{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026page=5368\u0026view=list","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026page=5367\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026page=5369\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026page=5370\u0026view=list"},"meta":{"pages":{"current_page":5368,"next_page":5369,"prev_page":5367,"total_pages":5370,"limit_value":10,"offset_value":53670,"total_count":53691,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_209_c02_c72","type":"File","attributes":{"title":"Zengrando, Joanna S.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_209_c02_c72#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_209_c02_c72","ref_ssm":["vifgm_repositories_2_resources_209_c02_c72"],"id":"vifgm_repositories_2_resources_209_c02_c72","ead_ssi":"vifgm_repositories_2_resources_209","_root_":"vifgm_repositories_2_resources_209","_nest_parent_":"vifgm_repositories_2_resources_209_c02","parent_ssi":"vifgm_repositories_2_resources_209_c02","parent_ssim":["vifgm_repositories_2_resources_209","vifgm_repositories_2_resources_209_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_209","vifgm_repositories_2_resources_209_c02"],"parent_unittitles_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records","Series 2: IFTP Correspondence"],"parent_unittitles_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records","Series 2: IFTP Correspondence"],"text":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records","Series 2: IFTP Correspondence","Zengrando, Joanna S.","box 6","folder 43"],"title_filing_ssi":"Zengrando, Joanna S.","title_ssm":["Zengrando, Joanna S."],"title_tesim":["Zengrando, Joanna S."],"unitdate_other_ssim":["1979"],"normalized_date_ssm":["1979"],"normalized_title_ssm":["Zengrando, Joanna S."],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":258,"parent_access_restrict_tesm":["There are no restrictions."],"date_range_isim":[1979],"containers_ssim":["box 6","folder 43"],"_nest_path_":"/components#1/components#71","timestamp":"2026-05-01T00:25:37.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_209","ead_ssi":"vifgm_repositories_2_resources_209","_root_":"vifgm_repositories_2_resources_209","_nest_parent_":"vifgm_repositories_2_resources_209","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_209.xml","title_filing_ssi":"George Mason University Institute on the Federal Theatre Project and New Deal Culture records","title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"unitdate_ssm":["1935-2006"],"unitdate_inclusive_ssm":["1935-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0021","/repositories/2/resources/209"],"text":["R0021","/repositories/2/resources/209","George Mason University Institute on the Federal Theatre Project and New Deal Culture records","Theater programs","Dance","Ballet","None","There are no restrictions.","Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual.","The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  ","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). ","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998. ","Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.","Collection processed by Maegan Jankowsi and Robert Vay.","George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories","Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. ","The collection is organized within the following series:","\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. ","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. ","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. ","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. ","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  ","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  ","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. ","The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.","SCRC storage area, Rows 81 and 82.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration","English"],"unitid_tesim":["R0021","/repositories/2/resources/209"],"normalized_title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"collection_title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"collection_ssim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"access_subjects_ssim":["Theater programs","Dance","Ballet"],"access_subjects_ssm":["Theater programs","Dance","Ballet"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 81 boxes"],"extent_tesim":["37.5 Linear Feet 81 boxes"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNone\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Use Restictions"],"accessrestrict_tesim":["None","There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged within the following series:\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials\u003c/p\u003e\n","\u003cp\u003eWithin each series, the records are arranged alphabetically by subject, topic, or individual.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.\u003c/p\u003e\n","\u003cp\u003eAfter Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  \u003c/p\u003e\n","\u003cp\u003eWhile initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026amp; Archives (SC\u0026amp;A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.\u003c/p\u003e\n","\u003cp\u003eIn 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). \u003c/p\u003e\n","\u003cp\u003eIn 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026amp; Archives). The CGSA and IFTP ceased operation during the summer of 1998. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  ","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). ","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998. "],"custodhist_html_tesm":["\u003cp\u003eMaterials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.\u003c/p\u003e"],"custodhist_heading_ssm":["Acquisition Information"],"custodhist_tesim":["Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Maegan Jankowsi and Robert Vay.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Maegan Jankowsi and Robert Vay."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0095\"\u003eGeorge Mason University Libraries records\u003c/extref\u003e \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0205\"\u003eFederal Theatre Project photograph collection\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0227\"\u003eFederal Theatre Project personal papers\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0153\"\u003eWorks Progress Administration oral histories\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. \u003c/p\u003e\n","\u003cp\u003eThe collection is organized within the following series:\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. \u003c/p\u003e\n","\u003cp\u003eSeries 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  \u003c/p\u003e\n","\u003cp\u003eSeries 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  \u003c/p\u003e\n","\u003cp\u003eSeries 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. ","The collection is organized within the following series:","\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. ","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. ","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. ","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. ","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  ","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  ","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_554430af778b5b3433a75c9894961db0\"\u003eThe George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d66750c11aa95b4555db32d46e03745b\" label=\"Physical Location\"\u003eSCRC storage area, Rows 81 and 82.\u003c/physloc\u003e"],"physloc_tesim":["SCRC storage area, Rows 81 and 82."],"names_coll_ssim":["Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":621,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_209_c02_c72"}},{"id":"viblbv_repositories_2_resources_1449_c03_c32_c23","type":"File","attributes":{"title":"Zenz, F. A.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1449_c03_c32_c23#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1449_c03_c32_c23","ref_ssm":["viblbv_repositories_2_resources_1449_c03_c32_c23"],"id":"viblbv_repositories_2_resources_1449_c03_c32_c23","ead_ssi":"viblbv_repositories_2_resources_1449","_root_":"viblbv_repositories_2_resources_1449","_nest_parent_":"viblbv_repositories_2_resources_1449_c03_c32","parent_ssi":"viblbv_repositories_2_resources_1449_c03_c32","parent_ssim":["viblbv_repositories_2_resources_1449","viblbv_repositories_2_resources_1449_c03","viblbv_repositories_2_resources_1449_c03_c32"],"parent_ids_ssim":["viblbv_repositories_2_resources_1449","viblbv_repositories_2_resources_1449_c03","viblbv_repositories_2_resources_1449_c03_c32"],"parent_unittitles_ssm":["Arthur M. Squires Papers","C Series, Correspondence Files","Box C-32"],"parent_unittitles_tesim":["Arthur M. Squires Papers","C Series, Correspondence Files","Box C-32"],"text":["Arthur M. Squires Papers","C Series, Correspondence Files","Box C-32","Zenz, F. A."],"title_filing_ssi":"Zenz, F. A.","title_ssm":["Zenz, F. A."],"title_tesim":["Zenz, F. A."],"unitdate_inclusive_ssm":["1959-1982"],"normalized_date_ssm":["1959/1982"],"normalized_title_ssm":["Zenz, F. A."],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Arthur M. Squires Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1601,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"_nest_path_":"/components#2/components#31/components#22","timestamp":"2026-04-30T23:43:53.309Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1449","ead_ssi":"viblbv_repositories_2_resources_1449","_root_":"viblbv_repositories_2_resources_1449","_nest_parent_":"viblbv_repositories_2_resources_1449","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1449.xml","title_filing_ssi":"Squires, Arthur M., Papers","title_ssm":["Arthur M. Squires Papers"],"title_tesim":["Arthur M. Squires Papers"],"unitdate_ssm":["1888-1987","1940-1987"],"unitdate_bulk_ssim":["1940-1987"],"unitdate_inclusive_ssm":["1888-1987"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1987.006"],"text":["Ms.1987.006","Arthur M. Squires Papers","Faculty and staff","Science and Technology","University History","Photographs","The collection is open for research.","This collection is arranged in six series: A Series-Subject Files; B Series-Publications; C Series-Correspondence Files; D Series-Diaries; E Series-Materials to go with the Walter E. Lobo/M. W. Kellogg Files (transferred to Lobo Papers, Ms1985-014); and F Series: Books for Archives.","Please note: There is no Box 10.","University Distinguished Professor Emeritus (1986-2012) of Chemical Engineering at Virginia Tech. Member, National Academy of Engineering. Fellow, American Academy of Arts and Sciences. ","Educated at University of Missouri (A.B., 1938) and Cornell University (Ph.D., 1947). ","Employment: M.W. Kellogg Company (the Kellex Corporation), 1942-1946, participating in design and startup of gaseous diffusion plant at Oak Ridge as part of the Manhattan Project; Hydrocarbon Research, Inc. of New York City, 1946-1959, architect-engineering firm (research laboratories at Trenton, New Jersey) catering to petroleum, chemical, and steel industries; self-employed consultant, 1959-1967; faculty of chemical engineering, The City College of The City University of New York (1967-1976), Department Chairman (1970-1973), Distinguished University Professor (1974-1976); Frank C. Vilbrandt Professor of Chemical Engineering (1976-1982), University Distinguished Professor (1978-1986), and University Distinguished Professor Emeritus (1986-2012) at Virginia Polytechnic Institute \u0026 State University. ","Consultant for U.S. Bureau of Mines, Office of Coal Research, Electric Power Research Institute, United Nations, Office of Technology Assessment, Oak Ridge National Laboratory, and others. ","Author of  The Tender Ship: Governmental Management of Technological Change  (1986). ","Expert in fluid beds, petroleum refining, hydrocarbon synthesis, coal conversions (gasification, liquefaction, carbonization, combustion), iron ore reduction, low-temperature processes, dust filtration, air pollution control. ","Born 1916. Died 2012.","The guide to the Arthur M. Squires Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Arthur M. Squires Papers was completed in prior to 2002. Additional description, based on the inventory and prior arrangement, was completed in 2010.","The Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), consist of extensive correspondence, unpublished research reports, lectures, trip reports, reprints, trip diaries (1968-1982), photographs (1979) from his trip to China, daily work books (1959-1981), and subject files spanning entire career. This collection is unprocessed.","Box E-1 was transferred to the Walter E. Lobo Papers, 1929-1955, Ms1985-014 in November 1987. The box contained: ","\"The Improbable Achievement: Chemical Engineering at MIT\"","\"Large Scale Production of Oxygen - Combined Technical Oil Missions Holroyd Report - German Oil Technology\"","\"Guide to Refinery Operating Costs (Process Costimating)\"","\"The German Chemical Industry - A Bibliography of the Chemical, Metallurgical, and Process Industries\"","\"Enriched Air\"","\"List of Process Management's Translations of I. G. Reports - Set No. 46\"","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Please note:  A Series-D Series are located in off-site storage and require 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Squires, Arthur M., 1916-2012","The materials in the collection are in English."],"unitid_tesim":["Ms.1987.006"],"normalized_title_ssm":["Arthur M. Squires Papers"],"collection_title_tesim":["Arthur M. Squires Papers"],"collection_ssim":["Arthur M. Squires Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Squires, Arthur M., 1916-2012"],"creator_ssim":["Squires, Arthur M., 1916-2012"],"creator_persname_ssim":["Squires, Arthur M., 1916-2012"],"creators_ssim":["Squires, Arthur M., 1916-2012"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 1987 and 1988."],"access_subjects_ssim":["Faculty and staff","Science and Technology","University History","Photographs"],"access_subjects_ssm":["Faculty and staff","Science and Technology","University History","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["72 Cubic Feet 72 boxes"],"extent_tesim":["72 Cubic Feet 72 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series: A Series-Subject Files; B Series-Publications; C Series-Correspondence Files; D Series-Diaries; E Series-Materials to go with the Walter E. Lobo/M. W. Kellogg Files (transferred to Lobo Papers, Ms1985-014); and F Series: Books for Archives.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003ePlease note: There is no Box 10.\u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in six series: A Series-Subject Files; B Series-Publications; C Series-Correspondence Files; D Series-Diaries; E Series-Materials to go with the Walter E. Lobo/M. W. Kellogg Files (transferred to Lobo Papers, Ms1985-014); and F Series: Books for Archives.","Please note: There is no Box 10."],"bioghist_html_tesm":["\u003cp\u003eUniversity Distinguished Professor Emeritus (1986-2012) of Chemical Engineering at Virginia Tech. Member, National Academy of Engineering. Fellow, American Academy of Arts and Sciences. \u003c/p\u003e\n","\u003cp\u003eEducated at University of Missouri (A.B., 1938) and Cornell University (Ph.D., 1947). \u003c/p\u003e\n","\u003cp\u003eEmployment: M.W. Kellogg Company (the Kellex Corporation), 1942-1946, participating in design and startup of gaseous diffusion plant at Oak Ridge as part of the Manhattan Project; Hydrocarbon Research, Inc. of New York City, 1946-1959, architect-engineering firm (research laboratories at Trenton, New Jersey) catering to petroleum, chemical, and steel industries; self-employed consultant, 1959-1967; faculty of chemical engineering, The City College of The City University of New York (1967-1976), Department Chairman (1970-1973), Distinguished University Professor (1974-1976); Frank C. Vilbrandt Professor of Chemical Engineering (1976-1982), University Distinguished Professor (1978-1986), and University Distinguished Professor Emeritus (1986-2012) at Virginia Polytechnic Institute \u0026amp; State University. \u003c/p\u003e\n","\u003cp\u003eConsultant for U.S. Bureau of Mines, Office of Coal Research, Electric Power Research Institute, United Nations, Office of Technology Assessment, Oak Ridge National Laboratory, and others. \u003c/p\u003e\n","\u003cp\u003eAuthor of \u003cemph render=\"italic\"\u003eThe Tender Ship: Governmental Management of Technological Change\u003c/emph\u003e (1986). \u003c/p\u003e\n","\u003cp\u003eExpert in fluid beds, petroleum refining, hydrocarbon synthesis, coal conversions (gasification, liquefaction, carbonization, combustion), iron ore reduction, low-temperature processes, dust filtration, air pollution control. \u003c/p\u003e\n","\u003cp\u003eBorn 1916. Died 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["University Distinguished Professor Emeritus (1986-2012) of Chemical Engineering at Virginia Tech. Member, National Academy of Engineering. Fellow, American Academy of Arts and Sciences. ","Educated at University of Missouri (A.B., 1938) and Cornell University (Ph.D., 1947). ","Employment: M.W. Kellogg Company (the Kellex Corporation), 1942-1946, participating in design and startup of gaseous diffusion plant at Oak Ridge as part of the Manhattan Project; Hydrocarbon Research, Inc. of New York City, 1946-1959, architect-engineering firm (research laboratories at Trenton, New Jersey) catering to petroleum, chemical, and steel industries; self-employed consultant, 1959-1967; faculty of chemical engineering, The City College of The City University of New York (1967-1976), Department Chairman (1970-1973), Distinguished University Professor (1974-1976); Frank C. Vilbrandt Professor of Chemical Engineering (1976-1982), University Distinguished Professor (1978-1986), and University Distinguished Professor Emeritus (1986-2012) at Virginia Polytechnic Institute \u0026 State University. ","Consultant for U.S. Bureau of Mines, Office of Coal Research, Electric Power Research Institute, United Nations, Office of Technology Assessment, Oak Ridge National Laboratory, and others. ","Author of  The Tender Ship: Governmental Management of Technological Change  (1986). ","Expert in fluid beds, petroleum refining, hydrocarbon synthesis, coal conversions (gasification, liquefaction, carbonization, combustion), iron ore reduction, low-temperature processes, dust filtration, air pollution control. ","Born 1916. Died 2012."],"odd_html_tesm":["\u003cp\u003eThe guide to the Arthur M. Squires Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Arthur M. Squires Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), Ms1987-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), Ms1987-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Arthur M. Squires Papers was completed in prior to 2002. Additional description, based on the inventory and prior arrangement, was completed in 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Arthur M. Squires Papers was completed in prior to 2002. Additional description, based on the inventory and prior arrangement, was completed in 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), consist of extensive correspondence, unpublished research reports, lectures, trip reports, reprints, trip diaries (1968-1982), photographs (1979) from his trip to China, daily work books (1959-1981), and subject files spanning entire career. This collection is unprocessed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), consist of extensive correspondence, unpublished research reports, lectures, trip reports, reprints, trip diaries (1968-1982), photographs (1979) from his trip to China, daily work books (1959-1981), and subject files spanning entire career. This collection is unprocessed."],"separatedmaterial_html_tesm":["\u003cp\u003eBox E-1 was transferred to the Walter E. Lobo Papers, 1929-1955, Ms1985-014 in November 1987. The box contained: \u003c/p\u003e\n","\u003cp\u003e\"The Improbable Achievement: Chemical Engineering at MIT\"\u003c/p\u003e\n","\u003cp\u003e\"Large Scale Production of Oxygen - Combined Technical Oil Missions Holroyd Report - German Oil Technology\"\u003c/p\u003e\n","\u003cp\u003e\"Guide to Refinery Operating Costs (Process Costimating)\"\u003c/p\u003e\n","\u003cp\u003e\"The German Chemical Industry - A Bibliography of the Chemical, Metallurgical, and Process Industries\"\u003c/p\u003e\n","\u003cp\u003e\"Enriched Air\"\u003c/p\u003e\n","\u003cp\u003e\"List of Process Management's Translations of I. G. Reports - Set No. 46\"\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Box E-1 was transferred to the Walter E. Lobo Papers, 1929-1955, Ms1985-014 in November 1987. The box contained: ","\"The Improbable Achievement: Chemical Engineering at MIT\"","\"Large Scale Production of Oxygen - Combined Technical Oil Missions Holroyd Report - German Oil Technology\"","\"Guide to Refinery Operating Costs (Process Costimating)\"","\"The German Chemical Industry - A Bibliography of the Chemical, Metallurgical, and Process Industries\"","\"Enriched Air\"","\"List of Process Management's Translations of I. G. Reports - Set No. 46\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8ada9e8fb68f1484eb84e7a03592017b\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e A Series-D Series are located in off-site storage and require 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  A Series-D Series are located in off-site storage and require 2-3 days notice for retrieval. Please contact Special Collections for more information."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Squires, Arthur M., 1916-2012"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Squires, Arthur M., 1916-2012"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1700,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:43:53.309Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1449_c03_c32_c23"}},{"id":"vifgm_censer_c01_c357","type":"File","attributes":{"title":"Zhang, Zhi-lian, \"Reform or Revolution,\"","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_censer_c01_c357#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_censer_c01_c357#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_censer_c01_c357","ref_ssm":["vifgm_censer_c01_c357"],"id":"vifgm_censer_c01_c357","ead_ssi":"vifgm_censer","_root_":"vifgm_censer","_nest_parent_":"vifgm_censer_c01","parent_ssi":"vifgm_censer_c01","parent_ssim":["vifgm_censer","vifgm_censer_c01"],"parent_ids_ssim":["vifgm_censer","vifgm_censer_c01"],"parent_unittitles_ssm":["Jack Censer collection","Series 1: Offprints,"],"parent_unittitles_tesim":["Jack Censer collection","Series 1: Offprints,"],"text":["Jack Censer collection","Series 1: Offprints,","Zhang, Zhi-lian, \"Reform or Revolution,\"","Box 17","Folder 14",""],"title_filing_ssi":"Zhang, Zhi-lian, \"Reform or Revolution,\" \n","title_ssm":["Zhang, Zhi-lian, \"Reform or Revolution,\" \n"],"title_tesim":["Zhang, Zhi-lian, \"Reform or Revolution,\" \n"],"unitdate_other_ssim":["1979\n"],"normalized_date_ssm":["1979"],"normalized_title_ssm":["Zhang, Zhi-lian, \"Reform or Revolution,\""],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Jack Censer collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":358,"parent_access_restrict_tesm":["A small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy.  Folders that are restricted are marked in the contents list."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Jack Censer collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1979],"containers_ssim":["Box 17","Folder 14"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#0/components#356","timestamp":"2026-05-01T01:00:31.956Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_censer","ead_ssi":"vifgm_censer","_root_":"vifgm_censer","_nest_parent_":"vifgm_censer","ead_source_url_ssi":"data/gmu/censer.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/censer.html","title_ssm":["Jack Censer collection"],"title_tesim":["Jack Censer collection"],"unitdate_ssm":["1953-2011","1970s-2011"],"unitdate_bulk_ssim":["1970s-2011"],"unitdate_inclusive_ssm":["1953-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0241"],"text":["C0241","Jack Censer collection","Criminal snipers--Washington Metropolitan Area.","A small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy.  Folders that are restricted are marked in the contents list.","The collection is arranged into the following 6 series, arranged by the archivist based on their organization by Jack Censer:","Series 1: Offprints, 1953-2010 (Boxes 1-17) Series 2: D.C. Sniper research, 2002-2010 (Boxes 17-24) Series 3: Teaching, circa 1960s-2003 (Boxes 24-27) Series 4: Research, 1968-2006 (Boxes 27-42) Series 5: Administrative papers, 1972-2011 (Boxes 42-44) Series 6: Audiovisual materials, 2001-circa 2010s (Box 45)","","A historian of France (particlulary the 18th century and the French Revolution), Jack Censer is an emeritus professor of history and former chair of the History and Art History department and Dean of the College of Humanities and Social Sciences at George Mason University.  Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University.  He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution.  His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.","Jack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer').","Processing completed by Elizabeth Beckman in October 2017.  EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017.","The Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history.","This collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. ","Series 1: Offprints contains articles collected by  Censer throughout his career that date from 1953-2010.  Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented.  Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer.  There is a mixture of photocopies and original printings.","Series 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.","Series 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. ","Series 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies).  It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.","Series 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University.  Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.","Series 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes.","There are no restrictions on personal use. Permission to publish material from the Jack Censer collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection documents Censer’s work as a historian and as a professor, History and Art History Department Chair, and Dean of the College of Humanities and Social Sciences at George Mason University. The research files include his work on French history as well as his research on the D.C. Sniper and the media in 2002.","George Mason University. Libraries. Special Collections Research Center.","George Mason University.","Censer, Jack Richard","English.  Some material in French, German.\n\t\t"],"unitid_tesim":["C0241"],"normalized_title_ssm":["Jack Censer collection"],"collection_title_tesim":["Jack Censer collection"],"collection_ssim":["Jack Censer collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Censer, Jack Richard"],"creator_ssim":["Censer, Jack Richard"],"creator_persname_ssim":["Censer, Jack Richard"],"creators_ssim":["Censer, Jack Richard"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Jack Censer collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Jack Censer in 2013 and 2016."],"access_subjects_ssim":["Criminal snipers--Washington Metropolitan Area."],"access_subjects_ssm":["Criminal snipers--Washington Metropolitan Area."],"has_online_content_ssim":["false"],"extent_ssm":["18 linear feet (45 boxes)"],"extent_tesim":["18 linear feet (45 boxes)"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eA small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy.  Folders that are restricted are marked in the contents list.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["A small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy.  Folders that are restricted are marked in the contents list."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following 6 series, arranged by the archivist based on their organization by Jack Censer:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Offprints, 1953-2010 (Boxes 1-17)\u003c/item\u003e\n        \u003citem\u003eSeries 2: D.C. Sniper research, 2002-2010 (Boxes 17-24)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Teaching, circa 1960s-2003 (Boxes 24-27)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Research, 1968-2006 (Boxes 27-42)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Administrative papers, 1972-2011 (Boxes 42-44)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Audiovisual materials, 2001-circa 2010s (Box 45)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following 6 series, arranged by the archivist based on their organization by Jack Censer:","Series 1: Offprints, 1953-2010 (Boxes 1-17) Series 2: D.C. Sniper research, 2002-2010 (Boxes 17-24) Series 3: Teaching, circa 1960s-2003 (Boxes 24-27) Series 4: Research, 1968-2006 (Boxes 27-42) Series 5: Administrative papers, 1972-2011 (Boxes 42-44) Series 6: Audiovisual materials, 2001-circa 2010s (Box 45)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Jack R. Censer,' History and Art History Department, George Mason University, accessed October 4, 2017.\" show=\"new\" href=\"https://historyarthistory.gmu.edu/people/jcenser\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""],"bioghist_html_tesm":["\u003cp\u003eA historian of France (particlulary the 18th century and the French Revolution), Jack Censer is an emeritus professor of history and former chair of the History and Art History department and Dean of the College of Humanities and Social Sciences at George Mason University.  Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University.  He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution.  His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.\u003c/p\u003e","\u003cp\u003eJack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer').\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["A historian of France (particlulary the 18th century and the French Revolution), Jack Censer is an emeritus professor of history and former chair of the History and Art History department and Dean of the College of Humanities and Social Sciences at George Mason University.  Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University.  He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution.  His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.","Jack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer')."],"prefercite_html_tesm":["\u003cp\u003eJack Censer collection, C0241, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jack Censer collection, C0241, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in October 2017.  EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in October 2017.  EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. \u003c/p\u003e","\u003cp\u003eSeries 1: Offprints contains articles collected by  Censer throughout his career that date from 1953-2010.  Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented.  Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer.  There is a mixture of photocopies and original printings.\u003c/p\u003e","\u003cp\u003eSeries 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.\u003c/p\u003e","\u003cp\u003eSeries 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. \u003c/p\u003e","\u003cp\u003eSeries 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies).  It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.\u003c/p\u003e","\u003cp\u003eSeries 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University.  Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.\u003c/p\u003e","\u003cp\u003eSeries 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. ","Series 1: Offprints contains articles collected by  Censer throughout his career that date from 1953-2010.  Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented.  Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer.  There is a mixture of photocopies and original printings.","Series 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.","Series 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. ","Series 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies).  It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.","Series 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University.  Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.","Series 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Jack Censer collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Jack Censer collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref1\" label=\"Abstract\"\u003eThis collection documents Censer’s work as a historian and as a professor, History and Art History Department Chair, and Dean of the College of Humanities and Social Sciences at George Mason University. The research files include his work on French history as well as his research on the D.C. Sniper and the media in 2002.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents Censer’s work as a historian and as a professor, History and Art History Department Chair, and Dean of the College of Humanities and Social Sciences at George Mason University. The research files include his work on French history as well as his research on the D.C. Sniper and the media in 2002."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","George Mason University.","Censer, Jack Richard"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","George Mason University."],"persname_ssim":["Censer, Jack Richard"],"language_ssim":["English.  Some material in French, German.\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":792,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T01:00:31.956Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_censer_c01_c357"}},{"id":"vifgm_repositories_2_resources_654_c01_c357","type":"File","attributes":{"title":"Zhang, Zhi-lian, \"Reform or Revolution,\"","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_654_c01_c357#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_654_c01_c357","ref_ssm":["vifgm_repositories_2_resources_654_c01_c357"],"id":"vifgm_repositories_2_resources_654_c01_c357","ead_ssi":"vifgm_repositories_2_resources_654","_root_":"vifgm_repositories_2_resources_654","_nest_parent_":"vifgm_repositories_2_resources_654_c01","parent_ssi":"vifgm_repositories_2_resources_654_c01","parent_ssim":["vifgm_repositories_2_resources_654","vifgm_repositories_2_resources_654_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_654","vifgm_repositories_2_resources_654_c01"],"parent_unittitles_ssm":["Jack Censer collection","Series 1: Offprints"],"parent_unittitles_tesim":["Jack Censer collection","Series 1: Offprints"],"text":["Jack Censer collection","Series 1: Offprints","Zhang, Zhi-lian, \"Reform or Revolution,\"","Box 17","Folder 14"],"title_filing_ssi":"Zhang, Zhi-lian, \"Reform or Revolution,\"","title_ssm":["Zhang, Zhi-lian, \"Reform or Revolution,\""],"title_tesim":["Zhang, Zhi-lian, \"Reform or Revolution,\""],"unitdate_other_ssim":["1979"],"normalized_date_ssm":["1979"],"normalized_title_ssm":["Zhang, Zhi-lian, \"Reform or Revolution,\""],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Jack Censer collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":358,"parent_access_restrict_tesm":["A small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy. Folders that are restricted are marked in the contents list."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1979],"containers_ssim":["Box 17","Folder 14"],"_nest_path_":"/components#0/components#356","timestamp":"2026-05-01T00:18:55.319Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_654","ead_ssi":"vifgm_repositories_2_resources_654","_root_":"vifgm_repositories_2_resources_654","_nest_parent_":"vifgm_repositories_2_resources_654","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_654.xml","title_ssm":["Jack Censer collection"],"title_tesim":["Jack Censer collection"],"unitdate_ssm":["1953 - 2011","1970s - 2011"],"unitdate_bulk_ssim":["1970s - 2011"],"unitdate_inclusive_ssm":["1953 - 2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0241","/repositories/2/resources/654"],"text":["C0241","/repositories/2/resources/654","Jack Censer collection","France -- History -- Revolution, 1789-1799","Criminal snipers -- Washington Metropolitan Area","A small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy. Folders that are restricted are marked in the contents list.","The collection is arranged into the following 6 series, based on their organization by Jack Censer:","Series Series 1: Offprints, 1953-2010 (Boxes 1-17) Series 2: D.C. Sniper research, 2002-2010 (Boxes 17-24) Series 3: Teaching, circa 1960s-2003 (Boxes 24-27) Series 4: Research, 1968-2006 (Boxes 27-42) Series 5: Administrative papers, 1972-2011 (Boxes 42-44) Series 6: Audiovisual materials, 2001-circa 2010s (Box 45)","","A historian of France (particlulary the 18th century and the French Revolution), Jack Censer is an emeritus professor of history and former chair of the History and Art History department and Dean of the College of Humanities and Social Sciences at George Mason University. Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University. He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution. His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.","Jack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer').","Processing completed by Elizabeth Beckman in October 2017. EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017. Finding aid updated by Amanda Menjivar in November 2022.","The Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history.","This collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. ","Series 1: Offprints contains articles collected by Censer throughout his career that date from 1953-2010. Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented. Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer. There is a mixture of photocopies and original printings.","Series 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.","Series 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. ","Series 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies). It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.","Series 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University. Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.","Series 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection documents Censer's work as a historian and as a professor, History and Art History Department Chair, and Dean of the College of Humanities and Social Sciences at George Mason University. The research files include his work on French history as well as his research on the D.C. Sniper and the media in 2002.","R 48, C 2, S 4 - R 48, C 3, S 4","George Mason University. Libraries. Special Collections Research Center","George Mason University","Censer, Jack Richard","English \n.    "],"unitid_tesim":["C0241","/repositories/2/resources/654"],"normalized_title_ssm":["Jack Censer collection"],"collection_title_tesim":["Jack Censer collection"],"collection_ssim":["Jack Censer collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- History -- Revolution, 1789-1799"],"geogname_ssim":["France -- History -- Revolution, 1789-1799"],"places_ssim":["France -- History -- Revolution, 1789-1799"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Jack Censer in 2013 and 2016."],"access_subjects_ssim":["Criminal snipers -- Washington Metropolitan Area"],"access_subjects_ssm":["Criminal snipers -- Washington Metropolitan Area"],"has_online_content_ssim":["false"],"extent_ssm":["18 linear feet 45 boxes"],"extent_tesim":["18 linear feet 45 boxes"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eA small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy. 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Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University. He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution. His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.\u003c/p\u003e\n","\u003cp\u003eJack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer').\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["A historian of France (particlulary the 18th century and the French Revolution), Jack Censer is an emeritus professor of history and former chair of the History and Art History department and Dean of the College of Humanities and Social Sciences at George Mason University. Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University. He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution. His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.","Jack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer')."],"prefercite_html_tesm":["\u003cp\u003eJack Censer collection, C0241, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jack Censer collection, C0241, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in October 2017. EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in October 2017. EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Offprints contains articles collected by Censer throughout his career that date from 1953-2010. Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented. Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer. There is a mixture of photocopies and original printings.\u003c/p\u003e\n","\u003cp\u003eSeries 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies). It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University. Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. ","Series 1: Offprints contains articles collected by Censer throughout his career that date from 1953-2010. Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented. Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer. There is a mixture of photocopies and original printings.","Series 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.","Series 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. ","Series 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies). It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.","Series 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University. Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.","Series 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref1\"\u003eThis collection documents Censer's work as a historian and as a professor, History and Art History Department Chair, and Dean of the College of Humanities and Social Sciences at George Mason University. The research files include his work on French history as well as his research on the D.C. Sniper and the media in 2002.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents Censer's work as a historian and as a professor, History and Art History Department Chair, and Dean of the College of Humanities and Social Sciences at George Mason University. The research files include his work on French history as well as his research on the D.C. Sniper and the media in 2002."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a9c41867e47c0029b733032f8005ebc7\"\u003eR 48, C 2, S 4 - R 48, C 3, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 48, C 2, S 4 - R 48, C 3, S 4"],"names_coll_ssim":["George Mason University","Censer, Jack Richard"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Censer, Jack Richard"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University"],"persname_ssim":["Censer, Jack Richard"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":792,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:55.319Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_654_c01_c357"}},{"id":"vifgm_repositories_2_resources_113_c02_c426","type":"File","attributes":{"title":"Ziegfeld Follies - The Zulu and the Zayda","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c02_c426#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eZiegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c02_c426#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_113_c02_c426","ref_ssm":["vifgm_repositories_2_resources_113_c02_c426"],"id":"vifgm_repositories_2_resources_113_c02_c426","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113_c02","parent_ssi":"vifgm_repositories_2_resources_113_c02","parent_ssim":["vifgm_repositories_2_resources_113","vifgm_repositories_2_resources_113_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_113","vifgm_repositories_2_resources_113_c02"],"parent_unittitles_ssm":["Charles Rodrigues playbill collection","Series 2: New York City"],"parent_unittitles_tesim":["Charles Rodrigues playbill collection","Series 2: New York City"],"text":["Charles Rodrigues playbill collection","Series 2: New York City","Ziegfeld Follies - The Zulu and the Zayda","box 33","folder 6","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda"],"title_filing_ssi":"Ziegfeld Follies - The Zulu and the Zayda","title_ssm":["Ziegfeld Follies - The Zulu and the Zayda"],"title_tesim":["Ziegfeld Follies - The Zulu and the Zayda"],"unitdate_inclusive_ssm":["1943-1996"],"normalized_date_ssm":["1943/1996"],"normalized_title_ssm":["Ziegfeld Follies - The Zulu and the Zayda"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Charles Rodrigues playbill collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":538,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"containers_ssim":["box 33","folder 6"],"scopecontent_html_tesm":["\u003cp\u003eZiegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda"],"_nest_path_":"/components#1/components#425","timestamp":"2026-05-01T00:27:54.262Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_113","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_113.xml","title_ssm":["Charles Rodrigues playbill collection"],"title_tesim":["Charles Rodrigues playbill collection"],"unitdate_ssm":["1879-2009"],"unitdate_inclusive_ssm":["1879-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0184","/repositories/2/resources/113"],"text":["C0184","/repositories/2/resources/113","Charles Rodrigues playbill collection","Theater -- New York (State) -- New York","Theater -- United States","There are no access restrictions.","Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)","Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.","Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.","The Special Collections Research Center holds many other collections on theatre and the performing arts.","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles","English"],"unitid_tesim":["C0184","/repositories/2/resources/113"],"normalized_title_ssm":["Charles Rodrigues playbill collection"],"collection_title_tesim":["Charles Rodrigues playbill collection"],"collection_ssim":["Charles Rodrigues playbill collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rodrigues, Charles"],"creator_ssim":["Rodrigues, Charles"],"creator_persname_ssim":["Rodrigues, Charles"],"creators_ssim":["Rodrigues, Charles"],"access_terms_ssm":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Rodrigues, brother of Charles Rodrigues, October 21, 2010."],"access_subjects_ssim":["Theater -- New York (State) -- New York","Theater -- United States"],"access_subjects_ssm":["Theater -- New York (State) -- New York","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 38 boxes"],"extent_tesim":["18 Linear Feet 38 boxes"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: New York City, 1885-2009 (boxes 6-34, 37-38)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)"],"bioghist_html_tesm":["\u003cp\u003eCharles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage."],"prefercite_html_tesm":["\u003cp\u003eCharles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on theatre and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/p\u003e\n","\u003cp\u003eThe collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. "],"userestrict_html_tesm":["\u003cp\u003eMaterials created before 1925 are in the Public Domain. No known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46ac9a9e4e3a7b9dc6e8e0b7d7a8d53\" label=\"Abstract\"\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/abstract\u003e"],"abstract_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rodrigues, Charles"],"language_ssim":["English"],"total_component_count_is":563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:54.262Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c02_c426"}},{"id":"viblbv_repositories_2_resources_1762_c19","type":"File","attributes":{"title":"Ziegfield Club meeting programs","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1762_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1762_c19","ref_ssm":["viblbv_repositories_2_resources_1762_c19"],"id":"viblbv_repositories_2_resources_1762_c19","ead_ssi":"viblbv_repositories_2_resources_1762","_root_":"viblbv_repositories_2_resources_1762","_nest_parent_":"viblbv_repositories_2_resources_1762","parent_ssi":"viblbv_repositories_2_resources_1762","parent_ssim":["viblbv_repositories_2_resources_1762"],"parent_ids_ssim":["viblbv_repositories_2_resources_1762"],"parent_unittitles_ssm":["Ann Eve Moss Papers"],"parent_unittitles_tesim":["Ann Eve Moss Papers"],"text":["Ann Eve Moss Papers","Ziegfield Club meeting programs","box 2","folder 7"],"title_filing_ssi":"Ziegfield Club meeting programs","title_ssm":["Ziegfield Club meeting programs"],"title_tesim":["Ziegfield Club meeting programs"],"unitdate_inclusive_ssm":["1976-1982"],"normalized_date_ssm":["1976/1982"],"normalized_title_ssm":["Ziegfield Club meeting programs"],"component_level_isim":[1],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Ann Eve Moss Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":19,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection consists of multiple parts. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Materials not created by Ann Moss or the donor are subject to standard U.S. Copyright protection. The donor retains literary rights to these materials until their death and their estate may retain copyright afterwards. Materials may be used for personal or research use. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Special Collections and University Archives cannot grant permission for publication use at this time."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982],"containers_ssim":["box 2","folder 7"],"_nest_path_":"/components#18","timestamp":"2026-04-30T23:37:52.848Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1762","ead_ssi":"viblbv_repositories_2_resources_1762","_root_":"viblbv_repositories_2_resources_1762","_nest_parent_":"viblbv_repositories_2_resources_1762","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1762.xml","title_filing_ssi":"Moss, Ann Eve, Papers","title_ssm":["Ann Eve Moss Papers"],"title_tesim":["Ann Eve Moss Papers"],"unitdate_ssm":["1920-1990"],"unitdate_inclusive_ssm":["1920-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.028"],"text":["Ms.1990.028","Ann Eve Moss Papers","Authors, American -- 20th century","Women -- History","The collection is open to research.","The collection is arranged chronologically.","Ann Eve Moss, nee Dressler, was born in New York City in 1903. She took singing and dancing lessons in high school and began performing on the professional stage by the time she graduated. She married  Harry Moss , a theatrical agent, in 1922. She spent the years between 1922 and 1930 as a  Ziegfeld Follies  chorus girl in such productions as  The Three Musketeers ,  Garrick Gaieties , and  Funny Face . Moss also modeled for New York Daily News advertisements. In 1927 she gave birth to her only daughter, Marilyn (later known as Alwyn). In 1928 she refused to audition in the nude for producer  Earl Carroll 's show  Fioretta , brought charges against Carroll before Actor's Equity, the theater union, and won the case in January 1929.","In the late 1930s Moss traveled to Europe, the beginning of a series of trips abroad throughout the remainder of her life. Upon her return to the U.S. she launched into her writing career, and completed the first draft of the novel   Catha's Sister  , based on her experiences on the stage. When her marriage ended in the early 1940s, she became a freelance secretary. Her employers included  Erich Fromm ,  Rollo May ,  Countess Mona Bismarck  (for whom she later worked full time as an administrative secretary on her estate in Capri, Italy), and  Paul Pierre Matisse , son of the painter, for whom she worked in Nice, France. During this time she also worked on another novel,  A Widow's Odyssey  (unpublished). Other, shorter works include children's books  The Friends of Tinkle Rescue Club  and  The Runaway Balloon  (unpublished). She moved to Nice in the mid-1960s and returned the United States in 1975, settling in Greensboro, North Carolina. In 1981 she moved to Floyd, Virginia, to live with her daughter, and in 1984 moved to a retirement community in Blacksburg, Virginia. She died five days before her 85th birthday in March 1988.","The guide to the Ann Eve Moss Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Original processing of the Papers was completed in November 1990 by L. H. Katz.","The bulk of the materials in the collection consist of photographs, news clippings, correspondence, literary manuscripts, and playbills collected or created by Ann Eve Moss from the 1920s to her death in 1988. Copies of her two unpublished novels,   Catha's Sister   and  A Mystic Smile , are included here, as well as several of her other shorter writings. The news clippings include editorials from New York papers regarding Moss's lawsuit against Earl Carroll. The photographs include many where she appears as a character from the various plays in which she performed, as well as several portrait poses. Other materials include correspondence, news clippings, and programs from meetings of The Ziegfeld Club, an organization of former Ziegfeld Follies chorus girls. A draft of the introduction to  The Friends of Tinkle Rescue Club , written by  Alwyn Moss , is also included.","The copyright status of this collection consists of multiple parts. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Materials not created by Ann Moss or the donor are subject to standard U.S. Copyright protection. The donor retains literary rights to these materials until their death and their estate may retain copyright afterwards. Materials may be used for personal or research use. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Special Collections and University Archives cannot grant permission for publication use at this time.","The materials in this collection include photographs, playbills, news clippings, and other memorabilia from Ann Eve Moss's early career as a chorus girl for the Ziegfield Follies, as well as manuscript copies of her unpublished novels.","Special Collections and University Archives, Virginia Tech","Ziegfeld Follies","Moss, Ann Eve, 1903-1988","Harry Moss","Earl Carroll","Erich Fromm","Rollo May","Countess Mona Bismarck","Paul Pierre Matisse","Alwyn Moss","The materials in the collection are in English."],"unitid_tesim":["Ms.1990.028"],"normalized_title_ssm":["Ann Eve Moss Papers"],"collection_title_tesim":["Ann Eve Moss Papers"],"collection_ssim":["Ann Eve Moss Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Moss, Ann Eve, 1903-1988"],"creator_ssim":["Moss, Ann Eve, 1903-1988"],"creator_persname_ssim":["Moss, Ann Eve, 1903-1988"],"creators_ssim":["Moss, Ann Eve, 1903-1988"],"access_terms_ssm":["The copyright status of this collection consists of multiple parts. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Materials not created by Ann Moss or the donor are subject to standard U.S. Copyright protection. The donor retains literary rights to these materials until their death and their estate may retain copyright afterwards. Materials may be used for personal or research use. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Special Collections and University Archives cannot grant permission for publication use at this time."],"acqinfo_ssim":["The Ann Eve Moss papers were donated to Special Collections in July 1990."],"access_subjects_ssim":["Authors, American -- 20th century","Women -- History"],"access_subjects_ssm":["Authors, American -- 20th century","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["1 Cubic Feet 3 boxes; 1 oversize"],"extent_tesim":["1 Cubic Feet 3 boxes; 1 oversize"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eAnn Eve Moss, nee Dressler, was born in New York City in 1903. She took singing and dancing lessons in high school and began performing on the professional stage by the time she graduated. She married \u003cpersname\u003eHarry Moss\u003c/persname\u003e, a theatrical agent, in 1922. She spent the years between 1922 and 1930 as a \u003ccorpname\u003eZiegfeld Follies\u003c/corpname\u003e chorus girl in such productions as \u003ctitle render=\"italic\"\u003eThe Three Musketeers\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eGarrick Gaieties\u003c/title\u003e, and \u003ctitle render=\"italic\"\u003eFunny Face\u003c/title\u003e. Moss also modeled for New York Daily News advertisements. In 1927 she gave birth to her only daughter, Marilyn (later known as Alwyn). In 1928 she refused to audition in the nude for producer \u003cpersname\u003eEarl Carroll\u003c/persname\u003e's show \u003ctitle render=\"italic\"\u003eFioretta\u003c/title\u003e, brought charges against Carroll before Actor's Equity, the theater union, and won the case in January 1929.\u003c/p\u003e\n","\u003cp\u003eIn the late 1930s Moss traveled to Europe, the beginning of a series of trips abroad throughout the remainder of her life. Upon her return to the U.S. she launched into her writing career, and completed the first draft of the novel \u003ctitle render=\"italic\"\u003e Catha's Sister \u003c/title\u003e, based on her experiences on the stage. When her marriage ended in the early 1940s, she became a freelance secretary. Her employers included \u003cpersname\u003eErich Fromm\u003c/persname\u003e, \u003cpersname\u003eRollo May\u003c/persname\u003e, \u003cpersname\u003eCountess Mona Bismarck\u003c/persname\u003e (for whom she later worked full time as an administrative secretary on her estate in Capri, Italy), and \u003cpersname\u003ePaul Pierre Matisse\u003c/persname\u003e, son of the painter, for whom she worked in Nice, France. During this time she also worked on another novel, \u003ctitle render=\"italic\"\u003eA Widow's Odyssey\u003c/title\u003e (unpublished). Other, shorter works include children's books \u003ctitle render=\"italic\"\u003eThe Friends of Tinkle Rescue Club\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Runaway Balloon\u003c/title\u003e (unpublished). She moved to Nice in the mid-1960s and returned the United States in 1975, settling in Greensboro, North Carolina. In 1981 she moved to Floyd, Virginia, to live with her daughter, and in 1984 moved to a retirement community in Blacksburg, Virginia. She died five days before her 85th birthday in March 1988.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Ann Eve Moss, nee Dressler, was born in New York City in 1903. She took singing and dancing lessons in high school and began performing on the professional stage by the time she graduated. She married  Harry Moss , a theatrical agent, in 1922. She spent the years between 1922 and 1930 as a  Ziegfeld Follies  chorus girl in such productions as  The Three Musketeers ,  Garrick Gaieties , and  Funny Face . Moss also modeled for New York Daily News advertisements. In 1927 she gave birth to her only daughter, Marilyn (later known as Alwyn). In 1928 she refused to audition in the nude for producer  Earl Carroll 's show  Fioretta , brought charges against Carroll before Actor's Equity, the theater union, and won the case in January 1929.","In the late 1930s Moss traveled to Europe, the beginning of a series of trips abroad throughout the remainder of her life. Upon her return to the U.S. she launched into her writing career, and completed the first draft of the novel   Catha's Sister  , based on her experiences on the stage. When her marriage ended in the early 1940s, she became a freelance secretary. Her employers included  Erich Fromm ,  Rollo May ,  Countess Mona Bismarck  (for whom she later worked full time as an administrative secretary on her estate in Capri, Italy), and  Paul Pierre Matisse , son of the painter, for whom she worked in Nice, France. During this time she also worked on another novel,  A Widow's Odyssey  (unpublished). Other, shorter works include children's books  The Friends of Tinkle Rescue Club  and  The Runaway Balloon  (unpublished). She moved to Nice in the mid-1960s and returned the United States in 1975, settling in Greensboro, North Carolina. In 1981 she moved to Floyd, Virginia, to live with her daughter, and in 1984 moved to a retirement community in Blacksburg, Virginia. She died five days before her 85th birthday in March 1988."],"odd_html_tesm":["\u003cp\u003eThe guide to the Ann Eve Moss Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Ann Eve Moss Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Ann Eve Moss Papers, Ms1990-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Ann Eve Moss Papers, Ms1990-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eOriginal processing of the Papers was completed in November 1990 by L. H. Katz.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original processing of the Papers was completed in November 1990 by L. H. Katz."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of the materials in the collection consist of photographs, news clippings, correspondence, literary manuscripts, and playbills collected or created by Ann Eve Moss from the 1920s to her death in 1988. Copies of her two unpublished novels, \u003ctitle render=\"italic\"\u003e Catha's Sister \u003c/title\u003e and \u003ctitle render=\"italic\"\u003eA Mystic Smile\u003c/title\u003e, are included here, as well as several of her other shorter writings. The news clippings include editorials from New York papers regarding Moss's lawsuit against Earl Carroll. The photographs include many where she appears as a character from the various plays in which she performed, as well as several portrait poses. Other materials include correspondence, news clippings, and programs from meetings of The Ziegfeld Club, an organization of former Ziegfeld Follies chorus girls. A draft of the introduction to \u003ctitle render=\"italic\"\u003eThe Friends of Tinkle Rescue Club\u003c/title\u003e, written by \u003cpersname\u003eAlwyn Moss\u003c/persname\u003e, is also included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The bulk of the materials in the collection consist of photographs, news clippings, correspondence, literary manuscripts, and playbills collected or created by Ann Eve Moss from the 1920s to her death in 1988. Copies of her two unpublished novels,   Catha's Sister   and  A Mystic Smile , are included here, as well as several of her other shorter writings. The news clippings include editorials from New York papers regarding Moss's lawsuit against Earl Carroll. The photographs include many where she appears as a character from the various plays in which she performed, as well as several portrait poses. Other materials include correspondence, news clippings, and programs from meetings of The Ziegfeld Club, an organization of former Ziegfeld Follies chorus girls. A draft of the introduction to  The Friends of Tinkle Rescue Club , written by  Alwyn Moss , is also included."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection consists of multiple parts. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eMaterials not created by Ann Moss or the donor are subject to standard U.S. Copyright protection. The donor retains literary rights to these materials until their death and their estate may retain copyright afterwards. Materials may be used for personal or research use. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Special Collections and University Archives cannot grant permission for publication use at this time.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection consists of multiple parts. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Materials not created by Ann Moss or the donor are subject to standard U.S. Copyright protection. The donor retains literary rights to these materials until their death and their estate may retain copyright afterwards. Materials may be used for personal or research use. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Special Collections and University Archives cannot grant permission for publication use at this time."],"abstract_html_tesm":["\u003cabstract id=\"aspace_92abf486f4dfabb57f814c28bb52aa97\" label=\"Abstract\"\u003eThe materials in this collection include photographs, playbills, news clippings, and other memorabilia from Ann Eve Moss's early career as a chorus girl for the Ziegfield Follies, as well as manuscript copies of her unpublished novels.\u003c/abstract\u003e"],"abstract_tesim":["The materials in this collection include photographs, playbills, news clippings, and other memorabilia from Ann Eve Moss's early career as a chorus girl for the Ziegfield Follies, as well as manuscript copies of her unpublished novels."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Ziegfeld Follies","Moss, Ann Eve, 1903-1988","Harry Moss","Earl Carroll","Erich Fromm","Rollo May","Countess Mona Bismarck","Paul Pierre Matisse","Alwyn Moss"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Ziegfeld Follies"],"persname_ssim":["Moss, Ann Eve, 1903-1988","Harry Moss","Earl Carroll","Erich Fromm","Rollo May","Countess Mona Bismarck","Paul Pierre Matisse","Alwyn Moss"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":33,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:37:52.848Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1762_c19"}},{"id":"wvmturhc_repositories_2_resources_5374_c2415","type":"File","attributes":{"title":"Ziegler (prints of Ziegler family members)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5374_c2415#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5374_c2415","ref_ssm":["wvmturhc_repositories_2_resources_5374_c2415"],"id":"wvmturhc_repositories_2_resources_5374_c2415","ead_ssi":"wvmturhc_repositories_2_resources_5374","_root_":"wvmturhc_repositories_2_resources_5374","_nest_parent_":"wvmturhc_repositories_2_resources_5374","parent_ssi":"wvmturhc_repositories_2_resources_5374","parent_ssim":["wvmturhc_repositories_2_resources_5374"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5374"],"parent_unittitles_ssm":["Long/Trail Southeastern West Virginia Historical Records"],"parent_unittitles_tesim":["Long/Trail Southeastern West Virginia Historical Records"],"text":["Long/Trail Southeastern West Virginia Historical Records","Ziegler (prints of Ziegler family members)","Box 84","Folder 4"],"title_filing_ssi":"Ziegler (prints of Ziegler family members)","title_ssm":["Ziegler (prints of Ziegler family members)"],"title_tesim":["Ziegler (prints of Ziegler family members)"],"unitdate_inclusive_ssm":["ca. 1965-2002"],"normalized_date_ssm":["1965/2002"],"normalized_title_ssm":["Ziegler (prints of Ziegler family members)"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Long/Trail Southeastern West Virginia Historical Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2415,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["Box 84","Folder 4"],"_nest_path_":"/components#2414","timestamp":"2026-04-30T23:04:46.299Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5374","ead_ssi":"wvmturhc_repositories_2_resources_5374","_root_":"wvmturhc_repositories_2_resources_5374","_nest_parent_":"wvmturhc_repositories_2_resources_5374","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5374.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/204651","title_ssm":["Long/Trail Southeastern West Virginia Historical Records"],"title_tesim":["Long/Trail Southeastern West Virginia Historical Records"],"unitdate_ssm":["circa 1870-2020s and undated"],"unitdate_inclusive_ssm":["circa 1870-2020s and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374"],"text":["A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374","Long/Trail Southeastern West Virginia Historical Records","Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)","Genealogies.","Schools","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","Records about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.","Genealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.","Chesapeake and Ohio (C\u0026O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.","Geographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.","Summers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.","War-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026O Railroad.\n \nNote on Terminology in the Contents List:","Photographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.","For genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).","The Chesapeake and Ohio (C\u0026O) Railroad can be both spelled out fully or abbreviated C\u0026O.","Clippings may also be noted as articles or newspapers.","Addendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.","\nAddendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.","Addendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.","Addendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Addendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.","Addendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.","Addendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.","Separated to the dvd / vhs / betacam collection:","  DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)","  Separated to the book collection; forwarded to Curator of Books:","  Bragg, Melody.  Thurmond and Ghost Towns of the New River Gorge . Glen Jean, West Virginia: Gem Publications, ca. 1995.","  Daly, Dorothy.  The Dart, 1926, Volume VII . Hinton, West Virginia: Senior Class of Hinton High School, 1926.","Directory of Hinton, West Virginia . 1927.","  Enoch, Harry G.  Affair at Captina Creek . Bowie, Maryland: Heritage Books, 1999.","  Foster, Elizabeth Carroll.  Virginia Carrolls and Their Neighbors 1618-1800s . Bowie, Maryland: Heritage Books, 1999.","  Glen Jean Historical Society.  Dunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories . Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.","  Grafton, Emily.  West Virginia Adventure Guide to the Natural History of Blackwater Falls State Park . Terra Alta, West Virginia: Headline Books, 2002.","  Harsh, Sharon Wilmoth.  School Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899 . Bowie, Maryland: Heritage Books, 2000.","  Hatcher, Charles Silas.  Historical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families . Princeton, West Virginia: Jake Forest Hatcher, 1980.","History of the Great Kanawha Valley, Volume I . Bowie, Maryland: Heritage Books, 2000.","  Keller, Barbara, editor.  Summers County, West Virginia, Historical Society: Cemetery Book . Beckley, West Virginia: BJW Printing, 1996.","  Keller, Robert, editor.  Senior \"34\" . Hinton, West Virginia: Senior Class, Hinton High School, 1934.","  Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors.  Hinton City Directory . White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.","  Lilly, Jack.  Historical Genealogy of the Lilly Family . Canton, Ohio: Jack Lilly, 1977.","  Lilly, Jack.  Lilly Family History, 1566-1997 . Canton, Ohio: Jack Lilly, 1997.","  Lilly, Jack.  Our Heritage: The Lilly Family, Vol. II . Canton, Ohio: Jack Lilly, 1978.","  Long, Fred and Steve Trail.  Historic Pence Springs Resort . 1987.","  Marockie, Henry R.  School Laws of West Virginia: 1989 Edition . Charlottesville: The Michie Company, 1990.","  McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson.  Frontier Forts in West Virginia: Historical and Archaeological Explorations . Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7 . Bowie, Maryland: Heritage Books, 1998.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8 . Bowie, Maryland: Heritage Books, 1999.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10 . Bowie, Maryland: Heritage Books, 2000.","  McNeer, Sally Withrow.  Echoes of Summers . Undated.","  Miller, Hurley.  Once in a Lifetime . Raleigh: Pentland Press, 2000.","  Myers, Tom E.  Moccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758 . Parsons, West Virginia: McClain Printing Company, 1995.","  Pemberton, Robert L.  A History of Pleasants County, West Virginia . Bowie, Maryland: Heritage Books, 1999.","  Peters, Okey Erwin, compiler.  Conrad Peters and Wife Clara Snidow . Paducah, Kentucky: Paducah Printing Co., 1954.","  Roles, Joe B.  Mary Janes's War: A Civil War Novel Based on a True Story . Annandale, Virginia: Joe B. Roles, 2002.","  Scott, Eugene.  Thurmond: Dodge City of West Virginia: Believe It or Not City . Beckley, West Virginia: Eugene Scott, undated.","  Senior Class of Hinton High School.  The Senior Handbook; 1935 . Hinton, West Virginia: Senior Class, Hinton High School, 1935.","  Shuff, Murray.  Stone Cliff, West Virginia: \"Life Along New River\", 1930-1938 . Beckley, West Virginia: Central Printing Company, 1984.","  Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center.  Thurmond Commercial Buildings: New River Gorge, National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  Stewart, Kathleen.  A Space on the Side of the Road: Cultural Poetics in an \"Other\" America . Princeton: Princeton University Press, 1996.","  Sullivan, Ken.  Thurmond: A New River Community . Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.","  Taylor, Sharon.  The Amazing Story of the Gwinns in America . Washington, D.C.: Halbert's, 1982.","  Trail, Stephen D. and Vandalia Consultants, Inc.  Bluestone Dam 50th Anniversary Commemorative Album 1949-1999 . Hinton, West Virginia: Fox Photographics, 1999.","  United States. National Park Service.  Denver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  United States. National Park Service.  Land Protection Plan: New River Gorge . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.","  Wardell, Patrick G., compiler.  Virginians and West Virginians, 1607-1870, Volume 1 . Bowie, Maryland: Heritage Books, 1986.","  Wilson, Goodridge.  Smyth County History and Traditions . Bowie, Maryland: Heritage Books, 1998.","  Separated to closed collections:","  Baseball card of Jack Warhop, originally in box 79, folder 15.","Hinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company","Long, Frederick","Trail, Stephen D.","Bagdon, Philip V.","English \n.    "],"unitid_tesim":["A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374"],"normalized_title_ssm":["Long/Trail Southeastern West Virginia Historical Records"],"collection_title_tesim":["Long/Trail Southeastern West Virginia Historical Records"],"collection_ssim":["Long/Trail Southeastern West Virginia Historical Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"geogname_ssim":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"creator_ssm":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creator_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creator_persname_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creators_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"places_ssim":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogies.","Schools"],"access_subjects_ssm":["Genealogies.","Schools"],"has_online_content_ssim":["false"],"extent_ssm":["117.02 Linear Feet 29 document case, 5 in. each; 20 document cases, 2.5 in. each; 78 record cartons, 15 in. each; 3 small flat storage boxes, 1.5 in. each; 1 small flat storage box, 3 in.; 4 large flat storage boxes, 1.5 in. each; 4 large flat storage boxes, 3 in. each; 1 card file box, 4.5 in.; 1 square roll tube, 3 in.; 1 square roll tube, 4 in.; 1 oversize folder, 2 in.; 1 framed item, 0.25 in.; 1 oversize photograph","38.2 Gigabytes 14,700 files, formats primarily include .tif, .jpg, .doc"],"extent_tesim":["117.02 Linear Feet 29 document case, 5 in. each; 20 document cases, 2.5 in. each; 78 record cartons, 15 in. each; 3 small flat storage boxes, 1.5 in. each; 1 small flat storage box, 3 in.; 4 large flat storage boxes, 1.5 in. each; 4 large flat storage boxes, 3 in. each; 1 card file box, 4.5 in.; 1 square roll tube, 3 in.; 1 square roll tube, 4 in.; 1 oversize folder, 2 in.; 1 framed item, 0.25 in.; 1 oversize photograph","38.2 Gigabytes 14,700 files, formats primarily include .tif, .jpg, .doc"],"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Long/Trail Southeastern West Virginia Historical Records, A\u0026amp;M 3762, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Long/Trail Southeastern West Virginia Historical Records, A\u0026M 3762, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the \u003cemph render=\"italic\"\u003eHinton Daily News\u003c/emph\u003e (later the \u003cemph render=\"italic\"\u003eHinton News\u003c/emph\u003e). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026amp;O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.\u003c/p\u003e\n","\u003cp\u003eRecords about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.\u003c/p\u003e\n","\u003cp\u003eGenealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.\u003c/p\u003e\n","\u003cp\u003eChesapeake and Ohio (C\u0026amp;O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.\u003c/p\u003e\n","\u003cp\u003eGeographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.\u003c/p\u003e\n","\u003cp\u003eSummers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.\u003c/p\u003e\n","\u003cp\u003eWar-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026amp;O Railroad.\n \nNote on Terminology in the Contents List:\u003c/p\u003e\n","\u003cp\u003ePhotographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.\u003c/p\u003e\n","\u003cp\u003eFor genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).\u003c/p\u003e\n","\u003cp\u003eThe Chesapeake and Ohio (C\u0026amp;O) Railroad can be both spelled out fully or abbreviated C\u0026amp;O.\u003c/p\u003e\n","\u003cp\u003eClippings may also be noted as articles or newspapers.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.\u003c/p\u003e\n","\u003cp\u003e\nAddendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","Records about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.","Genealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.","Chesapeake and Ohio (C\u0026O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.","Geographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.","Summers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.","War-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026O Railroad.\n \nNote on Terminology in the Contents List:","Photographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.","For genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).","The Chesapeake and Ohio (C\u0026O) Railroad can be both spelled out fully or abbreviated C\u0026O.","Clippings may also be noted as articles or newspapers.","Addendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.","\nAddendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.","Addendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.","Addendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Addendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.","Addendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.","Addendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the dvd / vhs / betacam collection:\u003c/p\u003e\n","\u003cp\u003e  DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)\u003c/p\u003e\n","\u003cp\u003e  Separated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Bragg, Melody. \u003ctitle render=\"italic\"\u003eThurmond and Ghost Towns of the New River Gorge\u003c/title\u003e. Glen Jean, West Virginia: Gem Publications, ca. 1995.\u003c/p\u003e\n","\u003cp\u003e  Daly, Dorothy. \u003ctitle render=\"italic\"\u003eThe Dart, 1926, Volume VII\u003c/title\u003e. Hinton, West Virginia: Senior Class of Hinton High School, 1926.\u003c/p\u003e\n","\u003cp\u003e  \u003ctitle render=\"italic\"\u003eDirectory of Hinton, West Virginia\u003c/title\u003e. 1927.\u003c/p\u003e\n","\u003cp\u003e  Enoch, Harry G. \u003ctitle render=\"italic\"\u003eAffair at Captina Creek\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  Foster, Elizabeth Carroll. \u003ctitle render=\"italic\"\u003eVirginia Carrolls and Their Neighbors 1618-1800s\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  Glen Jean Historical Society. \u003ctitle render=\"italic\"\u003eDunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories\u003c/title\u003e. Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.\u003c/p\u003e\n","\u003cp\u003e  Grafton, Emily. \u003ctitle render=\"italic\"\u003eWest Virginia Adventure Guide to the Natural History of Blackwater Falls State Park\u003c/title\u003e. Terra Alta, West Virginia: Headline Books, 2002.\u003c/p\u003e\n","\u003cp\u003e  Harsh, Sharon Wilmoth. \u003ctitle render=\"italic\"\u003eSchool Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e\n","\u003cp\u003e  Hatcher, Charles Silas. \u003ctitle render=\"italic\"\u003eHistorical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families\u003c/title\u003e. Princeton, West Virginia: Jake Forest Hatcher, 1980.\u003c/p\u003e\n","\u003cp\u003e  \u003ctitle render=\"italic\"\u003eHistory of the Great Kanawha Valley, Volume I\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e\n","\u003cp\u003e  Keller, Barbara, editor. \u003ctitle render=\"italic\"\u003eSummers County, West Virginia, Historical Society: Cemetery Book\u003c/title\u003e. Beckley, West Virginia: BJW Printing, 1996.\u003c/p\u003e\n","\u003cp\u003e  Keller, Robert, editor. \u003ctitle render=\"italic\"\u003eSenior \"34\"\u003c/title\u003e. Hinton, West Virginia: Senior Class, Hinton High School, 1934.\u003c/p\u003e\n","\u003cp\u003e  Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors. \u003ctitle render=\"italic\"\u003eHinton City Directory\u003c/title\u003e. White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.\u003c/p\u003e\n","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eHistorical Genealogy of the Lilly Family\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1977.\u003c/p\u003e\n","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eLilly Family History, 1566-1997\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1997.\u003c/p\u003e\n","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eOur Heritage: The Lilly Family, Vol. II\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1978.\u003c/p\u003e\n","\u003cp\u003e  Long, Fred and Steve Trail. \u003ctitle render=\"italic\"\u003eHistoric Pence Springs Resort\u003c/title\u003e. 1987.\u003c/p\u003e\n","\u003cp\u003e  Marockie, Henry R. \u003ctitle render=\"italic\"\u003eSchool Laws of West Virginia: 1989 Edition\u003c/title\u003e. Charlottesville: The Michie Company, 1990.\u003c/p\u003e\n","\u003cp\u003e  McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson. \u003ctitle render=\"italic\"\u003eFrontier Forts in West Virginia: Historical and Archaeological Explorations\u003c/title\u003e. Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.\u003c/p\u003e\n","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1998.\u003c/p\u003e\n","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e\n","\u003cp\u003e  McNeer, Sally Withrow. \u003ctitle render=\"italic\"\u003eEchoes of Summers\u003c/title\u003e. Undated.\u003c/p\u003e\n","\u003cp\u003e  Miller, Hurley. \u003ctitle render=\"italic\"\u003eOnce in a Lifetime\u003c/title\u003e. Raleigh: Pentland Press, 2000.\u003c/p\u003e\n","\u003cp\u003e  Myers, Tom E. \u003ctitle render=\"italic\"\u003eMoccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758\u003c/title\u003e. Parsons, West Virginia: McClain Printing Company, 1995.\u003c/p\u003e\n","\u003cp\u003e  Pemberton, Robert L. \u003ctitle render=\"italic\"\u003eA History of Pleasants County, West Virginia\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  Peters, Okey Erwin, compiler. \u003ctitle render=\"italic\"\u003eConrad Peters and Wife Clara Snidow\u003c/title\u003e. Paducah, Kentucky: Paducah Printing Co., 1954.\u003c/p\u003e\n","\u003cp\u003e  Roles, Joe B. \u003ctitle render=\"italic\"\u003eMary Janes's War: A Civil War Novel Based on a True Story\u003c/title\u003e. Annandale, Virginia: Joe B. Roles, 2002.\u003c/p\u003e\n","\u003cp\u003e  Scott, Eugene. \u003ctitle render=\"italic\"\u003eThurmond: Dodge City of West Virginia: Believe It or Not City\u003c/title\u003e. Beckley, West Virginia: Eugene Scott, undated.\u003c/p\u003e\n","\u003cp\u003e  Senior Class of Hinton High School. \u003ctitle render=\"italic\"\u003eThe Senior Handbook; 1935\u003c/title\u003e. Hinton, West Virginia: Senior Class, Hinton High School, 1935.\u003c/p\u003e\n","\u003cp\u003e  Shuff, Murray. \u003ctitle render=\"italic\"\u003eStone Cliff, West Virginia: \"Life Along New River\", 1930-1938\u003c/title\u003e. Beckley, West Virginia: Central Printing Company, 1984.\u003c/p\u003e\n","\u003cp\u003e  Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center. \u003ctitle render=\"italic\"\u003eThurmond Commercial Buildings: New River Gorge, National River, West Virginia\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.\u003c/p\u003e\n","\u003cp\u003e  Stewart, Kathleen. \u003ctitle render=\"italic\"\u003eA Space on the Side of the Road: Cultural Poetics in an \"Other\" America\u003c/title\u003e. Princeton: Princeton University Press, 1996.\u003c/p\u003e\n","\u003cp\u003e  Sullivan, Ken. \u003ctitle render=\"italic\"\u003eThurmond: A New River Community\u003c/title\u003e. Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.\u003c/p\u003e\n","\u003cp\u003e  Taylor, Sharon. \u003ctitle render=\"italic\"\u003eThe Amazing Story of the Gwinns in America\u003c/title\u003e. Washington, D.C.: Halbert's, 1982.\u003c/p\u003e\n","\u003cp\u003e  Trail, Stephen D. and Vandalia Consultants, Inc. \u003ctitle render=\"italic\"\u003eBluestone Dam 50th Anniversary Commemorative Album 1949-1999\u003c/title\u003e. Hinton, West Virginia: Fox Photographics, 1999.\u003c/p\u003e\n","\u003cp\u003e  United States. National Park Service. \u003ctitle render=\"italic\"\u003eDenver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.\u003c/p\u003e\n","\u003cp\u003e  United States. National Park Service. \u003ctitle render=\"italic\"\u003eLand Protection Plan: New River Gorge\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.\u003c/p\u003e\n","\u003cp\u003e  Wardell, Patrick G., compiler. \u003ctitle render=\"italic\"\u003eVirginians and West Virginians, 1607-1870, Volume 1\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1986.\u003c/p\u003e\n","\u003cp\u003e  Wilson, Goodridge. \u003ctitle render=\"italic\"\u003eSmyth County History and Traditions\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1998.\u003c/p\u003e\n","\u003cp\u003e  Separated to closed collections:\u003c/p\u003e\n","\u003cp\u003e  Baseball card of Jack Warhop, originally in box 79, folder 15.\u003c/p\u003e","\u003cp\u003eHinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Separated to the dvd / vhs / betacam collection:","  DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)","  Separated to the book collection; forwarded to Curator of Books:","  Bragg, Melody.  Thurmond and Ghost Towns of the New River Gorge . Glen Jean, West Virginia: Gem Publications, ca. 1995.","  Daly, Dorothy.  The Dart, 1926, Volume VII . Hinton, West Virginia: Senior Class of Hinton High School, 1926.","Directory of Hinton, West Virginia . 1927.","  Enoch, Harry G.  Affair at Captina Creek . Bowie, Maryland: Heritage Books, 1999.","  Foster, Elizabeth Carroll.  Virginia Carrolls and Their Neighbors 1618-1800s . Bowie, Maryland: Heritage Books, 1999.","  Glen Jean Historical Society.  Dunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories . Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.","  Grafton, Emily.  West Virginia Adventure Guide to the Natural History of Blackwater Falls State Park . Terra Alta, West Virginia: Headline Books, 2002.","  Harsh, Sharon Wilmoth.  School Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899 . Bowie, Maryland: Heritage Books, 2000.","  Hatcher, Charles Silas.  Historical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families . Princeton, West Virginia: Jake Forest Hatcher, 1980.","History of the Great Kanawha Valley, Volume I . Bowie, Maryland: Heritage Books, 2000.","  Keller, Barbara, editor.  Summers County, West Virginia, Historical Society: Cemetery Book . Beckley, West Virginia: BJW Printing, 1996.","  Keller, Robert, editor.  Senior \"34\" . Hinton, West Virginia: Senior Class, Hinton High School, 1934.","  Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors.  Hinton City Directory . White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.","  Lilly, Jack.  Historical Genealogy of the Lilly Family . Canton, Ohio: Jack Lilly, 1977.","  Lilly, Jack.  Lilly Family History, 1566-1997 . Canton, Ohio: Jack Lilly, 1997.","  Lilly, Jack.  Our Heritage: The Lilly Family, Vol. II . Canton, Ohio: Jack Lilly, 1978.","  Long, Fred and Steve Trail.  Historic Pence Springs Resort . 1987.","  Marockie, Henry R.  School Laws of West Virginia: 1989 Edition . Charlottesville: The Michie Company, 1990.","  McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson.  Frontier Forts in West Virginia: Historical and Archaeological Explorations . Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7 . Bowie, Maryland: Heritage Books, 1998.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8 . Bowie, Maryland: Heritage Books, 1999.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10 . Bowie, Maryland: Heritage Books, 2000.","  McNeer, Sally Withrow.  Echoes of Summers . Undated.","  Miller, Hurley.  Once in a Lifetime . Raleigh: Pentland Press, 2000.","  Myers, Tom E.  Moccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758 . Parsons, West Virginia: McClain Printing Company, 1995.","  Pemberton, Robert L.  A History of Pleasants County, West Virginia . Bowie, Maryland: Heritage Books, 1999.","  Peters, Okey Erwin, compiler.  Conrad Peters and Wife Clara Snidow . Paducah, Kentucky: Paducah Printing Co., 1954.","  Roles, Joe B.  Mary Janes's War: A Civil War Novel Based on a True Story . Annandale, Virginia: Joe B. Roles, 2002.","  Scott, Eugene.  Thurmond: Dodge City of West Virginia: Believe It or Not City . Beckley, West Virginia: Eugene Scott, undated.","  Senior Class of Hinton High School.  The Senior Handbook; 1935 . Hinton, West Virginia: Senior Class, Hinton High School, 1935.","  Shuff, Murray.  Stone Cliff, West Virginia: \"Life Along New River\", 1930-1938 . Beckley, West Virginia: Central Printing Company, 1984.","  Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center.  Thurmond Commercial Buildings: New River Gorge, National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  Stewart, Kathleen.  A Space on the Side of the Road: Cultural Poetics in an \"Other\" America . Princeton: Princeton University Press, 1996.","  Sullivan, Ken.  Thurmond: A New River Community . Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.","  Taylor, Sharon.  The Amazing Story of the Gwinns in America . Washington, D.C.: Halbert's, 1982.","  Trail, Stephen D. and Vandalia Consultants, Inc.  Bluestone Dam 50th Anniversary Commemorative Album 1949-1999 . Hinton, West Virginia: Fox Photographics, 1999.","  United States. National Park Service.  Denver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  United States. National Park Service.  Land Protection Plan: New River Gorge . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.","  Wardell, Patrick G., compiler.  Virginians and West Virginians, 1607-1870, Volume 1 . Bowie, Maryland: Heritage Books, 1986.","  Wilson, Goodridge.  Smyth County History and Traditions . Bowie, Maryland: Heritage Books, 1998.","  Separated to closed collections:","  Baseball card of Jack Warhop, originally in box 79, folder 15.","Hinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_43a428a036329b8d08d80398402053d8\"\u003eRecords and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the \u003cemph render=\"italic\"\u003eHinton Daily News\u003c/emph\u003e (later the \u003cemph render=\"italic\"\u003eHinton News\u003c/emph\u003e). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026amp;O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.\u003c/abstract\u003e"],"abstract_tesim":["Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_93518063762d4bcef4eb8598eb8cce65\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Chesapeake and Ohio Railroad Company"],"names_ssim":["West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company","Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"corpname_ssim":["West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company"],"persname_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3592,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:04:46.299Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5374_c2415"}},{"id":"vilxw_repositories_5_resources_231_c05_c223","type":"File","attributes":{"title":"Zilahy","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c05_c223#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c05_c223","ref_ssm":["vilxw_repositories_5_resources_231_c05_c223"],"id":"vilxw_repositories_5_resources_231_c05_c223","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c05","parent_ssi":"vilxw_repositories_5_resources_231_c05","parent_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c05"],"parent_ids_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c05"],"parent_unittitles_ssm":["O.W. Riegel Papers","Personal Correspondence"],"parent_unittitles_tesim":["O.W. Riegel Papers","Personal Correspondence"],"text":["O.W. Riegel Papers","Personal Correspondence","Zilahy","English .","folder 223"],"title_filing_ssi":"Zilahy","title_ssm":["Zilahy"],"title_tesim":["Zilahy"],"unitdate_inclusive_ssm":["1929-1991"],"normalized_date_ssm":["1929/1991"],"normalized_title_ssm":["Zilahy"],"component_level_isim":[2],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1504,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"language_ssim":["English ."],"containers_ssim":["folder 223"],"_nest_path_":"/components#4/components#222","timestamp":"2026-04-30T21:52:19.935Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"text":["WLU.Coll.0387","/repositories/5/resources/231","O.W. Riegel Papers","Propaganda ","Journalism","This collection is open to research use.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. ","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English \n.    "],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"normalized_title_ssm":["O.W. Riegel Papers"],"collection_title_tesim":["O.W. Riegel Papers"],"collection_ssim":["O.W. Riegel Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creators_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda ","Journalism"],"access_subjects_ssm":["Propaganda ","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research use."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e\n","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. ","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.  In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\""],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"names_coll_ssim":["Riegel, Hunt"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English \n.    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During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  ","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). ","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998. ","Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.","Collection processed by Maegan Jankowsi and Robert Vay.","George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories","Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. ","The collection is organized within the following series:","\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. ","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. ","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. ","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. ","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  ","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  ","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. ","The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.","SCRC storage area, Rows 81 and 82.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration","English"],"unitid_tesim":["R0021","/repositories/2/resources/209"],"normalized_title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"collection_title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"collection_ssim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. 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During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.\u003c/p\u003e\n","\u003cp\u003eAfter Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  \u003c/p\u003e\n","\u003cp\u003eWhile initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026amp; Archives (SC\u0026amp;A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.\u003c/p\u003e\n","\u003cp\u003eIn 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). \u003c/p\u003e\n","\u003cp\u003eIn 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026amp; Archives). The CGSA and IFTP ceased operation during the summer of 1998. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  ","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). ","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998. "],"custodhist_html_tesm":["\u003cp\u003eMaterials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.\u003c/p\u003e"],"custodhist_heading_ssm":["Acquisition Information"],"custodhist_tesim":["Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Maegan Jankowsi and Robert Vay.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Maegan Jankowsi and Robert Vay."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0095\"\u003eGeorge Mason University Libraries records\u003c/extref\u003e \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0205\"\u003eFederal Theatre Project photograph collection\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0227\"\u003eFederal Theatre Project personal papers\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0153\"\u003eWorks Progress Administration oral histories\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. \u003c/p\u003e\n","\u003cp\u003eThe collection is organized within the following series:\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. \u003c/p\u003e\n","\u003cp\u003eSeries 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  \u003c/p\u003e\n","\u003cp\u003eSeries 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  \u003c/p\u003e\n","\u003cp\u003eSeries 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. ","The collection is organized within the following series:","\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. ","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. ","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. ","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. ","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  ","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  ","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_554430af778b5b3433a75c9894961db0\"\u003eThe George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d66750c11aa95b4555db32d46e03745b\" label=\"Physical Location\"\u003eSCRC storage area, Rows 81 and 82.\u003c/physloc\u003e"],"physloc_tesim":["SCRC storage area, Rows 81 and 82."],"names_coll_ssim":["Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":621,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_209_c01_c184"}},{"id":"wvmturhc_repositories_2_resources_1513","type":"collection","attributes":{"title":"Zinn Family Genealogy","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1513#creator","type":"document_value","attributes":{"value":"Zinn family","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1513#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eGenealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1513#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1513","ead_ssi":"wvmturhc_repositories_2_resources_1513","_root_":"wvmturhc_repositories_2_resources_1513","_nest_parent_":"wvmturhc_repositories_2_resources_1513","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1513.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195792","title_ssm":["Zinn Family Genealogy"],"title_tesim":["Zinn Family Genealogy"],"unitdate_ssm":["1808-1994","1832-1888"],"unitdate_bulk_ssim":["1832-1888"],"unitdate_inclusive_ssm":["1808-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3213","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1513"],"text":["A\u0026M 3213","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1513","Zinn Family Genealogy","Monongalia County (W. Va.)","Genealogy","Frontier and pioneer life","No special access restriction applies.","Genealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Zinn family","Malcom, John.","Wilson, Jane.","Wilson, William.","Zinn, Frank Garfield.","Zinn, George D.","English"],"unitid_tesim":["A\u0026M 3213","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1513"],"normalized_title_ssm":["Zinn Family Genealogy"],"collection_title_tesim":["Zinn Family Genealogy"],"collection_ssim":["Zinn Family Genealogy"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Monongalia County (W. Va.)"],"geogname_ssim":["Monongalia County (W. 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The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Genealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8b95e4e2fa57840fd986296ca638e826\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Genealogical information compiled by the donor and documents of the Zinn family of north central West Virginia. The family is traced back to George Zinn, a German immigrant from Darstadt and a Revolutionary War veteran who settled after the American Revolution in Monongalia County. There is mention of various of his descendents, mainly West Virginians, but most of the information is on the line of the Civil War veteran George Harrison Zinn and his son Frank Garfield Zinn. Most of the documents are the financial records of George D. Zinn and his business transactions in the vicinity of Morgantown. There are a few other items on Morgantown history and a letter from John Malcom to William and Jane Wilson about land in the frontier Mid-West."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8b95e4e2fa57840fd986296ca638e826\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Zinn family","Malcom, John.","Wilson, Jane.","Wilson, William.","Zinn, Frank Garfield.","Zinn, George D."],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Zinn family","Malcom, John.","Wilson, Jane.","Wilson, William.","Zinn, Frank Garfield.","Zinn, George D."],"famname_ssim":["Zinn family"],"persname_ssim":["Malcom, John.","Wilson, Jane.","Wilson, William.","Zinn, Frank Garfield.","Zinn, George D."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content 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