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Griffith papers"],"parent_unittitles_tesim":["Lawrence D. Griffith papers"],"text":["Lawrence D. Griffith papers","Accession 2024.213 Notebooks"],"title_filing_ssi":"Accession 2024.213 Notebooks","title_ssm":["Accession 2024.213 Notebooks"],"title_tesim":["Accession 2024.213 Notebooks"],"unitdate_inclusive_ssm":["1976-2004"],"normalized_date_ssm":["1976/2004"],"normalized_title_ssm":["Accession 2024.213 Notebooks"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Lawrence D. Griffith papers"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":13,"parent_access_restrict_tesm":["Collection is open to all researchers. Preliminary review of scrapbooks in accessions Acc. 2008.132 and 2009.13 by Special Collections Research Center staff is required due to potentially restricted financial information in the collection. Consult a staff member for assistance. 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Copyright to the website is retained by the creator and his heirs."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"_nest_path_":"/components#9","timestamp":"2026-04-30T22:28:23.246Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_4347","ead_ssi":"viw_repositories_2_resources_4347","_root_":"viw_repositories_2_resources_4347","_nest_parent_":"viw_repositories_2_resources_4347","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4347.xml","title_filing_ssi":"Lawrence D. Griffith papers","title_ssm":["Lawrence D. Griffith papers"],"title_tesim":["Lawrence D. Griffith papers"],"unitdate_ssm":["1994-2009"],"unitdate_inclusive_ssm":["1994-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.086","/repositories/2/resources/4347"],"text":["UA 5.086","/repositories/2/resources/4347","Lawrence D. Griffith papers","AIDS (Disease)--Research--United States","Ecology--Environmental aspects","Gay, Lesbian, Bisexual, Transgendered Students and Alumni","Genealogy","HIV infections--United States","HIV infections--Social aspects--United States","Homosexuality and art","United States--Politics and Government","Scrapbooks","Collection is open to all researchers. Preliminary review of scrapbooks in accessions Acc. 2008.132 and 2009.13 by Special Collections Research Center staff is required due to potentially restricted financial information in the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection has not yet been fully rehoused and described, which may require extra time considerations for users.","Lawrence (Larry) Griffith graduated from William \u0026 Mary in 1981 with a BA in English. Griffith began his career at Colonial Williamsburg and was the 2008 curator of plants at Colonial Williamsburg in Williamsburg, Virginia. He was president of Lambda Alliance while a student in 1979 and a board member of the William and Mary GALA (Gay and Lesbian Alumni Association). Griffith was a garden columnist for the Daily Press from 1991-1992. He is the author of the books Flowers and Herbs of Early America published in 2008. Griffith's partner is Curtis Moyer.","Accessioned and minimally described by Amy C. Schindler in December 2008, and January and December 2009. The collection may be updated to reflect new aquisitions to the collection.","Larry Griffith participated in the Stephens Oral History Project and recordings of his interviews are available as part of the University Archives Oral History Collection (UA 43).","The collection is composed of scrapbooks and HIV/AID awarness educational materials created by Lawrence Griffith from the 1990s through 2009. The collection also includes copies of Griffith's website \"Gryffiddiott.com.\" Griffith composed an introduction for the collection, which is available in box 1.","Extracts from his introduction include:","\"The scrapbooks that I have given to the College represent my life as a professional, middle-class, middle-aged, completely actualized gay man with HIV who has stridently enunciated those causes that I believe in: gay rights, human rights, HIV education and prevention, left of center politics, sexual dynamics, spirituality, and global and timely issues such as global warning and energy policy.\"","\"These scrapbooks were not assembled in any specific method. Each scrapbook ought to represent a discreet time of assembly, but documents and ephemera from different periods may have been inserted. I did not attempt to sequence the pages in any order in any particular scrapbook. More than not, the pages were arranged so as to have graphic appeal. Related text passages were separated by pages of graphics.\"","In addition to the scrapbooks about Griffith's life, there are scrapbooks containing family genealogical information compiled by Griffith. The collected material follows Harrison Patillo Griffith and his antecedents and descendents including: Ezekial, Benjamin, and Stephen Griffith; Harrison Patillo Griffith; Stepeh Harrison, Thomas Twitty, Walter Pat Griffith; Stepehn and L. David Griffith; Lindsey and Jonathan David Griffith; Rev. Henry Patillo; Major Richard Harrison; House and Westmoreland family histories; Twitty family history; Lanford, Posey, Woodruff, and other associated families including the Pridmore family, Byars family. For this portion of the collection, Lawrence Griffith offers the following introduction: ","\"My success in life was almost preordained, that I had an assured future based on my family's race, relative wealth, and culturally, a champion of education.  In essence, White Privilege. It's time for that part of the South that is loving, forgiving, thoughtful, kind, and beneficent to pull rank morally. I choose to think of the South as that of Harper Lee, Tennessee Williams, Maya Angelou, William Faulkner, William Styron, Rev. Martin Luther King, Jr., Ann Richards, Jimmy Carter, William Percy, Robert Penn Warren, Flannery O'Connor, Alice Walker, and other titans of intellect and wisdom.  Jazz, the Blues, Soul, and Gospel gave depth to the American soul.\" ","\"Rev. Robert E. Lee, IV, a collateral descendant of the general, has disavowed that part of his past that held chattel slavery as moral. That my own family were slave owners is a matter of public record. An 1830 South Carolina census shows a head of household as Benjamin Griffith, and his wife Amelia Westmoreland Griffith, numerous children and 14 slaves, including 5 children under the age of 10.  Not huge landowners but their lives and livelihood were enhanced through chattel slavery. Because of the wealth, generated through slave ownership, their grandchild, a Captain in the C.S.A. (wounded at Gettysburg), attended Furman College. His son, my great grandfather, graduated from medical school in Baltimore and became an ophthalmologist, his fortune unimpeded by penury. His son, my grandfather, graduated from Wofford College, because there was ready cash; my father matriculated at Georgia Tech and finished at Columbia University after the War. I attended The College of William and Mary because good education was non-negotiable, and there was ready cash. It's called white privilege and it's generational.  here was no question that I would not go to college. It had always been that way. My family valued education, the investigation of things outside of one's immediate purview, when one's world view is expanded and you come to regard other peoples as sharing the very traits you call your own. I simply will not apologize for education.\" ","\"My family were also of among the most exalted, at the apex of, the Southern social pyramid, and among the fiercest defenders of Dixie.  But like the Rev. Robert E. Lee IV my father was able to separate himself from the worst atrocities of the South, while never straying far from its very special culture. And like the present Robert E. Lee, my father had no patience with apologists. We talked once about the Civil War and he said it's history and settled. A naive, but good man. In all these cases, of persons pursuing higher education, ready money, was the key to educational advancement, and thus social advancement.  You were more likely to do more in life if ready cash were available.  That's not typically an African-American fate. How do we move forward?  First, apologize. I can apologize about my family's past, but I feel no guilt. I am not responsible for another's actions over which I had no input. But I undoubtedly profited from it, intellectually and culturally. And I can be a witness to white privilege and be vocal about my good fortune.\" ","A signed copy of Griffith's book Flowers and Herbs of Early America (Photography by Barbara Temple Lombardi, Yale University Press, 2008) was received from the author on December 2, 2008 and has been added to the Archives Book Collection in the Special Collections Research Center.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library. Copyright to the website is retained by the creator and his heirs.","Special Collections Research Center","William \u0026 Mary GALA (Gay and Lesbian Alumni/ae), Inc","Griffith family","English"],"unitid_tesim":["UA 5.086","/repositories/2/resources/4347"],"normalized_title_ssm":["Lawrence D. Griffith papers"],"collection_title_tesim":["Lawrence D. 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Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection has not yet been fully rehoused and described, which may require extra time considerations for users.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection has not yet been fully rehoused and described, which may require extra time considerations for users."],"bioghist_html_tesm":["\u003cp\u003eLawrence (Larry) Griffith graduated from William \u0026amp; Mary in 1981 with a BA in English. Griffith began his career at Colonial Williamsburg and was the 2008 curator of plants at Colonial Williamsburg in Williamsburg, Virginia. He was president of Lambda Alliance while a student in 1979 and a board member of the William and Mary GALA (Gay and Lesbian Alumni Association). Griffith was a garden columnist for the Daily Press from 1991-1992. He is the author of the books Flowers and Herbs of Early America published in 2008. Griffith's partner is Curtis Moyer.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Lawrence (Larry) Griffith graduated from William \u0026 Mary in 1981 with a BA in English. Griffith began his career at Colonial Williamsburg and was the 2008 curator of plants at Colonial Williamsburg in Williamsburg, Virginia. He was president of Lambda Alliance while a student in 1979 and a board member of the William and Mary GALA (Gay and Lesbian Alumni Association). Griffith was a garden columnist for the Daily Press from 1991-1992. He is the author of the books Flowers and Herbs of Early America published in 2008. Griffith's partner is Curtis Moyer."],"prefercite_html_tesm":["\u003cp\u003eLawrence D. Griffith Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lawrence D. Griffith Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally described by Amy C. Schindler in December 2008, and January and December 2009. The collection may be updated to reflect new aquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally described by Amy C. Schindler in December 2008, and January and December 2009. The collection may be updated to reflect new aquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eLarry Griffith participated in the Stephens Oral History Project and recordings of his interviews are available as part of the University Archives Oral History Collection (UA 43).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Larry Griffith participated in the Stephens Oral History Project and recordings of his interviews are available as part of the University Archives Oral History Collection (UA 43)."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed of scrapbooks and HIV/AID awarness educational materials created by Lawrence Griffith from the 1990s through 2009. The collection also includes copies of Griffith's website \"Gryffiddiott.com.\" Griffith composed an introduction for the collection, which is available in box 1.\u003c/p\u003e\n","\u003cp\u003eExtracts from his introduction include:\u003c/p\u003e\n","\u003cp\u003e\"The scrapbooks that I have given to the College represent my life as a professional, middle-class, middle-aged, completely actualized gay man with HIV who has stridently enunciated those causes that I believe in: gay rights, human rights, HIV education and prevention, left of center politics, sexual dynamics, spirituality, and global and timely issues such as global warning and energy policy.\"\u003c/p\u003e\n","\u003cp\u003e\"These scrapbooks were not assembled in any specific method. Each scrapbook ought to represent a discreet time of assembly, but documents and ephemera from different periods may have been inserted. I did not attempt to sequence the pages in any order in any particular scrapbook. More than not, the pages were arranged so as to have graphic appeal. Related text passages were separated by pages of graphics.\"\u003c/p\u003e\n","\u003cp\u003eIn addition to the scrapbooks about Griffith's life, there are scrapbooks containing family genealogical information compiled by Griffith. The collected material follows Harrison Patillo Griffith and his antecedents and descendents including: Ezekial, Benjamin, and Stephen Griffith; Harrison Patillo Griffith; Stepeh Harrison, Thomas Twitty, Walter Pat Griffith; Stepehn and L. David Griffith; Lindsey and Jonathan David Griffith; Rev. Henry Patillo; Major Richard Harrison; House and Westmoreland family histories; Twitty family history; Lanford, Posey, Woodruff, and other associated families including the Pridmore family, Byars family. For this portion of the collection, Lawrence Griffith offers the following introduction: \u003c/p\u003e\n","\u003cp\u003e\"My success in life was almost preordained, that I had an assured future based on my family's race, relative wealth, and culturally, a champion of education.  In essence, White Privilege. It's time for that part of the South that is loving, forgiving, thoughtful, kind, and beneficent to pull rank morally. I choose to think of the South as that of Harper Lee, Tennessee Williams, Maya Angelou, William Faulkner, William Styron, Rev. Martin Luther King, Jr., Ann Richards, Jimmy Carter, William Percy, Robert Penn Warren, Flannery O'Connor, Alice Walker, and other titans of intellect and wisdom.  Jazz, the Blues, Soul, and Gospel gave depth to the American soul.\" \u003c/p\u003e\n","\u003cp\u003e\"Rev. Robert E. Lee, IV, a collateral descendant of the general, has disavowed that part of his past that held chattel slavery as moral. That my own family were slave owners is a matter of public record. An 1830 South Carolina census shows a head of household as Benjamin Griffith, and his wife Amelia Westmoreland Griffith, numerous children and 14 slaves, including 5 children under the age of 10.  Not huge landowners but their lives and livelihood were enhanced through chattel slavery. Because of the wealth, generated through slave ownership, their grandchild, a Captain in the C.S.A. (wounded at Gettysburg), attended Furman College. His son, my great grandfather, graduated from medical school in Baltimore and became an ophthalmologist, his fortune unimpeded by penury. His son, my grandfather, graduated from Wofford College, because there was ready cash; my father matriculated at Georgia Tech and finished at Columbia University after the War. I attended The College of William and Mary because good education was non-negotiable, and there was ready cash. It's called white privilege and it's generational.  here was no question that I would not go to college. It had always been that way. My family valued education, the investigation of things outside of one's immediate purview, when one's world view is expanded and you come to regard other peoples as sharing the very traits you call your own. I simply will not apologize for education.\" \u003c/p\u003e\n","\u003cp\u003e\"My family were also of among the most exalted, at the apex of, the Southern social pyramid, and among the fiercest defenders of Dixie.  But like the Rev. Robert E. Lee IV my father was able to separate himself from the worst atrocities of the South, while never straying far from its very special culture. And like the present Robert E. Lee, my father had no patience with apologists. We talked once about the Civil War and he said it's history and settled. A naive, but good man. In all these cases, of persons pursuing higher education, ready money, was the key to educational advancement, and thus social advancement.  You were more likely to do more in life if ready cash were available.  That's not typically an African-American fate. How do we move forward?  First, apologize. I can apologize about my family's past, but I feel no guilt. I am not responsible for another's actions over which I had no input. But I undoubtedly profited from it, intellectually and culturally. And I can be a witness to white privilege and be vocal about my good fortune.\" \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed of scrapbooks and HIV/AID awarness educational materials created by Lawrence Griffith from the 1990s through 2009. The collection also includes copies of Griffith's website \"Gryffiddiott.com.\" Griffith composed an introduction for the collection, which is available in box 1.","Extracts from his introduction include:","\"The scrapbooks that I have given to the College represent my life as a professional, middle-class, middle-aged, completely actualized gay man with HIV who has stridently enunciated those causes that I believe in: gay rights, human rights, HIV education and prevention, left of center politics, sexual dynamics, spirituality, and global and timely issues such as global warning and energy policy.\"","\"These scrapbooks were not assembled in any specific method. Each scrapbook ought to represent a discreet time of assembly, but documents and ephemera from different periods may have been inserted. I did not attempt to sequence the pages in any order in any particular scrapbook. More than not, the pages were arranged so as to have graphic appeal. Related text passages were separated by pages of graphics.\"","In addition to the scrapbooks about Griffith's life, there are scrapbooks containing family genealogical information compiled by Griffith. The collected material follows Harrison Patillo Griffith and his antecedents and descendents including: Ezekial, Benjamin, and Stephen Griffith; Harrison Patillo Griffith; Stepeh Harrison, Thomas Twitty, Walter Pat Griffith; Stepehn and L. David Griffith; Lindsey and Jonathan David Griffith; Rev. Henry Patillo; Major Richard Harrison; House and Westmoreland family histories; Twitty family history; Lanford, Posey, Woodruff, and other associated families including the Pridmore family, Byars family. For this portion of the collection, Lawrence Griffith offers the following introduction: ","\"My success in life was almost preordained, that I had an assured future based on my family's race, relative wealth, and culturally, a champion of education.  In essence, White Privilege. It's time for that part of the South that is loving, forgiving, thoughtful, kind, and beneficent to pull rank morally. I choose to think of the South as that of Harper Lee, Tennessee Williams, Maya Angelou, William Faulkner, William Styron, Rev. Martin Luther King, Jr., Ann Richards, Jimmy Carter, William Percy, Robert Penn Warren, Flannery O'Connor, Alice Walker, and other titans of intellect and wisdom.  Jazz, the Blues, Soul, and Gospel gave depth to the American soul.\" ","\"Rev. Robert E. Lee, IV, a collateral descendant of the general, has disavowed that part of his past that held chattel slavery as moral. That my own family were slave owners is a matter of public record. An 1830 South Carolina census shows a head of household as Benjamin Griffith, and his wife Amelia Westmoreland Griffith, numerous children and 14 slaves, including 5 children under the age of 10.  Not huge landowners but their lives and livelihood were enhanced through chattel slavery. Because of the wealth, generated through slave ownership, their grandchild, a Captain in the C.S.A. (wounded at Gettysburg), attended Furman College. His son, my great grandfather, graduated from medical school in Baltimore and became an ophthalmologist, his fortune unimpeded by penury. His son, my grandfather, graduated from Wofford College, because there was ready cash; my father matriculated at Georgia Tech and finished at Columbia University after the War. I attended The College of William and Mary because good education was non-negotiable, and there was ready cash. It's called white privilege and it's generational.  here was no question that I would not go to college. It had always been that way. My family valued education, the investigation of things outside of one's immediate purview, when one's world view is expanded and you come to regard other peoples as sharing the very traits you call your own. I simply will not apologize for education.\" ","\"My family were also of among the most exalted, at the apex of, the Southern social pyramid, and among the fiercest defenders of Dixie.  But like the Rev. Robert E. Lee IV my father was able to separate himself from the worst atrocities of the South, while never straying far from its very special culture. And like the present Robert E. Lee, my father had no patience with apologists. We talked once about the Civil War and he said it's history and settled. A naive, but good man. In all these cases, of persons pursuing higher education, ready money, was the key to educational advancement, and thus social advancement.  You were more likely to do more in life if ready cash were available.  That's not typically an African-American fate. How do we move forward?  First, apologize. I can apologize about my family's past, but I feel no guilt. I am not responsible for another's actions over which I had no input. But I undoubtedly profited from it, intellectually and culturally. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Berkeley Garden Club is in Williamsburg, Virginia.","Six scrapbooks of the Berkeley Garden Club.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Berkeley Garden Club (Williamsburg, Va.)","English"],"unitid_tesim":["MS 00290","/repositories/2/resources/2663"],"normalized_title_ssm":["Berkeley Garden Club records"],"collection_title_tesim":["Berkeley Garden Club records"],"collection_ssim":["Berkeley Garden Club records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_corpname_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"creators_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift via the Williamsburg Historic Records Association."],"access_subjects_ssim":["Clubs--Virginia--Williamsburg","Gardening--History--20th century","Gardening--Societies, etc.--Virginia","Gardening--Virginia","Garden Clubs--Virginia--Williamsburg","Scrapbooks"],"access_subjects_ssm":["Clubs--Virginia--Williamsburg","Gardening--History--20th century","Gardening--Societies, etc.--Virginia","Gardening--Virginia","Garden Clubs--Virginia--Williamsburg","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 Linear Feet"],"extent_tesim":["1.00 Linear Feet"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe Berkeley Garden Club is in Williamsburg, Virginia.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Berkeley Garden Club is in Williamsburg, Virginia."],"prefercite_html_tesm":["\u003cp\u003eBerkeley Garden Club Scrapbooks, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Berkeley Garden Club Scrapbooks, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eSix scrapbooks of the Berkeley Garden Club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Six scrapbooks of the Berkeley Garden Club."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Berkeley Garden Club (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Berkeley Garden Club (Williamsburg, Va.)"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Berkeley Garden Club (Williamsburg, Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:09:01.124Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2663_c02"}},{"id":"viw_repositories_2_resources_10008_c01","type":"Series","attributes":{"title":"Accession 2025.151 Reel to reel tapes","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_10008_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_10008_c01","ref_ssm":["viw_repositories_2_resources_10008_c01"],"id":"viw_repositories_2_resources_10008_c01","ead_ssi":"viw_repositories_2_resources_10008","_root_":"viw_repositories_2_resources_10008","_nest_parent_":"viw_repositories_2_resources_10008","parent_ssi":"viw_repositories_2_resources_10008","parent_ssim":["viw_repositories_2_resources_10008"],"parent_ids_ssim":["viw_repositories_2_resources_10008"],"parent_unittitles_ssm":["William \u0026 Mary Concert Band reel-to-reel tapes"],"parent_unittitles_tesim":["William \u0026 Mary Concert Band reel-to-reel tapes"],"text":["William \u0026 Mary Concert Band reel-to-reel tapes","Accession 2025.151 Reel to reel tapes"],"title_filing_ssi":"Accession 2025.151 Reel to reel tapes","title_ssm":["Accession 2025.151 Reel to reel tapes"],"title_tesim":["Accession 2025.151 Reel to reel tapes"],"unitdate_inclusive_ssm":["1959-1983"],"normalized_date_ssm":["1959/1983"],"normalized_title_ssm":["Accession 2025.151 Reel to reel tapes"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["William \u0026 Mary Concert Band reel-to-reel tapes"],"has_online_content_ssim":["false"],"child_component_count_isi":66,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"_nest_path_":"/components#0","timestamp":"2026-04-30T22:10:20.596Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_10008","ead_ssi":"viw_repositories_2_resources_10008","_root_":"viw_repositories_2_resources_10008","_nest_parent_":"viw_repositories_2_resources_10008","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_10008.xml","title_filing_ssi":"William \u0026 Mary concert band reel-to-reel tapes","title_ssm":["William \u0026 Mary Concert Band reel-to-reel tapes"],"title_tesim":["William \u0026 Mary Concert Band reel-to-reel tapes"],"unitdate_ssm":["1955-1983"],"unitdate_inclusive_ssm":["1955-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 439","/repositories/2/resources/10008"],"text":["UA 439","/repositories/2/resources/10008","William \u0026 Mary Concert Band reel-to-reel tapes","Marches","Music--Performance--United States","Music--Virginia--Williamsburg.","Buildings and Grounds--Phi Beta Kappa Hall (1957)","Symphonies (Band)","Some discoloration and tears in the binding of the tapes. Some tapes do not have boxes with them.","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection is arranged by accession.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Collection includes 75 band reel-to-reel tapes. The tapes are from multiple musical performances at William \u0026 Mary.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["UA 439","/repositories/2/resources/10008"],"normalized_title_ssm":["William \u0026 Mary Concert Band reel-to-reel tapes"],"collection_title_tesim":["William \u0026 Mary Concert Band reel-to-reel tapes"],"collection_ssim":["William \u0026 Mary Concert Band reel-to-reel tapes"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by John Eugene Hall"],"access_subjects_ssim":["Marches","Music--Performance--United States","Music--Virginia--Williamsburg.","Buildings and Grounds--Phi Beta Kappa Hall (1957)","Symphonies (Band)"],"access_subjects_ssm":["Marches","Music--Performance--United States","Music--Virginia--Williamsburg.","Buildings and Grounds--Phi Beta Kappa Hall (1957)","Symphonies (Band)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Some discoloration and tears in the binding of the tapes. Some tapes do not have boxes with them."],"extent_ssm":["2 Linear Feet 2 Paige boxes (75 reel-to-reel tapes)"],"extent_tesim":["2 Linear Feet 2 Paige boxes (75 reel-to-reel tapes)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by accession.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by accession."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary concert band reel-to-reel tapes, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["William \u0026 Mary concert band reel-to-reel tapes, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes 75 band reel-to-reel tapes. The tapes are from multiple musical performances at William \u0026amp; Mary.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection includes 75 band reel-to-reel tapes. The tapes are from multiple musical performances at William \u0026 Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:10:20.596Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_10008_c01"}},{"id":"viu_repositories_4_resources_782_c01","type":"Series","attributes":{"title":"Accession RG 204-79","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_782_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_782_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_782_c01","ref_ssm":["viu_repositories_4_resources_782_c01"],"id":"viu_repositories_4_resources_782_c01","ead_ssi":"viu_repositories_4_resources_782","_root_":"viu_repositories_4_resources_782","_nest_parent_":"viu_repositories_4_resources_782","parent_ssi":"viu_repositories_4_resources_782","parent_ssim":["viu_repositories_4_resources_782"],"parent_ids_ssim":["viu_repositories_4_resources_782"],"parent_unittitles_ssm":["Virginia Law Weekly records"],"parent_unittitles_tesim":["Virginia Law Weekly records"],"text":["Virginia Law Weekly records","Accession RG 204-79","box 204-79/80 1","box 204-79 1","box 204-79 1.2","box 204-79 1.3","box 204-79 2.1","box 204-79 2.2","box 204-79 2.3","box 204-79 2.4","box 204-79 2.5","box 204-79 3","box 204-79 4","box 204-79 5","box 204-79 6","This series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums."],"title_filing_ssi":"Accession RG 204-79","title_ssm":["Accession RG 204-79"],"title_tesim":["Accession RG 204-79"],"unitdate_inclusive_ssm":["1948-1979"],"normalized_date_ssm":["1948/1979"],"normalized_title_ssm":["Accession RG 204-79"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Virginia Law Weekly records"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["There are no restrictions on access to the materials in this collection."],"parent_access_terms_tesm":["The Virginia Law Weekly, an independent student organization, published the materials in this collection. 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It owns the copyright to any content that is not yet in the public domain or was licensed from another party. 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It also contains photographic prints, negatives, and contact sheets used in the production of the Virginia Law Weekly.","The University of Virginia Law Library made digital copies of many of the photographic items in this collection.","The Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it.","Arthur J. 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This content documents life at the School of Law, as well as student perspectives of the law and the broader world around them.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1948, students at the University of Virginia School of Law founded the Virginia Law Weekly, a periodical and independent student organization. Since its founding, the organization has published weekly editions during the academic year featuring news articles, opinion columns, humor articles, photographs, advertisements, and other materials. This content documents life at the School of Law, as well as student perspectives of the law and the broader world around them."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection does not contain copies of the Virginia Law Weekly publication. Researchers can find issues of the Virginia Law Weekly in the following collection at the University of Virginia's Law Library: Virginia Law Weekly, RG-32-511.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection does not contain copies of the Virginia Law Weekly publication. Researchers can find issues of the Virginia Law Weekly in the following collection at the University of Virginia's Law Library: Virginia Law Weekly, RG-32-511."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the Virginia Law Weekly's organizational records including founding documents, correspondence, and digital media. It also contains photographic prints, negatives, and contact sheets used in the production of the Virginia Law Weekly.\u003c/p\u003e\n","\u003cp\u003eThe University of Virginia Law Library made digital copies of many of the photographic items in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of the Virginia Law Weekly's organizational records including founding documents, correspondence, and digital media. It also contains photographic prints, negatives, and contact sheets used in the production of the Virginia Law Weekly.","The University of Virginia Law Library made digital copies of many of the photographic items in this collection."],"userestrict_html_tesm":["\u003cp\u003eThe Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it."],"names_ssim":["Arthur J. Morris Law Library Special Collections"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":8,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-06T07:04:17.730Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_782_c02"}},{"id":"wvmturhc_repositories_2_resources_3133_c22","type":"Series","attributes":{"title":"Addenda of 2017/08/07","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3133_c22#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes two 33 1/3 rpm recordings from United China Relief which include talks by Pearl S. Buck and Wendell Willkie among others (1941?), and a cachet for a first day cover (1982).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3133_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3133_c22","ref_ssm":["wvmturhc_repositories_2_resources_3133_c22"],"id":"wvmturhc_repositories_2_resources_3133_c22","ead_ssi":"wvmturhc_repositories_2_resources_3133","_root_":"wvmturhc_repositories_2_resources_3133","_nest_parent_":"wvmturhc_repositories_2_resources_3133","parent_ssi":"wvmturhc_repositories_2_resources_3133","parent_ssim":["wvmturhc_repositories_2_resources_3133"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3133"],"parent_unittitles_ssm":["Pearl S. Buck, Author, Papers"],"parent_unittitles_tesim":["Pearl S. Buck, Author, Papers"],"text":["Pearl S. Buck, Author, Papers","Addenda of 2017/08/07","Box 28","Folder 10","Includes two 33 1/3 rpm recordings from United China Relief which include talks by Pearl S. Buck and Wendell Willkie among others (1941?), and a cachet for a first day cover (1982)."],"title_filing_ssi":"Addenda of 2017/08/07","title_ssm":["Addenda of 2017/08/07"],"title_tesim":["Addenda of 2017/08/07"],"unitdate_inclusive_ssm":["1941-1982"],"normalized_date_ssm":["1941/1982"],"normalized_title_ssm":["Addenda of 2017/08/07"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Pearl S. Buck, Author, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":385,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"containers_ssim":["Box 28","Folder 10"],"scopecontent_html_tesm":["\u003cp\u003eIncludes two 33 1/3 rpm recordings from United China Relief which include talks by Pearl S. Buck and Wendell Willkie among others (1941?), and a cachet for a first day cover (1982).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes two 33 1/3 rpm recordings from United China Relief which include talks by Pearl S. Buck and Wendell Willkie among others (1941?), and a cachet for a first day cover (1982)."],"_nest_path_":"/components#21","timestamp":"2026-04-30T23:23:30.867Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3133","ead_ssi":"wvmturhc_repositories_2_resources_3133","_root_":"wvmturhc_repositories_2_resources_3133","_nest_parent_":"wvmturhc_repositories_2_resources_3133","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3133.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209189","title_ssm":["Pearl S. Buck, Author, Papers"],"title_tesim":["Pearl S. Buck, Author, Papers"],"unitdate_ssm":["1921-2018 and undated","1933-1966 and undated"],"unitdate_bulk_ssim":["1933-1966 and undated"],"unitdate_inclusive_ssm":["1921-2018 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133"],"text":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133","Pearl S. Buck, Author, Papers","China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers.","Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States","No special access restriction applies.","Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.","Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel,  East Wind, West Wind,  was published in 1930. She published the bestselling and Pulitzer Prize-winning novel  The Good Earth  in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include  Sons  (1932),  A House Divided  (1935),  The First Wife and Other Stories  (1933),  All Men are Brothers  (1933, translation),  The Mother  (1934),  The Exile  (1936),  Fighting Angel  (1936), and  This Proud Heart  (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.","By 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include  Dragon Seed  (1942),  Pavilion of Women  (1946),  God's Men  (1951),  Come, My Beloved  (1953),  Imperial Woman  (1956),  Letter from Peking  (1957), and  The Living Reed  (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.","Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.","Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.","4052","Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. ","Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. ","Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. ","Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. ","Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. ","For additional Pearl Buck material, see A\u0026M 4052, Pearl S. Buck, Author, Literary Manuscripts. ","There are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. ","Series 1. Articles; circa 1937-1944; box 1 - box 2, folder 39. \nSeries 2. Book Reviews; undated; box 2, folder 40-51.  \nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7. \nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1. \nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B. \nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27. \nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32. \nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9. \nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10. \nSeries 10. James Comstock Collection; 1939-1970, undated; box 11. \nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14. \nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9. \nAddendum of 2006/05/22; 1948; box 34. \nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14. \nAddendum of 2015/05/08; 1921-1945; boxes 15-24. \nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19. \nAddendum of 2016/06/08; circa 2002; box 25. \nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3. \nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17. \nAddendum of 2017/07/17; 2017; box 25. \nAddendum of 2017/07/28; 1983; box 25, folder 3. \nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10. \nAddendum of 2017/08/22; 2010; box 26, folder 4. \nAddendum of 2018/02/27; 2015; box 26, folder 5. \nAddendum of 2018/05/23; undated; box 35, folder 4. \nAddendum of 2018/06/01; 1943-1962; box 35, folder 6. \nAddendum of 2018/08/16; 1932; box 35, folder 2. \nAddendum of 2018/08/17; 1942; box 35, folder 3. \nAddendum of 2019/02/18; 1973; box 29. \nAddendum of 2019/03/19; 2015-2018; boxes 30-31. \nAddendum of 2019/07/23; 2015-2018; boxes 32-33. \nAddendum of 2019/10/01; undated; box 34.  \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5. \nAddendum of 2021/03/07; September 2015; box 32, folder 1. \nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1.  \nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2.","Original signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026M 435, Rare Signatures.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","New York City Ballet","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966","English \n.    "],"unitid_tesim":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133"],"normalized_title_ssm":["Pearl S. Buck, Author, Papers"],"collection_title_tesim":["Pearl S. Buck, Author, Papers"],"collection_ssim":["Pearl S. Buck, Author, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"geogname_ssim":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"creator_ssm":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"creator_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"creator_persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum"],"creator_corpname_ssim":["New York City Ballet"],"creators_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"places_ssim":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Purchase from Apfelbaum, Charles, 1987/01/16\n---\nADD of 2006/05/22:  Purchase, Wolf's Head Books, 2006 May 22.\n---\nADD of 2018/05/23: Gift of Haden, Priscilla, 2018 May 23.\n---\nADD of 2018/06/01: Purchase, internet vendors, 2018 June.\n---\nADD of 2018/08/16: Purchase, Gregory, Jim, 2018 August.\n---\nADD of 2018/08/17: Purchase, Good, Kimberly, 2018 August.\n---\nADD of 2019/10/01: Purchase, Metcalf, Skip, 2019 October.\n---\nADD of 2020/08/17: Purchase, Lord Durham Rare Books, 2020 August.\n---\nADD of 2021/04/28: Gift of Musgrave, Grace, 2021 April 28."],"access_subjects_ssim":["Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"access_subjects_ssm":["Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["13.33 Linear Feet 13 ft. 4 in. (23 document cases, 5 in. each); (9 document cases, 2.5 in. each); (1 large flat storage box, 3.5 in.); (1 record carton, 15 in.); (1 large flat storage box, 3 in.); (1 large flat storage box, 1 in.)"],"extent_tesim":["13.33 Linear Feet 13 ft. 4 in. (23 document cases, 5 in. each); (9 document cases, 2.5 in. each); (1 large flat storage box, 3.5 in.); (1 record carton, 15 in.); (1 large flat storage box, 3 in.); (1 large flat storage box, 1 in.)"],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003ePearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.\u003c/p\u003e\n","\u003cp\u003ePearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind,\u003c/emph\u003e was published in 1930. She published the bestselling and Pulitzer Prize-winning novel \u003cemph render=\"italic\"\u003eThe Good Earth\u003c/emph\u003e in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include \u003cemph render=\"italic\"\u003eSons\u003c/emph\u003e (1932), \u003cemph render=\"italic\"\u003eA House Divided\u003c/emph\u003e (1935), \u003cemph render=\"italic\"\u003eThe First Wife and Other Stories\u003c/emph\u003e (1933), \u003cemph render=\"italic\"\u003eAll Men are Brothers\u003c/emph\u003e (1933, translation), \u003cemph render=\"italic\"\u003eThe Mother\u003c/emph\u003e (1934), \u003cemph render=\"italic\"\u003eThe Exile\u003c/emph\u003e (1936), \u003cemph render=\"italic\"\u003eFighting Angel\u003c/emph\u003e (1936), and \u003cemph render=\"italic\"\u003eThis Proud Heart\u003c/emph\u003e (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.\u003c/p\u003e\n","\u003cp\u003eBy 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include \u003cemph render=\"italic\"\u003eDragon Seed\u003c/emph\u003e (1942), \u003cemph render=\"italic\"\u003ePavilion of Women\u003c/emph\u003e (1946), \u003cemph render=\"italic\"\u003eGod's Men\u003c/emph\u003e (1951), \u003cemph render=\"italic\"\u003eCome, My Beloved\u003c/emph\u003e (1953), \u003cemph render=\"italic\"\u003eImperial Woman\u003c/emph\u003e (1956), \u003cemph render=\"italic\"\u003eLetter from Peking\u003c/emph\u003e (1957), and \u003cemph render=\"italic\"\u003eThe Living Reed\u003c/emph\u003e (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.\u003c/p\u003e\n","\u003cp\u003ePearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.\u003c/p\u003e\n","\u003cp\u003eRichard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.","Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel,  East Wind, West Wind,  was published in 1930. She published the bestselling and Pulitzer Prize-winning novel  The Good Earth  in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include  Sons  (1932),  A House Divided  (1935),  The First Wife and Other Stories  (1933),  All Men are Brothers  (1933, translation),  The Mother  (1934),  The Exile  (1936),  Fighting Angel  (1936), and  This Proud Heart  (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.","By 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include  Dragon Seed  (1942),  Pavilion of Women  (1946),  God's Men  (1951),  Come, My Beloved  (1953),  Imperial Woman  (1956),  Letter from Peking  (1957), and  The Living Reed  (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.","Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.","Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Papers, A\u0026amp;M 0727, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Papers, A\u0026M 0727, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e4052\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["4052"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. \u003c/p\u003e\n","\u003cp\u003eDating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. \u003c/p\u003e\n","\u003cp\u003eProminent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. \u003c/p\u003e\n","\u003cp\u003eProminent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. \u003c/p\u003e\n","\u003cp\u003eAddenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. \u003c/p\u003e\n","\u003cp\u003eFor additional Pearl Buck material, see A\u0026amp;M 4052, Pearl S. Buck, Author, Literary Manuscripts. \u003c/p\u003e\n","\u003cp\u003eThere are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. \u003c/p\u003e\n","\u003cp\u003eSeries 1. Articles; circa 1937-1944; box 1 - box 2, folder 39.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Book Reviews; undated; box 2, folder 40-51. \u003clb\u003e\u003c/lb\u003e\nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7.\u003clb\u003e\u003c/lb\u003e\nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10.\u003clb\u003e\u003c/lb\u003e\nSeries 10. James Comstock Collection; 1939-1970, undated; box 11.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2006/05/22; 1948; box 34.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/05/08; 1921-1945; boxes 15-24.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2016/06/08; circa 2002; box 25.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/07/17; 2017; box 25.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/07/28; 1983; box 25, folder 3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/08/22; 2010; box 26, folder 4.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/02/27; 2015; box 26, folder 5.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/05/23; undated; box 35, folder 4.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/06/01; 1943-1962; box 35, folder 6.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/08/16; 1932; box 35, folder 2.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/08/17; 1942; box 35, folder 3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/02/18; 1973; box 29.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/03/19; 2015-2018; boxes 30-31.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/07/23; 2015-2018; boxes 32-33.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/10/01; undated; box 34.\u003clb\u003e\u003c/lb\u003e \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2021/03/07; September 2015; box 32, folder 1.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1. \u003clb\u003e\u003c/lb\u003e\nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. ","Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. ","Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. ","Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. ","Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. ","For additional Pearl Buck material, see A\u0026M 4052, Pearl S. Buck, Author, Literary Manuscripts. ","There are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. ","Series 1. Articles; circa 1937-1944; box 1 - box 2, folder 39. \nSeries 2. Book Reviews; undated; box 2, folder 40-51.  \nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7. \nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1. \nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B. \nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27. \nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32. \nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9. \nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10. \nSeries 10. James Comstock Collection; 1939-1970, undated; box 11. \nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14. \nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9. \nAddendum of 2006/05/22; 1948; box 34. \nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14. \nAddendum of 2015/05/08; 1921-1945; boxes 15-24. \nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19. \nAddendum of 2016/06/08; circa 2002; box 25. \nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3. \nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17. \nAddendum of 2017/07/17; 2017; box 25. \nAddendum of 2017/07/28; 1983; box 25, folder 3. \nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10. \nAddendum of 2017/08/22; 2010; box 26, folder 4. \nAddendum of 2018/02/27; 2015; box 26, folder 5. \nAddendum of 2018/05/23; undated; box 35, folder 4. \nAddendum of 2018/06/01; 1943-1962; box 35, folder 6. \nAddendum of 2018/08/16; 1932; box 35, folder 2. \nAddendum of 2018/08/17; 1942; box 35, folder 3. \nAddendum of 2019/02/18; 1973; box 29. \nAddendum of 2019/03/19; 2015-2018; boxes 30-31. \nAddendum of 2019/07/23; 2015-2018; boxes 32-33. \nAddendum of 2019/10/01; undated; box 34.  \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5. \nAddendum of 2021/03/07; September 2015; box 32, folder 1. \nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1.  \nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2."],"separatedmaterial_html_tesm":["\u003cp\u003eOriginal signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026amp;M 435, Rare Signatures.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Original signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026M 435, Rare Signatures."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_333ae7a4aced96d0a9d85dffabb69677\"\u003ePapers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material.\u003c/abstract\u003e"],"abstract_tesim":["Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b80b18ed2fa6efaf420bb73ebeea23dd\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","New York City Ballet","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966"],"corpname_ssim":["West Virginia and Regional History Center","New York City Ballet"],"names_coll_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Hocking, William Ernest, 1873-1966"],"persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":401,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:23:30.867Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3133_c22"}},{"id":"wvmturhc_repositories_2_resources_5371_c21","type":"Series","attributes":{"title":"Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c21#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c21","ref_ssm":["wvmturhc_repositories_2_resources_5371_c21"],"id":"wvmturhc_repositories_2_resources_5371_c21","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","parent_ssi":"wvmturhc_repositories_2_resources_5371","parent_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks"],"text":["James E. Davis, Artist, Papers and Artworks","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence","Box 1995/01/30 8","Box 1995/undated 9","Folder 1-11"],"title_filing_ssi":"Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence","title_ssm":["Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence"],"title_tesim":["Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence"],"unitdate_inclusive_ssm":["1943-1992, undated"],"normalized_date_ssm":["1943/1992"],"normalized_title_ssm":["Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":818,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["Box 1995/01/30 8","Box 1995/undated 9","Folder 1-11"],"_nest_path_":"/components#20","timestamp":"2026-04-30T23:14:22.348Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. 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