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His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. 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(Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"names_coll_ssim":["Riegel, Hunt"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English \n.    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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"containers_ssim":["box 27","folder 5"],"_nest_path_":"/components#8/components#23","timestamp":"2026-04-30T23:47:28.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2390","ead_ssi":"viblbv_repositories_2_resources_2390","_root_":"viblbv_repositories_2_resources_2390","_nest_parent_":"viblbv_repositories_2_resources_2390","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2390.xml","title_filing_ssi":"Zallen, Richard, Dr., Papers","title_ssm":["Dr. Richard Zallen Papers"],"title_tesim":["Dr. Richard Zallen Papers"],"unitdate_ssm":["1940-2007"],"unitdate_inclusive_ssm":["1940-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2008.069"],"text":["Ms.2008.069","Dr. Richard Zallen Papers","Faculty and staff","Physics","Science and Technology","University History","Students and alumni","Physicists","The collection is open for research.","The collection maintains original order. Papers are organized by topic and generally appear in reverse chronological order. Correspondence appears alphabetically.","Richard Henry Zallen was born in New York City in 1937. After receiving his bachelors of science in physics from Rensselaer Polytechnic Institute in 1957, Zallen continued his education at Harvard University‐eventually receiving his Ph.D. in Applied Physics in 1964. From 1966 to 1983, Dr. Zallen worked at the Xerox Research Laboratories in Rochester, New York. While working at Xerox, he was part of a team that patented Spin Coated Photoconductor Films. ","After his research at Xerox, Dr. Zallen served as a professor of physics at Virginia Tech. In 1976 Dr. Zallen became a fellow of the American Physical Society. During his sabbaticals, Dr. Zallen held several visiting appointments. From 1971 to 1972 he acted as the visiting associate professor of physics at the Technion, The Israel Institute of Technology, in Haifa; in the summer of 1979 he was the visiting professor at the Université de Paris VI; from 1990 to 1991 he was the SERC senior research fellow at Imperial College in London; and in 1998 he served as the visiting professor at Imperial College in London. ","Dr. Zallen's primary research interest lies in experimental studies of the optical properties of solids. In pursuance of his interests, Dr. Zallen has published more than one hundred articles and a widely cited book,  The Physics of Amorphous Solids . ","In 2006, the Virginia Tech Board of Visitors honored Dr. Zallen with the title  professor emeritus.","The guide to the Dr. Richard Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Dr. Richard Zallen Papers commenced in August 2008 and was completed in October 2008.","Also available from VT Special Collections and University Archives and Newman Library is a book by Dr. Richard Zallen:  The Physics of Amorphous Solids . New York: Wiley, c1983. Call number: QC176.8.A44 Z34 1983.  Request via the library catalog online.","The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech, specializing in condensed matter research, largely during the second half of the twentieth century. The papers include information concerning Zallen's study at Harvard and his work at Xerox; research notes; professional correspondence; Virginia Tech lectures; drafts of published works; and materials concerning trips, sabbaticals, and conferences. The corporate and governmental institutions with which Zallen worked include: the Office of Naval Research, Raytheon Manufacturing Company, Texas Instruments, and IBM. Examples of mentioned geographical locations are Israel, Belgium, China, England, France, Canada, Italy, and a host of cities in the United States. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of  melt-spun amorphous,  and stamps from various countries. Expanatory notes made by Zallen in 2006 annotate many documents. Some significant documents include supporting patent materials for Spin Coated Photoconductor Films, letters concerning the protest by industrial scientists at Xerox over the escalation of the war in Indo-China, and copies of APS Solid State Correspondence discussing the formation of Solid-State Physics. ","( Please note:  Many of the folders in this collection contain two sets of dates. Dates within parentheses designate the date originally provided by the creator and usually indicate when an event/research occurred. Dates outside of parentheses indicate the chronological range of materials found within the collection. )","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech specializing in condensed matter research. Papers largely cover the second half of the twentieth century and include information on research at Xerox; professional correspondence; Virginia Tech lecture notes; drafts of published work; and documents concerning trips, sabbaticals, and conferences. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of  melt-spun amorphous,  and stamps from various countries.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Dr. Richard Zallen Papers were donated to Special Collections and University Archives in 2007."],"access_subjects_ssim":["Faculty and staff","Physics","Science and Technology","University History","Students and alumni","Physicists"],"access_subjects_ssm":["Faculty and staff","Physics","Science and Technology","University History","Students and alumni","Physicists"],"has_online_content_ssim":["false"],"extent_ssm":["17.4 Cubic Feet 36 boxes"],"extent_tesim":["17.4 Cubic Feet 36 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection maintains original order. Papers are organized by topic and generally appear in reverse chronological order. Correspondence appears alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection maintains original order. Papers are organized by topic and generally appear in reverse chronological order. Correspondence appears alphabetically."],"bioghist_html_tesm":["\u003cp\u003eRichard Henry Zallen was born in New York City in 1937. After receiving his bachelors of science in physics from Rensselaer Polytechnic Institute in 1957, Zallen continued his education at Harvard University‐eventually receiving his Ph.D. in Applied Physics in 1964. From 1966 to 1983, Dr. Zallen worked at the Xerox Research Laboratories in Rochester, New York. While working at Xerox, he was part of a team that patented Spin Coated Photoconductor Films. \u003c/p\u003e\n","\u003cp\u003eAfter his research at Xerox, Dr. Zallen served as a professor of physics at Virginia Tech. In 1976 Dr. Zallen became a fellow of the American Physical Society. During his sabbaticals, Dr. Zallen held several visiting appointments. From 1971 to 1972 he acted as the visiting associate professor of physics at the Technion, The Israel Institute of Technology, in Haifa; in the summer of 1979 he was the visiting professor at the Université de Paris VI; from 1990 to 1991 he was the SERC senior research fellow at Imperial College in London; and in 1998 he served as the visiting professor at Imperial College in London. \u003c/p\u003e\n","\u003cp\u003eDr. Zallen's primary research interest lies in experimental studies of the optical properties of solids. In pursuance of his interests, Dr. Zallen has published more than one hundred articles and a widely cited book, \u003ctitle render=\"italic\"\u003eThe Physics of Amorphous Solids\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003eIn 2006, the Virginia Tech Board of Visitors honored Dr. Zallen with the title \u003ctitle render=\"doublequote\"\u003eprofessor emeritus.\u003c/title\u003e \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Richard Henry Zallen was born in New York City in 1937. After receiving his bachelors of science in physics from Rensselaer Polytechnic Institute in 1957, Zallen continued his education at Harvard University‐eventually receiving his Ph.D. in Applied Physics in 1964. From 1966 to 1983, Dr. Zallen worked at the Xerox Research Laboratories in Rochester, New York. While working at Xerox, he was part of a team that patented Spin Coated Photoconductor Films. ","After his research at Xerox, Dr. Zallen served as a professor of physics at Virginia Tech. In 1976 Dr. Zallen became a fellow of the American Physical Society. During his sabbaticals, Dr. Zallen held several visiting appointments. From 1971 to 1972 he acted as the visiting associate professor of physics at the Technion, The Israel Institute of Technology, in Haifa; in the summer of 1979 he was the visiting professor at the Université de Paris VI; from 1990 to 1991 he was the SERC senior research fellow at Imperial College in London; and in 1998 he served as the visiting professor at Imperial College in London. ","Dr. Zallen's primary research interest lies in experimental studies of the optical properties of solids. In pursuance of his interests, Dr. Zallen has published more than one hundred articles and a widely cited book,  The Physics of Amorphous Solids . ","In 2006, the Virginia Tech Board of Visitors honored Dr. Zallen with the title  professor emeritus."],"odd_html_tesm":["\u003cp\u003eThe guide to the Dr. Richard Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Dr. Richard Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Dr. Richard Zallen Papers, Ms2008-069, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Dr. Richard Zallen Papers, Ms2008-069, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Dr. Richard Zallen Papers commenced in August 2008 and was completed in October 2008.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Dr. Richard Zallen Papers commenced in August 2008 and was completed in October 2008."],"relatedmaterial_html_tesm":["\u003cp\u003eAlso available from VT Special Collections and University Archives and Newman Library is a book by Dr. Richard Zallen: \u003ctitle render=\"italic\"\u003eThe Physics of Amorphous Solids\u003c/title\u003e. New York: Wiley, c1983. Call number: QC176.8.A44 Z34 1983. \u003ca target=\"_blank\" href=\"https://catalog.lib.vt.edu/cgi-bin/koha/opac-detail.pl?biblionumber=1006857\"\u003eRequest via the library catalog online.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Also available from VT Special Collections and University Archives and Newman Library is a book by Dr. Richard Zallen:  The Physics of Amorphous Solids . New York: Wiley, c1983. Call number: QC176.8.A44 Z34 1983.  Request via the library catalog online."],"scopecontent_html_tesm":["\u003cp\u003eThe Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech, specializing in condensed matter research, largely during the second half of the twentieth century. The papers include information concerning Zallen's study at Harvard and his work at Xerox; research notes; professional correspondence; Virginia Tech lectures; drafts of published works; and materials concerning trips, sabbaticals, and conferences. The corporate and governmental institutions with which Zallen worked include: the Office of Naval Research, Raytheon Manufacturing Company, Texas Instruments, and IBM. Examples of mentioned geographical locations are Israel, Belgium, China, England, France, Canada, Italy, and a host of cities in the United States. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of \u003ctitle render=\"doublequote\"\u003emelt-spun amorphous,\u003c/title\u003e and stamps from various countries. Expanatory notes made by Zallen in 2006 annotate many documents. Some significant documents include supporting patent materials for Spin Coated Photoconductor Films, letters concerning the protest by industrial scientists at Xerox over the escalation of the war in Indo-China, and copies of APS Solid State Correspondence discussing the formation of Solid-State Physics. \u003c/p\u003e\n","\u003cp\u003e(\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Many of the folders in this collection contain two sets of dates. Dates within parentheses designate the date originally provided by the creator and usually indicate when an event/research occurred. Dates outside of parentheses indicate the chronological range of materials found within the collection. )\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech, specializing in condensed matter research, largely during the second half of the twentieth century. The papers include information concerning Zallen's study at Harvard and his work at Xerox; research notes; professional correspondence; Virginia Tech lectures; drafts of published works; and materials concerning trips, sabbaticals, and conferences. The corporate and governmental institutions with which Zallen worked include: the Office of Naval Research, Raytheon Manufacturing Company, Texas Instruments, and IBM. Examples of mentioned geographical locations are Israel, Belgium, China, England, France, Canada, Italy, and a host of cities in the United States. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of  melt-spun amorphous,  and stamps from various countries. Expanatory notes made by Zallen in 2006 annotate many documents. Some significant documents include supporting patent materials for Spin Coated Photoconductor Films, letters concerning the protest by industrial scientists at Xerox over the escalation of the war in Indo-China, and copies of APS Solid State Correspondence discussing the formation of Solid-State Physics. ","( Please note:  Many of the folders in this collection contain two sets of dates. Dates within parentheses designate the date originally provided by the creator and usually indicate when an event/research occurred. Dates outside of parentheses indicate the chronological range of materials found within the collection. )"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_448414a858bcdf42379c7aaf1fc1a76a\" label=\"Abstract\"\u003eThe Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech specializing in condensed matter research. Papers largely cover the second half of the twentieth century and include information on research at Xerox; professional correspondence; Virginia Tech lecture notes; drafts of published work; and documents concerning trips, sabbaticals, and conferences. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of \u003ctitle render=\"doublequote\"\u003emelt-spun amorphous,\u003c/title\u003e and stamps from various countries.\u003c/abstract\u003e"],"abstract_tesim":["The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech specializing in condensed matter research. Papers largely cover the second half of the twentieth century and include information on research at Xerox; professional correspondence; Virginia Tech lecture notes; drafts of published work; and documents concerning trips, sabbaticals, and conferences. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of  melt-spun amorphous,  and stamps from various countries."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department","Zallen, Richard, b.1937"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department"],"persname_ssim":["Zallen, Richard, b.1937"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":547,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:47:28.367Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2390_c09_c24"}},{"id":"vifgm_repositories_2_resources_316_c1328","type":"File","attributes":{"title":"Zeichnungen und Grafik: Torsten Gregor Schade/ Michael Morgner","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1328#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis poster shows two images, a panting featuring black squares and black paint strokes and an illustration featuring a bull-like creature falling into a black hole. It is for an exhibition featuring drawings and graphic art by Torsten Gregor Schade and Michael Merger in Berlin (February 23 - March 24, 1979). (Box 6)\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1328#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_316_c1328","ref_ssm":["vifgm_repositories_2_resources_316_c1328"],"id":"vifgm_repositories_2_resources_316_c1328","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","parent_ssi":"vifgm_repositories_2_resources_316","parent_ssim":["vifgm_repositories_2_resources_316"],"parent_ids_ssim":["vifgm_repositories_2_resources_316"],"parent_unittitles_ssm":["East German poster collection film series"],"parent_unittitles_tesim":["East German poster collection film series"],"text":["East German poster collection film series","Zeichnungen und Grafik: Torsten Gregor Schade/ Michael Morgner","This poster shows two images, a panting featuring black squares and black paint strokes and an illustration featuring a bull-like creature falling into a black hole. It is for an exhibition featuring drawings and graphic art by Torsten Gregor Schade and Michael Merger in Berlin (February 23 - March 24, 1979). (Box 6)"],"title_filing_ssi":"Zeichnungen und Grafik: Torsten Gregor Schade/ Michael Morgner","title_ssm":["Zeichnungen und Grafik: Torsten Gregor Schade/ Michael Morgner"],"title_tesim":["Zeichnungen und Grafik: Torsten Gregor Schade/ Michael Morgner"],"unitdate_other_ssim":["1979"],"normalized_date_ssm":["1979"],"normalized_title_ssm":["Zeichnungen und Grafik: Torsten Gregor Schade/ Michael Morgner"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["East German poster collection film series"],"dimensions_tesim":["41 x 58"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1328,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"date_range_isim":[1979],"scopecontent_html_tesm":["\u003cp\u003eThis poster shows two images, a panting featuring black squares and black paint strokes and an illustration featuring a bull-like creature falling into a black hole. It is for an exhibition featuring drawings and graphic art by Torsten Gregor Schade and Michael Merger in Berlin (February 23 - March 24, 1979). (Box 6)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This poster shows two images, a panting featuring black squares and black paint strokes and an illustration featuring a bull-like creature falling into a black hole. It is for an exhibition featuring drawings and graphic art by Torsten Gregor Schade and Michael Merger in Berlin (February 23 - March 24, 1979). (Box 6)"],"_nest_path_":"/components#1327","timestamp":"2026-05-01T00:37:55.284Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0208","/repositories/2/resources/316"],"text":["C0208","/repositories/2/resources/316","East German poster collection film series","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.","Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. ","The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3","George Mason University. Libraries. 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Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. 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EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. 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Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e"],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. 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","The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. 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Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["East German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e"],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e"],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"names_coll_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1870,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:37:55.284Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c339"}},{"id":"viblbv_repositories_2_resources_1855_c01_c32","type":"File","attributes":{"title":"Zelma Wilson - Miscellaneous Files concerning architecture","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1855_c01_c32#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1855_c01_c32","ref_ssm":["viblbv_repositories_2_resources_1855_c01_c32"],"id":"viblbv_repositories_2_resources_1855_c01_c32","ead_ssi":"viblbv_repositories_2_resources_1855","_root_":"viblbv_repositories_2_resources_1855","_nest_parent_":"viblbv_repositories_2_resources_1855_c01","parent_ssi":"viblbv_repositories_2_resources_1855_c01","parent_ssim":["viblbv_repositories_2_resources_1855","viblbv_repositories_2_resources_1855_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_1855","viblbv_repositories_2_resources_1855_c01"],"parent_unittitles_ssm":["Zelma Wilson Architectural Collection","SERIES I: Professional Papers"],"parent_unittitles_tesim":["Zelma Wilson Architectural Collection","SERIES I: Professional Papers"],"text":["Zelma Wilson Architectural Collection","SERIES I: Professional Papers","Zelma Wilson - Miscellaneous Files concerning architecture","box 22","folder 38"],"title_filing_ssi":"Zelma Wilson - Miscellaneous Files concerning architecture","title_ssm":["Zelma Wilson - Miscellaneous Files concerning architecture"],"title_tesim":["Zelma Wilson - Miscellaneous Files concerning architecture"],"unitdate_inclusive_ssm":["1971-1983"],"normalized_date_ssm":["1971/1983"],"normalized_title_ssm":["Zelma Wilson - Miscellaneous Files concerning architecture"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Zelma Wilson Architectural Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":33,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"containers_ssim":["box 22","folder 38"],"_nest_path_":"/components#0/components#31","timestamp":"2026-04-30T23:28:53.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1855","ead_ssi":"viblbv_repositories_2_resources_1855","_root_":"viblbv_repositories_2_resources_1855","_nest_parent_":"viblbv_repositories_2_resources_1855","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1855.xml","title_filing_ssi":"Wilson, Zelma, Architectural Collection","title_ssm":["Zelma Wilson Architectural Collection"],"title_tesim":["Zelma Wilson Architectural Collection"],"unitdate_ssm":["1940-1995","1969-1991"],"unitdate_bulk_ssim":["1969-1991"],"unitdate_inclusive_ssm":["1940-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.046"],"text":["Ms.1991.046","Zelma Wilson Architectural Collection","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995). ","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\" ","The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.","Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).","Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996","The materials in the collection are in English."],"unitid_tesim":["Ms.1991.046"],"normalized_title_ssm":["Zelma Wilson Architectural Collection"],"collection_title_tesim":["Zelma Wilson Architectural Collection"],"collection_ssim":["Zelma Wilson Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wilson, Zelma, 1918-1996"],"creator_ssim":["Wilson, Zelma, 1918-1996"],"creator_persname_ssim":["Wilson, Zelma, 1918-1996"],"creators_ssim":["Wilson, Zelma, 1918-1996"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Zelma Wilson Architectural Collection was donated to Special Collections in 1991 with the bulk of the collection arriving in 1996."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"extent_tesim":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eZelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"\u003c/p\u003e\n","\u003cp\u003eAfter working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995). \u003c/p\u003e\n","\u003cp\u003eHer projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995). ","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\" "],"odd_html_tesm":["\u003cp\u003eThe guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006."],"scopecontent_html_tesm":["\u003cp\u003eZelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5530344875689115357e4bee240e5e1\" label=\"Abstract\"\u003eWilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).\u003c/abstract\u003e"],"abstract_tesim":["Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991)."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Wilson, Zelma, 1918-1996"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:28:53.734Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1855_c01_c32"}},{"id":"vifgm_repositories_2_resources_209_c02_c72","type":"File","attributes":{"title":"Zengrando, Joanna S.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_209_c02_c72#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_209_c02_c72","ref_ssm":["vifgm_repositories_2_resources_209_c02_c72"],"id":"vifgm_repositories_2_resources_209_c02_c72","ead_ssi":"vifgm_repositories_2_resources_209","_root_":"vifgm_repositories_2_resources_209","_nest_parent_":"vifgm_repositories_2_resources_209_c02","parent_ssi":"vifgm_repositories_2_resources_209_c02","parent_ssim":["vifgm_repositories_2_resources_209","vifgm_repositories_2_resources_209_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_209","vifgm_repositories_2_resources_209_c02"],"parent_unittitles_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records","Series 2: IFTP Correspondence"],"parent_unittitles_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records","Series 2: IFTP Correspondence"],"text":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records","Series 2: IFTP Correspondence","Zengrando, Joanna S.","box 6","folder 43"],"title_filing_ssi":"Zengrando, Joanna S.","title_ssm":["Zengrando, Joanna S."],"title_tesim":["Zengrando, Joanna S."],"unitdate_other_ssim":["1979"],"normalized_date_ssm":["1979"],"normalized_title_ssm":["Zengrando, Joanna S."],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":258,"parent_access_restrict_tesm":["There are no restrictions."],"date_range_isim":[1979],"containers_ssim":["box 6","folder 43"],"_nest_path_":"/components#1/components#71","timestamp":"2026-05-01T00:25:37.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_209","ead_ssi":"vifgm_repositories_2_resources_209","_root_":"vifgm_repositories_2_resources_209","_nest_parent_":"vifgm_repositories_2_resources_209","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_209.xml","title_filing_ssi":"George Mason University Institute on the Federal Theatre Project and New Deal Culture records","title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"unitdate_ssm":["1935-2006"],"unitdate_inclusive_ssm":["1935-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0021","/repositories/2/resources/209"],"text":["R0021","/repositories/2/resources/209","George Mason University Institute on the Federal Theatre Project and New Deal Culture records","Theater programs","Dance","Ballet","None","There are no restrictions.","Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual.","The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  ","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). ","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998. ","Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.","Collection processed by Maegan Jankowsi and Robert Vay.","George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories","Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. ","The collection is organized within the following series:","\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. ","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. ","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. ","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. ","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  ","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  ","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. ","The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.","SCRC storage area, Rows 81 and 82.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration","English"],"unitid_tesim":["R0021","/repositories/2/resources/209"],"normalized_title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"collection_title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"collection_ssim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"access_subjects_ssim":["Theater programs","Dance","Ballet"],"access_subjects_ssm":["Theater programs","Dance","Ballet"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 81 boxes"],"extent_tesim":["37.5 Linear Feet 81 boxes"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNone\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Use Restictions"],"accessrestrict_tesim":["None","There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged within the following series:\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials\u003c/p\u003e\n","\u003cp\u003eWithin each series, the records are arranged alphabetically by subject, topic, or individual.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.\u003c/p\u003e\n","\u003cp\u003eAfter Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  \u003c/p\u003e\n","\u003cp\u003eWhile initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026amp; Archives (SC\u0026amp;A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.\u003c/p\u003e\n","\u003cp\u003eIn 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). \u003c/p\u003e\n","\u003cp\u003eIn 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026amp; Archives). The CGSA and IFTP ceased operation during the summer of 1998. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  ","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). ","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998. "],"custodhist_html_tesm":["\u003cp\u003eMaterials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.\u003c/p\u003e"],"custodhist_heading_ssm":["Acquisition Information"],"custodhist_tesim":["Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Maegan Jankowsi and Robert Vay.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Maegan Jankowsi and Robert Vay."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0095\"\u003eGeorge Mason University Libraries records\u003c/extref\u003e \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0205\"\u003eFederal Theatre Project photograph collection\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0227\"\u003eFederal Theatre Project personal papers\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0153\"\u003eWorks Progress Administration oral histories\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. \u003c/p\u003e\n","\u003cp\u003eThe collection is organized within the following series:\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. \u003c/p\u003e\n","\u003cp\u003eSeries 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  \u003c/p\u003e\n","\u003cp\u003eSeries 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  \u003c/p\u003e\n","\u003cp\u003eSeries 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. ","The collection is organized within the following series:","\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. ","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. ","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. ","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. ","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  ","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  ","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_554430af778b5b3433a75c9894961db0\"\u003eThe George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d66750c11aa95b4555db32d46e03745b\" label=\"Physical Location\"\u003eSCRC storage area, Rows 81 and 82.\u003c/physloc\u003e"],"physloc_tesim":["SCRC storage area, Rows 81 and 82."],"names_coll_ssim":["Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":621,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_209_c02_c72"}},{"id":"viblbv_repositories_2_resources_1449_c03_c32_c23","type":"File","attributes":{"title":"Zenz, F. A.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1449_c03_c32_c23#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1449_c03_c32_c23","ref_ssm":["viblbv_repositories_2_resources_1449_c03_c32_c23"],"id":"viblbv_repositories_2_resources_1449_c03_c32_c23","ead_ssi":"viblbv_repositories_2_resources_1449","_root_":"viblbv_repositories_2_resources_1449","_nest_parent_":"viblbv_repositories_2_resources_1449_c03_c32","parent_ssi":"viblbv_repositories_2_resources_1449_c03_c32","parent_ssim":["viblbv_repositories_2_resources_1449","viblbv_repositories_2_resources_1449_c03","viblbv_repositories_2_resources_1449_c03_c32"],"parent_ids_ssim":["viblbv_repositories_2_resources_1449","viblbv_repositories_2_resources_1449_c03","viblbv_repositories_2_resources_1449_c03_c32"],"parent_unittitles_ssm":["Arthur M. Squires Papers","C Series, Correspondence Files","Box C-32"],"parent_unittitles_tesim":["Arthur M. Squires Papers","C Series, Correspondence Files","Box C-32"],"text":["Arthur M. Squires Papers","C Series, Correspondence Files","Box C-32","Zenz, F. A."],"title_filing_ssi":"Zenz, F. A.","title_ssm":["Zenz, F. A."],"title_tesim":["Zenz, F. A."],"unitdate_inclusive_ssm":["1959-1982"],"normalized_date_ssm":["1959/1982"],"normalized_title_ssm":["Zenz, F. A."],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Arthur M. Squires Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1601,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"_nest_path_":"/components#2/components#31/components#22","timestamp":"2026-04-30T23:43:53.309Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1449","ead_ssi":"viblbv_repositories_2_resources_1449","_root_":"viblbv_repositories_2_resources_1449","_nest_parent_":"viblbv_repositories_2_resources_1449","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1449.xml","title_filing_ssi":"Squires, Arthur M., Papers","title_ssm":["Arthur M. Squires Papers"],"title_tesim":["Arthur M. Squires Papers"],"unitdate_ssm":["1888-1987","1940-1987"],"unitdate_bulk_ssim":["1940-1987"],"unitdate_inclusive_ssm":["1888-1987"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1987.006"],"text":["Ms.1987.006","Arthur M. Squires Papers","Faculty and staff","Science and Technology","University History","Photographs","The collection is open for research.","This collection is arranged in six series: A Series-Subject Files; B Series-Publications; C Series-Correspondence Files; D Series-Diaries; E Series-Materials to go with the Walter E. Lobo/M. W. Kellogg Files (transferred to Lobo Papers, Ms1985-014); and F Series: Books for Archives.","Please note: There is no Box 10.","University Distinguished Professor Emeritus (1986-2012) of Chemical Engineering at Virginia Tech. Member, National Academy of Engineering. Fellow, American Academy of Arts and Sciences. ","Educated at University of Missouri (A.B., 1938) and Cornell University (Ph.D., 1947). ","Employment: M.W. Kellogg Company (the Kellex Corporation), 1942-1946, participating in design and startup of gaseous diffusion plant at Oak Ridge as part of the Manhattan Project; Hydrocarbon Research, Inc. of New York City, 1946-1959, architect-engineering firm (research laboratories at Trenton, New Jersey) catering to petroleum, chemical, and steel industries; self-employed consultant, 1959-1967; faculty of chemical engineering, The City College of The City University of New York (1967-1976), Department Chairman (1970-1973), Distinguished University Professor (1974-1976); Frank C. Vilbrandt Professor of Chemical Engineering (1976-1982), University Distinguished Professor (1978-1986), and University Distinguished Professor Emeritus (1986-2012) at Virginia Polytechnic Institute \u0026 State University. ","Consultant for U.S. Bureau of Mines, Office of Coal Research, Electric Power Research Institute, United Nations, Office of Technology Assessment, Oak Ridge National Laboratory, and others. ","Author of  The Tender Ship: Governmental Management of Technological Change  (1986). ","Expert in fluid beds, petroleum refining, hydrocarbon synthesis, coal conversions (gasification, liquefaction, carbonization, combustion), iron ore reduction, low-temperature processes, dust filtration, air pollution control. ","Born 1916. Died 2012.","The guide to the Arthur M. Squires Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Arthur M. Squires Papers was completed in prior to 2002. Additional description, based on the inventory and prior arrangement, was completed in 2010.","The Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), consist of extensive correspondence, unpublished research reports, lectures, trip reports, reprints, trip diaries (1968-1982), photographs (1979) from his trip to China, daily work books (1959-1981), and subject files spanning entire career. This collection is unprocessed.","Box E-1 was transferred to the Walter E. Lobo Papers, 1929-1955, Ms1985-014 in November 1987. The box contained: ","\"The Improbable Achievement: Chemical Engineering at MIT\"","\"Large Scale Production of Oxygen - Combined Technical Oil Missions Holroyd Report - German Oil Technology\"","\"Guide to Refinery Operating Costs (Process Costimating)\"","\"The German Chemical Industry - A Bibliography of the Chemical, Metallurgical, and Process Industries\"","\"Enriched Air\"","\"List of Process Management's Translations of I. G. Reports - Set No. 46\"","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Please note:  A Series-D Series are located in off-site storage and require 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Squires, Arthur M., 1916-2012","The materials in the collection are in English."],"unitid_tesim":["Ms.1987.006"],"normalized_title_ssm":["Arthur M. Squires Papers"],"collection_title_tesim":["Arthur M. Squires Papers"],"collection_ssim":["Arthur M. Squires Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Squires, Arthur M., 1916-2012"],"creator_ssim":["Squires, Arthur M., 1916-2012"],"creator_persname_ssim":["Squires, Arthur M., 1916-2012"],"creators_ssim":["Squires, Arthur M., 1916-2012"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 1987 and 1988."],"access_subjects_ssim":["Faculty and staff","Science and Technology","University History","Photographs"],"access_subjects_ssm":["Faculty and staff","Science and Technology","University History","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["72 Cubic Feet 72 boxes"],"extent_tesim":["72 Cubic Feet 72 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series: A Series-Subject Files; B Series-Publications; C Series-Correspondence Files; D Series-Diaries; E Series-Materials to go with the Walter E. Lobo/M. W. Kellogg Files (transferred to Lobo Papers, Ms1985-014); and F Series: Books for Archives.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003ePlease note: There is no Box 10.\u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in six series: A Series-Subject Files; B Series-Publications; C Series-Correspondence Files; D Series-Diaries; E Series-Materials to go with the Walter E. Lobo/M. W. Kellogg Files (transferred to Lobo Papers, Ms1985-014); and F Series: Books for Archives.","Please note: There is no Box 10."],"bioghist_html_tesm":["\u003cp\u003eUniversity Distinguished Professor Emeritus (1986-2012) of Chemical Engineering at Virginia Tech. Member, National Academy of Engineering. Fellow, American Academy of Arts and Sciences. \u003c/p\u003e\n","\u003cp\u003eEducated at University of Missouri (A.B., 1938) and Cornell University (Ph.D., 1947). \u003c/p\u003e\n","\u003cp\u003eEmployment: M.W. Kellogg Company (the Kellex Corporation), 1942-1946, participating in design and startup of gaseous diffusion plant at Oak Ridge as part of the Manhattan Project; Hydrocarbon Research, Inc. of New York City, 1946-1959, architect-engineering firm (research laboratories at Trenton, New Jersey) catering to petroleum, chemical, and steel industries; self-employed consultant, 1959-1967; faculty of chemical engineering, The City College of The City University of New York (1967-1976), Department Chairman (1970-1973), Distinguished University Professor (1974-1976); Frank C. Vilbrandt Professor of Chemical Engineering (1976-1982), University Distinguished Professor (1978-1986), and University Distinguished Professor Emeritus (1986-2012) at Virginia Polytechnic Institute \u0026amp; State University. \u003c/p\u003e\n","\u003cp\u003eConsultant for U.S. Bureau of Mines, Office of Coal Research, Electric Power Research Institute, United Nations, Office of Technology Assessment, Oak Ridge National Laboratory, and others. \u003c/p\u003e\n","\u003cp\u003eAuthor of \u003cemph render=\"italic\"\u003eThe Tender Ship: Governmental Management of Technological Change\u003c/emph\u003e (1986). \u003c/p\u003e\n","\u003cp\u003eExpert in fluid beds, petroleum refining, hydrocarbon synthesis, coal conversions (gasification, liquefaction, carbonization, combustion), iron ore reduction, low-temperature processes, dust filtration, air pollution control. \u003c/p\u003e\n","\u003cp\u003eBorn 1916. Died 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["University Distinguished Professor Emeritus (1986-2012) of Chemical Engineering at Virginia Tech. Member, National Academy of Engineering. Fellow, American Academy of Arts and Sciences. ","Educated at University of Missouri (A.B., 1938) and Cornell University (Ph.D., 1947). ","Employment: M.W. Kellogg Company (the Kellex Corporation), 1942-1946, participating in design and startup of gaseous diffusion plant at Oak Ridge as part of the Manhattan Project; Hydrocarbon Research, Inc. of New York City, 1946-1959, architect-engineering firm (research laboratories at Trenton, New Jersey) catering to petroleum, chemical, and steel industries; self-employed consultant, 1959-1967; faculty of chemical engineering, The City College of The City University of New York (1967-1976), Department Chairman (1970-1973), Distinguished University Professor (1974-1976); Frank C. Vilbrandt Professor of Chemical Engineering (1976-1982), University Distinguished Professor (1978-1986), and University Distinguished Professor Emeritus (1986-2012) at Virginia Polytechnic Institute \u0026 State University. ","Consultant for U.S. Bureau of Mines, Office of Coal Research, Electric Power Research Institute, United Nations, Office of Technology Assessment, Oak Ridge National Laboratory, and others. ","Author of  The Tender Ship: Governmental Management of Technological Change  (1986). ","Expert in fluid beds, petroleum refining, hydrocarbon synthesis, coal conversions (gasification, liquefaction, carbonization, combustion), iron ore reduction, low-temperature processes, dust filtration, air pollution control. ","Born 1916. Died 2012."],"odd_html_tesm":["\u003cp\u003eThe guide to the Arthur M. Squires Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Arthur M. Squires Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), Ms1987-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), Ms1987-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Arthur M. Squires Papers was completed in prior to 2002. Additional description, based on the inventory and prior arrangement, was completed in 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Arthur M. Squires Papers was completed in prior to 2002. Additional description, based on the inventory and prior arrangement, was completed in 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), consist of extensive correspondence, unpublished research reports, lectures, trip reports, reprints, trip diaries (1968-1982), photographs (1979) from his trip to China, daily work books (1959-1981), and subject files spanning entire career. This collection is unprocessed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), consist of extensive correspondence, unpublished research reports, lectures, trip reports, reprints, trip diaries (1968-1982), photographs (1979) from his trip to China, daily work books (1959-1981), and subject files spanning entire career. This collection is unprocessed."],"separatedmaterial_html_tesm":["\u003cp\u003eBox E-1 was transferred to the Walter E. Lobo Papers, 1929-1955, Ms1985-014 in November 1987. The box contained: \u003c/p\u003e\n","\u003cp\u003e\"The Improbable Achievement: Chemical Engineering at MIT\"\u003c/p\u003e\n","\u003cp\u003e\"Large Scale Production of Oxygen - Combined Technical Oil Missions Holroyd Report - German Oil Technology\"\u003c/p\u003e\n","\u003cp\u003e\"Guide to Refinery Operating Costs (Process Costimating)\"\u003c/p\u003e\n","\u003cp\u003e\"The German Chemical Industry - A Bibliography of the Chemical, Metallurgical, and Process Industries\"\u003c/p\u003e\n","\u003cp\u003e\"Enriched Air\"\u003c/p\u003e\n","\u003cp\u003e\"List of Process Management's Translations of I. G. Reports - Set No. 46\"\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Box E-1 was transferred to the Walter E. Lobo Papers, 1929-1955, Ms1985-014 in November 1987. The box contained: ","\"The Improbable Achievement: Chemical Engineering at MIT\"","\"Large Scale Production of Oxygen - Combined Technical Oil Missions Holroyd Report - German Oil Technology\"","\"Guide to Refinery Operating Costs (Process Costimating)\"","\"The German Chemical Industry - A Bibliography of the Chemical, Metallurgical, and Process Industries\"","\"Enriched Air\"","\"List of Process Management's Translations of I. G. Reports - Set No. 46\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8ada9e8fb68f1484eb84e7a03592017b\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e A Series-D Series are located in off-site storage and require 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  A Series-D Series are located in off-site storage and require 2-3 days notice for retrieval. Please contact Special Collections for more information."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Squires, Arthur M., 1916-2012"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Squires, Arthur M., 1916-2012"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1700,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:43:53.309Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1449_c03_c32_c23"}},{"id":"vifgm_censer_c01_c357","type":"File","attributes":{"title":"Zhang, Zhi-lian, \"Reform or Revolution,\"","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_censer_c01_c357#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_censer_c01_c357#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_censer_c01_c357","ref_ssm":["vifgm_censer_c01_c357"],"id":"vifgm_censer_c01_c357","ead_ssi":"vifgm_censer","_root_":"vifgm_censer","_nest_parent_":"vifgm_censer_c01","parent_ssi":"vifgm_censer_c01","parent_ssim":["vifgm_censer","vifgm_censer_c01"],"parent_ids_ssim":["vifgm_censer","vifgm_censer_c01"],"parent_unittitles_ssm":["Jack Censer collection","Series 1: Offprints,"],"parent_unittitles_tesim":["Jack Censer collection","Series 1: Offprints,"],"text":["Jack Censer collection","Series 1: Offprints,","Zhang, Zhi-lian, \"Reform or Revolution,\"","Box 17","Folder 14",""],"title_filing_ssi":"Zhang, Zhi-lian, \"Reform or Revolution,\" \n","title_ssm":["Zhang, Zhi-lian, \"Reform or Revolution,\" \n"],"title_tesim":["Zhang, Zhi-lian, \"Reform or Revolution,\" \n"],"unitdate_other_ssim":["1979\n"],"normalized_date_ssm":["1979"],"normalized_title_ssm":["Zhang, Zhi-lian, \"Reform or Revolution,\""],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Jack Censer collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":358,"parent_access_restrict_tesm":["A small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy.  Folders that are restricted are marked in the contents list."],"parent_access_terms_tesm":["There are no restrictions on personal use. 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Folders that are restricted are marked in the contents list.","The collection is arranged into the following 6 series, arranged by the archivist based on their organization by Jack Censer:","Series 1: Offprints, 1953-2010 (Boxes 1-17) Series 2: D.C. Sniper research, 2002-2010 (Boxes 17-24) Series 3: Teaching, circa 1960s-2003 (Boxes 24-27) Series 4: Research, 1968-2006 (Boxes 27-42) Series 5: Administrative papers, 1972-2011 (Boxes 42-44) Series 6: Audiovisual materials, 2001-circa 2010s (Box 45)","","A historian of France (particlulary the 18th century and the French Revolution), Jack Censer is an emeritus professor of history and former chair of the History and Art History department and Dean of the College of Humanities and Social Sciences at George Mason University.  Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University.  He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution.  His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.","Jack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer').","Processing completed by Elizabeth Beckman in October 2017.  EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017.","The Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history.","This collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. ","Series 1: Offprints contains articles collected by  Censer throughout his career that date from 1953-2010.  Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented.  Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer.  There is a mixture of photocopies and original printings.","Series 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.","Series 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. ","Series 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies).  It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.","Series 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University.  Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.","Series 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes.","There are no restrictions on personal use. 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Some material in French, German.\n\t\t"],"unitid_tesim":["C0241"],"normalized_title_ssm":["Jack Censer collection"],"collection_title_tesim":["Jack Censer collection"],"collection_ssim":["Jack Censer collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Censer, Jack Richard"],"creator_ssim":["Censer, Jack Richard"],"creator_persname_ssim":["Censer, Jack Richard"],"creators_ssim":["Censer, Jack Richard"],"access_terms_ssm":["There are no restrictions on personal use. 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Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University.  He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution.  His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.\u003c/p\u003e","\u003cp\u003eJack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer').\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["A historian of France (particlulary the 18th century and the French Revolution), Jack Censer is an emeritus professor of history and former chair of the History and Art History department and Dean of the College of Humanities and Social Sciences at George Mason University.  Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University.  He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution.  His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.","Jack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer')."],"prefercite_html_tesm":["\u003cp\u003eJack Censer collection, C0241, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jack Censer collection, C0241, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in October 2017.  EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in October 2017.  EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. \u003c/p\u003e","\u003cp\u003eSeries 1: Offprints contains articles collected by  Censer throughout his career that date from 1953-2010.  Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented.  Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer.  There is a mixture of photocopies and original printings.\u003c/p\u003e","\u003cp\u003eSeries 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.\u003c/p\u003e","\u003cp\u003eSeries 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. \u003c/p\u003e","\u003cp\u003eSeries 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies).  It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.\u003c/p\u003e","\u003cp\u003eSeries 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University.  Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.\u003c/p\u003e","\u003cp\u003eSeries 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. ","Series 1: Offprints contains articles collected by  Censer throughout his career that date from 1953-2010.  Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented.  Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer.  There is a mixture of photocopies and original printings.","Series 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.","Series 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. ","Series 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies).  It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.","Series 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University.  Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.","Series 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Jack Censer collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Jack Censer collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref1\" label=\"Abstract\"\u003eThis collection documents Censer’s work as a historian and as a professor, History and Art History Department Chair, and Dean of the College of Humanities and Social Sciences at George Mason University. The research files include his work on French history as well as his research on the D.C. Sniper and the media in 2002.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents Censer’s work as a historian and as a professor, History and Art History Department Chair, and Dean of the College of Humanities and Social Sciences at George Mason University. The research files include his work on French history as well as his research on the D.C. Sniper and the media in 2002."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","George Mason University.","Censer, Jack Richard"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","George Mason University."],"persname_ssim":["Censer, Jack Richard"],"language_ssim":["English.  Some material in French, German.\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":792,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T01:00:31.956Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_censer_c01_c357"}},{"id":"vifgm_repositories_2_resources_654_c01_c357","type":"File","attributes":{"title":"Zhang, Zhi-lian, \"Reform or Revolution,\"","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_654_c01_c357#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_654_c01_c357","ref_ssm":["vifgm_repositories_2_resources_654_c01_c357"],"id":"vifgm_repositories_2_resources_654_c01_c357","ead_ssi":"vifgm_repositories_2_resources_654","_root_":"vifgm_repositories_2_resources_654","_nest_parent_":"vifgm_repositories_2_resources_654_c01","parent_ssi":"vifgm_repositories_2_resources_654_c01","parent_ssim":["vifgm_repositories_2_resources_654","vifgm_repositories_2_resources_654_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_654","vifgm_repositories_2_resources_654_c01"],"parent_unittitles_ssm":["Jack Censer collection","Series 1: Offprints"],"parent_unittitles_tesim":["Jack Censer collection","Series 1: Offprints"],"text":["Jack Censer collection","Series 1: Offprints","Zhang, Zhi-lian, \"Reform or Revolution,\"","Box 17","Folder 14"],"title_filing_ssi":"Zhang, Zhi-lian, \"Reform or Revolution,\"","title_ssm":["Zhang, Zhi-lian, \"Reform or Revolution,\""],"title_tesim":["Zhang, Zhi-lian, \"Reform or Revolution,\""],"unitdate_other_ssim":["1979"],"normalized_date_ssm":["1979"],"normalized_title_ssm":["Zhang, Zhi-lian, \"Reform or Revolution,\""],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Jack Censer collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":358,"parent_access_restrict_tesm":["A small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy. Folders that are restricted are marked in the contents list."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1979],"containers_ssim":["Box 17","Folder 14"],"_nest_path_":"/components#0/components#356","timestamp":"2026-05-01T00:18:55.319Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_654","ead_ssi":"vifgm_repositories_2_resources_654","_root_":"vifgm_repositories_2_resources_654","_nest_parent_":"vifgm_repositories_2_resources_654","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_654.xml","title_ssm":["Jack Censer collection"],"title_tesim":["Jack Censer collection"],"unitdate_ssm":["1953 - 2011","1970s - 2011"],"unitdate_bulk_ssim":["1970s - 2011"],"unitdate_inclusive_ssm":["1953 - 2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0241","/repositories/2/resources/654"],"text":["C0241","/repositories/2/resources/654","Jack Censer collection","France -- History -- Revolution, 1789-1799","Criminal snipers -- Washington Metropolitan Area","A small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy. Folders that are restricted are marked in the contents list.","The collection is arranged into the following 6 series, based on their organization by Jack Censer:","Series Series 1: Offprints, 1953-2010 (Boxes 1-17) Series 2: D.C. Sniper research, 2002-2010 (Boxes 17-24) Series 3: Teaching, circa 1960s-2003 (Boxes 24-27) Series 4: Research, 1968-2006 (Boxes 27-42) Series 5: Administrative papers, 1972-2011 (Boxes 42-44) Series 6: Audiovisual materials, 2001-circa 2010s (Box 45)","","A historian of France (particlulary the 18th century and the French Revolution), Jack Censer is an emeritus professor of history and former chair of the History and Art History department and Dean of the College of Humanities and Social Sciences at George Mason University. Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University. He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution. His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.","Jack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer').","Processing completed by Elizabeth Beckman in October 2017. EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017. Finding aid updated by Amanda Menjivar in November 2022.","The Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history.","This collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. ","Series 1: Offprints contains articles collected by Censer throughout his career that date from 1953-2010. Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented. Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer. There is a mixture of photocopies and original printings.","Series 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.","Series 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. ","Series 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies). It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.","Series 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University. Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.","Series 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection documents Censer's work as a historian and as a professor, History and Art History Department Chair, and Dean of the College of Humanities and Social Sciences at George Mason University. The research files include his work on French history as well as his research on the D.C. Sniper and the media in 2002.","R 48, C 2, S 4 - R 48, C 3, S 4","George Mason University. Libraries. Special Collections Research Center","George Mason University","Censer, Jack Richard","English \n.    "],"unitid_tesim":["C0241","/repositories/2/resources/654"],"normalized_title_ssm":["Jack Censer collection"],"collection_title_tesim":["Jack Censer collection"],"collection_ssim":["Jack Censer collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- History -- Revolution, 1789-1799"],"geogname_ssim":["France -- History -- Revolution, 1789-1799"],"places_ssim":["France -- History -- Revolution, 1789-1799"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Jack Censer in 2013 and 2016."],"access_subjects_ssim":["Criminal snipers -- Washington Metropolitan Area"],"access_subjects_ssm":["Criminal snipers -- Washington Metropolitan Area"],"has_online_content_ssim":["false"],"extent_ssm":["18 linear feet 45 boxes"],"extent_tesim":["18 linear feet 45 boxes"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eA small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy. Folders that are restricted are marked in the contents list.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["A small amount of material is embargoed due to FERPA, Personally Identifiable Information, or in the interest of privacy. Folders that are restricted are marked in the contents list."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following 6 series, based on their organization by Jack Censer:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Offprints, 1953-2010 (Boxes 1-17)\u003c/item\u003e\n      \u003citem\u003eSeries 2: D.C. Sniper research, 2002-2010 (Boxes 17-24)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Teaching, circa 1960s-2003 (Boxes 24-27)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Research, 1968-2006 (Boxes 27-42)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Administrative papers, 1972-2011 (Boxes 42-44)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Audiovisual materials, 2001-circa 2010s (Box 45)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following 6 series, based on their organization by Jack Censer:","Series Series 1: Offprints, 1953-2010 (Boxes 1-17) Series 2: D.C. Sniper research, 2002-2010 (Boxes 17-24) Series 3: Teaching, circa 1960s-2003 (Boxes 24-27) Series 4: Research, 1968-2006 (Boxes 27-42) Series 5: Administrative papers, 1972-2011 (Boxes 42-44) Series 6: Audiovisual materials, 2001-circa 2010s (Box 45)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://historyarthistory.gmu.edu/people/jcenser\" title=\"'Jack R. Censer,' History and Art History Department, George Mason University, accessed October 4, 2017.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""],"bioghist_html_tesm":["\u003cp\u003eA historian of France (particlulary the 18th century and the French Revolution), Jack Censer is an emeritus professor of history and former chair of the History and Art History department and Dean of the College of Humanities and Social Sciences at George Mason University. Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University. He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution. His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.\u003c/p\u003e\n","\u003cp\u003eJack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer').\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["A historian of France (particlulary the 18th century and the French Revolution), Jack Censer is an emeritus professor of history and former chair of the History and Art History department and Dean of the College of Humanities and Social Sciences at George Mason University. Censer received his BA from Duke University and his MA and PhD from Johns Hopkins University. He taught at the College of Charleston in South Carolina before coming to George Mason University in 1977, where he taught a wide range of classes, from undergraduate courses in Western Civilization to graduate seminars on the French Revolution. His wife, Jane Turner Censer, is also a professor in the George Mason University History and Art History department.","Jack Censer has done significant work studying the French 18th century press, including a great deal of archival research both in France and the United States, and he has written numerous books and articles. His interest in the press and the media also led him to write a study of the media response to the 2002 D.C. Sniper shootings, 'On the Trail of the DC Sniper: Fear and the Media.' Censer retired from Mason in 2015 (History and Art History Department, George Mason University, 'Jack R. Censer')."],"prefercite_html_tesm":["\u003cp\u003eJack Censer collection, C0241, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jack Censer collection, C0241, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in October 2017. EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in October 2017. EAD markup begun by Jordan Patty in 2014 and completed by Elizabeth Beckman in October 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of other George Mason University professors as well as collections on the French Revolution and other periods of French history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Offprints contains articles collected by Censer throughout his career that date from 1953-2010. Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented. Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer. There is a mixture of photocopies and original printings.\u003c/p\u003e\n","\u003cp\u003eSeries 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies). It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University. Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains material from throughout Jack Censer's career as a researcher, historian of the French Revolution, university professor, and administrator. ","Series 1: Offprints contains articles collected by Censer throughout his career that date from 1953-2010. Most of the articles are from scholarly publications and deal with French history, particularly French 18th century history, although other places and times are represented. Some of the articles have notes to Censer and are signed by the author. The series also contains a number of reviews published in journals by Censer. There is a mixture of photocopies and original printings.","Series 2: D.C. Sniper research contains notes, printouts of television transcripts and print coverage, and other research material dating from 2002-2010, collected in the course of Censer's work on his book 'On the Trail of the D.C. Sniper: Fear and the Media' between 2002-2010.","Series 3: Teaching consists largely of syllabi, exam questions, and paper prompts for Jack Censer's graduate and undergraduate classes dating from the 1960s-2003, though mostly from his time as a professor in the history department at George Mason University. ","Series 4: Research (1968-2006) contains material used in Censer's research on the press in 18th century France, as well as various aspects of the French Revolutionary era (mostly photocopies). It also contains multiple versions of some of Censer's scholarly output and related material, including articles, book chapters, essays from his time as a student, publishing logistical materials, reviews, and correspondence. Also included are materials from Censer's participation in professional organizations such as the American Historical Association.","Series 5: Administrative papers contains material from 1972-2011 that documents Censer's work as Chair of the Art and Art History department at George Mason University. Also included are materials for work he did beyond the university for the Educational Testing Service and Bryant Adult Center, as well as correspondence and graduation programs from other institutions.","Series 6: Audiovisual materials dates from 2001 to circa 2010s and largely contains CDs of D.C. Sniper-related research materials and copies of Microsoft Word, Eudora, and Outbox files. There is also an interview on two audiocassettes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref1\"\u003eThis collection documents Censer's work as a historian and as a professor, History and Art History Department Chair, and Dean of the College of Humanities and Social Sciences at George Mason University. The research files include his work on French history as well as his research on the D.C. Sniper and the media in 2002.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents Censer's work as a historian and as a professor, History and Art History Department Chair, and Dean of the College of Humanities and Social Sciences at George Mason University. The research files include his work on French history as well as his research on the D.C. Sniper and the media in 2002."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a9c41867e47c0029b733032f8005ebc7\"\u003eR 48, C 2, S 4 - R 48, C 3, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 48, C 2, S 4 - R 48, C 3, S 4"],"names_coll_ssim":["George Mason University","Censer, Jack Richard"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Censer, Jack Richard"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University"],"persname_ssim":["Censer, Jack Richard"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":792,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:55.319Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_654_c01_c357"}},{"id":"vifgm_repositories_2_resources_113_c02_c426","type":"File","attributes":{"title":"Ziegfeld Follies - The Zulu and the Zayda","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c02_c426#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eZiegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c02_c426#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_113_c02_c426","ref_ssm":["vifgm_repositories_2_resources_113_c02_c426"],"id":"vifgm_repositories_2_resources_113_c02_c426","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113_c02","parent_ssi":"vifgm_repositories_2_resources_113_c02","parent_ssim":["vifgm_repositories_2_resources_113","vifgm_repositories_2_resources_113_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_113","vifgm_repositories_2_resources_113_c02"],"parent_unittitles_ssm":["Charles Rodrigues playbill collection","Series 2: New York City"],"parent_unittitles_tesim":["Charles Rodrigues playbill collection","Series 2: New York City"],"text":["Charles Rodrigues playbill collection","Series 2: New York City","Ziegfeld Follies - The Zulu and the Zayda","box 33","folder 6","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda"],"title_filing_ssi":"Ziegfeld Follies - The Zulu and the Zayda","title_ssm":["Ziegfeld Follies - The Zulu and the Zayda"],"title_tesim":["Ziegfeld Follies - The Zulu and the Zayda"],"unitdate_inclusive_ssm":["1943-1996"],"normalized_date_ssm":["1943/1996"],"normalized_title_ssm":["Ziegfeld Follies - The Zulu and the Zayda"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Charles Rodrigues playbill collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":538,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"containers_ssim":["box 33","folder 6"],"scopecontent_html_tesm":["\u003cp\u003eZiegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda"],"_nest_path_":"/components#1/components#425","timestamp":"2026-05-01T00:27:54.262Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_113","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_113.xml","title_ssm":["Charles Rodrigues playbill collection"],"title_tesim":["Charles Rodrigues playbill collection"],"unitdate_ssm":["1879-2009"],"unitdate_inclusive_ssm":["1879-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0184","/repositories/2/resources/113"],"text":["C0184","/repositories/2/resources/113","Charles Rodrigues playbill collection","Theater -- New York (State) -- New York","Theater -- United States","There are no access restrictions.","Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)","Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.","Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.","The Special Collections Research Center holds many other collections on theatre and the performing arts.","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles","English"],"unitid_tesim":["C0184","/repositories/2/resources/113"],"normalized_title_ssm":["Charles Rodrigues playbill collection"],"collection_title_tesim":["Charles Rodrigues playbill collection"],"collection_ssim":["Charles Rodrigues playbill collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rodrigues, Charles"],"creator_ssim":["Rodrigues, Charles"],"creator_persname_ssim":["Rodrigues, Charles"],"creators_ssim":["Rodrigues, Charles"],"access_terms_ssm":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Rodrigues, brother of Charles Rodrigues, October 21, 2010."],"access_subjects_ssim":["Theater -- New York (State) -- New York","Theater -- United States"],"access_subjects_ssm":["Theater -- New York (State) -- New York","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 38 boxes"],"extent_tesim":["18 Linear Feet 38 boxes"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: New York City, 1885-2009 (boxes 6-34, 37-38)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)"],"bioghist_html_tesm":["\u003cp\u003eCharles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage."],"prefercite_html_tesm":["\u003cp\u003eCharles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on theatre and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/p\u003e\n","\u003cp\u003eThe collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. "],"userestrict_html_tesm":["\u003cp\u003eMaterials created before 1925 are in the Public Domain. No known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46ac9a9e4e3a7b9dc6e8e0b7d7a8d53\" label=\"Abstract\"\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/abstract\u003e"],"abstract_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rodrigues, Charles"],"language_ssim":["English"],"total_component_count_is":563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:54.262Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c02_c426"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":127},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":6898},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":32},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":10025},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":127},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":1580},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":72},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":2654},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":67},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":559},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024","value":"1x1 Japan Exhibition Materials, 1965-2024","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024\u0026f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"A. 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