family albums, books, and other material related to the joined Benjamin Wigfall and Mary Carter Wigfall family.\u003c/p\u003e","\u003cp\u003eThis sub-series contains manuscript material related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains albums related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains financial documents related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Communications Village organization.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents relating to the foundation of Communications Village Ltd., such as directorial information, staff information, proposals, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains financial documents related to Communications Village, including grant proposals and applications, as well as donation requests, receipts, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains newspaper and magazine articles written about Communications Village.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials related to workshops and exhibitions held with Communications Village, such as ephemera, press releases, photographs, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains a series of transcribed oral interviews from Poughkeepsie, NY residents.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents and photographs related to the 1976 Intaglio Prints Editions exhibition in which 10 artists created intaglio prints for the students of Communications Village to reproduce for sale.\u003c/p\u003e","\u003cp\u003eThis sub-series contains posters created at Communications Village.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to the building that housed Communications Village.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents relating to the administrative work of Watermark/Cargo, such as directorial information, staff information, proposals, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains ephemera related to exhibitions held at Watermark/Cargo.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material such as resumes and articles collected by Wigfall relating to the exhibiting artists of Watermark/Cargo, as well as slides sent by the exhibiting artists for review.\u003c/p\u003e","\u003cp\u003eThis sub-series contains clippings and newspaper articles written about Watermark/Cargo.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of the Watermark/Cargo gallery and exhibitions.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material such as postcards, articles, and other documents that could have inspired aspects of Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis sub-series contains correspondence related to the Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis sub-series contains records of art dealings done with the Watermark/Cargo Gallery.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, lesson plans, newspaper clippings, ephemera, slides, negatives, and more related to the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis series contains documents related to the founding and planning of the Migrant Childcare Center, directed by Mary Carter Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains financial documents related to the Migrant Children's Center, including grant proposals and applications, as well as donation requests.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs of the children and staff of the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis sub-series contains ephemera related to the summer programs run by Mary Carter Wigfall through the Migrant Children's Center in her own home at New Paltz, NY.\u003c/p\u003e","\u003cp\u003eThis sub-series contains art projects created by the students and staff of the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis sub-series contains articles written about the Migrant Children's Center.\u003c/p\u003e","\u003cp\u003eThis series is comprised of photographs, slides, negatives, newspaper clippings, correspondence, posters, and more related to Wigfall's communities in New York.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York.\u003c/p\u003e","\u003cp\u003eThis sub-series contains articles, posters, photographs, and more related to the SCORE organization, also known as the Strand Community Organization for the Rehabilitation of the Environment.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs, slides, and negatives of community residents around Wigfall's home in New York.\u003c/p\u003e","\u003cp\u003eThis series consists of etching plates, carved printing blocks, particle board, audio tapes, records, CD's, photographs, slides, negatives, and more materials related to the art and printmaking of Benjamin L. Wigfall and other related artists.\u003c/p\u003e","\u003cp\u003eThis sub-series contains printing plates and blocks created by Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains preliminary artwork created by Benjamin L. Wigfall such as loose sketches, sketchbooks, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains four cut-outs related to Wigfall's \"Jumprope Girl\" and \"Composition\" (1952-1954) prints.\u003c/p\u003e","\u003cp\u003eThis sub-series contains printing plates and blocks created by artists around and related to Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains prints created by young artists around and related to Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains slides and negatives of Benjamin L. Wigfall's artwork.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs and reproductions of Benjamin L. Wigfall's artwork.\u003c/p\u003e","\u003cp\u003eThis sub-series contains audio and visual material related to Benjamin L. Wigfall and his life.\u003c/p\u003e","\u003cp\u003eThis series contains photographs and metal plates related to respective photography projects.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs taken of African American women in Ulster County, NY.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs and metal plates of Benjamin L. Wigfall and Patricia Jow Kagemoto in themed Western attire.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, photographs, slides, negatives, newspaper clippings, ephemera, and more related to other artists and friends around Benjamin L. Wigfall.\u003c/p\u003e","\u003cp\u003eThis sub-series contains correspondence between Wigfall and other artists and friends in his life.\u003c/p\u003e","\u003cp\u003eThis sub-series contains ephemera of other artist's exhibitions that Benjamin L. Wigfall was presumably invited to attend.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of photographs of other artists' artwork.\u003c/p\u003e","\u003cp\u003eThis sub-series is comprised of photographs and slides of other artists and friends in Wigfall's life.\u003c/p\u003e","\u003cp\u003eThis sub-series contains articles written about other artists and friends within Wigfalls life.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Thomas Cannon such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Yale Epstien such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Ernest Frazier such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Richard Frumess such as articles, correspondence, and more.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material related to Patricia Jow Kagemoto such as articles, correspondence, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.","This series is compromised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Wigfall's life, education, career, and family.","This sub-series is comprised of Benjamin L. Wigfall's biographical material such as resumes, certificates, photos, and other related materials.","This sub-series is comprised of materials related to Benjamin L. Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Wigfall's teaching careers at Hampton Institute and SUNY New Paltz such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to the Wigfall Family preceding Benjamin L. Wigfall such as family reunion documents and more.","This sub-series is comprised of material relating to Wigfall's artistic career, such as exhibition ephemera, exhibition correspondence, magazines, photographs, and more.","This sub-series is comprised of material relating to awards and accolades recieved by Wigfall.","This sub-series contains material relating to Wigfall's death on February 9th, 2017, such as obituaries, funeral texts, articles, and funeral invitations.","This sub-series contains photographs of Benjamin L. Wigfall unrelated to other topics.","This series is comprised of correspondence, clippings, photographs, magazines, art reproductions, and other material related to Carter Wigfall's life, education, career, and family.","This series is comprised of clippings and other manuscripts related to the life of Mary Carter Wigfall.","This sub-series is comprised of materials related to Mary Carter Wigfall's education from primary school to college such as correspondence, clippings, photographs, report cards, and more.","This sub-series is comprised of material primarily relating to Mary Carter Wigfall's teaching and directorial career at both Maggie Walker High School as well as the Migrant Childcare Center such as correspondence, clippings, photographs, and more.","This sub-series is comprised of material relating to Mary Carter Wigfall's artistic career, sketches, drawings, and photographs of her weavings.","This sub-series contains photographs of Mary Carter Wigfall unrelated to other topics.","This sub-series is comprised of material relating to the Carter family preceding Mary Carter Wigfall such as family reunion documents and more.","This series is comprised of correspondence, photographs, family albums, books, and other material related to the joined Benjamin Wigfall and Mary Carter Wigfall family.","This sub-series contains manuscript material related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains albums related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains photographs related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This sub-series contains financial documents related to the immediate family of Benjamin L. Wigfall and Mary Carter Wigfall.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Communications Village organization.","This sub-series contains documents relating to the foundation of Communications Village Ltd., such as directorial information, staff information, proposals, and more.","This sub-series contains financial documents related to Communications Village, including grant proposals and applications, as well as donation requests, receipts, and more.","This sub-series contains newspaper and magazine articles written about Communications Village.","This sub-series contains materials related to workshops and exhibitions held with Communications Village, such as ephemera, press releases, photographs, and more.","This sub-series contains a series of transcribed oral interviews from Poughkeepsie, NY residents.","This sub-series contains documents and photographs related to the 1976 Intaglio Prints Editions exhibition in which 10 artists created intaglio prints for the students of Communications Village to reproduce for sale.","This sub-series contains posters created at Communications Village.","This sub-series contains material related to the building that housed Communications Village.","This series is comprised of correspondence, photographs, posters, newspaper clippings, ephemera, slides, negatives, and more related to the Watermark/Cargo Gallery.","This sub-series contains documents relating to the administrative work of Watermark/Cargo, such as directorial information, staff information, proposals, and more.","This sub-series contains ephemera related to exhibitions held at Watermark/Cargo.","This sub-series contains material such as resumes and articles collected by Wigfall relating to the exhibiting artists of Watermark/Cargo, as well as slides sent by the exhibiting artists for review.","This sub-series contains clippings and newspaper articles written about Watermark/Cargo.","This sub-series contains photographs of the Watermark/Cargo gallery and exhibitions.","This sub-series contains material such as postcards, articles, and other documents that could have inspired aspects of Watermark/Cargo Gallery.","This sub-series contains correspondence related to the Watermark/Cargo Gallery.","This sub-series contains records of art dealings done with the Watermark/Cargo Gallery.","This series is comprised of correspondence, photographs, lesson plans, newspaper clippings, ephemera, slides, negatives, and more related to the Migrant Children's Center.","This series contains documents related to the founding and planning of the Migrant Childcare Center, directed by Mary Carter Wigfall.","This sub-series contains financial documents related to the Migrant Children's Center, including grant proposals and applications, as well as donation requests.","This sub-series contains photographs of the children and staff of the Migrant Children's Center.","This sub-series contains ephemera related to the summer programs run by Mary Carter Wigfall through the Migrant Children's Center in her own home at New Paltz, NY.","This sub-series contains art projects created by the students and staff of the Migrant Children's Center.","This sub-series contains articles written about the Migrant Children's Center.","This series is comprised of photographs, slides, negatives, newspaper clippings, correspondence, posters, and more related to Wigfall's communities in New York.","This sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York.","This sub-series contains articles, posters, photographs, and more related to the SCORE organization, also known as the Strand Community Organization for the Rehabilitation of the Environment.","This sub-series contains photographs, slides, and negatives of community residents around Wigfall's home in New York.","This series consists of etching plates, carved printing blocks, particle board, audio tapes, records, CD's, photographs, slides, negatives, and more materials related to the art and printmaking of Benjamin L. Wigfall and other related artists.","This sub-series contains printing plates and blocks created by Benjamin L. Wigfall.","This sub-series contains preliminary artwork created by Benjamin L. Wigfall such as loose sketches, sketchbooks, and more.","This sub-series contains four cut-outs related to Wigfall's \"Jumprope Girl\" and \"Composition\" (1952-1954) prints.","This sub-series contains printing plates and blocks created by artists around and related to Benjamin L. Wigfall.","This sub-series contains prints created by young artists around and related to Benjamin L. Wigfall.","This sub-series contains slides and negatives of Benjamin L. Wigfall's artwork.","This sub-series contains photographs and reproductions of Benjamin L. Wigfall's artwork.","This sub-series contains audio and visual material related to Benjamin L. Wigfall and his life.","This series contains photographs and metal plates related to respective photography projects.","This sub-series contains photographs taken of African American women in Ulster County, NY.","This sub-series contains photographs and metal plates of Benjamin L. Wigfall and Patricia Jow Kagemoto in themed Western attire.","This series is comprised of correspondence, photographs, slides, negatives, newspaper clippings, ephemera, and more related to other artists and friends around Benjamin L. Wigfall.","This sub-series contains correspondence between Wigfall and other artists and friends in his life.","This sub-series contains ephemera of other artist's exhibitions that Benjamin L. Wigfall was presumably invited to attend.","This sub-series is comprised of photographs of other artists' artwork.","This sub-series is comprised of photographs and slides of other artists and friends in Wigfall's life.","This sub-series contains articles written about other artists and friends within Wigfalls life.","This sub-series contains material related to Thomas Cannon such as articles, correspondence, and more.","This sub-series contains material related to Yale Epstien such as articles, correspondence, and more.","This sub-series contains material related to Ernest Frazier such as articles, correspondence, and more.","This sub-series contains material related to Richard Frumess such as articles, correspondence, and more.","This sub-series contains material related to Patricia Jow Kagemoto such as articles, correspondence, and more."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright: http://rightsstatements.org/vocab/NoC-US/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. 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VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/ ©Benjamin Wigfall Estate. VMFA has been granted a non-exclusive license to reproduce this material for educational and publicity purposes only by the Benjamin Wigfall Estate.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/"],"abstract_html_tesm":["\u003cabstract id=\"aspace_4aa27f66a6c0c2bf8444280ed5caacf4\"\u003eThe collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"language_ssim":["English"],"total_component_count_is":397,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:56:50.129Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_465_c01_c05_c02"}},{"id":"viur_repositories_4_resources_27","type":"collection","attributes":{"title":"Dr. and Mrs. Wyatt Tee Walker collection","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_27#creator","type":"document_value","attributes":{"value":"Walker, Wyatt Tee","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_27#abstract_or_scope","type":"document_value","attributes":{"value":"This collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_27#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_27","ead_ssi":"viur_repositories_4_resources_27","_root_":"viur_repositories_4_resources_27","_nest_parent_":"viur_repositories_4_resources_27","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_27.xml","title_ssm":["Dr. and Mrs. Wyatt Tee Walker collection"],"title_tesim":["Dr. and Mrs. Wyatt Tee Walker collection"],"unitdate_ssm":["1953-2016"],"unitdate_inclusive_ssm":["1953-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-24","/repositories/4/resources/27"],"text":["MS-24","/repositories/4/resources/27","Dr. and Mrs. Wyatt Tee Walker collection","Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)","Civil rights","Civil rights movements","Civil rights demonstrations","Civil rights workers","State action (Civil rights)","African American civil rights workers","Women civil rights workers","African American women civil rights workers","Civil rights -- America","Civil rights -- Religious aspects","Black people -- Civil rights","Civil rights -- Africa","African American churches","Nonbook Materials","Finance","Project management","Church management","Campaign management","Management","Scholarships","Voter registration","Freedom Rides, 1961","Boycotts","Segregation","Racism","Race relations","Social justice","Christianity and justice","Actions and defenses","Libel and slander","Discrimination in employment","Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets","The majority of this collection is closed pending processing. Portions of four series are currently open to research, encompassing manuscript material dated through 1964.","Material is arranged into multiple series, with three series currently open for research.","Series 1:  Biographical: Theresa Ann Walker Series 2: Biographical: Wyatt Tee Walker Subseries 2.2: Correspondence Subseries 2.3: Civil Rights and Religious Work Series 3: Gillfield Baptist Church Subseries 3.1: Sermons Subseries 3.2: Programs and ephemera Subseries 3.3: Administrative records Series 4: Southern Christian Leadership Conference Subseries 4.1: Administrative Subseries 4.2: Correspondence Subseries 4.3: Publications Subseries 4.4: Programs and campaigns Subseries 4.5: Legal work Subseries 4.6: Related organizations Subseries 4.7: Dr. Martin Luther King, Jr.","The series currently includes three subseries: Subseries 2.1, Childhood and Education, 2.2 Correspondence, and Subseries 2.3, Civil Rights and Religious work.","Material is organized into seven subseries:","Subseries 4.1: Administrative,  Subseries 4.2: Correspondence, Subseries 4.3: Publications,   Subseries 4.4: Programs,  Subseries 4.5: Legal work,  Subseries 4.6: Related organizations, Subseries 4.7: Dr. Martin Luther King, Jr.","The Reverend Dr. Wyatt Tee Walker was born August 16, 1928 in Brockton, Massachusetts. Raised primarily in Merchantville, New Jersey, Walker attended Virginia Union University in Richmond, Virginia, earning bachelor's degrees in chemistry and physics before attending VUU's seminary school for his Masters of Divinity. During his time at VUU, he married his wife, Theresa Ann Walker née Edwards, who would remain an active partner at his side throughout his life. While in seminary, Walker was the head of the university's Inter-Seminary Movement, where he first met Dr. Martin Luther King, Jr. Walker and King would remain friends until King's assassination in 1968.","After graduating from seminary, Walker was called in 1953 to serve as the pastor of the historic Gillfield Baptist Church in Petersburg, Virginia, serving until 1960. During this time he founded the Petersburg Improvement Association, served as president for the local National Association for the Advancement of Colored People (NAACP) chapter, and co-founded and served as state director for the Congress of Racial Equality (CORE). He also actively worked to integrate the city of Petersburg, successfully desegregating the Petersburg Public Library, lunch counters, and bus stops in the city.","In 1960, Walker was recruited to serve as the first full-time executive director and chief strategist of the Southern Christian Leadership Conference (SCLC), Dr. King's civil rights organization. He served in this role until 1964, overseeing the organization of several notable events in the Civil Rights Movement, including Project \"C\", SCLC's involvement in the Birmingham campaign, and the 1964 March on Washington for Jobs and Freedom. In 1961, Walker and his wife were arrested as Freedom Riders in Jackson, Mississippi. Mrs. Walker also survived a hotel bombing with their children and multiple other arrests for her role in the Civil Rights Movement.","After leaving SCLC in 1964, Walker worked with the Negro Heritage Library, an organization focused on getting Black literature into the public education system. In 1968 Dr. Walker was called to serve as senior pastor at Canaan Baptist Church of Christ in Harlem, New York, where he served for 37 years. He was installed as pastor in late March by Dr. Martin Luther King, Jr., who gave his final sermon in New York City at the installation service before his assassination a few weeks later. Walker then organized King's funeral in New York City at the express request of Coretta Scott King, an event he would later call \"the crowning achievement of my organizational career.\" He would prove to be a productive pastor for Canaan, at one point receiving a million dollars annually in tithes, expanding the church building, and leading multiple church trips to the Holy Land and other international destinations including Japan.","During his time at Canaan, Walker continued his civil rights work, expanding his scope to international civil rights, serving on the board of Al Sharpton's National Action Network and a number of other organizations. A vocal supporter of anti-apartheid, Walker visited South Africa several times, serving as an election monitor in Souther Africa's first open election and becoming close friends with Nelson Mandela, who would visit Canaan Baptist Church as one of his first stops on his first presidential visit to the United States. Walker also worked with Governor Nelson Rockefeller as a special assistant on urban affairs. When national banks pulled out of Harlem, Walker opened Freedom National Bank to serve the Black community. He also developed a number of public housing projects, at one time acting as the largest single public housing developer in New York. Frustrated with the failures of the public education system, Walker worked to help pass the New York State charter school law and co-found the first charter school in the state, the Sisulu-Walker Charter School of Harlem. ","In his down time, Walker enjoyed sailing, belonging to a local yacht club in Yonkers, New York, and photography. After receiving a doctorate in ethnomusicology from Colgate-Rochester Divinity School, he went on to teach seminary classes at Virginia Union University and United Theological Seminary in Dayton, Ohio.","Walker retired from Canaan Baptist Church of Christ in 2004 after a series of strokes, moving to Chester, Virginia. In 2015 he and Mrs. Walker donated the Dr. and Mrs. Wyatt Tee Walker Collection to the University of Richmond, recording an oral history with the university in 2016. He remained in Virginia with his wife until his death at the age of 89 on January 23, 2018.","Processed by Taylor McNeilly and Andrea Kohashi.","Although portions of it are publicly available, this series is still in progress, and it is likely that Subseries 2.3 will expand rapidly with the addition of Walker's extensive writings.","Subseries 2.3 is likely to expand in the future with the addition of Walker's extensive writings on Civil Rights.","Materials in this collection include personal papers and administrative files of Dr. Walker, audio recordings of church services he led primarily at Canaan Baptist Church of Christ, photographs and slides taken by Dr. Walker and his family, honors and awards given to Dr. and Mrs. Walker, Dr. Walker's personal library, Dr. Walker's published books, and other memorabilia and ephemera. Also included is an oral history performed with Dr. Walker and his wife.","Series 1, Biographical: Theresa Ann Walker, currently includes notes on arrests, and arrest records.","This series contains material related to Dr. Walker's personal and professional activities outside of Gillfield, Canaan, and the SCLC.","Subseries 2.2: Correspondence, includes personal correspondence from or to Dr. and Mrs. Walker.","This folder contains a 1963 version of the musical  Jerico-Jim-Crow-Jerico .","Subseries 2.3, Civil Rights and Religious work, includes material pertaining to Walker's religious and civil rights activities not connected to Gillfield Baptist Church, Canaan Baptist Church of Christ, or the SCLC. It includes material concerning his efforts to integrate the Petersburg, VA library, and service programs from other churches like the Mount Level Baptist Church.","Series 3, Gillfield Baptist Church, includes material pertaining to Dr. Walker's work as pastor there like sermons, service programs, and meeting minutes.","Subseries 3.1, Sermons, contains notes and sermons from Walker's tenure at Gillfield Baptist Church. The material is organized as we received it, some topically and some chronologically. Often the service program is included with the sermon script or outline.","Topics include Thanksgiving, etc.","Series 3.2, Programs and ephemera, consists of programs and other items from Gillfield Baptist Church. These materials are organized chronologically.","Subseries 3.3, Administrative, has financial and correspondence records from Walker's time at Gillfield, including from his installation as pastor in 1953.","Series 4, Southern Christian Leadership Conference contains all material from Dr. Walker's time as executive director of SCLC, including programs, notes, administrative and legal documents, campaign materials and correspondence.","Subseries 4.1, Administrative, includes administrative records from Walker's time at SCLC, comprised of meeting minutes, reports, internal memos, and other financial documentation.","Subseries 4.2: Correspondence, includes general correspondence from SCLC, as well as specific correspondence dealing with the Birmingham campaign. Materials are organized chronolgocially.","Subseries 4.3: Publications includes official material published by SCLC, such as advertisements, press releases, pamhplets, and more.","Subseries 4.4: Programs and campaigns includes notes and promotional material related to specific programs or campaigns run by SCLC during Walker's time with the organization.","Subseries 4.5: Legal work includes records of legal action taken by SCLC. The materials are organized chronologically.","Subseries 4.6: Related organizations includes materials from other (mainly legal and civil rights) organizations that Walker and SCLC worked with.","Subseries 4.7: Dr. Martin Luther King, Jr. includes speeches, notes, writings, correspondence, and other printed material directly relating to Dr. King in his work with Walker at SCLC.","Dr. Walker's personal library has been separated from the collection and is housed within the Galvin Rare Book Room. These items can be found in our online catalog by searching \"Dr. \u0026 Mrs. Wyatt Tee Walker Collection.\"","This collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker.","University of Richmond ","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights","United States. Civil Rights Act of 1964","Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987","English"],"unitid_tesim":["MS-24","/repositories/4/resources/27"],"normalized_title_ssm":["Dr. and Mrs. Wyatt Tee Walker collection"],"collection_title_tesim":["Dr. and Mrs. Wyatt Tee Walker collection"],"collection_ssim":["Dr. and Mrs. Wyatt Tee Walker collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)"],"geogname_ssim":["Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)"],"creator_ssm":["Walker, Wyatt Tee","Walker, Theresa Ann","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"creator_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"creator_persname_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968"],"creator_corpname_ssim":["Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"creators_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"places_ssim":["Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)"],"acqinfo_ssim":["Material was donated to the university by Dr. Walker, his wife, and their family."],"access_subjects_ssim":["Civil rights","Civil rights movements","Civil rights demonstrations","Civil rights workers","State action (Civil rights)","African American civil rights workers","Women civil rights workers","African American women civil rights workers","Civil rights -- America","Civil rights -- Religious aspects","Black people -- Civil rights","Civil rights -- Africa","African American churches","Nonbook Materials","Finance","Project management","Church management","Campaign management","Management","Scholarships","Voter registration","Freedom Rides, 1961","Boycotts","Segregation","Racism","Race relations","Social justice","Christianity and justice","Actions and defenses","Libel and slander","Discrimination in employment","Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets"],"access_subjects_ssm":["Civil rights","Civil rights movements","Civil rights demonstrations","Civil rights workers","State action (Civil rights)","African American civil rights workers","Women civil rights workers","African American women civil rights workers","Civil rights -- America","Civil rights -- Religious aspects","Black people -- Civil rights","Civil rights -- Africa","African American churches","Nonbook Materials","Finance","Project management","Church management","Campaign management","Management","Scholarships","Voter registration","Freedom Rides, 1961","Boycotts","Segregation","Racism","Race relations","Social justice","Christianity and justice","Actions and defenses","Libel and slander","Discrimination in employment","Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets"],"has_online_content_ssim":["false"],"extent_ssm":["50 Linear Feet"],"extent_tesim":["50 Linear Feet"],"physfacet_tesim":["This is an approximate estimate while we wait for the final deposit and complete processing."],"genreform_ssim":["Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of this collection is closed pending processing. Portions of four series are currently open to research, encompassing manuscript material dated through 1964.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The majority of this collection is closed pending processing. Portions of four series are currently open to research, encompassing manuscript material dated through 1964."],"arrangement_html_tesm":["\u003cp\u003eMaterial is arranged into multiple series, with three series currently open for research.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003e\u003cemph\u003eSeries 1:\u003c/emph\u003e Biographical: Theresa Ann Walker\u003c/item\u003e\n      \u003citem\u003eSeries 2: Biographical: Wyatt Tee Walker\u003c/item\u003e\n      \u003citem\u003eSubseries 2.2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSubseries 2.3: Civil Rights and Religious Work\u003c/item\u003e\n      \u003citem\u003eSeries 3: Gillfield Baptist Church\u003c/item\u003e\n      \u003citem\u003eSubseries 3.1: Sermons\u003c/item\u003e\n      \u003citem\u003eSubseries 3.2: Programs and ephemera\u003c/item\u003e\n      \u003citem\u003eSubseries 3.3: Administrative records\u003c/item\u003e\n      \u003citem\u003eSeries 4: Southern Christian Leadership Conference\u003c/item\u003e\n      \u003citem\u003eSubseries 4.1: Administrative\u003c/item\u003e\n      \u003citem\u003eSubseries 4.2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSubseries 4.3: Publications\u003c/item\u003e\n      \u003citem\u003eSubseries 4.4: Programs and campaigns\u003c/item\u003e\n      \u003citem\u003eSubseries 4.5: Legal work\u003c/item\u003e\n      \u003citem\u003eSubseries 4.6: Related organizations\u003c/item\u003e\n      \u003citem\u003eSubseries 4.7: Dr. Martin Luther King, Jr.\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series currently includes three subseries: Subseries 2.1, Childhood and Education, 2.2 Correspondence, and Subseries 2.3, Civil Rights and Religious work.\u003c/p\u003e","\u003cp\u003eMaterial is organized into seven subseries:\u003c/p\u003e\n","\u003clist numeration=\"upperalpha\" type=\"ordered\"\u003e\u003citem\u003eSubseries 4.1: Administrative, \u003c/item\u003e\u003citem\u003eSubseries 4.2: Correspondence,\u003c/item\u003e\u003citem\u003eSubseries 4.3: Publications, \u003c/item\u003e\u003citem\u003e Subseries 4.4: Programs, \u003c/item\u003e\u003citem\u003eSubseries 4.5: Legal work, \u003c/item\u003e\u003citem\u003eSubseries 4.6: Related organizations,\u003c/item\u003e\u003citem\u003eSubseries 4.7: Dr. Martin Luther King, Jr.\u003c/item\u003e\u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Material is arranged into multiple series, with three series currently open for research.","Series 1:  Biographical: Theresa Ann Walker Series 2: Biographical: Wyatt Tee Walker Subseries 2.2: Correspondence Subseries 2.3: Civil Rights and Religious Work Series 3: Gillfield Baptist Church Subseries 3.1: Sermons Subseries 3.2: Programs and ephemera Subseries 3.3: Administrative records Series 4: Southern Christian Leadership Conference Subseries 4.1: Administrative Subseries 4.2: Correspondence Subseries 4.3: Publications Subseries 4.4: Programs and campaigns Subseries 4.5: Legal work Subseries 4.6: Related organizations Subseries 4.7: Dr. Martin Luther King, Jr.","The series currently includes three subseries: Subseries 2.1, Childhood and Education, 2.2 Correspondence, and Subseries 2.3, Civil Rights and Religious work.","Material is organized into seven subseries:","Subseries 4.1: Administrative,  Subseries 4.2: Correspondence, Subseries 4.3: Publications,   Subseries 4.4: Programs,  Subseries 4.5: Legal work,  Subseries 4.6: Related organizations, Subseries 4.7: Dr. Martin Luther King, Jr."],"bioghist_html_tesm":["\u003cp\u003eThe Reverend Dr. Wyatt Tee Walker was born August 16, 1928 in Brockton, Massachusetts. Raised primarily in Merchantville, New Jersey, Walker attended Virginia Union University in Richmond, Virginia, earning bachelor's degrees in chemistry and physics before attending VUU's seminary school for his Masters of Divinity. During his time at VUU, he married his wife, Theresa Ann Walker née Edwards, who would remain an active partner at his side throughout his life. While in seminary, Walker was the head of the university's Inter-Seminary Movement, where he first met Dr. Martin Luther King, Jr. Walker and King would remain friends until King's assassination in 1968.\u003c/p\u003e\n","\u003cp\u003eAfter graduating from seminary, Walker was called in 1953 to serve as the pastor of the historic Gillfield Baptist Church in Petersburg, Virginia, serving until 1960. During this time he founded the Petersburg Improvement Association, served as president for the local National Association for the Advancement of Colored People (NAACP) chapter, and co-founded and served as state director for the Congress of Racial Equality (CORE). He also actively worked to integrate the city of Petersburg, successfully desegregating the Petersburg Public Library, lunch counters, and bus stops in the city.\u003c/p\u003e\n","\u003cp\u003eIn 1960, Walker was recruited to serve as the first full-time executive director and chief strategist of the Southern Christian Leadership Conference (SCLC), Dr. King's civil rights organization. He served in this role until 1964, overseeing the organization of several notable events in the Civil Rights Movement, including Project \"C\", SCLC's involvement in the Birmingham campaign, and the 1964 March on Washington for Jobs and Freedom. In 1961, Walker and his wife were arrested as Freedom Riders in Jackson, Mississippi. Mrs. Walker also survived a hotel bombing with their children and multiple other arrests for her role in the Civil Rights Movement.\u003c/p\u003e\n","\u003cp\u003eAfter leaving SCLC in 1964, Walker worked with the Negro Heritage Library, an organization focused on getting Black literature into the public education system. In 1968 Dr. Walker was called to serve as senior pastor at Canaan Baptist Church of Christ in Harlem, New York, where he served for 37 years. He was installed as pastor in late March by Dr. Martin Luther King, Jr., who gave his final sermon in New York City at the installation service before his assassination a few weeks later. Walker then organized King's funeral in New York City at the express request of Coretta Scott King, an event he would later call \"the crowning achievement of my organizational career.\" He would prove to be a productive pastor for Canaan, at one point receiving a million dollars annually in tithes, expanding the church building, and leading multiple church trips to the Holy Land and other international destinations including Japan.\u003c/p\u003e\n","\u003cp\u003eDuring his time at Canaan, Walker continued his civil rights work, expanding his scope to international civil rights, serving on the board of Al Sharpton's National Action Network and a number of other organizations. A vocal supporter of anti-apartheid, Walker visited South Africa several times, serving as an election monitor in Souther Africa's first open election and becoming close friends with Nelson Mandela, who would visit Canaan Baptist Church as one of his first stops on his first presidential visit to the United States. Walker also worked with Governor Nelson Rockefeller as a special assistant on urban affairs. When national banks pulled out of Harlem, Walker opened Freedom National Bank to serve the Black community. He also developed a number of public housing projects, at one time acting as the largest single public housing developer in New York. Frustrated with the failures of the public education system, Walker worked to help pass the New York State charter school law and co-found the first charter school in the state, the Sisulu-Walker Charter School of Harlem. \u003c/p\u003e\n","\u003cp\u003eIn his down time, Walker enjoyed sailing, belonging to a local yacht club in Yonkers, New York, and photography. After receiving a doctorate in ethnomusicology from Colgate-Rochester Divinity School, he went on to teach seminary classes at Virginia Union University and United Theological Seminary in Dayton, Ohio.\u003c/p\u003e\n","\u003cp\u003eWalker retired from Canaan Baptist Church of Christ in 2004 after a series of strokes, moving to Chester, Virginia. In 2015 he and Mrs. Walker donated the Dr. and Mrs. Wyatt Tee Walker Collection to the University of Richmond, recording an oral history with the university in 2016. He remained in Virginia with his wife until his death at the age of 89 on January 23, 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Reverend Dr. Wyatt Tee Walker was born August 16, 1928 in Brockton, Massachusetts. Raised primarily in Merchantville, New Jersey, Walker attended Virginia Union University in Richmond, Virginia, earning bachelor's degrees in chemistry and physics before attending VUU's seminary school for his Masters of Divinity. During his time at VUU, he married his wife, Theresa Ann Walker née Edwards, who would remain an active partner at his side throughout his life. While in seminary, Walker was the head of the university's Inter-Seminary Movement, where he first met Dr. Martin Luther King, Jr. Walker and King would remain friends until King's assassination in 1968.","After graduating from seminary, Walker was called in 1953 to serve as the pastor of the historic Gillfield Baptist Church in Petersburg, Virginia, serving until 1960. During this time he founded the Petersburg Improvement Association, served as president for the local National Association for the Advancement of Colored People (NAACP) chapter, and co-founded and served as state director for the Congress of Racial Equality (CORE). He also actively worked to integrate the city of Petersburg, successfully desegregating the Petersburg Public Library, lunch counters, and bus stops in the city.","In 1960, Walker was recruited to serve as the first full-time executive director and chief strategist of the Southern Christian Leadership Conference (SCLC), Dr. King's civil rights organization. He served in this role until 1964, overseeing the organization of several notable events in the Civil Rights Movement, including Project \"C\", SCLC's involvement in the Birmingham campaign, and the 1964 March on Washington for Jobs and Freedom. In 1961, Walker and his wife were arrested as Freedom Riders in Jackson, Mississippi. Mrs. Walker also survived a hotel bombing with their children and multiple other arrests for her role in the Civil Rights Movement.","After leaving SCLC in 1964, Walker worked with the Negro Heritage Library, an organization focused on getting Black literature into the public education system. In 1968 Dr. Walker was called to serve as senior pastor at Canaan Baptist Church of Christ in Harlem, New York, where he served for 37 years. He was installed as pastor in late March by Dr. Martin Luther King, Jr., who gave his final sermon in New York City at the installation service before his assassination a few weeks later. Walker then organized King's funeral in New York City at the express request of Coretta Scott King, an event he would later call \"the crowning achievement of my organizational career.\" He would prove to be a productive pastor for Canaan, at one point receiving a million dollars annually in tithes, expanding the church building, and leading multiple church trips to the Holy Land and other international destinations including Japan.","During his time at Canaan, Walker continued his civil rights work, expanding his scope to international civil rights, serving on the board of Al Sharpton's National Action Network and a number of other organizations. A vocal supporter of anti-apartheid, Walker visited South Africa several times, serving as an election monitor in Souther Africa's first open election and becoming close friends with Nelson Mandela, who would visit Canaan Baptist Church as one of his first stops on his first presidential visit to the United States. Walker also worked with Governor Nelson Rockefeller as a special assistant on urban affairs. When national banks pulled out of Harlem, Walker opened Freedom National Bank to serve the Black community. He also developed a number of public housing projects, at one time acting as the largest single public housing developer in New York. Frustrated with the failures of the public education system, Walker worked to help pass the New York State charter school law and co-found the first charter school in the state, the Sisulu-Walker Charter School of Harlem. ","In his down time, Walker enjoyed sailing, belonging to a local yacht club in Yonkers, New York, and photography. After receiving a doctorate in ethnomusicology from Colgate-Rochester Divinity School, he went on to teach seminary classes at Virginia Union University and United Theological Seminary in Dayton, Ohio.","Walker retired from Canaan Baptist Church of Christ in 2004 after a series of strokes, moving to Chester, Virginia. In 2015 he and Mrs. Walker donated the Dr. and Mrs. Wyatt Tee Walker Collection to the University of Richmond, recording an oral history with the university in 2016. He remained in Virginia with his wife until his death at the age of 89 on January 23, 2018."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-24, the Dr. and Mrs. Wyatt Tee Walker Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-24, the Dr. and Mrs. Wyatt Tee Walker Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Taylor McNeilly and Andrea Kohashi.\u003c/p\u003e","\u003cp\u003eAlthough portions of it are publicly available, this series is still in progress, and it is likely that Subseries 2.3 will expand rapidly with the addition of Walker's extensive writings.\u003c/p\u003e","\u003cp\u003eSubseries 2.3 is likely to expand in the future with the addition of Walker's extensive writings on Civil Rights.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Processed by Taylor McNeilly and Andrea Kohashi.","Although portions of it are publicly available, this series is still in progress, and it is likely that Subseries 2.3 will expand rapidly with the addition of Walker's extensive writings.","Subseries 2.3 is likely to expand in the future with the addition of Walker's extensive writings on Civil Rights."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in this collection include personal papers and administrative files of Dr. Walker, audio recordings of church services he led primarily at Canaan Baptist Church of Christ, photographs and slides taken by Dr. Walker and his family, honors and awards given to Dr. and Mrs. Walker, Dr. Walker's personal library, Dr. Walker's published books, and other memorabilia and ephemera. Also included is an oral history performed with Dr. Walker and his wife.\u003c/p\u003e","\u003cp\u003eSeries 1, Biographical: Theresa Ann Walker, currently includes notes on arrests, and arrest records.\u003c/p\u003e","\u003cp\u003eThis series contains material related to Dr. Walker's personal and professional activities outside of Gillfield, Canaan, and the SCLC.\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Correspondence, includes personal correspondence from or to Dr. and Mrs. Walker.\u003c/p\u003e","\u003cp\u003eThis folder contains a 1963 version of the musical \u003ctitle\u003eJerico-Jim-Crow-Jerico\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Civil Rights and Religious work, includes material pertaining to Walker's religious and civil rights activities not connected to Gillfield Baptist Church, Canaan Baptist Church of Christ, or the SCLC. It includes material concerning his efforts to integrate the Petersburg, VA library, and service programs from other churches like the Mount Level Baptist Church.\u003c/p\u003e","\u003cp\u003eSeries 3, Gillfield Baptist Church, includes material pertaining to Dr. Walker's work as pastor there like sermons, service programs, and meeting minutes.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Sermons, contains notes and sermons from Walker's tenure at Gillfield Baptist Church. The material is organized as we received it, some topically and some chronologically. Often the service program is included with the sermon script or outline.\u003c/p\u003e","\u003cp\u003eTopics include Thanksgiving, etc.\u003c/p\u003e","\u003cp\u003eSeries 3.2, Programs and ephemera, consists of programs and other items from Gillfield Baptist Church. These materials are organized chronologically.\u003c/p\u003e","\u003cp\u003eSubseries 3.3, Administrative, has financial and correspondence records from Walker's time at Gillfield, including from his installation as pastor in 1953.\u003c/p\u003e","\u003cp\u003eSeries 4, Southern Christian Leadership Conference contains all material from Dr. Walker's time as executive director of SCLC, including programs, notes, administrative and legal documents, campaign materials and correspondence.\u003c/p\u003e","\u003cp\u003eSubseries 4.1, Administrative, includes administrative records from Walker's time at SCLC, comprised of meeting minutes, reports, internal memos, and other financial documentation.\u003c/p\u003e","\u003cp\u003eSubseries 4.2: Correspondence, includes general correspondence from SCLC, as well as specific correspondence dealing with the Birmingham campaign. Materials are organized chronolgocially.\u003c/p\u003e","\u003cp\u003eSubseries 4.3: Publications includes official material published by SCLC, such as advertisements, press releases, pamhplets, and more.\u003c/p\u003e","\u003cp\u003eSubseries 4.4: Programs and campaigns includes notes and promotional material related to specific programs or campaigns run by SCLC during Walker's time with the organization.\u003c/p\u003e","\u003cp\u003eSubseries 4.5: Legal work includes records of legal action taken by SCLC. The materials are organized chronologically.\u003c/p\u003e","\u003cp\u003eSubseries 4.6: Related organizations includes materials from other (mainly legal and civil rights) organizations that Walker and SCLC worked with.\u003c/p\u003e","\u003cp\u003eSubseries 4.7: Dr. Martin Luther King, Jr. includes speeches, notes, writings, correspondence, and other printed material directly relating to Dr. King in his work with Walker at SCLC.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Materials in this collection include personal papers and administrative files of Dr. Walker, audio recordings of church services he led primarily at Canaan Baptist Church of Christ, photographs and slides taken by Dr. Walker and his family, honors and awards given to Dr. and Mrs. Walker, Dr. Walker's personal library, Dr. Walker's published books, and other memorabilia and ephemera. Also included is an oral history performed with Dr. Walker and his wife.","Series 1, Biographical: Theresa Ann Walker, currently includes notes on arrests, and arrest records.","This series contains material related to Dr. Walker's personal and professional activities outside of Gillfield, Canaan, and the SCLC.","Subseries 2.2: Correspondence, includes personal correspondence from or to Dr. and Mrs. Walker.","This folder contains a 1963 version of the musical  Jerico-Jim-Crow-Jerico .","Subseries 2.3, Civil Rights and Religious work, includes material pertaining to Walker's religious and civil rights activities not connected to Gillfield Baptist Church, Canaan Baptist Church of Christ, or the SCLC. It includes material concerning his efforts to integrate the Petersburg, VA library, and service programs from other churches like the Mount Level Baptist Church.","Series 3, Gillfield Baptist Church, includes material pertaining to Dr. Walker's work as pastor there like sermons, service programs, and meeting minutes.","Subseries 3.1, Sermons, contains notes and sermons from Walker's tenure at Gillfield Baptist Church. The material is organized as we received it, some topically and some chronologically. Often the service program is included with the sermon script or outline.","Topics include Thanksgiving, etc.","Series 3.2, Programs and ephemera, consists of programs and other items from Gillfield Baptist Church. These materials are organized chronologically.","Subseries 3.3, Administrative, has financial and correspondence records from Walker's time at Gillfield, including from his installation as pastor in 1953.","Series 4, Southern Christian Leadership Conference contains all material from Dr. Walker's time as executive director of SCLC, including programs, notes, administrative and legal documents, campaign materials and correspondence.","Subseries 4.1, Administrative, includes administrative records from Walker's time at SCLC, comprised of meeting minutes, reports, internal memos, and other financial documentation.","Subseries 4.2: Correspondence, includes general correspondence from SCLC, as well as specific correspondence dealing with the Birmingham campaign. Materials are organized chronolgocially.","Subseries 4.3: Publications includes official material published by SCLC, such as advertisements, press releases, pamhplets, and more.","Subseries 4.4: Programs and campaigns includes notes and promotional material related to specific programs or campaigns run by SCLC during Walker's time with the organization.","Subseries 4.5: Legal work includes records of legal action taken by SCLC. The materials are organized chronologically.","Subseries 4.6: Related organizations includes materials from other (mainly legal and civil rights) organizations that Walker and SCLC worked with.","Subseries 4.7: Dr. Martin Luther King, Jr. includes speeches, notes, writings, correspondence, and other printed material directly relating to Dr. King in his work with Walker at SCLC."],"separatedmaterial_html_tesm":["\u003cp\u003eDr. Walker's personal library has been separated from the collection and is housed within the Galvin Rare Book Room. These items can be found in our online catalog by searching \"Dr. \u0026amp; Mrs. Wyatt Tee Walker Collection.\"\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Dr. Walker's personal library has been separated from the collection and is housed within the Galvin Rare Book Room. These items can be found in our online catalog by searching \"Dr. \u0026 Mrs. Wyatt Tee Walker Collection.\""],"userestrict_heading_ssm":["Conditions Governing Use"],"abstract_html_tesm":["\u003cabstract id=\"aspace_99a2c806065b9d964d30006dd304b175\"\u003eThis collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker."],"names_coll_ssim":["Southern Christian Leadership Conference","United States. Civil Rights Act of 1964","Walker, Wyatt Tee","Walker, Theresa Ann","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","King, Martin Luther, Jr., 1929-1968","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987"],"names_ssim":["University of Richmond ","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights","United States. Civil Rights Act of 1964","Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987"],"corpname_ssim":["University of Richmond ","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights","United States. Civil Rights Act of 1964"],"persname_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":190,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-06T20:14:03.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_27","ead_ssi":"viur_repositories_4_resources_27","_root_":"viur_repositories_4_resources_27","_nest_parent_":"viur_repositories_4_resources_27","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_27.xml","title_ssm":["Dr. and Mrs. Wyatt Tee Walker collection"],"title_tesim":["Dr. and Mrs. Wyatt Tee Walker collection"],"unitdate_ssm":["1953-2016"],"unitdate_inclusive_ssm":["1953-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-24","/repositories/4/resources/27"],"text":["MS-24","/repositories/4/resources/27","Dr. and Mrs. Wyatt Tee Walker collection","Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)","Civil rights","Civil rights movements","Civil rights demonstrations","Civil rights workers","State action (Civil rights)","African American civil rights workers","Women civil rights workers","African American women civil rights workers","Civil rights -- America","Civil rights -- Religious aspects","Black people -- Civil rights","Civil rights -- Africa","African American churches","Nonbook Materials","Finance","Project management","Church management","Campaign management","Management","Scholarships","Voter registration","Freedom Rides, 1961","Boycotts","Segregation","Racism","Race relations","Social justice","Christianity and justice","Actions and defenses","Libel and slander","Discrimination in employment","Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets","The majority of this collection is closed pending processing. Portions of four series are currently open to research, encompassing manuscript material dated through 1964.","Material is arranged into multiple series, with three series currently open for research.","Series 1:  Biographical: Theresa Ann Walker Series 2: Biographical: Wyatt Tee Walker Subseries 2.2: Correspondence Subseries 2.3: Civil Rights and Religious Work Series 3: Gillfield Baptist Church Subseries 3.1: Sermons Subseries 3.2: Programs and ephemera Subseries 3.3: Administrative records Series 4: Southern Christian Leadership Conference Subseries 4.1: Administrative Subseries 4.2: Correspondence Subseries 4.3: Publications Subseries 4.4: Programs and campaigns Subseries 4.5: Legal work Subseries 4.6: Related organizations Subseries 4.7: Dr. Martin Luther King, Jr.","The series currently includes three subseries: Subseries 2.1, Childhood and Education, 2.2 Correspondence, and Subseries 2.3, Civil Rights and Religious work.","Material is organized into seven subseries:","Subseries 4.1: Administrative,  Subseries 4.2: Correspondence, Subseries 4.3: Publications,   Subseries 4.4: Programs,  Subseries 4.5: Legal work,  Subseries 4.6: Related organizations, Subseries 4.7: Dr. Martin Luther King, Jr.","The Reverend Dr. Wyatt Tee Walker was born August 16, 1928 in Brockton, Massachusetts. Raised primarily in Merchantville, New Jersey, Walker attended Virginia Union University in Richmond, Virginia, earning bachelor's degrees in chemistry and physics before attending VUU's seminary school for his Masters of Divinity. During his time at VUU, he married his wife, Theresa Ann Walker née Edwards, who would remain an active partner at his side throughout his life. While in seminary, Walker was the head of the university's Inter-Seminary Movement, where he first met Dr. Martin Luther King, Jr. Walker and King would remain friends until King's assassination in 1968.","After graduating from seminary, Walker was called in 1953 to serve as the pastor of the historic Gillfield Baptist Church in Petersburg, Virginia, serving until 1960. During this time he founded the Petersburg Improvement Association, served as president for the local National Association for the Advancement of Colored People (NAACP) chapter, and co-founded and served as state director for the Congress of Racial Equality (CORE). He also actively worked to integrate the city of Petersburg, successfully desegregating the Petersburg Public Library, lunch counters, and bus stops in the city.","In 1960, Walker was recruited to serve as the first full-time executive director and chief strategist of the Southern Christian Leadership Conference (SCLC), Dr. King's civil rights organization. He served in this role until 1964, overseeing the organization of several notable events in the Civil Rights Movement, including Project \"C\", SCLC's involvement in the Birmingham campaign, and the 1964 March on Washington for Jobs and Freedom. In 1961, Walker and his wife were arrested as Freedom Riders in Jackson, Mississippi. Mrs. Walker also survived a hotel bombing with their children and multiple other arrests for her role in the Civil Rights Movement.","After leaving SCLC in 1964, Walker worked with the Negro Heritage Library, an organization focused on getting Black literature into the public education system. In 1968 Dr. Walker was called to serve as senior pastor at Canaan Baptist Church of Christ in Harlem, New York, where he served for 37 years. He was installed as pastor in late March by Dr. Martin Luther King, Jr., who gave his final sermon in New York City at the installation service before his assassination a few weeks later. Walker then organized King's funeral in New York City at the express request of Coretta Scott King, an event he would later call \"the crowning achievement of my organizational career.\" He would prove to be a productive pastor for Canaan, at one point receiving a million dollars annually in tithes, expanding the church building, and leading multiple church trips to the Holy Land and other international destinations including Japan.","During his time at Canaan, Walker continued his civil rights work, expanding his scope to international civil rights, serving on the board of Al Sharpton's National Action Network and a number of other organizations. A vocal supporter of anti-apartheid, Walker visited South Africa several times, serving as an election monitor in Souther Africa's first open election and becoming close friends with Nelson Mandela, who would visit Canaan Baptist Church as one of his first stops on his first presidential visit to the United States. Walker also worked with Governor Nelson Rockefeller as a special assistant on urban affairs. When national banks pulled out of Harlem, Walker opened Freedom National Bank to serve the Black community. He also developed a number of public housing projects, at one time acting as the largest single public housing developer in New York. Frustrated with the failures of the public education system, Walker worked to help pass the New York State charter school law and co-found the first charter school in the state, the Sisulu-Walker Charter School of Harlem. ","In his down time, Walker enjoyed sailing, belonging to a local yacht club in Yonkers, New York, and photography. After receiving a doctorate in ethnomusicology from Colgate-Rochester Divinity School, he went on to teach seminary classes at Virginia Union University and United Theological Seminary in Dayton, Ohio.","Walker retired from Canaan Baptist Church of Christ in 2004 after a series of strokes, moving to Chester, Virginia. In 2015 he and Mrs. Walker donated the Dr. and Mrs. Wyatt Tee Walker Collection to the University of Richmond, recording an oral history with the university in 2016. He remained in Virginia with his wife until his death at the age of 89 on January 23, 2018.","Processed by Taylor McNeilly and Andrea Kohashi.","Although portions of it are publicly available, this series is still in progress, and it is likely that Subseries 2.3 will expand rapidly with the addition of Walker's extensive writings.","Subseries 2.3 is likely to expand in the future with the addition of Walker's extensive writings on Civil Rights.","Materials in this collection include personal papers and administrative files of Dr. Walker, audio recordings of church services he led primarily at Canaan Baptist Church of Christ, photographs and slides taken by Dr. Walker and his family, honors and awards given to Dr. and Mrs. Walker, Dr. Walker's personal library, Dr. Walker's published books, and other memorabilia and ephemera. Also included is an oral history performed with Dr. Walker and his wife.","Series 1, Biographical: Theresa Ann Walker, currently includes notes on arrests, and arrest records.","This series contains material related to Dr. Walker's personal and professional activities outside of Gillfield, Canaan, and the SCLC.","Subseries 2.2: Correspondence, includes personal correspondence from or to Dr. and Mrs. Walker.","This folder contains a 1963 version of the musical  Jerico-Jim-Crow-Jerico .","Subseries 2.3, Civil Rights and Religious work, includes material pertaining to Walker's religious and civil rights activities not connected to Gillfield Baptist Church, Canaan Baptist Church of Christ, or the SCLC. It includes material concerning his efforts to integrate the Petersburg, VA library, and service programs from other churches like the Mount Level Baptist Church.","Series 3, Gillfield Baptist Church, includes material pertaining to Dr. Walker's work as pastor there like sermons, service programs, and meeting minutes.","Subseries 3.1, Sermons, contains notes and sermons from Walker's tenure at Gillfield Baptist Church. The material is organized as we received it, some topically and some chronologically. Often the service program is included with the sermon script or outline.","Topics include Thanksgiving, etc.","Series 3.2, Programs and ephemera, consists of programs and other items from Gillfield Baptist Church. These materials are organized chronologically.","Subseries 3.3, Administrative, has financial and correspondence records from Walker's time at Gillfield, including from his installation as pastor in 1953.","Series 4, Southern Christian Leadership Conference contains all material from Dr. Walker's time as executive director of SCLC, including programs, notes, administrative and legal documents, campaign materials and correspondence.","Subseries 4.1, Administrative, includes administrative records from Walker's time at SCLC, comprised of meeting minutes, reports, internal memos, and other financial documentation.","Subseries 4.2: Correspondence, includes general correspondence from SCLC, as well as specific correspondence dealing with the Birmingham campaign. Materials are organized chronolgocially.","Subseries 4.3: Publications includes official material published by SCLC, such as advertisements, press releases, pamhplets, and more.","Subseries 4.4: Programs and campaigns includes notes and promotional material related to specific programs or campaigns run by SCLC during Walker's time with the organization.","Subseries 4.5: Legal work includes records of legal action taken by SCLC. The materials are organized chronologically.","Subseries 4.6: Related organizations includes materials from other (mainly legal and civil rights) organizations that Walker and SCLC worked with.","Subseries 4.7: Dr. Martin Luther King, Jr. includes speeches, notes, writings, correspondence, and other printed material directly relating to Dr. King in his work with Walker at SCLC.","Dr. Walker's personal library has been separated from the collection and is housed within the Galvin Rare Book Room. These items can be found in our online catalog by searching \"Dr. \u0026 Mrs. Wyatt Tee Walker Collection.\"","This collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker.","University of Richmond ","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights","United States. Civil Rights Act of 1964","Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987","English"],"unitid_tesim":["MS-24","/repositories/4/resources/27"],"normalized_title_ssm":["Dr. and Mrs. Wyatt Tee Walker collection"],"collection_title_tesim":["Dr. and Mrs. Wyatt Tee Walker collection"],"collection_ssim":["Dr. and Mrs. Wyatt Tee Walker collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)"],"geogname_ssim":["Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)"],"creator_ssm":["Walker, Wyatt Tee","Walker, Theresa Ann","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"creator_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"creator_persname_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968"],"creator_corpname_ssim":["Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"creators_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"places_ssim":["Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)"],"acqinfo_ssim":["Material was donated to the university by Dr. Walker, his wife, and their family."],"access_subjects_ssim":["Civil rights","Civil rights movements","Civil rights demonstrations","Civil rights workers","State action (Civil rights)","African American civil rights workers","Women civil rights workers","African American women civil rights workers","Civil rights -- America","Civil rights -- Religious aspects","Black people -- Civil rights","Civil rights -- Africa","African American churches","Nonbook Materials","Finance","Project management","Church management","Campaign management","Management","Scholarships","Voter registration","Freedom Rides, 1961","Boycotts","Segregation","Racism","Race relations","Social justice","Christianity and justice","Actions and defenses","Libel and slander","Discrimination in employment","Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets"],"access_subjects_ssm":["Civil rights","Civil rights movements","Civil rights demonstrations","Civil rights workers","State action (Civil rights)","African American civil rights workers","Women civil rights workers","African American women civil rights workers","Civil rights -- America","Civil rights -- Religious aspects","Black people -- Civil rights","Civil rights -- Africa","African American churches","Nonbook Materials","Finance","Project management","Church management","Campaign management","Management","Scholarships","Voter registration","Freedom Rides, 1961","Boycotts","Segregation","Racism","Race relations","Social justice","Christianity and justice","Actions and defenses","Libel and slander","Discrimination in employment","Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets"],"has_online_content_ssim":["false"],"extent_ssm":["50 Linear Feet"],"extent_tesim":["50 Linear Feet"],"physfacet_tesim":["This is an approximate estimate while we wait for the final deposit and complete processing."],"genreform_ssim":["Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of this collection is closed pending processing. Portions of four series are currently open to research, encompassing manuscript material dated through 1964.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The majority of this collection is closed pending processing. Portions of four series are currently open to research, encompassing manuscript material dated through 1964."],"arrangement_html_tesm":["\u003cp\u003eMaterial is arranged into multiple series, with three series currently open for research.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003e\u003cemph\u003eSeries 1:\u003c/emph\u003e Biographical: Theresa Ann Walker\u003c/item\u003e\n      \u003citem\u003eSeries 2: Biographical: Wyatt Tee Walker\u003c/item\u003e\n      \u003citem\u003eSubseries 2.2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSubseries 2.3: Civil Rights and Religious Work\u003c/item\u003e\n      \u003citem\u003eSeries 3: Gillfield Baptist Church\u003c/item\u003e\n      \u003citem\u003eSubseries 3.1: Sermons\u003c/item\u003e\n      \u003citem\u003eSubseries 3.2: Programs and ephemera\u003c/item\u003e\n      \u003citem\u003eSubseries 3.3: Administrative records\u003c/item\u003e\n      \u003citem\u003eSeries 4: Southern Christian Leadership Conference\u003c/item\u003e\n      \u003citem\u003eSubseries 4.1: Administrative\u003c/item\u003e\n      \u003citem\u003eSubseries 4.2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSubseries 4.3: Publications\u003c/item\u003e\n      \u003citem\u003eSubseries 4.4: Programs and campaigns\u003c/item\u003e\n      \u003citem\u003eSubseries 4.5: Legal work\u003c/item\u003e\n      \u003citem\u003eSubseries 4.6: Related organizations\u003c/item\u003e\n      \u003citem\u003eSubseries 4.7: Dr. Martin Luther King, Jr.\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series currently includes three subseries: Subseries 2.1, Childhood and Education, 2.2 Correspondence, and Subseries 2.3, Civil Rights and Religious work.\u003c/p\u003e","\u003cp\u003eMaterial is organized into seven subseries:\u003c/p\u003e\n","\u003clist numeration=\"upperalpha\" type=\"ordered\"\u003e\u003citem\u003eSubseries 4.1: Administrative, \u003c/item\u003e\u003citem\u003eSubseries 4.2: Correspondence,\u003c/item\u003e\u003citem\u003eSubseries 4.3: Publications, \u003c/item\u003e\u003citem\u003e Subseries 4.4: Programs, \u003c/item\u003e\u003citem\u003eSubseries 4.5: Legal work, \u003c/item\u003e\u003citem\u003eSubseries 4.6: Related organizations,\u003c/item\u003e\u003citem\u003eSubseries 4.7: Dr. Martin Luther King, Jr.\u003c/item\u003e\u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Material is arranged into multiple series, with three series currently open for research.","Series 1:  Biographical: Theresa Ann Walker Series 2: Biographical: Wyatt Tee Walker Subseries 2.2: Correspondence Subseries 2.3: Civil Rights and Religious Work Series 3: Gillfield Baptist Church Subseries 3.1: Sermons Subseries 3.2: Programs and ephemera Subseries 3.3: Administrative records Series 4: Southern Christian Leadership Conference Subseries 4.1: Administrative Subseries 4.2: Correspondence Subseries 4.3: Publications Subseries 4.4: Programs and campaigns Subseries 4.5: Legal work Subseries 4.6: Related organizations Subseries 4.7: Dr. Martin Luther King, Jr.","The series currently includes three subseries: Subseries 2.1, Childhood and Education, 2.2 Correspondence, and Subseries 2.3, Civil Rights and Religious work.","Material is organized into seven subseries:","Subseries 4.1: Administrative,  Subseries 4.2: Correspondence, Subseries 4.3: Publications,   Subseries 4.4: Programs,  Subseries 4.5: Legal work,  Subseries 4.6: Related organizations, Subseries 4.7: Dr. Martin Luther King, Jr."],"bioghist_html_tesm":["\u003cp\u003eThe Reverend Dr. Wyatt Tee Walker was born August 16, 1928 in Brockton, Massachusetts. Raised primarily in Merchantville, New Jersey, Walker attended Virginia Union University in Richmond, Virginia, earning bachelor's degrees in chemistry and physics before attending VUU's seminary school for his Masters of Divinity. During his time at VUU, he married his wife, Theresa Ann Walker née Edwards, who would remain an active partner at his side throughout his life. While in seminary, Walker was the head of the university's Inter-Seminary Movement, where he first met Dr. Martin Luther King, Jr. Walker and King would remain friends until King's assassination in 1968.\u003c/p\u003e\n","\u003cp\u003eAfter graduating from seminary, Walker was called in 1953 to serve as the pastor of the historic Gillfield Baptist Church in Petersburg, Virginia, serving until 1960. During this time he founded the Petersburg Improvement Association, served as president for the local National Association for the Advancement of Colored People (NAACP) chapter, and co-founded and served as state director for the Congress of Racial Equality (CORE). He also actively worked to integrate the city of Petersburg, successfully desegregating the Petersburg Public Library, lunch counters, and bus stops in the city.\u003c/p\u003e\n","\u003cp\u003eIn 1960, Walker was recruited to serve as the first full-time executive director and chief strategist of the Southern Christian Leadership Conference (SCLC), Dr. King's civil rights organization. He served in this role until 1964, overseeing the organization of several notable events in the Civil Rights Movement, including Project \"C\", SCLC's involvement in the Birmingham campaign, and the 1964 March on Washington for Jobs and Freedom. In 1961, Walker and his wife were arrested as Freedom Riders in Jackson, Mississippi. Mrs. Walker also survived a hotel bombing with their children and multiple other arrests for her role in the Civil Rights Movement.\u003c/p\u003e\n","\u003cp\u003eAfter leaving SCLC in 1964, Walker worked with the Negro Heritage Library, an organization focused on getting Black literature into the public education system. In 1968 Dr. Walker was called to serve as senior pastor at Canaan Baptist Church of Christ in Harlem, New York, where he served for 37 years. He was installed as pastor in late March by Dr. Martin Luther King, Jr., who gave his final sermon in New York City at the installation service before his assassination a few weeks later. Walker then organized King's funeral in New York City at the express request of Coretta Scott King, an event he would later call \"the crowning achievement of my organizational career.\" He would prove to be a productive pastor for Canaan, at one point receiving a million dollars annually in tithes, expanding the church building, and leading multiple church trips to the Holy Land and other international destinations including Japan.\u003c/p\u003e\n","\u003cp\u003eDuring his time at Canaan, Walker continued his civil rights work, expanding his scope to international civil rights, serving on the board of Al Sharpton's National Action Network and a number of other organizations. A vocal supporter of anti-apartheid, Walker visited South Africa several times, serving as an election monitor in Souther Africa's first open election and becoming close friends with Nelson Mandela, who would visit Canaan Baptist Church as one of his first stops on his first presidential visit to the United States. Walker also worked with Governor Nelson Rockefeller as a special assistant on urban affairs. When national banks pulled out of Harlem, Walker opened Freedom National Bank to serve the Black community. He also developed a number of public housing projects, at one time acting as the largest single public housing developer in New York. Frustrated with the failures of the public education system, Walker worked to help pass the New York State charter school law and co-found the first charter school in the state, the Sisulu-Walker Charter School of Harlem. \u003c/p\u003e\n","\u003cp\u003eIn his down time, Walker enjoyed sailing, belonging to a local yacht club in Yonkers, New York, and photography. After receiving a doctorate in ethnomusicology from Colgate-Rochester Divinity School, he went on to teach seminary classes at Virginia Union University and United Theological Seminary in Dayton, Ohio.\u003c/p\u003e\n","\u003cp\u003eWalker retired from Canaan Baptist Church of Christ in 2004 after a series of strokes, moving to Chester, Virginia. In 2015 he and Mrs. Walker donated the Dr. and Mrs. Wyatt Tee Walker Collection to the University of Richmond, recording an oral history with the university in 2016. He remained in Virginia with his wife until his death at the age of 89 on January 23, 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Reverend Dr. Wyatt Tee Walker was born August 16, 1928 in Brockton, Massachusetts. Raised primarily in Merchantville, New Jersey, Walker attended Virginia Union University in Richmond, Virginia, earning bachelor's degrees in chemistry and physics before attending VUU's seminary school for his Masters of Divinity. During his time at VUU, he married his wife, Theresa Ann Walker née Edwards, who would remain an active partner at his side throughout his life. While in seminary, Walker was the head of the university's Inter-Seminary Movement, where he first met Dr. Martin Luther King, Jr. Walker and King would remain friends until King's assassination in 1968.","After graduating from seminary, Walker was called in 1953 to serve as the pastor of the historic Gillfield Baptist Church in Petersburg, Virginia, serving until 1960. During this time he founded the Petersburg Improvement Association, served as president for the local National Association for the Advancement of Colored People (NAACP) chapter, and co-founded and served as state director for the Congress of Racial Equality (CORE). He also actively worked to integrate the city of Petersburg, successfully desegregating the Petersburg Public Library, lunch counters, and bus stops in the city.","In 1960, Walker was recruited to serve as the first full-time executive director and chief strategist of the Southern Christian Leadership Conference (SCLC), Dr. King's civil rights organization. He served in this role until 1964, overseeing the organization of several notable events in the Civil Rights Movement, including Project \"C\", SCLC's involvement in the Birmingham campaign, and the 1964 March on Washington for Jobs and Freedom. In 1961, Walker and his wife were arrested as Freedom Riders in Jackson, Mississippi. Mrs. Walker also survived a hotel bombing with their children and multiple other arrests for her role in the Civil Rights Movement.","After leaving SCLC in 1964, Walker worked with the Negro Heritage Library, an organization focused on getting Black literature into the public education system. In 1968 Dr. Walker was called to serve as senior pastor at Canaan Baptist Church of Christ in Harlem, New York, where he served for 37 years. He was installed as pastor in late March by Dr. Martin Luther King, Jr., who gave his final sermon in New York City at the installation service before his assassination a few weeks later. Walker then organized King's funeral in New York City at the express request of Coretta Scott King, an event he would later call \"the crowning achievement of my organizational career.\" He would prove to be a productive pastor for Canaan, at one point receiving a million dollars annually in tithes, expanding the church building, and leading multiple church trips to the Holy Land and other international destinations including Japan.","During his time at Canaan, Walker continued his civil rights work, expanding his scope to international civil rights, serving on the board of Al Sharpton's National Action Network and a number of other organizations. A vocal supporter of anti-apartheid, Walker visited South Africa several times, serving as an election monitor in Souther Africa's first open election and becoming close friends with Nelson Mandela, who would visit Canaan Baptist Church as one of his first stops on his first presidential visit to the United States. Walker also worked with Governor Nelson Rockefeller as a special assistant on urban affairs. When national banks pulled out of Harlem, Walker opened Freedom National Bank to serve the Black community. He also developed a number of public housing projects, at one time acting as the largest single public housing developer in New York. Frustrated with the failures of the public education system, Walker worked to help pass the New York State charter school law and co-found the first charter school in the state, the Sisulu-Walker Charter School of Harlem. ","In his down time, Walker enjoyed sailing, belonging to a local yacht club in Yonkers, New York, and photography. After receiving a doctorate in ethnomusicology from Colgate-Rochester Divinity School, he went on to teach seminary classes at Virginia Union University and United Theological Seminary in Dayton, Ohio.","Walker retired from Canaan Baptist Church of Christ in 2004 after a series of strokes, moving to Chester, Virginia. In 2015 he and Mrs. Walker donated the Dr. and Mrs. Wyatt Tee Walker Collection to the University of Richmond, recording an oral history with the university in 2016. He remained in Virginia with his wife until his death at the age of 89 on January 23, 2018."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-24, the Dr. and Mrs. Wyatt Tee Walker Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-24, the Dr. and Mrs. Wyatt Tee Walker Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Taylor McNeilly and Andrea Kohashi.\u003c/p\u003e","\u003cp\u003eAlthough portions of it are publicly available, this series is still in progress, and it is likely that Subseries 2.3 will expand rapidly with the addition of Walker's extensive writings.\u003c/p\u003e","\u003cp\u003eSubseries 2.3 is likely to expand in the future with the addition of Walker's extensive writings on Civil Rights.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Processed by Taylor McNeilly and Andrea Kohashi.","Although portions of it are publicly available, this series is still in progress, and it is likely that Subseries 2.3 will expand rapidly with the addition of Walker's extensive writings.","Subseries 2.3 is likely to expand in the future with the addition of Walker's extensive writings on Civil Rights."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in this collection include personal papers and administrative files of Dr. Walker, audio recordings of church services he led primarily at Canaan Baptist Church of Christ, photographs and slides taken by Dr. Walker and his family, honors and awards given to Dr. and Mrs. Walker, Dr. Walker's personal library, Dr. Walker's published books, and other memorabilia and ephemera. Also included is an oral history performed with Dr. Walker and his wife.\u003c/p\u003e","\u003cp\u003eSeries 1, Biographical: Theresa Ann Walker, currently includes notes on arrests, and arrest records.\u003c/p\u003e","\u003cp\u003eThis series contains material related to Dr. Walker's personal and professional activities outside of Gillfield, Canaan, and the SCLC.\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Correspondence, includes personal correspondence from or to Dr. and Mrs. Walker.\u003c/p\u003e","\u003cp\u003eThis folder contains a 1963 version of the musical \u003ctitle\u003eJerico-Jim-Crow-Jerico\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Civil Rights and Religious work, includes material pertaining to Walker's religious and civil rights activities not connected to Gillfield Baptist Church, Canaan Baptist Church of Christ, or the SCLC. It includes material concerning his efforts to integrate the Petersburg, VA library, and service programs from other churches like the Mount Level Baptist Church.\u003c/p\u003e","\u003cp\u003eSeries 3, Gillfield Baptist Church, includes material pertaining to Dr. Walker's work as pastor there like sermons, service programs, and meeting minutes.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Sermons, contains notes and sermons from Walker's tenure at Gillfield Baptist Church. The material is organized as we received it, some topically and some chronologically. Often the service program is included with the sermon script or outline.\u003c/p\u003e","\u003cp\u003eTopics include Thanksgiving, etc.\u003c/p\u003e","\u003cp\u003eSeries 3.2, Programs and ephemera, consists of programs and other items from Gillfield Baptist Church. These materials are organized chronologically.\u003c/p\u003e","\u003cp\u003eSubseries 3.3, Administrative, has financial and correspondence records from Walker's time at Gillfield, including from his installation as pastor in 1953.\u003c/p\u003e","\u003cp\u003eSeries 4, Southern Christian Leadership Conference contains all material from Dr. Walker's time as executive director of SCLC, including programs, notes, administrative and legal documents, campaign materials and correspondence.\u003c/p\u003e","\u003cp\u003eSubseries 4.1, Administrative, includes administrative records from Walker's time at SCLC, comprised of meeting minutes, reports, internal memos, and other financial documentation.\u003c/p\u003e","\u003cp\u003eSubseries 4.2: Correspondence, includes general correspondence from SCLC, as well as specific correspondence dealing with the Birmingham campaign. Materials are organized chronolgocially.\u003c/p\u003e","\u003cp\u003eSubseries 4.3: Publications includes official material published by SCLC, such as advertisements, press releases, pamhplets, and more.\u003c/p\u003e","\u003cp\u003eSubseries 4.4: Programs and campaigns includes notes and promotional material related to specific programs or campaigns run by SCLC during Walker's time with the organization.\u003c/p\u003e","\u003cp\u003eSubseries 4.5: Legal work includes records of legal action taken by SCLC. The materials are organized chronologically.\u003c/p\u003e","\u003cp\u003eSubseries 4.6: Related organizations includes materials from other (mainly legal and civil rights) organizations that Walker and SCLC worked with.\u003c/p\u003e","\u003cp\u003eSubseries 4.7: Dr. Martin Luther King, Jr. includes speeches, notes, writings, correspondence, and other printed material directly relating to Dr. King in his work with Walker at SCLC.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Materials in this collection include personal papers and administrative files of Dr. Walker, audio recordings of church services he led primarily at Canaan Baptist Church of Christ, photographs and slides taken by Dr. Walker and his family, honors and awards given to Dr. and Mrs. Walker, Dr. Walker's personal library, Dr. Walker's published books, and other memorabilia and ephemera. Also included is an oral history performed with Dr. Walker and his wife.","Series 1, Biographical: Theresa Ann Walker, currently includes notes on arrests, and arrest records.","This series contains material related to Dr. Walker's personal and professional activities outside of Gillfield, Canaan, and the SCLC.","Subseries 2.2: Correspondence, includes personal correspondence from or to Dr. and Mrs. Walker.","This folder contains a 1963 version of the musical  Jerico-Jim-Crow-Jerico .","Subseries 2.3, Civil Rights and Religious work, includes material pertaining to Walker's religious and civil rights activities not connected to Gillfield Baptist Church, Canaan Baptist Church of Christ, or the SCLC. It includes material concerning his efforts to integrate the Petersburg, VA library, and service programs from other churches like the Mount Level Baptist Church.","Series 3, Gillfield Baptist Church, includes material pertaining to Dr. Walker's work as pastor there like sermons, service programs, and meeting minutes.","Subseries 3.1, Sermons, contains notes and sermons from Walker's tenure at Gillfield Baptist Church. The material is organized as we received it, some topically and some chronologically. Often the service program is included with the sermon script or outline.","Topics include Thanksgiving, etc.","Series 3.2, Programs and ephemera, consists of programs and other items from Gillfield Baptist Church. These materials are organized chronologically.","Subseries 3.3, Administrative, has financial and correspondence records from Walker's time at Gillfield, including from his installation as pastor in 1953.","Series 4, Southern Christian Leadership Conference contains all material from Dr. Walker's time as executive director of SCLC, including programs, notes, administrative and legal documents, campaign materials and correspondence.","Subseries 4.1, Administrative, includes administrative records from Walker's time at SCLC, comprised of meeting minutes, reports, internal memos, and other financial documentation.","Subseries 4.2: Correspondence, includes general correspondence from SCLC, as well as specific correspondence dealing with the Birmingham campaign. Materials are organized chronolgocially.","Subseries 4.3: Publications includes official material published by SCLC, such as advertisements, press releases, pamhplets, and more.","Subseries 4.4: Programs and campaigns includes notes and promotional material related to specific programs or campaigns run by SCLC during Walker's time with the organization.","Subseries 4.5: Legal work includes records of legal action taken by SCLC. The materials are organized chronologically.","Subseries 4.6: Related organizations includes materials from other (mainly legal and civil rights) organizations that Walker and SCLC worked with.","Subseries 4.7: Dr. Martin Luther King, Jr. includes speeches, notes, writings, correspondence, and other printed material directly relating to Dr. King in his work with Walker at SCLC."],"separatedmaterial_html_tesm":["\u003cp\u003eDr. Walker's personal library has been separated from the collection and is housed within the Galvin Rare Book Room. These items can be found in our online catalog by searching \"Dr. \u0026amp; Mrs. Wyatt Tee Walker Collection.\"\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Dr. Walker's personal library has been separated from the collection and is housed within the Galvin Rare Book Room. These items can be found in our online catalog by searching \"Dr. \u0026 Mrs. Wyatt Tee Walker Collection.\""],"userestrict_heading_ssm":["Conditions Governing Use"],"abstract_html_tesm":["\u003cabstract id=\"aspace_99a2c806065b9d964d30006dd304b175\"\u003eThis collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker."],"names_coll_ssim":["Southern Christian Leadership Conference","United States. Civil Rights Act of 1964","Walker, Wyatt Tee","Walker, Theresa Ann","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","King, Martin Luther, Jr., 1929-1968","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987"],"names_ssim":["University of Richmond ","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights","United States. Civil Rights Act of 1964","Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987"],"corpname_ssim":["University of Richmond ","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights","United States. Civil Rights Act of 1964"],"persname_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":190,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-06T20:14:03.323Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_27"}},{"id":"viur_repositories_4_resources_53","type":"collection","attributes":{"title":"Dr. Jack Welsh Scrapbooks","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_53#creator","type":"document_value","attributes":{"value":"Welsh, John D. (Jack), Dr., 1938-2016","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_53#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains six handmade scrapbooks filled with clippings, brochures, playbills, and greeting cards related to events in the career of Dr. John D. (Jack) Welsh.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_53#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_53","ead_ssi":"viur_repositories_4_resources_53","_root_":"viur_repositories_4_resources_53","_nest_parent_":"viur_repositories_4_resources_53","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_53.xml","title_ssm":["Dr. Jack Welsh Scrapbooks"],"title_tesim":["Dr. Jack Welsh Scrapbooks"],"unitdate_ssm":["1967-1969","1982-1985","1990"],"unitdate_bulk_ssim":["1967-1969","1982-1985"],"unitdate_other_ssim":["1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-29","/repositories/4/resources/53"],"text":["MS-29","/repositories/4/resources/53","Dr. Jack Welsh Scrapbooks","Richmond (Va.)","New York (N.Y.)","Germany","Greece","Theater","Scrapbooks","Arranged in 3 flat boxes, 2 scrapbooks to a box.","Dr. John (Jack) Dickinson Welsh began staging marionette shows for his parents at 5. His passion for theater grew from there.  He grew up in Richmond and graduated from Thomas Jefferson High School.  He received his BA from the University of Richmond, and a M.A. and Ph.D. in theater from Tulane University.","His first job was teaching theater at Houston Baptist College in Texas, in 1963-64. After his production of \"The Corn is Green,\" the president of the school told him not to do any more plays like that with illegitimate children in them. \"I turned in my resignation the next day\". The following year he began at the University of Richmond.","As chair of the Speech and Theater Department, he began as the only faculty member. The department grew and he produced more than 80 productions with the University Players, as well as directing and acting in regional theater productions of amazing popularity, also winning local awards. He was named the Omicron Delta Kappa professor of the year in 1985 and the Richmond College Faculty Member of the Year in 1995. Two of his students, Bruce Miller and Phil Whiteway claim him as mentor in their opening of what has become Richmond's largest theater company, and the second largest children's theater in the country. In his retirement year, he hosted the American College Theater Festival on campus.","Dr. Welsh was also quite popular for his \"Theater Trips\". He would take a bus-load of alums, staff, faculty, and friends to New York where he would have tickets for 4 or 5 plays, dinners, and hotel rooms for a whirlwind weekend. He continued to do that after retirement at the Shepherd Center in Richmond.","In 1985, his production of \"Hiawatha\" was one of six best college productions in the American College Theater Festival, and was showcased at the Kennedy Center. He was also an onsite adjudicator for the ACTF.  He won 2 Phoebe's (local theater award) for plays he directed at Theater IV. He also directed at Dogwood Dell, Swift Creek Mill Playhouse and at the Drama Studio in London. Most recently he served on the Theater Alliance Pale for 2015-16.","There is also the John D. Welsh Scholarship awarded every 4 years by the Department of Theater and Dance. Given to a promising freshman, it is renewable for 4 years.","At his retirement, after 35 years at UR, Dr. Welsh said, \"I'm proudest of taking a young talent and seeing it blossom in 4 years\". Dr. Welsh passed away on October 21, 2016.","The collection consists of 6 scrapbooks in varying degrees of disrepair, pages torn, items loose.","Betty Dickie and Luci Ortiz.","MS-21 - Jack Welsh Collection MS-30 - Modlin Center Scrapbook Collection MS-42 - Cheryl Pierce Craddock Theater Design Collection","This collection is arranged into one series, Scrapbooks, and each scrapbook is noted by year and contents in the inventory.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains six handmade scrapbooks filled with clippings, brochures, playbills, and greeting cards related to events in the career of Dr. John D. (Jack) Welsh.","University of Richmond ","University of Richmond","American College Theatre Festival","Welsh, John D. (Jack), Dr., 1938-2016","English"],"unitid_tesim":["MS-29","/repositories/4/resources/53"],"normalized_title_ssm":["Dr. Jack Welsh Scrapbooks"],"collection_title_tesim":["Dr. Jack Welsh Scrapbooks"],"collection_ssim":["Dr. Jack Welsh Scrapbooks"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)","New York (N.Y.)","Germany","Greece"],"geogname_ssim":["Richmond (Va.)","New York (N.Y.)","Germany","Greece"],"creator_ssm":["Welsh, John D. (Jack), Dr., 1938-2016"],"creator_ssim":["Welsh, John D. (Jack), Dr., 1938-2016"],"creator_persname_ssim":["Welsh, John D. (Jack), Dr., 1938-2016"],"creators_ssim":["Welsh, John D. (Jack), Dr., 1938-2016"],"places_ssim":["Richmond (Va.)","New York (N.Y.)","Germany","Greece"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This material was transferred in 2016 from a donation to Special Collections \u0026 Archives at Virginia Commonwealth University because of related collections in UR's archives."],"access_subjects_ssim":["Theater","Scrapbooks"],"access_subjects_ssm":["Theater","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet 3 oversized boxes."],"extent_tesim":["4 Linear Feet 3 oversized boxes."],"date_range_isim":[1967,1968,1969,1982,1983,1984,1985,1990],"arrangement_html_tesm":["\u003cp\u003eArranged in 3 flat boxes, 2 scrapbooks to a box.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in 3 flat boxes, 2 scrapbooks to a box."],"bioghist_html_tesm":["\u003cp\u003eDr. John (Jack) Dickinson Welsh began staging marionette shows for his parents at 5. His passion for theater grew from there.  He grew up in Richmond and graduated from Thomas Jefferson High School.  He received his BA from the University of Richmond, and a M.A. and Ph.D. in theater from Tulane University.\u003c/p\u003e\n","\u003cp\u003eHis first job was teaching theater at Houston Baptist College in Texas, in 1963-64. After his production of \"The Corn is Green,\" the president of the school told him not to do any more plays like that with illegitimate children in them. \"I turned in my resignation the next day\". The following year he began at the University of Richmond.\u003c/p\u003e\n","\u003cp\u003eAs chair of the Speech and Theater Department, he began as the only faculty member. The department grew and he produced more than 80 productions with the University Players, as well as directing and acting in regional theater productions of amazing popularity, also winning local awards. He was named the Omicron Delta Kappa professor of the year in 1985 and the Richmond College Faculty Member of the Year in 1995. Two of his students, Bruce Miller and Phil Whiteway claim him as mentor in their opening of what has become Richmond's largest theater company, and the second largest children's theater in the country. In his retirement year, he hosted the American College Theater Festival on campus.\u003c/p\u003e\n","\u003cp\u003eDr. Welsh was also quite popular for his \"Theater Trips\". He would take a bus-load of alums, staff, faculty, and friends to New York where he would have tickets for 4 or 5 plays, dinners, and hotel rooms for a whirlwind weekend. He continued to do that after retirement at the Shepherd Center in Richmond.\u003c/p\u003e\n","\u003cp\u003eIn 1985, his production of \"Hiawatha\" was one of six best college productions in the American College Theater Festival, and was showcased at the Kennedy Center. He was also an onsite adjudicator for the ACTF.  He won 2 Phoebe's (local theater award) for plays he directed at Theater IV. He also directed at Dogwood Dell, Swift Creek Mill Playhouse and at the Drama Studio in London. Most recently he served on the Theater Alliance Pale for 2015-16.\u003c/p\u003e\n","\u003cp\u003eThere is also the John D. Welsh Scholarship awarded every 4 years by the Department of Theater and Dance. Given to a promising freshman, it is renewable for 4 years.\u003c/p\u003e\n","\u003cp\u003eAt his retirement, after 35 years at UR, Dr. Welsh said, \"I'm proudest of taking a young talent and seeing it blossom in 4 years\". Dr. Welsh passed away on October 21, 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. John (Jack) Dickinson Welsh began staging marionette shows for his parents at 5. His passion for theater grew from there.  He grew up in Richmond and graduated from Thomas Jefferson High School.  He received his BA from the University of Richmond, and a M.A. and Ph.D. in theater from Tulane University.","His first job was teaching theater at Houston Baptist College in Texas, in 1963-64. After his production of \"The Corn is Green,\" the president of the school told him not to do any more plays like that with illegitimate children in them. \"I turned in my resignation the next day\". The following year he began at the University of Richmond.","As chair of the Speech and Theater Department, he began as the only faculty member. The department grew and he produced more than 80 productions with the University Players, as well as directing and acting in regional theater productions of amazing popularity, also winning local awards. He was named the Omicron Delta Kappa professor of the year in 1985 and the Richmond College Faculty Member of the Year in 1995. Two of his students, Bruce Miller and Phil Whiteway claim him as mentor in their opening of what has become Richmond's largest theater company, and the second largest children's theater in the country. In his retirement year, he hosted the American College Theater Festival on campus.","Dr. Welsh was also quite popular for his \"Theater Trips\". He would take a bus-load of alums, staff, faculty, and friends to New York where he would have tickets for 4 or 5 plays, dinners, and hotel rooms for a whirlwind weekend. He continued to do that after retirement at the Shepherd Center in Richmond.","In 1985, his production of \"Hiawatha\" was one of six best college productions in the American College Theater Festival, and was showcased at the Kennedy Center. He was also an onsite adjudicator for the ACTF.  He won 2 Phoebe's (local theater award) for plays he directed at Theater IV. He also directed at Dogwood Dell, Swift Creek Mill Playhouse and at the Drama Studio in London. Most recently he served on the Theater Alliance Pale for 2015-16.","There is also the John D. Welsh Scholarship awarded every 4 years by the Department of Theater and Dance. Given to a promising freshman, it is renewable for 4 years.","At his retirement, after 35 years at UR, Dr. Welsh said, \"I'm proudest of taking a young talent and seeing it blossom in 4 years\". Dr. Welsh passed away on October 21, 2016."],"phystech_html_tesm":["\u003cp\u003eThe collection consists of 6 scrapbooks in varying degrees of disrepair, pages torn, items loose.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The collection consists of 6 scrapbooks in varying degrees of disrepair, pages torn, items loose."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-29, Dr. Jack Welsh Scrapbooks, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-29, Dr. Jack Welsh Scrapbooks, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eBetty Dickie and Luci Ortiz.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Betty Dickie and Luci Ortiz."],"relatedmaterial_html_tesm":["\u003cp\u003eMS-21 - Jack Welsh Collection\u003cbr\u003e\n\u003ca href=\"https://archives.richmond.edu/repositories/4/resources/54\"\u003eMS-30 - Modlin Center Scrapbook Collection\u003c/a\u003e\u003cbr\u003e\n\u003cextref href=\"https://archives.richmond.edu/repositories/4/resources/58\"\u003eMS-42 - Cheryl Pierce Craddock Theater Design Collection\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-21 - Jack Welsh Collection MS-30 - Modlin Center Scrapbook Collection MS-42 - Cheryl Pierce Craddock Theater Design Collection"],"scopecontent_html_tesm":["\u003cp\u003eThis collection is arranged into one series, Scrapbooks, and each scrapbook is noted by year and contents in the inventory.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is arranged into one series, Scrapbooks, and each scrapbook is noted by year and contents in the inventory."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f4482e8afd8a4fd2945d10102f9d719f\"\u003eThis collection contains six handmade scrapbooks filled with clippings, brochures, playbills, and greeting cards related to events in the career of Dr. John D. (Jack) Welsh.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains six handmade scrapbooks filled with clippings, brochures, playbills, and greeting cards related to events in the career of Dr. John D. (Jack) Welsh."],"names_coll_ssim":["University of Richmond","American College Theatre Festival","Welsh, John D. (Jack), Dr., 1938-2016"],"names_ssim":["University of Richmond ","University of Richmond","American College Theatre Festival","Welsh, John D. (Jack), Dr., 1938-2016"],"corpname_ssim":["University of Richmond ","University of Richmond","American College Theatre Festival"],"persname_ssim":["Welsh, John D. (Jack), Dr., 1938-2016"],"language_ssim":["English"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:09:03.363Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_53","ead_ssi":"viur_repositories_4_resources_53","_root_":"viur_repositories_4_resources_53","_nest_parent_":"viur_repositories_4_resources_53","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_53.xml","title_ssm":["Dr. Jack Welsh Scrapbooks"],"title_tesim":["Dr. Jack Welsh Scrapbooks"],"unitdate_ssm":["1967-1969","1982-1985","1990"],"unitdate_bulk_ssim":["1967-1969","1982-1985"],"unitdate_other_ssim":["1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-29","/repositories/4/resources/53"],"text":["MS-29","/repositories/4/resources/53","Dr. Jack Welsh Scrapbooks","Richmond (Va.)","New York (N.Y.)","Germany","Greece","Theater","Scrapbooks","Arranged in 3 flat boxes, 2 scrapbooks to a box.","Dr. John (Jack) Dickinson Welsh began staging marionette shows for his parents at 5. His passion for theater grew from there.  He grew up in Richmond and graduated from Thomas Jefferson High School.  He received his BA from the University of Richmond, and a M.A. and Ph.D. in theater from Tulane University.","His first job was teaching theater at Houston Baptist College in Texas, in 1963-64. After his production of \"The Corn is Green,\" the president of the school told him not to do any more plays like that with illegitimate children in them. \"I turned in my resignation the next day\". The following year he began at the University of Richmond.","As chair of the Speech and Theater Department, he began as the only faculty member. The department grew and he produced more than 80 productions with the University Players, as well as directing and acting in regional theater productions of amazing popularity, also winning local awards. He was named the Omicron Delta Kappa professor of the year in 1985 and the Richmond College Faculty Member of the Year in 1995. Two of his students, Bruce Miller and Phil Whiteway claim him as mentor in their opening of what has become Richmond's largest theater company, and the second largest children's theater in the country. In his retirement year, he hosted the American College Theater Festival on campus.","Dr. Welsh was also quite popular for his \"Theater Trips\". He would take a bus-load of alums, staff, faculty, and friends to New York where he would have tickets for 4 or 5 plays, dinners, and hotel rooms for a whirlwind weekend. He continued to do that after retirement at the Shepherd Center in Richmond.","In 1985, his production of \"Hiawatha\" was one of six best college productions in the American College Theater Festival, and was showcased at the Kennedy Center. He was also an onsite adjudicator for the ACTF.  He won 2 Phoebe's (local theater award) for plays he directed at Theater IV. He also directed at Dogwood Dell, Swift Creek Mill Playhouse and at the Drama Studio in London. Most recently he served on the Theater Alliance Pale for 2015-16.","There is also the John D. Welsh Scholarship awarded every 4 years by the Department of Theater and Dance. Given to a promising freshman, it is renewable for 4 years.","At his retirement, after 35 years at UR, Dr. Welsh said, \"I'm proudest of taking a young talent and seeing it blossom in 4 years\". Dr. Welsh passed away on October 21, 2016.","The collection consists of 6 scrapbooks in varying degrees of disrepair, pages torn, items loose.","Betty Dickie and Luci Ortiz.","MS-21 - Jack Welsh Collection MS-30 - Modlin Center Scrapbook Collection MS-42 - Cheryl Pierce Craddock Theater Design Collection","This collection is arranged into one series, Scrapbooks, and each scrapbook is noted by year and contents in the inventory.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains six handmade scrapbooks filled with clippings, brochures, playbills, and greeting cards related to events in the career of Dr. John D. (Jack) Welsh.","University of Richmond ","University of Richmond","American College Theatre Festival","Welsh, John D. (Jack), Dr., 1938-2016","English"],"unitid_tesim":["MS-29","/repositories/4/resources/53"],"normalized_title_ssm":["Dr. Jack Welsh Scrapbooks"],"collection_title_tesim":["Dr. Jack Welsh Scrapbooks"],"collection_ssim":["Dr. Jack Welsh Scrapbooks"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)","New York (N.Y.)","Germany","Greece"],"geogname_ssim":["Richmond (Va.)","New York (N.Y.)","Germany","Greece"],"creator_ssm":["Welsh, John D. (Jack), Dr., 1938-2016"],"creator_ssim":["Welsh, John D. (Jack), Dr., 1938-2016"],"creator_persname_ssim":["Welsh, John D. (Jack), Dr., 1938-2016"],"creators_ssim":["Welsh, John D. (Jack), Dr., 1938-2016"],"places_ssim":["Richmond (Va.)","New York (N.Y.)","Germany","Greece"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This material was transferred in 2016 from a donation to Special Collections \u0026 Archives at Virginia Commonwealth University because of related collections in UR's archives."],"access_subjects_ssim":["Theater","Scrapbooks"],"access_subjects_ssm":["Theater","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet 3 oversized boxes."],"extent_tesim":["4 Linear Feet 3 oversized boxes."],"date_range_isim":[1967,1968,1969,1982,1983,1984,1985,1990],"arrangement_html_tesm":["\u003cp\u003eArranged in 3 flat boxes, 2 scrapbooks to a box.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in 3 flat boxes, 2 scrapbooks to a box."],"bioghist_html_tesm":["\u003cp\u003eDr. John (Jack) Dickinson Welsh began staging marionette shows for his parents at 5. His passion for theater grew from there.  He grew up in Richmond and graduated from Thomas Jefferson High School.  He received his BA from the University of Richmond, and a M.A. and Ph.D. in theater from Tulane University.\u003c/p\u003e\n","\u003cp\u003eHis first job was teaching theater at Houston Baptist College in Texas, in 1963-64. After his production of \"The Corn is Green,\" the president of the school told him not to do any more plays like that with illegitimate children in them. \"I turned in my resignation the next day\". The following year he began at the University of Richmond.\u003c/p\u003e\n","\u003cp\u003eAs chair of the Speech and Theater Department, he began as the only faculty member. The department grew and he produced more than 80 productions with the University Players, as well as directing and acting in regional theater productions of amazing popularity, also winning local awards. He was named the Omicron Delta Kappa professor of the year in 1985 and the Richmond College Faculty Member of the Year in 1995. Two of his students, Bruce Miller and Phil Whiteway claim him as mentor in their opening of what has become Richmond's largest theater company, and the second largest children's theater in the country. In his retirement year, he hosted the American College Theater Festival on campus.\u003c/p\u003e\n","\u003cp\u003eDr. Welsh was also quite popular for his \"Theater Trips\". He would take a bus-load of alums, staff, faculty, and friends to New York where he would have tickets for 4 or 5 plays, dinners, and hotel rooms for a whirlwind weekend. He continued to do that after retirement at the Shepherd Center in Richmond.\u003c/p\u003e\n","\u003cp\u003eIn 1985, his production of \"Hiawatha\" was one of six best college productions in the American College Theater Festival, and was showcased at the Kennedy Center. He was also an onsite adjudicator for the ACTF.  He won 2 Phoebe's (local theater award) for plays he directed at Theater IV. He also directed at Dogwood Dell, Swift Creek Mill Playhouse and at the Drama Studio in London. Most recently he served on the Theater Alliance Pale for 2015-16.\u003c/p\u003e\n","\u003cp\u003eThere is also the John D. Welsh Scholarship awarded every 4 years by the Department of Theater and Dance. Given to a promising freshman, it is renewable for 4 years.\u003c/p\u003e\n","\u003cp\u003eAt his retirement, after 35 years at UR, Dr. Welsh said, \"I'm proudest of taking a young talent and seeing it blossom in 4 years\". Dr. Welsh passed away on October 21, 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. John (Jack) Dickinson Welsh began staging marionette shows for his parents at 5. His passion for theater grew from there.  He grew up in Richmond and graduated from Thomas Jefferson High School.  He received his BA from the University of Richmond, and a M.A. and Ph.D. in theater from Tulane University.","His first job was teaching theater at Houston Baptist College in Texas, in 1963-64. After his production of \"The Corn is Green,\" the president of the school told him not to do any more plays like that with illegitimate children in them. \"I turned in my resignation the next day\". The following year he began at the University of Richmond.","As chair of the Speech and Theater Department, he began as the only faculty member. The department grew and he produced more than 80 productions with the University Players, as well as directing and acting in regional theater productions of amazing popularity, also winning local awards. He was named the Omicron Delta Kappa professor of the year in 1985 and the Richmond College Faculty Member of the Year in 1995. Two of his students, Bruce Miller and Phil Whiteway claim him as mentor in their opening of what has become Richmond's largest theater company, and the second largest children's theater in the country. In his retirement year, he hosted the American College Theater Festival on campus.","Dr. Welsh was also quite popular for his \"Theater Trips\". He would take a bus-load of alums, staff, faculty, and friends to New York where he would have tickets for 4 or 5 plays, dinners, and hotel rooms for a whirlwind weekend. He continued to do that after retirement at the Shepherd Center in Richmond.","In 1985, his production of \"Hiawatha\" was one of six best college productions in the American College Theater Festival, and was showcased at the Kennedy Center. He was also an onsite adjudicator for the ACTF.  He won 2 Phoebe's (local theater award) for plays he directed at Theater IV. He also directed at Dogwood Dell, Swift Creek Mill Playhouse and at the Drama Studio in London. Most recently he served on the Theater Alliance Pale for 2015-16.","There is also the John D. Welsh Scholarship awarded every 4 years by the Department of Theater and Dance. Given to a promising freshman, it is renewable for 4 years.","At his retirement, after 35 years at UR, Dr. Welsh said, \"I'm proudest of taking a young talent and seeing it blossom in 4 years\". Dr. Welsh passed away on October 21, 2016."],"phystech_html_tesm":["\u003cp\u003eThe collection consists of 6 scrapbooks in varying degrees of disrepair, pages torn, items loose.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The collection consists of 6 scrapbooks in varying degrees of disrepair, pages torn, items loose."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-29, Dr. Jack Welsh Scrapbooks, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-29, Dr. Jack Welsh Scrapbooks, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eBetty Dickie and Luci Ortiz.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Betty Dickie and Luci Ortiz."],"relatedmaterial_html_tesm":["\u003cp\u003eMS-21 - Jack Welsh Collection\u003cbr\u003e\n\u003ca href=\"https://archives.richmond.edu/repositories/4/resources/54\"\u003eMS-30 - Modlin Center Scrapbook Collection\u003c/a\u003e\u003cbr\u003e\n\u003cextref href=\"https://archives.richmond.edu/repositories/4/resources/58\"\u003eMS-42 - Cheryl Pierce Craddock Theater Design Collection\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-21 - Jack Welsh Collection MS-30 - Modlin Center Scrapbook Collection MS-42 - Cheryl Pierce Craddock Theater Design Collection"],"scopecontent_html_tesm":["\u003cp\u003eThis collection is arranged into one series, Scrapbooks, and each scrapbook is noted by year and contents in the inventory.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is arranged into one series, Scrapbooks, and each scrapbook is noted by year and contents in the inventory."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f4482e8afd8a4fd2945d10102f9d719f\"\u003eThis collection contains six handmade scrapbooks filled with clippings, brochures, playbills, and greeting cards related to events in the career of Dr. John D. (Jack) Welsh.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains six handmade scrapbooks filled with clippings, brochures, playbills, and greeting cards related to events in the career of Dr. John D. (Jack) Welsh."],"names_coll_ssim":["University of Richmond","American College Theatre Festival","Welsh, John D. (Jack), Dr., 1938-2016"],"names_ssim":["University of Richmond ","University of Richmond","American College Theatre Festival","Welsh, John D. (Jack), Dr., 1938-2016"],"corpname_ssim":["University of Richmond ","University of Richmond","American College Theatre Festival"],"persname_ssim":["Welsh, John D. (Jack), Dr., 1938-2016"],"language_ssim":["English"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:09:03.363Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_53"}},{"id":"wvmturhc_repositories_2_resources_1610","type":"collection","attributes":{"title":"Maryat Lee, Playwright, Papers","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610#creator","type":"document_value","attributes":{"value":"Lee, Maryat, 1923-1989","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610#abstract_or_scope","type":"document_value","attributes":{"value":"Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1610","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1610.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195886","title_ssm":["Maryat Lee, Playwright, Papers"],"title_tesim":["Maryat Lee, Playwright, Papers"],"unitdate_ssm":["1902-1997","1951-1989"],"unitdate_bulk_ssim":["1951-1989"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"text":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610","Maryat Lee, Playwright, Papers","Hinton (W. Va.)","New York (N.Y.)","West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  ","This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.","Material moved to A\u0026M 3300 B54/F21","Material moved to B48/I1","Material moved to A\u0026M 3300 B54/F2","Material moved to A\u0026M 3300 B54/F3","Material moved to A\u0026M 3300 B51/F2","Material moved to A\u0026M 3300 B45/F5, B54/F4","Material moved to A\u0026M 3300 B45/F6","Material moved to A\u0026M 3300 B45/F7","Material moved to A\u0026M 3300 B54/F5","Material moved to A\u0026M 3300 B52/F2","Material moved to A\u0026M 3300 B54/F6","Material moved to A\u0026M 3300 B52/F3","Material moved to A\u0026M 3300 B45/F8","Material moved to A\u0026M 3300 B45/F9","Material moved to A\u0026M 3300 B45/F12","Material moved to A\u0026M 3300 B45/F13","Material moved to A\u0026M 3300 B45/F15","Material moved to A\u0026M 3300 B51/F6","Material moved to A\u0026M 3300 B45/F16","Material moved to A\u0026M 3300 B45/F17, B51/F7","Material moved to A\u0026M 3300 B45/F18","Material moved to A\u0026M 3300 B45/F19","Material moved to A\u0026M 3300 B45/F20","Material moved to A\u0026M 3300 B54/F7, B45/F21-24, B51/F8","Material moved to A\u0026M 3300 B45/F25-27","Material moved to A\u0026M 3300 B45/F28-31, B46/F1-2, B50/F3-4, 19","Material moved to A\u0026M 3300 B54/F13","Material moved to A\u0026M 3300 B46/F3","Material moved to A\u0026M 3300 B54/F8","Material moved to A\u0026M 3300 B54/F9","Material moved to A\u0026M 3300 B54/F10","Material moved to A\u0026M 3300 B54/F11","Material moved to A\u0026M 3300 B54/F12","Material moved to A\u0026M 3300 B50/F5","Material moved to A\u0026M 3300 B50/F6","Material moved to A\u0026M 3300 B54/F14","Material moved to A\u0026M 3300 B50/F7","Material moved to A\u0026M 3300 B46/F4","Material moved to A\u0026M 3300 B20/F63","Material moved to A\u0026M 3300 B54/F16","Material moved to A\u0026M 3300 B54/F17","Material moved to A\u0026M 3300 B46/F6","Material moved to A\u0026M 3300 B46/F7","Material moved to A\u0026M 3300 B46/F8","Material moved to A\u0026M 3300 B46/F9","Material moved to A\u0026M 3300 B46/F10","Material moved to A\u0026M 3300 B46/F11","Material moved to A\u0026M 3300 B46/F13-19","Material moved to A\u0026M 3300 B46/F20","Material moved to A\u0026M 3300 B46/F21-24","Material moved to A\u0026M 3300 B46/F28","Material moved to A\u0026M 3300 B46/F29, B50/F8","Material moved to A\u0026M 3300 B54/F18","Material moved to A\u0026M 3300 B46/F30","Material moved to A\u0026M 3300 B50/F9-11, B46/F33","Material moved to A\u0026M 3300 B46/F34","Material moved to A\u0026M 3300 B46/F35","Material moved to A\u0026M 3300 B46/F36","Material moved to A\u0026M3300 B26/F12","Material moved to A\u0026M 3300 B46/F38","Material moved to A\u0026M 3300 B46/F39","Material moved to A\u0026M 3300 B46/F40","Material moved to A\u0026M3300 B55/F3","Material moved to A\u0026M 3300 B50/F12","Material moved to A\u0026M 3300 B46/F42","Material moved to A\u0026M 3300 B53/F4","Material moved to A\u0026M 3300 B46/F43","Material moved to A\u0026M 3300 F46/F44","Material moved to A\u0026M 3300 B46/F45","Material moved to A\u0026M 3300 B54/F20","Material moved to A\u0026M 3300 B46/F46","Material moved to A\u0026M 3300 B53/F1","Material moved to A\u0026M 3300 B46/F47","Material moved to A\u0026M 3300 B52/F4","Material moved to A\u0026M 3300 B46/F48","Material moved to A\u0026M 3300 B50/F13","Material moved to A\u0026M 3300 B54/F21","Material moved to A\u0026M 3300 B47/F10","Material moved to A\u0026M 3300 B54/F23","Material moved to A\u0026M 3300 B47/F11","Material moved to A\u0026M 3300 B54/F24","Material moved to A\u0026M 3300 B47/F12","Material moved to A\u0026M 3300 B50/F15","Material moved to A\u0026M 3300 B47/F13","Material moved to A\u0026M 3300 B54/F26","Material moved to A\u0026M 3300 B54/F27","Material moved to A\u0026M 3300 B47/F26","Material moved to A\u0026M 3300 B47/F27","Material moved to A\u0026M 3300 B50/F17","Material moved to A\u0026M 3300 B50/F18","Material moved to A\u0026M 3300 B50/F20","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B12","Removed from A\u0026M 3300 B15","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F1g","Removed from A\u0026M 3300 B17/F1h","Removed from A\u0026M 3300 B17/F4h","Removed from A\u0026M 3300 B18/F15","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B18/F17","Removed from A\u0026M 3300 B18/F21","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B19/F6","Removed from A\u0026M 3300 B19/F10a","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F13a","Removed from A\u0026M 3300 B19/F16","Removed from A\u0026M 3300 B19/F22","Removed from A\u0026M 3300 B19/F26","Removed from A\u0026M 3300 B19/F29","Removed from A\u0026M 3300 B19/F31","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B20/F12","Removed from A\u0026M 3300 B20/F14","Removed from A\u0026M 3300 B20/F16","Removed from A\u0026M 3300 B20/F20","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B20/F22","Removed from A\u0026M 3300 B20/F24","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F26","Removed from A\u0026M 3300 B20/F37","Removed from A\u0026M 3300 B20/F59","Removed from A\u0026M 3300 B20/F63","Removed from A\u0026M 3300 B21/F1","Removed from A\u0026M 3300 B21/F2","Removed from A\u0026M 3300 B21/F3","Removed from A\u0026M 3300 B21/F5","Removed from A\u0026M 3300 B21/F11","Removed from A\u0026M 3300 B21/F36","Removed from A\u0026M 3300 B22/F12a","Removed from A\u0026M 3300 B23/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23/F31","Removed from A\u0026M 3300 B26/F1","Removed from A\u0026M 3300 B26/F4","Removed from A\u0026M 3300 B26/F6","Removed from A\u0026M 3300 B26/F12","Removed from A\u0026M 3300 B26/F35","Removed from A\u0026M 3300 B26/F48","Removed from A\u0026M 3300 B27/F3","Removed from A\u0026M 3300 B31/F7","Removed from A\u0026M 3300 B31/F24","Removed from A\u0026M 3300 B31/F44","Removed from A\u0026M 3300 B31/F45","Removed from A\u0026M 3300 B32/F9","Removed from A\u0026M 3300 B33/F25","Removed from A\u0026M 3300 B33/F33","Removed from A\u0026M 3300 B34/F3","Removed from A\u0026M 3300 B34/F23","Removed from A\u0026M 3300 B36/F8","Removed from A\u0026M 3300 B36/F31","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B39/F16a","Removed from A\u0026M 3300 B1/F1","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F23","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F51","Removed from A\u0026M 3300 B20/F52","Removed from A\u0026M 3300 B20/F58","Removed from A\u0026M 3300 B22/F12b","Removed from A\u0026M 3300 B23/F25","Removed from A\u0026M 3300 B23/F28","Removed from A\u0026M 3300 B23/F29","Removed from A\u0026M 3300 B31/F19","Removed from A\u0026M 3300 B34/F30b","Removed from A\u0026M 3300 B39/F24","Removed from A\u0026M 3300 B39/F25","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B39/F32","Removed from A\u0026M 3300 B40","Removed from A\u0026M 3300 [Add. 1998/07/22] B60","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B19/F9","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B17/F2l","Removed from A\u0026M 3300 B17/F4f","Removed from A\u0026M 3300 B33/F35","Removed from A\u0026M 3300 B31/F28","Removed from A\u0026M 3300 B1","Removed from A\u0026M 3300 B11/F22","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F2i","Removed from A\u0026M 3300 B17/F2q","Removed from A\u0026M 3300 B19/F25","Removed from A\u0026M 3300 B20/F44","Removed from A\u0026M 3300 B20/F45","Removed from A\u0026M 3300 B20/F46","Removed from A\u0026M 3300 B20/F48","Removed from A\u0026M 3300 B20/F49","Removed from A\u0026M 3300 B20/F53","Removed from A\u0026M 3300 B20/F54","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F65","Removed from A\u0026M 3300 B20/F66","Removed from A\u0026M 3300 B22/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B32/F34","Removed from A\u0026M 3300 B35/F1j","Removed from A\u0026M 3300 B35/F28","Removed from A\u0026M 3300 B36/F6","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B38/F31","Removed from A\u0026M 3300 B38/F43","Removed from A\u0026M 3300 B40/F13","Removed from A\u0026M 3300 B32","Removed from A\u0026M3300 B31/F5","Material moved to A\u0026M 3300 B65/F3","Material moved to A\u0026M 3300 B64/F7","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F17","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F3","Removed from A\u0026M 3300 B63/F15","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Material moved to oversized, B50/F1","Material moved to A\u0026M 3300 B45/F1","Material moved to A\u0026M 3300 B45/F11","Material moved to A\u0026M 3300 B46/F25-26","Material moved to A\u0026M 3300 B46/F27","Material moved to A\u0026M 3300 B46/F41","Material moved to A\u0026M 3300 B47/F2-3","Material moved to A\u0026M 3300 B50/F14","Material moved to A\u0026M 3300 B47/F4, B52/F5","Material moved to A\u0026M 3300 B47/F5","Material moved to A\u0026M 3300 B47/F6-7","Material moved to A\u0026M 3300 B47/F8","Material moved to A\u0026M 3300 B53/F2, B47/F9, B54/F22","Material moved to A\u0026M 3300 B47/F18","Material moved to A\u0026M 3300 B47/F19-21","Material moved to A\u0026M 3300 B47/F23","Material moved to A\u0026M 3300 B47/F24","Material moved to A\u0026M 3300 B53/F3","Material moved to A\u0026M 3300 B47/F28","Removed from A\u0026M 3300 B11/F27","Removed from A\u0026M 3300 B18/F16","Removed from A\u0026M 3300 B21/F56","Removed from A\u0026M 3300 B22/F2","Removed from A\u0026M 3300 B35/F2-3a","Removed from A\u0026M 3300 B35/F8","Removed from A\u0026M 3300 B35/F10","Removed from A\u0026M 3300 B35/F11-12","Removed from A\u0026M 3300 B35/F13","Removed from A\u0026M 3300 B35/F16","Removed from A\u0026M 3300 B35/F26","Removed from A\u0026M 3300 B36/F3","Removed from A\u0026M 3300 B37/F59-60","Removed from A\u0026M 3300 B37/F61","Removed from A\u0026M 3300 B37/F62","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B38/F49","Removed from A\u0026M 3300 B38/F51","Removed from A\u0026M 3300 B39/F11","Removed from A\u0026M 3300 B39/F13","Removed from A\u0026M 3300 B40/F4","Removed from A\u0026M 3300 B7/F34","Removed from A\u0026M 3300 B8","Removed from A\u0026M 3300 B35/F6","Removed from A\u0026M 3300 B36/F30","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B11/F23","Removed from A\u0026M 3300 B35/F9","Removed from A\u0026M 3300 B33/F26","Removed from A\u0026M 3300 B35/F15","Removed from A\u0026M 3300 B40/F3","Removed from A\u0026M 3300 B11/F21","Removed from A\u0026M 3300 B35/F17","Removed from A\u0026M3300 B38","Removed from A\u0026M 3300 B31, B29","Removed from A\u0026M 3300 B30","Removed from A\u0026M 3300 B26","Material moved to A\u0026M 3300 B65/F2","Material moved to A\u0026M 3300 B64/F3","Material removed from A\u0026M 3300 B63/F18","Material removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert","English \n.    "],"unitid_tesim":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"normalized_title_ssm":["Maryat Lee, Playwright, Papers"],"collection_title_tesim":["Maryat Lee, Playwright, Papers"],"collection_ssim":["Maryat Lee, Playwright, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Hinton (W. Va.)","New York (N.Y.)"],"geogname_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"creator_ssm":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"creator_corpname_ssim":["West Virginia University. Art Museum"],"creators_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"places_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Lee, Robert, 1998 June 5. ","Gift from Lee, Robert, 1998 July 11.","Transfer from West Virginia University Art Museum, 2022 April 29."],"access_subjects_ssim":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"access_subjects_ssm":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"has_online_content_ssim":["false"],"extent_ssm":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"extent_tesim":["63.54 Linear Feet 63 ft. 6.5 in. 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"],"bioghist_html_tesm":["\u003cp\u003eMaryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  \u003c/p\u003e\n","\u003cp\u003eMaryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.\u003c/p\u003e\n","\u003cp\u003eIn the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  \u003c/p\u003e\n","\u003cp\u003eInspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, \u003ctitle\u003eDOPE!\u003c/title\u003e which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. \u003c/p\u003e\n","\u003cp\u003eIn 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   \u003c/p\u003e\n","\u003cp\u003eIn 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.\u003c/p\u003e\n","\u003cp\u003eShe founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. \u003c/p\u003e\n","\u003cp\u003eSoon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  \u003c/p\u003e\n","\u003cp\u003eIn 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  \u003c/p\u003e\n","\u003cp\u003eDuring this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including \u003ctitle\u003eJohn Henry\u003c/title\u003e and \u003ctitle\u003eOle Miz Dacey\u003c/title\u003e. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  \u003c/p\u003e\n","\u003cp\u003eEcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with \u003ctitle\u003eDOPE!\u003c/title\u003e and SALT, used non-actors in its performances.  \u003c/p\u003e\n","\u003cp\u003eIn 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. \u003c/p\u003e\n","\u003cp\u003eMaryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026amp;M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. \u003c/p\u003e\n","\u003cp\u003eMaterials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. \u003c/p\u003e\n","\u003cp\u003eSeries 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. \u003c/p\u003e\n","\u003cp\u003eSeries 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. \u003c/p\u003e\n","\u003cp\u003eSeries 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.\u003c/p\u003e\n","\u003cp\u003eSeries 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e\n","\u003cp\u003eSeries 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. \u003c/p\u003e\n","\u003cp\u003eThis collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. \u003c/p\u003e\n","\u003cp\u003eSelect audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eThis series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.\u003c/p\u003e","\u003cp\u003eThis series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.\u003c/p\u003e","\u003cp\u003eThis series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. 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Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eCassette Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eDVD\u003c/p\u003e","\u003cp\u003eThis series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eThis series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eIncludes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)\u003c/p\u003e","\u003cp\u003eThis series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e","\u003cp\u003eThis series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F21\u003c/p\u003e","\u003cp\u003eMaterial moved to B48/I1\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B51/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F5, B54/F4\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F7\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F5\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 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A\u0026M 3300 B20/F26","Removed from A\u0026M 3300 B20/F37","Removed from A\u0026M 3300 B20/F59","Removed from A\u0026M 3300 B20/F63","Removed from A\u0026M 3300 B21/F1","Removed from A\u0026M 3300 B21/F2","Removed from A\u0026M 3300 B21/F3","Removed from A\u0026M 3300 B21/F5","Removed from A\u0026M 3300 B21/F11","Removed from A\u0026M 3300 B21/F36","Removed from A\u0026M 3300 B22/F12a","Removed from A\u0026M 3300 B23/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23/F31","Removed from A\u0026M 3300 B26/F1","Removed from A\u0026M 3300 B26/F4","Removed from A\u0026M 3300 B26/F6","Removed from A\u0026M 3300 B26/F12","Removed from A\u0026M 3300 B26/F35","Removed from A\u0026M 3300 B26/F48","Removed from A\u0026M 3300 B27/F3","Removed from A\u0026M 3300 B31/F7","Removed from A\u0026M 3300 B31/F24","Removed from A\u0026M 3300 B31/F44","Removed from A\u0026M 3300 B31/F45","Removed from A\u0026M 3300 B32/F9","Removed from A\u0026M 3300 B33/F25","Removed from A\u0026M 3300 B33/F33","Removed from A\u0026M 3300 B34/F3","Removed from A\u0026M 3300 B34/F23","Removed from A\u0026M 3300 B36/F8","Removed from A\u0026M 3300 B36/F31","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B39/F16a","Removed from A\u0026M 3300 B1/F1","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F23","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F51","Removed from A\u0026M 3300 B20/F52","Removed from A\u0026M 3300 B20/F58","Removed from A\u0026M 3300 B22/F12b","Removed from A\u0026M 3300 B23/F25","Removed from A\u0026M 3300 B23/F28","Removed from A\u0026M 3300 B23/F29","Removed from A\u0026M 3300 B31/F19","Removed from A\u0026M 3300 B34/F30b","Removed from A\u0026M 3300 B39/F24","Removed from A\u0026M 3300 B39/F25","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B39/F32","Removed from A\u0026M 3300 B40","Removed from A\u0026M 3300 [Add. 1998/07/22] B60","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B19/F9","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B17/F2l","Removed from A\u0026M 3300 B17/F4f","Removed from A\u0026M 3300 B33/F35","Removed from A\u0026M 3300 B31/F28","Removed from A\u0026M 3300 B1","Removed from A\u0026M 3300 B11/F22","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F2i","Removed from A\u0026M 3300 B17/F2q","Removed from A\u0026M 3300 B19/F25","Removed from A\u0026M 3300 B20/F44","Removed from A\u0026M 3300 B20/F45","Removed from A\u0026M 3300 B20/F46","Removed from A\u0026M 3300 B20/F48","Removed from A\u0026M 3300 B20/F49","Removed from A\u0026M 3300 B20/F53","Removed from A\u0026M 3300 B20/F54","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F65","Removed from A\u0026M 3300 B20/F66","Removed from A\u0026M 3300 B22/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B32/F34","Removed from A\u0026M 3300 B35/F1j","Removed from A\u0026M 3300 B35/F28","Removed from A\u0026M 3300 B36/F6","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B38/F31","Removed from A\u0026M 3300 B38/F43","Removed from A\u0026M 3300 B40/F13","Removed from A\u0026M 3300 B32","Removed from A\u0026M3300 B31/F5","Material moved to A\u0026M 3300 B65/F3","Material moved to A\u0026M 3300 B64/F7","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F17","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F3","Removed from A\u0026M 3300 B63/F15","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Material moved to oversized, B50/F1","Material moved to A\u0026M 3300 B45/F1","Material moved to A\u0026M 3300 B45/F11","Material moved to A\u0026M 3300 B46/F25-26","Material moved to A\u0026M 3300 B46/F27","Material moved to A\u0026M 3300 B46/F41","Material moved to A\u0026M 3300 B47/F2-3","Material moved to A\u0026M 3300 B50/F14","Material moved to A\u0026M 3300 B47/F4, B52/F5","Material moved to A\u0026M 3300 B47/F5","Material moved to A\u0026M 3300 B47/F6-7","Material moved to A\u0026M 3300 B47/F8","Material moved to A\u0026M 3300 B53/F2, B47/F9, B54/F22","Material moved to A\u0026M 3300 B47/F18","Material moved to A\u0026M 3300 B47/F19-21","Material moved to A\u0026M 3300 B47/F23","Material moved to A\u0026M 3300 B47/F24","Material moved to A\u0026M 3300 B53/F3","Material moved to A\u0026M 3300 B47/F28","Removed from A\u0026M 3300 B11/F27","Removed from A\u0026M 3300 B18/F16","Removed from A\u0026M 3300 B21/F56","Removed from A\u0026M 3300 B22/F2","Removed from A\u0026M 3300 B35/F2-3a","Removed from A\u0026M 3300 B35/F8","Removed from A\u0026M 3300 B35/F10","Removed from A\u0026M 3300 B35/F11-12","Removed from A\u0026M 3300 B35/F13","Removed from A\u0026M 3300 B35/F16","Removed from A\u0026M 3300 B35/F26","Removed from A\u0026M 3300 B36/F3","Removed from A\u0026M 3300 B37/F59-60","Removed from A\u0026M 3300 B37/F61","Removed from A\u0026M 3300 B37/F62","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B38/F49","Removed from A\u0026M 3300 B38/F51","Removed from A\u0026M 3300 B39/F11","Removed from A\u0026M 3300 B39/F13","Removed from A\u0026M 3300 B40/F4","Removed from A\u0026M 3300 B7/F34","Removed from A\u0026M 3300 B8","Removed from A\u0026M 3300 B35/F6","Removed from A\u0026M 3300 B36/F30","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B11/F23","Removed from A\u0026M 3300 B35/F9","Removed from A\u0026M 3300 B33/F26","Removed from A\u0026M 3300 B35/F15","Removed from A\u0026M 3300 B40/F3","Removed from A\u0026M 3300 B11/F21","Removed from A\u0026M 3300 B35/F17","Removed from A\u0026M3300 B38","Removed from A\u0026M 3300 B31, B29","Removed from A\u0026M 3300 B30","Removed from A\u0026M 3300 B26","Material moved to A\u0026M 3300 B65/F2","Material moved to A\u0026M 3300 B64/F3","Material removed from A\u0026M 3300 B63/F18","Material removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_41a071f25400b148208ada4216a47db7\"\u003eMaryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.\u003c/abstract\u003e"],"abstract_tesim":["Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_59b034a3f262570e93a472c5cb053744\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum"],"persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1537,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T15:06:42.135Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1610","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1610.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195886","title_ssm":["Maryat Lee, Playwright, Papers"],"title_tesim":["Maryat Lee, Playwright, Papers"],"unitdate_ssm":["1902-1997","1951-1989"],"unitdate_bulk_ssim":["1951-1989"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"text":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610","Maryat Lee, Playwright, Papers","Hinton (W. Va.)","New York (N.Y.)","West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  ","This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.","Material moved to A\u0026M 3300 B54/F21","Material moved to B48/I1","Material moved to A\u0026M 3300 B54/F2","Material moved to A\u0026M 3300 B54/F3","Material moved to A\u0026M 3300 B51/F2","Material moved to A\u0026M 3300 B45/F5, B54/F4","Material moved to A\u0026M 3300 B45/F6","Material moved to A\u0026M 3300 B45/F7","Material moved to A\u0026M 3300 B54/F5","Material moved to A\u0026M 3300 B52/F2","Material moved to A\u0026M 3300 B54/F6","Material moved to A\u0026M 3300 B52/F3","Material moved to A\u0026M 3300 B45/F8","Material moved to A\u0026M 3300 B45/F9","Material moved to A\u0026M 3300 B45/F12","Material moved to A\u0026M 3300 B45/F13","Material moved to A\u0026M 3300 B45/F15","Material moved to A\u0026M 3300 B51/F6","Material moved to A\u0026M 3300 B45/F16","Material moved to A\u0026M 3300 B45/F17, B51/F7","Material moved to A\u0026M 3300 B45/F18","Material moved to A\u0026M 3300 B45/F19","Material moved to A\u0026M 3300 B45/F20","Material moved to A\u0026M 3300 B54/F7, B45/F21-24, B51/F8","Material moved to A\u0026M 3300 B45/F25-27","Material moved to A\u0026M 3300 B45/F28-31, B46/F1-2, B50/F3-4, 19","Material moved to A\u0026M 3300 B54/F13","Material moved to A\u0026M 3300 B46/F3","Material moved to A\u0026M 3300 B54/F8","Material moved to A\u0026M 3300 B54/F9","Material moved to A\u0026M 3300 B54/F10","Material moved to A\u0026M 3300 B54/F11","Material moved to A\u0026M 3300 B54/F12","Material moved to A\u0026M 3300 B50/F5","Material moved to A\u0026M 3300 B50/F6","Material moved to A\u0026M 3300 B54/F14","Material moved to A\u0026M 3300 B50/F7","Material moved to A\u0026M 3300 B46/F4","Material moved to A\u0026M 3300 B20/F63","Material moved to A\u0026M 3300 B54/F16","Material moved to A\u0026M 3300 B54/F17","Material moved to A\u0026M 3300 B46/F6","Material moved to A\u0026M 3300 B46/F7","Material moved to A\u0026M 3300 B46/F8","Material moved to A\u0026M 3300 B46/F9","Material moved to A\u0026M 3300 B46/F10","Material moved to A\u0026M 3300 B46/F11","Material moved to A\u0026M 3300 B46/F13-19","Material moved to A\u0026M 3300 B46/F20","Material moved to A\u0026M 3300 B46/F21-24","Material moved to A\u0026M 3300 B46/F28","Material moved to A\u0026M 3300 B46/F29, B50/F8","Material moved to A\u0026M 3300 B54/F18","Material moved to A\u0026M 3300 B46/F30","Material moved to A\u0026M 3300 B50/F9-11, B46/F33","Material moved to A\u0026M 3300 B46/F34","Material moved to A\u0026M 3300 B46/F35","Material moved to A\u0026M 3300 B46/F36","Material moved to A\u0026M3300 B26/F12","Material moved to A\u0026M 3300 B46/F38","Material moved to A\u0026M 3300 B46/F39","Material moved to A\u0026M 3300 B46/F40","Material moved to A\u0026M3300 B55/F3","Material moved to A\u0026M 3300 B50/F12","Material moved to A\u0026M 3300 B46/F42","Material moved to A\u0026M 3300 B53/F4","Material moved to A\u0026M 3300 B46/F43","Material moved to A\u0026M 3300 F46/F44","Material moved to A\u0026M 3300 B46/F45","Material moved to A\u0026M 3300 B54/F20","Material moved to A\u0026M 3300 B46/F46","Material moved to A\u0026M 3300 B53/F1","Material moved to A\u0026M 3300 B46/F47","Material moved to A\u0026M 3300 B52/F4","Material moved to A\u0026M 3300 B46/F48","Material moved to A\u0026M 3300 B50/F13","Material moved to A\u0026M 3300 B54/F21","Material moved to A\u0026M 3300 B47/F10","Material moved to A\u0026M 3300 B54/F23","Material moved to A\u0026M 3300 B47/F11","Material moved to A\u0026M 3300 B54/F24","Material moved to A\u0026M 3300 B47/F12","Material moved to A\u0026M 3300 B50/F15","Material moved to A\u0026M 3300 B47/F13","Material moved to A\u0026M 3300 B54/F26","Material moved to A\u0026M 3300 B54/F27","Material moved to A\u0026M 3300 B47/F26","Material moved to A\u0026M 3300 B47/F27","Material moved to A\u0026M 3300 B50/F17","Material moved to A\u0026M 3300 B50/F18","Material moved to A\u0026M 3300 B50/F20","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B12","Removed from A\u0026M 3300 B15","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F1g","Removed from A\u0026M 3300 B17/F1h","Removed from A\u0026M 3300 B17/F4h","Removed from A\u0026M 3300 B18/F15","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B18/F17","Removed from A\u0026M 3300 B18/F21","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B19/F6","Removed from A\u0026M 3300 B19/F10a","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F13a","Removed from A\u0026M 3300 B19/F16","Removed from A\u0026M 3300 B19/F22","Removed from A\u0026M 3300 B19/F26","Removed from A\u0026M 3300 B19/F29","Removed from A\u0026M 3300 B19/F31","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B20/F12","Removed from A\u0026M 3300 B20/F14","Removed from A\u0026M 3300 B20/F16","Removed from A\u0026M 3300 B20/F20","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B20/F22","Removed from A\u0026M 3300 B20/F24","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F26","Removed from A\u0026M 3300 B20/F37","Removed from A\u0026M 3300 B20/F59","Removed from A\u0026M 3300 B20/F63","Removed from A\u0026M 3300 B21/F1","Removed from A\u0026M 3300 B21/F2","Removed from A\u0026M 3300 B21/F3","Removed from A\u0026M 3300 B21/F5","Removed from A\u0026M 3300 B21/F11","Removed from A\u0026M 3300 B21/F36","Removed from A\u0026M 3300 B22/F12a","Removed from A\u0026M 3300 B23/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23/F31","Removed from A\u0026M 3300 B26/F1","Removed from A\u0026M 3300 B26/F4","Removed from A\u0026M 3300 B26/F6","Removed from A\u0026M 3300 B26/F12","Removed from A\u0026M 3300 B26/F35","Removed from A\u0026M 3300 B26/F48","Removed from A\u0026M 3300 B27/F3","Removed from A\u0026M 3300 B31/F7","Removed from A\u0026M 3300 B31/F24","Removed from A\u0026M 3300 B31/F44","Removed from A\u0026M 3300 B31/F45","Removed from A\u0026M 3300 B32/F9","Removed from A\u0026M 3300 B33/F25","Removed from A\u0026M 3300 B33/F33","Removed from A\u0026M 3300 B34/F3","Removed from A\u0026M 3300 B34/F23","Removed from A\u0026M 3300 B36/F8","Removed from A\u0026M 3300 B36/F31","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B39/F16a","Removed from A\u0026M 3300 B1/F1","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F23","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F51","Removed from A\u0026M 3300 B20/F52","Removed from A\u0026M 3300 B20/F58","Removed from A\u0026M 3300 B22/F12b","Removed from A\u0026M 3300 B23/F25","Removed from A\u0026M 3300 B23/F28","Removed from A\u0026M 3300 B23/F29","Removed from A\u0026M 3300 B31/F19","Removed from A\u0026M 3300 B34/F30b","Removed from A\u0026M 3300 B39/F24","Removed from A\u0026M 3300 B39/F25","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B39/F32","Removed from A\u0026M 3300 B40","Removed from A\u0026M 3300 [Add. 1998/07/22] B60","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B19/F9","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B17/F2l","Removed from A\u0026M 3300 B17/F4f","Removed from A\u0026M 3300 B33/F35","Removed from A\u0026M 3300 B31/F28","Removed from A\u0026M 3300 B1","Removed from A\u0026M 3300 B11/F22","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F2i","Removed from A\u0026M 3300 B17/F2q","Removed from A\u0026M 3300 B19/F25","Removed from A\u0026M 3300 B20/F44","Removed from A\u0026M 3300 B20/F45","Removed from A\u0026M 3300 B20/F46","Removed from A\u0026M 3300 B20/F48","Removed from A\u0026M 3300 B20/F49","Removed from A\u0026M 3300 B20/F53","Removed from A\u0026M 3300 B20/F54","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F65","Removed from A\u0026M 3300 B20/F66","Removed from A\u0026M 3300 B22/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B32/F34","Removed from A\u0026M 3300 B35/F1j","Removed from A\u0026M 3300 B35/F28","Removed from A\u0026M 3300 B36/F6","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B38/F31","Removed from A\u0026M 3300 B38/F43","Removed from A\u0026M 3300 B40/F13","Removed from A\u0026M 3300 B32","Removed from A\u0026M3300 B31/F5","Material moved to A\u0026M 3300 B65/F3","Material moved to A\u0026M 3300 B64/F7","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F17","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F3","Removed from A\u0026M 3300 B63/F15","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Material moved to oversized, B50/F1","Material moved to A\u0026M 3300 B45/F1","Material moved to A\u0026M 3300 B45/F11","Material moved to A\u0026M 3300 B46/F25-26","Material moved to A\u0026M 3300 B46/F27","Material moved to A\u0026M 3300 B46/F41","Material moved to A\u0026M 3300 B47/F2-3","Material moved to A\u0026M 3300 B50/F14","Material moved to A\u0026M 3300 B47/F4, B52/F5","Material moved to A\u0026M 3300 B47/F5","Material moved to A\u0026M 3300 B47/F6-7","Material moved to A\u0026M 3300 B47/F8","Material moved to A\u0026M 3300 B53/F2, B47/F9, B54/F22","Material moved to A\u0026M 3300 B47/F18","Material moved to A\u0026M 3300 B47/F19-21","Material moved to A\u0026M 3300 B47/F23","Material moved to A\u0026M 3300 B47/F24","Material moved to A\u0026M 3300 B53/F3","Material moved to A\u0026M 3300 B47/F28","Removed from A\u0026M 3300 B11/F27","Removed from A\u0026M 3300 B18/F16","Removed from A\u0026M 3300 B21/F56","Removed from A\u0026M 3300 B22/F2","Removed from A\u0026M 3300 B35/F2-3a","Removed from A\u0026M 3300 B35/F8","Removed from A\u0026M 3300 B35/F10","Removed from A\u0026M 3300 B35/F11-12","Removed from A\u0026M 3300 B35/F13","Removed from A\u0026M 3300 B35/F16","Removed from A\u0026M 3300 B35/F26","Removed from A\u0026M 3300 B36/F3","Removed from A\u0026M 3300 B37/F59-60","Removed from A\u0026M 3300 B37/F61","Removed from A\u0026M 3300 B37/F62","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B38/F49","Removed from A\u0026M 3300 B38/F51","Removed from A\u0026M 3300 B39/F11","Removed from A\u0026M 3300 B39/F13","Removed from A\u0026M 3300 B40/F4","Removed from A\u0026M 3300 B7/F34","Removed from A\u0026M 3300 B8","Removed from A\u0026M 3300 B35/F6","Removed from A\u0026M 3300 B36/F30","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B11/F23","Removed from A\u0026M 3300 B35/F9","Removed from A\u0026M 3300 B33/F26","Removed from A\u0026M 3300 B35/F15","Removed from A\u0026M 3300 B40/F3","Removed from A\u0026M 3300 B11/F21","Removed from A\u0026M 3300 B35/F17","Removed from A\u0026M3300 B38","Removed from A\u0026M 3300 B31, B29","Removed from A\u0026M 3300 B30","Removed from A\u0026M 3300 B26","Material moved to A\u0026M 3300 B65/F2","Material moved to A\u0026M 3300 B64/F3","Material removed from A\u0026M 3300 B63/F18","Material removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert","English \n.    "],"unitid_tesim":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"normalized_title_ssm":["Maryat Lee, Playwright, Papers"],"collection_title_tesim":["Maryat Lee, Playwright, Papers"],"collection_ssim":["Maryat Lee, Playwright, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Hinton (W. Va.)","New York (N.Y.)"],"geogname_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"creator_ssm":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"creator_corpname_ssim":["West Virginia University. Art Museum"],"creators_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"places_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Lee, Robert, 1998 June 5. ","Gift from Lee, Robert, 1998 July 11.","Transfer from West Virginia University Art Museum, 2022 April 29."],"access_subjects_ssim":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"access_subjects_ssm":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"has_online_content_ssim":["false"],"extent_ssm":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"extent_tesim":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eMaryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  \u003c/p\u003e\n","\u003cp\u003eMaryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.\u003c/p\u003e\n","\u003cp\u003eIn the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  \u003c/p\u003e\n","\u003cp\u003eInspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, \u003ctitle\u003eDOPE!\u003c/title\u003e which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. \u003c/p\u003e\n","\u003cp\u003eIn 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   \u003c/p\u003e\n","\u003cp\u003eIn 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.\u003c/p\u003e\n","\u003cp\u003eShe founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. \u003c/p\u003e\n","\u003cp\u003eSoon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  \u003c/p\u003e\n","\u003cp\u003eIn 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  \u003c/p\u003e\n","\u003cp\u003eDuring this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including \u003ctitle\u003eJohn Henry\u003c/title\u003e and \u003ctitle\u003eOle Miz Dacey\u003c/title\u003e. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  \u003c/p\u003e\n","\u003cp\u003eEcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with \u003ctitle\u003eDOPE!\u003c/title\u003e and SALT, used non-actors in its performances.  \u003c/p\u003e\n","\u003cp\u003eIn 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. \u003c/p\u003e\n","\u003cp\u003eMaryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026amp;M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. \u003c/p\u003e\n","\u003cp\u003eMaterials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. \u003c/p\u003e\n","\u003cp\u003eSeries 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. \u003c/p\u003e\n","\u003cp\u003eSeries 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. \u003c/p\u003e\n","\u003cp\u003eSeries 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.\u003c/p\u003e\n","\u003cp\u003eSeries 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e\n","\u003cp\u003eSeries 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. \u003c/p\u003e\n","\u003cp\u003eThis collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. \u003c/p\u003e\n","\u003cp\u003eSelect audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eThis series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.\u003c/p\u003e","\u003cp\u003eThis series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.\u003c/p\u003e","\u003cp\u003eThis series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. 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Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eThis series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eIncludes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)\u003c/p\u003e","\u003cp\u003eThis series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e","\u003cp\u003eThis series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F21\u003c/p\u003e","\u003cp\u003eMaterial moved to B48/I1\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B51/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F5, B54/F4\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F7\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F5\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 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A\u0026amp;M 3300 B35/F8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F10\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F11-12\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F13\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B36/F3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B37/F59-60\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B37/F61\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B37/F62\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38/F49\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38/F51\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B39/F11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B39/F13\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B40/F4\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B7/F34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F6\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B36/F30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B11/F23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F9\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B33/F26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B40/F3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B11/F21\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F17\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M3300 B38\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B31, B29\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B26\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B65/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B64/F3\u003c/p\u003e","\u003cp\u003eMaterial removed from A\u0026amp;M 3300 B63/F18\u003c/p\u003e","\u003cp\u003eMaterial removed from A\u0026amp;M 3300 B63\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B63\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated 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Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Material moved to A\u0026M 3300 B54/F21","Material moved to B48/I1","Material moved to A\u0026M 3300 B54/F2","Material moved to A\u0026M 3300 B54/F3","Material moved to A\u0026M 3300 B51/F2","Material moved to A\u0026M 3300 B45/F5, B54/F4","Material moved to A\u0026M 3300 B45/F6","Material moved to A\u0026M 3300 B45/F7","Material moved to A\u0026M 3300 B54/F5","Material moved to A\u0026M 3300 B52/F2","Material moved to A\u0026M 3300 B54/F6","Material moved to A\u0026M 3300 B52/F3","Material moved to A\u0026M 3300 B45/F8","Material moved to A\u0026M 3300 B45/F9","Material moved to A\u0026M 3300 B45/F12","Material moved to A\u0026M 3300 B45/F13","Material moved to A\u0026M 3300 B45/F15","Material moved to A\u0026M 3300 B51/F6","Material moved to A\u0026M 3300 B45/F16","Material moved to A\u0026M 3300 B45/F17, B51/F7","Material moved to A\u0026M 3300 B45/F18","Material moved to A\u0026M 3300 B45/F19","Material moved to A\u0026M 3300 B45/F20","Material moved to A\u0026M 3300 B54/F7, B45/F21-24, B51/F8","Material moved to A\u0026M 3300 B45/F25-27","Material moved to A\u0026M 3300 B45/F28-31, B46/F1-2, B50/F3-4, 19","Material moved to A\u0026M 3300 B54/F13","Material moved to A\u0026M 3300 B46/F3","Material moved to A\u0026M 3300 B54/F8","Material moved to A\u0026M 3300 B54/F9","Material moved to A\u0026M 3300 B54/F10","Material moved to A\u0026M 3300 B54/F11","Material moved to A\u0026M 3300 B54/F12","Material moved to A\u0026M 3300 B50/F5","Material moved to A\u0026M 3300 B50/F6","Material moved to A\u0026M 3300 B54/F14","Material moved to A\u0026M 3300 B50/F7","Material moved to A\u0026M 3300 B46/F4","Material moved to A\u0026M 3300 B20/F63","Material moved to A\u0026M 3300 B54/F16","Material moved to A\u0026M 3300 B54/F17","Material moved to A\u0026M 3300 B46/F6","Material moved to A\u0026M 3300 B46/F7","Material moved to A\u0026M 3300 B46/F8","Material moved to A\u0026M 3300 B46/F9","Material moved to A\u0026M 3300 B46/F10","Material moved to A\u0026M 3300 B46/F11","Material moved to A\u0026M 3300 B46/F13-19","Material moved to A\u0026M 3300 B46/F20","Material moved to A\u0026M 3300 B46/F21-24","Material moved to A\u0026M 3300 B46/F28","Material moved to A\u0026M 3300 B46/F29, B50/F8","Material moved to A\u0026M 3300 B54/F18","Material moved to A\u0026M 3300 B46/F30","Material moved to A\u0026M 3300 B50/F9-11, B46/F33","Material moved to A\u0026M 3300 B46/F34","Material moved to A\u0026M 3300 B46/F35","Material moved to A\u0026M 3300 B46/F36","Material moved to A\u0026M3300 B26/F12","Material moved to A\u0026M 3300 B46/F38","Material moved to A\u0026M 3300 B46/F39","Material moved to A\u0026M 3300 B46/F40","Material moved to A\u0026M3300 B55/F3","Material moved to A\u0026M 3300 B50/F12","Material moved to A\u0026M 3300 B46/F42","Material moved to A\u0026M 3300 B53/F4","Material moved to A\u0026M 3300 B46/F43","Material moved to A\u0026M 3300 F46/F44","Material moved to A\u0026M 3300 B46/F45","Material moved to A\u0026M 3300 B54/F20","Material moved to A\u0026M 3300 B46/F46","Material moved to A\u0026M 3300 B53/F1","Material moved to A\u0026M 3300 B46/F47","Material moved to A\u0026M 3300 B52/F4","Material moved to A\u0026M 3300 B46/F48","Material moved to A\u0026M 3300 B50/F13","Material moved to A\u0026M 3300 B54/F21","Material moved to A\u0026M 3300 B47/F10","Material moved to A\u0026M 3300 B54/F23","Material moved to A\u0026M 3300 B47/F11","Material moved to A\u0026M 3300 B54/F24","Material moved to A\u0026M 3300 B47/F12","Material moved to A\u0026M 3300 B50/F15","Material moved to A\u0026M 3300 B47/F13","Material moved to A\u0026M 3300 B54/F26","Material moved to A\u0026M 3300 B54/F27","Material moved to A\u0026M 3300 B47/F26","Material moved to A\u0026M 3300 B47/F27","Material moved to A\u0026M 3300 B50/F17","Material moved to A\u0026M 3300 B50/F18","Material moved to A\u0026M 3300 B50/F20","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B12","Removed from A\u0026M 3300 B15","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F1g","Removed from A\u0026M 3300 B17/F1h","Removed from A\u0026M 3300 B17/F4h","Removed from A\u0026M 3300 B18/F15","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B18/F17","Removed from A\u0026M 3300 B18/F21","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B19/F6","Removed from A\u0026M 3300 B19/F10a","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F13a","Removed from A\u0026M 3300 B19/F16","Removed from A\u0026M 3300 B19/F22","Removed from A\u0026M 3300 B19/F26","Removed from A\u0026M 3300 B19/F29","Removed from A\u0026M 3300 B19/F31","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B20/F12","Removed from A\u0026M 3300 B20/F14","Removed from A\u0026M 3300 B20/F16","Removed from A\u0026M 3300 B20/F20","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B20/F22","Removed from A\u0026M 3300 B20/F24","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F26","Removed from A\u0026M 3300 B20/F37","Removed from A\u0026M 3300 B20/F59","Removed from A\u0026M 3300 B20/F63","Removed from A\u0026M 3300 B21/F1","Removed from A\u0026M 3300 B21/F2","Removed from A\u0026M 3300 B21/F3","Removed from A\u0026M 3300 B21/F5","Removed from A\u0026M 3300 B21/F11","Removed from A\u0026M 3300 B21/F36","Removed from A\u0026M 3300 B22/F12a","Removed from A\u0026M 3300 B23/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23/F31","Removed from A\u0026M 3300 B26/F1","Removed from A\u0026M 3300 B26/F4","Removed from A\u0026M 3300 B26/F6","Removed from A\u0026M 3300 B26/F12","Removed from A\u0026M 3300 B26/F35","Removed from A\u0026M 3300 B26/F48","Removed from A\u0026M 3300 B27/F3","Removed from A\u0026M 3300 B31/F7","Removed from A\u0026M 3300 B31/F24","Removed from A\u0026M 3300 B31/F44","Removed from A\u0026M 3300 B31/F45","Removed from A\u0026M 3300 B32/F9","Removed from A\u0026M 3300 B33/F25","Removed from A\u0026M 3300 B33/F33","Removed from A\u0026M 3300 B34/F3","Removed from A\u0026M 3300 B34/F23","Removed from A\u0026M 3300 B36/F8","Removed from A\u0026M 3300 B36/F31","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B39/F16a","Removed from A\u0026M 3300 B1/F1","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F23","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F51","Removed from A\u0026M 3300 B20/F52","Removed from A\u0026M 3300 B20/F58","Removed from A\u0026M 3300 B22/F12b","Removed from A\u0026M 3300 B23/F25","Removed from A\u0026M 3300 B23/F28","Removed from A\u0026M 3300 B23/F29","Removed from A\u0026M 3300 B31/F19","Removed from A\u0026M 3300 B34/F30b","Removed from A\u0026M 3300 B39/F24","Removed from A\u0026M 3300 B39/F25","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B39/F32","Removed from A\u0026M 3300 B40","Removed from A\u0026M 3300 [Add. 1998/07/22] B60","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B19/F9","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B17/F2l","Removed from A\u0026M 3300 B17/F4f","Removed from A\u0026M 3300 B33/F35","Removed from A\u0026M 3300 B31/F28","Removed from A\u0026M 3300 B1","Removed from A\u0026M 3300 B11/F22","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F2i","Removed from A\u0026M 3300 B17/F2q","Removed from A\u0026M 3300 B19/F25","Removed from A\u0026M 3300 B20/F44","Removed from A\u0026M 3300 B20/F45","Removed from A\u0026M 3300 B20/F46","Removed from A\u0026M 3300 B20/F48","Removed from A\u0026M 3300 B20/F49","Removed from A\u0026M 3300 B20/F53","Removed from A\u0026M 3300 B20/F54","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F65","Removed from A\u0026M 3300 B20/F66","Removed from A\u0026M 3300 B22/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B32/F34","Removed from A\u0026M 3300 B35/F1j","Removed from A\u0026M 3300 B35/F28","Removed from A\u0026M 3300 B36/F6","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B38/F31","Removed from A\u0026M 3300 B38/F43","Removed from A\u0026M 3300 B40/F13","Removed from A\u0026M 3300 B32","Removed from A\u0026M3300 B31/F5","Material moved to A\u0026M 3300 B65/F3","Material moved to A\u0026M 3300 B64/F7","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F17","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F3","Removed from A\u0026M 3300 B63/F15","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Material moved to oversized, B50/F1","Material moved to A\u0026M 3300 B45/F1","Material moved to A\u0026M 3300 B45/F11","Material moved to A\u0026M 3300 B46/F25-26","Material moved to A\u0026M 3300 B46/F27","Material moved to A\u0026M 3300 B46/F41","Material moved to A\u0026M 3300 B47/F2-3","Material moved to A\u0026M 3300 B50/F14","Material moved to A\u0026M 3300 B47/F4, B52/F5","Material moved to A\u0026M 3300 B47/F5","Material moved to A\u0026M 3300 B47/F6-7","Material moved to A\u0026M 3300 B47/F8","Material moved to A\u0026M 3300 B53/F2, B47/F9, B54/F22","Material moved to A\u0026M 3300 B47/F18","Material moved to A\u0026M 3300 B47/F19-21","Material moved to A\u0026M 3300 B47/F23","Material moved to A\u0026M 3300 B47/F24","Material moved to A\u0026M 3300 B53/F3","Material moved to A\u0026M 3300 B47/F28","Removed from A\u0026M 3300 B11/F27","Removed from A\u0026M 3300 B18/F16","Removed from A\u0026M 3300 B21/F56","Removed from A\u0026M 3300 B22/F2","Removed from A\u0026M 3300 B35/F2-3a","Removed from A\u0026M 3300 B35/F8","Removed from A\u0026M 3300 B35/F10","Removed from A\u0026M 3300 B35/F11-12","Removed from A\u0026M 3300 B35/F13","Removed from A\u0026M 3300 B35/F16","Removed from A\u0026M 3300 B35/F26","Removed from A\u0026M 3300 B36/F3","Removed from A\u0026M 3300 B37/F59-60","Removed from A\u0026M 3300 B37/F61","Removed from A\u0026M 3300 B37/F62","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B38/F49","Removed from A\u0026M 3300 B38/F51","Removed from A\u0026M 3300 B39/F11","Removed from A\u0026M 3300 B39/F13","Removed from A\u0026M 3300 B40/F4","Removed from A\u0026M 3300 B7/F34","Removed from A\u0026M 3300 B8","Removed from A\u0026M 3300 B35/F6","Removed from A\u0026M 3300 B36/F30","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B11/F23","Removed from A\u0026M 3300 B35/F9","Removed from A\u0026M 3300 B33/F26","Removed from A\u0026M 3300 B35/F15","Removed from A\u0026M 3300 B40/F3","Removed from A\u0026M 3300 B11/F21","Removed from A\u0026M 3300 B35/F17","Removed from A\u0026M3300 B38","Removed from A\u0026M 3300 B31, B29","Removed from A\u0026M 3300 B30","Removed from A\u0026M 3300 B26","Material moved to A\u0026M 3300 B65/F2","Material moved to A\u0026M 3300 B64/F3","Material removed from A\u0026M 3300 B63/F18","Material removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_41a071f25400b148208ada4216a47db7\"\u003eMaryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.\u003c/abstract\u003e"],"abstract_tesim":["Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_59b034a3f262570e93a472c5cb053744\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum"],"persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1537,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T15:06:42.135Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610"}},{"id":"vaallhs_repositories_2_resources_178","type":"collection","attributes":{"title":"William Gregory Family Papers (MS417)","creator":{"id":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_178#creator","type":"document_value","attributes":{"value":"Gregory, William, III, 1789-1875","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_178#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_178#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vaallhs_repositories_2_resources_178","ead_ssi":"vaallhs_repositories_2_resources_178","_root_":"vaallhs_repositories_2_resources_178","_nest_parent_":"vaallhs_repositories_2_resources_178","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_178.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/178","title_ssm":["William Gregory Family Papers (MS417)"],"title_tesim":["William Gregory Family Papers (MS417)"],"unitdate_ssm":["1771-1993"],"unitdate_inclusive_ssm":["1771-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS417","/repositories/2/resources/178"],"text":["MS417","/repositories/2/resources/178","William Gregory Family Papers (MS417)","Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps","Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria.","This folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers.","William Gregory was a Scottish immigrant, businessman, landowner, and enslaver. ","He was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).","William Gregory passed in 1875 at the age of 87.","This collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.","Series 1 contains property records, birth and death records, manuscripts, journals, correspondence, and other ephemera of the Gregory family of Kilmarnock, Scotland, later Alexandria, Virginia, USA. The series also contains late 20th century correspondence between descendants of William Gregory that discuss some of the items within this collection.","This folder contains the donor's inventory of the correspondence in series 2. The donor compiled these letters in chronological order and numbered them 1-263. He then created this index which groups the letters according to three categories; Scottish internal, Trans-Atlantic, and American internal correspondence.","This folder contains an account of the history of the Gregory family beginning with William Gregory. It is retold by Judith Winter Hammet from a manuscript written by Mary G. Powell, and seems to be a collection of memories and oral histories constituting something of a family mythology.","Items of note include a portrait of Peter Mallard Gregory, an order from Gen. Robert E. Lee, and property records and deeds.","This folder contains property records related to a property in Alexandria, VA on Royal Street and Sharpshin","This folder contains correspondence between individuals associated with the Gregory family.","This folder includes a record of births/deaths/marriages, a manuscript, memoirs about the Kennedys, and other various pamphlets and papers.","Hand-drawn plat drawing of the McKnight property on Royal St adjoining Market Square from the Land records of Alexandria County, dated 1842","Series 2 contains correspondence between members of William Gregory and family, and others, dated between 1788 and 1896, and includes Scottish, Trans-Atlantic, and American correspondence. These letters have been indexed and described by the donor, whose index can be found in \"Donor's index of correspondence\" (MS417-01-001)","This folder contains correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)","Local History and Special Collections Branch, Alexandria Library","Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)","English"],"unitid_tesim":["MS417","/repositories/2/resources/178"],"normalized_title_ssm":["William Gregory Family Papers (MS417)"],"collection_title_tesim":["William Gregory Family Papers (MS417)"],"collection_ssim":["William Gregory Family Papers (MS417)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"geogname_ssim":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"creator_ssm":["Gregory, William, III, 1789-1875"],"creator_ssim":["Gregory, William, III, 1789-1875"],"creator_persname_ssim":["Gregory, William, III, 1789-1875"],"creators_ssim":["Gregory, William, III, 1789-1875"],"places_ssim":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"access_subjects_ssim":["Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria."],"access_subjects_ssm":["Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria."],"has_online_content_ssim":["false"],"extent_ssm":["1.11 Cubic Feet 1 document box, 2 flat file boxes, 1 oversize folder (assorted oversize box), 1 object (assorted media box)"],"extent_tesim":["1.11 Cubic Feet 1 document box, 2 flat file boxes, 1 oversize folder (assorted oversize box), 1 object (assorted media box)"],"date_range_isim":[1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThis folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Content Warning"],"accessrestrict_tesim":["This folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers."],"bioghist_html_tesm":["\u003cp\u003eWilliam Gregory was a Scottish immigrant, businessman, landowner, and enslaver. \u003c/p\u003e\n","\u003cp\u003eHe was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).\u003c/p\u003e\n","\u003cp\u003eWilliam Gregory passed in 1875 at the age of 87.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["William Gregory was a Scottish immigrant, businessman, landowner, and enslaver. ","He was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).","William Gregory passed in 1875 at the age of 87."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0d9e0466-7799-4548-acc8-94944ddf06fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4f7a9c2f-e86b-45fb-9c78-c865873b163b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4678c106-a2a3-4e7c-8721-fa34663529ae/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|49298b47-df0a-452d-9f9e-f5a9014b464c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|670e8fd3-7d83-4039-8500-cd79d8e455da/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|90fbb8f8-9749-49b6-9e5c-8b8800d64089/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|da740f32-5414-4569-b701-3541f21d78d5/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|24f36292-3a92-4756-ad6e-5ba64b488a8d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b5a64654-0895-4b52-8c81-516acfe32573/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5835ca08-dd15-45ef-be92-235317785c68/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0284418a-61d4-4ff5-acc4-20ededf4996c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a8343ce3-110c-4f48-8cd7-96dca964066c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|db573617-2738-4c30-ab9d-0c27a9707ffc/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a774dc9e-f24a-40b4-962b-8f52443d77c2/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|25a21708-7b06-45a6-a438-d1d2043af0d0/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|207d8fe7-f82a-4e8d-8331-554f859a9eb6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|92a69b23-254a-44c5-bea8-61ade88ebd67/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9761cbca-f07e-4491-989b-4bcff5f149a3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4ab1ebad-6232-487d-8a35-3c57afae3af8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|35cac2e5-a25d-46ac-9874-68ef86c97d29/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2ad524a3-d628-4965-a7ad-4601b87dd18b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1f7e4a3e-f772-4672-904f-f6f621d3d84e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|6206ddee-10e2-4819-a897-f87d6a91865f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1a2828c8-0bc1-414a-bcb3-c84e9d2e35ae/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|19ed6ab5-3cc3-498f-9d2c-f256d836a04a/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|baeca746-13f0-4b09-b4c7-069dd244eddf/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bd16e1fe-ff54-432f-9fdc-60da9caaaf71/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0082c241-098a-4bfb-8063-42df086062ee/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|6012e7db-17f3-4b25-ae20-57158c38c0da/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|834cc545-b387-4bb4-a886-1cece4aacc1e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|24960502-26e8-49c8-b8ea-5e392faec995/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3d24840f-f3bb-4b0a-a1ce-764c0e901f5d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0ea9bb1c-a520-430a-aa85-f29d5c216722/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|04833a4c-571e-4487-b7a7-6f8bf798af91/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|33c78ce0-c0cc-4a0f-985b-5cd86291c20d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|05154012-b8e3-43c0-aae9-4cfbbecb1e2d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|cff396d6-0244-4bd2-b0db-134d98cbf940/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|55de91eb-c7e3-445c-8337-3e07c24fb329/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b247627c-237a-4aa7-81cb-605ea34e85a0/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3d69d837-13c2-4129-a414-848490b8cb15/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|295d1a6a-5840-42d3-b2e9-ee8f8f1325f1/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4bdb1601-c5fe-4cdc-adb8-f1274214a813/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|66246ca4-c6b8-4e7d-86a9-b5dd4bdcaa24/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e302ed30-b6d6-47a6-af89-a8ddd4299bcd/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection"],"prefercite_html_tesm":["\u003cp\u003e[item description], William Gregory Family Papers, MS417, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[item description], William Gregory Family Papers, MS417, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.\u003c/p\u003e","\u003cp\u003eSeries 1 contains property records, birth and death records, manuscripts, journals, correspondence, and other ephemera of the Gregory family of Kilmarnock, Scotland, later Alexandria, Virginia, USA. The series also contains late 20th century correspondence between descendants of William Gregory that discuss some of the items within this collection.\u003c/p\u003e","\u003cp\u003eThis folder contains the donor's inventory of the correspondence in series 2. The donor compiled these letters in chronological order and numbered them 1-263. He then created this index which groups the letters according to three categories; Scottish internal, Trans-Atlantic, and American internal correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains an account of the history of the Gregory family beginning with William Gregory. It is retold by Judith Winter Hammet from a manuscript written by Mary G. Powell, and seems to be a collection of memories and oral histories constituting something of a family mythology.\u003c/p\u003e","\u003cp\u003eItems of note include a portrait of Peter Mallard Gregory, an order from Gen. Robert E. Lee, and property records and deeds.\u003c/p\u003e","\u003cp\u003eThis folder contains property records related to a property in Alexandria, VA on Royal Street and Sharpshin\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence between individuals associated with the Gregory family.\u003c/p\u003e","\u003cp\u003eThis folder includes a record of births/deaths/marriages, a manuscript, memoirs about the Kennedys, and other various pamphlets and papers.\u003c/p\u003e","\u003cp\u003eHand-drawn plat drawing of the McKnight property on Royal St adjoining Market Square from the Land records of Alexandria County, dated 1842\u003c/p\u003e","\u003cp\u003eSeries 2 contains correspondence between members of William Gregory and family, and others, dated between 1788 and 1896, and includes Scottish, Trans-Atlantic, and American correspondence. These letters have been indexed and described by the donor, whose index can be found in \"Donor's index of correspondence\" (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description"],"scopecontent_tesim":["This collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.","Series 1 contains property records, birth and death records, manuscripts, journals, correspondence, and other ephemera of the Gregory family of Kilmarnock, Scotland, later Alexandria, Virginia, USA. The series also contains late 20th century correspondence between descendants of William Gregory that discuss some of the items within this collection.","This folder contains the donor's inventory of the correspondence in series 2. The donor compiled these letters in chronological order and numbered them 1-263. He then created this index which groups the letters according to three categories; Scottish internal, Trans-Atlantic, and American internal correspondence.","This folder contains an account of the history of the Gregory family beginning with William Gregory. It is retold by Judith Winter Hammet from a manuscript written by Mary G. Powell, and seems to be a collection of memories and oral histories constituting something of a family mythology.","Items of note include a portrait of Peter Mallard Gregory, an order from Gen. Robert E. Lee, and property records and deeds.","This folder contains property records related to a property in Alexandria, VA on Royal Street and Sharpshin","This folder contains correspondence between individuals associated with the Gregory family.","This folder includes a record of births/deaths/marriages, a manuscript, memoirs about the Kennedys, and other various pamphlets and papers.","Hand-drawn plat drawing of the McKnight property on Royal St adjoining Market Square from the Land records of Alexandria County, dated 1842","Series 2 contains correspondence between members of William Gregory and family, and others, dated between 1788 and 1896, and includes Scottish, Trans-Atlantic, and American correspondence. These letters have been indexed and described by the donor, whose index can be found in \"Donor's index of correspondence\" (MS417-01-001)","This folder contains correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"names_coll_ssim":["Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"persname_ssim":["Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:59:46.615Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_178","ead_ssi":"vaallhs_repositories_2_resources_178","_root_":"vaallhs_repositories_2_resources_178","_nest_parent_":"vaallhs_repositories_2_resources_178","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_178.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/178","title_ssm":["William Gregory Family Papers (MS417)"],"title_tesim":["William Gregory Family Papers (MS417)"],"unitdate_ssm":["1771-1993"],"unitdate_inclusive_ssm":["1771-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS417","/repositories/2/resources/178"],"text":["MS417","/repositories/2/resources/178","William Gregory Family Papers (MS417)","Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps","Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria.","This folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers.","William Gregory was a Scottish immigrant, businessman, landowner, and enslaver. ","He was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).","William Gregory passed in 1875 at the age of 87.","This collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.","Series 1 contains property records, birth and death records, manuscripts, journals, correspondence, and other ephemera of the Gregory family of Kilmarnock, Scotland, later Alexandria, Virginia, USA. The series also contains late 20th century correspondence between descendants of William Gregory that discuss some of the items within this collection.","This folder contains the donor's inventory of the correspondence in series 2. The donor compiled these letters in chronological order and numbered them 1-263. He then created this index which groups the letters according to three categories; Scottish internal, Trans-Atlantic, and American internal correspondence.","This folder contains an account of the history of the Gregory family beginning with William Gregory. It is retold by Judith Winter Hammet from a manuscript written by Mary G. Powell, and seems to be a collection of memories and oral histories constituting something of a family mythology.","Items of note include a portrait of Peter Mallard Gregory, an order from Gen. Robert E. Lee, and property records and deeds.","This folder contains property records related to a property in Alexandria, VA on Royal Street and Sharpshin","This folder contains correspondence between individuals associated with the Gregory family.","This folder includes a record of births/deaths/marriages, a manuscript, memoirs about the Kennedys, and other various pamphlets and papers.","Hand-drawn plat drawing of the McKnight property on Royal St adjoining Market Square from the Land records of Alexandria County, dated 1842","Series 2 contains correspondence between members of William Gregory and family, and others, dated between 1788 and 1896, and includes Scottish, Trans-Atlantic, and American correspondence. These letters have been indexed and described by the donor, whose index can be found in \"Donor's index of correspondence\" (MS417-01-001)","This folder contains correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)","Local History and Special Collections Branch, Alexandria Library","Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)","English"],"unitid_tesim":["MS417","/repositories/2/resources/178"],"normalized_title_ssm":["William Gregory Family Papers (MS417)"],"collection_title_tesim":["William Gregory Family Papers (MS417)"],"collection_ssim":["William Gregory Family Papers (MS417)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"geogname_ssim":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"creator_ssm":["Gregory, William, III, 1789-1875"],"creator_ssim":["Gregory, William, III, 1789-1875"],"creator_persname_ssim":["Gregory, William, III, 1789-1875"],"creators_ssim":["Gregory, William, III, 1789-1875"],"places_ssim":["Kilmarnock (Scotland)","Alexandria (Va.)","New York (N.Y.)","Alexandria (Va.) -- Genealogy.","Alexandria (Va.) -- Social life and customs -- 19th century.","Alexandria (Va.) -- Maps"],"access_subjects_ssim":["Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria."],"access_subjects_ssm":["Families -- Alexandria (Va.)","Deeds -- Virginia -- Alexandria."],"has_online_content_ssim":["false"],"extent_ssm":["1.11 Cubic Feet 1 document box, 2 flat file boxes, 1 oversize folder (assorted oversize box), 1 object (assorted media box)"],"extent_tesim":["1.11 Cubic Feet 1 document box, 2 flat file boxes, 1 oversize folder (assorted oversize box), 1 object (assorted media box)"],"date_range_isim":[1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThis folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Content Warning"],"accessrestrict_tesim":["This folder contains materials which include the use of offensive, racist language as well as descriptions of people enslaved by the Gregory family which may be disturbing or offensive to readers."],"bioghist_html_tesm":["\u003cp\u003eWilliam Gregory was a Scottish immigrant, businessman, landowner, and enslaver. \u003c/p\u003e\n","\u003cp\u003eHe was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).\u003c/p\u003e\n","\u003cp\u003eWilliam Gregory passed in 1875 at the age of 87.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["William Gregory was a Scottish immigrant, businessman, landowner, and enslaver. ","He was born in Kilmarnock, Scotland in 1789, and emigrated to New York, and then Alexandria, Virginia in 1807. Gregory worked for Alexandria businessman Robert McCrea as a clerk until 1812, and then as a partner until 1827. He owned property in Alexandria as well as several enslaved persons (\"Old Mary Morse\", Charlotte Blue, Eugenia, Sarah, Roxie, Frank Stewart, and Lucy the daughter of Caroline Branham, as well as other unidentified individuals). Gregory served in the War of 1812. He was also a member of the Presbyterian Church and of St. Andrew's Society. In 1822 Gregory married Margaret Douglass Bartleman, who bore four children (Douglas Smith, Elisabeth Smith, William Bartleman, and Margaret Douglas) and died in 1833. In 1838, William Gregory married Mary Donaldson Long and had five more children (Isobel Anne, Julia Harper, Boyd, Mary Crawford, and Janet Boyd).","William Gregory passed in 1875 at the age of 87."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0d9e0466-7799-4548-acc8-94944ddf06fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4f7a9c2f-e86b-45fb-9c78-c865873b163b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4678c106-a2a3-4e7c-8721-fa34663529ae/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|49298b47-df0a-452d-9f9e-f5a9014b464c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|670e8fd3-7d83-4039-8500-cd79d8e455da/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|90fbb8f8-9749-49b6-9e5c-8b8800d64089/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|da740f32-5414-4569-b701-3541f21d78d5/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|24f36292-3a92-4756-ad6e-5ba64b488a8d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b5a64654-0895-4b52-8c81-516acfe32573/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5835ca08-dd15-45ef-be92-235317785c68/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0284418a-61d4-4ff5-acc4-20ededf4996c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a8343ce3-110c-4f48-8cd7-96dca964066c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|db573617-2738-4c30-ab9d-0c27a9707ffc/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a774dc9e-f24a-40b4-962b-8f52443d77c2/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|25a21708-7b06-45a6-a438-d1d2043af0d0/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|207d8fe7-f82a-4e8d-8331-554f859a9eb6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|92a69b23-254a-44c5-bea8-61ade88ebd67/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9761cbca-f07e-4491-989b-4bcff5f149a3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4ab1ebad-6232-487d-8a35-3c57afae3af8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|35cac2e5-a25d-46ac-9874-68ef86c97d29/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2ad524a3-d628-4965-a7ad-4601b87dd18b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1f7e4a3e-f772-4672-904f-f6f621d3d84e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|6206ddee-10e2-4819-a897-f87d6a91865f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1a2828c8-0bc1-414a-bcb3-c84e9d2e35ae/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|19ed6ab5-3cc3-498f-9d2c-f256d836a04a/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|baeca746-13f0-4b09-b4c7-069dd244eddf/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bd16e1fe-ff54-432f-9fdc-60da9caaaf71/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0082c241-098a-4bfb-8063-42df086062ee/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|6012e7db-17f3-4b25-ae20-57158c38c0da/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|834cc545-b387-4bb4-a886-1cece4aacc1e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|24960502-26e8-49c8-b8ea-5e392faec995/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3d24840f-f3bb-4b0a-a1ce-764c0e901f5d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|0ea9bb1c-a520-430a-aa85-f29d5c216722/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|04833a4c-571e-4487-b7a7-6f8bf798af91/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|33c78ce0-c0cc-4a0f-985b-5cd86291c20d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca 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href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e302ed30-b6d6-47a6-af89-a8ddd4299bcd/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital 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deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.\u003c/p\u003e","\u003cp\u003eSeries 1 contains property records, birth and death records, manuscripts, journals, correspondence, and other ephemera of the Gregory family of Kilmarnock, Scotland, later Alexandria, Virginia, USA. The series also contains late 20th century correspondence between descendants of William Gregory that discuss some of the items within this collection.\u003c/p\u003e","\u003cp\u003eThis folder contains the donor's inventory of the correspondence in series 2. The donor compiled these letters in chronological order and numbered them 1-263. He then created this index which groups the letters according to three categories; Scottish internal, Trans-Atlantic, and American internal correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains an account of the history of the Gregory family beginning with William Gregory. It is retold by Judith Winter Hammet from a manuscript written by Mary G. Powell, and seems to be a collection of memories and oral histories constituting something of a family mythology.\u003c/p\u003e","\u003cp\u003eItems of note include a portrait of Peter Mallard Gregory, an order from Gen. Robert E. Lee, and property records and deeds.\u003c/p\u003e","\u003cp\u003eThis folder contains property records related to a property in Alexandria, VA on Royal Street and Sharpshin\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence between individuals associated with the Gregory family.\u003c/p\u003e","\u003cp\u003eThis folder includes a record of births/deaths/marriages, a manuscript, memoirs about the Kennedys, and other various pamphlets and papers.\u003c/p\u003e","\u003cp\u003eHand-drawn plat drawing of the McKnight property on Royal St adjoining Market Square from the Land records of Alexandria County, dated 1842\u003c/p\u003e","\u003cp\u003eSeries 2 contains correspondence between members of William Gregory and family, and others, dated between 1788 and 1896, and includes Scottish, Trans-Atlantic, and American correspondence. These letters have been indexed and described by the donor, whose index can be found in \"Donor's index of correspondence\" (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e","\u003cp\u003eThis folder contains transcriptions of correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description"],"scopecontent_tesim":["This collection predominantly contains the personal papers of William Gregory, including: journals, notebooks, property records, deeds, and family records. Approximately two-thirds of the collection comprise original correspondence, and late 20th century transcriptions of such.","Series 1 contains property records, birth and death records, manuscripts, journals, correspondence, and other ephemera of the Gregory family of Kilmarnock, Scotland, later Alexandria, Virginia, USA. The series also contains late 20th century correspondence between descendants of William Gregory that discuss some of the items within this collection.","This folder contains the donor's inventory of the correspondence in series 2. The donor compiled these letters in chronological order and numbered them 1-263. He then created this index which groups the letters according to three categories; Scottish internal, Trans-Atlantic, and American internal correspondence.","This folder contains an account of the history of the Gregory family beginning with William Gregory. It is retold by Judith Winter Hammet from a manuscript written by Mary G. Powell, and seems to be a collection of memories and oral histories constituting something of a family mythology.","Items of note include a portrait of Peter Mallard Gregory, an order from Gen. Robert E. Lee, and property records and deeds.","This folder contains property records related to a property in Alexandria, VA on Royal Street and Sharpshin","This folder contains correspondence between individuals associated with the Gregory family.","This folder includes a record of births/deaths/marriages, a manuscript, memoirs about the Kennedys, and other various pamphlets and papers.","Hand-drawn plat drawing of the McKnight property on Royal St adjoining Market Square from the Land records of Alexandria County, dated 1842","Series 2 contains correspondence between members of William Gregory and family, and others, dated between 1788 and 1896, and includes Scottish, Trans-Atlantic, and American correspondence. These letters have been indexed and described by the donor, whose index can be found in \"Donor's index of correspondence\" (MS417-01-001)","This folder contains correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1788-1807. Correspondence matches #1-20 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1807-1812. Correspondence matches #21-40 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1812-1815. Correspondence matches #41-60 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1815-1818. Correspondence matches #61-80 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1818-1819. Correspondence matches #81-100 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1819-1822. Correspondence matches #101-120 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1822-1823. Correspondence matches #121-135 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1823-1826. Correspondence matches #136-150 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #151-170 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826. Correspondence matches #171-190 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1826-1828. Correspondence matches #191-210 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1828-1829. Correspondence matches #211-224 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1830-1833. Correspondence matches #225-235 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1833-1845. Correspondence matches #236-250 in Donor's index of correspondence (MS417-01-001)","This folder contains transcriptions of correspondence dated 1847-1896. Correspondence matches #251-263 in Donor's index of correspondence (MS417-01-001)"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"names_coll_ssim":["Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"persname_ssim":["Gregory, William, III, 1789-1875","Powell, Mary Crawford (Gregory), 1847-1928","Lee, Robert E. (Robert Edward), 1807-1870","Gregory, Peter Mallard","McCrea, Robert (c.1765-c.1840)","Bartleman, Margaret Douglas (-1833)","Long, Mary Donaldson  (-1896)","Branham, Caroline, 1764?-1843","Harrison, Lucy Branham (1806-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:59:46.615Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_178"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=compact"}},{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026view=compact"}},{"attributes":{"label":"Virginia Museum of Fine Arts","value":"Virginia Museum of Fine Arts","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026view=compact"}},{"attributes":{"label":"West Virginia and Regional History Center","value":"West Virginia and Regional History Center","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29\u0026f%5Brepository%5D%5B%5D=West+Virginia+and+Regional+History+Center\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Benjamin L. 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