{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Blevel%5D%5B%5D=File\u0026page=4","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Blevel%5D%5B%5D=File\u0026page=3","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Blevel%5D%5B%5D=File\u0026page=5","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Blevel%5D%5B%5D=File\u0026page=3750"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":3750,"limit_value":10,"offset_value":30,"total_count":37497,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_1852_c06_c17","type":"File","attributes":{"title":"17. Genealogy Letters to RLD","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1852_c06_c17","ref_ssm":["wvmturhc_repositories_2_resources_1852_c06_c17"],"id":"wvmturhc_repositories_2_resources_1852_c06_c17","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852_c06","parent_ssi":"wvmturhc_repositories_2_resources_1852_c06","parent_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_unittitles_ssm":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"parent_unittitles_tesim":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"text":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B","17. Genealogy Letters to RLD","Box 3","Folder 35"],"title_filing_ssi":"17. Genealogy Letters to RLD","title_ssm":["17. Genealogy Letters to RLD"],"title_tesim":["17. Genealogy Letters to RLD"],"unitdate_inclusive_ssm":["1977–2003"],"normalized_date_ssm":["1977/2003"],"normalized_title_ssm":["17. Genealogy Letters to RLD"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":82,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["Box 3","Folder 35"],"_nest_path_":"/components#5/components#16","timestamp":"2026-04-30T23:14:08.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1852","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1852.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196027","title_ssm":["Russell L. Davisson, Politician, Papers"],"title_tesim":["Russell L. Davisson, Politician, Papers"],"unitdate_ssm":["1850-2004"],"unitdate_inclusive_ssm":["1850-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"text":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852","Russell L. Davisson, Politician, Papers","Genealogy","Welfare - Mingo County.","No special access restriction applies.","Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-","English"],"unitid_tesim":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"normalized_title_ssm":["Russell L. Davisson, Politician, Papers"],"collection_title_tesim":["Russell L. Davisson, Politician, Papers"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davisson, Russell Lee, 1922-"],"creator_ssim":["Davisson, Russell Lee, 1922-"],"creator_persname_ssim":["Davisson, Russell Lee, 1922-"],"creators_ssim":["Davisson, Russell Lee, 1922-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Welfare - Mingo County."],"access_subjects_ssm":["Genealogy","Welfare - Mingo County."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"extent_tesim":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026amp;M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Biographical Information, 2005 (box 1, Folder 1a) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Travel, undated (box 4, folders 41-44) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \u003clb\u003e\u003c/lb\u003e\nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \u003clb\u003e\u003c/lb\u003e\nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \u003clb\u003e\u003c/lb\u003e\nSeries 15. Certificate, 2004 (box 5, folder 3) \u003clb\u003e\u003c/lb\u003e\nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \u003clb\u003e\u003c/lb\u003e\nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b58e0d0847733239cec6066aace5060d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"famname_ssim":["Davison family - genealogy.","Davison family - Genealogy"],"persname_ssim":["Davisson, Russell Lee, 1922-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":235,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:14:08.437Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c17"}},{"id":"viu_repositories_3_resources_1675_c10_c90","type":"File","attributes":{"title":"17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1675_c10_c90#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1675_c10_c90","ref_ssm":["viu_repositories_3_resources_1675_c10_c90"],"id":"viu_repositories_3_resources_1675_c10_c90","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675_c10","parent_ssi":"viu_repositories_3_resources_1675_c10","parent_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c10"],"parent_ids_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c10"],"parent_unittitles_ssm":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications"],"parent_unittitles_tesim":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications"],"text":["William Faulkner Collection","Series X: Adaptations and Third-Party Works Based on William Faulkner Publications","17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b","box 204","folder 8"],"title_filing_ssi":"17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b","title_ssm":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b"],"title_tesim":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b"],"unitdate_inclusive_ssm":["1976-1997"],"normalized_date_ssm":["1976/1997"],"normalized_title_ssm":["17 Items - Faulkner and Yoknapatawpha Conference Materials - 10124-b"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William Faulkner Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3346,"parent_access_restrict_tesm":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["box 204","folder 8"],"_nest_path_":"/components#9/components#89","timestamp":"2026-05-13T13:04:56.093Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1675","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1675.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196837","title_filing_ssi":"Faulkner, William, Collection","title_ssm":["William Faulkner Collection"],"title_tesim":["William Faulkner Collection"],"unitdate_ssm":["1824-2006"],"unitdate_inclusive_ssm":["1824-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"text":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675","William Faulkner Collection","Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century","This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   ","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962","Materials primarily in English, with some publications in French and German."],"unitid_tesim":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"normalized_title_ssm":["William Faulkner Collection"],"collection_title_tesim":["William Faulkner Collection"],"collection_ssim":["William Faulkner Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Faulkner, William, 1897-1962"],"creator_ssim":["Faulkner, William, 1897-1962"],"creator_persname_ssim":["Faulkner, William, 1897-1962"],"creators_ssim":["Faulkner, William, 1897-1962"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"access_subjects_ssim":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"access_subjects_ssm":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"has_online_content_ssim":["false"],"extent_ssm":["115 Cubic Feet"],"extent_tesim":["115 Cubic Feet"],"genreform_ssim":["American literature--Southern States","American fiction--20th Century"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e\n","\u003cp\u003eWe are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026."],"bioghist_html_tesm":["\u003cp\u003eThe William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, \u003cemph render=\"italic\"\u003e\u003ctitle\u003eSoldier's Pay\u003c/title\u003e\u003c/emph\u003e, in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of \u003ctitle\u003e\u003cemph render=\"italic\"\u003eThe Sound and the Fury\u003c/emph\u003e\u003c/title\u003e in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  \u003c/p\u003e\n","\u003cp\u003eSource: Materials within the collection.   \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   "],"odd_html_tesm":["\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning"],"odd_tesim":["This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"prefercite_html_tesm":["\u003cp\u003eMSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.\u003c/p\u003e","\u003cp\u003eThe William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.\u003c/p\u003e","\u003cp\u003eIn this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.\u003c/p\u003e","\u003cp\u003eAbsalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936"],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  \u003c/p\u003e\n","\u003cp\u003ePermissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing\u003c/p\u003e\n","\u003cp\u003ePlease note that W.W. Norton holds copyright to all of Faulkner's published works.\u003c/p\u003e\n","\u003cp\u003eIf you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000\u003c/p\u003e\n","\u003cp\u003eFor permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026amp; Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com\u003c/p\u003e\n","\u003cp\u003eFor permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156\u003c/p\u003e\n","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. \u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"names_ssim":["Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Faulkner, William, 1897-1962"],"language_ssim":["Materials primarily in English, with some publications in French and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3366,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-13T13:04:56.093Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1675_c10_c90"}},{"id":"vifgm_repositories_2_resources_602_c01_c04_c01","type":"File","attributes":{"title":"17th Season Solicitation Letter","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_602_c01_c04_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_602_c01_c04_c01","ref_ssm":["vifgm_repositories_2_resources_602_c01_c04_c01"],"id":"vifgm_repositories_2_resources_602_c01_c04_c01","ead_ssi":"vifgm_repositories_2_resources_602","_root_":"vifgm_repositories_2_resources_602","_nest_parent_":"vifgm_repositories_2_resources_602_c01_c04","parent_ssi":"vifgm_repositories_2_resources_602_c01_c04","parent_ssim":["vifgm_repositories_2_resources_602","vifgm_repositories_2_resources_602_c01","vifgm_repositories_2_resources_602_c01_c04"],"parent_ids_ssim":["vifgm_repositories_2_resources_602","vifgm_repositories_2_resources_602_c01","vifgm_repositories_2_resources_602_c01_c04"],"parent_unittitles_ssm":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces"],"parent_unittitles_tesim":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces"],"text":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces","17th Season Solicitation Letter","Box 51","Folder 1"],"title_filing_ssi":"17th Season Solicitation Letter","title_ssm":["17th Season Solicitation Letter"],"title_tesim":["17th Season Solicitation Letter"],"unitdate_other_ssim":["1982"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["17th Season Solicitation Letter"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Living Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":701,"parent_access_restrict_tesm":["There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1982],"containers_ssim":["Box 51","Folder 1"],"_nest_path_":"/components#0/components#3/components#0","timestamp":"2026-05-01T00:33:57.755Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_602","ead_ssi":"vifgm_repositories_2_resources_602","_root_":"vifgm_repositories_2_resources_602","_nest_parent_":"vifgm_repositories_2_resources_602","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_602.xml","title_filing_ssi":"Living Stage records","title_ssm":["Living Stage records"],"title_tesim":["Living Stage records"],"unitdate_ssm":["1965-2001"],"unitdate_inclusive_ssm":["1965-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0277","/repositories/2/resources/602"],"text":["C0277","/repositories/2/resources/602","Living Stage records","Washington (D.C.)","Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript","There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.","The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)","The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.","The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.","Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.","The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.","The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.","R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0277","/repositories/2/resources/602"],"normalized_title_ssm":["Living Stage records"],"collection_title_tesim":["Living Stage records"],"collection_ssim":["Living Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)"],"geogname_ssim":["Washington (D.C.)"],"places_ssim":["Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"access_subjects_ssm":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["48.0 Linear Feet 106 boxes"],"extent_tesim":["48.0 Linear Feet 106 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, each of which is divided into subseries.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)"],"bioghist_html_tesm":["\u003cp\u003eThe Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. \u003c/p\u003e\n","\u003cp\u003eThe Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. \u003c/p\u003e\n","\u003cp\u003eThe projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"\u003c/p\u003e\n","\u003cp\u003eThe organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eLiving Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Living Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.\u003c/abstract\u003e"],"abstract_tesim":["The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e176c0c8972614dd614b2ea45cfacaaf\"\u003eR 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2\u003c/physloc\u003e"],"physloc_tesim":["R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:33:57.755Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_602_c01_c04_c01"}},{"id":"vifgm_LivingStage_c01_c04_c01","type":"File","attributes":{"title":"17th Season Solicitation Letter,","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_LivingStage_c01_c04_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_LivingStage_c01_c04_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_LivingStage_c01_c04_c01","ref_ssm":["vifgm_LivingStage_c01_c04_c01"],"id":"vifgm_LivingStage_c01_c04_c01","ead_ssi":"vifgm_LivingStage","_root_":"vifgm_LivingStage","_nest_parent_":"vifgm_LivingStage_c01_c04","parent_ssi":"vifgm_LivingStage_c01_c04","parent_ssim":["vifgm_LivingStage","vifgm_LivingStage_c01","vifgm_LivingStage_c01_c04"],"parent_ids_ssim":["vifgm_LivingStage","vifgm_LivingStage_c01","vifgm_LivingStage_c01_c04"],"parent_unittitles_ssm":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces"],"parent_unittitles_tesim":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces"],"text":["Living Stage records","Series 1: Administrative and financial files","Public relations and printed pieces","17th Season Solicitation Letter,","Box 51","Folder 1",""],"title_filing_ssi":"17th Season Solicitation Letter, \n","title_ssm":["17th Season Solicitation Letter, \n"],"title_tesim":["17th Season Solicitation Letter, \n"],"unitdate_other_ssim":["1982\n"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["17th Season Solicitation Letter,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Living Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":701,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"date_range_isim":[1982],"containers_ssim":["Box 51","Folder 1"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#0/components#3/components#0","timestamp":"2026-05-01T00:50:06.728Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_LivingStage","ead_ssi":"vifgm_LivingStage","_root_":"vifgm_LivingStage","_nest_parent_":"vifgm_LivingStage","ead_source_url_ssi":"data/gmu/LivingStage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/livingstage.html","title_ssm":["Living Stage records"],"title_tesim":["Living Stage records"],"unitdate_ssm":["1965-2001"],"unitdate_inclusive_ssm":["1965-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0277"],"text":["C0277","Living Stage records","Acting.","People with mental disabilities--Services for--United States.","Performance art--Photographs.","Public schools--Virginia.","Radicalism--United States--History--20th century.","Students--Photographs.","Theater--United States--History--20th century.","Theater--Washington (D.C.)","Playscripts.","Theatre programs.","There are no access restrictions.","The collection is divided into three series, each of which is divided into subseries.","Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual Materials, 1967-1998 (Boxes 86-106)","The Living Stage Theatre Company began in 1966 as a venture of the Arena Stage and Robert Alexander. Known from 1966-1968 as the Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the DC area after becoming disenchanted with traditional theater's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington DC on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam\", \"The Performance\" and \"The Workshop\"; a three part study that was used at most of their venues. The first part, or \"Jam\", consisted of actors working with their audience to \"rap\", make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. Then the actors moved into the \"performance\" itself. During the performance, the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic\". "," The organization began its twilight years in the first half of the 1990s as many of its founding and senior members began to take their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.","The Special Collections Research Center does not have the equipment necessary to watch Betacam, U-matic, reel-to-reel film and audio tapes contained in Series 3. Additional time and money may be required to digitize this material for access.","Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016.","The Special Collections and Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company collection Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Arena Stage collection and many other theater collections."," The Living Stage records consist of materials spanning the length of that organization's history from about 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files including financial papers, grant requests and applications, printed pieces, and correspondence and more creative materials including workshop reports and scripts, audiovisual files on reel-to-reel tapes, and photographic materials. ","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage."," Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries.","The Living Stage records include pieces related to the traveling theater company, which was founded by Robert Alexander, between 1965 and 2001.","George Mason University. Libraries. Special Collections Research Center.","English\n\t\t"],"unitid_tesim":["C0277"],"normalized_title_ssm":["Living Stage records"],"collection_title_tesim":["Living Stage records"],"collection_ssim":["Living Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Acting.","People with mental disabilities--Services for--United States.","Performance art--Photographs.","Public schools--Virginia.","Radicalism--United States--History--20th century.","Students--Photographs.","Theater--United States--History--20th century.","Theater--Washington (D.C.)","Playscripts.","Theatre programs."],"access_subjects_ssm":["Acting.","People with mental disabilities--Services for--United States.","Performance art--Photographs.","Public schools--Virginia.","Radicalism--United States--History--20th century.","Students--Photographs.","Theater--United States--History--20th century.","Theater--Washington (D.C.)","Playscripts.","Theatre programs."],"has_online_content_ssim":["false"],"extent_ssm":["48.0 linear feet (106 boxes)"],"extent_tesim":["48.0 linear feet (106 boxes)"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, each of which is divided into subseries.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Audiovisual Materials, 1967-1998 (Boxes 86-106)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into three series, each of which is divided into subseries.","Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual Materials, 1967-1998 (Boxes 86-106)"],"bioghist_html_tesm":["\u003cp\u003eThe Living Stage Theatre Company began in 1966 as a venture of the Arena Stage and Robert Alexander. Known from 1966-1968 as the Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the DC area after becoming disenchanted with traditional theater's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington DC on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. \u003c/p\u003e","\u003cp\u003eThe Living Stage performance style consisted of \"The Jam\", \"The Performance\" and \"The Workshop\"; a three part study that was used at most of their venues. The first part, or \"Jam\", consisted of actors working with their audience to \"rap\", make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. Then the actors moved into the \"performance\" itself. During the performance, the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. \u003c/p\u003e","\u003cp\u003eThe projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic\". \u003c/p\u003e","\u003cp\u003e The organization began its twilight years in the first half of the 1990s as many of its founding and senior members began to take their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Living Stage Theatre Company began in 1966 as a venture of the Arena Stage and Robert Alexander. Known from 1966-1968 as the Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the DC area after becoming disenchanted with traditional theater's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington DC on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam\", \"The Performance\" and \"The Workshop\"; a three part study that was used at most of their venues. The first part, or \"Jam\", consisted of actors working with their audience to \"rap\", make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. Then the actors moved into the \"performance\" itself. During the performance, the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic\". "," The organization began its twilight years in the first half of the 1990s as many of its founding and senior members began to take their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch Betacam, U-matic, reel-to-reel film and audio tapes contained in Series 3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch Betacam, U-matic, reel-to-reel film and audio tapes contained in Series 3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eLiving Stage Records, C0277, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Living Stage Records, C0277, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company collection Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Arena Stage collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company collection Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Arena Stage collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003e The Living Stage records consist of materials spanning the length of that organization's history from about 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files including financial papers, grant requests and applications, printed pieces, and correspondence and more creative materials including workshop reports and scripts, audiovisual files on reel-to-reel tapes, and photographic materials. \u003c/p\u003e","\u003cp\u003eSeries 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e","\u003cp\u003e Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. \u003c/p\u003e","\u003cp\u003eSeries 3: Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":[" The Living Stage records consist of materials spanning the length of that organization's history from about 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files including financial papers, grant requests and applications, printed pieces, and correspondence and more creative materials including workshop reports and scripts, audiovisual files on reel-to-reel tapes, and photographic materials. ","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage."," Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThe Living Stage records include pieces related to the traveling theater company, which was founded by Robert Alexander, between 1965 and 2001.\u003c/abstract\u003e"],"abstract_tesim":["The Living Stage records include pieces related to the traveling theater company, which was founded by Robert Alexander, between 1965 and 2001."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_LivingStage_c01_c04_c01"}},{"id":"viu_repositories_3_resources_586_c01_c15","type":"File","attributes":{"title":"1807 Seminole Trail","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_586_c01_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_586_c01_c15","ref_ssm":["viu_repositories_3_resources_586_c01_c15"],"id":"viu_repositories_3_resources_586_c01_c15","ead_ssi":"viu_repositories_3_resources_586","_root_":"viu_repositories_3_resources_586","_nest_parent_":"viu_repositories_3_resources_586_c01","parent_ssi":"viu_repositories_3_resources_586_c01","parent_ssim":["viu_repositories_3_resources_586","viu_repositories_3_resources_586_c01"],"parent_ids_ssim":["viu_repositories_3_resources_586","viu_repositories_3_resources_586_c01"],"parent_unittitles_ssm":["Sheeran Architects records","Commercial projects"],"parent_unittitles_tesim":["Sheeran Architects records","Commercial projects"],"text":["Sheeran Architects records","Commercial projects","1807 Seminole Trail","English","Oversize_Flat_File_folder 213"],"title_filing_ssi":"1807 Seminole Trail","title_ssm":["1807 Seminole Trail"],"title_tesim":["1807 Seminole Trail"],"unitdate_inclusive_ssm":["1980s-2010"],"normalized_date_ssm":["1980/2010"],"normalized_title_ssm":["1807 Seminole Trail"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Sheeran Architects records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":16,"parent_access_terms_tesm":["Original digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"language_ssim":["English"],"containers_ssim":["Oversize_Flat_File_folder 213"],"_nest_path_":"/components#0/components#14","timestamp":"2026-04-30T22:48:01.722Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_586","ead_ssi":"viu_repositories_3_resources_586","_root_":"viu_repositories_3_resources_586","_nest_parent_":"viu_repositories_3_resources_586","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_586.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/507","title_filing_ssi":"Sheeran Architects records","title_ssm":["Sheeran Architects records"],"title_tesim":["Sheeran Architects records"],"unitdate_ssm":["1980s-2010"],"unitdate_inclusive_ssm":["1980s-2010"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 15462","Archival Resource Key","/repositories/3/resources/586"],"text":["MSS 15462","Archival Resource Key","/repositories/3/resources/586","Sheeran Architects records","Architecture, Domestic -- Designs and plans.","Architecture -- Virginia -- Albemarle County.","Architecture -- Virginia -- Charlottesville.","Commercial buildings -- Designs and plans","Records are divided into five series: ","Sheeran Commercial projects records (2005-2008, 1.5 cubic feet) contain drawings and office files relating to 5 projects designed by the firm, and include financial records, correspondence, notes and sketches. Three projects in this series were designed by Peter Sheeran, one by John Gorman, and one possibly by Gregg Donovan. Materials are organized by project name, and then by date.","Sheeran Residential projects records (1992-2008, 6 cubic feet) contain drawings and office files relating to 28 projects designed by the firm. Thirteen projects in this series were designed by Peter Sheeran, twelve by Gregg Donovan, and three projects jointly by Sheeran and Donovan. Materials are organized by project name, and then by date.","Sheeran Public projects records (1992-2008, 0.9 cubic feet) contain drawings and office files relating to 4 projects designed by the firm, and include financial records, correspondence, notes and sketches. One project in this series was designed by Peter Sheeran, one by John Gorman, and two by Gregg Donovan. Materials are organized by project name, and then by date.","Sheeran Digital files contain correspondence, digital drawing files, construction schedules and financial records for the Sheeran Architects firm.","Sheeran Architects (1989-2010), Peter L. Sheeran, president, designed residential, commercial and public projects in the Charlottesville area, as well as projects in the Caribbean, Massachusetts and Michigan. Other members of the firm whose work is represented in these records include John Gorman, currently practicing in Charlottesville, and Gregg J. Donovan, currently practicing in New York City. John Gorman joined the firm in 1993; Gregg Donovan practiced with the firm from 2000 to 2008. The firm was dissolved when Sheeran died suddenly in March 2010. For further information, consult Sheeran's and Gorman's resumes within the collection, and websites: https://www.legacy.com/obituaries/name/peter-sheeran-obituary?pid=178367717, http://www.gormanarchitects.com/, and http://www.greggjdonovan.com/portfolio/bio/.","Donated by Donna Sheeran, 2 October 2012.","Access to digital materials may require software emulation. Special Collections staff will evaluate requests for the possibility of software emulation on a case by case basis and cannot guarantee renderability of all files.","The Sheeran Architects records (1980-2008; 9.4 cubic feet plus 250 gigabytes) include drawings and office files relating to projects by Peter L. Sheeran and members of his firm, financial records, correspondence, notes and sketches. Materials are organized by project name, and then by date. Other records included are projects dating from Sheeran's time as principal of Cleveland Sheeran Architects, AIA (1980-1989) and as project architect for Jack L. Rinehart Architect (1977-1980).","Other members of Sheeran Architects whose work is represented in these records include John Gorman and Gregg J. Donovan.","Original digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 15462","Archival Resource Key","/repositories/3/resources/586"],"normalized_title_ssm":["Sheeran Architects records"],"collection_title_tesim":["Sheeran Architects records"],"collection_ssim":["Sheeran Architects records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Original digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time."],"access_subjects_ssim":["Architecture, Domestic -- Designs and plans.","Architecture -- Virginia -- Albemarle County.","Architecture -- Virginia -- Charlottesville.","Commercial buildings -- Designs and plans"],"access_subjects_ssm":["Architecture, Domestic -- Designs and plans.","Architecture -- Virginia -- Albemarle County.","Architecture -- Virginia -- Charlottesville.","Commercial buildings -- Designs and plans"],"has_online_content_ssim":["false"],"extent_ssm":["9.4 Cubic Feet 9 cubic foot boxes, 1 document box","250 Gigabytes"],"extent_tesim":["9.4 Cubic Feet 9 cubic foot boxes, 1 document box","250 Gigabytes"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"arrangement_html_tesm":["\u003cp\u003eRecords are divided into five series: \u003c/p\u003e\n","\u003cp\u003eSheeran Commercial projects records (2005-2008, 1.5 cubic feet) contain drawings and office files relating to 5 projects designed by the firm, and include financial records, correspondence, notes and sketches. Three projects in this series were designed by Peter Sheeran, one by John Gorman, and one possibly by Gregg Donovan. Materials are organized by project name, and then by date.\u003c/p\u003e\n","\u003cp\u003eSheeran Residential projects records (1992-2008, 6 cubic feet) contain drawings and office files relating to 28 projects designed by the firm. Thirteen projects in this series were designed by Peter Sheeran, twelve by Gregg Donovan, and three projects jointly by Sheeran and Donovan. Materials are organized by project name, and then by date.\u003c/p\u003e\n","\u003cp\u003eSheeran Public projects records (1992-2008, 0.9 cubic feet) contain drawings and office files relating to 4 projects designed by the firm, and include financial records, correspondence, notes and sketches. One project in this series was designed by Peter Sheeran, one by John Gorman, and two by Gregg Donovan. Materials are organized by project name, and then by date.\u003c/p\u003e\n","\u003cp\u003eSheeran Digital files contain correspondence, digital drawing files, construction schedules and financial records for the Sheeran Architects firm.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Records are divided into five series: ","Sheeran Commercial projects records (2005-2008, 1.5 cubic feet) contain drawings and office files relating to 5 projects designed by the firm, and include financial records, correspondence, notes and sketches. Three projects in this series were designed by Peter Sheeran, one by John Gorman, and one possibly by Gregg Donovan. Materials are organized by project name, and then by date.","Sheeran Residential projects records (1992-2008, 6 cubic feet) contain drawings and office files relating to 28 projects designed by the firm. Thirteen projects in this series were designed by Peter Sheeran, twelve by Gregg Donovan, and three projects jointly by Sheeran and Donovan. Materials are organized by project name, and then by date.","Sheeran Public projects records (1992-2008, 0.9 cubic feet) contain drawings and office files relating to 4 projects designed by the firm, and include financial records, correspondence, notes and sketches. One project in this series was designed by Peter Sheeran, one by John Gorman, and two by Gregg Donovan. Materials are organized by project name, and then by date.","Sheeran Digital files contain correspondence, digital drawing files, construction schedules and financial records for the Sheeran Architects firm."],"bioghist_html_tesm":["\u003cp\u003eSheeran Architects (1989-2010), Peter L. Sheeran, president, designed residential, commercial and public projects in the Charlottesville area, as well as projects in the Caribbean, Massachusetts and Michigan. Other members of the firm whose work is represented in these records include John Gorman, currently practicing in Charlottesville, and Gregg J. Donovan, currently practicing in New York City. John Gorman joined the firm in 1993; Gregg Donovan practiced with the firm from 2000 to 2008. The firm was dissolved when Sheeran died suddenly in March 2010. For further information, consult Sheeran's and Gorman's resumes within the collection, and websites: https://www.legacy.com/obituaries/name/peter-sheeran-obituary?pid=178367717, http://www.gormanarchitects.com/, and http://www.greggjdonovan.com/portfolio/bio/.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Sheeran Architects (1989-2010), Peter L. Sheeran, president, designed residential, commercial and public projects in the Charlottesville area, as well as projects in the Caribbean, Massachusetts and Michigan. Other members of the firm whose work is represented in these records include John Gorman, currently practicing in Charlottesville, and Gregg J. Donovan, currently practicing in New York City. John Gorman joined the firm in 1993; Gregg Donovan practiced with the firm from 2000 to 2008. The firm was dissolved when Sheeran died suddenly in March 2010. For further information, consult Sheeran's and Gorman's resumes within the collection, and websites: https://www.legacy.com/obituaries/name/peter-sheeran-obituary?pid=178367717, http://www.gormanarchitects.com/, and http://www.greggjdonovan.com/portfolio/bio/."],"custodhist_html_tesm":["\u003cp\u003eDonated by Donna Sheeran, 2 October 2012.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Donated by Donna Sheeran, 2 October 2012."],"phystech_html_tesm":["\u003cp\u003eAccess to digital materials may require software emulation. Special Collections staff will evaluate requests for the possibility of software emulation on a case by case basis and cannot guarantee renderability of all files.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access"],"phystech_tesim":["Access to digital materials may require software emulation. Special Collections staff will evaluate requests for the possibility of software emulation on a case by case basis and cannot guarantee renderability of all files."],"prefercite_html_tesm":["\u003cp\u003eMSS 15462 Sheeran Architects records, Box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 15462 Sheeran Architects records, Box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Sheeran Architects records (1980-2008; 9.4 cubic feet plus 250 gigabytes) include drawings and office files relating to projects by Peter L. Sheeran and members of his firm, financial records, correspondence, notes and sketches. Materials are organized by project name, and then by date. Other records included are projects dating from Sheeran's time as principal of Cleveland Sheeran Architects, AIA (1980-1989) and as project architect for Jack L. Rinehart Architect (1977-1980).\u003c/p\u003e\n","\u003cp\u003eOther members of Sheeran Architects whose work is represented in these records include John Gorman and Gregg J. Donovan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Sheeran Architects records (1980-2008; 9.4 cubic feet plus 250 gigabytes) include drawings and office files relating to projects by Peter L. Sheeran and members of his firm, financial records, correspondence, notes and sketches. Materials are organized by project name, and then by date. Other records included are projects dating from Sheeran's time as principal of Cleveland Sheeran Architects, AIA (1980-1989) and as project architect for Jack L. Rinehart Architect (1977-1980).","Other members of Sheeran Architects whose work is represented in these records include John Gorman and Gregg J. Donovan."],"userestrict_html_tesm":["\u003cp\u003eOriginal digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Original digital media (floppy disks, zip disks, thumb drives) and born-digital files cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the request size, making them available may take some time."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:48:01.722Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_586_c01_c15"}},{"id":"wvmturhc_repositories_2_resources_6226_c08_c10_c11","type":"File","attributes":{"title":"1830 Census \u0026 Research Aids","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226_c08_c10_c11#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFacsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226_c08_c10_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6226_c08_c10_c11","ref_ssm":["wvmturhc_repositories_2_resources_6226_c08_c10_c11"],"id":"wvmturhc_repositories_2_resources_6226_c08_c10_c11","ead_ssi":"wvmturhc_repositories_2_resources_6226","_root_":"wvmturhc_repositories_2_resources_6226","_nest_parent_":"wvmturhc_repositories_2_resources_6226_c08_c10","parent_ssi":"wvmturhc_repositories_2_resources_6226_c08_c10","parent_ssim":["wvmturhc_repositories_2_resources_6226","wvmturhc_repositories_2_resources_6226_c08","wvmturhc_repositories_2_resources_6226_c08_c10"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6226","wvmturhc_repositories_2_resources_6226_c08","wvmturhc_repositories_2_resources_6226_c08_c10"],"parent_unittitles_ssm":["Ancella Bickley, Historian, Research Papers regarding African-Americans","Series 8. Research Notes and Collected Materials","Series 8. Research Notes and Collected Materials--Slavery"],"parent_unittitles_tesim":["Ancella Bickley, Historian, Research Papers regarding African-Americans","Series 8. Research Notes and Collected Materials","Series 8. Research Notes and Collected Materials--Slavery"],"text":["Ancella Bickley, Historian, Research Papers regarding African-Americans","Series 8. Research Notes and Collected Materials","Series 8. Research Notes and Collected Materials--Slavery","1830 Census \u0026 Research Aids","Box 9","Folder 35","Facsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\""],"title_filing_ssi":"1830 Census \u0026 Research Aids","title_ssm":["1830 Census \u0026 Research Aids"],"title_tesim":["1830 Census \u0026 Research Aids"],"unitdate_inclusive_ssm":["1930–2002"],"normalized_date_ssm":["1930/2002"],"normalized_title_ssm":["1830 Census \u0026 Research Aids"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":362,"parent_access_restrict_tesm":["Requires signed form for box 1, folders 8, 16, and 17, since special access restriction applies due to PII."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["Box 9","Folder 35"],"scopecontent_html_tesm":["\u003cp\u003eFacsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Facsimile of tables of free Negro listings from 1830 census. \"Researching Virginia's Slave and Free Negro Records\""],"_nest_path_":"/components#7/components#9/components#10","timestamp":"2026-04-30T23:14:08.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6226","ead_ssi":"wvmturhc_repositories_2_resources_6226","_root_":"wvmturhc_repositories_2_resources_6226","_nest_parent_":"wvmturhc_repositories_2_resources_6226","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6226.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209044","title_ssm":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"title_tesim":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"unitdate_ssm":["1775-2018 (Includes facsimiles)","1970-2011"],"unitdate_bulk_ssim":["1970-2011"],"unitdate_inclusive_ssm":["1775-2018 (Includes facsimiles)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226"],"text":["A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226","Ancella Bickley, Historian, Research Papers regarding African-Americans","African American women","Slavery -- West Virginia","Education -- West Virginia","African Americans -- Segregation -- West Virginia","School integration -- West Virginia","Underground Railroad -- West Virginia","Underground Railroad -- Ohio","African American Churches -- West Virginia","African American teachers -- West Virginia","African Americans  -- Education -- West Virginia","African Americans -- Genealogy","West Virginia Feminist Activist Collection","Requires signed form for box 1, folders 8, 16, and 17, since special access restriction applies due to PII.","Dr. Ancella Radford Bickley, author, historian, and educator, grew up in segregated Huntington, West Virginia, where she was born in 1930.  She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.","Dr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published  Our Mount Vernons  to identify sites significant to West Virginia black history.","With Lynda Ann Ewen, she co-edited  Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman , published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine,  Goldenseal . She wrote a history of the West Virginia Schools for the Colored Deaf and Blind.","Bickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.","Marshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09.","This collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes. ","Subjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.","Colleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.  ","Writings, research background, and drafts of Dr. Bickley's works found within the collection include:  Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman , \"Midwifery in West Virginia\" (1990),  Honoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History ,  History of the West Virginia State Teachers' Association  (1979),  In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955 ,  Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia , a short story collection \"Turn Left at the Desert,\"  ... to be black in Fayette , and plays:  Two Saint Say ,  Mother Love ,  Tangled Threads  (with Maureen Crockett),  Wade in the Water , and seven  Goldenseal  articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more. ","Addendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.","Abbreviations used in the Contents List: \nAB - Ancella Bickley \nWVSC - West Virginia State College \nNB - Nelson Bickley \nMTG - Memphis Tennessee Garrison \nJMJ - J. McHenry Jones \nNEA - National Education Association \nNCTE - National Council of Teachers of English \nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV \nUGRR - Underground Railroad \nMU - Marshall University \nWVU - West Virginia University \nCGW - Carter G. Woodson \nRW-N  - Rita Wicks-Nelson","Items not held in the WVRHC collection which were sent to the Rare Books Curator:\n \n1969/70 edition of \"The Black Student at WVU\"  \nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\" \nBickley, A. R., Carter, G. W. M. F. I., \u0026 Marshall University, H. W. V. D. A. (1997).  Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia . [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University]. \nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958","English"],"unitid_tesim":["A\u0026M 4208","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6226"],"normalized_title_ssm":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"collection_title_tesim":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"collection_ssim":["Ancella Bickley, Historian, Research Papers regarding African-Americans"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"creator_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"creator_persname_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"creators_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. 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She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.\u003c/p\u003e\n","\u003cp\u003eDr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published \u003ctitle\u003eOur Mount Vernons\u003c/title\u003e to identify sites significant to West Virginia black history.\u003c/p\u003e\n","\u003cp\u003eWith Lynda Ann Ewen, she co-edited \u003ctitle\u003eMemphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman\u003c/title\u003e, published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine, \u003ctitle\u003eGoldenseal\u003c/title\u003e. She wrote a history of the West Virginia Schools for the Colored Deaf and Blind.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Dr. Ancella Radford Bickley, author, historian, and educator, grew up in segregated Huntington, West Virginia, where she was born in 1930.  She graduated from Douglass High School in 1947 and went on to attend West Virginia State College, graduating magna cum laude in 1950 with a degree in English.  She was the first full time black student at Marshall University and received her master's degree in English in 1954.  She received her Ed.D. in English from West Virginia University in 1974.  Dr. Bickley was a teacher at all educational levels and was Vice-President for Academic Affairs at West Virginia State College where she retired in 1986.  She continued to research, write, and speak from her retirement home in Florida where she lived with her husband Nelson.  Some of her accolades include the Mountain State Bar Association's Distinguished Citizen Award, 1978; the National Education Association's The Carter G. Woodson Memorial Award, 1980; West Virginia Woman of the Year, 1984; the West Virginia State College Alumnus of the Year, 1988; and was a Rockefeller Foundation Scholar at Marshall University in 1999.","Dr. Bickley was a prolific speaker and in addtion to the speeches, she authored many stories, plays, and articles.  In 1997, she published  Our Mount Vernons  to identify sites significant to West Virginia black history.","With Lynda Ann Ewen, she co-edited  Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman , published by Ohio University Press. She has written stories and articles for publications including West Virginia cultural magazine,  Goldenseal . She wrote a history of the West Virginia Schools for the Colored Deaf and Blind."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ancella Bickley, Historian, Research Papers regarding African-Americans, A\u0026amp;M 4208, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ancella Bickley, Historian, Research Papers regarding African-Americans, A\u0026M 4208, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eBickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.\u003c/p\u003e\n","\u003cp\u003eMarshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bickley, Ancella Collection. Materials relating to African-American history including annual West Virginia Conferences on Black History, 1908-1996. 3 boxes. Ms2003-182, at the West Virginia State Archives.","Marshall University Oral History Collection, Accession Number 1973/01.0064, also includes the oral history transcripts in this collection's addendum of 2017/02/09."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes. \u003c/p\u003e\n","\u003cp\u003eSubjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.\u003c/p\u003e\n","\u003cp\u003eColleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.  \u003c/p\u003e\n","\u003cp\u003eWritings, research background, and drafts of Dr. Bickley's works found within the collection include: \u003ctitle\u003eMemphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman\u003c/title\u003e, \"Midwifery in West Virginia\" (1990), \u003ctitle\u003eHonoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History\u003c/title\u003e, \u003ctitle\u003eHistory of the West Virginia State Teachers' Association\u003c/title\u003e (1979), \u003ctitle\u003eIn Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955\u003c/title\u003e, \u003ctitle\u003eOur Mount Vernons: historic register listings of sites significant to the Black history of West Virginia\u003c/title\u003e, a short story collection \"Turn Left at the Desert,\" \u003ctitle\u003e... to be black in Fayette\u003c/title\u003e, and plays: \u003ctitle\u003eTwo Saint Say\u003c/title\u003e, \u003ctitle\u003eMother Love\u003c/title\u003e, \u003ctitle\u003eTangled Threads\u003c/title\u003e (with Maureen Crockett), \u003ctitle\u003eWade in the Water\u003c/title\u003e, and seven \u003ctitle\u003eGoldenseal\u003c/title\u003e articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more. \u003c/p\u003e\n","\u003cp\u003eAddendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.\u003c/p\u003e\n","\u003cp\u003eAbbreviations used in the Contents List:\u003clb\u003e\u003c/lb\u003e\nAB - Ancella Bickley\u003clb\u003e\u003c/lb\u003e\nWVSC - West Virginia State College\u003clb\u003e\u003c/lb\u003e\nNB - Nelson Bickley\u003clb\u003e\u003c/lb\u003e\nMTG - Memphis Tennessee Garrison\u003clb\u003e\u003c/lb\u003e\nJMJ - J. McHenry Jones\u003clb\u003e\u003c/lb\u003e\nNEA - National Education Association\u003clb\u003e\u003c/lb\u003e\nNCTE - National Council of Teachers of English\u003clb\u003e\u003c/lb\u003e\nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV\u003clb\u003e\u003c/lb\u003e\nUGRR - Underground Railroad\u003clb\u003e\u003c/lb\u003e\nMU - Marshall University\u003clb\u003e\u003c/lb\u003e\nWVU - West Virginia University\u003clb\u003e\u003c/lb\u003e\nCGW - Carter G. Woodson\u003clb\u003e\u003c/lb\u003e\nRW-N  - Rita Wicks-Nelson\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the research, public service, and life of Ancella Bickley, writer, educator, speaker, and historian. Includes writings, research materials, and more, focusing on the history of African Americans in West Virginia and the black experience in West Virginia. Collected research materials are predominantly facsimiles.  Printed formats include correspondence, clippings, interview transcripts, typescript writings, publications, pamphlets, ephemera, speeches, articles, military records, and more.  Other formats include photographs, slides, and audiocassettes. ","Subjects include Dr. Bickley's writings, which include plays, speeches, and short stories as well as her historical books, articles and other publications; collected materials from Dr. Bickley's historical research on the history of African Americans in West Virginia; and personal papers. Her research materials include papers grouped sometimes by county, sometimes by individual, sometimes by subject. Subjects of her research include slavery, education, churches, biography and genealogy, literature, and more.  Specific subjects include the Underground Railroad, James McHenry Jones, genealogy, Carter G. Woodson, Mollie Gabe, West Virginia Colored Institute/West Virginia State College, John W. Davis, black high schools, school integration, and more. Counties and their cities with specific focus include Cabell, Kanawha, and Jefferson.  Some documents treating slavery and the Underground Railroad include Ohio from which Cabell County blacks, including Bickley's ancestors, migrated.","Colleagues with whom she corresponded include Judith Stitzel, Nelson Barnett, Maureen Crockett (with whom she co-wrote at least one play), and many more. Of significance is correspondence between Carter G. Woodson and his sister, Bessie Woodson Yancey; and letters and a signed photo from Alex Haley.  ","Writings, research background, and drafts of Dr. Bickley's works found within the collection include:  Memphis Tennessee Garrison: The Remarkable Story of a Black Appalachian Woman , \"Midwifery in West Virginia\" (1990),  Honoring our Past: Proceedings of the First Two Conferences on West Virginia's Black History ,  History of the West Virginia State Teachers' Association  (1979),  In Spite of Obstacles: a History of the West Virginia Schools for the Colored Deaf and Blind, 1926-1955 ,  Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia , a short story collection \"Turn Left at the Desert,\"  ... to be black in Fayette , and plays:  Two Saint Say ,  Mother Love ,  Tangled Threads  (with Maureen Crockett),  Wade in the Water , and seven  Goldenseal  articles. \nGrant applications and other documents pertaining to her work with the Humanities Council of West Virginia are included in the collection. Other documents describe her work with the Kanawha County Board of Education, EcoTheater, Berea College's Black Mountain Youth Leadership program, and various professional organizations.   \nPersonal papers include material about her husband Nelson R. Bickley and his military career, diplomas, transcripts, photographs of a party she held, and more. ","Addendum of 2017/02/09 (boxes 11 and 12) includes papers of Dr. Ancella R. Bickley, with a few papers of her daughter Ancella Livers. Formats include interview transcripts, correspondence, clippings, typescript writings, publications, cassettes, and more. Most of these materials are transcripts of oral histories pertaining to a collaborative project undertaken by Dr. Bickley and Dr. Rita Wicks-Nelson about black teachers and their memories of school integration in West Virginia in affiliation with the Center for the Study of Ethnicity and Gender in Appalachia at Marshall University.","Abbreviations used in the Contents List: \nAB - Ancella Bickley \nWVSC - West Virginia State College \nNB - Nelson Bickley \nMTG - Memphis Tennessee Garrison \nJMJ - J. McHenry Jones \nNEA - National Education Association \nNCTE - National Council of Teachers of English \nMo So Lit Club - Matrons and Maids Social and Literary Club, McDowell County, WV \nUGRR - Underground Railroad \nMU - Marshall University \nWVU - West Virginia University \nCGW - Carter G. Woodson \nRW-N  - Rita Wicks-Nelson"],"separatedmaterial_html_tesm":["\u003cp\u003eItems not held in the WVRHC collection which were sent to the Rare Books Curator:\n\u003clb\u003e\u003c/lb\u003e\n1969/70 edition of \"The Black Student at WVU\" \u003clb\u003e\u003c/lb\u003e\nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\"\u003clb\u003e\u003c/lb\u003e\nBickley, A. R., Carter, G. W. M. F. I., \u0026amp; Marshall University, H. W. V. D. A. (1997). \u003ctitle\u003eOur Mount Vernons: historic register listings of sites significant to the Black history of West Virginia\u003c/title\u003e. [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University].\u003clb\u003e\u003c/lb\u003e\nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\"\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Items not held in the WVRHC collection which were sent to the Rare Books Curator:\n \n1969/70 edition of \"The Black Student at WVU\"  \nBulletin of West Virginia State College, Series 21, no. 1, June 1933. \"Why Choose West Virginia State College\" \nBickley, A. R., Carter, G. W. M. F. I., \u0026 Marshall University, H. W. V. D. A. (1997).  Our Mount Vernons: historic register listings of sites significant to the Black history of West Virginia . [Huntington, WV] : [Carter G. Woodson Memorial Foundation of Huntington and the Drinko Academy at Marshall University]. \nBooklet, \"History of African-American Miners in Appalachian Coal Fields: Black History Month, February, 2000\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6f25abedabab5822a513e8a3ea47bb48\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia State College (Institute, W. Va.)","Bickley, Ancella R.","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"names_ssim":["West Virginia and Regional History Center","West Virginia State College (Institute, W. 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Va.)"],"persname_ssim":["Bickley, Ancella R.","Wicks-Nelson, Rita, 1933-","Bickley, Nelson R., 1928-2021","Woodson, Carter Godwin, 1875-1950","Garrison, Memphis Tennessee, 1890-1988","Yancey, Bessie Woodson, 1882-1958"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:14:08.437Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6226_c08_c10_c11"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","type":"File","attributes":{"title":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c09_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard","1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","Box 9","folder 9"],"title_filing_ssi":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"title_tesim":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"unitdate_inclusive_ssm":["1859-2007"],"normalized_date_ssm":["1859/2007"],"normalized_title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"containers_ssim":["Box 9","folder 9"],"_nest_path_":"/components#0/components#0/components#8/components#0","timestamp":"2026-04-30T22:10:15.256Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. 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He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. 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He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:10:15.256Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c01"}},{"id":"wvmturhc_repositories_2_resources_1852_c06_c18","type":"File","attributes":{"title":"18. Recent Davissons","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1852_c06_c18","ref_ssm":["wvmturhc_repositories_2_resources_1852_c06_c18"],"id":"wvmturhc_repositories_2_resources_1852_c06_c18","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852_c06","parent_ssi":"wvmturhc_repositories_2_resources_1852_c06","parent_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_unittitles_ssm":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"parent_unittitles_tesim":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"text":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B","18. Recent Davissons","Box 3","Folder 36"],"title_filing_ssi":"18. Recent Davissons","title_ssm":["18. Recent Davissons"],"title_tesim":["18. Recent Davissons"],"unitdate_inclusive_ssm":["1960–1992"],"normalized_date_ssm":["1960/1992"],"normalized_title_ssm":["18. Recent Davissons"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":83,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["Box 3","Folder 36"],"_nest_path_":"/components#5/components#17","timestamp":"2026-04-30T23:14:08.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1852","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1852.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196027","title_ssm":["Russell L. Davisson, Politician, Papers"],"title_tesim":["Russell L. Davisson, Politician, Papers"],"unitdate_ssm":["1850-2004"],"unitdate_inclusive_ssm":["1850-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"text":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852","Russell L. Davisson, Politician, Papers","Genealogy","Welfare - Mingo County.","No special access restriction applies.","Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-","English"],"unitid_tesim":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"normalized_title_ssm":["Russell L. Davisson, Politician, Papers"],"collection_title_tesim":["Russell L. Davisson, Politician, Papers"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davisson, Russell Lee, 1922-"],"creator_ssim":["Davisson, Russell Lee, 1922-"],"creator_persname_ssim":["Davisson, Russell Lee, 1922-"],"creators_ssim":["Davisson, Russell Lee, 1922-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Welfare - Mingo County."],"access_subjects_ssm":["Genealogy","Welfare - Mingo County."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"extent_tesim":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026amp;M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Biographical Information, 2005 (box 1, Folder 1a) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Travel, undated (box 4, folders 41-44) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \u003clb\u003e\u003c/lb\u003e\nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \u003clb\u003e\u003c/lb\u003e\nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \u003clb\u003e\u003c/lb\u003e\nSeries 15. Certificate, 2004 (box 5, folder 3) \u003clb\u003e\u003c/lb\u003e\nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \u003clb\u003e\u003c/lb\u003e\nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b58e0d0847733239cec6066aace5060d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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