{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=6165\u0026view=list","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=6164\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=6166\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=6174\u0026view=list"},"meta":{"pages":{"current_page":6165,"next_page":6166,"prev_page":6164,"total_pages":6174,"limit_value":10,"offset_value":61640,"total_count":61735,"first_page?":false,"last_page?":false}},"data":[{"id":"vircu_repositories_5_resources_591_c03_c177","type":"File","attributes":{"title":"Youth Commission and Related Items II, n.d.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_591_c03_c177#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_591_c03_c177","ref_ssm":["vircu_repositories_5_resources_591_c03_c177"],"id":"vircu_repositories_5_resources_591_c03_c177","ead_ssi":"vircu_repositories_5_resources_591","_root_":"vircu_repositories_5_resources_591","_nest_parent_":"vircu_repositories_5_resources_591_c03","parent_ssi":"vircu_repositories_5_resources_591_c03","parent_ssim":["vircu_repositories_5_resources_591","vircu_repositories_5_resources_591_c03"],"parent_ids_ssim":["vircu_repositories_5_resources_591","vircu_repositories_5_resources_591_c03"],"parent_unittitles_ssm":["Eleanor P. 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Mrs. Sheppard began her political career through her activities with the Ginter Park PTA. In 1954, when she was president of the Richmond Federation of PTAs and a member of the Council of Women's Organizations, she ran for City Council. She served on the Richmond City Council from 1954 until 1968. During her tenure on council she became Richmond's first woman vice mayor (1960-1962) and later mayor (1962-1964). She left Council in 1968 to run for the Virginia House of Delegates, where she represented Richmond until March 1977. Mrs. Sheppard became the first chairwoman of a Virginia General Assembly committee in 1974 when she assumed the leadership of the House Education Committee. She also served on the Finance and Health, Welfare and Institutions committees. Mrs. Sheppard was honored by numerous groups toward the end of her active career for her many contributions to the community. 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Ambler \u003c/p\u003e\n","\u003cp\u003eKilgore, Ann \u003c/p\u003e\n","\u003cp\u003eKittenplan, Mrs. Philip \u003c/p\u003e\n","\u003cp\u003eLasday, Mrs. Albert \u003c/p\u003e\n","\u003cp\u003eLawrence, Eleanor A. \u003c/p\u003e\n","\u003cp\u003eMackenzie, Ross \u003c/p\u003e\n","\u003cp\u003eMadden, John B. \u003c/p\u003e\n","\u003cp\u003eMarshall, George C. \u003c/p\u003e\n","\u003cp\u003eMaxwell, Sarah \u003c/p\u003e\n","\u003cp\u003eMcNamara, T.R. \u003c/p\u003e\n","\u003cp\u003eMeacham, Harry M. \u003c/p\u003e\n","\u003cp\u003eMebane, R. 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The issues covered include education, city planning and development and various bills proposed in the General Assembly. Materials include correspondence, reports, speeches, campaign documents, statements, photographs, publications and a vast quantity of newspaper clippings (to be indexed). Photographs have been transferred to RG 60, Box . The collection was very disorganized when received and the order described below was established by the library. The collection originally contained a vast number of name tags, buttons, business cards and souvenirs. All but representative samples have been disposed of.","Elizabeth ","Bernard, Louise ","Bliley, Thomas J., Jr. ","Bliss, Mrs. Terry ","Brawley, Eleanor ","Brothers, J. David ","Bryan, D. Tennant ","Cardwell, Charles P., Jr. ","Cephas, B. Addison, Jr. ","Crandall, Dr. Paul ","Crater, Flora ","Crowe, Merrill M. ","Daniel, William V. ","Du Val, Chalkley ","Emroughty, J.M. ","Forb, Nathan J. ","Gillespie, J. Samuel, Jr. ","Gold, Rev. 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Series I--Personnel (1969-1981); Subseries: Musicians, Guest Artists, Staff, Applicants for Positions; Series II--Concerts (1973-1981); Series III--Programs/Brochures (1962-1980); Series IV--Planning/Operations (1965-1982); Series V--Correspondence (1973-1982); Series VI--Oversized Materials (1980). Located in oversize area.","Virginia's capitol had its own symphony orchestra for a brief period in the 1930's; but the present Richmond Symphony dates from 1956, when it was founded as a community orchestra. Edgar Schenkman led the orchestra as its music director and conductor from its founding until 1971, when direction was taken over by French conductor Jacques Houtmann. The Symphony expanded greatly during Houtmann's sixteen years of leadership, achieving regional orchestra status and turning its part-time \"Little Symphony\" into a full-time Sinfonia in 1973. The first such professional symphonic ensemble to be established in Virginia, the Richmond Sinfonia proceeded to expand its schedule, particularly in the area of in-school concerts for Virginia's school children. Further performing flexibility was lent by the Symphony's String, Brass, and Woodwind Ensembles. The development of student concerts and the sponsorship of youth orchestras rounded out the Symphony's extensive involvement with music education in the state. In 1987 the orchestra welcomed its third director, the young George Manahan from the New Jersey Symphony Orchestra. The Richmond Symphony continues to be the largest performing arts organization in Virginia. Concert series, both classical and popular, are held in the Richmond Mosque and the Virginia Center for the Performing Arts (Carpenter Center). These and other special performances are supported by foundations, private donations, and grants from the National Endowment for the Arts and the Virginia Commission for the Arts. The Symphony's season runs approximately from October to April.","The collection consists of correspondence, contracts, and publicity materials, chiefly from the 1970's. Most of the material focuses on the artistic and financial arrangements made for each season's performances, though considerable attention is also given to special programs, public relations, and fundraising activities. Individual files detail the association with the Symphony of both members and guest artists. These may include personal data as well as professional details.","1960, 1961, 1970-1973, 1977, 1980","There are no restrictions.","VCU James Branch Cabell Library","Richmond Symphony","English \n.    "],"unitid_tesim":["M 257","/repositories/5/resources/114"],"normalized_title_ssm":["Richmond Symphony records"],"collection_title_tesim":["Richmond Symphony records"],"collection_ssim":["Richmond Symphony records"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Richmond Symphony"],"creator_ssim":["Richmond Symphony"],"creator_corpname_ssim":["Richmond Symphony"],"creators_ssim":["Richmond Symphony"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by The Board of the Richmond Symphony 10 March 1994."],"access_subjects_ssim":["Symphony orchestras -- Virginia -- Richmond"],"access_subjects_ssm":["Symphony orchestras -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["22 Linear Feet"],"extent_tesim":["22 Linear Feet"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eAccess to Series I must by granted in writing by the Executive Director of the Richmond Symphony.\u003c/p\u003e","\u003cp\u003eAccess to Series I must by granted in writing by the Executive Director of the Richmond Symphony.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access"],"accessrestrict_tesim":["Access to Series I must by granted in writing by the Executive Director of the Richmond Symphony.","Access to Series I must by granted in writing by the Executive Director of the Richmond Symphony."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged alphabetically within each series except Correspondence, which is arranged first chronologically and then alphabetically. Series I--Personnel (1969-1981); Subseries: Musicians, Guest Artists, Staff, Applicants for Positions; Series II--Concerts (1973-1981); Series III--Programs/Brochures (1962-1980); Series IV--Planning/Operations (1965-1982); Series V--Correspondence (1973-1982); Series VI--Oversized Materials (1980). Located in oversize area.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged alphabetically within each series except Correspondence, which is arranged first chronologically and then alphabetically. Series I--Personnel (1969-1981); Subseries: Musicians, Guest Artists, Staff, Applicants for Positions; Series II--Concerts (1973-1981); Series III--Programs/Brochures (1962-1980); Series IV--Planning/Operations (1965-1982); Series V--Correspondence (1973-1982); Series VI--Oversized Materials (1980). Located in oversize area."],"bioghist_html_tesm":["\u003cp\u003eVirginia's capitol had its own symphony orchestra for a brief period in the 1930's; but the present Richmond Symphony dates from 1956, when it was founded as a community orchestra. Edgar Schenkman led the orchestra as its music director and conductor from its founding until 1971, when direction was taken over by French conductor Jacques Houtmann. The Symphony expanded greatly during Houtmann's sixteen years of leadership, achieving regional orchestra status and turning its part-time \"Little Symphony\" into a full-time Sinfonia in 1973. The first such professional symphonic ensemble to be established in Virginia, the Richmond Sinfonia proceeded to expand its schedule, particularly in the area of in-school concerts for Virginia's school children. Further performing flexibility was lent by the Symphony's String, Brass, and Woodwind Ensembles. The development of student concerts and the sponsorship of youth orchestras rounded out the Symphony's extensive involvement with music education in the state. In 1987 the orchestra welcomed its third director, the young George Manahan from the New Jersey Symphony Orchestra. The Richmond Symphony continues to be the largest performing arts organization in Virginia. Concert series, both classical and popular, are held in the Richmond Mosque and the Virginia Center for the Performing Arts (Carpenter Center). These and other special performances are supported by foundations, private donations, and grants from the National Endowment for the Arts and the Virginia Commission for the Arts. The Symphony's season runs approximately from October to April.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Virginia's capitol had its own symphony orchestra for a brief period in the 1930's; but the present Richmond Symphony dates from 1956, when it was founded as a community orchestra. Edgar Schenkman led the orchestra as its music director and conductor from its founding until 1971, when direction was taken over by French conductor Jacques Houtmann. The Symphony expanded greatly during Houtmann's sixteen years of leadership, achieving regional orchestra status and turning its part-time \"Little Symphony\" into a full-time Sinfonia in 1973. The first such professional symphonic ensemble to be established in Virginia, the Richmond Sinfonia proceeded to expand its schedule, particularly in the area of in-school concerts for Virginia's school children. Further performing flexibility was lent by the Symphony's String, Brass, and Woodwind Ensembles. The development of student concerts and the sponsorship of youth orchestras rounded out the Symphony's extensive involvement with music education in the state. In 1987 the orchestra welcomed its third director, the young George Manahan from the New Jersey Symphony Orchestra. The Richmond Symphony continues to be the largest performing arts organization in Virginia. Concert series, both classical and popular, are held in the Richmond Mosque and the Virginia Center for the Performing Arts (Carpenter Center). These and other special performances are supported by foundations, private donations, and grants from the National Endowment for the Arts and the Virginia Commission for the Arts. The Symphony's season runs approximately from October to April."],"prefercite_html_tesm":["\u003cp\u003eBox/folder, Richmond Symphony Archives, M 257, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e"],"prefercite_tesim":["Box/folder, Richmond Symphony Archives, M 257, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of correspondence, contracts, and publicity materials, chiefly from the 1970's. Most of the material focuses on the artistic and financial arrangements made for each season's performances, though considerable attention is also given to special programs, public relations, and fundraising activities. Individual files detail the association with the Symphony of both members and guest artists. These may include personal data as well as professional details.\u003c/p\u003e","\u003cp\u003e1960, 1961, 1970-1973, 1977, 1980\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of correspondence, contracts, and publicity materials, chiefly from the 1970's. Most of the material focuses on the artistic and financial arrangements made for each season's performances, though considerable attention is also given to special programs, public relations, and fundraising activities. Individual files detail the association with the Symphony of both members and guest artists. These may include personal data as well as professional details.","1960, 1961, 1970-1973, 1977, 1980"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Richmond Symphony"],"names_ssim":["VCU James Branch Cabell Library","Richmond Symphony"],"corpname_ssim":["VCU James Branch Cabell Library","Richmond Symphony"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":770,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:36:08.852Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_114_c02_c295"}},{"id":"vifgm_LivingStage_c01_c03_c210","type":"File","attributes":{"title":"Youth Crime Control Project Lorton Youth Center,","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_LivingStage_c01_c03_c210#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_LivingStage_c01_c03_c210#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_LivingStage_c01_c03_c210","ref_ssm":["vifgm_LivingStage_c01_c03_c210"],"id":"vifgm_LivingStage_c01_c03_c210","ead_ssi":"vifgm_LivingStage","_root_":"vifgm_LivingStage","_nest_parent_":"vifgm_LivingStage_c01_c03","parent_ssi":"vifgm_LivingStage_c01_c03","parent_ssim":["vifgm_LivingStage","vifgm_LivingStage_c01","vifgm_LivingStage_c01_c03"],"parent_ids_ssim":["vifgm_LivingStage","vifgm_LivingStage_c01","vifgm_LivingStage_c01_c03"],"parent_unittitles_ssm":["Living Stage records","Series 1: Administrative and financial files","Financials and correspondence"],"parent_unittitles_tesim":["Living Stage records","Series 1: Administrative and financial files","Financials and correspondence"],"text":["Living Stage records","Series 1: Administrative and financial files","Financials and correspondence","Youth Crime Control Project Lorton Youth Center,","Box 50","Folder 18",""],"title_filing_ssi":"Youth Crime Control Project Lorton Youth Center, \n","title_ssm":["Youth Crime Control Project Lorton Youth Center,"],"title_tesim":["Youth Crime Control Project Lorton Youth Center,"],"unitdate_other_ssim":["1971 and 1974\n"],"normalized_date_ssm":["1971/1974"],"normalized_title_ssm":["Youth Crime Control Project Lorton Youth Center,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Living Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":699,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"date_range_isim":[1971,1972,1973,1974],"containers_ssim":["Box 50","Folder 18"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#0/components#2/components#209","timestamp":"2026-05-21T06:15:48.083Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_LivingStage","ead_ssi":"vifgm_LivingStage","_root_":"vifgm_LivingStage","_nest_parent_":"vifgm_LivingStage","ead_source_url_ssi":"data/gmu/LivingStage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/livingstage.html","title_ssm":["Living Stage records"],"title_tesim":["Living Stage records"],"unitdate_ssm":["1965-2001"],"unitdate_inclusive_ssm":["1965-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0277"],"text":["C0277","Living Stage records","Acting.","People with mental disabilities--Services for--United States.","Performance art--Photographs.","Public schools--Virginia.","Radicalism--United States--History--20th century.","Students--Photographs.","Theater--United States--History--20th century.","Theater--Washington (D.C.)","Playscripts.","Theatre programs.","There are no access restrictions.","The collection is divided into three series, each of which is divided into subseries.","Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual Materials, 1967-1998 (Boxes 86-106)","The Living Stage Theatre Company began in 1966 as a venture of the Arena Stage and Robert Alexander. Known from 1966-1968 as the Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the DC area after becoming disenchanted with traditional theater's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington DC on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam\", \"The Performance\" and \"The Workshop\"; a three part study that was used at most of their venues. The first part, or \"Jam\", consisted of actors working with their audience to \"rap\", make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. Then the actors moved into the \"performance\" itself. During the performance, the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic\". "," The organization began its twilight years in the first half of the 1990s as many of its founding and senior members began to take their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.","The Special Collections Research Center does not have the equipment necessary to watch Betacam, U-matic, reel-to-reel film and audio tapes contained in Series 3. Additional time and money may be required to digitize this material for access.","Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016.","The Special Collections and Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company collection Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Arena Stage collection and many other theater collections."," The Living Stage records consist of materials spanning the length of that organization's history from about 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files including financial papers, grant requests and applications, printed pieces, and correspondence and more creative materials including workshop reports and scripts, audiovisual files on reel-to-reel tapes, and photographic materials. ","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage."," Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Series 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","","","","","","","","","","","","","","","","","","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Series 2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","Folder 1 of 2\n","Folder 2 of 2\n","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","Folder 1 of 2\n","Folder 2 of 2\n","Folder 1 of 2\n","Folder 2 of 2\n","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Copyright 1978\n","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","Folder 1 of 4\n","Folder 2 of 4\n","Folder 3 of 4\n","Folder 4 of 4\n","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","Series 3. Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these documents are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s.  Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Large Box\n","","","VO 1 of 2\n","VO 2 of 2\n","","","","","","","Completely Unraveled - Large Box\n","","","","","","","","","","","","","","","","","","","","","","","","","","","Large Box\n","","Franklin Sherman?\n","","","Large Box\n","Large Box\n","","","Continued from October 19, 1977 Tape\n","","","","","","","","","","Loose\n","Color?\n","","","","","","","","","Large Box\n","","","","","","Large Box\n","Large Box\n","","Large Box\n","","Smells like Vinegar\n","Semi-Unraveling\n","","","","","Semi-Unraveling\n","","","","","","Large Box\n","Large Box\n","","","","Large Box\n","","","","","Large Box\n","","","Large Box\n","Large Box\n","","","","","","","","","","","","Large Box\n","","","","","","","","XL Roll\n","","","","","Semi-Unraveling\n","","","","","Large Box\n","","","Semi-Unraveling\n","","Large Box\n","","","","","","","Large Box\n","","","","Semi-Unraveling\n","Tape 3 of 3\n","Tape 1 of 3\n","Tape 2 of 3\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Betamax\n","VHS\n","","Beta Tape 1 of 2\n","Beta Tape 2 of 2\n","VHS\n","U-matic\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","Betamax\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","Betamax\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","Betamax\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","","VHS\n","VHS\n","VHS\n","Beta Tape 1 of 2\n","Beta Tape 2 of 2\n","Betamax\n","VHS\n","Betamax\n","There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries.","The Living Stage records include pieces related to the traveling theater company, which was founded by Robert Alexander, between 1965 and 2001.","George Mason University. Libraries. Special Collections Research Center.","English\n\t\t"],"unitid_tesim":["C0277"],"normalized_title_ssm":["Living Stage records"],"collection_title_tesim":["Living Stage records"],"collection_ssim":["Living Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Acting.","People with mental disabilities--Services for--United States.","Performance art--Photographs.","Public schools--Virginia.","Radicalism--United States--History--20th century.","Students--Photographs.","Theater--United States--History--20th century.","Theater--Washington (D.C.)","Playscripts.","Theatre programs."],"access_subjects_ssm":["Acting.","People with mental disabilities--Services for--United States.","Performance art--Photographs.","Public schools--Virginia.","Radicalism--United States--History--20th century.","Students--Photographs.","Theater--United States--History--20th century.","Theater--Washington (D.C.)","Playscripts.","Theatre programs."],"has_online_content_ssim":["false"],"extent_ssm":["48.0 linear feet (106 boxes)"],"extent_tesim":["48.0 linear feet (106 boxes)"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, each of which is divided into subseries.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Audiovisual Materials, 1967-1998 (Boxes 86-106)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into three series, each of which is divided into subseries.","Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual Materials, 1967-1998 (Boxes 86-106)"],"bioghist_html_tesm":["\u003cp\u003eThe Living Stage Theatre Company began in 1966 as a venture of the Arena Stage and Robert Alexander. Known from 1966-1968 as the Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the DC area after becoming disenchanted with traditional theater's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington DC on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. \u003c/p\u003e","\u003cp\u003eThe Living Stage performance style consisted of \"The Jam\", \"The Performance\" and \"The Workshop\"; a three part study that was used at most of their venues. The first part, or \"Jam\", consisted of actors working with their audience to \"rap\", make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. Then the actors moved into the \"performance\" itself. During the performance, the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. \u003c/p\u003e","\u003cp\u003eThe projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic\". \u003c/p\u003e","\u003cp\u003e The organization began its twilight years in the first half of the 1990s as many of its founding and senior members began to take their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Living Stage Theatre Company began in 1966 as a venture of the Arena Stage and Robert Alexander. Known from 1966-1968 as the Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the DC area after becoming disenchanted with traditional theater's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington DC on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam\", \"The Performance\" and \"The Workshop\"; a three part study that was used at most of their venues. The first part, or \"Jam\", consisted of actors working with their audience to \"rap\", make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. Then the actors moved into the \"performance\" itself. During the performance, the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic\". "," The organization began its twilight years in the first half of the 1990s as many of its founding and senior members began to take their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch Betacam, U-matic, reel-to-reel film and audio tapes contained in Series 3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch Betacam, U-matic, reel-to-reel film and audio tapes contained in Series 3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eLiving Stage Records, C0277, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Living Stage Records, C0277, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company collection Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Arena Stage collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company collection Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Arena Stage collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003e The Living Stage records consist of materials spanning the length of that organization's history from about 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files including financial papers, grant requests and applications, printed pieces, and correspondence and more creative materials including workshop reports and scripts, audiovisual files on reel-to-reel tapes, and photographic materials. \u003c/p\u003e","\u003cp\u003eSeries 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e","\u003cp\u003e Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. \u003c/p\u003e","\u003cp\u003eSeries 3: Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e","\u003cp\u003eSeries 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. 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2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play 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Included in the records are administrative files including financial papers, grant requests and applications, printed pieces, and correspondence and more creative materials including workshop reports and scripts, audiovisual files on reel-to-reel tapes, and photographic materials. ","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage."," Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Series 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","","","","","","","","","","","","","","","","","","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 3\n","Folder 2 of 3\n","Folder 3 of 3\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Series 2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. 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Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these documents are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s.  Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","","","","","","","","","","","","","","","","","","","","Folder 1 of 2\n","Folder 2 of 2\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Large Box\n","","","VO 1 of 2\n","VO 2 of 2\n","","","","","","","Completely Unraveled - Large Box\n","","","","","","","","","","","","","","","","","","","","","","","","","","","Large Box\n","","Franklin Sherman?\n","","","Large Box\n","Large Box\n","","","Continued from October 19, 1977 Tape\n","","","","","","","","","","Loose\n","Color?\n","","","","","","","","","Large Box\n","","","","","","Large Box\n","Large Box\n","","Large Box\n","","Smells like Vinegar\n","Semi-Unraveling\n","","","","","Semi-Unraveling\n","","","","","","Large Box\n","Large Box\n","","","","Large Box\n","","","","","Large Box\n","","","Large Box\n","Large Box\n","","","","","","","","","","","","Large Box\n","","","","","","","","XL Roll\n","","","","","Semi-Unraveling\n","","","","","Large Box\n","","","Semi-Unraveling\n","","Large Box\n","","","","","","","Large Box\n","","","","Semi-Unraveling\n","Tape 3 of 3\n","Tape 1 of 3\n","Tape 2 of 3\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Cassette Tape\n","Betamax\n","VHS\n","","Beta Tape 1 of 2\n","Beta Tape 2 of 2\n","VHS\n","U-matic\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","Betamax\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","Betamax\n","Betamax\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","Betamax\n","Betamax\n","VHS\n","VHS\n","VHS\n","VHS\n","VHS\n","VHS\n","Betamax\n","VHS\n","VHS\n","","VHS\n","VHS\n","VHS\n","Beta Tape 1 of 2\n","Beta Tape 2 of 2\n","Betamax\n","VHS\n","Betamax\n"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Living Stage Records must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThe Living Stage records include pieces related to the traveling theater company, which was founded by Robert Alexander, between 1965 and 2001.\u003c/abstract\u003e"],"abstract_tesim":["The Living Stage records include pieces related to the traveling theater company, which was founded by Robert Alexander, between 1965 and 2001."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:15:48.083Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_LivingStage_c01_c03_c210"}},{"id":"vifgm_repositories_2_resources_602_c01_c03_c210","type":"File","attributes":{"title":"Youth Crime Control Project Lorton Youth Center","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_602_c01_c03_c210#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_602_c01_c03_c210","ref_ssm":["vifgm_repositories_2_resources_602_c01_c03_c210"],"id":"vifgm_repositories_2_resources_602_c01_c03_c210","ead_ssi":"vifgm_repositories_2_resources_602","_root_":"vifgm_repositories_2_resources_602","_nest_parent_":"vifgm_repositories_2_resources_602_c01_c03","parent_ssi":"vifgm_repositories_2_resources_602_c01_c03","parent_ssim":["vifgm_repositories_2_resources_602","vifgm_repositories_2_resources_602_c01","vifgm_repositories_2_resources_602_c01_c03"],"parent_ids_ssim":["vifgm_repositories_2_resources_602","vifgm_repositories_2_resources_602_c01","vifgm_repositories_2_resources_602_c01_c03"],"parent_unittitles_ssm":["Living Stage records","Series 1: Administrative and financial files","Financials and correspondence"],"parent_unittitles_tesim":["Living Stage records","Series 1: Administrative and financial files","Financials and correspondence"],"text":["Living Stage records","Series 1: Administrative and financial files","Financials and correspondence","Youth Crime Control Project Lorton Youth Center","Box 50","Folder 18"],"title_filing_ssi":"Youth Crime Control Project Lorton Youth Center","title_ssm":["Youth Crime Control Project Lorton Youth Center"],"title_tesim":["Youth Crime Control Project Lorton Youth Center"],"unitdate_other_ssim":["1971 and 1974"],"normalized_date_ssm":["1971/1974"],"normalized_title_ssm":["Youth Crime Control Project Lorton Youth Center"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Living Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":699,"parent_access_restrict_tesm":["There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1971,1972,1973,1974],"containers_ssim":["Box 50","Folder 18"],"_nest_path_":"/components#0/components#2/components#209","timestamp":"2026-05-21T05:25:00.697Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_602","ead_ssi":"vifgm_repositories_2_resources_602","_root_":"vifgm_repositories_2_resources_602","_nest_parent_":"vifgm_repositories_2_resources_602","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_602.xml","title_filing_ssi":"Living Stage records","title_ssm":["Living Stage records"],"title_tesim":["Living Stage records"],"unitdate_ssm":["1965-2001"],"unitdate_inclusive_ssm":["1965-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0277","/repositories/2/resources/602"],"text":["C0277","/repositories/2/resources/602","Living Stage records","Washington (D.C.)","Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript","There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.","The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)","The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.","The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.","Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.","The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.","The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Series 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Series 2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files.","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Copyright 1978","Folder 1 of 2","Folder 2 of 2","Folder 1 of 4","Folder 2 of 4","Folder 3 of 4","Folder 4 of 4","Folder 1 of 2","Folder 2 of 2","Series 3. Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these documents are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Folder 1 of 2","Folder 2 of 2","Large Box","VO 1 of 2","VO 2 of 2","Completely Unraveled - Large Box","Large Box","Franklin Sherman?","Large Box","Large Box","Continued from October 19, 1977 Tape","Loose","Color?","Large Box","Large Box","Large Box","Large Box","Smells like Vinegar","Semi-Unraveling","Semi-Unraveling","Large Box","Large Box","Large Box","Large Box","Large Box","Large Box","Large Box","XL Roll","Semi-Unraveling","Large Box","Semi-Unraveling","Large Box","Large Box","Semi-Unraveling","Tape 3 of 3","Tape 1 of 3","Tape 2 of 3","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Betamax","VHS","Beta Tape 1 of 2","Beta Tape 2 of 2","VHS","U-matic","Betamax","VHS","VHS","VHS","VHS","Betamax","Betamax","Betamax","VHS","VHS","Betamax","VHS","VHS","Betamax","VHS","Betamax","Betamax","VHS","VHS","Betamax","VHS","VHS","VHS","VHS","Betamax","VHS","VHS","Betamax","Betamax","VHS","VHS","VHS","VHS","VHS","VHS","Betamax","VHS","VHS","VHS","VHS","VHS","Beta Tape 1 of 2","Beta Tape 2 of 2","Betamax","VHS","Betamax","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.","R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0277","/repositories/2/resources/602"],"normalized_title_ssm":["Living Stage records"],"collection_title_tesim":["Living Stage records"],"collection_ssim":["Living Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)"],"geogname_ssim":["Washington (D.C.)"],"places_ssim":["Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"access_subjects_ssm":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["48.0 Linear Feet 106 boxes"],"extent_tesim":["48.0 Linear Feet 106 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, each of which is divided into subseries.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)"],"bioghist_html_tesm":["\u003cp\u003eThe Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. \u003c/p\u003e\n","\u003cp\u003eThe Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. \u003c/p\u003e\n","\u003cp\u003eThe projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"\u003c/p\u003e\n","\u003cp\u003eThe organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eLiving Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Living Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e","\u003cp\u003eSeries 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 3\u003c/p\u003e","\u003cp\u003eFolder 2 of 3\u003c/p\u003e","\u003cp\u003eFolder 3 of 3\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 3\u003c/p\u003e","\u003cp\u003eFolder 2 of 3\u003c/p\u003e","\u003cp\u003eFolder 3 of 3\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 3\u003c/p\u003e","\u003cp\u003eFolder 2 of 3\u003c/p\u003e","\u003cp\u003eFolder 3 of 3\u003c/p\u003e","\u003cp\u003eFolder 1 of 3\u003c/p\u003e","\u003cp\u003eFolder 2 of 3\u003c/p\u003e","\u003cp\u003eFolder 3 of 3\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eSeries 2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eCopyright 1978\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eFolder 1 of 4\u003c/p\u003e","\u003cp\u003eFolder 2 of 4\u003c/p\u003e","\u003cp\u003eFolder 3 of 4\u003c/p\u003e","\u003cp\u003eFolder 4 of 4\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eSeries 3. 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Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2\u003c/p\u003e","\u003cp\u003eFolder 2 of 2\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eVO 1 of 2\u003c/p\u003e","\u003cp\u003eVO 2 of 2\u003c/p\u003e","\u003cp\u003eCompletely Unraveled - Large Box\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eFranklin Sherman?\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eContinued from October 19, 1977 Tape\u003c/p\u003e","\u003cp\u003eLoose\u003c/p\u003e","\u003cp\u003eColor?\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eLarge Box\u003c/p\u003e","\u003cp\u003eSmells like 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Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Series 1. Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 3","Folder 2 of 3","Folder 3 of 3","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Series 2. Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams\". Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files.","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Copyright 1978","Folder 1 of 2","Folder 2 of 2","Folder 1 of 4","Folder 2 of 4","Folder 3 of 4","Folder 4 of 4","Folder 1 of 2","Folder 2 of 2","Series 3. Audiovisual Materials (1967-1998) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times as well as production stills. Unfortunately, the majority of these documents are undated or have little in the way of description. Subseries 3.2 Reel to Reel Materials includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Cassete and VHS tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","Folder 1 of 2","Folder 2 of 2","Large Box","VO 1 of 2","VO 2 of 2","Completely Unraveled - Large Box","Large Box","Franklin Sherman?","Large Box","Large Box","Continued from October 19, 1977 Tape","Loose","Color?","Large Box","Large Box","Large Box","Large Box","Smells like Vinegar","Semi-Unraveling","Semi-Unraveling","Large Box","Large Box","Large Box","Large Box","Large Box","Large Box","Large Box","XL Roll","Semi-Unraveling","Large Box","Semi-Unraveling","Large Box","Large Box","Semi-Unraveling","Tape 3 of 3","Tape 1 of 3","Tape 2 of 3","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Betamax","VHS","Beta Tape 1 of 2","Beta Tape 2 of 2","VHS","U-matic","Betamax","VHS","VHS","VHS","VHS","Betamax","Betamax","Betamax","VHS","VHS","Betamax","VHS","VHS","Betamax","VHS","Betamax","Betamax","VHS","VHS","Betamax","VHS","VHS","VHS","VHS","Betamax","VHS","VHS","Betamax","Betamax","VHS","VHS","VHS","VHS","VHS","VHS","Betamax","VHS","VHS","VHS","VHS","VHS","Beta Tape 1 of 2","Beta Tape 2 of 2","Betamax","VHS","Betamax"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.\u003c/abstract\u003e"],"abstract_tesim":["The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e176c0c8972614dd614b2ea45cfacaaf\"\u003eR 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2\u003c/physloc\u003e"],"physloc_tesim":["R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:25:00.697Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_602_c01_c03_c210"}},{"id":"viu_repositories_3_resources_756_c03_c132","type":"File","attributes":{"title":"Youth Employment Service","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_756_c03_c132#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_756_c03_c132","ref_ssm":["viu_repositories_3_resources_756_c03_c132"],"id":"viu_repositories_3_resources_756_c03_c132","ead_ssi":"viu_repositories_3_resources_756","_root_":"viu_repositories_3_resources_756","_nest_parent_":"viu_repositories_3_resources_756_c03","parent_ssi":"viu_repositories_3_resources_756_c03","parent_ssim":["viu_repositories_3_resources_756","viu_repositories_3_resources_756_c03"],"parent_ids_ssim":["viu_repositories_3_resources_756","viu_repositories_3_resources_756_c03"],"parent_unittitles_ssm":["Francis H. Fife papers","Westview"],"parent_unittitles_tesim":["Francis H. Fife papers","Westview"],"text":["Francis H. Fife papers","Westview","Youth Employment Service","box 112","folder 7"],"title_filing_ssi":"Youth Employment Service","title_ssm":["Youth Employment Service"],"title_tesim":["Youth Employment Service"],"unitdate_inclusive_ssm":["1971-1977"],"normalized_date_ssm":["1971/1977"],"normalized_title_ssm":["Youth Employment Service"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Francis H. Fife papers"],"extent_ssm":["0.03 Cubic Feet 1 folder"],"extent_tesim":["0.03 Cubic Feet 1 folder"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2290,"parent_access_restrict_tesm":["Boxes 31 and 73 have been treated for mold.  Mold damage may be seen, but is not active.  Patrons are encouraged to wear gloves when accessing materials in these boxes."],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977],"containers_ssim":["box 112","folder 7"],"_nest_path_":"/components#2/components#131","timestamp":"2026-05-20T23:27:13.031Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_756","ead_ssi":"viu_repositories_3_resources_756","_root_":"viu_repositories_3_resources_756","_nest_parent_":"viu_repositories_3_resources_756","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_756.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/149695","title_filing_ssi":"Fife, Francis H., papers","title_ssm":["Francis H. Fife papers"],"title_tesim":["Francis H. Fife papers"],"unitdate_ssm":["1785-2015","1940-2015"],"unitdate_bulk_ssim":["1940-2015"],"unitdate_inclusive_ssm":["1785-2015"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16075","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/756"],"text":["MSS 16075","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/756","Francis H. Fife papers","Mayors -- Virginia -- Charlottesville","reports","letters (correspondence)","photographs","Collection is open for research use.\nThe collection is stored offsite; 72 hours notice is required to access the collection.","Boxes 31 and 73 have been treated for mold.  Mold damage may be seen, but is not active.  Patrons are encouraged to wear gloves when accessing materials in these boxes.","Box 31 has been treated for mold.  Mold damage may be seen, but is not active.  Patrons are encouraged to wear gloves when accessing materials in this box.","Box 73 has been treated for mold.  Mold damage may be seen, but is not active.  Patrons are encouraged to wear gloves when accessing materials in this box.","Series 1: Oak Lawn 1, 1960-2013 (46 cubic feet). Materials in this series are from Fife's filing cabinets at Oak Lawn and consist primarily of political papers and civic organizations files.  The files within the boxes mirror the order they were in within Mr. Fife's filing cabinets.  No further organization has been done.","Series 2: Oak Lawn 2, 1947-2015 (49.4 cubic feet).  Materials in this series consist of political papers and civic organizations files.  The files wihin the boxes mirror the order they were in within Mr. Fife's filing cabinets.  No further organization has been done.","Series 3: Westview, 1785-1994 (73 cubic feet). Materials in this series consist of political papers that document Francis Fife's involvemnet in Charlottesville's local government where he spent years on the city council, and where he served one term as mayor, as well as serving as the chairman of the Thomas Jefferson Planning District Commission. Also included are persoanl papers that document his life during and after World War II, and a small number of family papers.","Francis H. Fife was born in Charlottesville and attended the University of Virginia, graduating in 1941. He then joined the military and served in World War II.  He received a graduate degree in banking from Rutgers University in 1950 and made his first run for public office that same year, losing his bid for a seat on the Charlottesville City Council.\nFife was married to fellow former mayor Nancy O'Brien.","He led the fight for civil rights and adequate housing throughout the 1950s and 1960s as a founder of the housing foundation and by serving on the city's Housing Advisory Committee, which pushed for several public housing sites to better integrate communities.","Fife sat eight years on the Charlottesville City Council, including two years as mayor from 1972 to 1974.","Fife was a member of the governance board of several government agencies and non-profit organizations. They included the Virginia Department of Housing and Community Development, the Virginia Housing Authority, the Charlottesville Housing Foundation and the Piedmont Housing Alliance. He was also a founder and former President of the Rivanna Trails Foundation. He was also on the Board of Directors for the group Advocates for a Sustainable Albemarle Population.  Fife served as Chairman of the Thomas Jefferson Planning District Commission in the early 1980s and was also a former chair of the Rivanna Water and Sewer Authority.","Fife died on October 16, 2015 at the age of 95.  A city park, street and neighborhood are named in honor of Fife family members.","\nSources:","\n\"Francis H. Fife.\" CVillepedia, \nhttps://www.cvillepedia.org/index.php?title=Francis_Fife\u0026oldid=39248.  Accessed 2 November 2018.","McKenzie, Bryan. \"Charlottesville community icon Francis H. Fife dies.\"  The Daily Progress, 16 Oct. 2015.  \nhttps://www.dailyprogress.com/news/local/charlottesville-community-icon-francis-h-fife-dies/article_dcf08922-7444-11e5-afc2-a79b5cef5b97.html.  Accessed 2 November 2018.","Gift of Nancy O'Brien, 23 November 2013.","The Francis H. Fife papers (1947-2015; 168.4 cubic feet) document the personal and professional life of Mr. Fife with an emphasis on his civic and community interests.  Types of materials include reports, meeting minutes, correspondence, memoranda, journals, and some family documents.  The collection is organized into three series: Oak Lawn 1, Oak Lawn 2, and Westview.","Please note, the file titles in this collection have been transcribed.  The file titles were created by Mr. Fife or his staff. ","All 169 boxes are stored at Ivy Stacks.","Albert and Shirley Small Special Collections Library","Fife, Francis H., 1920-2015","English"],"unitid_tesim":["MSS 16075","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/756"],"normalized_title_ssm":["Francis H. Fife papers"],"collection_title_tesim":["Francis H. Fife papers"],"collection_ssim":["Francis H. Fife papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Fife, Francis H., 1920-2015"],"creator_ssim":["Fife, Francis H., 1920-2015"],"creator_persname_ssim":["Fife, Francis H., 1920-2015"],"creators_ssim":["Fife, Francis H., 1920-2015"],"access_subjects_ssim":["Mayors -- Virginia -- Charlottesville","reports","letters (correspondence)","photographs"],"access_subjects_ssm":["Mayors -- Virginia -- Charlottesville","reports","letters (correspondence)","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["168.4 Cubic Feet 168 cubic foot boxes, 1 document box"],"extent_tesim":["168.4 Cubic Feet 168 cubic foot boxes, 1 document box"],"genreform_ssim":["reports","letters (correspondence)","photographs"],"date_range_isim":[1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research use.\nThe collection is stored offsite; 72 hours notice is required to access the collection.\u003c/p\u003e","\u003cp\u003eBoxes 31 and 73 have been treated for mold.  Mold damage may be seen, but is not active.  Patrons are encouraged to wear gloves when accessing materials in these boxes.\u003c/p\u003e","\u003cp\u003eBox 31 has been treated for mold.  Mold damage may be seen, but is not active.  Patrons are encouraged to wear gloves when accessing materials in this box.\u003c/p\u003e","\u003cp\u003eBox 73 has been treated for mold.  Mold damage may be seen, but is not active.  Patrons are encouraged to wear gloves when accessing materials in this box.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Preservation Note","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research use.\nThe collection is stored offsite; 72 hours notice is required to access the collection.","Boxes 31 and 73 have been treated for mold.  Mold damage may be seen, but is not active.  Patrons are encouraged to wear gloves when accessing materials in these boxes.","Box 31 has been treated for mold.  Mold damage may be seen, but is not active.  Patrons are encouraged to wear gloves when accessing materials in this box.","Box 73 has been treated for mold.  Mold damage may be seen, but is not active.  Patrons are encouraged to wear gloves when accessing materials in this box."],"arrangement_html_tesm":["\u003cp\u003eSeries 1: Oak Lawn 1, 1960-2013 (46 cubic feet). Materials in this series are from Fife's filing cabinets at Oak Lawn and consist primarily of political papers and civic organizations files.  The files within the boxes mirror the order they were in within Mr. Fife's filing cabinets.  No further organization has been done.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Oak Lawn 2, 1947-2015 (49.4 cubic feet).  Materials in this series consist of political papers and civic organizations files.  The files wihin the boxes mirror the order they were in within Mr. Fife's filing cabinets.  No further organization has been done.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Westview, 1785-1994 (73 cubic feet). Materials in this series consist of political papers that document Francis Fife's involvemnet in Charlottesville's local government where he spent years on the city council, and where he served one term as mayor, as well as serving as the chairman of the Thomas Jefferson Planning District Commission. Also included are persoanl papers that document his life during and after World War II, and a small number of family papers.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Oak Lawn 1, 1960-2013 (46 cubic feet). Materials in this series are from Fife's filing cabinets at Oak Lawn and consist primarily of political papers and civic organizations files.  The files within the boxes mirror the order they were in within Mr. Fife's filing cabinets.  No further organization has been done.","Series 2: Oak Lawn 2, 1947-2015 (49.4 cubic feet).  Materials in this series consist of political papers and civic organizations files.  The files wihin the boxes mirror the order they were in within Mr. Fife's filing cabinets.  No further organization has been done.","Series 3: Westview, 1785-1994 (73 cubic feet). Materials in this series consist of political papers that document Francis Fife's involvemnet in Charlottesville's local government where he spent years on the city council, and where he served one term as mayor, as well as serving as the chairman of the Thomas Jefferson Planning District Commission. Also included are persoanl papers that document his life during and after World War II, and a small number of family papers."],"bioghist_html_tesm":["\u003cp\u003eFrancis H. Fife was born in Charlottesville and attended the University of Virginia, graduating in 1941. He then joined the military and served in World War II.  He received a graduate degree in banking from Rutgers University in 1950 and made his first run for public office that same year, losing his bid for a seat on the Charlottesville City Council.\nFife was married to fellow former mayor Nancy O'Brien.\u003c/p\u003e\n","\u003cp\u003eHe led the fight for civil rights and adequate housing throughout the 1950s and 1960s as a founder of the housing foundation and by serving on the city's Housing Advisory Committee, which pushed for several public housing sites to better integrate communities.\u003c/p\u003e\n","\u003cp\u003eFife sat eight years on the Charlottesville City Council, including two years as mayor from 1972 to 1974.\u003c/p\u003e\n","\u003cp\u003eFife was a member of the governance board of several government agencies and non-profit organizations. They included the Virginia Department of Housing and Community Development, the Virginia Housing Authority, the Charlottesville Housing Foundation and the Piedmont Housing Alliance. He was also a founder and former President of the Rivanna Trails Foundation. He was also on the Board of Directors for the group Advocates for a Sustainable Albemarle Population.  Fife served as Chairman of the Thomas Jefferson Planning District Commission in the early 1980s and was also a former chair of the Rivanna Water and Sewer Authority.\u003c/p\u003e\n","\u003cp\u003eFife died on October 16, 2015 at the age of 95.  A city park, street and neighborhood are named in honor of Fife family members.\u003c/p\u003e\n","\u003cp\u003e\nSources:\u003c/p\u003e\n","\u003cp\u003e\n\"Francis H. Fife.\" CVillepedia, \nhttps://www.cvillepedia.org/index.php?title=Francis_Fife\u0026amp;oldid=39248.  Accessed 2 November 2018.\u003c/p\u003e\n","\u003cp\u003eMcKenzie, Bryan. \"Charlottesville community icon Francis H. Fife dies.\"  The Daily Progress, 16 Oct. 2015.  \nhttps://www.dailyprogress.com/news/local/charlottesville-community-icon-francis-h-fife-dies/article_dcf08922-7444-11e5-afc2-a79b5cef5b97.html.  Accessed 2 November 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["Francis H. Fife was born in Charlottesville and attended the University of Virginia, graduating in 1941. He then joined the military and served in World War II.  He received a graduate degree in banking from Rutgers University in 1950 and made his first run for public office that same year, losing his bid for a seat on the Charlottesville City Council.\nFife was married to fellow former mayor Nancy O'Brien.","He led the fight for civil rights and adequate housing throughout the 1950s and 1960s as a founder of the housing foundation and by serving on the city's Housing Advisory Committee, which pushed for several public housing sites to better integrate communities.","Fife sat eight years on the Charlottesville City Council, including two years as mayor from 1972 to 1974.","Fife was a member of the governance board of several government agencies and non-profit organizations. They included the Virginia Department of Housing and Community Development, the Virginia Housing Authority, the Charlottesville Housing Foundation and the Piedmont Housing Alliance. He was also a founder and former President of the Rivanna Trails Foundation. He was also on the Board of Directors for the group Advocates for a Sustainable Albemarle Population.  Fife served as Chairman of the Thomas Jefferson Planning District Commission in the early 1980s and was also a former chair of the Rivanna Water and Sewer Authority.","Fife died on October 16, 2015 at the age of 95.  A city park, street and neighborhood are named in honor of Fife family members.","\nSources:","\n\"Francis H. Fife.\" CVillepedia, \nhttps://www.cvillepedia.org/index.php?title=Francis_Fife\u0026oldid=39248.  Accessed 2 November 2018.","McKenzie, Bryan. \"Charlottesville community icon Francis H. Fife dies.\"  The Daily Progress, 16 Oct. 2015.  \nhttps://www.dailyprogress.com/news/local/charlottesville-community-icon-francis-h-fife-dies/article_dcf08922-7444-11e5-afc2-a79b5cef5b97.html.  Accessed 2 November 2018."],"custodhist_html_tesm":["\u003cp\u003eGift of Nancy O'Brien, 23 November 2013.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Gift of Nancy O'Brien, 23 November 2013."],"prefercite_html_tesm":["\u003cp\u003eMSS 16075, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16075, Albert and Shirley Small Special Collections Library, University of Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThe Francis H. Fife papers (1947-2015; 168.4 cubic feet) document the personal and professional life of Mr. Fife with an emphasis on his civic and community interests.  Types of materials include reports, meeting minutes, correspondence, memoranda, journals, and some family documents.  The collection is organized into three series: Oak Lawn 1, Oak Lawn 2, and Westview.\u003c/p\u003e\n","\u003cp\u003ePlease note, the file titles in this collection have been transcribed.  The file titles were created by Mr. Fife or his staff. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Francis H. Fife papers (1947-2015; 168.4 cubic feet) document the personal and professional life of Mr. Fife with an emphasis on his civic and community interests.  Types of materials include reports, meeting minutes, correspondence, memoranda, journals, and some family documents.  The collection is organized into three series: Oak Lawn 1, Oak Lawn 2, and Westview.","Please note, the file titles in this collection have been transcribed.  The file titles were created by Mr. Fife or his staff. "],"physloc_html_tesm":["\u003cphysloc id=\"aspace_84a423eb8a3413128660f9b530e40dad\"\u003eAll 169 boxes are stored at Ivy Stacks.\u003c/physloc\u003e"],"physloc_tesim":["All 169 boxes are stored at Ivy Stacks."],"names_ssim":["Albert and Shirley Small Special Collections Library","Fife, Francis H., 1920-2015"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Fife, Francis H., 1920-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2559,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:27:13.031Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_756_c03_c132"}},{"id":"vircu_repositories_5_resources_600_c04_c02_c37","type":"File","attributes":{"title":"Youth Expo","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_600_c04_c02_c37#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_600_c04_c02_c37","ref_ssm":["vircu_repositories_5_resources_600_c04_c02_c37"],"id":"vircu_repositories_5_resources_600_c04_c02_c37","ead_ssi":"vircu_repositories_5_resources_600","_root_":"vircu_repositories_5_resources_600","_nest_parent_":"vircu_repositories_5_resources_600_c04_c02","parent_ssi":"vircu_repositories_5_resources_600_c04_c02","parent_ssim":["vircu_repositories_5_resources_600","vircu_repositories_5_resources_600_c04","vircu_repositories_5_resources_600_c04_c02"],"parent_ids_ssim":["vircu_repositories_5_resources_600","vircu_repositories_5_resources_600_c04","vircu_repositories_5_resources_600_c04_c02"],"parent_unittitles_ssm":["Girl Scouts of the Commonwealth of Virginia records","Series 4: Girl Scout Programming and Events","4.2 General Event Programs and Related Materials"],"parent_unittitles_tesim":["Girl Scouts of the Commonwealth of Virginia records","Series 4: Girl Scout Programming and Events","4.2 General Event Programs and Related Materials"],"text":["Girl Scouts of the Commonwealth of Virginia records","Series 4: Girl Scout Programming and Events","4.2 General Event Programs and Related Materials","Youth Expo","box 18","folder 5"],"title_filing_ssi":"Youth Expo","title_ssm":["Youth Expo"],"title_tesim":["Youth Expo"],"unitdate_other_ssim":["1974"],"normalized_date_ssm":["1974"],"normalized_title_ssm":["Youth Expo"],"component_level_isim":[3],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Girl Scouts of the Commonwealth of Virginia records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":281,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1974],"containers_ssim":["box 18","folder 5"],"_nest_path_":"/components#3/components#1/components#36","timestamp":"2026-05-21T04:37:44.566Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_600","ead_ssi":"vircu_repositories_5_resources_600","_root_":"vircu_repositories_5_resources_600","_nest_parent_":"vircu_repositories_5_resources_600","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_600.xml","title_ssm":["Girl Scouts of the Commonwealth of Virginia records"],"title_tesim":["Girl Scouts of the Commonwealth of Virginia records"],"unitdate_ssm":["1910-2012"],"unitdate_inclusive_ssm":["1910-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 400","/repositories/5/resources/600"],"text":["M 400","/repositories/5/resources/600","Girl Scouts of the Commonwealth of Virginia records","The collection is open for research.","The collection has been arranged into nine series. Further information on the series, their contents and organization can be found in the Scope and Content note.","Series 1: Council and Administrative Materials \n Subseries:\n 1.1 Policies, Procedures, and Administrative Documents  1.2 Reports 1.3 Meeting Materials and Minutes 1.4 Financial 1.5 United Way of Greater Richmond 1.6 Correspondence and Printed Administrative Materials 1.7 History 1.8 Administrator's Materials 1.9 Other Councils","\nSeries 2: Camps\n Subseries:\t\n 2.1 Camp Administration Materials 2.2 General Camp Materials 2.3 Camp Materials \nSeries 3: Troop Records and Related Materials","Series 4: Programming and Events\n Subseries:\n 4.1 Anniversary Materials  4.2 Regional Conferences  4.3 National Conferences and Conventions  4.4 General Event Programs and Related Materials  \nSeries 5: Awards, Recognitions, and Related Materials","Series 6: Photographs, Slides, and A/V\n Subseries:\n 6.1 Photographs and Photograph Albums  6.2 Slides  6.3 Scrapbooks  6.4 Audio-Visual \n \nSeries 7: Textiles and Related Materials\n Subseries:\n 7.1 Textile and Uniform Information and Records  7.2 Uniforms and Textiles  \t\nSeries 8: Artifacts and Ephemera\nSubseries: \n 8.1 Artifacts 8.2Ephemera","Series 9: Printed Materials","The Girl Scouts of the Commonwealth of Virginia Council began in 1963 following a merger between the Girl Scouts of Richmond and the Girl Scouts of Southside Virginia councils to provide more extensive services to Scouts in central Virginia. However, neither this council nor the two preceding it was the start of Girl Scouting in the area. There has been active Girl Scouting in Richmond prior to the official establishment of a council, though few records of the earliest days remain. Using Boy Scout manuals and enlisting the guidance of the director of the Richmond Boy Scouts, area girls recruited adult leaders and began informal scouting groups. In November 1913, the first official Girl Scout troop in Virginia, Pansy Troop Number 1, was formed in Highland Springs. Sponsored by the Women's Study Club for Right Living of Highland Springs, the troop was founded by Mrs. Kate G. Read and Mrs. Marion T. Read. This troop eventually split into two: Pansy Troop no. 1 and Pansy Troop no. 2, due to demand from local girls for membership.","The Girl Scouts of Richmond Council was formally organized on April 12, 1921 when the first Council Meeting was held at the Jefferson Hotel with 35 adult members, 11 troops, and 75 girls. The council received its official charter on May 10 of that year as the second chartered council in Virginia. Because of the Highland Springs troop's formation in 1913 and their inclusion in the Richmond Council, 1913 is commonly used for the date of inception for the Richmond Girl Scouts. In 1928, under the leadership of Commissioner Ruth Robertson McGuire, the Richmond Council was incorporated by the Girl Scouts of the United States of America.\nInitially, the Girl Scouts of Richmond was a racially exclusive organization, open only to white girls and women. Black Scouting in Richmond did not begin until 1932, when Troop 34, the first African American Girl Scout troop south of the Potomac River, was established. Mrs. Lena B. Watson of Virginia Union University (VUU) was instrumental in the group's formation  when she approached the Richmond council for permission to form a Black troop. Some council members  were supportive, but the council as a whole ultimately refused to consider it. The National Girl Scouting Headquarters became involved, forcing the Richmond council to allow the troop to form. In June 1932, the first Black troop formed at Hartshorn Hall at VUU with high school teacher Lavinia Banks as their leader.\nWhile Scouting in Richmond was developing, so too was Scouting in the southern part of Virginia. Hopewell formed its first troop in 1917, and many other troops in rural, semi-rural, and smaller urban areas followed. By 1942, the Petersburg Council organized, and the Hopewell Council formed in 1956, bringing many of the lone rural troops under the umbrella of a council. In 1958, the Hopewell Council merged with the Petersburg Council to form the Southside Council, bringing all troops in Southside Virginia Council services and support.","In response to rethinking the organization of Scouting in Virginia, the Richmond Council merged with the Southside Council to form the Commonwealth Council or the Girl Scouts of the Commonwealth of Virginia in 1962. During this time, troop integration became a reality for Virginia Girl Scouts. Integration began in 1963 with the Fort Lee troop. Black Scouts were allowed to participate at Camp Holly Dell for the first time, and by 1968 segregated troops were no more. \nOver the years, the councils that became the Commonwealth Council have provided programs and opportunities for girls to explore, learn, and build character through STEM, environmental stewardship, financial literacy, camping events, homemaking, and first aid. Citizenship was integral to Scouting from its inception. During World War I, Scouts entertained military troops at Fort Lee, and visited hospitals in morale-boosting calls. At least one scouting troop was so beloved for their service, that they were deemed honorary members of one of the units stationed at Fort Lee. In the Second World War, Scouts led scrap drives and defense preparedness activities. In addition to citizenship, Scouts raised awareness as well as money for their organization. In the earliest years of Scouting in Richmond, Scouts solicited donations by going door-to-door or having booths at fairs. In 1925, the Richmond Council became a member of the Community Chest, and could focus on other ways to fundraise. One successful fundraiser occurred when the troops brought John Philip Sousa and his band to Richmond, which raised a large amount of money for the organization and allowed the expansion of programs for the girls. The first cookie sale was in 1936, and approximately 11,694 pounds of cookies were sold, which allowed for expanded services, camping activities, and improved camping facilities. The annual event has been popular ever since, and continues to raise money for troop activities and support into the present day.","Camps have always been an important part of Girl Scouting. In the earliest years of the Richmond Council, white Girl Scouts used the Boy Scout camps for a few weeks every summer, but it soon became apparent that the girls needed their own camps. Eventually, the Richmond Council settled on a property in Bon Air, VA, that became Camp Pocahontas in 1928. Day Camps, held in conjunction with the YWCA, began in 1932.  Camp Pinoaka for Black Girl Scouts in Pocahontas State Park followed in 1936, and the Petersburg Council purchased Camp Holly Dell in Chesterfield in 1951. All three camps were eventually sold, and resources put into two other camps- Camp Kittamaqund, established in 1964 in the Northern Neck, and Camp Pamunkey Ridge in Hanover County. Smaller sleep-away camps, as well as day camps, were also scattered across the tri-city area and the state.","As of 2021, the Commonwealth Council, or the Girl Scouts of the Commonwealth of Virginia, is one of four councils in the state and serves over 17,500 girls and women in central Virginia, stretching from the cities of Emporia to Fredericksburg, with its headquarters in the greater Richmond area. It is governed by a Board of Directors, which is elected by delegates from the council membership. The Board is responsible for establishing policies, approving budgets, and setting the direction for the Council. The board consists of a Chair, Vice-Chair, Secretary, Treasurer, Chief Executive Officer (CEO), Members-at-Large, and two girl board members. The CEO and girl members are ex-officio, non-voting members. All serve two-year terms, and may not serve more than three consecutive terms, though the Chair is eligible to serve an additional three successive terms in another position. The Board conducts its business as the entire unit and in smaller committees, such as the Executive Committee, Finance Committee, Membership, and Program Committees. An Annual Meeting of the Board is held, and the Board continues to meet throughout the year, as do committees, as needed.","This collection contains many different formats. Negatives will need a scanner or light box to be properly accessed. Video formats include 35 and 78mm film, BetaCam, VHS, and U-Matic video and will need the proper video players to access them. CDs and DVDs, as well as audio cassette, reel-to-reel tape, 78 and 45 rpm records, and mini-cassette are included for audio formats.","2022: The collection was minimally processed prior to 2014. Beginning in 2020 and finishing in 2022, the collection was fully processe. This included consolidating materials, removing duplicates, deaccessioning widely-available publications, and processing the two accessions into one collection.","The Girl Scouts of the Commonwealth of Virginia (GSCV) records are composed of documents, correspondence, photographs, audio-visual materials, textiles, and artifacts that chronicle the evolution of Girl Scouting in the greater Richmond, Virginia area and the creation of the Commonwealth Council. The collection ranges in date from approximately 1913 through 2012, with the bulk of the materials falling within 1924-2005.  The collection has been arranged into nine series.","Series 1: Council and Administrative Materials","Materials related to the running and administration of the GSCV are located in this series. These items include policies and procedures, financial records, GSCV and Girl Scouting history in VA, and correspondence. This series also contains policies and procedures as outlined by both the Girl Scouts of the USA and GSCV and its preceding entities.\nSeries 1 comprises nine subseries.","1.1 Policies, Procedures, and Administrative Documents.","1.2 Reports: \nSeries 1.2 contains reports written by, about, or for the Richmond/ Commonwealth Council of VA Girl Scouts. They are arranged by author type and chronologically therein. Self-reports are first, followed by National Girl Scout reports, and reports about but not by Girl Scout entities are last.","1.3 Meeting Materials and Minutes: \nMaterials pertaining to meetings are kept with their respective meetings. This includes notes, minutes, correspondence, and other meeting items. Additionally, information on the formation of Black troops in Richmond can be found in the minutes starting in 1931. These materials are arranged by Council/Board/Annual Meetings, which may have committee materials included in chronological order, followed by solo committee materials, arranged alphabetically and then chronologically.","1.4 Financial: \nIncludes financial records and audits, both for the Council, as well as local troops. Series 1.4 is arranged chronologically.","1.5 United Way of Greater Richmond.","1.6 Correspondence and Printed Administrative Materials.","1.7 History: \nMany materials relate to the history of Black Scouting in Richmond, the earliest records of Girl Scouting in Richmond, general history, and the records of the councils that preceded the Girl Scouts of the Commonwealth of Virginia.","1.8 Administrator's Materials: \nThese materials contain the individual correspondence and effects of administrators in their work as scouts or representatives of the GSCV.","1.9 Other Councils: \nMaterials from Councils outside of GSCV and its preceding councils are included here.","Series 2: Camps","\nMost materials relating to camps run by GSVA are maintained in this series. Items like photographs and scrapbooks relating to camping or specific camps are listed in their respective subseries, but housed with other photographs and scrapbooks. Slides, books, as well as photographs that may pertain to a camp, but are not identified as such may be listed or found in Series 6: A/V or in Series 9: Printed.","The Series has been broken into nine subseries, most of which pertain to individual camps.","2.1 Camp Administration Materials: \nAdditional materials relating to the administration of camps may also be found in Series 1.","2.2 General Camp Materials:\nGeneral materials not related to the administration of camps as a whole, or of individual camps without their own subseries are contained here.","2.3 Camp Materials:\nContains materials from individual camps. This series is arranged alphabetically by camp, and chronologically therein. Camps include: Day Camps, Holly Dell, Kittamaqund, Pamunkey Ridge, Pine Grove, Pinoaka, Pocahontas.","Series 3: Troop Records and Related Materials ","\nMaterials that are related to specific troops are housed in this series. These items in this series include correspondence, financial records, speeches, clippings, photographs, and scrapbooks. Materials related to finances are contained in series 1.4: Financial. The bulk of Dorothy Armstrong's donation to the GSCV is housed in this series. Materials such as clippings, scrapbooks, and photographs are physically housed with like-materials.","Series 4: Programming and Events","\nThese materials relate to programs and events created or attended by GSCV troops or members. These include regional and national conferences and conventions, Girl Scout Week, \"Wider Opportunity,\" and GS Cookie Week, as well as events like Youth Expos, fashion shows, visits by dignitaries, and breakfasts. This series and its subseries are arranged alphabetically and chronologically therein.\n    \nThis series has been divided into four subseries as follows:","4.1 Anniversary Materials.","4.2 Regional Conferences.","4.3 National Conferences and Conventions.","4.4 General Event Programs and Related Materials.","Series 5: Awards, Recognitions, and Related Materials ","\nMaterials that document awards and recognitions received or given by GSCV and its members are kept in this series. This includes awards-related correspondence, applications, and the award, certificate, or proclamation itself.  This series is arranged chronologically.","Series 6: Photographs, Slides, and Audio-Visual Material","\nThis series contains photographs and scrapbooks that did not fit with other series. It also contains slides and audio-visual materials consisting of audio cassettes, 45 and 33 rpm records, compact disks, DVDs, VHS, and film reels. Scrapbooks can contain photographs, newspaper clippings, article clippings, pamphlets, and tickets. Materials are grouped by type, and an effort has been made to arrange them in chronological order; many dates are approximate. \t\t\n    Photographs are in black and white unless otherwise noted until approximately 1962; after 1992, photographs are in color unless noted.\n    \nThis series is arranged into five subseries.","6.1 Photographs and Photograph Albums.","6.2 Slides: \nThis subseries contains slides from the 1950s through the 2000s. They are arranged alphabetically, and chronologically therein.","6.3 Scrapbooks.","6.5 Audio-Visual: \nThis subseries contains film reels, video cassettes, DVDs, audio CDs and audiocassettes, and 45 and 33 rpm records.","Series 7: Textiles and Related Materials","\nTextiles and related materials such as hats, belts, shoes, catalogs, and information on uniforms are kept in this series. There are multiple complete Brownie and Girl Scouts uniforms from various points in the history of the Scouts maintained in this series. Some patches, pins, and badges that are attached to sashes are in this series. Individual patches and some older textiles may also be located in Series 8: Artifacts and Ephemera.\n    \n7.1 Textile and Uniform Information and Records: \nThis subseries contains materials that relay information about the uniforms: their evolution, their production, and items such as catalogs and patterns.\n    \n7.2 Uniforms and Textiles.","Series 8: Artifacts and Ephemera","\nThis series houses artifacts from the history of the Girl Scouts in Virginia. Of particular interest are items like Girl Scout paper dolls, a branded Brownie Camera, canteens and collapsible camping cups, patches and badges, and Girl Scout pins. There are also multiple items of ephemera such as Girl Scout cookie boxes and stationery.\n    ","Series 9: Printed Materials","\nThis series contains books, magazines, newspapers, pamphlets, newsletters and other printed items, loose newspaper and magazine clippings. The publisher is either the Girl Scouts, the GSCV, or an outside entity. This series is arranged alphabetically by topic (annual events, Cookie Sale, handbooks, etc.) and/or title and chronologically therein. Of particular note is the wide array of Girl Scout booklets and the \"Newsletters\" section, which contains an early extended run of \"The Girl Scout Leader\" from approximately 1932-1940, as well as runs of \"Trefoil,\" \"Girl Scout News,\" \"Images,\" and \"LEaDS\" from 1982-1999.","Award for outstanding achievement in environmental Protection services, Ronald Reagan.","There are no restrictions.","VCU James Branch Cabell Library","Commonwealth Council of the Girl Scouts of Virginia","English"],"unitid_tesim":["M 400","/repositories/5/resources/600"],"normalized_title_ssm":["Girl Scouts of the Commonwealth of Virginia records"],"collection_title_tesim":["Girl Scouts of the Commonwealth of Virginia records"],"collection_ssim":["Girl Scouts of the Commonwealth of Virginia records"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Commonwealth Council of the Girl Scouts of Virginia"],"creator_ssim":["Commonwealth Council of the Girl Scouts of Virginia"],"creator_corpname_ssim":["Commonwealth Council of the Girl Scouts of Virginia"],"creators_ssim":["Commonwealth Council of the Girl Scouts of Virginia"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["This collection was donated by The Commonwealth Council of Virginia Girl Scouts in two batches in 2011 and 2014."],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 118 Boxes"],"extent_tesim":["130 Linear Feet 118 Boxes"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been arranged into nine series. Further information on the series, their contents and organization can be found in the Scope and Content note.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Council and Administrative Materials \n\u003cul\u003eSubseries:\n\u003cli\u003e1.1 Policies, Procedures, and Administrative Documents \u003c/li\u003e\n\u003cli\u003e1.2 Reports\u003c/li\u003e \n\u003cli\u003e1.3 Meeting Materials and Minutes\u003c/li\u003e\n\u003cli\u003e1.4 Financial\u003c/li\u003e\n\u003cli\u003e1.5 United Way of Greater Richmond\u003c/li\u003e\n\u003cli\u003e1.6 Correspondence and Printed Administrative Materials\u003c/li\u003e\n\u003cli\u003e1.7 History\u003c/li\u003e\n\u003cli\u003e1.8 Administrator's Materials\u003c/li\u003e\n\u003cli\u003e1.9 Other Councils\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\nSeries 2: Camps\n\u003cul\u003eSubseries:\t\n\u003cli\u003e2.1 Camp Administration Materials\u003c/li\u003e\n\u003cli\u003e2.2 General Camp Materials\u003c/li\u003e\n\u003cli\u003e2.3 Camp Materials\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Troop Records and Related Materials\u003c/p\u003e\n","\u003cp\u003eSeries 4: Programming and Events\n\u003cul\u003eSubseries:\n\u003cli\u003e4.1 Anniversary Materials \u003c/li\u003e\n\u003cli\u003e4.2 Regional Conferences \u003c/li\u003e\n\u003cli\u003e4.3 National Conferences and Conventions \u003c/li\u003e\n\u003cli\u003e4.4 General Event Programs and Related Materials \u003c/li\u003e\n\u003c/ul\u003e\nSeries 5: Awards, Recognitions, and Related Materials\u003c/p\u003e\n","\u003cp\u003eSeries 6: Photographs, Slides, and A/V\n\u003cul\u003eSubseries:\n\u003cli\u003e6.1 Photographs and Photograph Albums \u003c/li\u003e\n\u003cli\u003e6.2 Slides \u003c/li\u003e\n\u003cli\u003e6.3 Scrapbooks \u003c/li\u003e\n\u003cli\u003e6.4 Audio-Visual\u003c/li\u003e\n\u003c/ul\u003e\n \nSeries 7: Textiles and Related Materials\n\u003cul\u003eSubseries:\n\u003cli\u003e7.1 Textile and Uniform Information and Records \u003c/li\u003e\n\u003cli\u003e7.2 Uniforms and Textiles \u003c/li\u003e\n\u003c/ul\u003e\t\nSeries 8: Artifacts and Ephemera\nSubseries: \n\u003cli\u003e8.1 Artifacts\u003c/li\u003e\n\u003cli\u003e8.2Ephemera\u003c/li\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 9: Printed Materials\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been arranged into nine series. Further information on the series, their contents and organization can be found in the Scope and Content note.","Series 1: Council and Administrative Materials \n Subseries:\n 1.1 Policies, Procedures, and Administrative Documents  1.2 Reports 1.3 Meeting Materials and Minutes 1.4 Financial 1.5 United Way of Greater Richmond 1.6 Correspondence and Printed Administrative Materials 1.7 History 1.8 Administrator's Materials 1.9 Other Councils","\nSeries 2: Camps\n Subseries:\t\n 2.1 Camp Administration Materials 2.2 General Camp Materials 2.3 Camp Materials \nSeries 3: Troop Records and Related Materials","Series 4: Programming and Events\n Subseries:\n 4.1 Anniversary Materials  4.2 Regional Conferences  4.3 National Conferences and Conventions  4.4 General Event Programs and Related Materials  \nSeries 5: Awards, Recognitions, and Related Materials","Series 6: Photographs, Slides, and A/V\n Subseries:\n 6.1 Photographs and Photograph Albums  6.2 Slides  6.3 Scrapbooks  6.4 Audio-Visual \n \nSeries 7: Textiles and Related Materials\n Subseries:\n 7.1 Textile and Uniform Information and Records  7.2 Uniforms and Textiles  \t\nSeries 8: Artifacts and Ephemera\nSubseries: \n 8.1 Artifacts 8.2Ephemera","Series 9: Printed Materials"],"bioghist_html_tesm":["\u003cp\u003eThe Girl Scouts of the Commonwealth of Virginia Council began in 1963 following a merger between the Girl Scouts of Richmond and the Girl Scouts of Southside Virginia councils to provide more extensive services to Scouts in central Virginia. However, neither this council nor the two preceding it was the start of Girl Scouting in the area. There has been active Girl Scouting in Richmond prior to the official establishment of a council, though few records of the earliest days remain. Using Boy Scout manuals and enlisting the guidance of the director of the Richmond Boy Scouts, area girls recruited adult leaders and began informal scouting groups. In November 1913, the first official Girl Scout troop in Virginia, Pansy Troop Number 1, was formed in Highland Springs. Sponsored by the Women's Study Club for Right Living of Highland Springs, the troop was founded by Mrs. Kate G. Read and Mrs. Marion T. Read. This troop eventually split into two: Pansy Troop no. 1 and Pansy Troop no. 2, due to demand from local girls for membership.\u003c/p\u003e\n","\u003cp\u003eThe Girl Scouts of Richmond Council was formally organized on April 12, 1921 when the first Council Meeting was held at the Jefferson Hotel with 35 adult members, 11 troops, and 75 girls. The council received its official charter on May 10 of that year as the second chartered council in Virginia. Because of the Highland Springs troop's formation in 1913 and their inclusion in the Richmond Council, 1913 is commonly used for the date of inception for the Richmond Girl Scouts. In 1928, under the leadership of Commissioner Ruth Robertson McGuire, the Richmond Council was incorporated by the Girl Scouts of the United States of America.\nInitially, the Girl Scouts of Richmond was a racially exclusive organization, open only to white girls and women. Black Scouting in Richmond did not begin until 1932, when Troop 34, the first African American Girl Scout troop south of the Potomac River, was established. Mrs. Lena B. Watson of Virginia Union University (VUU) was instrumental in the group's formation  when she approached the Richmond council for permission to form a Black troop. Some council members  were supportive, but the council as a whole ultimately refused to consider it. The National Girl Scouting Headquarters became involved, forcing the Richmond council to allow the troop to form. In June 1932, the first Black troop formed at Hartshorn Hall at VUU with high school teacher Lavinia Banks as their leader.\nWhile Scouting in Richmond was developing, so too was Scouting in the southern part of Virginia. Hopewell formed its first troop in 1917, and many other troops in rural, semi-rural, and smaller urban areas followed. By 1942, the Petersburg Council organized, and the Hopewell Council formed in 1956, bringing many of the lone rural troops under the umbrella of a council. In 1958, the Hopewell Council merged with the Petersburg Council to form the Southside Council, bringing all troops in Southside Virginia Council services and support.\u003c/p\u003e\n","\u003cp\u003eIn response to rethinking the organization of Scouting in Virginia, the Richmond Council merged with the Southside Council to form the Commonwealth Council or the Girl Scouts of the Commonwealth of Virginia in 1962. During this time, troop integration became a reality for Virginia Girl Scouts. Integration began in 1963 with the Fort Lee troop. Black Scouts were allowed to participate at Camp Holly Dell for the first time, and by 1968 segregated troops were no more. \nOver the years, the councils that became the Commonwealth Council have provided programs and opportunities for girls to explore, learn, and build character through STEM, environmental stewardship, financial literacy, camping events, homemaking, and first aid. Citizenship was integral to Scouting from its inception. During World War I, Scouts entertained military troops at Fort Lee, and visited hospitals in morale-boosting calls. At least one scouting troop was so beloved for their service, that they were deemed honorary members of one of the units stationed at Fort Lee. In the Second World War, Scouts led scrap drives and defense preparedness activities. In addition to citizenship, Scouts raised awareness as well as money for their organization. In the earliest years of Scouting in Richmond, Scouts solicited donations by going door-to-door or having booths at fairs. In 1925, the Richmond Council became a member of the Community Chest, and could focus on other ways to fundraise. One successful fundraiser occurred when the troops brought John Philip Sousa and his band to Richmond, which raised a large amount of money for the organization and allowed the expansion of programs for the girls. The first cookie sale was in 1936, and approximately 11,694 pounds of cookies were sold, which allowed for expanded services, camping activities, and improved camping facilities. The annual event has been popular ever since, and continues to raise money for troop activities and support into the present day.\u003c/p\u003e\n","\u003cp\u003eCamps have always been an important part of Girl Scouting. In the earliest years of the Richmond Council, white Girl Scouts used the Boy Scout camps for a few weeks every summer, but it soon became apparent that the girls needed their own camps. Eventually, the Richmond Council settled on a property in Bon Air, VA, that became Camp Pocahontas in 1928. Day Camps, held in conjunction with the YWCA, began in 1932.  Camp Pinoaka for Black Girl Scouts in Pocahontas State Park followed in 1936, and the Petersburg Council purchased Camp Holly Dell in Chesterfield in 1951. All three camps were eventually sold, and resources put into two other camps- Camp Kittamaqund, established in 1964 in the Northern Neck, and Camp Pamunkey Ridge in Hanover County. Smaller sleep-away camps, as well as day camps, were also scattered across the tri-city area and the state.\u003c/p\u003e\n","\u003cp\u003eAs of 2021, the Commonwealth Council, or the Girl Scouts of the Commonwealth of Virginia, is one of four councils in the state and serves over 17,500 girls and women in central Virginia, stretching from the cities of Emporia to Fredericksburg, with its headquarters in the greater Richmond area. It is governed by a Board of Directors, which is elected by delegates from the council membership. The Board is responsible for establishing policies, approving budgets, and setting the direction for the Council. The board consists of a Chair, Vice-Chair, Secretary, Treasurer, Chief Executive Officer (CEO), Members-at-Large, and two girl board members. The CEO and girl members are ex-officio, non-voting members. All serve two-year terms, and may not serve more than three consecutive terms, though the Chair is eligible to serve an additional three successive terms in another position. The Board conducts its business as the entire unit and in smaller committees, such as the Executive Committee, Finance Committee, Membership, and Program Committees. An Annual Meeting of the Board is held, and the Board continues to meet throughout the year, as do committees, as needed.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["The Girl Scouts of the Commonwealth of Virginia Council began in 1963 following a merger between the Girl Scouts of Richmond and the Girl Scouts of Southside Virginia councils to provide more extensive services to Scouts in central Virginia. However, neither this council nor the two preceding it was the start of Girl Scouting in the area. There has been active Girl Scouting in Richmond prior to the official establishment of a council, though few records of the earliest days remain. Using Boy Scout manuals and enlisting the guidance of the director of the Richmond Boy Scouts, area girls recruited adult leaders and began informal scouting groups. In November 1913, the first official Girl Scout troop in Virginia, Pansy Troop Number 1, was formed in Highland Springs. Sponsored by the Women's Study Club for Right Living of Highland Springs, the troop was founded by Mrs. Kate G. Read and Mrs. Marion T. Read. This troop eventually split into two: Pansy Troop no. 1 and Pansy Troop no. 2, due to demand from local girls for membership.","The Girl Scouts of Richmond Council was formally organized on April 12, 1921 when the first Council Meeting was held at the Jefferson Hotel with 35 adult members, 11 troops, and 75 girls. The council received its official charter on May 10 of that year as the second chartered council in Virginia. Because of the Highland Springs troop's formation in 1913 and their inclusion in the Richmond Council, 1913 is commonly used for the date of inception for the Richmond Girl Scouts. In 1928, under the leadership of Commissioner Ruth Robertson McGuire, the Richmond Council was incorporated by the Girl Scouts of the United States of America.\nInitially, the Girl Scouts of Richmond was a racially exclusive organization, open only to white girls and women. Black Scouting in Richmond did not begin until 1932, when Troop 34, the first African American Girl Scout troop south of the Potomac River, was established. Mrs. Lena B. Watson of Virginia Union University (VUU) was instrumental in the group's formation  when she approached the Richmond council for permission to form a Black troop. Some council members  were supportive, but the council as a whole ultimately refused to consider it. The National Girl Scouting Headquarters became involved, forcing the Richmond council to allow the troop to form. In June 1932, the first Black troop formed at Hartshorn Hall at VUU with high school teacher Lavinia Banks as their leader.\nWhile Scouting in Richmond was developing, so too was Scouting in the southern part of Virginia. Hopewell formed its first troop in 1917, and many other troops in rural, semi-rural, and smaller urban areas followed. By 1942, the Petersburg Council organized, and the Hopewell Council formed in 1956, bringing many of the lone rural troops under the umbrella of a council. In 1958, the Hopewell Council merged with the Petersburg Council to form the Southside Council, bringing all troops in Southside Virginia Council services and support.","In response to rethinking the organization of Scouting in Virginia, the Richmond Council merged with the Southside Council to form the Commonwealth Council or the Girl Scouts of the Commonwealth of Virginia in 1962. During this time, troop integration became a reality for Virginia Girl Scouts. Integration began in 1963 with the Fort Lee troop. Black Scouts were allowed to participate at Camp Holly Dell for the first time, and by 1968 segregated troops were no more. \nOver the years, the councils that became the Commonwealth Council have provided programs and opportunities for girls to explore, learn, and build character through STEM, environmental stewardship, financial literacy, camping events, homemaking, and first aid. Citizenship was integral to Scouting from its inception. During World War I, Scouts entertained military troops at Fort Lee, and visited hospitals in morale-boosting calls. At least one scouting troop was so beloved for their service, that they were deemed honorary members of one of the units stationed at Fort Lee. In the Second World War, Scouts led scrap drives and defense preparedness activities. In addition to citizenship, Scouts raised awareness as well as money for their organization. In the earliest years of Scouting in Richmond, Scouts solicited donations by going door-to-door or having booths at fairs. In 1925, the Richmond Council became a member of the Community Chest, and could focus on other ways to fundraise. One successful fundraiser occurred when the troops brought John Philip Sousa and his band to Richmond, which raised a large amount of money for the organization and allowed the expansion of programs for the girls. The first cookie sale was in 1936, and approximately 11,694 pounds of cookies were sold, which allowed for expanded services, camping activities, and improved camping facilities. The annual event has been popular ever since, and continues to raise money for troop activities and support into the present day.","Camps have always been an important part of Girl Scouting. In the earliest years of the Richmond Council, white Girl Scouts used the Boy Scout camps for a few weeks every summer, but it soon became apparent that the girls needed their own camps. Eventually, the Richmond Council settled on a property in Bon Air, VA, that became Camp Pocahontas in 1928. Day Camps, held in conjunction with the YWCA, began in 1932.  Camp Pinoaka for Black Girl Scouts in Pocahontas State Park followed in 1936, and the Petersburg Council purchased Camp Holly Dell in Chesterfield in 1951. All three camps were eventually sold, and resources put into two other camps- Camp Kittamaqund, established in 1964 in the Northern Neck, and Camp Pamunkey Ridge in Hanover County. Smaller sleep-away camps, as well as day camps, were also scattered across the tri-city area and the state.","As of 2021, the Commonwealth Council, or the Girl Scouts of the Commonwealth of Virginia, is one of four councils in the state and serves over 17,500 girls and women in central Virginia, stretching from the cities of Emporia to Fredericksburg, with its headquarters in the greater Richmond area. It is governed by a Board of Directors, which is elected by delegates from the council membership. The Board is responsible for establishing policies, approving budgets, and setting the direction for the Council. The board consists of a Chair, Vice-Chair, Secretary, Treasurer, Chief Executive Officer (CEO), Members-at-Large, and two girl board members. The CEO and girl members are ex-officio, non-voting members. All serve two-year terms, and may not serve more than three consecutive terms, though the Chair is eligible to serve an additional three successive terms in another position. The Board conducts its business as the entire unit and in smaller committees, such as the Executive Committee, Finance Committee, Membership, and Program Committees. An Annual Meeting of the Board is held, and the Board continues to meet throughout the year, as do committees, as needed."],"phystech_html_tesm":["\u003cp\u003eThis collection contains many different formats. Negatives will need a scanner or light box to be properly accessed. Video formats include 35 and 78mm film, BetaCam, VHS, and U-Matic video and will need the proper video players to access them. CDs and DVDs, as well as audio cassette, reel-to-reel tape, 78 and 45 rpm records, and mini-cassette are included for audio formats.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["This collection contains many different formats. Negatives will need a scanner or light box to be properly accessed. Video formats include 35 and 78mm film, BetaCam, VHS, and U-Matic video and will need the proper video players to access them. CDs and DVDs, as well as audio cassette, reel-to-reel tape, 78 and 45 rpm records, and mini-cassette are included for audio formats."],"prefercite_html_tesm":["\u003cp\u003eCommonwealth Council of the Girl Scouts of Virginia records, 1910-2012, Collection number M 400, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Commonwealth Council of the Girl Scouts of Virginia records, 1910-2012, Collection number M 400, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003e2022: The collection was minimally processed prior to 2014. Beginning in 2020 and finishing in 2022, the collection was fully processe. This included consolidating materials, removing duplicates, deaccessioning widely-available publications, and processing the two accessions into one collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["2022: The collection was minimally processed prior to 2014. Beginning in 2020 and finishing in 2022, the collection was fully processe. This included consolidating materials, removing duplicates, deaccessioning widely-available publications, and processing the two accessions into one collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Girl Scouts of the Commonwealth of Virginia (GSCV) records are composed of documents, correspondence, photographs, audio-visual materials, textiles, and artifacts that chronicle the evolution of Girl Scouting in the greater Richmond, Virginia area and the creation of the Commonwealth Council. The collection ranges in date from approximately 1913 through 2012, with the bulk of the materials falling within 1924-2005.  The collection has been arranged into nine series.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 1: Council and Administrative Materials\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials related to the running and administration of the GSCV are located in this series. These items include policies and procedures, financial records, GSCV and Girl Scouting history in VA, and correspondence. This series also contains policies and procedures as outlined by both the Girl Scouts of the USA and GSCV and its preceding entities.\nSeries 1 comprises nine subseries.\u003c/p\u003e\n","\u003cp\u003e1.1 Policies, Procedures, and Administrative Documents.\u003c/p\u003e\n","\u003cp\u003e1.2 Reports: \nSeries 1.2 contains reports written by, about, or for the Richmond/ Commonwealth Council of VA Girl Scouts. They are arranged by author type and chronologically therein. Self-reports are first, followed by National Girl Scout reports, and reports about but not by Girl Scout entities are last.\u003c/p\u003e\n","\u003cp\u003e1.3 Meeting Materials and Minutes: \nMaterials pertaining to meetings are kept with their respective meetings. This includes notes, minutes, correspondence, and other meeting items. Additionally, information on the formation of Black troops in Richmond can be found in the minutes starting in 1931. These materials are arranged by Council/Board/Annual Meetings, which may have committee materials included in chronological order, followed by solo committee materials, arranged alphabetically and then chronologically.\u003c/p\u003e\n","\u003cp\u003e1.4 Financial: \nIncludes financial records and audits, both for the Council, as well as local troops. Series 1.4 is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003e1.5 United Way of Greater Richmond.\u003c/p\u003e\n","\u003cp\u003e1.6 Correspondence and Printed Administrative Materials.\u003c/p\u003e\n","\u003cp\u003e1.7 History: \nMany materials relate to the history of Black Scouting in Richmond, the earliest records of Girl Scouting in Richmond, general history, and the records of the councils that preceded the Girl Scouts of the Commonwealth of Virginia.\u003c/p\u003e\n","\u003cp\u003e1.8 Administrator's Materials: \nThese materials contain the individual correspondence and effects of administrators in their work as scouts or representatives of the GSCV.\u003c/p\u003e\n","\u003cp\u003e1.9 Other Councils: \nMaterials from Councils outside of GSCV and its preceding councils are included here.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 2: Camps\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nMost materials relating to camps run by GSVA are maintained in this series. Items like photographs and scrapbooks relating to camping or specific camps are listed in their respective subseries, but housed with other photographs and scrapbooks. Slides, books, as well as photographs that may pertain to a camp, but are not identified as such may be listed or found in Series 6: A/V or in Series 9: Printed.\u003c/p\u003e\n","\u003cp\u003eThe Series has been broken into nine subseries, most of which pertain to individual camps.\u003c/p\u003e\n","\u003cp\u003e2.1 Camp Administration Materials: \nAdditional materials relating to the administration of camps may also be found in Series 1.\u003c/p\u003e\n","\u003cp\u003e2.2 General Camp Materials:\nGeneral materials not related to the administration of camps as a whole, or of individual camps without their own subseries are contained here.\u003c/p\u003e\n","\u003cp\u003e2.3 Camp Materials:\nContains materials from individual camps. This series is arranged alphabetically by camp, and chronologically therein. Camps include: Day Camps, Holly Dell, Kittamaqund, Pamunkey Ridge, Pine Grove, Pinoaka, Pocahontas.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 3: Troop Records and Related Materials \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nMaterials that are related to specific troops are housed in this series. These items in this series include correspondence, financial records, speeches, clippings, photographs, and scrapbooks. Materials related to finances are contained in series 1.4: Financial. The bulk of Dorothy Armstrong's donation to the GSCV is housed in this series. Materials such as clippings, scrapbooks, and photographs are physically housed with like-materials.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries 4: Programming and Events\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nThese materials relate to programs and events created or attended by GSCV troops or members. These include regional and national conferences and conventions, Girl Scout Week, \"Wider Opportunity,\" and GS Cookie Week, as well as events like Youth Expos, fashion shows, visits by dignitaries, and breakfasts. This series and its subseries are arranged alphabetically and chronologically therein.\n    \nThis series has been divided into four subseries as follows:\u003c/p\u003e\n","\u003cp\u003e4.1 Anniversary Materials.\u003c/p\u003e\n","\u003cp\u003e4.2 Regional Conferences.\u003c/p\u003e\n","\u003cp\u003e4.3 National Conferences and Conventions.\u003c/p\u003e\n","\u003cp\u003e4.4 General Event Programs and Related Materials.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 5: Awards, Recognitions, and Related Materials \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nMaterials that document awards and recognitions received or given by GSCV and its members are kept in this series. This includes awards-related correspondence, applications, and the award, certificate, or proclamation itself. \u003cbr\u003eThis series is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries 6: Photographs, Slides, and Audio-Visual Material\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nThis series contains photographs and scrapbooks that did not fit with other series. It also contains slides and audio-visual materials consisting of audio cassettes, 45 and 33 rpm records, compact disks, DVDs, VHS, and film reels. Scrapbooks can contain photographs, newspaper clippings, article clippings, pamphlets, and tickets. Materials are grouped by type, and an effort has been made to arrange them in chronological order; many dates are approximate. \t\t\n    Photographs are in black and white unless otherwise noted until approximately 1962; after 1992, photographs are in color unless noted.\n    \nThis series is arranged into five subseries.\u003c/p\u003e\n","\u003cp\u003e6.1 Photographs and Photograph Albums.\u003c/p\u003e\n","\u003cp\u003e6.2 Slides: \nThis subseries contains slides from the 1950s through the 2000s. They are arranged alphabetically, and chronologically therein.\u003c/p\u003e\n","\u003cp\u003e6.3 Scrapbooks.\u003c/p\u003e\n","\u003cp\u003e6.5 Audio-Visual: \nThis subseries contains film reels, video cassettes, DVDs, audio CDs and audiocassettes, and 45 and 33 rpm records.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 7: Textiles and Related Materials\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nTextiles and related materials such as hats, belts, shoes, catalogs, and information on uniforms are kept in this series. There are multiple complete Brownie and Girl Scouts uniforms from various points in the history of the Scouts maintained in this series. Some patches, pins, and badges that are attached to sashes are in this series. Individual patches and some older textiles may also be located in Series 8: Artifacts and Ephemera.\n    \n7.1 Textile and Uniform Information and Records: \nThis subseries contains materials that relay information about the uniforms: their evolution, their production, and items such as catalogs and patterns.\n    \n7.2 Uniforms and Textiles.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 8: Artifacts and Ephemera\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nThis series houses artifacts from the history of the Girl Scouts in Virginia. Of particular interest are items like Girl Scout paper dolls, a branded Brownie Camera, canteens and collapsible camping cups, patches and badges, and Girl Scout pins. There are also multiple items of ephemera such as Girl Scout cookie boxes and stationery.\n    \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 9: Printed Materials\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nThis series contains books, magazines, newspapers, pamphlets, newsletters and other printed items, loose newspaper and magazine clippings. The publisher is either the Girl Scouts, the GSCV, or an outside entity. This series is arranged alphabetically by topic (annual events, Cookie Sale, handbooks, etc.) and/or title and chronologically therein. Of particular note is the wide array of Girl Scout booklets and the \"Newsletters\" section, which contains an early extended run of \"The Girl Scout Leader\" from approximately 1932-1940, as well as runs of \"Trefoil,\" \"Girl Scout News,\" \"Images,\" and \"LEaDS\" from 1982-1999.\u003c/p\u003e","\u003cp\u003eAward for outstanding achievement in environmental Protection services, Ronald Reagan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Girl Scouts of the Commonwealth of Virginia (GSCV) records are composed of documents, correspondence, photographs, audio-visual materials, textiles, and artifacts that chronicle the evolution of Girl Scouting in the greater Richmond, Virginia area and the creation of the Commonwealth Council. The collection ranges in date from approximately 1913 through 2012, with the bulk of the materials falling within 1924-2005.  The collection has been arranged into nine series.","Series 1: Council and Administrative Materials","Materials related to the running and administration of the GSCV are located in this series. These items include policies and procedures, financial records, GSCV and Girl Scouting history in VA, and correspondence. This series also contains policies and procedures as outlined by both the Girl Scouts of the USA and GSCV and its preceding entities.\nSeries 1 comprises nine subseries.","1.1 Policies, Procedures, and Administrative Documents.","1.2 Reports: \nSeries 1.2 contains reports written by, about, or for the Richmond/ Commonwealth Council of VA Girl Scouts. They are arranged by author type and chronologically therein. Self-reports are first, followed by National Girl Scout reports, and reports about but not by Girl Scout entities are last.","1.3 Meeting Materials and Minutes: \nMaterials pertaining to meetings are kept with their respective meetings. This includes notes, minutes, correspondence, and other meeting items. Additionally, information on the formation of Black troops in Richmond can be found in the minutes starting in 1931. These materials are arranged by Council/Board/Annual Meetings, which may have committee materials included in chronological order, followed by solo committee materials, arranged alphabetically and then chronologically.","1.4 Financial: \nIncludes financial records and audits, both for the Council, as well as local troops. Series 1.4 is arranged chronologically.","1.5 United Way of Greater Richmond.","1.6 Correspondence and Printed Administrative Materials.","1.7 History: \nMany materials relate to the history of Black Scouting in Richmond, the earliest records of Girl Scouting in Richmond, general history, and the records of the councils that preceded the Girl Scouts of the Commonwealth of Virginia.","1.8 Administrator's Materials: \nThese materials contain the individual correspondence and effects of administrators in their work as scouts or representatives of the GSCV.","1.9 Other Councils: \nMaterials from Councils outside of GSCV and its preceding councils are included here.","Series 2: Camps","\nMost materials relating to camps run by GSVA are maintained in this series. Items like photographs and scrapbooks relating to camping or specific camps are listed in their respective subseries, but housed with other photographs and scrapbooks. Slides, books, as well as photographs that may pertain to a camp, but are not identified as such may be listed or found in Series 6: A/V or in Series 9: Printed.","The Series has been broken into nine subseries, most of which pertain to individual camps.","2.1 Camp Administration Materials: \nAdditional materials relating to the administration of camps may also be found in Series 1.","2.2 General Camp Materials:\nGeneral materials not related to the administration of camps as a whole, or of individual camps without their own subseries are contained here.","2.3 Camp Materials:\nContains materials from individual camps. This series is arranged alphabetically by camp, and chronologically therein. Camps include: Day Camps, Holly Dell, Kittamaqund, Pamunkey Ridge, Pine Grove, Pinoaka, Pocahontas.","Series 3: Troop Records and Related Materials ","\nMaterials that are related to specific troops are housed in this series. These items in this series include correspondence, financial records, speeches, clippings, photographs, and scrapbooks. Materials related to finances are contained in series 1.4: Financial. The bulk of Dorothy Armstrong's donation to the GSCV is housed in this series. Materials such as clippings, scrapbooks, and photographs are physically housed with like-materials.","Series 4: Programming and Events","\nThese materials relate to programs and events created or attended by GSCV troops or members. These include regional and national conferences and conventions, Girl Scout Week, \"Wider Opportunity,\" and GS Cookie Week, as well as events like Youth Expos, fashion shows, visits by dignitaries, and breakfasts. This series and its subseries are arranged alphabetically and chronologically therein.\n    \nThis series has been divided into four subseries as follows:","4.1 Anniversary Materials.","4.2 Regional Conferences.","4.3 National Conferences and Conventions.","4.4 General Event Programs and Related Materials.","Series 5: Awards, Recognitions, and Related Materials ","\nMaterials that document awards and recognitions received or given by GSCV and its members are kept in this series. This includes awards-related correspondence, applications, and the award, certificate, or proclamation itself.  This series is arranged chronologically.","Series 6: Photographs, Slides, and Audio-Visual Material","\nThis series contains photographs and scrapbooks that did not fit with other series. It also contains slides and audio-visual materials consisting of audio cassettes, 45 and 33 rpm records, compact disks, DVDs, VHS, and film reels. Scrapbooks can contain photographs, newspaper clippings, article clippings, pamphlets, and tickets. Materials are grouped by type, and an effort has been made to arrange them in chronological order; many dates are approximate. \t\t\n    Photographs are in black and white unless otherwise noted until approximately 1962; after 1992, photographs are in color unless noted.\n    \nThis series is arranged into five subseries.","6.1 Photographs and Photograph Albums.","6.2 Slides: \nThis subseries contains slides from the 1950s through the 2000s. They are arranged alphabetically, and chronologically therein.","6.3 Scrapbooks.","6.5 Audio-Visual: \nThis subseries contains film reels, video cassettes, DVDs, audio CDs and audiocassettes, and 45 and 33 rpm records.","Series 7: Textiles and Related Materials","\nTextiles and related materials such as hats, belts, shoes, catalogs, and information on uniforms are kept in this series. There are multiple complete Brownie and Girl Scouts uniforms from various points in the history of the Scouts maintained in this series. Some patches, pins, and badges that are attached to sashes are in this series. Individual patches and some older textiles may also be located in Series 8: Artifacts and Ephemera.\n    \n7.1 Textile and Uniform Information and Records: \nThis subseries contains materials that relay information about the uniforms: their evolution, their production, and items such as catalogs and patterns.\n    \n7.2 Uniforms and Textiles.","Series 8: Artifacts and Ephemera","\nThis series houses artifacts from the history of the Girl Scouts in Virginia. Of particular interest are items like Girl Scout paper dolls, a branded Brownie Camera, canteens and collapsible camping cups, patches and badges, and Girl Scout pins. There are also multiple items of ephemera such as Girl Scout cookie boxes and stationery.\n    ","Series 9: Printed Materials","\nThis series contains books, magazines, newspapers, pamphlets, newsletters and other printed items, loose newspaper and magazine clippings. The publisher is either the Girl Scouts, the GSCV, or an outside entity. This series is arranged alphabetically by topic (annual events, Cookie Sale, handbooks, etc.) and/or title and chronologically therein. Of particular note is the wide array of Girl Scout booklets and the \"Newsletters\" section, which contains an early extended run of \"The Girl Scout Leader\" from approximately 1932-1940, as well as runs of \"Trefoil,\" \"Girl Scout News,\" \"Images,\" and \"LEaDS\" from 1982-1999.","Award for outstanding achievement in environmental Protection services, Ronald Reagan."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Commonwealth Council of the Girl Scouts of Virginia"],"names_ssim":["VCU James Branch Cabell Library","Commonwealth Council of the Girl Scouts of Virginia"],"corpname_ssim":["VCU James Branch Cabell Library","Commonwealth Council of the Girl Scouts of Virginia"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:37:44.566Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_600_c04_c02_c37"}},{"id":"viu_viu01010_c23","type":"Item","attributes":{"title":"Youth Issues: Printed","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu01010_c23#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu01010_c23","ref_ssm":["viu_viu01010_c23"],"id":"viu_viu01010_c23","ead_ssi":"viu_viu01010","_root_":"viu_viu01010","_nest_parent_":"viu_viu01010","parent_ssi":"viu_viu01010","parent_ssim":["viu_viu01010"],"parent_ids_ssim":["viu_viu01010"],"parent_unittitles_ssm":["Kathryn H. Stone Papers \n         1906-1993"],"parent_unittitles_tesim":["Kathryn H. Stone Papers \n         1906-1993"],"text":["Kathryn H. Stone Papers \n         1906-1993","Youth Issues: Printed","Box Box 3"],"title_filing_ssi":"Youth Issues: Printed","title_ssm":["Youth Issues: Printed"],"title_tesim":["Youth Issues: Printed"],"unitdate_other_ssim":["1959-1989"],"normalized_date_ssm":["1959/1989"],"normalized_title_ssm":["Youth Issues: Printed"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Kathryn H. Stone Papers \n         1906-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":23,"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"containers_ssim":["Box Box 3"],"_nest_path_":"/components#22","timestamp":"2026-05-21T12:43:54.601Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu01010","ead_ssi":"viu_viu01010","_root_":"viu_viu01010","_nest_parent_":"viu_viu01010","ead_source_url_ssi":"data/uva-sc/viu01010.xml","title_ssm":["Kathryn H. Stone Papers \n         1906-1993"],"title_tesim":["Kathryn H. Stone Papers \n         1906-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["10555-b"],"text":["10555-b","Kathryn H. Stone Papers \n         1906-1993","ca. 760 items","Collection is open to research.","Funded in part by a grant from the National Endowment\n            for the Humanities","This collection consists of ca. 760 items,\n         1906(1943-1982)1993, concerning \n          Kathryn H. Stone and her involvement in\n         the \n          Gray Commission , the \n          Greater Washington Research Center , the \n          League of Women Voters , the planning of \n          Reston, Virginia , and \n          Virginia politics . There is a scrapbook,\n         November 1955 -July 1956, of papers and newspaper clippings,\n         pertaining to \n          Virginia public schools, chiefly the \n          Gray Commission and the desegregation\n         issue. The loose papers and newspaper clippings were removed\n         from the badly deteriorated scrapbook and foldered; the\n         newspaper clippings were copied and discarded. \n          League of Women Voters material includes\n         correspondence, writings on the LWV and its history,\n         memoranda, and printed material. There is also correspondence\n         and papers of \n          Anna Lord Strauss , and biographical\n         material on Strauss and \n          Lucretia Mott . Among the miscellaneous\n         material on Women's Issues is a travel journal (electrostatic\n         copy) of \n          Alice Ilchman , titled \"Fellow Travellers:\n         The Ilchmans in Russia, Winter, 1987-1988.\" There are also\n         several writings by \n          Kathryn Stone concerning women's issues:\n         \"Women as Citizens\" (1947); \"Statement of Mrs. Kathryn H.\n         Stone\" (1965) prepared for the \n          American Association of University Women ;\n         \"Modernizing Government for a New Virginia\" (1965); \"The New\n         Lib in Perspective,\" convocation address for \n          Hood College (1970); \"The 'New Lib'\n         Through the Ages\" 1970; and, other brief essays.","See the \n             \n            University of Virginia Library’s use policy.","","University of Virginia. Library. Special\n            Collections Dept.","Gray Commission","Greater Washington Research Center","League of Women Voters","American Association of University Women","Hood College","Kathryn H. Stone","Anna Lord Strauss","Lucretia Mott","Alice Ilchman","Kathryn Stone","Harold A. Stone","English"],"unitid_tesim":["10555-b"],"normalized_title_ssm":["Kathryn H. Stone Papers \n         1906-1993"],"collection_title_tesim":["Kathryn H. Stone Papers \n         1906-1993"],"collection_ssim":["Kathryn H. Stone Papers \n         1906-1993"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Suzanne Stone"],"creator_ssim":["Suzanne Stone"],"acqinfo_ssim":["This collection was made a gift to the Library by Ms.\n            Suzanne Stone (daughter of Kathryn H. Stone), of Narberth,\n            Pennsylvania, on August 10, 1994."],"has_online_content_ssim":["false"],"physdesc_tesim":["ca. 760 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"prefercite_html_tesm":["\u003cp\u003eKathryn H. Stone\n            Papers, Accession 10555-b, Special Collections Department, University of\n         Virginia Library\u003c/p\u003e"],"prefercite_tesim":["Kathryn H. Stone\n            Papers, Accession 10555-b, Special Collections Department, University of\n         Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n            for the Humanities\u003c/p\u003e"],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n            for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of ca. 760 items,\n         1906(1943-1982)1993, concerning \n         \u003cpersname\u003eKathryn H. Stone\u003c/persname\u003eand her involvement in\n         the \n         \u003ccorpname\u003eGray Commission\u003c/corpname\u003e, the \n         \u003ccorpname\u003eGreater Washington Research Center\u003c/corpname\u003e, the \n         \u003ccorpname\u003eLeague of Women Voters\u003c/corpname\u003e, the planning of \n         \u003cgeogname\u003eReston, Virginia\u003c/geogname\u003e, and \n         \u003cgeogname\u003eVirginia politics\u003c/geogname\u003e. There is a scrapbook,\n         November 1955 -July 1956, of papers and newspaper clippings,\n         pertaining to \n         \u003cgeogname\u003eVirginia\u003c/geogname\u003epublic schools, chiefly the \n         \u003ccorpname\u003eGray Commission\u003c/corpname\u003eand the desegregation\n         issue. The loose papers and newspaper clippings were removed\n         from the badly deteriorated scrapbook and foldered; the\n         newspaper clippings were copied and discarded. \n         \u003ccorpname\u003eLeague of Women Voters\u003c/corpname\u003ematerial includes\n         correspondence, writings on the LWV and its history,\n         memoranda, and printed material. There is also correspondence\n         and papers of \n         \u003cpersname\u003eAnna Lord Strauss\u003c/persname\u003e, and biographical\n         material on Strauss and \n         \u003cpersname\u003eLucretia Mott\u003c/persname\u003e. Among the miscellaneous\n         material on Women's Issues is a travel journal (electrostatic\n         copy) of \n         \u003cpersname\u003eAlice Ilchman\u003c/persname\u003e, titled \"Fellow Travellers:\n         The Ilchmans in Russia, Winter, 1987-1988.\" There are also\n         several writings by \n         \u003cpersname\u003eKathryn Stone\u003c/persname\u003econcerning women's issues:\n         \"Women as Citizens\" (1947); \"Statement of Mrs. Kathryn H.\n         Stone\" (1965) prepared for the \n         \u003ccorpname\u003eAmerican Association of University Women\u003c/corpname\u003e;\n         \"Modernizing Government for a New Virginia\" (1965); \"The New\n         Lib in Perspective,\" convocation address for \n         \u003ccorpname\u003eHood College\u003c/corpname\u003e(1970); \"The 'New Lib'\n         Through the Ages\" 1970; and, other brief essays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of ca. 760 items,\n         1906(1943-1982)1993, concerning \n          Kathryn H. Stone and her involvement in\n         the \n          Gray Commission , the \n          Greater Washington Research Center , the \n          League of Women Voters , the planning of \n          Reston, Virginia , and \n          Virginia politics . There is a scrapbook,\n         November 1955 -July 1956, of papers and newspaper clippings,\n         pertaining to \n          Virginia public schools, chiefly the \n          Gray Commission and the desegregation\n         issue. The loose papers and newspaper clippings were removed\n         from the badly deteriorated scrapbook and foldered; the\n         newspaper clippings were copied and discarded. \n          League of Women Voters material includes\n         correspondence, writings on the LWV and its history,\n         memoranda, and printed material. There is also correspondence\n         and papers of \n          Anna Lord Strauss , and biographical\n         material on Strauss and \n          Lucretia Mott . Among the miscellaneous\n         material on Women's Issues is a travel journal (electrostatic\n         copy) of \n          Alice Ilchman , titled \"Fellow Travellers:\n         The Ilchmans in Russia, Winter, 1987-1988.\" There are also\n         several writings by \n          Kathryn Stone concerning women's issues:\n         \"Women as Citizens\" (1947); \"Statement of Mrs. Kathryn H.\n         Stone\" (1965) prepared for the \n          American Association of University Women ;\n         \"Modernizing Government for a New Virginia\" (1965); \"The New\n         Lib in Perspective,\" convocation address for \n          Hood College (1970); \"The 'New Lib'\n         Through the Ages\" 1970; and, other brief essays."],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n             \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Gray Commission","Greater Washington Research Center","League of Women Voters","American Association of University Women","Hood College","Kathryn H. Stone","Anna Lord Strauss","Lucretia Mott","Alice Ilchman","Kathryn Stone","Harold A. Stone"],"corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Gray Commission","Greater Washington Research Center","League of Women Voters","American Association of University Women","Hood College"],"persname_ssim":["Kathryn H. Stone","Anna Lord Strauss","Lucretia Mott","Alice Ilchman","Kathryn Stone","Harold A. Stone"],"language_ssim":["English"],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:43:54.601Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu01010_c23"}},{"id":"vircu_repositories_5_resources_114_c04_c174","type":"File","attributes":{"title":"Youth Orchestra","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_114_c04_c174#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_114_c04_c174","ref_ssm":["vircu_repositories_5_resources_114_c04_c174"],"id":"vircu_repositories_5_resources_114_c04_c174","ead_ssi":"vircu_repositories_5_resources_114","_root_":"vircu_repositories_5_resources_114","_nest_parent_":"vircu_repositories_5_resources_114_c04","parent_ssi":"vircu_repositories_5_resources_114_c04","parent_ssim":["vircu_repositories_5_resources_114","vircu_repositories_5_resources_114_c04"],"parent_ids_ssim":["vircu_repositories_5_resources_114","vircu_repositories_5_resources_114_c04"],"parent_unittitles_ssm":["Richmond Symphony records","Planning/Operations"],"parent_unittitles_tesim":["Richmond Symphony records","Planning/Operations"],"text":["Richmond Symphony records","Planning/Operations","Youth Orchestra","box 33"],"title_filing_ssi":"Youth Orchestra","title_ssm":["Youth Orchestra"],"title_tesim":["Youth Orchestra"],"unitdate_inclusive_ssm":["1971-1981"],"normalized_date_ssm":["1971/1981"],"normalized_title_ssm":["Youth Orchestra"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Richmond Symphony records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":740,"parent_access_restrict_tesm":["Access to Series I must by granted in writing by the Executive Director of the Richmond Symphony."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"containers_ssim":["box 33"],"_nest_path_":"/components#3/components#173","timestamp":"2026-05-21T04:36:08.852Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_114","ead_ssi":"vircu_repositories_5_resources_114","_root_":"vircu_repositories_5_resources_114","_nest_parent_":"vircu_repositories_5_resources_114","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_114.xml","title_ssm":["Richmond Symphony records"],"title_tesim":["Richmond Symphony records"],"unitdate_ssm":["1965-1982"],"unitdate_inclusive_ssm":["1965-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 257","/repositories/5/resources/114"],"text":["M 257","/repositories/5/resources/114","Richmond Symphony records","Symphony orchestras -- Virginia -- Richmond","Access to Series I must by granted in writing by the Executive Director of the Richmond Symphony.","Access to Series I must by granted in writing by the Executive Director of the Richmond Symphony.","The materials are arranged alphabetically within each series except Correspondence, which is arranged first chronologically and then alphabetically. Series I--Personnel (1969-1981); Subseries: Musicians, Guest Artists, Staff, Applicants for Positions; Series II--Concerts (1973-1981); Series III--Programs/Brochures (1962-1980); Series IV--Planning/Operations (1965-1982); Series V--Correspondence (1973-1982); Series VI--Oversized Materials (1980). Located in oversize area.","Virginia's capitol had its own symphony orchestra for a brief period in the 1930's; but the present Richmond Symphony dates from 1956, when it was founded as a community orchestra. Edgar Schenkman led the orchestra as its music director and conductor from its founding until 1971, when direction was taken over by French conductor Jacques Houtmann. The Symphony expanded greatly during Houtmann's sixteen years of leadership, achieving regional orchestra status and turning its part-time \"Little Symphony\" into a full-time Sinfonia in 1973. The first such professional symphonic ensemble to be established in Virginia, the Richmond Sinfonia proceeded to expand its schedule, particularly in the area of in-school concerts for Virginia's school children. Further performing flexibility was lent by the Symphony's String, Brass, and Woodwind Ensembles. The development of student concerts and the sponsorship of youth orchestras rounded out the Symphony's extensive involvement with music education in the state. In 1987 the orchestra welcomed its third director, the young George Manahan from the New Jersey Symphony Orchestra. The Richmond Symphony continues to be the largest performing arts organization in Virginia. Concert series, both classical and popular, are held in the Richmond Mosque and the Virginia Center for the Performing Arts (Carpenter Center). These and other special performances are supported by foundations, private donations, and grants from the National Endowment for the Arts and the Virginia Commission for the Arts. The Symphony's season runs approximately from October to April.","The collection consists of correspondence, contracts, and publicity materials, chiefly from the 1970's. Most of the material focuses on the artistic and financial arrangements made for each season's performances, though considerable attention is also given to special programs, public relations, and fundraising activities. Individual files detail the association with the Symphony of both members and guest artists. These may include personal data as well as professional details.","1960, 1961, 1970-1973, 1977, 1980","There are no restrictions.","VCU James Branch Cabell Library","Richmond Symphony","English \n.    "],"unitid_tesim":["M 257","/repositories/5/resources/114"],"normalized_title_ssm":["Richmond Symphony records"],"collection_title_tesim":["Richmond Symphony records"],"collection_ssim":["Richmond Symphony records"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Richmond Symphony"],"creator_ssim":["Richmond Symphony"],"creator_corpname_ssim":["Richmond Symphony"],"creators_ssim":["Richmond Symphony"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by The Board of the Richmond Symphony 10 March 1994."],"access_subjects_ssim":["Symphony orchestras -- Virginia -- Richmond"],"access_subjects_ssm":["Symphony orchestras -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["22 Linear Feet"],"extent_tesim":["22 Linear Feet"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eAccess to Series I must by granted in writing by the Executive Director of the Richmond Symphony.\u003c/p\u003e","\u003cp\u003eAccess to Series I must by granted in writing by the Executive Director of the Richmond Symphony.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access"],"accessrestrict_tesim":["Access to Series I must by granted in writing by the Executive Director of the Richmond Symphony.","Access to Series I must by granted in writing by the Executive Director of the Richmond Symphony."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged alphabetically within each series except Correspondence, which is arranged first chronologically and then alphabetically. Series I--Personnel (1969-1981); Subseries: Musicians, Guest Artists, Staff, Applicants for Positions; Series II--Concerts (1973-1981); Series III--Programs/Brochures (1962-1980); Series IV--Planning/Operations (1965-1982); Series V--Correspondence (1973-1982); Series VI--Oversized Materials (1980). Located in oversize area.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged alphabetically within each series except Correspondence, which is arranged first chronologically and then alphabetically. Series I--Personnel (1969-1981); Subseries: Musicians, Guest Artists, Staff, Applicants for Positions; Series II--Concerts (1973-1981); Series III--Programs/Brochures (1962-1980); Series IV--Planning/Operations (1965-1982); Series V--Correspondence (1973-1982); Series VI--Oversized Materials (1980). Located in oversize area."],"bioghist_html_tesm":["\u003cp\u003eVirginia's capitol had its own symphony orchestra for a brief period in the 1930's; but the present Richmond Symphony dates from 1956, when it was founded as a community orchestra. Edgar Schenkman led the orchestra as its music director and conductor from its founding until 1971, when direction was taken over by French conductor Jacques Houtmann. The Symphony expanded greatly during Houtmann's sixteen years of leadership, achieving regional orchestra status and turning its part-time \"Little Symphony\" into a full-time Sinfonia in 1973. The first such professional symphonic ensemble to be established in Virginia, the Richmond Sinfonia proceeded to expand its schedule, particularly in the area of in-school concerts for Virginia's school children. Further performing flexibility was lent by the Symphony's String, Brass, and Woodwind Ensembles. The development of student concerts and the sponsorship of youth orchestras rounded out the Symphony's extensive involvement with music education in the state. In 1987 the orchestra welcomed its third director, the young George Manahan from the New Jersey Symphony Orchestra. The Richmond Symphony continues to be the largest performing arts organization in Virginia. Concert series, both classical and popular, are held in the Richmond Mosque and the Virginia Center for the Performing Arts (Carpenter Center). These and other special performances are supported by foundations, private donations, and grants from the National Endowment for the Arts and the Virginia Commission for the Arts. The Symphony's season runs approximately from October to April.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Virginia's capitol had its own symphony orchestra for a brief period in the 1930's; but the present Richmond Symphony dates from 1956, when it was founded as a community orchestra. Edgar Schenkman led the orchestra as its music director and conductor from its founding until 1971, when direction was taken over by French conductor Jacques Houtmann. The Symphony expanded greatly during Houtmann's sixteen years of leadership, achieving regional orchestra status and turning its part-time \"Little Symphony\" into a full-time Sinfonia in 1973. The first such professional symphonic ensemble to be established in Virginia, the Richmond Sinfonia proceeded to expand its schedule, particularly in the area of in-school concerts for Virginia's school children. Further performing flexibility was lent by the Symphony's String, Brass, and Woodwind Ensembles. The development of student concerts and the sponsorship of youth orchestras rounded out the Symphony's extensive involvement with music education in the state. In 1987 the orchestra welcomed its third director, the young George Manahan from the New Jersey Symphony Orchestra. The Richmond Symphony continues to be the largest performing arts organization in Virginia. Concert series, both classical and popular, are held in the Richmond Mosque and the Virginia Center for the Performing Arts (Carpenter Center). These and other special performances are supported by foundations, private donations, and grants from the National Endowment for the Arts and the Virginia Commission for the Arts. The Symphony's season runs approximately from October to April."],"prefercite_html_tesm":["\u003cp\u003eBox/folder, Richmond Symphony Archives, M 257, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e"],"prefercite_tesim":["Box/folder, Richmond Symphony Archives, M 257, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of correspondence, contracts, and publicity materials, chiefly from the 1970's. Most of the material focuses on the artistic and financial arrangements made for each season's performances, though considerable attention is also given to special programs, public relations, and fundraising activities. Individual files detail the association with the Symphony of both members and guest artists. These may include personal data as well as professional details.\u003c/p\u003e","\u003cp\u003e1960, 1961, 1970-1973, 1977, 1980\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of correspondence, contracts, and publicity materials, chiefly from the 1970's. Most of the material focuses on the artistic and financial arrangements made for each season's performances, though considerable attention is also given to special programs, public relations, and fundraising activities. Individual files detail the association with the Symphony of both members and guest artists. These may include personal data as well as professional details.","1960, 1961, 1970-1973, 1977, 1980"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Richmond Symphony"],"names_ssim":["VCU James Branch Cabell Library","Richmond Symphony"],"corpname_ssim":["VCU James Branch Cabell Library","Richmond Symphony"],"language_ssim":["English \n.    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Series I--Personnel (1969-1981); Subseries: Musicians, Guest Artists, Staff, Applicants for Positions; Series II--Concerts (1973-1981); Series III--Programs/Brochures (1962-1980); Series IV--Planning/Operations (1965-1982); Series V--Correspondence (1973-1982); Series VI--Oversized Materials (1980). Located in oversize area.","Virginia's capitol had its own symphony orchestra for a brief period in the 1930's; but the present Richmond Symphony dates from 1956, when it was founded as a community orchestra. Edgar Schenkman led the orchestra as its music director and conductor from its founding until 1971, when direction was taken over by French conductor Jacques Houtmann. The Symphony expanded greatly during Houtmann's sixteen years of leadership, achieving regional orchestra status and turning its part-time \"Little Symphony\" into a full-time Sinfonia in 1973. The first such professional symphonic ensemble to be established in Virginia, the Richmond Sinfonia proceeded to expand its schedule, particularly in the area of in-school concerts for Virginia's school children. Further performing flexibility was lent by the Symphony's String, Brass, and Woodwind Ensembles. The development of student concerts and the sponsorship of youth orchestras rounded out the Symphony's extensive involvement with music education in the state. In 1987 the orchestra welcomed its third director, the young George Manahan from the New Jersey Symphony Orchestra. The Richmond Symphony continues to be the largest performing arts organization in Virginia. Concert series, both classical and popular, are held in the Richmond Mosque and the Virginia Center for the Performing Arts (Carpenter Center). These and other special performances are supported by foundations, private donations, and grants from the National Endowment for the Arts and the Virginia Commission for the Arts. The Symphony's season runs approximately from October to April.","The collection consists of correspondence, contracts, and publicity materials, chiefly from the 1970's. Most of the material focuses on the artistic and financial arrangements made for each season's performances, though considerable attention is also given to special programs, public relations, and fundraising activities. Individual files detail the association with the Symphony of both members and guest artists. These may include personal data as well as professional details.","1960, 1961, 1970-1973, 1977, 1980","There are no restrictions.","VCU James Branch Cabell Library","Richmond Symphony","English \n.    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Series I--Personnel (1969-1981); Subseries: Musicians, Guest Artists, Staff, Applicants for Positions; Series II--Concerts (1973-1981); Series III--Programs/Brochures (1962-1980); Series IV--Planning/Operations (1965-1982); Series V--Correspondence (1973-1982); Series VI--Oversized Materials (1980). Located in oversize area.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged alphabetically within each series except Correspondence, which is arranged first chronologically and then alphabetically. Series I--Personnel (1969-1981); Subseries: Musicians, Guest Artists, Staff, Applicants for Positions; Series II--Concerts (1973-1981); Series III--Programs/Brochures (1962-1980); Series IV--Planning/Operations (1965-1982); Series V--Correspondence (1973-1982); Series VI--Oversized Materials (1980). Located in oversize area."],"bioghist_html_tesm":["\u003cp\u003eVirginia's capitol had its own symphony orchestra for a brief period in the 1930's; but the present Richmond Symphony dates from 1956, when it was founded as a community orchestra. Edgar Schenkman led the orchestra as its music director and conductor from its founding until 1971, when direction was taken over by French conductor Jacques Houtmann. The Symphony expanded greatly during Houtmann's sixteen years of leadership, achieving regional orchestra status and turning its part-time \"Little Symphony\" into a full-time Sinfonia in 1973. The first such professional symphonic ensemble to be established in Virginia, the Richmond Sinfonia proceeded to expand its schedule, particularly in the area of in-school concerts for Virginia's school children. Further performing flexibility was lent by the Symphony's String, Brass, and Woodwind Ensembles. The development of student concerts and the sponsorship of youth orchestras rounded out the Symphony's extensive involvement with music education in the state. In 1987 the orchestra welcomed its third director, the young George Manahan from the New Jersey Symphony Orchestra. The Richmond Symphony continues to be the largest performing arts organization in Virginia. Concert series, both classical and popular, are held in the Richmond Mosque and the Virginia Center for the Performing Arts (Carpenter Center). These and other special performances are supported by foundations, private donations, and grants from the National Endowment for the Arts and the Virginia Commission for the Arts. The Symphony's season runs approximately from October to April.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Virginia's capitol had its own symphony orchestra for a brief period in the 1930's; but the present Richmond Symphony dates from 1956, when it was founded as a community orchestra. Edgar Schenkman led the orchestra as its music director and conductor from its founding until 1971, when direction was taken over by French conductor Jacques Houtmann. The Symphony expanded greatly during Houtmann's sixteen years of leadership, achieving regional orchestra status and turning its part-time \"Little Symphony\" into a full-time Sinfonia in 1973. The first such professional symphonic ensemble to be established in Virginia, the Richmond Sinfonia proceeded to expand its schedule, particularly in the area of in-school concerts for Virginia's school children. Further performing flexibility was lent by the Symphony's String, Brass, and Woodwind Ensembles. The development of student concerts and the sponsorship of youth orchestras rounded out the Symphony's extensive involvement with music education in the state. In 1987 the orchestra welcomed its third director, the young George Manahan from the New Jersey Symphony Orchestra. The Richmond Symphony continues to be the largest performing arts organization in Virginia. Concert series, both classical and popular, are held in the Richmond Mosque and the Virginia Center for the Performing Arts (Carpenter Center). These and other special performances are supported by foundations, private donations, and grants from the National Endowment for the Arts and the Virginia Commission for the Arts. The Symphony's season runs approximately from October to April."],"prefercite_html_tesm":["\u003cp\u003eBox/folder, Richmond Symphony Archives, M 257, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e"],"prefercite_tesim":["Box/folder, Richmond Symphony Archives, M 257, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of correspondence, contracts, and publicity materials, chiefly from the 1970's. Most of the material focuses on the artistic and financial arrangements made for each season's performances, though considerable attention is also given to special programs, public relations, and fundraising activities. Individual files detail the association with the Symphony of both members and guest artists. 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These may include personal data as well as professional details.","1960, 1961, 1970-1973, 1977, 1980"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Richmond Symphony"],"names_ssim":["VCU James Branch Cabell Library","Richmond Symphony"],"corpname_ssim":["VCU James Branch Cabell Library","Richmond Symphony"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":770,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:36:08.852Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_114_c02_c305"}},{"id":"viu_repositories_7_resources_110_c2689","type":"Item","attributes":{"title":"YOUTH PROGRAM COMMITTEE,","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_110_c2689#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_110_c2689","ref_ssm":["viu_repositories_7_resources_110_c2689"],"id":"viu_repositories_7_resources_110_c2689","ead_ssi":"viu_repositories_7_resources_110","_root_":"viu_repositories_7_resources_110","_nest_parent_":"viu_repositories_7_resources_110","parent_ssi":"viu_repositories_7_resources_110","parent_ssim":["viu_repositories_7_resources_110"],"parent_ids_ssim":["viu_repositories_7_resources_110"],"parent_unittitles_ssm":["American Lung Association of Virginia (ALAV) collection"],"parent_unittitles_tesim":["American Lung Association of Virginia (ALAV) collection"],"text":["American Lung Association of Virginia (ALAV) collection","YOUTH PROGRAM COMMITTEE,","box 235","folder 005"],"title_filing_ssi":"YOUTH PROGRAM COMMITTEE,","title_ssm":["YOUTH PROGRAM COMMITTEE,"],"title_tesim":["YOUTH PROGRAM COMMITTEE,"],"unitdate_inclusive_ssm":["1973-1979"],"normalized_date_ssm":["1973/1979"],"normalized_title_ssm":["YOUTH PROGRAM COMMITTEE,"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["American Lung Association of Virginia (ALAV) collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2689,"parent_access_terms_tesm":["Copyright restrictions may apply to some content."],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979],"containers_ssim":["box 235","folder 005"],"_nest_path_":"/components#2688","timestamp":"2026-05-20T23:25:23.015Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_110","ead_ssi":"viu_repositories_7_resources_110","_root_":"viu_repositories_7_resources_110","_nest_parent_":"viu_repositories_7_resources_110","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_110.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/95","title_ssm":["American Lung Association of Virginia (ALAV) collection"],"title_tesim":["American Lung Association of Virginia (ALAV) collection"],"unitdate_ssm":["1907-2004"],"unitdate_inclusive_ssm":["1907-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.3","Archival Resource Key","/repositories/7/resources/110"],"text":["MS.3","Archival Resource Key","/repositories/7/resources/110","American Lung Association of Virginia (ALAV) collection","The extensive collection consists of 424 boxes, 50 are oversized folio boxes.","\nThe American Lung Association (ALA) is the oldest voluntary public health agency in the United States. The original name of the ALA was the National Association for the Study and Prevention of Tuberculosis (NASPT), formed in 1904 to combat the deadliest disease of the time. The name was changed to the National Tuberculosis Association (NTA) in 1918, and finally, with the decline of TB and the rise of other serious lung diseases, to the American Lung Association (ALA) in 1973. The American Lung Association of Virginia (ALAV) has been similarly renamed since its formation in 1909 as the Virginia Anti-Tuberculosis Association. Today, both the national and state associations are dedicated to the prevention, cure, and control of all lung diseases.\n","\nThe American Lung Association is perhaps best known as \"The Christmas Seal People.\" Since 1907, the Christmas Seal Campaign has raised many millions of dollars toward the fight against lung disease. In 1915, the NASPT launched the Modern Health Crusade, originally to involve children in the Christmas Seal Campaign. Any child who sold ten or more Seals was given a \"Crusader certificate of enrollment\" on which was printed a list of health rules such as \"keep windows open\" and \"get a long night's sleep.\" Children who complied with these standards were \"promoted\" from squire to knight, then to knight banneret, and finally to knight of the round table. By 1919 there were three million \"crusaders\" in the United States. Two years later, the National Education Association recommended the adoption of a Crusade-like health education system in every elementary school in the country.\n","\nThe ALAV Collection contains extensive information on the tuberculosis sanatoriums established in Virginia. When the NASPT formed in 1904, there were approximately one hundred sanatoriums in the United States; by 1910, there were nearly four hundred. One of the many sanatoriums built during this period was the Catawba Sanatorium near Roanoke, the first sanatorium in the state of Virginia. In 1908, Captain William Washington Baker (1844-1927), a member of the Virginia General Assembly, introduced a bill to reorganize the State Board of Health. The \"Baker Bill\" appropriated $20,000 \"for the establishment and maintenance of a suitable sanatorium for consumptives.\" Baker had lost four of his six children to tuberculosis. For his pioneering efforts, he is justly called \"the father of Catawba Sanatorium.\" Baker was also instrumental in the formation of the Virginia Anti-Tuberculosis Association (now the ALAV) in October 1909.\n","\nIn 1918, the State Board of Health and the Negro Organization Society founded Piedmont Sanatorium as a rest home for African-Americans. Before its establishment, the only treatment facilities for African- Americans were the Central State Hospital for Mental Diseases and the State Penitentiary. Miss Agnes D. Randolph, Director of the Educational Department of the State Board of Health, requested in 1916 an appropriation from the General Assembly to build the sanatorium and purchase three hundred acres of land near Burkeville. The first building at the site was named in her honor.\n","\nBlue Ridge Sanatorium opened in April of 1920. The close proximity of the University of Virginia Medical School was a major factor in the government's selection of the Charlottesville area as the site for the new facility. The State Board of Health and the University agreed that a special course in TB would be developed for third and fourth year medical students, to be taught by the Medical Director of Blue Ridge Sanatorium and his staff. The city of Charlottesville donated $15,000 for the building project and promised free water from the city supply for five years.\n","\nAn online exhibit created by the Historical Collections and Services staff of The Claude Moore Health Sciences Library at the University of Virginia recounts the origin and early history of the ALA. All of the materials featured in the Web exhibit are from the Library's ALAV Collection in Historical Collections and Services. Visit the web exhibit here:  http://exhibits.hsl.virginia.edu/alav/","\nThe ALAV Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. The ALAV Collection contains exhaustive information on the administrative concerns, educational and fund-raising activities, local level activities and regional offices, and the day-to-day operations of Virginia's key agent in the control and prevention of respiratory diseases. The materials in the ALAV Collection document the growth of the organization, as well as the input of a number of notable Virginians, from the early decades of the twentieth century. The ALAV Collection contains materials of use to researchers interested in medical history, epidemiology, respiratory diseases, and the growth of state and national organizations dedicated to public health.","Copyright restrictions may apply to some content.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.3","Archival Resource Key","/repositories/7/resources/110"],"normalized_title_ssm":["American Lung Association of Virginia (ALAV) collection"],"collection_title_tesim":["American Lung Association of Virginia (ALAV) collection"],"collection_ssim":["American Lung Association of Virginia (ALAV) collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Copyright restrictions may apply to some content."],"acqinfo_ssim":["The American Lung Association of Virginia (ALAV) donated the organization's papers to the University of Virginia Health Sciences Library in 1990 and 1991, under the auspices of then ALAV Executive Director, Dr. Carl Booberg. Another large donation from the ALAV was made in 2009."],"has_online_content_ssim":["false"],"physdesc_tesim":["The extensive collection consists of 424 boxes, 50 are oversized folio boxes."],"extent_ssm":["283.4 Linear Feet"],"extent_tesim":["283.4 Linear Feet"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_heading_ssm":["Conditions Governing Access"],"bioghist_html_tesm":["\u003cp\u003e\nThe American Lung Association (ALA) is the oldest voluntary public health agency in the United States. The original name of the ALA was the National Association for the Study and Prevention of Tuberculosis (NASPT), formed in 1904 to combat the deadliest disease of the time. The name was changed to the National Tuberculosis Association (NTA) in 1918, and finally, with the decline of TB and the rise of other serious lung diseases, to the American Lung Association (ALA) in 1973. The American Lung Association of Virginia (ALAV) has been similarly renamed since its formation in 1909 as the Virginia Anti-Tuberculosis Association. Today, both the national and state associations are dedicated to the prevention, cure, and control of all lung diseases.\n\u003c/p\u003e","\u003cp\u003e\nThe American Lung Association is perhaps best known as \"The Christmas Seal People.\" Since 1907, the Christmas Seal Campaign has raised many millions of dollars toward the fight against lung disease. In 1915, the NASPT launched the Modern Health Crusade, originally to involve children in the Christmas Seal Campaign. Any child who sold ten or more Seals was given a \"Crusader certificate of enrollment\" on which was printed a list of health rules such as \"keep windows open\" and \"get a long night's sleep.\" Children who complied with these standards were \"promoted\" from squire to knight, then to knight banneret, and finally to knight of the round table. By 1919 there were three million \"crusaders\" in the United States. Two years later, the National Education Association recommended the adoption of a Crusade-like health education system in every elementary school in the country.\n\u003c/p\u003e","\u003cp\u003e\nThe ALAV Collection contains extensive information on the tuberculosis sanatoriums established in Virginia. When the NASPT formed in 1904, there were approximately one hundred sanatoriums in the United States; by 1910, there were nearly four hundred. One of the many sanatoriums built during this period was the Catawba Sanatorium near Roanoke, the first sanatorium in the state of Virginia. In 1908, Captain William Washington Baker (1844-1927), a member of the Virginia General Assembly, introduced a bill to reorganize the State Board of Health. The \"Baker Bill\" appropriated $20,000 \"for the establishment and maintenance of a suitable sanatorium for consumptives.\" Baker had lost four of his six children to tuberculosis. For his pioneering efforts, he is justly called \"the father of Catawba Sanatorium.\" Baker was also instrumental in the formation of the Virginia Anti-Tuberculosis Association (now the ALAV) in October 1909.\n\u003c/p\u003e","\u003cp\u003e\nIn 1918, the State Board of Health and the Negro Organization Society founded Piedmont Sanatorium as a rest home for African-Americans. Before its establishment, the only treatment facilities for African- Americans were the Central State Hospital for Mental Diseases and the State Penitentiary. Miss Agnes D. Randolph, Director of the Educational Department of the State Board of Health, requested in 1916 an appropriation from the General Assembly to build the sanatorium and purchase three hundred acres of land near Burkeville. The first building at the site was named in her honor.\n\u003c/p\u003e","\u003cp\u003e\nBlue Ridge Sanatorium opened in April of 1920. The close proximity of the University of Virginia Medical School was a major factor in the government's selection of the Charlottesville area as the site for the new facility. The State Board of Health and the University agreed that a special course in TB would be developed for third and fourth year medical students, to be taught by the Medical Director of Blue Ridge Sanatorium and his staff. The city of Charlottesville donated $15,000 for the building project and promised free water from the city supply for five years.\n\u003c/p\u003e","\u003cp\u003e\nAn online exhibit created by the Historical Collections and Services staff of The Claude Moore Health Sciences Library at the University of Virginia recounts the origin and early history of the ALA. All of the materials featured in the Web exhibit are from the Library's ALAV Collection in Historical Collections and Services. Visit the web exhibit here: \u003cextref href=\"http://exhibits.hsl.virginia.edu/alav/\"\u003ehttp://exhibits.hsl.virginia.edu/alav/\u003c/extref\u003e\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["\nThe American Lung Association (ALA) is the oldest voluntary public health agency in the United States. The original name of the ALA was the National Association for the Study and Prevention of Tuberculosis (NASPT), formed in 1904 to combat the deadliest disease of the time. The name was changed to the National Tuberculosis Association (NTA) in 1918, and finally, with the decline of TB and the rise of other serious lung diseases, to the American Lung Association (ALA) in 1973. The American Lung Association of Virginia (ALAV) has been similarly renamed since its formation in 1909 as the Virginia Anti-Tuberculosis Association. Today, both the national and state associations are dedicated to the prevention, cure, and control of all lung diseases.\n","\nThe American Lung Association is perhaps best known as \"The Christmas Seal People.\" Since 1907, the Christmas Seal Campaign has raised many millions of dollars toward the fight against lung disease. In 1915, the NASPT launched the Modern Health Crusade, originally to involve children in the Christmas Seal Campaign. Any child who sold ten or more Seals was given a \"Crusader certificate of enrollment\" on which was printed a list of health rules such as \"keep windows open\" and \"get a long night's sleep.\" Children who complied with these standards were \"promoted\" from squire to knight, then to knight banneret, and finally to knight of the round table. By 1919 there were three million \"crusaders\" in the United States. Two years later, the National Education Association recommended the adoption of a Crusade-like health education system in every elementary school in the country.\n","\nThe ALAV Collection contains extensive information on the tuberculosis sanatoriums established in Virginia. When the NASPT formed in 1904, there were approximately one hundred sanatoriums in the United States; by 1910, there were nearly four hundred. One of the many sanatoriums built during this period was the Catawba Sanatorium near Roanoke, the first sanatorium in the state of Virginia. In 1908, Captain William Washington Baker (1844-1927), a member of the Virginia General Assembly, introduced a bill to reorganize the State Board of Health. The \"Baker Bill\" appropriated $20,000 \"for the establishment and maintenance of a suitable sanatorium for consumptives.\" Baker had lost four of his six children to tuberculosis. For his pioneering efforts, he is justly called \"the father of Catawba Sanatorium.\" Baker was also instrumental in the formation of the Virginia Anti-Tuberculosis Association (now the ALAV) in October 1909.\n","\nIn 1918, the State Board of Health and the Negro Organization Society founded Piedmont Sanatorium as a rest home for African-Americans. Before its establishment, the only treatment facilities for African- Americans were the Central State Hospital for Mental Diseases and the State Penitentiary. Miss Agnes D. Randolph, Director of the Educational Department of the State Board of Health, requested in 1916 an appropriation from the General Assembly to build the sanatorium and purchase three hundred acres of land near Burkeville. The first building at the site was named in her honor.\n","\nBlue Ridge Sanatorium opened in April of 1920. The close proximity of the University of Virginia Medical School was a major factor in the government's selection of the Charlottesville area as the site for the new facility. The State Board of Health and the University agreed that a special course in TB would be developed for third and fourth year medical students, to be taught by the Medical Director of Blue Ridge Sanatorium and his staff. The city of Charlottesville donated $15,000 for the building project and promised free water from the city supply for five years.\n","\nAn online exhibit created by the Historical Collections and Services staff of The Claude Moore Health Sciences Library at the University of Virginia recounts the origin and early history of the ALA. All of the materials featured in the Web exhibit are from the Library's ALAV Collection in Historical Collections and Services. Visit the web exhibit here:  http://exhibits.hsl.virginia.edu/alav/"],"odd_heading_ssm":["General"],"prefercite_html_tesm":["\u003cp\u003eThe American Lung Association of Virginia Collection (ALAV), MS-3, Claude Moore Health Sciences Library, Historical Collections and Services, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["The American Lung Association of Virginia Collection (ALAV), MS-3, Claude Moore Health Sciences Library, Historical Collections and Services, University of Virginia"],"scopecontent_html_tesm":["\u003cp\u003e\nThe ALAV Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. 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The ALAV Collection contains exhaustive information on the administrative concerns, educational and fund-raising activities, local level activities and regional offices, and the day-to-day operations of Virginia's key agent in the control and prevention of respiratory diseases. The materials in the ALAV Collection document the growth of the organization, as well as the input of a number of notable Virginians, from the early decades of the twentieth century. The ALAV Collection contains materials of use to researchers interested in medical history, epidemiology, respiratory diseases, and the growth of state and national organizations dedicated to public health."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to some content.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to some content."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":4563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:25:23.015Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_110_c2689"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria 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