{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Item\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Item\u0026page=2\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Item\u0026page=370\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":370,"limit_value":10,"offset_value":0,"total_count":3699,"first_page?":true,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_4_c01_c04_c204","type":"Item","attributes":{"title":"#10, #11, #12","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4_c01_c04_c204#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_4_c01_c04_c204","ref_ssm":["wvmturhc_repositories_2_resources_4_c01_c04_c204"],"id":"wvmturhc_repositories_2_resources_4_c01_c04_c204","ead_ssi":"wvmturhc_repositories_2_resources_4","_root_":"wvmturhc_repositories_2_resources_4","_nest_parent_":"wvmturhc_repositories_2_resources_4_c01_c04","parent_ssi":"wvmturhc_repositories_2_resources_4_c01_c04","parent_ssim":["wvmturhc_repositories_2_resources_4","wvmturhc_repositories_2_resources_4_c01","wvmturhc_repositories_2_resources_4_c01_c04"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_4","wvmturhc_repositories_2_resources_4_c01","wvmturhc_repositories_2_resources_4_c01_c04"],"parent_unittitles_ssm":["Congressman Nick Joe Rahall II Papers","I. Press","D. Audiovisual"],"parent_unittitles_tesim":["Congressman Nick Joe Rahall II Papers","I. Press","D. Audiovisual"],"text":["Congressman Nick Joe Rahall II Papers","I. Press","D. Audiovisual","#10, #11, #12","English .","Box I.D. - 6"],"title_filing_ssi":"#10, #11, #12","title_ssm":["#10, #11, #12"],"title_tesim":["#10, #11, #12"],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["1970/2015"],"normalized_title_ssm":["#10, #11, #12"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Congressman Nick Joe Rahall II Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1015,"parent_access_restrict_tesm":["The majority of the Congressman Nick Joe Rahall II papers are closed until 2030. Permission to access materials may be given at the donor's discretion.","Materials previously made publicly available, such as speeches, press releases, photographs, press interviews, clippings, and publications are open for research.","The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available.","Some digital materials are available online at https://rahall.lib.wvu.edu/."],"parent_access_terms_tesm":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"language_ssim":["English ."],"containers_ssim":["Box I.D. - 6"],"_nest_path_":"/components#0/components#3/components#203","timestamp":"2026-04-30T23:19:41.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4","ead_ssi":"wvmturhc_repositories_2_resources_4","_root_":"wvmturhc_repositories_2_resources_4","_nest_parent_":"wvmturhc_repositories_2_resources_4","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209076","title_ssm":["Congressman Nick Joe Rahall II Papers"],"title_tesim":["Congressman Nick Joe Rahall II Papers"],"unitdate_ssm":["1970-2015"],"unitdate_inclusive_ssm":["1970-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4118","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4"],"text":["A\u0026M 4118","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4","Congressman Nick Joe Rahall II Papers","United States -- Politics and government -- 20th century","West Virginia -- Politics and government","Democratic Party","United States. Congress -- History -- 20th century","United States. Congress -- Archives","Coal miners--West Virginia","Veterans--United States","Coal mines and mining -- Law and legislation -- United States","Politicians -- United States","United States Congressmen - West Virginia.","The majority of the Congressman Nick Joe Rahall II papers are closed until 2030. Permission to access materials may be given at the donor's discretion.","Materials previously made publicly available, such as speeches, press releases, photographs, press interviews, clippings, and publications are open for research.","The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available.","Some digital materials are available online at https://rahall.lib.wvu.edu/.","U.S. Congressman Nick Joe Rahall II served the people of West Virginia for nearly forty years. He began his political service in the early 1970s working in the cloak room of the U.S. Senate; as a staff member in the Senate Office of the Majority Whip from 1971-1974; and as a delegate to the Democratic National Conventions in 1972 and 1976. He was elected as a Democrat to the U.S. House of Representatives in 1976 to represent West Virginia's Third District and was re-elected for nineteen terms, serving from January 3, 1977-January 2, 2015. ","Nick Rahall II was born on May 20, 1949, in Beckley, West Virginia, to parents Nick Joe Rahall, the co-founder of the WWNR radio station, and Mary Alice. He is the grandson of Nicholos Rahall, an immigrant from Kefeir, Lebanon, who settled in Beckley in 1909 and was the co-founder of Rahall Communications, a radio broadcasting company with stations in West Virginia, Indiana, Pennsylvania, Ohio, New Hampshire, and Florida. Rahall graduated from Woodrow Wilson High School in Beckley and then earned his bachelor's degree from Duke University in 1971. He also received some graduate education from George Washington University. He worked as a sales representative for his family's radio station while also serving as President of the Mountaineer Tour and Travel Agency and President of West Virginia Broadcasting in 1974. ","In 1976, he entered the race for the West Virginia Fourth Congressional District and defeated incumbent Congressman Ken Hechler for the Democratic nomination. Hechler tried to reclaim his seat during the 1978 primary, but Rahall gathered support and endorsements from leading Democrats, such as Robert C. Byrd and House Speaker Tip O'Neill. A final challenge from Hechler occurred in 1990, resulting again in a victory for Rahall. Rahall then defeated former Supreme Court Justice Elliot \"Spike\" Maynard during the general election on November 2, 2010.  He was reelected to his nineteenth term in Congress on November 6, 2012 after defeating Republican Rick Snuffer. Rahall represented the Fourth District from 1977-1993 when it was redistricted to become part of the Third District. Rahall represented the Third District from 1993-2015. ","When he entered Congress in 1977, Rahall was the youngest member at age 28. He focused on a number of issues, including foreign policy, energy, infrastructure, coal, and environment and tourism. He became well-known for his efforts to provide aid for the benefit of coal miners and those suffering from black lung disease, veteran's benefits, and mine health and safety. He held a number of leadership positions, including Chairman of the Committee on Natural Resources (2007-2010), Vice Chairman of the Committee on Transportation and Infrastructure, and Chairman of the Subcommittee on Mining and Natural Resources (1985-1993). ","His district covered the southern region of West Virginia where coal was the dominant source of revenue. He introduced legislation to improve mine health and safety issues, as well as black lung benefits, and publicly opposed legislation to end mountaintop removal mining. His efforts to improve mine health and safety include sponsoring the 1992 Coal Act, along with Senators John D. Rockefeller IV, Robert C. Byrd, and others. In 2006, he was able to secure funding for the Mine Safety Technology Consortium located in Montgomery, a response to the January 2, 2006 Sago Mine Disaster. ","While supporting the coal industry, Rahall also sought to preserve the environmental and historical resources of the state. In 1978, he introduced legislation establishing the New River Gorge National River as a unit of the National Park System in southern West Virginia. Ten years later, he worked to designate the Gauley River National Recreation Area and the Bluestone National Scenic River, creating the largest network of federally protected rivers in the eastern United States. In 1996, his leadership also established the National Coal Heritage Area in eleven southern West Virginia counties, which aims to preserve and interpret the structures and landscapes of the state's rich history of coal mining.","Rahall also led efforts in the area of transportation and infrastructure, developing federal highway and transit legislation. His efforts to improve West Virginia's infrastructure began in 1976 when he was first elected. He was integral to the development of the 1998 Transportation Equity Act for the 21st Century, which required specific planning factors to be implemented in regional transportation plans, as well as authorizing federal surface transportation programs for highways, highway safety, and public transit. He also established the Rahall Transportation Institute (RTI), headquartered at Marshall University in Huntington, West Virginia. RTI has since become a leader in transportation research and economic development for the Appalachian Region. ","To promote and diversify southern West Virginia's economic development, he became a front-runner for the Southern Highlands Initiative. This initiative aided in the development of industrial and business parks in the state's southern coal counties. Rahall also considered technological advancement a key component to West Virginia's economic development. He established the Nick J. Rahall, II High Technology Corridors Program, through which he promoted a sustainable approach to economic development by working with local communities to focus on small business and entrepreneurial advancement along major interstates. Rahall additionally helped to establish technology centers at Concord University in Athens, at Greenbrier Valley Airport in Lewisburg, and at the Raleigh County Airport near Beckley.","Proud of his Lebanese-Protestant heritage, he worked to ensure positive relationships between the Middle East and the United States.  He soon became the senior of the few Arab-American lawmakers on Capitol Hill. He became well known for his expertise in foreign policy and was active in dealing with Middle Eastern affairs. He was the co-chair of the 1996 Arab-American tribute at the Democratic National Convention and a member of the board of directors for the American Task Force for Lebanon. He was nominated as an honorary of the Middle East Policy Council's National Advisory Committee and worked closely with several other D.C.-based organizations, such as the National Association of Arab-Americans, the Arab-American Institute, and the American-Arab Anti-Discrimination Committee. Throughout his career, he accompanied and led a number of congressional delegation trips to the region. \nIn 2014, Rahall faced fellow Democrat Richard Ojeda in the primary election, coming out ahead with more than sixty-five percent of the vote, but he lost the general election to Republican Evan Jenkins.","Sources: ","Cama, Timothy. \"Dem Rahall loses House seat after 38 years.\" The Hill. November 4, 2014. Accessed September 2016\nhttp://thehill.com/blogs/ballot-box/house-races/222908-rahall-loses-house-seat-in-west-virginia","\"Congressman Rahall to Al-Nashra.\" Al-Nashra. November-December 1996. \n\"Nick Rahall.\" The Wall Street Journal. 2012. Accessed September 2016 http://projects.wsj.com/campaign2012/candidates/view/nick-rahall--WV-H.","\"Rahall, Nick Joe, II (1949-).\" Biographical Directory of the United States Congress. Accessed September 2017 http://bioguide.congress.gov/scripts/biodisplay.pl?index=R000011.","\"U.S. Rep. Nick Rahall: Representing West Virginia's Third Congressional District.\" The Spirit of Beckley: Congressman Nick J. Rahall II, 2007 Community Service Award. 2007. ","Wallace, Jim. \"Nick Joe Rahall.\" e-WV: The West Virginia Encyclopedia. December 2015. Accessed September 2016 http://www.wvencyclopedia.org/articles/1963.","Processed by Danielle Emerling, Christian Vieweg, Shannon Rowe, Dzondria Tarver, Ashley Brooker","The Congressman Nick Joe Rahall II papers are in process. The contents of this finding aid will be revised as progress is made on the collection. ","Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center.","Nick Joe Rahall II (b.1949) represented West Virginia's Third District in the United States House of Representatives for nineteen terms. He was elected as a Democrat to the Ninety-fifth Congress and served from January 3, 1977-January 3, 2015. From 2007-2011, he was chair of the Committee on Natural Resources. From 1971-1974, he was a staff member in the United States Senate Office of the Majority Whip, and he was a delegate to both the 1972 and 1976 Democratic National Conventions. The bulk of the Congressman Nick Joe Rahall II papers document his 38-year career in the United States House of Representatives.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","United States. Congress. House. Committee on Natural Resources","United States. Congress. House. Committee on Transportation and Infrastructure","United States. Congress. House. Committee on Interior and Insular Affairs. Subcommittee on Mining and Natural Resources","Rahall, Nick J., 1949-","Materials almost entirely in English."],"unitid_tesim":["A\u0026M 4118","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4"],"normalized_title_ssm":["Congressman Nick Joe Rahall II Papers"],"collection_title_tesim":["Congressman Nick Joe Rahall II Papers"],"collection_ssim":["Congressman Nick Joe Rahall II Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["United States -- Politics and government -- 20th century","West Virginia -- Politics and government","Democratic Party"],"geogname_ssim":["United States -- Politics and government -- 20th century","West Virginia -- Politics and government","Democratic Party"],"creator_ssm":["Rahall, Nick J., 1949-"],"creator_ssim":["Rahall, Nick J., 1949-"],"creator_persname_ssim":["Rahall, Nick J., 1949-"],"creators_ssim":["Rahall, Nick J., 1949-"],"places_ssim":["United States -- Politics and government -- 20th century","West Virginia -- Politics and government","Democratic Party"],"access_terms_ssm":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center."],"acqinfo_ssim":["Gift of Congressman Nick Joe Rahall II, 2015"],"access_subjects_ssim":["United States. Congress -- History -- 20th century","United States. Congress -- Archives","Coal miners--West Virginia","Veterans--United States","Coal mines and mining -- Law and legislation -- United States","Politicians -- United States","United States Congressmen - West Virginia."],"access_subjects_ssm":["United States. Congress -- History -- 20th century","United States. Congress -- Archives","Coal miners--West Virginia","Veterans--United States","Coal mines and mining -- Law and legislation -- United States","Politicians -- United States","United States Congressmen - West Virginia."],"has_online_content_ssim":["false"],"extent_ssm":["2089 Linear Feet 2089 record cartons; plaques, mobile office sign, framed photographs"],"extent_tesim":["2089 Linear Feet 2089 record cartons; plaques, mobile office sign, framed photographs"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of the Congressman Nick Joe Rahall II papers are closed until 2030. Permission to access materials may be given at the donor's discretion.\u003c/p\u003e\n","\u003cp\u003eMaterials previously made publicly available, such as speeches, press releases, photographs, press interviews, clippings, and publications are open for research.\u003c/p\u003e\n","\u003cp\u003eThe collection is stored off-site. Researchers should contact the West Virginia \u0026amp; Regional History Center prior to visiting to ensure materials are available.\u003c/p\u003e\n","\u003cp\u003eSome digital materials are available online at https://rahall.lib.wvu.edu/.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The majority of the Congressman Nick Joe Rahall II papers are closed until 2030. Permission to access materials may be given at the donor's discretion.","Materials previously made publicly available, such as speeches, press releases, photographs, press interviews, clippings, and publications are open for research.","The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available.","Some digital materials are available online at https://rahall.lib.wvu.edu/."],"bioghist_html_tesm":["\u003cp\u003eU.S. Congressman Nick Joe Rahall II served the people of West Virginia for nearly forty years. He began his political service in the early 1970s working in the cloak room of the U.S. Senate; as a staff member in the Senate Office of the Majority Whip from 1971-1974; and as a delegate to the Democratic National Conventions in 1972 and 1976. He was elected as a Democrat to the U.S. House of Representatives in 1976 to represent West Virginia's Third District and was re-elected for nineteen terms, serving from January 3, 1977-January 2, 2015. \u003c/p\u003e\n","\u003cp\u003eNick Rahall II was born on May 20, 1949, in Beckley, West Virginia, to parents Nick Joe Rahall, the co-founder of the WWNR radio station, and Mary Alice. He is the grandson of Nicholos Rahall, an immigrant from Kefeir, Lebanon, who settled in Beckley in 1909 and was the co-founder of Rahall Communications, a radio broadcasting company with stations in West Virginia, Indiana, Pennsylvania, Ohio, New Hampshire, and Florida. Rahall graduated from Woodrow Wilson High School in Beckley and then earned his bachelor's degree from Duke University in 1971. He also received some graduate education from George Washington University. He worked as a sales representative for his family's radio station while also serving as President of the Mountaineer Tour and Travel Agency and President of West Virginia Broadcasting in 1974. \u003c/p\u003e\n","\u003cp\u003eIn 1976, he entered the race for the West Virginia Fourth Congressional District and defeated incumbent Congressman Ken Hechler for the Democratic nomination. Hechler tried to reclaim his seat during the 1978 primary, but Rahall gathered support and endorsements from leading Democrats, such as Robert C. Byrd and House Speaker Tip O'Neill. A final challenge from Hechler occurred in 1990, resulting again in a victory for Rahall. Rahall then defeated former Supreme Court Justice Elliot \"Spike\" Maynard during the general election on November 2, 2010.  He was reelected to his nineteenth term in Congress on November 6, 2012 after defeating Republican Rick Snuffer. Rahall represented the Fourth District from 1977-1993 when it was redistricted to become part of the Third District. Rahall represented the Third District from 1993-2015. \u003c/p\u003e\n","\u003cp\u003eWhen he entered Congress in 1977, Rahall was the youngest member at age 28. He focused on a number of issues, including foreign policy, energy, infrastructure, coal, and environment and tourism. He became well-known for his efforts to provide aid for the benefit of coal miners and those suffering from black lung disease, veteran's benefits, and mine health and safety. He held a number of leadership positions, including Chairman of the Committee on Natural Resources (2007-2010), Vice Chairman of the Committee on Transportation and Infrastructure, and Chairman of the Subcommittee on Mining and Natural Resources (1985-1993). \u003c/p\u003e\n","\u003cp\u003eHis district covered the southern region of West Virginia where coal was the dominant source of revenue. He introduced legislation to improve mine health and safety issues, as well as black lung benefits, and publicly opposed legislation to end mountaintop removal mining. His efforts to improve mine health and safety include sponsoring the 1992 Coal Act, along with Senators John D. Rockefeller IV, Robert C. Byrd, and others. In 2006, he was able to secure funding for the Mine Safety Technology Consortium located in Montgomery, a response to the January 2, 2006 Sago Mine Disaster. \u003c/p\u003e\n","\u003cp\u003eWhile supporting the coal industry, Rahall also sought to preserve the environmental and historical resources of the state. In 1978, he introduced legislation establishing the New River Gorge National River as a unit of the National Park System in southern West Virginia. Ten years later, he worked to designate the Gauley River National Recreation Area and the Bluestone National Scenic River, creating the largest network of federally protected rivers in the eastern United States. In 1996, his leadership also established the National Coal Heritage Area in eleven southern West Virginia counties, which aims to preserve and interpret the structures and landscapes of the state's rich history of coal mining.\u003c/p\u003e\n","\u003cp\u003eRahall also led efforts in the area of transportation and infrastructure, developing federal highway and transit legislation. His efforts to improve West Virginia's infrastructure began in 1976 when he was first elected. He was integral to the development of the 1998 Transportation Equity Act for the 21st Century, which required specific planning factors to be implemented in regional transportation plans, as well as authorizing federal surface transportation programs for highways, highway safety, and public transit. He also established the Rahall Transportation Institute (RTI), headquartered at Marshall University in Huntington, West Virginia. RTI has since become a leader in transportation research and economic development for the Appalachian Region. \u003c/p\u003e\n","\u003cp\u003eTo promote and diversify southern West Virginia's economic development, he became a front-runner for the Southern Highlands Initiative. This initiative aided in the development of industrial and business parks in the state's southern coal counties. Rahall also considered technological advancement a key component to West Virginia's economic development. He established the Nick J. Rahall, II High Technology Corridors Program, through which he promoted a sustainable approach to economic development by working with local communities to focus on small business and entrepreneurial advancement along major interstates. Rahall additionally helped to establish technology centers at Concord University in Athens, at Greenbrier Valley Airport in Lewisburg, and at the Raleigh County Airport near Beckley.\u003c/p\u003e\n","\u003cp\u003eProud of his Lebanese-Protestant heritage, he worked to ensure positive relationships between the Middle East and the United States.  He soon became the senior of the few Arab-American lawmakers on Capitol Hill. He became well known for his expertise in foreign policy and was active in dealing with Middle Eastern affairs. He was the co-chair of the 1996 Arab-American tribute at the Democratic National Convention and a member of the board of directors for the American Task Force for Lebanon. He was nominated as an honorary of the Middle East Policy Council's National Advisory Committee and worked closely with several other D.C.-based organizations, such as the National Association of Arab-Americans, the Arab-American Institute, and the American-Arab Anti-Discrimination Committee. Throughout his career, he accompanied and led a number of congressional delegation trips to the region. \nIn 2014, Rahall faced fellow Democrat Richard Ojeda in the primary election, coming out ahead with more than sixty-five percent of the vote, but he lost the general election to Republican Evan Jenkins.\u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eCama, Timothy. \"Dem Rahall loses House seat after 38 years.\" The Hill. November 4, 2014. Accessed September 2016\nhttp://thehill.com/blogs/ballot-box/house-races/222908-rahall-loses-house-seat-in-west-virginia\u003c/p\u003e\n","\u003cp\u003e\"Congressman Rahall to Al-Nashra.\" Al-Nashra. November-December 1996. \n\"Nick Rahall.\" The Wall Street Journal. 2012. Accessed September 2016 http://projects.wsj.com/campaign2012/candidates/view/nick-rahall--WV-H.\u003c/p\u003e\n","\u003cp\u003e\"Rahall, Nick Joe, II (1949-).\" Biographical Directory of the United States Congress. Accessed September 2017 http://bioguide.congress.gov/scripts/biodisplay.pl?index=R000011.\u003c/p\u003e\n","\u003cp\u003e\"U.S. Rep. Nick Rahall: Representing West Virginia's Third Congressional District.\" The Spirit of Beckley: Congressman Nick J. Rahall II, 2007 Community Service Award. 2007. \u003c/p\u003e\n","\u003cp\u003eWallace, Jim. \"Nick Joe Rahall.\" e-WV: The West Virginia Encyclopedia. December 2015. Accessed September 2016 http://www.wvencyclopedia.org/articles/1963.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["U.S. Congressman Nick Joe Rahall II served the people of West Virginia for nearly forty years. He began his political service in the early 1970s working in the cloak room of the U.S. Senate; as a staff member in the Senate Office of the Majority Whip from 1971-1974; and as a delegate to the Democratic National Conventions in 1972 and 1976. He was elected as a Democrat to the U.S. House of Representatives in 1976 to represent West Virginia's Third District and was re-elected for nineteen terms, serving from January 3, 1977-January 2, 2015. ","Nick Rahall II was born on May 20, 1949, in Beckley, West Virginia, to parents Nick Joe Rahall, the co-founder of the WWNR radio station, and Mary Alice. He is the grandson of Nicholos Rahall, an immigrant from Kefeir, Lebanon, who settled in Beckley in 1909 and was the co-founder of Rahall Communications, a radio broadcasting company with stations in West Virginia, Indiana, Pennsylvania, Ohio, New Hampshire, and Florida. Rahall graduated from Woodrow Wilson High School in Beckley and then earned his bachelor's degree from Duke University in 1971. He also received some graduate education from George Washington University. He worked as a sales representative for his family's radio station while also serving as President of the Mountaineer Tour and Travel Agency and President of West Virginia Broadcasting in 1974. ","In 1976, he entered the race for the West Virginia Fourth Congressional District and defeated incumbent Congressman Ken Hechler for the Democratic nomination. Hechler tried to reclaim his seat during the 1978 primary, but Rahall gathered support and endorsements from leading Democrats, such as Robert C. Byrd and House Speaker Tip O'Neill. A final challenge from Hechler occurred in 1990, resulting again in a victory for Rahall. Rahall then defeated former Supreme Court Justice Elliot \"Spike\" Maynard during the general election on November 2, 2010.  He was reelected to his nineteenth term in Congress on November 6, 2012 after defeating Republican Rick Snuffer. Rahall represented the Fourth District from 1977-1993 when it was redistricted to become part of the Third District. Rahall represented the Third District from 1993-2015. ","When he entered Congress in 1977, Rahall was the youngest member at age 28. He focused on a number of issues, including foreign policy, energy, infrastructure, coal, and environment and tourism. He became well-known for his efforts to provide aid for the benefit of coal miners and those suffering from black lung disease, veteran's benefits, and mine health and safety. He held a number of leadership positions, including Chairman of the Committee on Natural Resources (2007-2010), Vice Chairman of the Committee on Transportation and Infrastructure, and Chairman of the Subcommittee on Mining and Natural Resources (1985-1993). ","His district covered the southern region of West Virginia where coal was the dominant source of revenue. He introduced legislation to improve mine health and safety issues, as well as black lung benefits, and publicly opposed legislation to end mountaintop removal mining. His efforts to improve mine health and safety include sponsoring the 1992 Coal Act, along with Senators John D. Rockefeller IV, Robert C. Byrd, and others. In 2006, he was able to secure funding for the Mine Safety Technology Consortium located in Montgomery, a response to the January 2, 2006 Sago Mine Disaster. ","While supporting the coal industry, Rahall also sought to preserve the environmental and historical resources of the state. In 1978, he introduced legislation establishing the New River Gorge National River as a unit of the National Park System in southern West Virginia. Ten years later, he worked to designate the Gauley River National Recreation Area and the Bluestone National Scenic River, creating the largest network of federally protected rivers in the eastern United States. In 1996, his leadership also established the National Coal Heritage Area in eleven southern West Virginia counties, which aims to preserve and interpret the structures and landscapes of the state's rich history of coal mining.","Rahall also led efforts in the area of transportation and infrastructure, developing federal highway and transit legislation. His efforts to improve West Virginia's infrastructure began in 1976 when he was first elected. He was integral to the development of the 1998 Transportation Equity Act for the 21st Century, which required specific planning factors to be implemented in regional transportation plans, as well as authorizing federal surface transportation programs for highways, highway safety, and public transit. He also established the Rahall Transportation Institute (RTI), headquartered at Marshall University in Huntington, West Virginia. RTI has since become a leader in transportation research and economic development for the Appalachian Region. ","To promote and diversify southern West Virginia's economic development, he became a front-runner for the Southern Highlands Initiative. This initiative aided in the development of industrial and business parks in the state's southern coal counties. Rahall also considered technological advancement a key component to West Virginia's economic development. He established the Nick J. Rahall, II High Technology Corridors Program, through which he promoted a sustainable approach to economic development by working with local communities to focus on small business and entrepreneurial advancement along major interstates. Rahall additionally helped to establish technology centers at Concord University in Athens, at Greenbrier Valley Airport in Lewisburg, and at the Raleigh County Airport near Beckley.","Proud of his Lebanese-Protestant heritage, he worked to ensure positive relationships between the Middle East and the United States.  He soon became the senior of the few Arab-American lawmakers on Capitol Hill. He became well known for his expertise in foreign policy and was active in dealing with Middle Eastern affairs. He was the co-chair of the 1996 Arab-American tribute at the Democratic National Convention and a member of the board of directors for the American Task Force for Lebanon. He was nominated as an honorary of the Middle East Policy Council's National Advisory Committee and worked closely with several other D.C.-based organizations, such as the National Association of Arab-Americans, the Arab-American Institute, and the American-Arab Anti-Discrimination Committee. Throughout his career, he accompanied and led a number of congressional delegation trips to the region. \nIn 2014, Rahall faced fellow Democrat Richard Ojeda in the primary election, coming out ahead with more than sixty-five percent of the vote, but he lost the general election to Republican Evan Jenkins.","Sources: ","Cama, Timothy. \"Dem Rahall loses House seat after 38 years.\" The Hill. November 4, 2014. Accessed September 2016\nhttp://thehill.com/blogs/ballot-box/house-races/222908-rahall-loses-house-seat-in-west-virginia","\"Congressman Rahall to Al-Nashra.\" Al-Nashra. November-December 1996. \n\"Nick Rahall.\" The Wall Street Journal. 2012. Accessed September 2016 http://projects.wsj.com/campaign2012/candidates/view/nick-rahall--WV-H.","\"Rahall, Nick Joe, II (1949-).\" Biographical Directory of the United States Congress. Accessed September 2017 http://bioguide.congress.gov/scripts/biodisplay.pl?index=R000011.","\"U.S. Rep. Nick Rahall: Representing West Virginia's Third Congressional District.\" The Spirit of Beckley: Congressman Nick J. Rahall II, 2007 Community Service Award. 2007. ","Wallace, Jim. \"Nick Joe Rahall.\" e-WV: The West Virginia Encyclopedia. December 2015. Accessed September 2016 http://www.wvencyclopedia.org/articles/1963."],"prefercite_html_tesm":["\u003cp\u003eA\u0026amp;M 4118, Congressman Nick Joe Rahall II Papers, West Virginia and Regional History Center, West Virginia University Libraries.\u003c/p\u003e"],"prefercite_tesim":["A\u0026M 4118, Congressman Nick Joe Rahall II Papers, West Virginia and Regional History Center, West Virginia University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Danielle Emerling, Christian Vieweg, Shannon Rowe, Dzondria Tarver, Ashley Brooker\u003c/p\u003e","\u003cp\u003eThe Congressman Nick Joe Rahall II papers are in process. The contents of this finding aid will be revised as progress is made on the collection. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Danielle Emerling, Christian Vieweg, Shannon Rowe, Dzondria Tarver, Ashley Brooker","The Congressman Nick Joe Rahall II papers are in process. The contents of this finding aid will be revised as progress is made on the collection. "],"userestrict_html_tesm":["\u003cp\u003eMaterials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.\u003c/p\u003e\n","\u003cp\u003eMaterials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026amp; Regional History Center.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8f256808487385caf174dfc6b5232d43\"\u003eNick Joe Rahall II (b.1949) represented West Virginia's Third District in the United States House of Representatives for nineteen terms. He was elected as a Democrat to the Ninety-fifth Congress and served from January 3, 1977-January 3, 2015. From 2007-2011, he was chair of the Committee on Natural Resources. From 1971-1974, he was a staff member in the United States Senate Office of the Majority Whip, and he was a delegate to both the 1972 and 1976 Democratic National Conventions. The bulk of the Congressman Nick Joe Rahall II papers document his 38-year career in the United States House of Representatives.\u003c/abstract\u003e"],"abstract_tesim":["Nick Joe Rahall II (b.1949) represented West Virginia's Third District in the United States House of Representatives for nineteen terms. He was elected as a Democrat to the Ninety-fifth Congress and served from January 3, 1977-January 3, 2015. From 2007-2011, he was chair of the Committee on Natural Resources. From 1971-1974, he was a staff member in the United States Senate Office of the Majority Whip, and he was a delegate to both the 1972 and 1976 Democratic National Conventions. The bulk of the Congressman Nick Joe Rahall II papers document his 38-year career in the United States House of Representatives."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1f011dedf3ebd96ac2358da217630965\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["United States. Congress. House. Committee on Natural Resources","United States. Congress. House. Committee on Transportation and Infrastructure","United States. Congress. House. Committee on Interior and Insular Affairs. Subcommittee on Mining and Natural Resources"],"names_ssim":["West Virginia and Regional History Center","United States. Congress. House. Committee on Natural Resources","United States. Congress. House. Committee on Transportation and Infrastructure","United States. Congress. House. Committee on Interior and Insular Affairs. Subcommittee on Mining and Natural Resources","Rahall, Nick J., 1949-"],"corpname_ssim":["West Virginia and Regional History Center","United States. Congress. House. Committee on Natural Resources","United States. Congress. House. Committee on Transportation and Infrastructure","United States. Congress. House. Committee on Interior and Insular Affairs. 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You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 72","Artifact 1"],"_nest_path_":"/components#0/components#1/components#0/components#2","timestamp":"2026-04-30T22:51:05.883Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1000","ead_ssi":"viu_repositories_3_resources_1000","_root_":"viu_repositories_3_resources_1000","_nest_parent_":"viu_repositories_3_resources_1000","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1000.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/138991","title_filing_ssi":"Oliphant, Patrick artwork and papers","title_ssm":["Patrick Oliphant artwork and papers"],"title_tesim":["Patrick Oliphant artwork and papers"],"unitdate_ssm":["1947-2016"],"unitdate_inclusive_ssm":["1947-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16492","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1000"],"text":["MSS 16492","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1000","Patrick Oliphant artwork and papers","The collection is open for research use.","Patrick Bruce \"Pat\" Oliphant, born July 24, 1935, is an Australian-born American artist whose career spanned more than sixty years. He began his art career in 1955, drawing cartoons and illustrations for Adelaide's The Advertiser newspaper. In 1964, Oliphant moved to the United States and became the cartoonist at the Denver Post, and by 1965 his work was syndicated internationally by the Los Angeles Times Syndicate. Oliphant was awarded the Pulitzer Prize for Editorial Cartooning in 1967. In 1975 he moved to the Washington Star and joined the Universal Press Syndicate. In 1979 Oliphant was naturalized as an American citizen. When the Star went out of business in 1981, Oliphant decided to remain independent, living off the earnings from his syndication. He was the first political cartoonist in the twentieth century to work independently from a home newspaper, a situation that provided him with significant independence from editorial control. By 1983 Oliphant was the most widely syndicated American political cartoonist, with his work appearing in more than 500 newspapers. His body of work focuses mostly on American and global politics and culture; he is particularly known for his caricatures of American presidents and other world leaders. While he is most well known as a political cartoonist, over the course of his career Oliphant also produced dozens of bronze sculptures, along with many other drawings and paintings. He retired in 2015.","Source: Wikipedia contributors. \"Pat Oliphant.\" Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 16 Jan. 2022. Web. 18 Jan. 2022.","Drawings of varying size, political cartoons, sculpture, books, framed items, scrapbooks, sketchbooks, slides, video tapes, and news clippings.","The Patrick Oliphant artwork and papers collection contains materials documenting the life and work of artist Patrick Oliphant. It covers his career as a political cartoonist from 1955 to 2015, including thousands of original cartoon drawings. It also includes examples of his other artistic works, like sculptures, sketches, paintings, lithographs, and other drawings. Oliphant's artwork, especially the political cartoons, cover a wide variety of political and cultural topics, both in the United States and across the globe and could be useful to researchers interested in many aspects of political and social history in the second half of the 20th century. ","The collection also includes materials that provide insight into the creation and promotion of exhibits of Oliphant's work, travel and speaking engagements, and business papers documenting sales of his artwork. It contains personal papers and correspondence, including a large number of letters from the public. Photographs also provide insight into the creation and promotion of Oliphant's pieces. The collection also contains audiovisual materials, consisting mostly of interviews with Oliphant. ","This collection is protected by copyright and/or related rights. You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. 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For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["Acccesion number ViU-2018-0074, purchase 19 April 2018 from Patrick B. and Susan Conway Oliphant."],"has_online_content_ssim":["false"],"extent_ssm":["80 Cubic Feet"],"extent_tesim":["80 Cubic Feet"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003ePatrick Bruce \"Pat\" Oliphant, born July 24, 1935, is an Australian-born American artist whose career spanned more than sixty years. He began his art career in 1955, drawing cartoons and illustrations for Adelaide's The Advertiser newspaper. In 1964, Oliphant moved to the United States and became the cartoonist at the Denver Post, and by 1965 his work was syndicated internationally by the Los Angeles Times Syndicate. Oliphant was awarded the Pulitzer Prize for Editorial Cartooning in 1967. In 1975 he moved to the Washington Star and joined the Universal Press Syndicate. In 1979 Oliphant was naturalized as an American citizen. When the Star went out of business in 1981, Oliphant decided to remain independent, living off the earnings from his syndication. He was the first political cartoonist in the twentieth century to work independently from a home newspaper, a situation that provided him with significant independence from editorial control. By 1983 Oliphant was the most widely syndicated American political cartoonist, with his work appearing in more than 500 newspapers. His body of work focuses mostly on American and global politics and culture; he is particularly known for his caricatures of American presidents and other world leaders. While he is most well known as a political cartoonist, over the course of his career Oliphant also produced dozens of bronze sculptures, along with many other drawings and paintings. He retired in 2015.\u003c/p\u003e\n","\u003cp\u003eSource: Wikipedia contributors. \"Pat Oliphant.\" Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 16 Jan. 2022. Web. 18 Jan. 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Patrick Bruce \"Pat\" Oliphant, born July 24, 1935, is an Australian-born American artist whose career spanned more than sixty years. He began his art career in 1955, drawing cartoons and illustrations for Adelaide's The Advertiser newspaper. In 1964, Oliphant moved to the United States and became the cartoonist at the Denver Post, and by 1965 his work was syndicated internationally by the Los Angeles Times Syndicate. Oliphant was awarded the Pulitzer Prize for Editorial Cartooning in 1967. In 1975 he moved to the Washington Star and joined the Universal Press Syndicate. In 1979 Oliphant was naturalized as an American citizen. When the Star went out of business in 1981, Oliphant decided to remain independent, living off the earnings from his syndication. He was the first political cartoonist in the twentieth century to work independently from a home newspaper, a situation that provided him with significant independence from editorial control. By 1983 Oliphant was the most widely syndicated American political cartoonist, with his work appearing in more than 500 newspapers. His body of work focuses mostly on American and global politics and culture; he is particularly known for his caricatures of American presidents and other world leaders. While he is most well known as a political cartoonist, over the course of his career Oliphant also produced dozens of bronze sculptures, along with many other drawings and paintings. He retired in 2015.","Source: Wikipedia contributors. \"Pat Oliphant.\" Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 16 Jan. 2022. Web. 18 Jan. 2022."],"prefercite_html_tesm":["\u003cp\u003eMS16492 Patrick Oliphant artwork and papers, box number, folder number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MS16492 Patrick Oliphant artwork and papers, box number, folder number, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eDrawings of varying size, political cartoons, sculpture, books, framed items, scrapbooks, sketchbooks, slides, video tapes, and news clippings.\u003c/p\u003e","\u003cp\u003eThe Patrick Oliphant artwork and papers collection contains materials documenting the life and work of artist Patrick Oliphant. It covers his career as a political cartoonist from 1955 to 2015, including thousands of original cartoon drawings. It also includes examples of his other artistic works, like sculptures, sketches, paintings, lithographs, and other drawings. Oliphant's artwork, especially the political cartoons, cover a wide variety of political and cultural topics, both in the United States and across the globe and could be useful to researchers interested in many aspects of political and social history in the second half of the 20th century. \u003c/p\u003e\n","\u003cp\u003eThe collection also includes materials that provide insight into the creation and promotion of exhibits of Oliphant's work, travel and speaking engagements, and business papers documenting sales of his artwork. It contains personal papers and correspondence, including a large number of letters from the public. Photographs also provide insight into the creation and promotion of Oliphant's pieces. The collection also contains audiovisual materials, consisting mostly of interviews with Oliphant. \u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["Drawings of varying size, political cartoons, sculpture, books, framed items, scrapbooks, sketchbooks, slides, video tapes, and news clippings.","The Patrick Oliphant artwork and papers collection contains materials documenting the life and work of artist Patrick Oliphant. It covers his career as a political cartoonist from 1955 to 2015, including thousands of original cartoon drawings. It also includes examples of his other artistic works, like sculptures, sketches, paintings, lithographs, and other drawings. Oliphant's artwork, especially the political cartoons, cover a wide variety of political and cultural topics, both in the United States and across the globe and could be useful to researchers interested in many aspects of political and social history in the second half of the 20th century. ","The collection also includes materials that provide insight into the creation and promotion of exhibits of Oliphant's work, travel and speaking engagements, and business papers documenting sales of his artwork. It contains personal papers and correspondence, including a large number of letters from the public. Photographs also provide insight into the creation and promotion of Oliphant's pieces. The collection also contains audiovisual materials, consisting mostly of interviews with Oliphant. "],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1924,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:51:05.883Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1000_c01_c02_c01_c03"}},{"id":"virmu_repositories_2_resources_37_c01_c02_c07","type":"Item","attributes":{"title":"15th Annual Visual Arts Faculty Exhibit","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_37_c01_c02_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_37_c01_c02_c07","ref_ssm":["virmu_repositories_2_resources_37_c01_c02_c07"],"id":"virmu_repositories_2_resources_37_c01_c02_c07","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37_c01_c02","parent_ssi":"virmu_repositories_2_resources_37_c01_c02","parent_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c01","virmu_repositories_2_resources_37_c01_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c01","virmu_repositories_2_resources_37_c01_c02"],"parent_unittitles_ssm":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts","Sub-Series 1.2: Photographic Career"],"parent_unittitles_tesim":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts","Sub-Series 1.2: Photographic Career"],"text":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts","Sub-Series 1.2: Photographic Career","15th Annual Visual Arts Faculty Exhibit","Paper","Mercer County Community College (N.J.)","West Windsor (N.J. : Township)","Photography, Artistic","English","box VA-04 Box 3","folder Folder 1","Item VA04.01.2.007","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"15th Annual Visual Arts Faculty Exhibit","title_ssm":["15th Annual Visual Arts Faculty Exhibit"],"title_tesim":["15th Annual Visual Arts Faculty Exhibit"],"unitdate_inclusive_ssm":["Dec. 3, 1982-Jan. 12, 1983"],"normalized_date_ssm":["1982/1983"],"normalized_title_ssm":["15th Annual Visual Arts Faculty Exhibit"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"physfacet_tesim":["Exhibition announcements"],"creator_ssim":["Mercer County Community College (N.J.)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":313,"parent_access_restrict_tesm":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"date_range_isim":[1982,1983],"names_ssim":["Mercer County Community College (N.J.)"],"corpname_ssim":["Mercer County Community College (N.J.)"],"geogname_ssim":["West Windsor (N.J. : Township)"],"geogname_ssm":["West Windsor (N.J. : Township)"],"places_ssim":["West Windsor (N.J. : Township)"],"access_subjects_ssim":["Photography, Artistic"],"access_subjects_ssm":["Photography, Artistic"],"acqinfo_ssim":["Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund."],"language_ssim":["English"],"containers_ssim":["box VA-04 Box 3","folder Folder 1","Item VA04.01.2.007"],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#1/components#6","timestamp":"2026-05-01T00:06:08.559Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["VA-04","/repositories/2/resources/37"],"text":["VA-04","/repositories/2/resources/37","Louis H. Draper Artist Archives (VA-04)","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). ","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    ","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. ","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","English \n.    "],"unitid_tesim":["VA-04","/repositories/2/resources/37"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"collection_title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_persname_ssim":["Draper, Louis H., 1935-2002"],"creator_corpname_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creators_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 11\u003c/label\u003e\n        \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e\n","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e\n","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e\n","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e\n","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e\n","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e\n","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e\n","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e\n","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e\n","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e\n","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e\n","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e\n","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e\n","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e\n","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e\n","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e\n","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). "],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    "],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. \u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e"],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"names_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Louis H. 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"],"total_component_count_is":6758,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:06:08.559Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_37_c01_c02_c07"}},{"id":"vino_repositories_3_resources_144_c02_c02_c01","type":"Item","attributes":{"title":"15th Reunion Class of 1968 Commemorative Pin","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_144_c02_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_3_resources_144_c02_c02_c01","ref_ssm":["vino_repositories_3_resources_144_c02_c02_c01"],"id":"vino_repositories_3_resources_144_c02_c02_c01","ead_ssi":"vino_repositories_3_resources_144","_root_":"vino_repositories_3_resources_144","_nest_parent_":"vino_repositories_3_resources_144_c02_c02","parent_ssi":"vino_repositories_3_resources_144_c02_c02","parent_ssim":["vino_repositories_3_resources_144","vino_repositories_3_resources_144_c02","vino_repositories_3_resources_144_c02_c02"],"parent_ids_ssim":["vino_repositories_3_resources_144","vino_repositories_3_resources_144_c02","vino_repositories_3_resources_144_c02_c02"],"parent_unittitles_ssm":["Office of Alumni Relations Records","Series II: Memorabilia","Box 8"],"parent_unittitles_tesim":["Office of Alumni Relations Records","Series II: Memorabilia","Box 8"],"text":["Office of Alumni Relations Records","Series II: Memorabilia","Box 8","15th Reunion Class of 1968 Commemorative Pin","box 8"],"title_filing_ssi":"15th Reunion Class of 1968 Commemorative Pin","title_ssm":["15th Reunion Class of 1968 Commemorative Pin"],"title_tesim":["15th Reunion Class of 1968 Commemorative Pin"],"unitdate_other_ssim":["1983"],"normalized_date_ssm":["1983"],"normalized_title_ssm":["15th Reunion Class of 1968 Commemorative Pin"],"component_level_isim":[3],"repository_ssim":["Old Dominion University"],"collection_ssim":["Office of Alumni Relations Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":20,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1983],"containers_ssim":["box 8"],"prefercite_html_tesm":["\u003cp\u003e15th Reunion Class of 1968 Commemorative Pin, 1983, Box 8, Office of Alumni Relations Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["15th Reunion Class of 1968 Commemorative Pin, 1983, Box 8, Office of Alumni Relations Records, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#1/components#1/components#0","timestamp":"2026-04-30T21:49:49.349Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_3_resources_144","ead_ssi":"vino_repositories_3_resources_144","_root_":"vino_repositories_3_resources_144","_nest_parent_":"vino_repositories_3_resources_144","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_144.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/144","title_filing_ssi":"Office of Alumni Relations","title_ssm":["Office of Alumni Relations Records"],"title_tesim":["Office of Alumni Relations Records"],"unitdate_ssm":["1960-2018, undated","Date acquired: 06/26/2008"],"unitdate_inclusive_ssm":["1960-2018, undated"],"unitdate_other_ssim":["Date acquired: 06/26/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 6-2A","/repositories/3/resources/144"],"text":["RG 6-2A","/repositories/3/resources/144","Office of Alumni Relations Records","Old Dominion University--History","Old Dominion University--Reports","Old Dominion University--Alumni and alumnae","Open to researchers without restrictions.","The collection is organized into three series: Series I: Office Files; Series II: Memorabilia; and Series III: Photographs.","The Old Dominion University Alumni Association was established in 1957 as an independent and all volunteer organization. In 1961, it became part of the university and gained paid personnel and a president. Through the office of Alumni Relations, the Alumni Association focused on keeping graduates connected to the university through reunions and alumni weekends, and contributing to the university by way of regular fundraisers. The Alumni Association grew over the years, forming specialized chapters such as one for the Nursing School in 1977 and a chapter devoted to the School of Business in 1988. In 1990, the Alumni Association joined with the Office of Government Relations to launch the Alumni Legislative Network, dedicated to lobbying on behalf of Old Dominion University.","Note written by Mel Frizzell","The collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2011.","This collection includes administrative letters, pamphlets, reports, event programs, invitations, memorabilia, and photographs from the Alumni Relations office at Old Dominion University. They include material on fundraising, reunions, alumni weekends, and chart the growth of the alumni office both in the university and among alumni.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","The Old Dominion University Office of Alumni Relations Records includes administrative letters, pamphlets, reports, event programs, invitations, and memorabilia of the ODU Alumni Relations and Govertment Relations office from the 1960s to the 2000s.","ODU University Archives","Old Dominion University. 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Office of Alumni Relations"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Delaine Goodman, Alumni Relations Office","Accession #A2008-11 and various transfers."],"access_subjects_ssim":["Old Dominion University--History","Old Dominion University--Reports","Old Dominion University--Alumni and alumnae"],"access_subjects_ssm":["Old Dominion University--History","Old Dominion University--Reports","Old Dominion University--Alumni and alumnae"],"has_online_content_ssim":["false"],"extent_ssm":["2.80 Linear Feet","7 Hollinger document cases boxes"],"extent_tesim":["2.80 Linear Feet","7 Hollinger document cases boxes"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series: Series I: Office Files; Series II: Memorabilia; and Series III: Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into three series: Series I: Office Files; Series II: Memorabilia; and Series III: Photographs."],"bioghist_html_tesm":["\u003cp\u003eThe Old Dominion University Alumni Association was established in 1957 as an independent and all volunteer organization. In 1961, it became part of the university and gained paid personnel and a president. Through the office of Alumni Relations, the Alumni Association focused on keeping graduates connected to the university through reunions and alumni weekends, and contributing to the university by way of regular fundraisers. The Alumni Association grew over the years, forming specialized chapters such as one for the Nursing School in 1977 and a chapter devoted to the School of Business in 1988. In 1990, the Alumni Association joined with the Office of Government Relations to launch the Alumni Legislative Network, dedicated to lobbying on behalf of Old Dominion University.\u003c/p\u003e\n","\u003cp\u003eNote written by Mel Frizzell\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Old Dominion University Alumni Association was established in 1957 as an independent and all volunteer organization. In 1961, it became part of the university and gained paid personnel and a president. Through the office of Alumni Relations, the Alumni Association focused on keeping graduates connected to the university through reunions and alumni weekends, and contributing to the university by way of regular fundraisers. The Alumni Association grew over the years, forming specialized chapters such as one for the Nursing School in 1977 and a chapter devoted to the School of Business in 1988. In 1990, the Alumni Association joined with the Office of Government Relations to launch the Alumni Legislative Network, dedicated to lobbying on behalf of Old Dominion University.","Note written by Mel Frizzell"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Office of Alumni Relations Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Office of Alumni Relations Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2011."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes administrative letters, pamphlets, reports, event programs, invitations, memorabilia, and photographs from the Alumni Relations office at Old Dominion University. They include material on fundraising, reunions, alumni weekends, and chart the growth of the alumni office both in the university and among alumni.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes administrative letters, pamphlets, reports, event programs, invitations, memorabilia, and photographs from the Alumni Relations office at Old Dominion University. They include material on fundraising, reunions, alumni weekends, and chart the growth of the alumni office both in the university and among alumni."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00dc320fecaabc209def27cc27f17251\" label=\"Abstract\"\u003eThe Old Dominion University Office of Alumni Relations Records includes administrative letters, pamphlets, reports, event programs, invitations, and memorabilia of the ODU Alumni Relations and Govertment Relations office from the 1960s to the 2000s.\u003c/abstract\u003e"],"abstract_tesim":["The Old Dominion University Office of Alumni Relations Records includes administrative letters, pamphlets, reports, event programs, invitations, and memorabilia of the ODU Alumni Relations and Govertment Relations office from the 1960s to the 2000s."],"names_coll_ssim":["Old Dominion University. Office of Alumni Relations"],"names_ssim":["ODU University Archives","Old Dominion University. Office of Alumni Relations"],"corpname_ssim":["ODU University Archives","Old Dominion University. Office of Alumni Relations"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":83,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:49:49.349Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_144_c02_c02_c01"}},{"id":"vihart_repositories_4_resources_741_c19","type":"Item","attributes":{"title":"1976 National Convention photographs","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_741_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_741_c19","ref_ssm":["vihart_repositories_4_resources_741_c19"],"id":"vihart_repositories_4_resources_741_c19","ead_ssi":"vihart_repositories_4_resources_741","_root_":"vihart_repositories_4_resources_741","_nest_parent_":"vihart_repositories_4_resources_741","parent_ssi":"vihart_repositories_4_resources_741","parent_ssim":["vihart_repositories_4_resources_741"],"parent_ids_ssim":["vihart_repositories_4_resources_741"],"parent_unittitles_ssm":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"parent_unittitles_tesim":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"text":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection","1976 National Convention photographs","Johnson, Deborah Tompkins","Parker, Monica L.","Digital-Materials UA0062-SET-001"],"title_filing_ssi":"1976 National Convention photographs","title_ssm":["1976 National Convention photographs"],"title_tesim":["1976 National Convention photographs"],"unitdate_inclusive_ssm":["1976-1988"],"normalized_date_ssm":["1976/1988"],"normalized_title_ssm":["1976 National Convention photographs"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"creator_ssim":["Johnson, Deborah Tompkins","Parker, Monica L."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":19,"parent_access_restrict_tesm":["Collection is open for research. Optical media is unavailable pending processing. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests for certain items in this collection have been transferred to the James Madison University Special Collections Library. The copyright interests for other items have not been transferred. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"names_ssim":["Johnson, Deborah Tompkins","Parker, Monica L."],"persname_ssim":["Johnson, Deborah Tompkins","Parker, Monica L."],"containers_ssim":["Digital-Materials UA0062-SET-001"],"_nest_path_":"/components#18","timestamp":"2026-04-30T23:00:30.805Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_741","ead_ssi":"vihart_repositories_4_resources_741","_root_":"vihart_repositories_4_resources_741","_nest_parent_":"vihart_repositories_4_resources_741","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_741.xml","title_ssm":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"title_tesim":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"unitdate_ssm":["1973-2018"],"unitdate_inclusive_ssm":["1973-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0062","/repositories/4/resources/741"],"text":["UA 0062","/repositories/4/resources/741","Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection","African American college students -- Societies, etc. -- History","Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies","African American college students","Clothing","Scrapbooks","Photographs","Photograph albums","Banners","Hats","Memorabilia","Collection is open for research. Optical media is unavailable pending processing. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","A 2007 chemistry text book was not retained due to lack of research value and it being out of collecting scope.","Founded on December 11, 1971, the Iota Alpha chapter of Delta Sigma Theta Sorority, Inc. was the first Black Greek letter organization established at James Madison University (then Madison College). Iota Alpha's eleven charter members were: Patricia Gibson, Saranna Tucker, Karen Washington, Adrian Vaughn, Betty Toliver, Janis Smith, Deborah Winfree, Sandra Johnson, Joyce Richeson, Estelia \"DeDe\" Jackson, and Barbara Coleman.","Delta Sigma Theta is a service-oriented sorority that emphasizes its Five-Point Programmatic Thrust which comprises economic development, educational development, community and international development, housing and urban development and mental health. The sorority's official colors are crimson and cream and its mascot is the elephant. Members are referred to as sorors. In photographs, sorors are frequently pictured making the triangle sign with their hands.","Francine Toliver Edwards solicited content from Iota Alpha sorors that would form an archival collection documenting the history, members, and activities of the Iota Alpha Chapter of Delta Sigma Theta Sorority, Inc. from its charter in 1971 to the present. Materials in this assembled collection originate from many different creators, all sorors and members of the Iota Alpha chapter.","Items without documented individual creators/donors were donated to the chapter at various points in the past and held in storage by the sorority prior to their being donated to Special Collections as part of the 50th anniversary collection.","The assembled collection was exhibited during the anniversary weekend at the April 30 legacy gala held at James Madison University's Hall of Presidents, and additional items were added to the collection by attendees. ","Many of the items were accompanied by a slip of paper identifying the item and its donor. Those papers were retained with their respective items.","The 20th anniversary banner was treated to remove newspaper that was stuck to the back of the sheet.","Notecards written using the prompt \"What Does Delta Sigma Theta Mean to You\" were originally attached to a paper banner created in celebration of the sorority's 100th Founders Day. Due to its deteriorating physical condition, the banner was discarded. The notecards were retained.","Framed items were removed from their frames and, when appropriate, the frames were discarded.","The three optical media disks underwent an initial review for content but were not fully processed and are therefore not immediately available to researchers. ","The collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which it celebrated in May 2022.","Photograph albums and scrapbooks document community service activities and fundraisers, Adopt-A-Highway trash clean-up, car washes, probate (new member presentation), parties and formal events, fashion shows, commencement, picnics and cookouts, national convention, and step shows. Newspaper clippings, new members lists with their respective line names, and event programs are also included.","The collection also includes pieces of clothing - varsity jackets, hats, t-shirts - with Delta Sigma Theta branding. Objects and memorabilia include a trophy, banner, pillows, paddles, and a customized Delta Sigma Theta doll.","Three optical media disks contain audio and video production elements likely used for public performances or step shows.","The copyright interests for certain items in this collection have been transferred to the James Madison University Special Collections Library. The copyright interests for other items have not been transferred. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which they celebrated in May 2022.","James Madison University Libraries Special Collections","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.) -- History","Edwards, Francine Toliver","Whitfield, Tiffany","Fears, Kimberly Taylor","Parker, Monica L.","Janifer, Ericka","Jones-Quartey, Naa Kwale","McGill, Sabrina Settles","Reed, Deanna","Johnson, Deborah Tompkins","Gabbin, Joanne V. (Joanne Veal), 1946-","Stevens, Kimberly","Rountree, Jasmine","Foster, Stephaney","Carney, DeDe Jackson","Terrell, Arnella C.","Anthony, Pamela, 1971-2017","English"],"unitid_tesim":["UA 0062","/repositories/4/resources/741"],"normalized_title_ssm":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"collection_title_tesim":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"collection_ssim":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Edwards, Francine Toliver","Whitfield, Tiffany"],"creator_ssim":["Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Edwards, Francine Toliver","Whitfield, Tiffany"],"creator_persname_ssim":["Edwards, Francine Toliver","Whitfield, Tiffany"],"creator_corpname_ssim":["Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)"],"creators_ssim":["Edwards, Francine Toliver","Whitfield, Tiffany","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)"],"access_terms_ssm":["The copyright interests for certain items in this collection have been transferred to the James Madison University Special Collections Library. The copyright interests for other items have not been transferred. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Materials in this collection were compiled by Francine Toliver Edwards, member of the Iota Alpha 50th Committee and Chair of Historical Digital Archiving, over the course of the year prior to the 50th anniversary weekend celebration held April 29-May 1, 2022 at James Madison University. At the conclusion of the anniversary weekend, Tiffany Whitfield, member of the Iota Alpha 50th Committee and Chair of Communications \u0026 Education, donated the compiled collection to Special Collections on May 1, 2022."],"access_subjects_ssim":["African American college students -- Societies, etc. -- History","Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies","African American college students","Clothing","Scrapbooks","Photographs","Photograph albums","Banners","Hats","Memorabilia"],"access_subjects_ssm":["African American college students -- Societies, etc. -- History","Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies","African American college students","Clothing","Scrapbooks","Photographs","Photograph albums","Banners","Hats","Memorabilia"],"has_online_content_ssim":["false"],"extent_ssm":["7.03 cubic feet 10 boxes","108 Megabytes 5 files","2 sound discs (CD)","1 videodiscs (DVD)"],"extent_tesim":["7.03 cubic feet 10 boxes","108 Megabytes 5 files","2 sound discs (CD)","1 videodiscs (DVD)"],"genreform_ssim":["Clothing","Scrapbooks","Photographs","Photograph albums","Banners","Hats","Memorabilia"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Optical media is unavailable pending processing. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Optical media is unavailable pending processing. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eA 2007 chemistry text book was not retained due to lack of research value and it being out of collecting scope.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["A 2007 chemistry text book was not retained due to lack of research value and it being out of collecting scope."],"bioghist_html_tesm":["\u003cp\u003eFounded on December 11, 1971, the Iota Alpha chapter of Delta Sigma Theta Sorority, Inc. was the first Black Greek letter organization established at James Madison University (then Madison College). Iota Alpha's eleven charter members were: Patricia Gibson, Saranna Tucker, Karen Washington, Adrian Vaughn, Betty Toliver, Janis Smith, Deborah Winfree, Sandra Johnson, Joyce Richeson, Estelia \"DeDe\" Jackson, and Barbara Coleman.\u003c/p\u003e\n","\u003cp\u003eDelta Sigma Theta is a service-oriented sorority that emphasizes its Five-Point Programmatic Thrust which comprises economic development, educational development, community and international development, housing and urban development and mental health. The sorority's official colors are crimson and cream and its mascot is the elephant. Members are referred to as sorors. In photographs, sorors are frequently pictured making the triangle sign with their hands.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Founded on December 11, 1971, the Iota Alpha chapter of Delta Sigma Theta Sorority, Inc. was the first Black Greek letter organization established at James Madison University (then Madison College). Iota Alpha's eleven charter members were: Patricia Gibson, Saranna Tucker, Karen Washington, Adrian Vaughn, Betty Toliver, Janis Smith, Deborah Winfree, Sandra Johnson, Joyce Richeson, Estelia \"DeDe\" Jackson, and Barbara Coleman.","Delta Sigma Theta is a service-oriented sorority that emphasizes its Five-Point Programmatic Thrust which comprises economic development, educational development, community and international development, housing and urban development and mental health. The sorority's official colors are crimson and cream and its mascot is the elephant. Members are referred to as sorors. In photographs, sorors are frequently pictured making the triangle sign with their hands."],"custodhist_html_tesm":["\u003cp\u003eFrancine Toliver Edwards solicited content from Iota Alpha sorors that would form an archival collection documenting the history, members, and activities of the Iota Alpha Chapter of Delta Sigma Theta Sorority, Inc. from its charter in 1971 to the present. Materials in this assembled collection originate from many different creators, all sorors and members of the Iota Alpha chapter.\u003c/p\u003e\n","\u003cp\u003eItems without documented individual creators/donors were donated to the chapter at various points in the past and held in storage by the sorority prior to their being donated to Special Collections as part of the 50th anniversary collection.\u003c/p\u003e\n","\u003cp\u003eThe assembled collection was exhibited during the anniversary weekend at the April 30 legacy gala held at James Madison University's Hall of Presidents, and additional items were added to the collection by attendees. \u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Francine Toliver Edwards solicited content from Iota Alpha sorors that would form an archival collection documenting the history, members, and activities of the Iota Alpha Chapter of Delta Sigma Theta Sorority, Inc. from its charter in 1971 to the present. Materials in this assembled collection originate from many different creators, all sorors and members of the Iota Alpha chapter.","Items without documented individual creators/donors were donated to the chapter at various points in the past and held in storage by the sorority prior to their being donated to Special Collections as part of the 50th anniversary collection.","The assembled collection was exhibited during the anniversary weekend at the April 30 legacy gala held at James Madison University's Hall of Presidents, and additional items were added to the collection by attendees. "],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection, 1973-2018, UA 0062, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection, 1973-2018, UA 0062, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eMany of the items were accompanied by a slip of paper identifying the item and its donor. Those papers were retained with their respective items.\u003c/p\u003e","\u003cp\u003eThe 20th anniversary banner was treated to remove newspaper that was stuck to the back of the sheet.\u003c/p\u003e","\u003cp\u003eNotecards written using the prompt \"What Does Delta Sigma Theta Mean to You\" were originally attached to a paper banner created in celebration of the sorority's 100th Founders Day. Due to its deteriorating physical condition, the banner was discarded. The notecards were retained.\u003c/p\u003e","\u003cp\u003eFramed items were removed from their frames and, when appropriate, the frames were discarded.\u003c/p\u003e","\u003cp\u003eThe three optical media disks underwent an initial review for content but were not fully processed and are therefore not immediately available to researchers. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Many of the items were accompanied by a slip of paper identifying the item and its donor. Those papers were retained with their respective items.","The 20th anniversary banner was treated to remove newspaper that was stuck to the back of the sheet.","Notecards written using the prompt \"What Does Delta Sigma Theta Mean to You\" were originally attached to a paper banner created in celebration of the sorority's 100th Founders Day. Due to its deteriorating physical condition, the banner was discarded. The notecards were retained.","Framed items were removed from their frames and, when appropriate, the frames were discarded.","The three optical media disks underwent an initial review for content but were not fully processed and are therefore not immediately available to researchers. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which it celebrated in May 2022.\u003c/p\u003e\n","\u003cp\u003ePhotograph albums and scrapbooks document community service activities and fundraisers, Adopt-A-Highway trash clean-up, car washes, probate (new member presentation), parties and formal events, fashion shows, commencement, picnics and cookouts, national convention, and step shows. Newspaper clippings, new members lists with their respective line names, and event programs are also included.\u003c/p\u003e\n","\u003cp\u003eThe collection also includes pieces of clothing - varsity jackets, hats, t-shirts - with Delta Sigma Theta branding. Objects and memorabilia include a trophy, banner, pillows, paddles, and a customized Delta Sigma Theta doll.\u003c/p\u003e\n","\u003cp\u003eThree optical media disks contain audio and video production elements likely used for public performances or step shows.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which it celebrated in May 2022.","Photograph albums and scrapbooks document community service activities and fundraisers, Adopt-A-Highway trash clean-up, car washes, probate (new member presentation), parties and formal events, fashion shows, commencement, picnics and cookouts, national convention, and step shows. Newspaper clippings, new members lists with their respective line names, and event programs are also included.","The collection also includes pieces of clothing - varsity jackets, hats, t-shirts - with Delta Sigma Theta branding. Objects and memorabilia include a trophy, banner, pillows, paddles, and a customized Delta Sigma Theta doll.","Three optical media disks contain audio and video production elements likely used for public performances or step shows."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests for certain items in this collection have been transferred to the James Madison University Special Collections Library. The copyright interests for other items have not been transferred. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests for certain items in this collection have been transferred to the James Madison University Special Collections Library. The copyright interests for other items have not been transferred. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae77600cd393dbd8c6828dae654f0de6\"\u003eThe collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which they celebrated in May 2022.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which they celebrated in May 2022."],"names_coll_ssim":["Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.) -- History","Edwards, Francine Toliver","Whitfield, Tiffany"],"names_ssim":["James Madison University Libraries Special Collections","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.) -- History","Edwards, Francine Toliver","Whitfield, Tiffany","Fears, Kimberly Taylor","Parker, Monica L.","Janifer, Ericka","Jones-Quartey, Naa Kwale","McGill, Sabrina Settles","Reed, Deanna","Johnson, Deborah Tompkins","Gabbin, Joanne V. (Joanne Veal), 1946-","Stevens, Kimberly","Rountree, Jasmine","Foster, Stephaney","Carney, DeDe Jackson","Terrell, Arnella C.","Anthony, Pamela, 1971-2017"],"corpname_ssim":["James Madison University Libraries Special Collections","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.) -- History"],"persname_ssim":["Edwards, Francine Toliver","Whitfield, Tiffany","Fears, Kimberly Taylor","Parker, Monica L.","Janifer, Ericka","Jones-Quartey, Naa Kwale","McGill, Sabrina Settles","Reed, Deanna","Johnson, Deborah Tompkins","Gabbin, Joanne V. (Joanne Veal), 1946-","Stevens, Kimberly","Rountree, Jasmine","Foster, Stephaney","Carney, DeDe Jackson","Terrell, Arnella C.","Anthony, Pamela, 1971-2017"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:00:30.805Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_741_c19"}},{"id":"vihdsc_repositories_2_resources_38_c06_c19","type":"Item","attributes":{"title":"1980s (Vols 30/39)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihdsc_repositories_2_resources_38_c06_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihdsc_repositories_2_resources_38_c06_c19","ref_ssm":["vihdsc_repositories_2_resources_38_c06_c19"],"id":"vihdsc_repositories_2_resources_38_c06_c19","ead_ssi":"vihdsc_repositories_2_resources_38","_root_":"vihdsc_repositories_2_resources_38","_nest_parent_":"vihdsc_repositories_2_resources_38_c06","parent_ssi":"vihdsc_repositories_2_resources_38_c06","parent_ssim":["vihdsc_repositories_2_resources_38","vihdsc_repositories_2_resources_38_c06"],"parent_ids_ssim":["vihdsc_repositories_2_resources_38","vihdsc_repositories_2_resources_38_c06"],"parent_unittitles_ssm":["Elizabeth Carrington Eggleston Papers","Series 6: Jotting Books"],"parent_unittitles_tesim":["Elizabeth Carrington Eggleston Papers","Series 6: Jotting Books"],"text":["Elizabeth Carrington Eggleston Papers","Series 6: Jotting Books","1980s (Vols 30/39)","English ."],"title_filing_ssi":"1980s (Vols 30/39)","title_ssm":["1980s (Vols 30/39)"],"title_tesim":["1980s (Vols 30/39)"],"unitdate_inclusive_ssm":["1980/1985"],"normalized_date_ssm":["1980/1985"],"normalized_title_ssm":["1980s (Vols 30/39)"],"component_level_isim":[2],"repository_ssim":["Hampden-Sydney College"],"collection_ssim":["Elizabeth Carrington Eggleston Papers"],"extent_ssm":["11 Volumes"],"extent_tesim":["11 Volumes"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":76,"parent_access_restrict_tesm":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"parent_access_terms_tesm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"date_range_isim":[1980,1981,1982,1983,1984,1985],"language_ssim":["English ."],"_nest_path_":"/components#5/components#18","timestamp":"2026-05-01T00:11:47.081Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_38","ead_ssi":"vihdsc_repositories_2_resources_38","_root_":"vihdsc_repositories_2_resources_38","_nest_parent_":"vihdsc_repositories_2_resources_38","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_38.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/10961","title_filing_ssi":"Elizabeth Carrington Eggleston Papers","title_ssm":["Elizabeth Carrington Eggleston Papers"],"title_tesim":["Elizabeth Carrington Eggleston Papers"],"unitdate_ssm":["1899/1994"],"unitdate_inclusive_ssm":["1899/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000128"],"text":["SC.000128","Elizabeth Carrington Eggleston Papers","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","Inventoried collection of correspondence, poems, essays, mementos, and personal effects of Elizabeth Carrington Eggleston, daughter of former Hampden-Sydney College President Joseph DuPuy Eggleston, including numerous \"jotting books\" or commonplace books that Eggleston kept throughout her life.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","English \n.    "],"unitid_tesim":["SC.000128"],"normalized_title_ssm":["Elizabeth Carrington Eggleston Papers"],"collection_title_tesim":["Elizabeth Carrington Eggleston Papers"],"collection_ssim":["Elizabeth Carrington Eggleston Papers"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"has_online_content_ssim":["false"],"extent_ssm":["8.5 Linear Feet 7 Hollinger Boxes; 149 Volumes Jotting Books; 1 Binder"],"extent_tesim":["8.5 Linear Feet 7 Hollinger Boxes; 149 Volumes Jotting Books; 1 Binder"],"date_range_isim":[1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access to Materials"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"scopecontent_html_tesm":["\u003cp\u003eInventoried collection of correspondence, poems, essays, mementos, and personal effects of Elizabeth Carrington Eggleston, daughter of former Hampden-Sydney College President Joseph DuPuy Eggleston, including numerous \"jotting books\" or commonplace books that Eggleston kept throughout her life.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Inventoried collection of correspondence, poems, essays, mementos, and personal effects of Elizabeth Carrington Eggleston, daughter of former Hampden-Sydney College President Joseph DuPuy Eggleston, including numerous \"jotting books\" or commonplace books that Eggleston kept throughout her life."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003cbr\u003e\u003cbr\u003eThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003cbr\u003e\u003cbr\u003eThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e"],"userestrict_heading_ssm":["Use of These Materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"language_ssim":["English \n.    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Tape length and speed are not specified. No principal speakers are mentioned. Tape is produced by the William and Mary Educational Media Video Services. Acc. 1999.66"],"title_filing_ssi":"1982 4th Club Spots","title_ssm":["1982 4th Club Spots"],"title_tesim":["1982 4th Club Spots"],"unitdate_inclusive_ssm":["January 1983"],"normalized_date_ssm":["1983"],"normalized_title_ssm":["1982 4th Club Spots"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["University Archives Audiovisual Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1959,"parent_access_restrict_tesm":["This collection is open to all researchers. 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(1976)","Visitors to Campus--Queen Elizabeth II (1957)","World War, 1939-1945","DVDs","Motion pictures (visual work)","Sound Recordings","Video recordings","This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additional material is added to this collection on an ongoing basis.","Arranged by format. This collection is being arranged and described on an ongoing basis.","All material must be reviewed by staff in advance of viewing with many audio and moving image types requiring reformatting before they may be accessed.","The University Archives Audiovisual Collection is an artificial collection of various audio and visual formats documenting the College of William and Mary campus, events, people, etc. The collection contains analog, magnetic, and digital media and while not comprehensive, it does include material from a variety of time periods and types of events including commencements, Charter Day, building dedications, lecture series, Raft Debates, visiting scholars and distinguished guests, athletic events, and much more.  Researchers are encouraged to verify with staff the format of individual items and availability for immediate use. Many items in the collection will require preservation reformatting before they can be used.","A VHS video cassette tape was pulled from the Office of the President, Timothy J. Sullivan, Acc. 1998.024, and was added to this collection in February 2011."," Twelve cubic feet of videocassette tapes and films of game footage from the William and Mary football team were pulled from Acc. 2011.535 of the Department of Athletics Records (UA 181), and were added to this collection on 8/15/2011."," One DVD was pulled from the Office of the President, Timothy J. Sullivan, Acc. 2006.007, and was added to this collection in February 2012."," Audiovisual material from the Gentlemen of the College were pulled from their collection and have been added to the University Archives Audiovisual Collection under Acc. 2007.030.001-2007.030.093 in August 2013."," Three reel-to-reel audiotapes of theater productions of \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman 1\" were pulled from this collection and added to the Manuscripts Audiovisual Collection on 1/28/14.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary","College of William and Mary. University Relations.","Dept. of Athletics","Choir and Chorus","College of William and Mary. Dept. of Biology","College of William and Mary. Dept. of Modern Languages","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Honor Code","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Ford, Gerald R., 1913-2006","Burger, Warren E., 1907-1995","English"],"unitid_tesim":["UA 58","/repositories/2/resources/8675"],"normalized_title_ssm":["University Archives Audiovisual Collection"],"collection_title_tesim":["University Archives Audiovisual Collection"],"collection_ssim":["University Archives Audiovisual Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History--20th century"],"geogname_ssim":["Williamsburg (Va.)--History--20th century"],"creator_ssm":["College of William and Mary","College of William and Mary. University Relations.","Dept. of Athletics"],"creator_ssim":["College of William and Mary","College of William and Mary. University Relations.","Dept. of Athletics"],"creator_corpname_ssim":["College of William and Mary","College of William and Mary. University Relations.","Dept. of Athletics"],"creators_ssim":["College of William and Mary","College of William and Mary. University Relations.","Dept. of Athletics"],"places_ssim":["Williamsburg (Va.)--History--20th century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Athletics","Buildings and Grounds--Adair Gym","Buildings and Grounds--Lake Matoaka and Matoaka Woods","Buildings and Grounds--Landrum Hall","Buildings and Grounds--Phi Beta Kappa Hall (1957)","Buildings and Grounds--Swem Library","Burgesses Day","Charter Day","College of William and Mary--History--20th century","Education--Virginia--Williamsburg--20th century","Graduation (School)","Visitors to Campus--Charles, Prince of Wales (1981)","Visitors to Campus--Ford, Gerald R. (1976)","Visitors to Campus--Queen Elizabeth II (1957)","World War, 1939-1945","DVDs","Motion pictures (visual work)","Sound Recordings","Video recordings"],"access_subjects_ssm":["Athletics","Buildings and Grounds--Adair Gym","Buildings and Grounds--Lake Matoaka and Matoaka Woods","Buildings and Grounds--Landrum Hall","Buildings and Grounds--Phi Beta Kappa Hall (1957)","Buildings and Grounds--Swem Library","Burgesses Day","Charter Day","College of William and Mary--History--20th century","Education--Virginia--Williamsburg--20th century","Graduation (School)","Visitors to Campus--Charles, Prince of Wales (1981)","Visitors to Campus--Ford, Gerald R. (1976)","Visitors to Campus--Queen Elizabeth II (1957)","World War, 1939-1945","DVDs","Motion pictures (visual work)","Sound Recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet"],"extent_tesim":["7.00 Linear Feet"],"genreform_ssim":["DVDs","Motion pictures (visual work)","Sound Recordings","Video recordings"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditional material is added to this collection on an ongoing basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additional material is added to this collection on an ongoing basis."],"arrangement_html_tesm":["\u003cp\u003eArranged by format. This collection is being arranged and described on an ongoing basis.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged by format. This collection is being arranged and described on an ongoing basis."],"phystech_html_tesm":["\u003cp\u003eAll material must be reviewed by staff in advance of viewing with many audio and moving image types requiring reformatting before they may be accessed.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["All material must be reviewed by staff in advance of viewing with many audio and moving image types requiring reformatting before they may be accessed."],"prefercite_html_tesm":["\u003cp\u003eUniversity Archives Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["University Archives Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThe University Archives Audiovisual Collection is an artificial collection of various audio and visual formats documenting the College of William and Mary campus, events, people, etc. The collection contains analog, magnetic, and digital media and while not comprehensive, it does include material from a variety of time periods and types of events including commencements, Charter Day, building dedications, lecture series, Raft Debates, visiting scholars and distinguished guests, athletic events, and much more.  Researchers are encouraged to verify with staff the format of individual items and availability for immediate use. Many items in the collection will require preservation reformatting before they can be used.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The University Archives Audiovisual Collection is an artificial collection of various audio and visual formats documenting the College of William and Mary campus, events, people, etc. The collection contains analog, magnetic, and digital media and while not comprehensive, it does include material from a variety of time periods and types of events including commencements, Charter Day, building dedications, lecture series, Raft Debates, visiting scholars and distinguished guests, athletic events, and much more.  Researchers are encouraged to verify with staff the format of individual items and availability for immediate use. Many items in the collection will require preservation reformatting before they can be used."],"separatedmaterial_html_tesm":["\u003cp\u003eA VHS video cassette tape was pulled from the Office of the President, Timothy J. Sullivan, Acc. 1998.024, and was added to this collection in February 2011.\u003c/p\u003e\n","\u003cp\u003e Twelve cubic feet of videocassette tapes and films of game footage from the William and Mary football team were pulled from Acc. 2011.535 of the Department of Athletics Records (UA 181), and were added to this collection on 8/15/2011.\u003c/p\u003e\n","\u003cp\u003e One DVD was pulled from the Office of the President, Timothy J. Sullivan, Acc. 2006.007, and was added to this collection in February 2012.\u003c/p\u003e\n","\u003cp\u003e Audiovisual material from the Gentlemen of the College were pulled from their collection and have been added to the University Archives Audiovisual Collection under Acc. 2007.030.001-2007.030.093 in August 2013.\u003c/p\u003e\n","\u003cp\u003e Three reel-to-reel audiotapes of theater productions of \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman 1\" were pulled from this collection and added to the Manuscripts Audiovisual Collection on 1/28/14.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["A VHS video cassette tape was pulled from the Office of the President, Timothy J. Sullivan, Acc. 1998.024, and was added to this collection in February 2011."," Twelve cubic feet of videocassette tapes and films of game footage from the William and Mary football team were pulled from Acc. 2011.535 of the Department of Athletics Records (UA 181), and were added to this collection on 8/15/2011."," One DVD was pulled from the Office of the President, Timothy J. Sullivan, Acc. 2006.007, and was added to this collection in February 2012."," Audiovisual material from the Gentlemen of the College were pulled from their collection and have been added to the University Archives Audiovisual Collection under Acc. 2007.030.001-2007.030.093 in August 2013."," Three reel-to-reel audiotapes of theater productions of \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman 1\" were pulled from this collection and added to the Manuscripts Audiovisual Collection on 1/28/14."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Choir and Chorus","College of William and Mary. Dept. of Biology","College of William and Mary. Dept. of Modern Languages","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Honor Code","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Ford, Gerald R., 1913-2006","Burger, Warren E., 1907-1995"],"names_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary. University Relations.","Dept. of Athletics","Choir and Chorus","College of William and Mary. Dept. of Biology","College of William and Mary. Dept. of Modern Languages","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Honor Code","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Ford, Gerald R., 1913-2006","Burger, Warren E., 1907-1995"],"corpname_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary. University Relations.","Dept. of Athletics","Choir and Chorus","College of William and Mary. Dept. of Biology","College of William and Mary. Dept. of Modern Languages","College of William and Mary. Dept. of Theatre, Speech, and Dance","College of William and Mary. William and Mary Theatre","Honor Code","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture"],"persname_ssim":["Ford, Gerald R., 1913-2006","Burger, Warren E., 1907-1995"],"language_ssim":["English"],"total_component_count_is":3471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:28:50.599Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8675_c05_c02_c300"}},{"id":"vino_repositories_3_resources_237_c03_c04_c11","type":"Item","attributes":{"title":"1983-1984 Basketball Team with Big Blue","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_237_c03_c04_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_3_resources_237_c03_c04_c11","ref_ssm":["vino_repositories_3_resources_237_c03_c04_c11"],"id":"vino_repositories_3_resources_237_c03_c04_c11","ead_ssi":"vino_repositories_3_resources_237","_root_":"vino_repositories_3_resources_237","_nest_parent_":"vino_repositories_3_resources_237_c03_c04","parent_ssi":"vino_repositories_3_resources_237_c03_c04","parent_ssim":["vino_repositories_3_resources_237","vino_repositories_3_resources_237_c03","vino_repositories_3_resources_237_c03_c04"],"parent_ids_ssim":["vino_repositories_3_resources_237","vino_repositories_3_resources_237_c03","vino_repositories_3_resources_237_c03_c04"],"parent_unittitles_ssm":["Old Dominion University Photographic and Multimedia Collection","Series III: Oversize Photographs","Oversize Box 104"],"parent_unittitles_tesim":["Old Dominion University Photographic and Multimedia Collection","Series III: Oversize Photographs","Oversize Box 104"],"text":["Old Dominion University Photographic and Multimedia Collection","Series III: Oversize Photographs","Oversize Box 104","1983-1984 Basketball Team with Big Blue","Oversize Box 104"],"title_filing_ssi":"1983-1984 Basketball Team with Big Blue","title_ssm":["1983-1984 Basketball Team with Big Blue"],"title_tesim":["1983-1984 Basketball Team with Big Blue"],"unitdate_other_ssim":["circa 1983-1984"],"normalized_date_ssm":["1983/1984"],"normalized_title_ssm":["1983-1984 Basketball Team with Big Blue"],"component_level_isim":[3],"repository_ssim":["Old Dominion University"],"collection_ssim":["Old Dominion University Photographic and Multimedia Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2389,"parent_access_restrict_tesm":["The collection is open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1983,1984],"containers_ssim":["Oversize Box 104"],"prefercite_html_tesm":["\u003cp\u003e1983-1984 Basketball Team with Big Blue, circa 1983-1984, Oversize Box 104, Old Dominion University Photographic and Multimedia Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["1983-1984 Basketball Team with Big Blue, circa 1983-1984, Oversize Box 104, Old Dominion University Photographic and Multimedia Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#2/components#3/components#10","timestamp":"2026-04-30T21:44:10.790Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_3_resources_237","ead_ssi":"vino_repositories_3_resources_237","_root_":"vino_repositories_3_resources_237","_nest_parent_":"vino_repositories_3_resources_237","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_237.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/237","title_filing_ssi":"Old Dominion University Photographic and Multimedia","title_ssm":["Old Dominion University Photographic and Multimedia Collection"],"title_tesim":["Old Dominion University Photographic and Multimedia Collection"],"unitdate_ssm":["circa 1926-2007, undated","Date acquired: 00/00/2006"],"unitdate_inclusive_ssm":["circa 1926-2007, undated"],"unitdate_other_ssim":["Date acquired: 00/00/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 32","/repositories/3/resources/237"],"text":["RG 32","/repositories/3/resources/237","Old Dominion University Photographic and Multimedia Collection","Old Dominion University--History","Old Dominion University--Photographs","Old Dominion University--Multimedia","The collection is open to researchers without restrictions.","Future accruals are expected.","This collection is organized into four series: Series I: Photographs; Series II: Multimedia; Series III: Oversize Photographs; and Series IV: Negatives, Slides, and Other Media.","The University Photographic and Multimedia Collection serves as a pictorial history of the university from its founding as the Norfolk Division of William and Mary in 1930 to the present day as Old Dominion University. The photos show the growth of the school from the first William and Mary extension classes held in the Old Larchmont School to the huge multi-building, multi-degree University that is now Old Dominion.  These photos and multimedia document the change in the school's journey from an extension of the College of William and Mary in 1930 to becoming a college in 1961 to a full-fledged university in 1969 and onward still to the present day.","Note written by Special Collections Staff","\nSeries I and parts of Series III have been digitized and are available in the  Old Dominion University Libraries Digital Collections.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","The Old Dominion University Photographic and Multimedia Collection (RG 32) contains a wide range of photos relating to the university's history from the 1930s to the present.","ODU University Archives","Old Dominion University","College of William and Mary. Norfolk Division","Old Dominion College","English"],"unitid_tesim":["RG 32","/repositories/3/resources/237"],"normalized_title_ssm":["Old Dominion University Photographic and Multimedia Collection"],"collection_title_tesim":["Old Dominion University Photographic and Multimedia Collection"],"collection_ssim":["Old Dominion University Photographic and Multimedia Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Old Dominion University","College of William and Mary. Norfolk Division","Old Dominion College"],"creator_ssim":["Old Dominion University","College of William and Mary. Norfolk Division","Old Dominion College"],"creator_corpname_ssim":["Old Dominion University","College of William and Mary. Norfolk Division","Old Dominion College"],"creators_ssim":["Old Dominion University","College of William and Mary. Norfolk Division","Old Dominion College"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Unknown","The collection has been added to over the years through various transfers from university photographers and departments, as well as several individuals."],"access_subjects_ssim":["Old Dominion University--History","Old Dominion University--Photographs","Old Dominion University--Multimedia"],"access_subjects_ssm":["Old Dominion University--History","Old Dominion University--Photographs","Old Dominion University--Multimedia"],"has_online_content_ssim":["false"],"extent_ssm":["220.80 Linear Feet","93 Hollinger document cases, 3 half Hollinger document cases, 4 VHS/Multimedia boxes, 7 oversize boxes, 7 loose foam backed oversize photos, 14 record carton cartons, and 20 framed photos boxes"],"extent_tesim":["220.80 Linear Feet","93 Hollinger document cases, 3 half Hollinger document cases, 4 VHS/Multimedia boxes, 7 oversize boxes, 7 loose foam backed oversize photos, 14 record carton cartons, and 20 framed photos boxes"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into four series: Series I: Photographs; Series II: Multimedia; Series III: Oversize Photographs; and Series IV: Negatives, Slides, and Other Media.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is organized into four series: Series I: Photographs; Series II: Multimedia; Series III: Oversize Photographs; and Series IV: Negatives, Slides, and Other Media."],"bioghist_html_tesm":["\u003cp\u003eThe University Photographic and Multimedia Collection serves as a pictorial history of the university from its founding as the Norfolk Division of William and Mary in 1930 to the present day as Old Dominion University. The photos show the growth of the school from the first William and Mary extension classes held in the Old Larchmont School to the huge multi-building, multi-degree University that is now Old Dominion.  These photos and multimedia document the change in the school's journey from an extension of the College of William and Mary in 1930 to becoming a college in 1961 to a full-fledged university in 1969 and onward still to the present day.\u003c/p\u003e\n","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The University Photographic and Multimedia Collection serves as a pictorial history of the university from its founding as the Norfolk Division of William and Mary in 1930 to the present day as Old Dominion University. The photos show the growth of the school from the first William and Mary extension classes held in the Old Larchmont School to the huge multi-building, multi-degree University that is now Old Dominion.  These photos and multimedia document the change in the school's journey from an extension of the College of William and Mary in 1930 to becoming a college in 1961 to a full-fledged university in 1969 and onward still to the present day.","Note written by Special Collections Staff"],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://olddomuni.access.preservica.com/archive/sdb%3Acollection|252497b2-136c-4587-a77e-54417ad861f9/\"\u003eODU Digital Collections\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Related Digital Material"],"otherfindaid_tesim":["ODU Digital Collections"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Old Dominion University Photographic and Multimedia Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Old Dominion University Photographic and Multimedia Collection, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003e\nSeries I and parts of Series III have been digitized and are available in the \u003ca href=\"https://olddomuni.access.preservica.com/uncategorized/SO_252497b2-136c-4587-a77e-54417ad861f9/\"\u003eOld Dominion University Libraries Digital Collections.\u003c/a\u003e\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["\nSeries I and parts of Series III have been digitized and are available in the  Old Dominion University Libraries Digital Collections."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9561b508ff45f5e397a42232e1312422\" label=\"Abstract\"\u003eThe Old Dominion University Photographic and Multimedia Collection (RG 32) contains a wide range of photos relating to the university's history from the 1930s to the present.\u003c/abstract\u003e"],"abstract_tesim":["The Old Dominion University Photographic and Multimedia Collection (RG 32) contains a wide range of photos relating to the university's history from the 1930s to the present."],"names_ssim":["ODU University Archives","Old Dominion University","College of William and Mary. Norfolk Division","Old Dominion College"],"corpname_ssim":["ODU University Archives","Old Dominion University","College of William and Mary. Norfolk Division","Old Dominion College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2479,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:44:10.790Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_237_c03_c04_c11"}},{"id":"viw_repositories_2_resources_8527_c14_c03_c10_c04","type":"Item","attributes":{"title":"1983 (2 CDs)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c10_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8527_c14_c03_c10_c04","ref_ssm":["viw_repositories_2_resources_8527_c14_c03_c10_c04"],"id":"viw_repositories_2_resources_8527_c14_c03_c10_c04","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssi":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c14","viw_repositories_2_resources_8527_c14_c03","viw_repositories_2_resources_8527_c14_c03_c10"],"parent_ids_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c14","viw_repositories_2_resources_8527_c14_c03","viw_repositories_2_resources_8527_c14_c03_c10"],"parent_unittitles_ssm":["Carl A. \"Pappy\" Fehr papers","Series 14: Audio Recordings","Compact Discs","Data Discs/Compact Discs"],"parent_unittitles_tesim":["Carl A. \"Pappy\" Fehr papers","Series 14: Audio Recordings","Compact Discs","Data Discs/Compact Discs"],"text":["Carl A. \"Pappy\" Fehr papers","Series 14: Audio Recordings","Compact Discs","Data Discs/Compact Discs","1983 (2 CDs)","Box Series 14, Subseries 3, Box 10"],"title_filing_ssi":"1983 (2 CDs)","title_ssm":["1983 (2 CDs)"],"title_tesim":["1983 (2 CDs)"],"unitdate_inclusive_ssm":["1983 June 11"],"normalized_date_ssm":["1983"],"normalized_title_ssm":["1983 (2 CDs)"],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1998,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1983],"containers_ssim":["Box Series 14, Subseries 3, Box 10"],"_nest_path_":"/components#13/components#2/components#9/components#3","timestamp":"2026-04-30T22:33:00.545Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_bulk_ssim":["1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"text":["UA 6.017","/repositories/2/resources/8527","Carl A. \"Pappy\" Fehr papers","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e\n","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e\n","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. 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