{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026page=5","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026page=4","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026page=6","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026page=3656"},"meta":{"pages":{"current_page":5,"next_page":6,"prev_page":4,"total_pages":3656,"limit_value":10,"offset_value":40,"total_count":36557,"first_page?":false,"last_page?":false}},"data":[{"id":"vilxw_repositories_5_resources_616_c02_c152","type":"File","attributes":{"title":"16 North Main Street, College Inn, by Will Massie, Jr., 1985","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c02_c152#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_616_c02_c152","ref_ssm":["vilxw_repositories_5_resources_616_c02_c152"],"id":"vilxw_repositories_5_resources_616_c02_c152","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616_c02","parent_ssi":"vilxw_repositories_5_resources_616_c02","parent_ssim":["Student Architectural papers collection, 1960/2011","Original papers"],"parent_ids_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c02"],"title_filing_ssi":"16 North Main Street, College Inn, by Will Massie, Jr.","title_ssm":["16 North Main Street, College Inn, by Will Massie, Jr."],"title_tesim":["16 North Main Street, College Inn, by Will Massie, Jr."],"normalized_title_ssm":["16 North Main Street, College Inn, by Will Massie, Jr., 1985"],"text":["16 North Main Street, College Inn, by Will Massie, Jr., 1985","Student Architectural papers collection, 1960/2011","Original papers","Box 4","folder 14"],"parent_unittitles_ssm":["Student Architectural papers collection, 1960/2011","Original papers"],"parent_unittitles_tesim":["Student Architectural papers collection, 1960/2011","Original papers"],"normalized_date_ssm":["1985"],"unitdate_other_ssim":["1985 April 4"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":701,"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Student Architectural papers collection, 1960/2011"],"containers_ssim":["Box 4","folder 14"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is open for research use."],"date_range_isim":[1985],"_nest_path_":"/components#1/components#151","timestamp":"2026-09-19T00:05:22.363Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_616","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_616.xml","title_filing_ssi":"Student Architectural papers collection","title_ssm":["Student Architectural papers collection"],"title_tesim":["Student Architectural papers collection"],"unitdate_ssm":["1960 January 6 - 2011 December 13"],"unitdate_inclusive_ssm":["1960 January 6 - 2011 December 13"],"normalized_date_ssm":["1960/2011"],"normalized_title_ssm":["Student Architectural papers collection, 1960/2011"],"text":["Student Architectural papers collection, 1960/2011","WLU.RG.38","/repositories/5/resources/616","Lexington (Va.)","Virginia -- Rockbridge County","Architecture","This collection is open for research use.","These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers.","This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929","English"],"collection_title_tesim":["Student Architectural papers collection, 1960/2011"],"collection_ssim":["Student Architectural papers collection, 1960/2011"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.38","/repositories/5/resources/616"],"unitid_tesim":["WLU.RG.38","/repositories/5/resources/616"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Lexington (Va.)","Virginia -- Rockbridge County"],"geogname_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"places_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"creator_ssm":["Washington and Lee University--Students"],"creator_ssim":["Washington and Lee University--Students"],"creator_persname_ssim":["Sheridan, John, 1847 - 1929"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students"],"creators_ssim":["Sheridan, John, 1847 - 1929","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students"],"acqinfo_ssim":["Gift of W\u0026L Prof. Pam Simpson."],"access_subjects_ssim":["Architecture"],"access_subjects_ssm":["Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["18.50 Linear Feet"],"extent_tesim":["18.50 Linear Feet"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThese student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers."],"userestrict_heading_ssm":["Conditions Governing Use"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students"],"persname_ssim":["Sheridan, John, 1847 - 1929"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1048,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-19T00:05:22.363Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c02_c152"}},{"id":"virmu_repositories_2_resources_6_c01_c231","type":"File","attributes":{"title":"1708-Exhibition history, 1984/2007","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c231#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c01_c231","ref_ssm":["virmu_repositories_2_resources_6_c01_c231"],"id":"virmu_repositories_2_resources_6_c01_c231","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c01","parent_ssi":"virmu_repositories_2_resources_6_c01","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c01"],"title_filing_ssi":"1708-Exhibition history","title_ssm":["1708-Exhibition history"],"title_tesim":["1708-Exhibition history"],"normalized_title_ssm":["1708-Exhibition history, 1984/2007"],"text":["1708-Exhibition history, 1984/2007","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021","box VA-02 Box 4","folder VA02.01.0.232"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"normalized_date_ssm":["1984/2007"],"unitdate_inclusive_ssm":["1984-2007"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":232,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 4","folder VA02.01.0.232"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"_nest_path_":"/components#0/components#230","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c231"}},{"id":"virmu_repositories_2_resources_6_c01_c97","type":"File","attributes":{"title":"1708 Gallery, 1983/1989","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c97#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c01_c97","ref_ssm":["virmu_repositories_2_resources_6_c01_c97"],"id":"virmu_repositories_2_resources_6_c01_c97","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c01","parent_ssi":"virmu_repositories_2_resources_6_c01","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c01"],"title_filing_ssi":"1708 Gallery","title_ssm":["1708 Gallery"],"title_tesim":["1708 Gallery"],"normalized_title_ssm":["1708 Gallery, 1983/1989"],"text":["1708 Gallery, 1983/1989","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021","box VA-02 Box 1","folder VA02.01.0.097"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 1: Exhibition Files, 1964/2021"],"normalized_date_ssm":["1983/1989"],"unitdate_other_ssim":["1983-1989"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":98,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"containers_ssim":["box VA-02 Box 1","folder VA02.01.0.097"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989],"_nest_path_":"/components#0/components#96","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6_c01_c97"}},{"id":"wvmturhc_repositories_2_resources_1852_c06_c17","type":"File","attributes":{"title":"17. Genealogy Letters to RLD, 1977/2003","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1852_c06_c17","ref_ssm":["wvmturhc_repositories_2_resources_1852_c06_c17"],"id":"wvmturhc_repositories_2_resources_1852_c06_c17","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852_c06","parent_ssi":"wvmturhc_repositories_2_resources_1852_c06","parent_ssim":["Russell L. Davisson, Politician, Papers, 1850/2004","Series 6. Genealogy Records B, 1835/2003"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"title_filing_ssi":"17. Genealogy Letters to RLD","title_ssm":["17. Genealogy Letters to RLD"],"title_tesim":["17. Genealogy Letters to RLD"],"normalized_title_ssm":["17. Genealogy Letters to RLD, 1977/2003"],"text":["17. Genealogy Letters to RLD, 1977/2003","Russell L. Davisson, Politician, Papers, 1850/2004","Series 6. Genealogy Records B, 1835/2003","Box 3","Folder 35"],"parent_unittitles_ssm":["Russell L. Davisson, Politician, Papers, 1850/2004","Series 6. Genealogy Records B, 1835/2003"],"parent_unittitles_tesim":["Russell L. Davisson, Politician, Papers, 1850/2004","Series 6. Genealogy Records B, 1835/2003"],"normalized_date_ssm":["1977/2003"],"unitdate_inclusive_ssm":["1977–2003"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":82,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Russell L. Davisson, Politician, Papers, 1850/2004"],"containers_ssim":["Box 3","Folder 35"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#5/components#16","timestamp":"2026-08-14T23:08:12.086Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1852","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1852.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196027","title_ssm":["Russell L. Davisson, Politician, Papers"],"title_tesim":["Russell L. Davisson, Politician, Papers"],"unitdate_ssm":["1850-2004"],"unitdate_inclusive_ssm":["1850-2004"],"normalized_date_ssm":["1850/2004"],"normalized_title_ssm":["Russell L. Davisson, Politician, Papers, 1850/2004"],"text":["Russell L. Davisson, Politician, Papers, 1850/2004","A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852","Genealogy","Welfare - Mingo County.","No special access restriction applies.","Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a) \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \nSeries 11. Travel, undated (box 4, folders 41-44) \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \nSeries 15. Certificate, 2004 (box 5, folder 3) \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-","English"],"collection_title_tesim":["Russell L. Davisson, Politician, Papers, 1850/2004"],"collection_ssim":["Russell L. Davisson, Politician, Papers, 1850/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"unitid_tesim":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davisson, Russell Lee, 1922-"],"creator_ssim":["Davisson, Russell Lee, 1922-"],"creator_persname_ssim":["Davisson, Russell Lee, 1922-"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Davison family - genealogy.","Davison family - Genealogy"],"creators_ssim":["Davisson, Russell Lee, 1922-","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Welfare - Mingo County."],"access_subjects_ssm":["Genealogy","Welfare - Mingo County."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"extent_tesim":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026amp;M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).\u003c/p\u003e","\u003cp\u003eSeries include:\u003c/p\u003e","\u003cp\u003eSeries 1. Biographical Information, 2005 (box 1, Folder 1a) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Travel, undated (box 4, folders 41-44) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \u003clb\u003e\u003c/lb\u003e\nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \u003clb\u003e\u003c/lb\u003e\nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \u003clb\u003e\u003c/lb\u003e\nSeries 15. Certificate, 2004 (box 5, folder 3) \u003clb\u003e\u003c/lb\u003e\nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \u003clb\u003e\u003c/lb\u003e\nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a) \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \nSeries 11. Travel, undated (box 4, folders 41-44) \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \nSeries 15. Certificate, 2004 (box 5, folder 3) \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b58e0d0847733239cec6066aace5060d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Davison family - genealogy.","Davison family - Genealogy"],"names_coll_ssim":["Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"persname_ssim":["Davisson, Russell Lee, 1922-"],"names_ssim":["West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":235,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:08:12.086Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c17"}},{"id":"viu_repositories_3_resources_1675_c10_c90","type":"File","attributes":{"title":"17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b, 1976/1997","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1675_c10_c90#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1675_c10_c90","ref_ssm":["viu_repositories_3_resources_1675_c10_c90"],"id":"viu_repositories_3_resources_1675_c10_c90","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675_c10","parent_ssi":"viu_repositories_3_resources_1675_c10","parent_ssim":["William Faulkner Collection, 1824/2006","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications, 1921/2005"],"parent_ids_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c10"],"title_filing_ssi":"17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b","title_ssm":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b"],"title_tesim":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b"],"normalized_title_ssm":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b, 1976/1997"],"text":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b, 1976/1997","William Faulkner Collection, 1824/2006","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications, 1921/2005","box 204","folder 8"],"parent_unittitles_ssm":["William Faulkner Collection, 1824/2006","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications, 1921/2005"],"parent_unittitles_tesim":["William Faulkner Collection, 1824/2006","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications, 1921/2005"],"normalized_date_ssm":["1976/1997"],"unitdate_inclusive_ssm":["1976-1997"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":3350,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William Faulkner Collection, 1824/2006"],"containers_ssim":["box 204","folder 8"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"_nest_path_":"/components#9/components#89","timestamp":"2026-09-19T00:05:22.363Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1675","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1675.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196837","title_filing_ssi":"Faulkner, William, Collection","title_ssm":["William Faulkner Collection"],"title_tesim":["William Faulkner Collection"],"unitdate_ssm":["1824-2006"],"unitdate_inclusive_ssm":["1824-2006"],"normalized_date_ssm":["1824/2006"],"normalized_title_ssm":["William Faulkner Collection, 1824/2006"],"text":["William Faulkner Collection, 1824/2006","MSS 16807","Archival Resource Key","/repositories/3/resources/1675","Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century","This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, Soldier's Pay, in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of The Sound and the Fury in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.","Source: Materials within the collection.","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962","Materials primarily in English, with some publications in French and German."],"collection_title_tesim":["William Faulkner Collection, 1824/2006"],"collection_ssim":["William Faulkner Collection, 1824/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"unitid_tesim":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Faulkner, William, 1897-1962"],"creator_ssim":["Faulkner, William, 1897-1962"],"creator_persname_ssim":["Faulkner, William, 1897-1962"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Faulkner, William, 1897-1962","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission."],"access_subjects_ssim":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"access_subjects_ssm":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"has_online_content_ssim":["false"],"extent_ssm":["150 Cubic Feet"],"extent_tesim":["150 Cubic Feet"],"genreform_ssim":["American literature--Southern States","American fiction--20th Century"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"bioghist_html_tesm":["\u003cp\u003eThe William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, \u003cemph render=\"italic\"\u003e\u003ctitle\u003eSoldier's Pay\u003c/title\u003e\u003c/emph\u003e, in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of \u003ctitle\u003e\u003cemph render=\"italic\"\u003eThe Sound and the Fury\u003c/emph\u003e\u003c/title\u003e in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  \u003c/p\u003e","\u003cp\u003eSource: Materials within the collection.   \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, Soldier's Pay, in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of The Sound and the Fury in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.","Source: Materials within the collection."],"odd_html_tesm":["\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e  "],"odd_heading_ssm":["Content Warning"],"odd_tesim":["This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"prefercite_html_tesm":["\u003cp\u003eMSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.\u003c/p\u003e","\u003cp\u003eThe William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.\u003c/p\u003e","\u003cp\u003eIn this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.\u003c/p\u003e","\u003cp\u003eAbsalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936"],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  \u003c/p\u003e","\u003cp\u003ePermissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing\u003c/p\u003e","\u003cp\u003ePlease note that W.W. Norton holds copyright to all of Faulkner's published works.\u003c/p\u003e","\u003cp\u003eIf you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000\u003c/p\u003e","\u003cp\u003eFor permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026amp; Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com\u003c/p\u003e","\u003cp\u003eFor permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. \u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Faulkner, William, 1897-1962"],"names_ssim":["Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962"],"language_ssim":["Materials primarily in English, with some publications in French and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3370,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-19T00:05:22.363Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1675_c10_c90"}},{"id":"vircu_repositories_5_resources_556_c09_c339","type":"File","attributes":{"title":"17th Street Farmers Market Renewal Plan, 1985","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_556_c09_c339#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_556_c09_c339","ref_ssm":["vircu_repositories_5_resources_556_c09_c339"],"id":"vircu_repositories_5_resources_556_c09_c339","ead_ssi":"vircu_repositories_5_resources_556","_root_":"vircu_repositories_5_resources_556","_nest_parent_":"vircu_repositories_5_resources_556_c09","parent_ssi":"vircu_repositories_5_resources_556_c09","parent_ssim":["Richmond Renaissance Inc. records, 1956/1995","Education"],"parent_ids_ssim":["vircu_repositories_5_resources_556","vircu_repositories_5_resources_556_c09"],"title_filing_ssi":"17th Street Farmers Market Renewal Plan","title_ssm":["17th Street Farmers Market Renewal Plan"],"title_tesim":["17th Street Farmers Market Renewal Plan"],"normalized_title_ssm":["17th Street Farmers Market Renewal Plan, 1985"],"text":["17th Street Farmers Market Renewal Plan, 1985","Richmond Renaissance Inc. records, 1956/1995","Education","box A38"],"parent_unittitles_ssm":["Richmond Renaissance Inc. records, 1956/1995","Education"],"parent_unittitles_tesim":["Richmond Renaissance Inc. records, 1956/1995","Education"],"normalized_date_ssm":["1985"],"unitdate_other_ssim":["October 31, 1985"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":1526,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Richmond Renaissance Inc. records, 1956/1995"],"containers_ssim":["box A38"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Materials in Series II, Box 6 are restricted."],"parent_access_terms_tesm":["The are no restrictions."],"date_range_isim":[1985],"_nest_path_":"/components#8/components#338","timestamp":"2026-08-14T22:40:08.594Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_556","ead_ssi":"vircu_repositories_5_resources_556","_root_":"vircu_repositories_5_resources_556","_nest_parent_":"vircu_repositories_5_resources_556","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_556.xml","title_ssm":["Richmond Renaissance Inc. records"],"title_tesim":["Richmond Renaissance Inc. records"],"unitdate_ssm":["1956-1995"],"unitdate_inclusive_ssm":["1956-1995"],"normalized_date_ssm":["1956/1995"],"normalized_title_ssm":["Richmond Renaissance Inc. records, 1956/1995"],"text":["Richmond Renaissance Inc. records, 1956/1995","M 303","/repositories/5/resources/556","Materials in Series II, Box 6 are restricted.","The first deposit of the collection, consisting of about one third of the materials, was deposited to Special Collections and Archives (SCA) in transfile boxes labeled by subject (i.e. Jackson Ward, Sixth Street Marketplace). The collection was arranged to reflect this subject division, arranged topically by series and alphabetically therein. The second deposit of the collection has not been fully processed although it is inventoried and is accessible to researchers. Materials in this section of the archives will eventually be transferred to the appropriate collection series. Most of the original office folder headings have been maintained in the processing of this collection.","The collection is divided into seven series. Series I--Jackson Ward (n.d., 1964-1992) consists of materials relating to the redevelopment of Jackson Ward, a historic African-American Richmond neighborhood. This series also contains information on Broad Street, the Church Hill neighborhood, and other downtown revitalization initiatives. Series II--Riverfront (n.d., 1983-1991) is composed of material on various projects associated with the city's Riverfront area, including the Canal Walk, Belle Isle, and the James River Discovery Program. Series III--Sixth Street Marketplace (n.d., 1956-1986) documents the early years of the Sixth Street Marketplace project, from its planning stages to the first few years of its existence. Series IV--General Office Files and Correspondence (n.d., 1982-1989) contains the organization's general office file and correspondence. This series also contains material relating to projects other than those in the first three sections of the collection.","Series V--Miscellaneous Reports and Publications (n.d., 1980-1990) includes publications produced by the city, the state, the federal government, numerous organizations and publishers -- all relating to urban and regional planning. Series VI--Photographs, Slides, Video and Audio Tapes (n.d., 1984-1991) contains photographs, slides, and other media documenting many of the organization's endeavors -- including about three dozen large poster size placards used for presentations on Broad Street buildings and other redevelopment projects. The last series in the collection, Series VII, is made up of the second deposit of materials made by Richmond Renaissance, Inc. and includes materials found in the previous six sections of the collection. These materials date in range from 1969-1995 and will be placed in the appropriate sections of the collection in the future.","Series I--Jackson Ward (n.d., 1964-1992)","Series II--Riverfront (n.d., 1983-1991)","Series III--Sixth Street Marketplace (n.d., 1956-1986);","Series V--Miscellaneous Reports and Publications (n.d., 1980-1990)","Series VI--Photographs, Slides, Video and Audio Tapes (n.d., 1984-1991)","Series VII--Unprocessed Portion of Collection (n.d., 1969-1995)","Richmond Renaissance Inc. is a non-profit, bi-racial, public-private corporation formed in 1981 to foster economic development in downtown Richmond. Its first major project was the 6th Street Marketplace, which opened in 1985. Revitalization of Richmond's historic Jackson Ward neighborhood and improvements to the city's downtown riverfront property were two other major initiatives in which Richmond Renaissance has played an active role. Richmond Renaissance has been involved with other projects, including the Jackson Center office building, the Belle Isle pedestrian bridge and Canal Walk, increased downtown parking, the Cultural Link Trolley Project, the Broad Street Task Force and numerous other efforts to foster economic development","The role and direction of Richmond Renaissance is overseen by its officers, many of whom are city officials, and a large board of directors (64 members in 1997). The board is comprised of prominent citizens, members of the business community, and various other city representatives. The Executive Committee manages the organization and includes members of the board, officers, and members of the Executive Staff. It is the Executive Staff which manages the day to day activities. The first Executive Director was J. Randall Evans, who served from October 1982 until December 1986. Clarence L. Townes, Jr. was the Deputy Director during that time. Townes then served as acting director from December 1986 to August 1987 when Robert E. Olson was named Executive Director. Townes continued as Deputy Director. In November 1991 Olson left to become Executive Director of the Virginia Biotechnology Research Park and Mr. Townes was named Executive Director.","In the fall of 1996, Richmond Renaissance Inc. merged with two other city organizations that had been promoting economic development in Richmond, the Central Richmond Association (CRA), begun in the early 1950s, and Downtown Richmond Inc. The merger was described as an attempt to unify \"fund-raising efforts and to more effectively address Downtown issues.\" Townes continues in his position as Executive Director after the merger. Frances N. Johns, former director of CRA, was appointed Assistant Executive Director of Richmond Renaissance.","Collection processed in May 1997.","The Richmond Renaissance Archives include correspondence, minutes, newspaper and journal clippings, various publications, reports, photographs, slides, and various promotional materials dating from 1956 through 1995. The bulk of the collection dates from 1982 through 1994 and focuses on Richmond Renaissance's activities to foster downtown Richmond revitalization. The collection documents the organization's involvement with a number of initiatives in the city, including the development of the city's riverfront properties, redevelopment of the downtown area, including Broad Street, and Jackson Ward neighborhood, and its planning, promotion and leadership in the development of the Sixth Street Marketplace.","The are no restrictions.","VCU James Branch Cabell Library","English"],"collection_title_tesim":["Richmond Renaissance Inc. records, 1956/1995"],"collection_ssim":["Richmond Renaissance Inc. records, 1956/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 303","/repositories/5/resources/556"],"unitid_tesim":["M 303","/repositories/5/resources/556"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["VCU James Branch Cabell Library"],"access_terms_ssm":["The are no restrictions."],"acqinfo_ssim":["The first donation from Richmond Renaissance Inc. Executive Director Clarence L. Townes, Jr. was made October 11, 1996, consisting of approximately 33 linear feet. A second donation from Richmond Renaissance Inc. occurred two years later, October 10, 1996, when the organization merged that month with the Central Richmond Association and Downtown Richmond Inc. This second donation consisted of 120 linear feet (many of which were oversize items, including posters and other large display materials)."],"has_online_content_ssim":["false"],"extent_ssm":["80 Linear Feet"],"extent_tesim":["80 Linear Feet"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eMaterials in Series II, Box 6 are restricted.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Materials in Series II, Box 6 are restricted."],"arrangement_html_tesm":["\u003cp\u003eThe first deposit of the collection, consisting of about one third of the materials, was deposited to Special Collections and Archives (SCA) in transfile boxes labeled by subject (i.e. Jackson Ward, Sixth Street Marketplace). The collection was arranged to reflect this subject division, arranged topically by series and alphabetically therein. The second deposit of the collection has not been fully processed although it is inventoried and is accessible to researchers. Materials in this section of the archives will eventually be transferred to the appropriate collection series. Most of the original office folder headings have been maintained in the processing of this collection.\u003c/p\u003e  ","\u003cp\u003eThe collection is divided into seven series. Series I--Jackson Ward (n.d., 1964-1992) consists of materials relating to the redevelopment of Jackson Ward, a historic African-American Richmond neighborhood. This series also contains information on Broad Street, the Church Hill neighborhood, and other downtown revitalization initiatives. Series II--Riverfront (n.d., 1983-1991) is composed of material on various projects associated with the city's Riverfront area, including the Canal Walk, Belle Isle, and the James River Discovery Program. Series III--Sixth Street Marketplace (n.d., 1956-1986) documents the early years of the Sixth Street Marketplace project, from its planning stages to the first few years of its existence. Series IV--General Office Files and Correspondence (n.d., 1982-1989) contains the organization's general office file and correspondence. This series also contains material relating to projects other than those in the first three sections of the collection.\u003c/p\u003e","\u003cp\u003e Series V--Miscellaneous Reports and Publications (n.d., 1980-1990) includes publications produced by the city, the state, the federal government, numerous organizations and publishers -- all relating to urban and regional planning. Series VI--Photographs, Slides, Video and Audio Tapes (n.d., 1984-1991) contains photographs, slides, and other media documenting many of the organization's endeavors -- including about three dozen large poster size placards used for presentations on Broad Street buildings and other redevelopment projects. The last series in the collection, Series VII, is made up of the second deposit of materials made by Richmond Renaissance, Inc. and includes materials found in the previous six sections of the collection. These materials date in range from 1969-1995 and will be placed in the appropriate sections of the collection in the future.\u003c/p\u003e","\u003cp\u003e Series I--Jackson Ward (n.d., 1964-1992)\u003c/p\u003e","\u003cp\u003e Series II--Riverfront (n.d., 1983-1991)\u003c/p\u003e","\u003cp\u003e Series III--Sixth Street Marketplace (n.d., 1956-1986);\u003c/p\u003e","\u003cp\u003e Series V--Miscellaneous Reports and Publications (n.d., 1980-1990)\u003c/p\u003e","\u003cp\u003e Series VI--Photographs, Slides, Video and Audio Tapes (n.d., 1984-1991)\u003c/p\u003e","\u003cp\u003e Series VII--Unprocessed Portion of Collection (n.d., 1969-1995)\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement","Organization"],"arrangement_tesim":["The first deposit of the collection, consisting of about one third of the materials, was deposited to Special Collections and Archives (SCA) in transfile boxes labeled by subject (i.e. Jackson Ward, Sixth Street Marketplace). The collection was arranged to reflect this subject division, arranged topically by series and alphabetically therein. The second deposit of the collection has not been fully processed although it is inventoried and is accessible to researchers. Materials in this section of the archives will eventually be transferred to the appropriate collection series. Most of the original office folder headings have been maintained in the processing of this collection.","The collection is divided into seven series. Series I--Jackson Ward (n.d., 1964-1992) consists of materials relating to the redevelopment of Jackson Ward, a historic African-American Richmond neighborhood. This series also contains information on Broad Street, the Church Hill neighborhood, and other downtown revitalization initiatives. Series II--Riverfront (n.d., 1983-1991) is composed of material on various projects associated with the city's Riverfront area, including the Canal Walk, Belle Isle, and the James River Discovery Program. Series III--Sixth Street Marketplace (n.d., 1956-1986) documents the early years of the Sixth Street Marketplace project, from its planning stages to the first few years of its existence. Series IV--General Office Files and Correspondence (n.d., 1982-1989) contains the organization's general office file and correspondence. This series also contains material relating to projects other than those in the first three sections of the collection.","Series V--Miscellaneous Reports and Publications (n.d., 1980-1990) includes publications produced by the city, the state, the federal government, numerous organizations and publishers -- all relating to urban and regional planning. Series VI--Photographs, Slides, Video and Audio Tapes (n.d., 1984-1991) contains photographs, slides, and other media documenting many of the organization's endeavors -- including about three dozen large poster size placards used for presentations on Broad Street buildings and other redevelopment projects. The last series in the collection, Series VII, is made up of the second deposit of materials made by Richmond Renaissance, Inc. and includes materials found in the previous six sections of the collection. These materials date in range from 1969-1995 and will be placed in the appropriate sections of the collection in the future.","Series I--Jackson Ward (n.d., 1964-1992)","Series II--Riverfront (n.d., 1983-1991)","Series III--Sixth Street Marketplace (n.d., 1956-1986);","Series V--Miscellaneous Reports and Publications (n.d., 1980-1990)","Series VI--Photographs, Slides, Video and Audio Tapes (n.d., 1984-1991)","Series VII--Unprocessed Portion of Collection (n.d., 1969-1995)"],"bioghist_html_tesm":["\u003cp\u003eRichmond Renaissance Inc. is a non-profit, bi-racial, public-private corporation formed in 1981 to foster economic development in downtown Richmond. Its first major project was the 6th Street Marketplace, which opened in 1985. Revitalization of Richmond's historic Jackson Ward neighborhood and improvements to the city's downtown riverfront property were two other major initiatives in which Richmond Renaissance has played an active role. Richmond Renaissance has been involved with other projects, including the Jackson Center office building, the Belle Isle pedestrian bridge and Canal Walk, increased downtown parking, the Cultural Link Trolley Project, the Broad Street Task Force and numerous other efforts to foster economic development\u003c/p\u003e","\u003cp\u003e The role and direction of Richmond Renaissance is overseen by its officers, many of whom are city officials, and a large board of directors (64 members in 1997). The board is comprised of prominent citizens, members of the business community, and various other city representatives. The Executive Committee manages the organization and includes members of the board, officers, and members of the Executive Staff. It is the Executive Staff which manages the day to day activities. The first Executive Director was J. Randall Evans, who served from October 1982 until December 1986. Clarence L. Townes, Jr. was the Deputy Director during that time. Townes then served as acting director from December 1986 to August 1987 when Robert E. Olson was named Executive Director. Townes continued as Deputy Director. In November 1991 Olson left to become Executive Director of the Virginia Biotechnology Research Park and Mr. Townes was named Executive Director.\u003c/p\u003e","\u003cp\u003e In the fall of 1996, Richmond Renaissance Inc. merged with two other city organizations that had been promoting economic development in Richmond, the Central Richmond Association (CRA), begun in the early 1950s, and Downtown Richmond Inc. The merger was described as an attempt to unify \"fund-raising efforts and to more effectively address Downtown issues.\" Townes continues in his position as Executive Director after the merger. Frances N. Johns, former director of CRA, was appointed Assistant Executive Director of Richmond Renaissance.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Richmond Renaissance Inc. is a non-profit, bi-racial, public-private corporation formed in 1981 to foster economic development in downtown Richmond. Its first major project was the 6th Street Marketplace, which opened in 1985. Revitalization of Richmond's historic Jackson Ward neighborhood and improvements to the city's downtown riverfront property were two other major initiatives in which Richmond Renaissance has played an active role. Richmond Renaissance has been involved with other projects, including the Jackson Center office building, the Belle Isle pedestrian bridge and Canal Walk, increased downtown parking, the Cultural Link Trolley Project, the Broad Street Task Force and numerous other efforts to foster economic development","The role and direction of Richmond Renaissance is overseen by its officers, many of whom are city officials, and a large board of directors (64 members in 1997). The board is comprised of prominent citizens, members of the business community, and various other city representatives. The Executive Committee manages the organization and includes members of the board, officers, and members of the Executive Staff. It is the Executive Staff which manages the day to day activities. The first Executive Director was J. Randall Evans, who served from October 1982 until December 1986. Clarence L. Townes, Jr. was the Deputy Director during that time. Townes then served as acting director from December 1986 to August 1987 when Robert E. Olson was named Executive Director. Townes continued as Deputy Director. In November 1991 Olson left to become Executive Director of the Virginia Biotechnology Research Park and Mr. Townes was named Executive Director.","In the fall of 1996, Richmond Renaissance Inc. merged with two other city organizations that had been promoting economic development in Richmond, the Central Richmond Association (CRA), begun in the early 1950s, and Downtown Richmond Inc. The merger was described as an attempt to unify \"fund-raising efforts and to more effectively address Downtown issues.\" Townes continues in his position as Executive Director after the merger. Frances N. Johns, former director of CRA, was appointed Assistant Executive Director of Richmond Renaissance."],"prefercite_html_tesm":["\u003cp\u003eBox/folder, M 303, Richmond Renaissance Inc. Archives, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e  "],"prefercite_tesim":["Box/folder, M 303, Richmond Renaissance Inc. Archives, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"processinfo_html_tesm":["\u003cp\u003eCollection processed in May 1997.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed in May 1997."],"scopecontent_html_tesm":["\u003cp\u003eThe Richmond Renaissance Archives include correspondence, minutes, newspaper and journal clippings, various publications, reports, photographs, slides, and various promotional materials dating from 1956 through 1995. The bulk of the collection dates from 1982 through 1994 and focuses on Richmond Renaissance's activities to foster downtown Richmond revitalization. The collection documents the organization's involvement with a number of initiatives in the city, including the development of the city's riverfront properties, redevelopment of the downtown area, including Broad Street, and Jackson Ward neighborhood, and its planning, promotion and leadership in the development of the Sixth Street Marketplace.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The Richmond Renaissance Archives include correspondence, minutes, newspaper and journal clippings, various publications, reports, photographs, slides, and various promotional materials dating from 1956 through 1995. The bulk of the collection dates from 1982 through 1994 and focuses on Richmond Renaissance's activities to foster downtown Richmond revitalization. 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A Special Collections Research Center staff member must review the collection for restricted material before any researchers may use the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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Dept of Geology","Research Papers","Reports","This collection may contain material which may be restricted related to personnel matters, student records, or other reasons. A Special Collections Research Center staff member must review the collection for restricted material before any researchers may use the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eFurther information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Bruce_Goodwin\" title=\"Bruce Goodwin\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eBruce Goodwin Papers, Special Collections Research Center, Swem Library, College of William \u0026amp; Mary.\u003c/p\u003e  "],"prefercite_tesim":["Bruce Goodwin Papers, Special Collections Research Center, Swem Library, College of William \u0026 Mary."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally processed by Benjamin Bromley in December 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally processed by Benjamin Bromley in December 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eArtifacts transferred upon receipt to the University Archives Artifact Collection (UA 13) include: Spring Scale (UA 2012.418.01).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Artifacts transferred upon receipt to the University Archives Artifact Collection (UA 13) include: Spring Scale (UA 2012.418.01)."],"scopecontent_html_tesm":["\u003cp\u003ePapers, circa 1970s-2000s, of Bruce Goodwin, a geology professor at the College of William \u0026amp; Mary. 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For further information, consult Sheeran's and Gorman's resumes within the collection, and websites: https://www.legacy.com/obituaries/name/peter-sheeran-obituary?pid=178367717, http://www.gormanarchitects.com/, and http://www.greggjdonovan.com/portfolio/bio/.","Donated by Donna Sheeran, 2 October 2012.","Access to digital materials may require software emulation. Special Collections staff will evaluate requests for the possibility of software emulation on a case by case basis and cannot guarantee renderability of all files.","The Sheeran Architects records (1980-2008; 9.4 cubic feet plus 250 gigabytes) include drawings and office files relating to projects by Peter L. Sheeran and members of his firm, financial records, correspondence, notes and sketches. Materials are organized by project name, and then by date. Other records included are projects dating from Sheeran's time as principal of Cleveland Sheeran Architects, AIA (1980-1989) and as project architect for Jack L. 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Other members of the firm whose work is represented in these records include John Gorman, currently practicing in Charlottesville, and Gregg J. Donovan, currently practicing in New York City. John Gorman joined the firm in 1993; Gregg Donovan practiced with the firm from 2000 to 2008. The firm was dissolved when Sheeran died suddenly in March 2010. For further information, consult Sheeran's and Gorman's resumes within the collection, and websites: https://www.legacy.com/obituaries/name/peter-sheeran-obituary?pid=178367717, http://www.gormanarchitects.com/, and http://www.greggjdonovan.com/portfolio/bio/."],"custodhist_html_tesm":["\u003cp\u003eDonated by Donna Sheeran, 2 October 2012.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Donated by Donna Sheeran, 2 October 2012."],"phystech_html_tesm":["\u003cp\u003eAccess to digital materials may require software emulation. 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Special Collections staff will evaluate requests for the possibility of software emulation on a case by case basis and cannot guarantee renderability of all files."],"prefercite_html_tesm":["\u003cp\u003eMSS 15462 Sheeran Architects records, Box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 15462 Sheeran Architects records, Box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Sheeran Architects records (1980-2008; 9.4 cubic feet plus 250 gigabytes) include drawings and office files relating to projects by Peter L. Sheeran and members of his firm, financial records, correspondence, notes and sketches. Materials are organized by project name, and then by date. Other records included are projects dating from Sheeran's time as principal of Cleveland Sheeran Architects, AIA (1980-1989) and as project architect for Jack L. Rinehart Architect (1977-1980).\u003c/p\u003e","\u003cp\u003eOther members of Sheeran Architects whose work is represented in these records include John Gorman and Gregg J. Donovan.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Sheeran Architects records (1980-2008; 9.4 cubic feet plus 250 gigabytes) include drawings and office files relating to projects by Peter L. Sheeran and members of his firm, financial records, correspondence, notes and sketches. Materials are organized by project name, and then by date. Other records included are projects dating from Sheeran's time as principal of Cleveland Sheeran Architects, AIA (1980-1989) and as project architect for Jack L. Rinehart Architect (1977-1980).","Other members of Sheeran Architects whose work is represented in these records include John Gorman and Gregg J. Donovan."],"userestrict_html_tesm":["\u003cp\u003eOriginal digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Original digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:12.250Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_586_c01_c15"}},{"id":"wvmturhc_repositories_2_resources_6226_c08_c10_c11","type":"File","attributes":{"title":"1830 Census \u0026 Research Aids, 1930/2002","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226_c08_c10_c11#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFacsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226_c08_c10_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6226_c08_c10_c11","ref_ssm":["wvmturhc_repositories_2_resources_6226_c08_c10_c11"],"id":"wvmturhc_repositories_2_resources_6226_c08_c10_c11","ead_ssi":"wvmturhc_repositories_2_resources_6226","_root_":"wvmturhc_repositories_2_resources_6226","_nest_parent_":"wvmturhc_repositories_2_resources_6226_c08_c10","parent_ssi":"wvmturhc_repositories_2_resources_6226_c08_c10","parent_ssim":["Ancella Bickley, Historian, Research Papers regarding African-Americans, 1775/2018, bulk 1970/2011","Series 8. 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She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.","Dr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published Our Mount Vernons to identify sites significant to West Virginia black history.","With Lynda Ann Ewen, she co-edited Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, Goldenseal. She wrote a history of the West Virginia Schools for the Colored Deaf and Blind.","Bickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.","Marshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09.","This collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes.","Subjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.","Colleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.","Writings, research background, and drafts of Dr. Bickley's works found within the collection include: Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, \"Midwifery in West Virginia\" (1990), Honoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History, History of the West Virginia State Teachers' Association (1979), In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955, Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia, a short story collection \"Turn Left at the Desert,\" ... to be black in Fayette, and plays: Two Saint Say, Mother Love, Tangled Threads (with Maureen Crockett), Wade in the Water, and seven Goldenseal articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more.","Addendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.","Abbreviations used in the Contents List:\nAB - Ancella Bickley\nWVSC - West Virginia State College\nNB - Nelson Bickley\nMTG - Memphis Tennessee Garrison\nJMJ - J. McHenry Jones\nNEA - National Education Association\nNCTE - National Council of Teachers of English\nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV\nUGRR - Underground Railroad\nMU - Marshall University\nWVU - West Virginia University\nCGW - Carter G. Woodson\nRW-N  - Rita Wicks-Nelson","Items not held in the WVRHC collection which were sent to the Rare Books Curator:\n\n1969/70 edition of \"The Black Student at WVU\" \nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\nBickley, A. R., Carter, G. W. M. F. I., \u0026 Marshall University, H. W. V. D. A. (1997). Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia. [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University].\nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia State College (Institute, W. 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She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.\u003c/p\u003e","\u003cp\u003eDr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published \u003ctitle\u003eOur Mount Vernons\u003c/title\u003e to identify sites significant to West Virginia black history.\u003c/p\u003e","\u003cp\u003eWith Lynda Ann Ewen, she co-edited \u003ctitle\u003eMemphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman\u003c/title\u003e, published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, \u003ctitle\u003eGoldenseal\u003c/title\u003e. She wrote a history of the West Virginia Schools for the Colored Deaf and Blind.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Dr. Ancella Radford Bickley, author, historian, and educator, grew up in segregated Huntington, West Virginia, where she was born in 1930.  She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.","Dr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published Our Mount Vernons to identify sites significant to West Virginia black history.","With Lynda Ann Ewen, she co-edited Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, Goldenseal. She wrote a history of the West Virginia Schools for the Colored Deaf and Blind."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ancella Bickley, Historian, Research Papers regarding African-Americans, A\u0026amp;M 4208, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ancella Bickley, Historian, Research Papers regarding African-Americans, A\u0026M 4208, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eBickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.\u003c/p\u003e","\u003cp\u003eMarshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.","Marshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes. \u003c/p\u003e","\u003cp\u003eSubjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.\u003c/p\u003e","\u003cp\u003eColleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.  \u003c/p\u003e","\u003cp\u003eWritings, research background, and drafts of Dr. Bickley's works found within the collection include: \u003ctitle\u003eMemphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman\u003c/title\u003e, \"Midwifery in West Virginia\" (1990), \u003ctitle\u003eHonoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History\u003c/title\u003e, \u003ctitle\u003eHistory of the West Virginia State Teachers' Association\u003c/title\u003e (1979), \u003ctitle\u003eIn Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955\u003c/title\u003e, \u003ctitle\u003eOur Mount Vernons: historic register listings of sites significant to the Black history of West Virginia\u003c/title\u003e, a short story collection \"Turn Left at the Desert,\" \u003ctitle\u003e... to be black in Fayette\u003c/title\u003e, and plays: \u003ctitle\u003eTwo Saint Say\u003c/title\u003e, \u003ctitle\u003eMother Love\u003c/title\u003e, \u003ctitle\u003eTangled Threads\u003c/title\u003e (with Maureen Crockett), \u003ctitle\u003eWade in the Water\u003c/title\u003e, and seven \u003ctitle\u003eGoldenseal\u003c/title\u003e articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more. \u003c/p\u003e","\u003cp\u003eAddendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.\u003c/p\u003e","\u003cp\u003eAbbreviations used in the Contents List:\u003clb\u003e\u003c/lb\u003e\nAB - Ancella Bickley\u003clb\u003e\u003c/lb\u003e\nWVSC - West Virginia State College\u003clb\u003e\u003c/lb\u003e\nNB - Nelson Bickley\u003clb\u003e\u003c/lb\u003e\nMTG - Memphis Tennessee Garrison\u003clb\u003e\u003c/lb\u003e\nJMJ - J. McHenry Jones\u003clb\u003e\u003c/lb\u003e\nNEA - National Education Association\u003clb\u003e\u003c/lb\u003e\nNCTE - National Council of Teachers of English\u003clb\u003e\u003c/lb\u003e\nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV\u003clb\u003e\u003c/lb\u003e\nUGRR - Underground Railroad\u003clb\u003e\u003c/lb\u003e\nMU - Marshall University\u003clb\u003e\u003c/lb\u003e\nWVU - West Virginia University\u003clb\u003e\u003c/lb\u003e\nCGW - Carter G. Woodson\u003clb\u003e\u003c/lb\u003e\nRW-N  - Rita Wicks-Nelson\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes.","Subjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.","Colleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.","Writings, research background, and drafts of Dr. Bickley's works found within the collection include: Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman, \"Midwifery in West Virginia\" (1990), Honoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History, History of the West Virginia State Teachers' Association (1979), In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955, Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia, a short story collection \"Turn Left at the Desert,\" ... to be black in Fayette, and plays: Two Saint Say, Mother Love, Tangled Threads (with Maureen Crockett), Wade in the Water, and seven Goldenseal articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more.","Addendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.","Abbreviations used in the Contents List:\nAB - Ancella Bickley\nWVSC - West Virginia State College\nNB - Nelson Bickley\nMTG - Memphis Tennessee Garrison\nJMJ - J. McHenry Jones\nNEA - National Education Association\nNCTE - National Council of Teachers of English\nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV\nUGRR - Underground Railroad\nMU - Marshall University\nWVU - West Virginia University\nCGW - Carter G. Woodson\nRW-N  - Rita Wicks-Nelson"],"separatedmaterial_html_tesm":["\u003cp\u003eItems not held in the WVRHC collection which were sent to the Rare Books Curator:\n\u003clb\u003e\u003c/lb\u003e\n1969/70 edition of \"The Black Student at WVU\" \u003clb\u003e\u003c/lb\u003e\nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\u003clb\u003e\u003c/lb\u003e\nBickley, A. R., Carter, G. W. M. F. I., \u0026amp; Marshall University, H. W. V. D. A. (1997). \u003ctitle\u003eOur Mount Vernons: historic register listings of sites significant to the Black history of West Virginia\u003c/title\u003e. [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University].\u003clb\u003e\u003c/lb\u003e\nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\"\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Items not held in the WVRHC collection which were sent to the Rare Books Curator:\n\n1969/70 edition of \"The Black Student at WVU\" \nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\nBickley, A. R., Carter, G. W. M. F. I., \u0026 Marshall University, H. W. V. D. A. (1997). Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia. [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University].\nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6f25abedabab5822a513e8a3ea47bb48\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)"],"names_coll_ssim":["West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"persname_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"names_ssim":["West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:10:58.969Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226_c08_c10_c11"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","type":"File","attributes":{"title":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\", 1859/2007","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c09_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"title_filing_ssi":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"title_tesim":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"normalized_title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\", 1859/2007"],"text":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\", 1859/2007","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012","Box 9","folder 9"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012"],"normalized_date_ssm":["1859/2007"],"unitdate_inclusive_ssm":["1859-2007"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[4],"sort_isi":20,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"containers_ssim":["Box 9","folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"_nest_path_":"/components#0/components#0/components#8/components#0","timestamp":"2026-08-14T23:05:56.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c01"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":122},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":6191},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":33},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":6674},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":141},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":1712},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":82},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":2011},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":50},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College"}},{"attributes":{"label":"Shenandoah County Library","value":"Shenandoah County Library","hits":132},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Shenandoah+County+Library"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024, 2024","value":"1x1 Japan Exhibition Materials, 1965-2024, 2024","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024%2C+2024\u0026f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"A. 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