{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026facet.page=2\u0026page=6303","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026facet.page=2\u0026page=6302","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026facet.page=2\u0026page=6304","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026facet.page=2\u0026page=6310"},"meta":{"pages":{"current_page":6303,"next_page":6304,"prev_page":6302,"total_pages":6310,"limit_value":10,"offset_value":63020,"total_count":63091,"first_page?":false,"last_page?":false}},"data":[{"id":"vircu_repositories_5_resources_112_c01_c365","type":"File","attributes":{"title":"Zabala, Horacio, n.d., 1973","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_112_c01_c365#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_112_c01_c365","ref_ssm":["vircu_repositories_5_resources_112_c01_c365"],"id":"vircu_repositories_5_resources_112_c01_c365","ead_ssi":"vircu_repositories_5_resources_112","_root_":"vircu_repositories_5_resources_112","_nest_parent_":"vircu_repositories_5_resources_112_c01","parent_ssi":"vircu_repositories_5_resources_112_c01","parent_ssim":["Davi Det Hompson papers, 1969/1988","Series I: Correspondence"],"parent_ids_ssim":["vircu_repositories_5_resources_112","vircu_repositories_5_resources_112_c01"],"title_filing_ssi":"Zabala, Horacio, n.d.","title_ssm":["Zabala, Horacio, n.d."],"title_tesim":["Zabala, Horacio, n.d."],"normalized_title_ssm":["Zabala, Horacio, n.d., 1973"],"text":["Zabala, Horacio, n.d., 1973","Davi Det Hompson papers, 1969/1988","Series I: Correspondence","box 15"],"parent_unittitles_ssm":["Davi Det Hompson papers, 1969/1988","Series I: Correspondence"],"parent_unittitles_tesim":["Davi Det Hompson papers, 1969/1988","Series I: Correspondence"],"normalized_date_ssm":["1973"],"unitdate_inclusive_ssm":["1973"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":366,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Davi Det Hompson papers, 1969/1988"],"containers_ssim":["box 15"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1973],"_nest_path_":"/components#0/components#364","timestamp":"2026-06-23T07:06:34.904Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_112","ead_ssi":"vircu_repositories_5_resources_112","_root_":"vircu_repositories_5_resources_112","_nest_parent_":"vircu_repositories_5_resources_112","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_112.xml","title_filing_ssi":"Hompson, Davi Det, papers","title_ssm":["Davi Det Hompson papers"],"title_tesim":["Davi Det Hompson papers"],"unitdate_ssm":["1969-1988"],"unitdate_inclusive_ssm":["1969-1988"],"normalized_date_ssm":["1969/1988"],"normalized_title_ssm":["Davi Det Hompson papers, 1969/1988"],"text":["Davi Det Hompson papers, 1969/1988","M 251","/repositories/5/resources/112","Artists' books -- Specimens","Mail art -- Specimens.","Artists -- Virginia -- Richmond","Artists' books -- Specimens -- Virginia -- Richmond","Book art","Collection is open to research.","Collection is arranged in three series. Series I--Correspondence (1969-1988) ; Series II--Book Art Materials (c. 1977) ; Series III--Oversize Materials (1970-73)","David E. Thompson / Davi Det Hompson (1939-December 8, 1996) was a Richmond artist who exhibited widely in the United States and Europe. His work is included in the collections of the Virginia Museum of Fine Arts; the Kansas City Art Institute; the New Museum, Museum of Modern Art, and Franklin Furnace in New York City; the Los Angeles Institute of Contemporary Art; the Archive Sohm in Germany; and the Groninger Museum in the Netherlands. He is best known for creating book art, mail art, and text-based paintings based on the principles of the Fluxus and Dada movements. His pen name, Davi Det Hompson, illustrates Thompson's interest in manipulating the structure and meaning of the written word. David Thompson was born in Sharon, PA. He received his Bachelor's degree from Anderson College in Indiana and his Master's of Fine Arts from Indiana University. He spent the last twenty years of his life as an active member of the Richmond arts community. He was a founding member of Richmond's 1708 East Main Street gallery, served on the Board of Directors of the Richmond Arts Council from 1983-86, and taught at Virginia Commonwealth University. In 1979, Thompson served on a volunteer committee that was instrumental in establishing the Book Art Collection in Special Collections and Archives at Virginia Commonwealth University's James Branch Cabell Library. He was married to Nancy Kunkle Thompson, a professor in Virginia Commonwealth University's Department of Crafts.","The bulk of the collection includes correspondence in the form of letters, mail art, and poetry to and from Davi Det Hompson from 1969 through 1988. The inclusion of typed copies of letters from Hompson adds a dimension of exchange to the correspondences in the collection. Notable exchanges are documented between Davi Det Hompson and artists, Anna Banana, Fletcher Copp, David Sucec, and Alice Aycock; and poets, Madeline Gins, Lyn Hejinian, Richard Craven, and Dick Higgins. The content of the correspondences focuses on Hompson's ideas about art, collaborative efforts, exhibitions and other projects. The collection also includes announcements for art shows along with newsletters and fanzines produced by art groups such as General Idea and W.O.R.K.S. Four folders are dedicated to an exhibition of mail art and performance art held at Virginia Commonwealth University in 1973 titled International Cyclopedia of Plans and Occurrences. The exhibition was curated by Davi Det Hompson and included submissions of mail art from over twenty different countries.The collection also includes two pieces of book art in completed form accompanied by various drafts. One piece is titled, \"For breakfast I'll have, oh, two slices of dry toast and a cup of hot water.\" The second piece is titled, \"You know it has to be a hairpiece.\" Oversize materials include original photography, drawings, posters and other art works by Davi Det Hompson and various artists.","There are no restrictions.","VCU James Branch Cabell Library","Hompson, Davi Det, 1939-1996","English\n."],"collection_title_tesim":["Davi Det Hompson papers, 1969/1988"],"collection_ssim":["Davi Det Hompson papers, 1969/1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 251","/repositories/5/resources/112"],"unitid_tesim":["M 251","/repositories/5/resources/112"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Hompson, Davi Det, 1939-1996"],"creator_ssim":["Hompson, Davi Det, 1939-1996"],"creator_persname_ssim":["Hompson, Davi Det, 1939-1996"],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Hompson, Davi Det, 1939-1996","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Artists' books -- Specimens","Mail art -- Specimens.","Artists -- Virginia -- Richmond","Artists' books -- Specimens -- Virginia -- Richmond","Book art"],"access_subjects_ssm":["Artists' books -- Specimens","Mail art -- Specimens.","Artists -- Virginia -- Richmond","Artists' books -- Specimens -- Virginia -- Richmond","Book art"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet"],"extent_tesim":["8 Linear Feet"],"genreform_ssim":["Book art"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged in three series. Series I--Correspondence (1969-1988) ; Series II--Book Art Materials (c. 1977) ; Series III--Oversize Materials (1970-73)\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged in three series. Series I--Correspondence (1969-1988) ; Series II--Book Art Materials (c. 1977) ; Series III--Oversize Materials (1970-73)"],"bioghist_html_tesm":["\u003cp\u003eDavid E. Thompson / Davi Det Hompson (1939-December 8, 1996) was a Richmond artist who exhibited widely in the United States and Europe. His work is included in the collections of the Virginia Museum of Fine Arts; the Kansas City Art Institute; the New Museum, Museum of Modern Art, and Franklin Furnace in New York City; the Los Angeles Institute of Contemporary Art; the Archive Sohm in Germany; and the Groninger Museum in the Netherlands. He is best known for creating book art, mail art, and text-based paintings based on the principles of the Fluxus and Dada movements. His pen name, Davi Det Hompson, illustrates Thompson's interest in manipulating the structure and meaning of the written word. David Thompson was born in Sharon, PA. He received his Bachelor's degree from Anderson College in Indiana and his Master's of Fine Arts from Indiana University. He spent the last twenty years of his life as an active member of the Richmond arts community. He was a founding member of Richmond's 1708 East Main Street gallery, served on the Board of Directors of the Richmond Arts Council from 1983-86, and taught at Virginia Commonwealth University. In 1979, Thompson served on a volunteer committee that was instrumental in establishing the Book Art Collection in Special Collections and Archives at Virginia Commonwealth University's James Branch Cabell Library. He was married to Nancy Kunkle Thompson, a professor in Virginia Commonwealth University's Department of Crafts.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["David E. Thompson / Davi Det Hompson (1939-December 8, 1996) was a Richmond artist who exhibited widely in the United States and Europe. His work is included in the collections of the Virginia Museum of Fine Arts; the Kansas City Art Institute; the New Museum, Museum of Modern Art, and Franklin Furnace in New York City; the Los Angeles Institute of Contemporary Art; the Archive Sohm in Germany; and the Groninger Museum in the Netherlands. He is best known for creating book art, mail art, and text-based paintings based on the principles of the Fluxus and Dada movements. His pen name, Davi Det Hompson, illustrates Thompson's interest in manipulating the structure and meaning of the written word. David Thompson was born in Sharon, PA. He received his Bachelor's degree from Anderson College in Indiana and his Master's of Fine Arts from Indiana University. He spent the last twenty years of his life as an active member of the Richmond arts community. He was a founding member of Richmond's 1708 East Main Street gallery, served on the Board of Directors of the Richmond Arts Council from 1983-86, and taught at Virginia Commonwealth University. In 1979, Thompson served on a volunteer committee that was instrumental in establishing the Book Art Collection in Special Collections and Archives at Virginia Commonwealth University's James Branch Cabell Library. He was married to Nancy Kunkle Thompson, a professor in Virginia Commonwealth University's Department of Crafts."],"prefercite_html_tesm":["\u003cp\u003eDavi Det Hompson papers, Collection # M 251, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Davi Det Hompson papers, Collection # M 251, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of the collection includes correspondence in the form of letters, mail art, and poetry to and from Davi Det Hompson from 1969 through 1988. The inclusion of typed copies of letters from Hompson adds a dimension of exchange to the correspondences in the collection. Notable exchanges are documented between Davi Det Hompson and artists, Anna Banana, Fletcher Copp, David Sucec, and Alice Aycock; and poets, Madeline Gins, Lyn Hejinian, Richard Craven, and Dick Higgins. The content of the correspondences focuses on Hompson's ideas about art, collaborative efforts, exhibitions and other projects. The collection also includes announcements for art shows along with newsletters and fanzines produced by art groups such as General Idea and W.O.R.K.S. Four folders are dedicated to an exhibition of mail art and performance art held at Virginia Commonwealth University in 1973 titled International Cyclopedia of Plans and Occurrences. The exhibition was curated by Davi Det Hompson and included submissions of mail art from over twenty different countries.The collection also includes two pieces of book art in completed form accompanied by various drafts. One piece is titled, \"For breakfast I'll have, oh, two slices of dry toast and a cup of hot water.\" The second piece is titled, \"You know it has to be a hairpiece.\" Oversize materials include original photography, drawings, posters and other art works by Davi Det Hompson and various artists.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The bulk of the collection includes correspondence in the form of letters, mail art, and poetry to and from Davi Det Hompson from 1969 through 1988. The inclusion of typed copies of letters from Hompson adds a dimension of exchange to the correspondences in the collection. Notable exchanges are documented between Davi Det Hompson and artists, Anna Banana, Fletcher Copp, David Sucec, and Alice Aycock; and poets, Madeline Gins, Lyn Hejinian, Richard Craven, and Dick Higgins. The content of the correspondences focuses on Hompson's ideas about art, collaborative efforts, exhibitions and other projects. The collection also includes announcements for art shows along with newsletters and fanzines produced by art groups such as General Idea and W.O.R.K.S. Four folders are dedicated to an exhibition of mail art and performance art held at Virginia Commonwealth University in 1973 titled International Cyclopedia of Plans and Occurrences. The exhibition was curated by Davi Det Hompson and included submissions of mail art from over twenty different countries.The collection also includes two pieces of book art in completed form accompanied by various drafts. One piece is titled, \"For breakfast I'll have, oh, two slices of dry toast and a cup of hot water.\" The second piece is titled, \"You know it has to be a hairpiece.\" Oversize materials include original photography, drawings, posters and other art works by Davi Det Hompson and various artists."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Hompson, Davi Det, 1939-1996"],"names_ssim":["VCU James Branch Cabell Library","Hompson, Davi Det, 1939-1996"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":372,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:06:34.904Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_112_c01_c365"}},{"id":"viw_repositories_2_resources_8538_c03_c19_c11","type":"File","attributes":{"title":"Zable, Walter, 1960/1973","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8538_c03_c19_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8538_c03_c19_c11","ref_ssm":["viw_repositories_2_resources_8538_c03_c19_c11"],"id":"viw_repositories_2_resources_8538_c03_c19_c11","ead_ssi":"viw_repositories_2_resources_8538","_root_":"viw_repositories_2_resources_8538","_nest_parent_":"viw_repositories_2_resources_8538_c03_c19","parent_ssi":"viw_repositories_2_resources_8538_c03_c19","parent_ssim":["Office of the President. Thomas A. Graves, Jr. Records, 1940/1985, bulk 1971/1985","Series 3: Acc. 1980.116, 1948/1979","Series 3, Box 19"],"parent_ids_ssim":["viw_repositories_2_resources_8538","viw_repositories_2_resources_8538_c03","viw_repositories_2_resources_8538_c03_c19"],"title_filing_ssi":"Zable, Walter","title_ssm":["Zable, Walter"],"title_tesim":["Zable, Walter"],"normalized_title_ssm":["Zable, Walter, 1960/1973"],"text":["Zable, Walter, 1960/1973","Office of the President. Thomas A. Graves, Jr. Records, 1940/1985, bulk 1971/1985","Series 3: Acc. 1980.116, 1948/1979","Series 3, Box 19","Box Series 3, Box 19","Folder 11"],"parent_unittitles_ssm":["Office of the President. Thomas A. Graves, Jr. Records, 1940/1985, bulk 1971/1985","Series 3: Acc. 1980.116, 1948/1979","Series 3, Box 19"],"parent_unittitles_tesim":["Office of the President. Thomas A. Graves, Jr. Records, 1940/1985, bulk 1971/1985","Series 3: Acc. 1980.116, 1948/1979","Series 3, Box 19"],"normalized_date_ssm":["1960/1973"],"unitdate_inclusive_ssm":["1960-1973"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":1500,"repository_ssim":["College of William and Mary"],"collection_ssim":["Office of the President. Thomas A. Graves, Jr. Records, 1940/1985, bulk 1971/1985"],"containers_ssim":["Box Series 3, Box 19","Folder 11"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Accessions may require permission from the originating office or the staff of the University Archives because they contain personnel, student, or other records covered by privacy laws and regulations including the following accessions: 1978.001, 1979.084, 1980.116, 1981.084, 1982.059, 1983.059, 1984.042, 1985.035, 1986.024, and 1987.077.","Acc. 1985.036 is closed until 2060.","Acc. 1999.011 is confidential.","Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"_nest_path_":"/components#2/components#18/components#10","timestamp":"2026-06-23T07:46:51.505Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8538","ead_ssi":"viw_repositories_2_resources_8538","_root_":"viw_repositories_2_resources_8538","_nest_parent_":"viw_repositories_2_resources_8538","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8538.xml","title_filing_ssi":"President, Office of the, Graves","title_ssm":["Office of the President. Thomas A. Graves, Jr. Records"],"title_tesim":["Office of the President. Thomas A. Graves, Jr. Records"],"unitdate_ssm":["1940-1985","1971-1985"],"unitdate_inclusive_ssm":["1940-1985"],"unitdate_bulk_ssim":["1971-1985"],"normalized_date_ssm":["1940/1985, bulk 1971/1985"],"normalized_title_ssm":["Office of the President. Thomas A. Graves, Jr. Records, 1940/1985, bulk 1971/1985"],"text":["Office of the President. Thomas A. Graves, Jr. Records, 1940/1985, bulk 1971/1985","00/02/UA 2.16","/repositories/2/resources/8538","Burgesses Day","Charter Day","Degrees--Honorary","Graduation (School)","President's House (Williamsburg, Va.)","Summer sessions","Women college students","Wren Building (Williamsburg, Va.)","Correspondence","Reports","Speeches","Accessions may require permission from the originating office or the staff of the University Archives because they contain personnel, student, or other records covered by privacy laws and regulations including the following accessions: 1978.001, 1979.084, 1980.116, 1981.084, 1982.059, 1983.059, 1984.042, 1985.035, 1986.024, and 1987.077.","Acc. 1985.036 is closed until 2060.","Acc. 1999.011 is confidential.","Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The records are arranged by accession, that is, the year in which they were transferred to the University Archives.","Thomas Ashley Graves, Jr. was the twenty-third president of the College of William and Mary. He served from September 1, 1971 until January 9, 1985. Upon his resignation George R. Healy acted as interim president until Paul R. Verkuil assumed the role of president on July 1, 1985.","Graves graduated from Yale University in 1947 with a bachelor's degree in economics, after suspending his studies after his freshman year to serve in the U.S. Navy during World War II. He then went on to Harvard University, completing a master's in business administration in 1949 and a doctorate in 1958.","From 1950 to 1960, Graves held a faculty position at the Harvard business school. In 1960, he moved to Lausanne, Switzerland to become the director of the IMEDE Management Deveopment Institute. He was named the associate dean of the Graduate School of Business of Stanford University in 1964, and also served as the director of Stanford's International Center for the Advancement of Management Education. Graves returned to Harvard from 1967 to 1971 as the associate dean of the Graduate School of Business Administration.","Graves served on advisory boards for a variety of schools and businesses, including Transylania University, Clark University, Reynolds Metals Company, and Life Insurance Company of Virginia. He is also the author of many articles on the management of education and management education.","After leaving William and Mary, Graves became the director, CEO and a member of the Board of Trustees for the Winterthur Museum and Garden in Wilmington, Delaware until 1992. From there, he served as the director of the Grand Opera House in Wilmington as well as a member of the Educational Board of MBNA America Bank. Graves retired in 2004, and moved back to Williamsburg with his wife, Zoe.","2","3","4","5","6","7","8","9","10","11","12","13","14","15","16","17","18","19","2","3","4","5","6","7","8","9","10","11","12","13","14","15","1","2","3","4","5","6","7","8","9","10","11","12","13","14","15","16","17","18","19","20","Inventories were normally received with the material when transferred to the SCRC. SCRC staff are rehousing the collection and adding inventories for all accessions to the database. This effort is currently ongoing (January 2010).","Office of the President, Davis Young Paschall Records (UA 2.015); Thomas Ashley Graves Papers (UA 2.21).","The collection includes subject files, speeches, and other material from the administration of College of William and Mary President Thomas Ashley Graves with some overlap with his predecessor Davis Y. Paschall and his successor Paul Verkuil. For the most part, headings assigned to folders in their office of origin have been maintained in the box list inventories available here.","In addition, there are two unprocessed boxes. Consult a staff member for assistance.","This series contains records from the President's Office from 1951-1976. Some of the files date from Davis Young Paschall's and Alvin Duke Chandler's presidencies.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office, mainly from 1940-1978. Some of the files date from Davis Young Paschall's presidency. Box 43 contains miscellaneous material not included in the alphabetical arrangement of the files in this series.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office, mainly from 1948-1979.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1953-1982. Some of the files date from Davis Young Paschall's presidency.","Restricted","Restricted","Restricted","Restricted","Restricted","Restrict","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1942-1980. Some of the files date from Davis Young Paschall's presidency.","Restrict","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1942-1978. The bulk of the files date from Davis Young Paschall's presidency. See Office of the President. Davis Young Paschall (UA 2.15) for more files from 1960 to 1972.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Endowment","Endowment","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1973-1980.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Complete file is being retained in Wes Wilson's office, as Chairman of the Residency Status Appeals Board.","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office. Most are from 1980-1981, but some date back to 1970.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains incoming correspondence, copies of outgoing correspondence, and reports from 1964-1974. Some of the files date from Davis Young Paschall's presidency.","Restricted","Restricted","This series includes material from the Office of the President from 1980-1982.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1981-1983 with the bulk from 1982.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains correspondence and other documents relating to Graves' request for a salary increase, sent to the Board of Visitors to be discussed at the 26 October 1984 meeting.","This series contains the texts of speeches delivered by President Graves to groups both on and off campus, 1971-1983.","This series contains records from the President's Office from 1982-1983.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Clippings related to faculty salaries; the President's House; the Jefferson Hall fire and aftermath; affirmative action; integration and desegregation; federal funding; Robb Administration; Charles Robb; Holton Administration; Linwood Holton; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); student loans; Board of Visitors; Wightman Cup; Swem Library; fire safety; merit scholarships; asbestos; gifts and bequests; graduates; other colleges and universities; Elizabeth Dole; academics; commencement; alcohol policy; tuition and fees; athletic funding; economic recession; social events; state budget; Reserve Officer Training Corps (ROTC); students; graduate employment prospects; endowment fund; college radio station; WCWM; archaeology; Alfred P. Sloan Foundation; Vernon H. Edmonds; and litigation.","Clippings realted to the Wightman Cup; John Silber; Central America; Southeastern University Reasearch Association (SURA); National Electron Accelerator Laboratory (NEAL); Muscarelle Museum of Art; Charles S. Robb; Robb Administration; admissions; President's House; National Collegiate Athletic Association (NCAA); athletics; integration and desegregation; academics; honor code; other colleges and universities; campus events; Peter Peterson; Lehman Brothers; Lewis I. Glucksman; state budget; Sam Portaro; Bruton Parish Church; alumni; Glenn Close; Burgesses Day; computer science; The New York Times Selective Guide to Colleges; Anthony A. Lucas; Richard J. Davis; Yorktown Victory Center; Thomas A. Graves; fire safety; Jefferson Hall fire; arts funding.","News clippings related to presidential search; Hunter B. Andrews; athletics; tuition and fees; other colleges and universities; art; computers; computer science; gifts and bequests; Richard O'Daniel; Secretary of Education; John Casteen; affirmative action; alumni; Anne Dobie Peebles; obituaries; Wightman Cup; academic facilities; graduate job prospects; alcohol policy; faculty salaries; higher education funding; Board of Visitors; state budget; dental plan; drama; theatre; Dean of Student Affairs; Robb Administration; Charles S. Robb; Muscarelle Museum of Art; academics; and the college budget.","Clippings related to athletics; tuition and fees; Robb Administration; Charles S. Robb; state budget; Thomas A. Graves; School of Education Dean; other colleges and universities; U.S. News \u0026 World Report rankings; Mamie Stringfellow; obituaries; Richard M. O'Daniel; Charter Day; J. Carter Brown; Marguerite Wynne-Roberts; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); bonds; City of Williamsburg; Chester McNerney; Dortha Skelton; tree logging; George R. Healy; education reform; resignations; Tim Sullivan; and Stewart Gamage.","Clippings related to alumni; Glenn Close; Robb Administration; Charles S. Robb; General Assembly; state budget; state funding; Muscarelle Museum of Art; Thomas A. Graves; Graves Family; Long-Range Planning Commission; athletics; athletic funding; obituaries; and Steve Sacalis.","Clippings related to athletics; athletic funding; Virginia Institute of Marine Science (VIMS); state funding; state budget; Rector; Anne Dobie Peebles; Melvyn D. Schiavelli; Dean of the Faculty of Arts and Sciences; dental plan; Jefferson Hall fire; affirmative action; General Assembly; Virginia Supplemental Retirement System; Karen Elizabeth Dudley; Charles M. Holloway; alumni; Hutton Cobb; Constitution Bicentennial; John McGlennon; Honor System; William F. Swindler; parking; Holocaust remembrance; campus events; theatre; drama; faculty salaries; equal pay; Watkins Gray; other colleges and universities; greenhouse; admissions office; merit scholarships; organizational chart; Robert Bowman; Virginia Secretary of Education; John T. Casteen III; Swem Library; Presidential Search Committee; Richard G. Johnson; desegregation and integration; Lehman Brother; Lewis L. Glucksman; Peter G. Peterson; Ash Lawn restoration and renovation; Leland E. Traywick; bomb threat; tuition and fees; Scott Glenn; Diocese of Virginia; gifts and bequests; faculty reviews; students; commencement; Paul A. Volcker; Charter Day; fire safety; State Board of Education; J. Carter Brown; Erin Sheehey; Charles Marsh; Eva LeGallienne; and internal audits.","Clippings related to fire safety; students; expulsions; honor system; federal funding; Virginia Institute of Marine Science (VIMS); gifts and bequests; community events; tuition and fees; campus police; crime; athletics; computer science; Department of Mathematics and Computer Sciences; Department of Mathematics; Department of Computer Sciences; School of Education; \"Men's Club\"; Virginia economy; Institute of Early American History and Culture; Virginia Shakespeare Festival; Muscarelle Museum of Art; athletic funding; City of Williamsburg; tourism; George Cole; students; parking lawsuit; 1983 Economic Summit of Industrialized Nations; campus events; Mrs. Virginia; endowment fund; graduate job prospects; faculty salaries; Scott Glenn; choir; chorus; William Westmoreland; litigation; gifts and bequests; faculty; botany; merit scholarships; Charles S. Robb; Robb Administration; affirmative action; theatre; drama; General Assembly; Arthur Jarrell Raper; Board of Visitors; Law School; state budget; fraternities and sororites; Greek life; student housing; social life; women's rights; alcohol policy; Title IX; yearbook; Colonial Williamsburg Foundation; minority education; commencement; Paul A. Volcker; presidential search committee; Dean of the Faculty of Arts and Sciences; Melvyn D. Schiavelli; Wightman Cup; admissions; Richard J. Davis; Anne Dobie Peebles; Charter Day; J. Carter Brown; Jefferson Hall fire; purchasing rules; and textbooks.","Clippings related to the Center for Innovative Technology; faculty; George W. Crawford; class registration; athletics; students; academics; athletic funding; arts; arts grants; grants; gifts and bequests; alumni; Glenn Close; Vernon Edmonds; litigation; affirmative action; minority education; desegregation and integration; music; J. Rosser Matthews III; Ranking Scholars; Bureau of Business Research; tuition and fees; Chris Paradis; \"We Have It Made in Virginia\" campaign; Continuous Electron Beam Accelerator Laboratory; coeducation; other colleges and universities; Virginia Shakespeare Festival; John Jamison; provost; George R. Healy; tourism; Bobby James; William D. Zabel; Paul Volcker; commencement; Wayne F. Anderson; graduate job prospects; Muscarelle Museum of Art; computers; computer science; State Council of Higher Education; Charles S. Robb; Robb Administration; alcohol policy; campus events; fundraisers; women's education; Ash Lawn construction projects; John J. McGlennon; Robert Drinan; and obituaries.","Contains articles related to the Juan Sebastian de Elcano; Virginia Institute of Marine Science (VIMS); athletics; faculty; John J. McGlennon; litigation; asbestos; economy; academics; Masters program in educational supervision; local news; Virginia Shakespeare Festival; newspapers; alumni; Justin Deas; Charles S. Robb; Robb Administration; City of Williamsburg; James City County; other colleges and universities; foreign policy; national politics; international politics; computers; computer science; Continuous Electron Beam Accelerator; Anheuser-Busch; federal funding; Muscarelle Museum of Art; Lehman Brothers; Lewis Glucksman; Bryan T. Thompson; tourism; tuition and fees; obituary; athletic funding; affirmative action; minority education; integration and desgregation; Warren E. Burger; William F. Swindler; alcohol policy; campus; Marshall-Wythe School of Law; Festival Williamsburg; community events; Louis E. Catron; theatre; drama; Department of Theatre, Speech, and Dance; George R. Healy; and phone-a-thons.","Contains clippings related to the Virginia Shakespeare Festival; City of Williamsburg; tourism; alumni; Linda Lavin; Continuous Electron Beam Accelerator; Thomas A. Graves; President's annual report; students; William Wilson; economy; weather; climate; John J. McGlennon; Coliseum Mall; 1983 Economic Summit of Industrialized Nations; Rector; Anne Dobie Peebles; Virginia Institute of Marine Science (VIMS); minority recuitment; minority education; affirmative action; integration and desgregation; Marlene Jack; other colleges and universities; obituaries; Bob Sheeran; state sudit; State Auditor of Public Accounts; and Charles K. Trible.","Contains clippings related to State Auditor; Charles K. Trible; other colleges and universities; minority education; integration and desegregation; affirmative action; David Charlton; airport; law school; Virginia Institute of Marine Science (VIMS); Jim Rollings; ahtletics; athletic funding; John J. McGlennon; 1984 Presidential Race; student opinions; Muscarelle Museum of Art; WCWM; student radio station; college history; Vietnam era; faculty salaries; City of Williamsburg; Williamsburg City Council; James N. McCord; James N. McCord; alumni; faaculty; George W. Grayson; Virginia Shakespeare Festival; move-in; economy; computers; computer science; class registration; state funding; Continuous Electron Beam Accelerator; financial aid; William Zinsser; Bob Sheeran; E. John Bond; and tuition and fees.","Contains clippings related to the Continuous Electron Beam Accelerator; Parents Weekend; athletics; Scottish Festival; Leland Traywick Student Emergency Loan Fund; Sigma Xi Science Research Fellowship Program; Roy A. Williams; Assistant Director of Buildings and Grounds; Ariel Doriman; Robert Maidment; faculty meeting; other colleges and universities; tourism; Virginia General Assembly; Media General Inc.; Virginia Council of Higher Education; John Montague; Paul Muldoon; obituaries; minority recruitment; affirmative action; Lewis B. Puller, Jr.; drama; homecoming; William B. Spong, Jr.; Dean of Marshall-Wythe School of Law; Richard A. Williamson; law school; higher education; fire safety; Virginia Shakespeare Festival; the National Law Journal; economy; John J. McGlennon; state funding; campus police; Ervin D. \"Boots\" Farmer; Director of Buildings and Grounds; Jimmye Laycock; Linda Lavin; academics; extracurriculars; alumni; Virginia Institute of Marine Science (VIMS); National Association of Private Art Foundations; and desegregation and integration.","Contains clippings related to Burgesses Day; athletics; other colleges and universities; Muscarelle Museum of Art; Sinfonicron; drama; Marshall-Wythe School of Law; blood drives; Greek life; K. Shankar Bajpai; John J. McGlennon; 1984 Presidential Election; Jeffrey DeLuca; Williamsburg Reunion; Campus Center; Martha Elizabeth Barksdale Fund; William and Mary Theatre; Trinkle Hall; \"Our Future in the Cosmos\"; athletics funding; greenhouse; Fragile X Syndrome; financial aid; tuition and fees; fire safety; presidential search committee; Gladys s. Johnston; Linda Lavin; John H. \"Jack\" Garrett; alumni; alumni medallions; Prenitss Award; Spirit Contest; Rector; Anne Dobie Peebles; and the Smithosnian Institution.","Contains clippings related to Senator John Warner; athletics; Paul Taylor Dance Company; state funding; Muscarelle Museum of Art; law school; dean of the Marshall-Wythe School of Law; Tyler Hall; Aage Rosendal Nielsen; married students; Cliffs Tapes; Secretary of Education; Terrel Bell; George W. Grayson; faculty; Virginia Institute of Marine Science (VIMS); President's House; Grenada; Virginia Shakespeare Festival; financial aid; Management Consulting Group; Homecoming; Homecoming Parade; alumni; Linda Lavin; sexual violence; Greek life; other colleges and universities; Virginia Peninsula Chamber of Commerce \"Distinguished Citizen of 1984\"; Congressman G. William Whitehurst; 1984 Presidential Election; President's House; affirmative action; minority recruitment; desegregation and integration; minority education; Lisa Birnbach; John J. Mcglennon; American College Theatre Festival; Recot; Anne Dobie Peebles; John W. Dayton; student life; and Yorktown Day.","Contains clippings related to athletics; other colleges and universities; honor system; State Council of Higher Education; President's House; President's House Friends; Business School medallion; weather; faculty; Robert Maidment; faculty salaries; students; Lesbian and Gay Union; Dr. Hans von Baeyer; Virignia Institute of Marine Science (VIMS); William and Mary Choir; Lambda Alliance; LGBTQ campus community; bicycle theft; campus crime; Direct-Marketing of Williamsburg Group; Continuous Electron Beam Accelerator; Center for Executive Development; Marshall-Wythe School of Law; Dance Theatre of Harlem; Sharon Isbin; law school admissions; presidential search committee; Patricia Harris; \"Our Future in the Cosmos\"; Lee Bollinger; affirmative action; minority recruitment; minority education; desegregation and integration; suicide; theater; student government; community colleges; teosinte plant; Dr. Robert Maidment; School of Education; enrollment; obituaries; campus police; homosexual rights; Pat Robertson; landscaping; Roy A. Williams; financial aid; John J. McGlennon; Muscarelle Museum of Art; women's education; Linda Lavin; Department of Education; tuition and fees; curriculum; courses; Buffalo Bill; faculty recital; McGruff Halloween Party; and the Frenchman's Map.","Contains news clippings related to the William and Mary President; William and Mary President-designate; Paul R. Verkuil; minority education; desegregation and integration; affirmative action; minority recruitment; Virginia Institute of Marine Science (VIMS); student career prospects; fire; obituaries; Jefferson Hall; Jefferson Hall fire; Commonwealth Inn; William B. Spong, Jr.; fire safety; fire alarms; Thomas A. Graves; liberal arts; peace forums; municipal service charge; humanities; curriculum; other colleges and universities; School of Business Administration; athletics; tourism; faculty; students; Gerald Johnson; Charles S. Robb; Governor; gifts and bequests; Continuous Electron Beam Accelerator Facility; security; Thomas Ashley Graves, Jr. Award of Sustained Excellence in Teaching; Phi Beta Kappa; academic scholarships; service fellowships; Beales scholarship; Yule Log; joint degree programs; academic programs; Richard J. Davis; elections; campaigns; John Barlow; student housing; Govenor's Square; Muscarelle Museum of Art; George R. Healy; computer science; suicide; Council of Higher Education; Presidential Search Committee; acting President; and Reserve Officers Training Corps (ROTC).","Contains clippings related to the General Assembly; college draft bill; Paul R. Verkuil; Governor of Virgnia; Charles S. Robb; George R. Healy; Francis Jennings; Virginia Associated Research Campus; financial aid; tution and fees; Thomas A. Graves, Jr.; athletics; Hornsby family; retrospectives; academic programs; joint degree programs; Lieutenant Governor of Virginia; faculty; alumni; Howard Scammon; obituaries; Department of Education; Goodwin Islands; Virginia Institute of Marine Science (VIMS); economy; and Hampton Roads.","This series contains records from the President's Office from 1983-1984. These include correspondence and publications.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains two bound copies of \"An Age of Distinction: William and Mary's Fourth Century,\" a working paper presented by the Long Range Planning Commission in 1985.","Pinks have been removed to Acc. 1983.039.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Office of the President","Associated and Branch Campuses--Richard Bland College","Associated and Branch Campuses--Virginia Associated Research Campus","College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President","College of William and Mary. Project Plus","College of William and Mary. School of Business Administration","College of William and Mary. School of Education","Development Office--Endowment Association","Joseph and Margaret Muscarelle Museum of Art","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Order of the White Jacket","State Council of Higher Education for Virginia","Virginia Institute of Marine Science","Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Paschall, Davis Young, 1911-2001","Chandler, Alvin Duke","Graves, Thomas Ashley, Jr","English"],"collection_title_tesim":["Office of the President. Thomas A. Graves, Jr. Records, 1940/1985, bulk 1971/1985"],"collection_ssim":["Office of the President. Thomas A. Graves, Jr. Records, 1940/1985, bulk 1971/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/02/UA 2.16","/repositories/2/resources/8538"],"unitid_tesim":["00/02/UA 2.16","/repositories/2/resources/8538"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Office of the President","Paschall, Davis Young, 1911-2001"],"creator_ssim":["Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Office of the President","Paschall, Davis Young, 1911-2001"],"creator_persname_ssim":["Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Paschall, Davis Young, 1911-2001","Chandler, Alvin Duke","Graves, Thomas Ashley, Jr"],"creator_corpname_ssim":["Special Collections Research Center","Office of the President","Associated and Branch Campuses--Richard Bland College","Associated and Branch Campuses--Virginia Associated Research Campus","College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President","College of William and Mary. Project Plus","College of William and Mary. School of Business Administration","College of William and Mary. School of Education","Development Office--Endowment Association","Joseph and Margaret Muscarelle Museum of Art","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Order of the White Jacket","State Council of Higher Education for Virginia","Virginia Institute of Marine Science"],"creators_ssim":["Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Paschall, Davis Young, 1911-2001","Chandler, Alvin Duke","Graves, Thomas Ashley, Jr","Special Collections Research Center","Office of the President","Associated and Branch Campuses--Richard Bland College","Associated and Branch Campuses--Virginia Associated Research Campus","College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President","College of William and Mary. Project Plus","College of William and Mary. School of Business Administration","College of William and Mary. School of Education","Development Office--Endowment Association","Joseph and Margaret Muscarelle Museum of Art","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Order of the White Jacket","State Council of Higher Education for Virginia","Virginia Institute of Marine Science"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1978.001 received from the Office of the President 8/1978. Acc. 1979.084 received from the Office of the President 7/19/1979. Acc. 1980.116 received from the Office of the President 7/1/1980. Acc. 1981.081 received from the Office of the President 8/12/1981. Acc. 1981.084 received from the Office of the President 8/23/1977. Acc. 1982.059 received from the Office of the President 8/13/1982. Acc. 1983.038 received from the Office of the President 9/2/1983. Acc. 1983.059 received from the Office of the President 10/24/1983. Acc. 1984.042 received from the Office of the President 8/2/1984. Acc. 1985.035 received from the Office of the President 6/10/1985. Acc. 1985.036 received from the Office of the President 6/7/1985. Acc. 1985.037 received from the Office of the President 6/10/1985 and 8/6/1987. Acc. 1986.024 received from the Office of the President 7/28/1986. Acc. 1987.077 received from the Office of the President 8/6/1987. Acc. 1999.011 received from the Office of the President 1/18/1999."],"access_subjects_ssim":["Burgesses Day","Charter Day","Degrees--Honorary","Graduation (School)","President's House (Williamsburg, Va.)","Summer sessions","Women college students","Wren Building (Williamsburg, Va.)","Correspondence","Reports","Speeches"],"access_subjects_ssm":["Burgesses Day","Charter Day","Degrees--Honorary","Graduation (School)","President's House (Williamsburg, Va.)","Summer sessions","Women college students","Wren Building (Williamsburg, Va.)","Correspondence","Reports","Speeches"],"has_online_content_ssim":["false"],"extent_ssm":["221.50 Linear Feet"],"extent_tesim":["221.50 Linear Feet"],"genreform_ssim":["Correspondence","Reports","Speeches"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eAccessions may require permission from the originating office or the staff of the University Archives because they contain personnel, student, or other records covered by privacy laws and regulations including the following accessions: 1978.001, 1979.084, 1980.116, 1981.084, 1982.059, 1983.059, 1984.042, 1985.035, 1986.024, and 1987.077.\u003c/p\u003e","\u003cp\u003e Acc. 1985.036 is closed until 2060.\u003c/p\u003e","\u003cp\u003e Acc. 1999.011 is confidential.\u003c/p\u003e","\u003cp\u003e Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Accessions may require permission from the originating office or the staff of the University Archives because they contain personnel, student, or other records covered by privacy laws and regulations including the following accessions: 1978.001, 1979.084, 1980.116, 1981.084, 1982.059, 1983.059, 1984.042, 1985.035, 1986.024, and 1987.077.","Acc. 1985.036 is closed until 2060.","Acc. 1999.011 is confidential.","Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe records are arranged by accession, that is, the year in which they were transferred to the University Archives.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The records are arranged by accession, that is, the year in which they were transferred to the University Archives."],"bioghist_html_tesm":["\u003cp\u003eThomas Ashley Graves, Jr. was the twenty-third president of the College of William and Mary. He served from September 1, 1971 until January 9, 1985. Upon his resignation George R. Healy acted as interim president until Paul R. Verkuil assumed the role of president on July 1, 1985.\u003c/p\u003e","\u003cp\u003e Graves graduated from Yale University in 1947 with a bachelor's degree in economics, after suspending his studies after his freshman year to serve in the U.S. Navy during World War II. He then went on to Harvard University, completing a master's in business administration in 1949 and a doctorate in 1958.\u003c/p\u003e","\u003cp\u003e From 1950 to 1960, Graves held a faculty position at the Harvard business school. In 1960, he moved to Lausanne, Switzerland to become the director of the IMEDE Management Deveopment Institute. He was named the associate dean of the Graduate School of Business of Stanford University in 1964, and also served as the director of Stanford's International Center for the Advancement of Management Education. Graves returned to Harvard from 1967 to 1971 as the associate dean of the Graduate School of Business Administration.\u003c/p\u003e","\u003cp\u003e Graves served on advisory boards for a variety of schools and businesses, including Transylania University, Clark University, Reynolds Metals Company, and Life Insurance Company of Virginia. He is also the author of many articles on the management of education and management education.\u003c/p\u003e","\u003cp\u003e After leaving William and Mary, Graves became the director, CEO and a member of the Board of Trustees for the Winterthur Museum and Garden in Wilmington, Delaware until 1992. From there, he served as the director of the Grand Opera House in Wilmington as well as a member of the Educational Board of MBNA America Bank. Graves retired in 2004, and moved back to Williamsburg with his wife, Zoe.\u003c/p\u003e  ","\u003cp\u003e2\u003c/p\u003e","\u003cp\u003e3\u003c/p\u003e","\u003cp\u003e4\u003c/p\u003e","\u003cp\u003e5\u003c/p\u003e","\u003cp\u003e6\u003c/p\u003e","\u003cp\u003e7\u003c/p\u003e","\u003cp\u003e8\u003c/p\u003e","\u003cp\u003e9\u003c/p\u003e","\u003cp\u003e10\u003c/p\u003e","\u003cp\u003e11\u003c/p\u003e","\u003cp\u003e12\u003c/p\u003e","\u003cp\u003e13\u003c/p\u003e","\u003cp\u003e14\u003c/p\u003e","\u003cp\u003e15\u003c/p\u003e","\u003cp\u003e16\u003c/p\u003e","\u003cp\u003e17\u003c/p\u003e","\u003cp\u003e18\u003c/p\u003e","\u003cp\u003e19\u003c/p\u003e","\u003cp\u003e2\u003c/p\u003e","\u003cp\u003e3\u003c/p\u003e","\u003cp\u003e4\u003c/p\u003e","\u003cp\u003e5\u003c/p\u003e","\u003cp\u003e6\u003c/p\u003e","\u003cp\u003e7\u003c/p\u003e","\u003cp\u003e8\u003c/p\u003e","\u003cp\u003e9\u003c/p\u003e","\u003cp\u003e10\u003c/p\u003e","\u003cp\u003e11\u003c/p\u003e","\u003cp\u003e12\u003c/p\u003e","\u003cp\u003e13\u003c/p\u003e","\u003cp\u003e14\u003c/p\u003e","\u003cp\u003e15\u003c/p\u003e","\u003cp\u003e1\u003c/p\u003e","\u003cp\u003e2\u003c/p\u003e","\u003cp\u003e3\u003c/p\u003e","\u003cp\u003e4\u003c/p\u003e","\u003cp\u003e5\u003c/p\u003e","\u003cp\u003e6\u003c/p\u003e","\u003cp\u003e7\u003c/p\u003e","\u003cp\u003e8\u003c/p\u003e","\u003cp\u003e9\u003c/p\u003e","\u003cp\u003e10\u003c/p\u003e","\u003cp\u003e11\u003c/p\u003e","\u003cp\u003e12\u003c/p\u003e","\u003cp\u003e13\u003c/p\u003e","\u003cp\u003e14\u003c/p\u003e","\u003cp\u003e15\u003c/p\u003e","\u003cp\u003e16\u003c/p\u003e","\u003cp\u003e17\u003c/p\u003e","\u003cp\u003e18\u003c/p\u003e","\u003cp\u003e19\u003c/p\u003e","\u003cp\u003e20\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Thomas Ashley Graves, Jr. was the twenty-third president of the College of William and Mary. He served from September 1, 1971 until January 9, 1985. Upon his resignation George R. Healy acted as interim president until Paul R. Verkuil assumed the role of president on July 1, 1985.","Graves graduated from Yale University in 1947 with a bachelor's degree in economics, after suspending his studies after his freshman year to serve in the U.S. Navy during World War II. He then went on to Harvard University, completing a master's in business administration in 1949 and a doctorate in 1958.","From 1950 to 1960, Graves held a faculty position at the Harvard business school. In 1960, he moved to Lausanne, Switzerland to become the director of the IMEDE Management Deveopment Institute. He was named the associate dean of the Graduate School of Business of Stanford University in 1964, and also served as the director of Stanford's International Center for the Advancement of Management Education. Graves returned to Harvard from 1967 to 1971 as the associate dean of the Graduate School of Business Administration.","Graves served on advisory boards for a variety of schools and businesses, including Transylania University, Clark University, Reynolds Metals Company, and Life Insurance Company of Virginia. He is also the author of many articles on the management of education and management education.","After leaving William and Mary, Graves became the director, CEO and a member of the Board of Trustees for the Winterthur Museum and Garden in Wilmington, Delaware until 1992. From there, he served as the director of the Grand Opera House in Wilmington as well as a member of the Educational Board of MBNA America Bank. Graves retired in 2004, and moved back to Williamsburg with his wife, Zoe.","2","3","4","5","6","7","8","9","10","11","12","13","14","15","16","17","18","19","2","3","4","5","6","7","8","9","10","11","12","13","14","15","1","2","3","4","5","6","7","8","9","10","11","12","13","14","15","16","17","18","19","20"],"prefercite_html_tesm":["\u003cp\u003eOffice of the President, Thomas Ashley Graves, Jr. Records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Office of the President, Thomas Ashley Graves, Jr. Records, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eInventories were normally received with the material when transferred to the SCRC. SCRC staff are rehousing the collection and adding inventories for all accessions to the database. This effort is currently ongoing (January 2010).\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Inventories were normally received with the material when transferred to the SCRC. SCRC staff are rehousing the collection and adding inventories for all accessions to the database. This effort is currently ongoing (January 2010)."],"relatedmaterial_html_tesm":["\u003cp\u003eOffice of the President, Davis Young Paschall Records (UA 2.015); Thomas Ashley Graves Papers (UA 2.21).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Office of the President, Davis Young Paschall Records (UA 2.015); Thomas Ashley Graves Papers (UA 2.21)."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes subject files, speeches, and other material from the administration of College of William and Mary President Thomas Ashley Graves with some overlap with his predecessor Davis Y. Paschall and his successor Paul Verkuil. For the most part, headings assigned to folders in their office of origin have been maintained in the box list inventories available here.\u003c/p\u003e","\u003cp\u003e In addition, there are two unprocessed boxes. Consult a staff member for assistance.\u003c/p\u003e  ","\u003cp\u003eThis series contains records from the President's Office from 1951-1976. Some of the files date from Davis Young Paschall's and Alvin Duke Chandler's presidencies.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office, mainly from 1940-1978. Some of the files date from Davis Young Paschall's presidency. Box 43 contains miscellaneous material not included in the alphabetical arrangement of the files in this series.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office, mainly from 1948-1979.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1953-1982. Some of the files date from Davis Young Paschall's presidency.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestrict\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1942-1980. Some of the files date from Davis Young Paschall's presidency.\u003c/p\u003e","\u003cp\u003eRestrict\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1942-1978. The bulk of the files date from Davis Young Paschall's presidency. See Office of the President. Davis Young Paschall (UA 2.15) for more files from 1960 to 1972.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eEndowment\u003c/p\u003e","\u003cp\u003eEndowment\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1973-1980.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eComplete file is being retained in Wes Wilson's office, as Chairman of the Residency Status Appeals Board.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office. Most are from 1980-1981, but some date back to 1970.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains incoming correspondence, copies of outgoing correspondence, and reports from 1964-1974. Some of the files date from Davis Young Paschall's presidency.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series includes material from the Office of the President from 1980-1982.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1981-1983 with the bulk from 1982.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains correspondence and other documents relating to Graves' request for a salary increase, sent to the Board of Visitors to be discussed at the 26 October 1984 meeting.\u003c/p\u003e","\u003cp\u003eThis series contains the texts of speeches delivered by President Graves to groups both on and off campus, 1971-1983.\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1982-1983.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eClippings related to faculty salaries; the President's House; the Jefferson Hall fire and aftermath; affirmative action; integration and desegregation; federal funding; Robb Administration; Charles Robb; Holton Administration; Linwood Holton; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); student loans; Board of Visitors; Wightman Cup; Swem Library; fire safety; merit scholarships; asbestos; gifts and bequests; graduates; other colleges and universities; Elizabeth Dole; academics; commencement; alcohol policy; tuition and fees; athletic funding; economic recession; social events; state budget; Reserve Officer Training Corps (ROTC); students; graduate employment prospects; endowment fund; college radio station; WCWM; archaeology; Alfred P. Sloan Foundation; Vernon H. Edmonds; and litigation.\u003c/p\u003e","\u003cp\u003eClippings realted to the Wightman Cup; John Silber; Central America; Southeastern University Reasearch Association (SURA); National Electron Accelerator Laboratory (NEAL); Muscarelle Museum of Art; Charles S. Robb; Robb Administration; admissions; President's House; National Collegiate Athletic Association (NCAA); athletics; integration and desegregation; academics; honor code; other colleges and universities; campus events; Peter Peterson; Lehman Brothers; Lewis I. Glucksman; state budget; Sam Portaro; Bruton Parish Church; alumni; Glenn Close; Burgesses Day; computer science; The New York Times Selective Guide to Colleges; Anthony A. Lucas; Richard J. Davis; Yorktown Victory Center; Thomas A. Graves; fire safety; Jefferson Hall fire; arts funding.\u003c/p\u003e","\u003cp\u003eNews clippings related to presidential search; Hunter B. Andrews; athletics; tuition and fees; other colleges and universities; art; computers; computer science; gifts and bequests; Richard O'Daniel; Secretary of Education; John Casteen; affirmative action; alumni; Anne Dobie Peebles; obituaries; Wightman Cup; academic facilities; graduate job prospects; alcohol policy; faculty salaries; higher education funding; Board of Visitors; state budget; dental plan; drama; theatre; Dean of Student Affairs; Robb Administration; Charles S. Robb; Muscarelle Museum of Art; academics; and the college budget.\u003c/p\u003e","\u003cp\u003eClippings related to athletics; tuition and fees; Robb Administration; Charles S. Robb; state budget; Thomas A. Graves; School of Education Dean; other colleges and universities; U.S. News \u0026amp; World Report rankings; Mamie Stringfellow; obituaries; Richard M. O'Daniel; Charter Day; J. Carter Brown; Marguerite Wynne-Roberts; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); bonds; City of Williamsburg; Chester McNerney; Dortha Skelton; tree logging; George R. Healy; education reform; resignations; Tim Sullivan; and Stewart Gamage.\u003c/p\u003e","\u003cp\u003eClippings related to alumni; Glenn Close; Robb Administration; Charles S. Robb; General Assembly; state budget; state funding; Muscarelle Museum of Art; Thomas A. Graves; Graves Family; Long-Range Planning Commission; athletics; athletic funding; obituaries; and Steve Sacalis.\u003c/p\u003e","\u003cp\u003eClippings related to athletics; athletic funding; Virginia Institute of Marine Science (VIMS); state funding; state budget; Rector; Anne Dobie Peebles; Melvyn D. Schiavelli; Dean of the Faculty of Arts and Sciences; dental plan; Jefferson Hall fire; affirmative action; General Assembly; Virginia Supplemental Retirement System; Karen Elizabeth Dudley; Charles M. Holloway; alumni; Hutton Cobb; Constitution Bicentennial; John McGlennon; Honor System; William F. Swindler; parking; Holocaust remembrance; campus events; theatre; drama; faculty salaries; equal pay; Watkins Gray; other colleges and universities; greenhouse; admissions office; merit scholarships; organizational chart; Robert Bowman; Virginia Secretary of Education; John T. Casteen III; Swem Library; Presidential Search Committee; Richard G. Johnson; desegregation and integration; Lehman Brother; Lewis L. Glucksman; Peter G. Peterson; Ash Lawn restoration and renovation; Leland E. Traywick; bomb threat; tuition and fees; Scott Glenn; Diocese of Virginia; gifts and bequests; faculty reviews; students; commencement; Paul A. Volcker; Charter Day; fire safety; State Board of Education; J. Carter Brown; Erin Sheehey; Charles Marsh; Eva LeGallienne; and internal audits.\u003c/p\u003e","\u003cp\u003eClippings related to fire safety; students; expulsions; honor system; federal funding; Virginia Institute of Marine Science (VIMS); gifts and bequests; community events; tuition and fees; campus police; crime; athletics; computer science; Department of Mathematics and Computer Sciences; Department of Mathematics; Department of Computer Sciences; School of Education; \"Men's Club\"; Virginia economy; Institute of Early American History and Culture; Virginia Shakespeare Festival; Muscarelle Museum of Art; athletic funding; City of Williamsburg; tourism; George Cole; students; parking lawsuit; 1983 Economic Summit of Industrialized Nations; campus events; Mrs. Virginia; endowment fund; graduate job prospects; faculty salaries; Scott Glenn; choir; chorus; William Westmoreland; litigation; gifts and bequests; faculty; botany; merit scholarships; Charles S. Robb; Robb Administration; affirmative action; theatre; drama; General Assembly; Arthur Jarrell Raper; Board of Visitors; Law School; state budget; fraternities and sororites; Greek life; student housing; social life; women's rights; alcohol policy; Title IX; yearbook; Colonial Williamsburg Foundation; minority education; commencement; Paul A. Volcker; presidential search committee; Dean of the Faculty of Arts and Sciences; Melvyn D. Schiavelli; Wightman Cup; admissions; Richard J. Davis; Anne Dobie Peebles; Charter Day; J. Carter Brown; Jefferson Hall fire; purchasing rules; and textbooks.\u003c/p\u003e","\u003cp\u003eClippings related to the Center for Innovative Technology; faculty; George W. Crawford; class registration; athletics; students; academics; athletic funding; arts; arts grants; grants; gifts and bequests; alumni; Glenn Close; Vernon Edmonds; litigation; affirmative action; minority education; desegregation and integration; music; J. Rosser Matthews III; Ranking Scholars; Bureau of Business Research; tuition and fees; Chris Paradis; \"We Have It Made in Virginia\" campaign; Continuous Electron Beam Accelerator Laboratory; coeducation; other colleges and universities; Virginia Shakespeare Festival; John Jamison; provost; George R. Healy; tourism; Bobby James; William D. Zabel; Paul Volcker; commencement; Wayne F. Anderson; graduate job prospects; Muscarelle Museum of Art; computers; computer science; State Council of Higher Education; Charles S. Robb; Robb Administration; alcohol policy; campus events; fundraisers; women's education; Ash Lawn construction projects; John J. McGlennon; Robert Drinan; and obituaries.\u003c/p\u003e","\u003cp\u003eContains articles related to the Juan Sebastian de Elcano; Virginia Institute of Marine Science (VIMS); athletics; faculty; John J. McGlennon; litigation; asbestos; economy; academics; Masters program in educational supervision; local news; Virginia Shakespeare Festival; newspapers; alumni; Justin Deas; Charles S. Robb; Robb Administration; City of Williamsburg; James City County; other colleges and universities; foreign policy; national politics; international politics; computers; computer science; Continuous Electron Beam Accelerator; Anheuser-Busch; federal funding; Muscarelle Museum of Art; Lehman Brothers; Lewis Glucksman; Bryan T. Thompson; tourism; tuition and fees; obituary; athletic funding; affirmative action; minority education; integration and desgregation; Warren E. Burger; William F. Swindler; alcohol policy; campus; Marshall-Wythe School of Law; Festival Williamsburg; community events; Louis E. Catron; theatre; drama; Department of Theatre, Speech, and Dance; George R. Healy; and phone-a-thons.\u003c/p\u003e","\u003cp\u003eContains clippings related to the Virginia Shakespeare Festival; City of Williamsburg; tourism; alumni; Linda Lavin; Continuous Electron Beam Accelerator; Thomas A. Graves; President's annual report; students; William Wilson; economy; weather; climate; John J. McGlennon; Coliseum Mall; 1983 Economic Summit of Industrialized Nations; Rector; Anne Dobie Peebles; Virginia Institute of Marine Science (VIMS); minority recuitment; minority education; affirmative action; integration and desgregation; Marlene Jack; other colleges and universities; obituaries; Bob Sheeran; state sudit; State Auditor of Public Accounts; and Charles K. Trible.\u003c/p\u003e","\u003cp\u003eContains clippings related to State Auditor; Charles K. Trible; other colleges and universities; minority education; integration and desegregation; affirmative action; David Charlton; airport; law school; Virginia Institute of Marine Science (VIMS); Jim Rollings; ahtletics; athletic funding; John J. McGlennon; 1984 Presidential Race; student opinions; Muscarelle Museum of Art; WCWM; student radio station; college history; Vietnam era; faculty salaries; City of Williamsburg; Williamsburg City Council; James N. McCord; James N. McCord; alumni; faaculty; George W. Grayson; Virginia Shakespeare Festival; move-in; economy; computers; computer science; class registration; state funding; Continuous Electron Beam Accelerator; financial aid; William Zinsser; Bob Sheeran; E. John Bond; and tuition and fees.\u003c/p\u003e","\u003cp\u003eContains clippings related to the Continuous Electron Beam Accelerator; Parents Weekend; athletics; Scottish Festival; Leland Traywick Student Emergency Loan Fund; Sigma Xi Science Research Fellowship Program; Roy A. Williams; Assistant Director of Buildings and Grounds; Ariel Doriman; Robert Maidment; faculty meeting; other colleges and universities; tourism; Virginia General Assembly; Media General Inc.; Virginia Council of Higher Education; John Montague; Paul Muldoon; obituaries; minority recruitment; affirmative action; Lewis B. Puller, Jr.; drama; homecoming; William B. Spong, Jr.; Dean of Marshall-Wythe School of Law; Richard A. Williamson; law school; higher education; fire safety; Virginia Shakespeare Festival; the National Law Journal; economy; John J. McGlennon; state funding; campus police; Ervin D. \"Boots\" Farmer; Director of Buildings and Grounds; Jimmye Laycock; Linda Lavin; academics; extracurriculars; alumni; Virginia Institute of Marine Science (VIMS); National Association of Private Art Foundations; and desegregation and integration.\u003c/p\u003e","\u003cp\u003eContains clippings related to Burgesses Day; athletics; other colleges and universities; Muscarelle Museum of Art; Sinfonicron; drama; Marshall-Wythe School of Law; blood drives; Greek life; K. Shankar Bajpai; John J. McGlennon; 1984 Presidential Election; Jeffrey DeLuca; Williamsburg Reunion; Campus Center; Martha Elizabeth Barksdale Fund; William and Mary Theatre; Trinkle Hall; \"Our Future in the Cosmos\"; athletics funding; greenhouse; Fragile X Syndrome; financial aid; tuition and fees; fire safety; presidential search committee; Gladys s. Johnston; Linda Lavin; John H. \"Jack\" Garrett; alumni; alumni medallions; Prenitss Award; Spirit Contest; Rector; Anne Dobie Peebles; and the Smithosnian Institution.\u003c/p\u003e","\u003cp\u003eContains clippings related to Senator John Warner; athletics; Paul Taylor Dance Company; state funding; Muscarelle Museum of Art; law school; dean of the Marshall-Wythe School of Law; Tyler Hall; Aage Rosendal Nielsen; married students; Cliffs Tapes; Secretary of Education; Terrel Bell; George W. Grayson; faculty; Virginia Institute of Marine Science (VIMS); President's House; Grenada; Virginia Shakespeare Festival; financial aid; Management Consulting Group; Homecoming; Homecoming Parade; alumni; Linda Lavin; sexual violence; Greek life; other colleges and universities; Virginia Peninsula Chamber of Commerce \"Distinguished Citizen of 1984\"; Congressman G. William Whitehurst; 1984 Presidential Election; President's House; affirmative action; minority recruitment; desegregation and integration; minority education; Lisa Birnbach; John J. Mcglennon; American College Theatre Festival; Recot; Anne Dobie Peebles; John W. Dayton; student life; and Yorktown Day.\u003c/p\u003e","\u003cp\u003eContains clippings related to athletics; other colleges and universities; honor system; State Council of Higher Education; President's House; President's House Friends; Business School medallion; weather; faculty; Robert Maidment; faculty salaries; students; Lesbian and Gay Union; Dr. Hans von Baeyer; Virignia Institute of Marine Science (VIMS); William and Mary Choir; Lambda Alliance; LGBTQ campus community; bicycle theft; campus crime; Direct-Marketing of Williamsburg Group; Continuous Electron Beam Accelerator; Center for Executive Development; Marshall-Wythe School of Law; Dance Theatre of Harlem; Sharon Isbin; law school admissions; presidential search committee; Patricia Harris; \"Our Future in the Cosmos\"; Lee Bollinger; affirmative action; minority recruitment; minority education; desegregation and integration; suicide; theater; student government; community colleges; teosinte plant; Dr. Robert Maidment; School of Education; enrollment; obituaries; campus police; homosexual rights; Pat Robertson; landscaping; Roy A. Williams; financial aid; John J. McGlennon; Muscarelle Museum of Art; women's education; Linda Lavin; Department of Education; tuition and fees; curriculum; courses; Buffalo Bill; faculty recital; McGruff Halloween Party; and the Frenchman's Map.\u003c/p\u003e","\u003cp\u003eContains news clippings related to the William and Mary President; William and Mary President-designate; Paul R. Verkuil; minority education; desegregation and integration; affirmative action; minority recruitment; Virginia Institute of Marine Science (VIMS); student career prospects; fire; obituaries; Jefferson Hall; Jefferson Hall fire; Commonwealth Inn; William B. Spong, Jr.; fire safety; fire alarms; Thomas A. Graves; liberal arts; peace forums; municipal service charge; humanities; curriculum; other colleges and universities; School of Business Administration; athletics; tourism; faculty; students; Gerald Johnson; Charles S. Robb; Governor; gifts and bequests; Continuous Electron Beam Accelerator Facility; security; Thomas Ashley Graves, Jr. Award of Sustained Excellence in Teaching; Phi Beta Kappa; academic scholarships; service fellowships; Beales scholarship; Yule Log; joint degree programs; academic programs; Richard J. Davis; elections; campaigns; John Barlow; student housing; Govenor's Square; Muscarelle Museum of Art; George R. Healy; computer science; suicide; Council of Higher Education; Presidential Search Committee; acting President; and Reserve Officers Training Corps (ROTC).\u003c/p\u003e","\u003cp\u003eContains clippings related to the General Assembly; college draft bill; Paul R. Verkuil; Governor of Virgnia; Charles S. Robb; George R. Healy; Francis Jennings; Virginia Associated Research Campus; financial aid; tution and fees; Thomas A. Graves, Jr.; athletics; Hornsby family; retrospectives; academic programs; joint degree programs; Lieutenant Governor of Virginia; faculty; alumni; Howard Scammon; obituaries; Department of Education; Goodwin Islands; Virginia Institute of Marine Science (VIMS); economy; and Hampton Roads.\u003c/p\u003e","\u003cp\u003eThis series contains records from the President's Office from 1983-1984. These include correspondence and publications.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eThis series contains two bound copies of \"An Age of Distinction: William and Mary's Fourth Century,\" a working paper presented by the Long Range Planning Commission in 1985.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes subject files, speeches, and other material from the administration of College of William and Mary President Thomas Ashley Graves with some overlap with his predecessor Davis Y. Paschall and his successor Paul Verkuil. For the most part, headings assigned to folders in their office of origin have been maintained in the box list inventories available here.","In addition, there are two unprocessed boxes. Consult a staff member for assistance.","This series contains records from the President's Office from 1951-1976. Some of the files date from Davis Young Paschall's and Alvin Duke Chandler's presidencies.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office, mainly from 1940-1978. Some of the files date from Davis Young Paschall's presidency. Box 43 contains miscellaneous material not included in the alphabetical arrangement of the files in this series.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office, mainly from 1948-1979.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1953-1982. Some of the files date from Davis Young Paschall's presidency.","Restricted","Restricted","Restricted","Restricted","Restricted","Restrict","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1942-1980. Some of the files date from Davis Young Paschall's presidency.","Restrict","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1942-1978. The bulk of the files date from Davis Young Paschall's presidency. See Office of the President. Davis Young Paschall (UA 2.15) for more files from 1960 to 1972.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Endowment","Endowment","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1973-1980.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Complete file is being retained in Wes Wilson's office, as Chairman of the Residency Status Appeals Board.","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office. Most are from 1980-1981, but some date back to 1970.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains incoming correspondence, copies of outgoing correspondence, and reports from 1964-1974. Some of the files date from Davis Young Paschall's presidency.","Restricted","Restricted","This series includes material from the Office of the President from 1980-1982.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains records from the President's Office from 1981-1983 with the bulk from 1982.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains correspondence and other documents relating to Graves' request for a salary increase, sent to the Board of Visitors to be discussed at the 26 October 1984 meeting.","This series contains the texts of speeches delivered by President Graves to groups both on and off campus, 1971-1983.","This series contains records from the President's Office from 1982-1983.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Clippings related to faculty salaries; the President's House; the Jefferson Hall fire and aftermath; affirmative action; integration and desegregation; federal funding; Robb Administration; Charles Robb; Holton Administration; Linwood Holton; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); student loans; Board of Visitors; Wightman Cup; Swem Library; fire safety; merit scholarships; asbestos; gifts and bequests; graduates; other colleges and universities; Elizabeth Dole; academics; commencement; alcohol policy; tuition and fees; athletic funding; economic recession; social events; state budget; Reserve Officer Training Corps (ROTC); students; graduate employment prospects; endowment fund; college radio station; WCWM; archaeology; Alfred P. Sloan Foundation; Vernon H. Edmonds; and litigation.","Clippings realted to the Wightman Cup; John Silber; Central America; Southeastern University Reasearch Association (SURA); National Electron Accelerator Laboratory (NEAL); Muscarelle Museum of Art; Charles S. Robb; Robb Administration; admissions; President's House; National Collegiate Athletic Association (NCAA); athletics; integration and desegregation; academics; honor code; other colleges and universities; campus events; Peter Peterson; Lehman Brothers; Lewis I. Glucksman; state budget; Sam Portaro; Bruton Parish Church; alumni; Glenn Close; Burgesses Day; computer science; The New York Times Selective Guide to Colleges; Anthony A. Lucas; Richard J. Davis; Yorktown Victory Center; Thomas A. Graves; fire safety; Jefferson Hall fire; arts funding.","News clippings related to presidential search; Hunter B. Andrews; athletics; tuition and fees; other colleges and universities; art; computers; computer science; gifts and bequests; Richard O'Daniel; Secretary of Education; John Casteen; affirmative action; alumni; Anne Dobie Peebles; obituaries; Wightman Cup; academic facilities; graduate job prospects; alcohol policy; faculty salaries; higher education funding; Board of Visitors; state budget; dental plan; drama; theatre; Dean of Student Affairs; Robb Administration; Charles S. Robb; Muscarelle Museum of Art; academics; and the college budget.","Clippings related to athletics; tuition and fees; Robb Administration; Charles S. Robb; state budget; Thomas A. Graves; School of Education Dean; other colleges and universities; U.S. News \u0026 World Report rankings; Mamie Stringfellow; obituaries; Richard M. O'Daniel; Charter Day; J. Carter Brown; Marguerite Wynne-Roberts; Southeastern University Research Association (SURA); National Electron Accelerator Laboratory (NEAL); bonds; City of Williamsburg; Chester McNerney; Dortha Skelton; tree logging; George R. Healy; education reform; resignations; Tim Sullivan; and Stewart Gamage.","Clippings related to alumni; Glenn Close; Robb Administration; Charles S. Robb; General Assembly; state budget; state funding; Muscarelle Museum of Art; Thomas A. Graves; Graves Family; Long-Range Planning Commission; athletics; athletic funding; obituaries; and Steve Sacalis.","Clippings related to athletics; athletic funding; Virginia Institute of Marine Science (VIMS); state funding; state budget; Rector; Anne Dobie Peebles; Melvyn D. Schiavelli; Dean of the Faculty of Arts and Sciences; dental plan; Jefferson Hall fire; affirmative action; General Assembly; Virginia Supplemental Retirement System; Karen Elizabeth Dudley; Charles M. Holloway; alumni; Hutton Cobb; Constitution Bicentennial; John McGlennon; Honor System; William F. Swindler; parking; Holocaust remembrance; campus events; theatre; drama; faculty salaries; equal pay; Watkins Gray; other colleges and universities; greenhouse; admissions office; merit scholarships; organizational chart; Robert Bowman; Virginia Secretary of Education; John T. Casteen III; Swem Library; Presidential Search Committee; Richard G. Johnson; desegregation and integration; Lehman Brother; Lewis L. Glucksman; Peter G. Peterson; Ash Lawn restoration and renovation; Leland E. Traywick; bomb threat; tuition and fees; Scott Glenn; Diocese of Virginia; gifts and bequests; faculty reviews; students; commencement; Paul A. Volcker; Charter Day; fire safety; State Board of Education; J. Carter Brown; Erin Sheehey; Charles Marsh; Eva LeGallienne; and internal audits.","Clippings related to fire safety; students; expulsions; honor system; federal funding; Virginia Institute of Marine Science (VIMS); gifts and bequests; community events; tuition and fees; campus police; crime; athletics; computer science; Department of Mathematics and Computer Sciences; Department of Mathematics; Department of Computer Sciences; School of Education; \"Men's Club\"; Virginia economy; Institute of Early American History and Culture; Virginia Shakespeare Festival; Muscarelle Museum of Art; athletic funding; City of Williamsburg; tourism; George Cole; students; parking lawsuit; 1983 Economic Summit of Industrialized Nations; campus events; Mrs. Virginia; endowment fund; graduate job prospects; faculty salaries; Scott Glenn; choir; chorus; William Westmoreland; litigation; gifts and bequests; faculty; botany; merit scholarships; Charles S. Robb; Robb Administration; affirmative action; theatre; drama; General Assembly; Arthur Jarrell Raper; Board of Visitors; Law School; state budget; fraternities and sororites; Greek life; student housing; social life; women's rights; alcohol policy; Title IX; yearbook; Colonial Williamsburg Foundation; minority education; commencement; Paul A. Volcker; presidential search committee; Dean of the Faculty of Arts and Sciences; Melvyn D. Schiavelli; Wightman Cup; admissions; Richard J. Davis; Anne Dobie Peebles; Charter Day; J. Carter Brown; Jefferson Hall fire; purchasing rules; and textbooks.","Clippings related to the Center for Innovative Technology; faculty; George W. Crawford; class registration; athletics; students; academics; athletic funding; arts; arts grants; grants; gifts and bequests; alumni; Glenn Close; Vernon Edmonds; litigation; affirmative action; minority education; desegregation and integration; music; J. Rosser Matthews III; Ranking Scholars; Bureau of Business Research; tuition and fees; Chris Paradis; \"We Have It Made in Virginia\" campaign; Continuous Electron Beam Accelerator Laboratory; coeducation; other colleges and universities; Virginia Shakespeare Festival; John Jamison; provost; George R. Healy; tourism; Bobby James; William D. Zabel; Paul Volcker; commencement; Wayne F. Anderson; graduate job prospects; Muscarelle Museum of Art; computers; computer science; State Council of Higher Education; Charles S. Robb; Robb Administration; alcohol policy; campus events; fundraisers; women's education; Ash Lawn construction projects; John J. McGlennon; Robert Drinan; and obituaries.","Contains articles related to the Juan Sebastian de Elcano; Virginia Institute of Marine Science (VIMS); athletics; faculty; John J. McGlennon; litigation; asbestos; economy; academics; Masters program in educational supervision; local news; Virginia Shakespeare Festival; newspapers; alumni; Justin Deas; Charles S. Robb; Robb Administration; City of Williamsburg; James City County; other colleges and universities; foreign policy; national politics; international politics; computers; computer science; Continuous Electron Beam Accelerator; Anheuser-Busch; federal funding; Muscarelle Museum of Art; Lehman Brothers; Lewis Glucksman; Bryan T. Thompson; tourism; tuition and fees; obituary; athletic funding; affirmative action; minority education; integration and desgregation; Warren E. Burger; William F. Swindler; alcohol policy; campus; Marshall-Wythe School of Law; Festival Williamsburg; community events; Louis E. Catron; theatre; drama; Department of Theatre, Speech, and Dance; George R. Healy; and phone-a-thons.","Contains clippings related to the Virginia Shakespeare Festival; City of Williamsburg; tourism; alumni; Linda Lavin; Continuous Electron Beam Accelerator; Thomas A. Graves; President's annual report; students; William Wilson; economy; weather; climate; John J. McGlennon; Coliseum Mall; 1983 Economic Summit of Industrialized Nations; Rector; Anne Dobie Peebles; Virginia Institute of Marine Science (VIMS); minority recuitment; minority education; affirmative action; integration and desgregation; Marlene Jack; other colleges and universities; obituaries; Bob Sheeran; state sudit; State Auditor of Public Accounts; and Charles K. Trible.","Contains clippings related to State Auditor; Charles K. Trible; other colleges and universities; minority education; integration and desegregation; affirmative action; David Charlton; airport; law school; Virginia Institute of Marine Science (VIMS); Jim Rollings; ahtletics; athletic funding; John J. McGlennon; 1984 Presidential Race; student opinions; Muscarelle Museum of Art; WCWM; student radio station; college history; Vietnam era; faculty salaries; City of Williamsburg; Williamsburg City Council; James N. McCord; James N. McCord; alumni; faaculty; George W. Grayson; Virginia Shakespeare Festival; move-in; economy; computers; computer science; class registration; state funding; Continuous Electron Beam Accelerator; financial aid; William Zinsser; Bob Sheeran; E. John Bond; and tuition and fees.","Contains clippings related to the Continuous Electron Beam Accelerator; Parents Weekend; athletics; Scottish Festival; Leland Traywick Student Emergency Loan Fund; Sigma Xi Science Research Fellowship Program; Roy A. Williams; Assistant Director of Buildings and Grounds; Ariel Doriman; Robert Maidment; faculty meeting; other colleges and universities; tourism; Virginia General Assembly; Media General Inc.; Virginia Council of Higher Education; John Montague; Paul Muldoon; obituaries; minority recruitment; affirmative action; Lewis B. Puller, Jr.; drama; homecoming; William B. Spong, Jr.; Dean of Marshall-Wythe School of Law; Richard A. Williamson; law school; higher education; fire safety; Virginia Shakespeare Festival; the National Law Journal; economy; John J. McGlennon; state funding; campus police; Ervin D. \"Boots\" Farmer; Director of Buildings and Grounds; Jimmye Laycock; Linda Lavin; academics; extracurriculars; alumni; Virginia Institute of Marine Science (VIMS); National Association of Private Art Foundations; and desegregation and integration.","Contains clippings related to Burgesses Day; athletics; other colleges and universities; Muscarelle Museum of Art; Sinfonicron; drama; Marshall-Wythe School of Law; blood drives; Greek life; K. Shankar Bajpai; John J. McGlennon; 1984 Presidential Election; Jeffrey DeLuca; Williamsburg Reunion; Campus Center; Martha Elizabeth Barksdale Fund; William and Mary Theatre; Trinkle Hall; \"Our Future in the Cosmos\"; athletics funding; greenhouse; Fragile X Syndrome; financial aid; tuition and fees; fire safety; presidential search committee; Gladys s. Johnston; Linda Lavin; John H. \"Jack\" Garrett; alumni; alumni medallions; Prenitss Award; Spirit Contest; Rector; Anne Dobie Peebles; and the Smithosnian Institution.","Contains clippings related to Senator John Warner; athletics; Paul Taylor Dance Company; state funding; Muscarelle Museum of Art; law school; dean of the Marshall-Wythe School of Law; Tyler Hall; Aage Rosendal Nielsen; married students; Cliffs Tapes; Secretary of Education; Terrel Bell; George W. Grayson; faculty; Virginia Institute of Marine Science (VIMS); President's House; Grenada; Virginia Shakespeare Festival; financial aid; Management Consulting Group; Homecoming; Homecoming Parade; alumni; Linda Lavin; sexual violence; Greek life; other colleges and universities; Virginia Peninsula Chamber of Commerce \"Distinguished Citizen of 1984\"; Congressman G. William Whitehurst; 1984 Presidential Election; President's House; affirmative action; minority recruitment; desegregation and integration; minority education; Lisa Birnbach; John J. Mcglennon; American College Theatre Festival; Recot; Anne Dobie Peebles; John W. Dayton; student life; and Yorktown Day.","Contains clippings related to athletics; other colleges and universities; honor system; State Council of Higher Education; President's House; President's House Friends; Business School medallion; weather; faculty; Robert Maidment; faculty salaries; students; Lesbian and Gay Union; Dr. Hans von Baeyer; Virignia Institute of Marine Science (VIMS); William and Mary Choir; Lambda Alliance; LGBTQ campus community; bicycle theft; campus crime; Direct-Marketing of Williamsburg Group; Continuous Electron Beam Accelerator; Center for Executive Development; Marshall-Wythe School of Law; Dance Theatre of Harlem; Sharon Isbin; law school admissions; presidential search committee; Patricia Harris; \"Our Future in the Cosmos\"; Lee Bollinger; affirmative action; minority recruitment; minority education; desegregation and integration; suicide; theater; student government; community colleges; teosinte plant; Dr. Robert Maidment; School of Education; enrollment; obituaries; campus police; homosexual rights; Pat Robertson; landscaping; Roy A. Williams; financial aid; John J. McGlennon; Muscarelle Museum of Art; women's education; Linda Lavin; Department of Education; tuition and fees; curriculum; courses; Buffalo Bill; faculty recital; McGruff Halloween Party; and the Frenchman's Map.","Contains news clippings related to the William and Mary President; William and Mary President-designate; Paul R. Verkuil; minority education; desegregation and integration; affirmative action; minority recruitment; Virginia Institute of Marine Science (VIMS); student career prospects; fire; obituaries; Jefferson Hall; Jefferson Hall fire; Commonwealth Inn; William B. Spong, Jr.; fire safety; fire alarms; Thomas A. Graves; liberal arts; peace forums; municipal service charge; humanities; curriculum; other colleges and universities; School of Business Administration; athletics; tourism; faculty; students; Gerald Johnson; Charles S. Robb; Governor; gifts and bequests; Continuous Electron Beam Accelerator Facility; security; Thomas Ashley Graves, Jr. Award of Sustained Excellence in Teaching; Phi Beta Kappa; academic scholarships; service fellowships; Beales scholarship; Yule Log; joint degree programs; academic programs; Richard J. Davis; elections; campaigns; John Barlow; student housing; Govenor's Square; Muscarelle Museum of Art; George R. Healy; computer science; suicide; Council of Higher Education; Presidential Search Committee; acting President; and Reserve Officers Training Corps (ROTC).","Contains clippings related to the General Assembly; college draft bill; Paul R. Verkuil; Governor of Virgnia; Charles S. Robb; George R. Healy; Francis Jennings; Virginia Associated Research Campus; financial aid; tution and fees; Thomas A. Graves, Jr.; athletics; Hornsby family; retrospectives; academic programs; joint degree programs; Lieutenant Governor of Virginia; faculty; alumni; Howard Scammon; obituaries; Department of Education; Goodwin Islands; Virginia Institute of Marine Science (VIMS); economy; and Hampton Roads.","This series contains records from the President's Office from 1983-1984. These include correspondence and publications.","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","Restricted","This series contains two bound copies of \"An Age of Distinction: William and Mary's Fourth Century,\" a working paper presented by the Long Range Planning Commission in 1985."],"separatedmaterial_html_tesm":["\u003cp\u003ePinks have been removed to Acc. 1983.039.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Pinks have been removed to Acc. 1983.039."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Office of the President","Associated and Branch Campuses--Richard Bland College","Associated and Branch Campuses--Virginia Associated Research Campus","College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President","College of William and Mary. Project Plus","College of William and Mary. School of Business Administration","College of William and Mary. School of Education","Development Office--Endowment Association","Joseph and Margaret Muscarelle Museum of Art","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Order of the White Jacket","State Council of Higher Education for Virginia","Virginia Institute of Marine Science"],"names_coll_ssim":["Associated and Branch Campuses--Richard Bland College","Associated and Branch Campuses--Virginia Associated Research Campus","College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President","College of William and Mary. Project Plus","College of William and Mary. School of Business Administration","College of William and Mary. School of Education","Development Office--Endowment Association","Joseph and Margaret Muscarelle Museum of Art","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Order of the White Jacket","State Council of Higher Education for Virginia","Virginia Institute of Marine Science","Chandler, Alvin Duke","Graves, Thomas Ashley, Jr","Paschall, Davis Young, 1911-2001"],"persname_ssim":["Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Paschall, Davis Young, 1911-2001","Chandler, Alvin Duke","Graves, Thomas Ashley, Jr"],"names_ssim":["Special Collections Research Center","Office of the President","Associated and Branch Campuses--Richard Bland College","Associated and Branch Campuses--Virginia Associated Research Campus","College of William and Mary. Board of Visitors","College of William and Mary. College of Arts and Sciences","College of William and Mary. Office of the President","College of William and Mary. Project Plus","College of William and Mary. School of Business Administration","College of William and Mary. School of Education","Development Office--Endowment Association","Joseph and Margaret Muscarelle Museum of Art","Marshall-Wythe School of Law","Omohundro Institute of Early American History and Culture","Order of the White Jacket","State Council of Higher Education for Virginia","Virginia Institute of Marine Science","Graves, Thomas Ashley, Jr., 1924-","Chandler, Alvin Duke, 1902-1987","Paschall, Davis Young, 1911-2001","Chandler, Alvin Duke","Graves, Thomas Ashley, Jr"],"language_ssim":["English"],"total_component_count_is":5389,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:46:51.505Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8538_c03_c19_c11"}},{"id":"vifgm_paden_c01_c66","type":"File","attributes":{"title":"Zahradeen/Adams,, 1973/1974","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_paden_c01_c66#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_paden_c01_c66","ref_ssm":["vifgm_paden_c01_c66"],"id":"vifgm_paden_c01_c66","ead_ssi":"vifgm_paden","_root_":"vifgm_paden","_nest_parent_":"vifgm_paden_c01","parent_ssi":"vifgm_paden_c01","parent_ssim":["John N. Paden papers, 1938/2010","Series 1: Correspondence,, 1960/2005"],"parent_ids_ssim":["vifgm_paden","vifgm_paden_c01"],"title_filing_ssi":"Zahradeen/Adams,","title_ssm":["Zahradeen/Adams,"],"title_tesim":["Zahradeen/Adams,"],"normalized_title_ssm":["Zahradeen/Adams,, 1973/1974"],"text":["Zahradeen/Adams,, 1973/1974","John N. Paden papers, 1938/2010","Series 1: Correspondence,, 1960/2005","Box 4","Folder 6"],"parent_unittitles_ssm":["John N. Paden papers, 1938/2010","Series 1: Correspondence,, 1960/2005"],"parent_unittitles_tesim":["John N. Paden papers, 1938/2010","Series 1: Correspondence,, 1960/2005"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":67,"repository_ssim":["George Mason University"],"collection_ssim":["John N. Paden papers, 1938/2010"],"containers_ssim":["Box 4","Folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"date_range_isim":[1973,1974],"_nest_path_":"/components#0/components#65","timestamp":"2026-06-23T06:52:39.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_paden","ead_ssi":"vifgm_paden","_root_":"vifgm_paden","_nest_parent_":"vifgm_paden","ead_source_url_ssi":"data/gmu/paden.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/paden.html","title_ssm":["John N. Paden papers"],"title_tesim":["John N. Paden papers"],"unitdate_ssm":["1938-2010"],"unitdate_inclusive_ssm":["1938-2010"],"normalized_date_ssm":["1938/2010"],"normalized_title_ssm":["John N. Paden papers, 1938/2010"],"text":["John N. Paden papers, 1938/2010","C0194","Africa--Photographs.","Africa--Slides.","International Relations.","Nigeria.","Sound recordings.","Negatives.","Photographs.","There are no access restrictions.","Series 1: Correspondence, 1971-1998 (Boxes 1-4)\n        Series 2: Research, 1950s-2010 (Boxes 4-85)\n        Series 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\n        Series 4: Maps, 1949-1980s (Box 104)\n        Series 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\n        Series 6: Oversize, 1949-1997 (110, 130, Map Case)\n        Series 7: Realia, undated (Boxes 131-132)","Dr. John N. Paden is a Clarence Robinson Professor Emeritus of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University.","Dr. Paden came to George Mason in 1987, and he taught comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China and served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).","Dr. Paden has also served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. He retired from George Mason University in May 2017.","Processed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014.","Special Collections and Archives also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the , the , and the . Other collections containing photographs or slides of Nigeria include the , the , and the .","The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.","Series 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.","Series 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps,  and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.","Series 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.","Series 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.","Series 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes;  Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.","Series 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Series 7: Realia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All realia is undated.","Includes various types of correspondence relating to book reviews, publications, research projects, travel arrangements, letters of recommendation, and some few personal matters. Organized alphabetically by subject and then chronologically.","Chairing the panel on ethnicity.","Includes letters of recommendation.","Regarding admissions to Northwestern.","Letter of appointment as Dean of Social Sciences at Ahmadu Bello University.","Identity in Africa program.","Course development.","Letter of recommendation and supporting material.","Seeking replacement teacher at Northwestern.","National Endowment for the Humanities.","Relates to Maguire's political campaign.","Afro-Asian World in Transition.","AAI Program.","Includes extensive exchanges with University of California Press.","Strife at the university.","Folder 1 of 2.","Folder 2 of 2.","Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by type, subject, and then chronologically.","Folder 1 of 4. Identified by Dr. Paden. Interior identifies contents of folder as \"Book vol II / Elite analysis / draft.\"","Folder 2 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 5-10, 12.","Folder 3 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 15-19.","Folder 4 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 21-23, 26.","\"Modernization, Stability, and National Integration in Africa\" by John N. Paden.","Folder 1 of 3. Meeting of the American Political Science Association in Los Angeles.","Folder 2 of 3. Meeting of the American Political Science Association in Los Angeles.","Folder 3 of 3. Meeting of the American Political Science Association in Los Angeles.","Published in 1973 by the Institute of International Studies, University of South Carolina.","Notes on possible career paths for African Studies students.","Folder 1 of 3. African Studies Association meeting. Includes correspondence and related materials.","Folder 2 of 3. African Studies Association meeting. Includes correspondence and related materials.","Folder 3 of 3. African Studies Association meeting. Includes correspondence and related materials.","Includes contact information.","Includes printed literature and book lists.","Thirteenth annual meeting.","Folder 1 of 2. Copies of multiple papers for presentation in Sokoto.","Folder 2 of 2. Copies of multiple papers for presentation in Sokoto.","\"The Conflict between National and Supra-National Loyalties in the Political Thought of French-Speaking West Africa,\" by John N. Paden for GOVT 295: Nationalism","Folder 1 of 2.","Folder 2 of 2.","James E. Adler v. The Federal Republic of Nigeria.","Original field notes from 1960s trip to Nigeria. See also note cards in Boxes 80-83.","Folder 1 of 2.","Folder 2 of 2.","Bibliographic references.","Presentation papers.","Los Angeles.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Final draft. A long range plan defining alternative strategies for the development of the Sahel-Sudan Zones. Massachusetts Institute of Technology, Center for Policy Alternatives.","Folder 1 of 2. Institute for Agricultural Research, Ahmadu Bello University.","Folder 2 of 2. Institute for Agricultural Research, Ahmadu Bello University.","Contains article by John N. Paden, \"Kano Hausa Poetry: Reply.\"","Regulations governing the conditions of appointment of senior staff of Ahmadu Bello University.","Folder 1 of 2.","Folder 2 of 2.","Imposition of Native Administration and the Evolution of Chieftancy among the Tiv.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","A Sociocultural View of Hausa Musical Activity.","Folder 1 of 6. Written charms, drinking ink, folk remedies.","Folder 2 of 6. Written charms, drinking ink, folk remedies.","Folder 3 of 6. Written charms, drinking ink, folk remedies.","Folder 4 of 6. Written charms, drinking ink, folk remedies.","Folder 5 of 6. Written charms, drinking ink, folk remedies.","Folder 6 of 6. Written charms, drinking ink, folk remedies.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Houston, TX. Includes list of confirmed attendees.","Notes on marriage and relationships.","Obstacles to Private Sector Activities in Africa","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Prospectus, telephone directory.","News articles and scholarly work.","Research for Dr. Paden's book of the same title","Folder 1 of 2. Research for Dr. Paden's book of the same title.","Folder 2 of 2. Research for Dr. Paden's book of the same title.","Work for Dr. Paden's book of the same title.","Folder 1 of 3. Work for Dr. Paden's book of the same title.","Folder 2 of 3. Work for Dr. Paden's book of the same title.","Folder 3 of 3. Work for Dr. Paden's book of the same title.","Work for Dr. Paden's book of the same title.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Includes related correspondence, Dr. Paden's notes, programs, and papers.","Relationships between sects.","Nigeria working group notes and meetings.","Folder 1 of 5.","Folder 2 of 5.","Folder 3 of 5.","Folder 4 of 5.","Folder 5 of 5.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Folder 1 of 2. Research and course notes.","Folder 2 of 2. Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Folder 1 of 2.","Folder 2 of 2.","Kano related research, Ahmadu Bello University priorities.","\"'Us' and 'Them' : The International African Institute and the Current Crisis of Identity in African Studies.\"","Personal record book","Title IX: Foreign Assistance Act. Folder 1 of 2.","Title IX: Foreign Assistance Act. Folder 2 of 2.","Tuareg and Buzu Immigration into Kano","Folder 1 of 2.","Folder 2 of 2.","Papers from presentations.","Papers from presentations.","Papers from presentations.","Folder 1 of 3. Papers from presentations.","Folder 2 of 3. Papers from presentations.","Folder 3 of 3. Papers from presentations.","Selected Syllabi for Introductory, Interdisciplinary Courses on Africa.","Code sheets 501-600.","Folder 1 of 2.","Folder 2 of 2.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Contains written material and the handmade paper book cover which originally housed it.","Includes information on language and folklore.","Includes information on language and folklore.","Includes information on language and folklore.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Uses in planting, medicinally, and in folklore.","At Northwestern University.","A New Source for the Biography of Ahmad Baba Al-Tinbukti.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Folder 1 of 2.","Folder 2 of 2.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","At Northwestern University.","Personal record book and notes.","Folder 1 of 2.","Folder 1 of 2.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles.","Notes, reprints of scholarly work, journal articles.","Notes, reprints of scholarly work, journal articles.","Reprint for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Vocabulary of Schoolboy Slang in N. Nigeria, Qualification of Office, Review of Bello Book.","Sources and early field notes.","Factors Responsible for the Conflict between the Executive and Legislature in Kaduna State.","Folder 1 of 2.","Folder 2 of 2.","Includes article and personal correspondence from Jean Herskovitz, information on Nigerian economy.","Folder 1 of 7.","Folder 2 of 7.","Folder 3 of 7.","Folder 4 of 7.","Folder 5 of 7.","Folder 6 of 7.","Folder 7 of 7.","Includes articles on women's issues.","Includes information from the Northern Nigeria Marketing Board.","Includes information from the Northern Nigeria Marketing Board.","Includes information from the Northern Nigeria Marketing Board.","Newspaper clippings.","(7) marked on original folder.","Folder 1 of 6.","Folder 2 of 6.","Folder 3 of 6.","Folder 4 of 6.","Folder 5 of 6.","Folder 6 of 6.","Folder 1 of 6.","Folder 2 of 6.","Folder 3 of 6.","Folder 4 of 6.","Folder 5 of 6.","Folder 6 of 6.","Contains extensive materials related to African studies and a small amount of correspondence with Charles Stewart.","Folder also contains one sheet of 12 slides for use with the seminar.","Includes information on Ibrahim Niasse.","Includes information on Ibrahim Niasse.","Includes information on Ibrahim Niasse.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English.  Organized by subject and then chronologically.","Volume XXV, Numbers 2/3.","Volume 26, Numbers 3/4, Volume 27, Number 1.","Volume IX, Number 2, Volume XII, Number 1.","Volume XV, Numbers 1, 2.","Volume XV, Number 4, Volume XVI, Number 2.","Folder 1 of 2.","Folder 2 of 2.","The Carthaginian Voyage to West Africa in 500 B.C. together with Sultan Mohammed Bello's Account of the Origin of the Fulbe.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","MUST BE TOP BOX.","Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically.","Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Materials are organized by medium, then by subject, and then chronologically.","A: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 152  Side 1 / B: 7 ips, same, PL 152 Side 2","A: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 153  Side 1 / B: 7 ips, same [short], PL 153 Side 2.","Interior of paper insert reads: Garba Gwandu","Interior of paper insert reads: Kidan Kalangun Alh-Mamman Shata. 1 Wakar Sardauna (Sardauna Bahag), 2 Sardauna-Kakanka Dan Fodio 1965 Sardauna Ahmadu-April 18, 1973, 3 Sardauna (Sahago-Sardauna Ahmadu Gwauron Giwa 1977, 4 Sardauna Kakanka Dan Fodio 5/73, 5 Rubuttan Wakokin Hausa Na Mohd Sayyed Sokoto Ayyukan Sardauna, 6 Rubutattun Wakokin Hausa Na M. Ali Mai Pampo Zaria (Sardauna)","Interior of paper insert reads: Side A Kidan Kotson A-Musa Danwairo, 1 Taiaziyyar Sardauna (Yawuce rani), 2 Ya Buwayi Maza, 3 Ubangi Jiyy Jagaba Sardauna Dan Muhammad, 4 Hiyayye Jan Zaki Mazasukaya Maka Dole Maidamarar Yaki, Al. Amarinai Saishukura","Interior of paper insert reads: Kidan Taushin Marigay Awyu Dandano, 1 Wakar alh. Sir Ahmadu Bello Sardauna-Ahmadu Mairaro inda Allah, 2 Kidan Kotson Umaru mai Sa'a wakar Sir Ahmadu Bello, 3 Kidan Solon Haruna Solo Waka Ta'aziyyar Sardauna, 4 High Life-Jiririn Isa Wakar Sardauna, 5 Waken Addinin Musulunci (hausa) na M. Lawal Cediya Buyu Zaria-Musulumtar Da Mutane.","Interior of paper insert reads: kidan Kukuma na Alhaji Ibrahim na habu, 1 Maisaje dan Maisaje, 2 Kidan Kukumar ali dan Sarari wakar Sardauna","Interior of paper insert reads: Muhtari Isa 31 Ammanu Rd, Funtua","Interior of paper insert reads: Kidan Kotson Musa Dankuwa, 1 Ahmadu dan Ibrahim Hiyawe Janzaki Maza Sukaya Maka Dole, [no 2] Maza Tsorenka, 4 Alkalin Sokoto, 5 Mai Dubun Nasara, 6 Alhamdu Likkahi dai Yakai, 7 Mai damarar Yaki, side 2. Yawuce Raini simusulmi (Yaazo Haji) Ahmadu dan Ibrahim Baka Yada, Gudun Arnaba","Interior of paper insert reads: Kidan Taushin S/Taushin Katsina wako? Sardauna, 1 Sardauna Ula? Maza, 2 Ahmadu Kambu Gabas ova s/Fade, 3 Yumkura dan Altahim, 4 Jikam Shehu Bello Ahmadi etc.","Interior of paper insert reads: Kidan Taushin s/taushin Katsina, 1 Wakar Sardauna, 2 Kudan Kalangun Illonkano Gonar Bakura, 3 Kidan Sudan na Hamza kalaf Wakar Sardauna","kidan Taushin Salihu Jankiki, 1 Sassalar Sardauna-Ahmadu Kara Shirin D? and Gaskiya ?, 2 Sardauna Jikan Abubakar, 3 Sardauna Girmanka Yayi Babba Rika, 4 Sardauna Yafashe Fushinai shi Adda Duniya Gabadai, 5 Aikin Sardauna etc,","Photograph is marked on verso \"bought Kano Dec 1968.\" This photograph appears to be older than the others in this collection. It was curled when received. Some conservation work was done.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","All are from same envelope. Date noted is date of development as marked on prints.","General, 1 of 2.","General, 2 of 2.","British Lit 1-4; Arabic Manuscripts; Arabic #2 Bello ?; Arabic #3 Abdullahi Diya Al-Umma; AK Col (Hausa); AK education (1); AK cont'd military 1907 ?;Kano 1926-39 ?; 1931 conference; NN Colonial Reports #1-4; Diet-Ann; Nig Cit 1956; Abdullahi Imamship; Arabic documents; John Niger/Sokoto, John-Sheikhs, Kano Ol Mosue, Audu \u0026 Pidgeon, Kura, garden ? NEPU headquarters; Arabic documents copying for John Paden; seven unidentified. Agfa box marked \"for Mrs. Paden\" containing negatives; two loose rolls.","All rolled items are very tightly wound and fragile.","Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Reprinted from The Nigerian Citizen with the story added in Hausa","Map elements are now in separate pieces. All fragments were originally attached with unknown adhesive to a paper support which was edged with red tape.","These items are very fragile.","Newspapers which were folded in with the drawing provided the estimated date.","Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither. Also included are eight Qur'an (Koran) boards. Six have Arabic writing on them. One is undecorated. All realia are undated.","All are musty and smell of mildew.","There are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa.","George Mason University. Libraries. Special Collections \u0026 Archives","Paden, John N.","English"],"collection_title_tesim":["John N. Paden papers, 1938/2010"],"collection_ssim":["John N. Paden papers, 1938/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0194"],"unitid_tesim":["C0194"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Paden, John N."],"creator_ssim":["Paden, John N."],"creator_persname_ssim":["Paden, John N."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"creators_ssim":["Paden, John N.","George Mason University. Libraries. Special Collections \u0026 Archives"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by John N. Paden in 2011."],"access_subjects_ssim":["Africa--Photographs.","Africa--Slides.","International Relations.","Nigeria.","Sound recordings.","Negatives.","Photographs."],"access_subjects_ssm":["Africa--Photographs.","Africa--Slides.","International Relations.","Nigeria.","Sound recordings.","Negatives.","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["87.5 linear feet (133 boxes)"],"extent_tesim":["87.5 linear feet (133 boxes)"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1971-1998 (Boxes 1-4)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Research, 1950s-2010 (Boxes 4-85)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Maps, 1949-1980s (Box 104)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Oversize, 1949-1997 (110, 130, Map Case)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Realia, undated (Boxes 131-132)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Correspondence, 1971-1998 (Boxes 1-4)\n        Series 2: Research, 1950s-2010 (Boxes 4-85)\n        Series 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\n        Series 4: Maps, 1949-1980s (Box 104)\n        Series 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\n        Series 6: Oversize, 1949-1997 (110, 130, Map Case)\n        Series 7: Realia, undated (Boxes 131-132)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"McClain, Buzz, 'John Paden retires after 30 years as professor; leaves 4,000 books for Africa Studies library,' News at Mason, George Mason University, May 9, 2017.\" show=\"new\" href=\"https://www2.gmu.edu/news/424381\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003eDr. John N. Paden is a Clarence Robinson Professor Emeritus of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University. \n\u003c/p\u003e\n      ","\u003cp\u003e\nDr. Paden came to George Mason in 1987, and he taught comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China and served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).\n\u003c/p\u003e\n      ","\u003cp\u003e\nDr. Paden has also served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. He retired from George Mason University in May 2017.\n            \u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dr. John N. Paden is a Clarence Robinson Professor Emeritus of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University.","Dr. Paden came to George Mason in 1987, and he taught comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China and served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).","Dr. Paden has also served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. He retired from George Mason University in May 2017."],"prefercite_html_tesm":["\u003cp\u003eJohn N. Paden papers, C0194, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["John N. Paden papers, C0194, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the \u003cextptr type=\"simple\" title=\"John W. Burton papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/burton.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Henry O. Lampe papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/lampeh.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Max Harway papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/harway.html\"\u003e\u003c/extptr\u003e. Other collections containing photographs or slides of Nigeria include the \u003cextptr type=\"simple\" title=\"Kjell Sandved nature collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/sandved.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Oliver F. Atkins photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/atkins.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Edith McChesney Ker papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ker.html\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections and Archives also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the , the , and the . Other collections containing photographs or slides of Nigeria include the , the , and the ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps,  and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes;  Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 7: Realia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All realia is undated.\u003c/p\u003e\n    ","\u003cp\u003eIncludes various types of correspondence relating to book reviews, publications, research projects, travel arrangements, letters of recommendation, and some few personal matters. Organized alphabetically by subject and then chronologically.\u003c/p\u003e\n        ","\u003cp\u003eChairing the panel on ethnicity.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes letters of recommendation.\n\u003c/p\u003e\n          ","\u003cp\u003eRegarding admissions to Northwestern.\n\u003c/p\u003e\n          ","\u003cp\u003eLetter of appointment as Dean of Social Sciences at Ahmadu Bello University.\n\u003c/p\u003e\n          ","\u003cp\u003eIdentity in Africa program.\n\u003c/p\u003e\n          ","\u003cp\u003eCourse development.\n\u003c/p\u003e\n          ","\u003cp\u003eLetter of recommendation and supporting material.\n\u003c/p\u003e\n          ","\u003cp\u003eSeeking replacement teacher at Northwestern.\n\u003c/p\u003e\n          ","\u003cp\u003eNational Endowment for the Humanities.\n\u003c/p\u003e\n          ","\u003cp\u003eRelates to Maguire's political campaign.\n\u003c/p\u003e\n          ","\u003cp\u003eAfro-Asian World in Transition.\n\u003c/p\u003e\n          ","\u003cp\u003eAAI Program. \n\u003c/p\u003e\n          ","\u003cp\u003eIncludes extensive exchanges with University of California Press.\n\u003c/p\u003e\n          ","\u003cp\u003eStrife at the university.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003ePublished papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by type, subject, and then chronologically. \u003c/p\u003e\n        ","\u003cp\u003eFolder 1 of 4. Identified by Dr. Paden. Interior identifies contents of folder as \"Book vol II / Elite analysis / draft.\"\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 5-10, 12.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 15-19.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 4 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 21-23, 26.\n\u003c/p\u003e\n          ","\u003cp\u003e\"Modernization, Stability, and National Integration in Africa\" by John N. Paden.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 3. Meeting of the American Political Science Association in Los Angeles. \n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 3. Meeting of the American Political Science Association in Los Angeles. \n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 3. Meeting of the American Political Science Association in Los Angeles. \n\u003c/p\u003e\n          ","\u003cp\u003ePublished in 1973 by the Institute of International Studies, University of South Carolina.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes on possible career paths for African Studies students.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 3. African Studies Association meeting. Includes correspondence and related materials. \n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 3. African Studies Association meeting. Includes correspondence and related materials. \n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 3. African Studies Association meeting. Includes correspondence and related materials. \n\u003c/p\u003e\n          ","\u003cp\u003eIncludes contact information.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes printed literature and book lists.\n\u003c/p\u003e\n          ","\u003cp\u003eThirteenth annual meeting.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2. Copies of multiple papers for presentation in Sokoto.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2. Copies of multiple papers for presentation in Sokoto.\n\u003c/p\u003e\n          ","\u003cp\u003e\"The Conflict between National and Supra-National Loyalties in the Political Thought of French-Speaking West Africa,\" by John N. Paden for GOVT 295: Nationalism\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eJames E. Adler v. The Federal Republic of Nigeria.\n\u003c/p\u003e\n          ","\u003cp\u003eOriginal field notes from 1960s trip to Nigeria. See also note cards in Boxes 80-83.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eBibliographic references. \n\u003c/p\u003e\n          ","\u003cp\u003ePresentation papers.\n\u003c/p\u003e\n          ","\u003cp\u003eLos Angeles.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eFinal draft. A long range plan defining alternative strategies for the development of the Sahel-Sudan Zones. Massachusetts Institute of Technology, Center for Policy Alternatives.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2. Institute for Agricultural Research, Ahmadu Bello University.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2. Institute for Agricultural Research, Ahmadu Bello University.\n\u003c/p\u003e\n          ","\u003cp\u003eContains article by John N. Paden, \"Kano Hausa Poetry: Reply.\"\n\u003c/p\u003e\n          ","\u003cp\u003eRegulations governing the conditions of appointment of senior staff of Ahmadu Bello University.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eImposition of Native Administration and the Evolution of Chieftancy among the Tiv.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 4 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eA Sociocultural View of Hausa Musical Activity.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 6. Written charms, drinking ink, folk remedies.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 6. Written charms, drinking ink, folk remedies.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 6. Written charms, drinking ink, folk remedies.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 4 of 6. Written charms, drinking ink, folk remedies.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 5 of 6. Written charms, drinking ink, folk remedies.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 6 of 6. Written charms, drinking ink, folk remedies.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 4 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 4. \n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 4 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eHouston, TX. Includes list of confirmed attendees.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes on marriage and relationships.\n\u003c/p\u003e\n          ","\u003cp\u003eObstacles to Private Sector Activities in Africa\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eProspectus, telephone directory.\n\u003c/p\u003e\n          ","\u003cp\u003eNews articles and scholarly work.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch for Dr. Paden's book of the same title\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2. Research for Dr. Paden's book of the same title.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2. Research for Dr. Paden's book of the same title.\n\u003c/p\u003e\n          ","\u003cp\u003eWork for Dr. Paden's book of the same title.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 3. Work for Dr. Paden's book of the same title.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 3. Work for Dr. Paden's book of the same title.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 3. Work for Dr. Paden's book of the same title.\n\u003c/p\u003e\n          ","\u003cp\u003eWork for Dr. Paden's book of the same title.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes related correspondence, Dr. Paden's notes, programs, and papers.\n\u003c/p\u003e\n          ","\u003cp\u003eRelationships between sects.\n\u003c/p\u003e\n          ","\u003cp\u003eNigeria working group notes and meetings.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 5.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 5.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 5.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 4 of 5.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 5 of 5.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2. Research and course notes. \n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2. Research and course notes. \n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eResearch and course notes.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eKano related research, Ahmadu Bello University priorities.\n\u003c/p\u003e\n          ","\u003cp\u003e\"'Us' and 'Them' : The International African Institute and the Current Crisis of Identity in African Studies.\"\n\u003c/p\u003e\n          ","\u003cp\u003ePersonal record book\n\u003c/p\u003e\n          ","\u003cp\u003eTitle IX: Foreign Assistance Act. Folder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eTitle IX: Foreign Assistance Act. Folder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eTuareg and Buzu Immigration into Kano\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003ePapers from presentations.\n\u003c/p\u003e\n          ","\u003cp\u003ePapers from presentations.\n\u003c/p\u003e\n          ","\u003cp\u003ePapers from presentations.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 3. Papers from presentations.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 3. Papers from presentations.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 3. Papers from presentations.\n\u003c/p\u003e\n          ","\u003cp\u003eSelected Syllabi for Introductory, Interdisciplinary Courses on Africa.  \n\u003c/p\u003e\n          ","\u003cp\u003eCode sheets 501-600.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eDr. Paden's student work.\n\u003c/p\u003e\n          ","\u003cp\u003eDr. Paden's student work.\n\u003c/p\u003e\n          ","\u003cp\u003eDr. Paden's student work.\n\u003c/p\u003e\n          ","\u003cp\u003eDr. Paden's student work.\n\u003c/p\u003e\n          ","\u003cp\u003eDr. Paden's student work.\n\u003c/p\u003e\n          ","\u003cp\u003eDr. Paden's student work.\n\u003c/p\u003e\n          ","\u003cp\u003eDr. Paden's student work.\n\u003c/p\u003e\n          ","\u003cp\u003eDr. Paden's student work.\n\u003c/p\u003e\n          ","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes information on language and folklore.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes information on language and folklore.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes information on language and folklore.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes handwritten notes.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes handwritten notes.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes handwritten notes.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes handwritten notes.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes handwritten notes.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes handwritten notes.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes handwritten notes.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes handwritten notes.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 4 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eReprinted articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eReprinted articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eUses in planting, medicinally, and in folklore.\n\u003c/p\u003e\n          ","\u003cp\u003eAt Northwestern University.\n\u003c/p\u003e\n          ","\u003cp\u003eA New Source for the Biography of Ahmad Baba Al-Tinbukti.\n\u003c/p\u003e\n          ","\u003cp\u003eMaterial relating to African Studies and associated meetings.\n\u003c/p\u003e\n          ","\u003cp\u003eMaterial relating to African Studies and associated meetings.\n\u003c/p\u003e\n          ","\u003cp\u003eMaterial relating to African Studies and associated meetings.\n\u003c/p\u003e\n          ","\u003cp\u003eMaterial relating to African Studies and associated meetings.\n\u003c/p\u003e\n          ","\u003cp\u003eMaterial relating to African Studies and associated meetings.\n\u003c/p\u003e\n          ","\u003cp\u003eMaterial relating to African Studies and associated meetings.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eReprinted articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eReprinted articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eReprinted articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eReprinted articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eReprinted articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eReprinted articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eAt Northwestern University.\n\u003c/p\u003e\n          ","\u003cp\u003ePersonal record book and notes.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes, reprints of scholarly work, journal articles.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes, reprints of scholarly work, journal articles.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes, reprints of scholarly work, journal articles.\n\u003c/p\u003e\n          ","\u003cp\u003eReprint for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 3.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\n\u003c/p\u003e\n          ","\u003cp\u003eVocabulary of Schoolboy Slang in N. Nigeria, Qualification of Office, Review of Bello Book.\n\u003c/p\u003e\n          ","\u003cp\u003eSources and early field notes.\n\u003c/p\u003e\n          ","\u003cp\u003eFactors Responsible for the Conflict between the Executive and Legislature in Kaduna State.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes article and personal correspondence from Jean Herskovitz, information on Nigerian economy.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 7.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 7.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 7.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 4 of 7.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 5 of 7.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 6 of 7.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 7 of 7.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes articles on women's issues.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes information from the Northern Nigeria Marketing Board.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes information from the Northern Nigeria Marketing Board.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes information from the Northern Nigeria Marketing Board.\n\u003c/p\u003e\n          ","\u003cp\u003eNewspaper clippings.\n\u003c/p\u003e\n          ","\u003cp\u003e(7) marked on original folder.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 4 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 5 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 6 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003e\nFolder 1 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 4 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 5 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 6 of 6.\n\u003c/p\u003e\n          ","\u003cp\u003eContains extensive materials related to African studies and a small amount of correspondence with Charles Stewart.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder also contains one sheet of 12 slides for use with the seminar.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes information on Ibrahim Niasse.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes information on Ibrahim Niasse.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes information on Ibrahim Niasse.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English.  Organized by subject and then chronologically.\u003c/p\u003e\n        ","\u003cp\u003eVolume XXV, Numbers 2/3.\n\u003c/p\u003e\n          ","\u003cp\u003eVolume 26, Numbers 3/4, Volume 27, Number 1. \n\u003c/p\u003e\n          ","\u003cp\u003eVolume IX, Number 2, Volume XII, Number 1.\n\u003c/p\u003e\n          ","\u003cp\u003eVolume XV, Numbers 1, 2.\n\u003c/p\u003e\n          ","\u003cp\u003eVolume XV, Number 4, Volume XVI, Number 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eThe Carthaginian Voyage to West Africa in 500 B.C. together with Sultan Mohammed Bello's Account of the Origin of the Fulbe.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eMUST BE TOP BOX.\n\u003c/p\u003e\n          ","\u003cp\u003eIncludes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. \u003c/p\u003e\n        ","\u003cp\u003eReel to reel audio tapes, audio cassette tapes, photographs, negatives. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e\n        ","\u003cp\u003eA: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 152  Side 1 / B: 7 ips, same, PL 152 Side 2\n\u003c/p\u003e\n          ","\u003cp\u003eA: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 153  Side 1 / B: 7 ips, same [short], PL 153 Side 2.\n\u003c/p\u003e\n          ","\u003cp\u003eInterior of paper insert reads: Garba Gwandu\n\u003c/p\u003e\n          ","\u003cp\u003eInterior of paper insert reads: Kidan Kalangun Alh-Mamman Shata. 1 Wakar Sardauna (Sardauna Bahag), 2 Sardauna-Kakanka Dan Fodio 1965 Sardauna Ahmadu-April 18, 1973, 3 Sardauna (Sahago-Sardauna Ahmadu Gwauron Giwa 1977, 4 Sardauna Kakanka Dan Fodio 5/73, 5 Rubuttan Wakokin Hausa Na Mohd Sayyed Sokoto Ayyukan Sardauna, 6 Rubutattun Wakokin Hausa Na M. Ali Mai Pampo Zaria (Sardauna)\n\u003c/p\u003e\n          ","\u003cp\u003eInterior of paper insert reads: Side A Kidan Kotson A-Musa Danwairo, 1 Taiaziyyar Sardauna (Yawuce rani), 2 Ya Buwayi Maza, 3 Ubangi Jiyy Jagaba Sardauna Dan Muhammad, 4 Hiyayye Jan Zaki Mazasukaya Maka Dole Maidamarar Yaki, Al. Amarinai Saishukura\n\u003c/p\u003e\n          ","\u003cp\u003eInterior of paper insert reads: Kidan Taushin Marigay Awyu Dandano, 1 Wakar alh. Sir Ahmadu Bello Sardauna-Ahmadu Mairaro inda Allah, 2 Kidan Kotson Umaru mai Sa'a wakar Sir Ahmadu Bello, 3 Kidan Solon Haruna Solo Waka Ta'aziyyar Sardauna, 4 High Life-Jiririn Isa Wakar Sardauna, 5 Waken Addinin Musulunci (hausa) na M. Lawal Cediya Buyu Zaria-Musulumtar Da Mutane.\n\u003c/p\u003e\n          ","\u003cp\u003eInterior of paper insert reads: kidan Kukuma na Alhaji Ibrahim na habu, 1 Maisaje dan Maisaje, 2 Kidan Kukumar ali dan Sarari wakar Sardauna\n\u003c/p\u003e\n          ","\u003cp\u003eInterior of paper insert reads: Muhtari Isa 31 Ammanu Rd, Funtua\n\u003c/p\u003e\n          ","\u003cp\u003eInterior of paper insert reads: Kidan Kotson Musa Dankuwa, 1 Ahmadu dan Ibrahim Hiyawe Janzaki Maza Sukaya Maka Dole, [no 2] Maza Tsorenka, 4 Alkalin Sokoto, 5 Mai Dubun Nasara, 6 Alhamdu Likkahi dai Yakai, 7 Mai damarar Yaki, side 2. Yawuce Raini simusulmi (Yaazo Haji) Ahmadu dan Ibrahim Baka Yada, Gudun Arnaba \n\u003c/p\u003e\n          ","\u003cp\u003eInterior of paper insert reads: Kidan Taushin S/Taushin Katsina wako? Sardauna, 1 Sardauna Ula? Maza, 2 Ahmadu Kambu Gabas ova s/Fade, 3 Yumkura dan Altahim, 4 Jikam Shehu Bello Ahmadi etc.\n\u003c/p\u003e\n          ","\u003cp\u003eInterior of paper insert reads: Kidan Taushin s/taushin Katsina, 1 Wakar Sardauna, 2 Kudan Kalangun Illonkano Gonar Bakura, 3 Kidan Sudan na Hamza kalaf Wakar Sardauna\n\u003c/p\u003e\n          ","\u003cp\u003ekidan Taushin Salihu Jankiki, 1 Sassalar Sardauna-Ahmadu Kara Shirin D? and Gaskiya ?, 2 Sardauna Jikan Abubakar, 3 Sardauna Girmanka Yayi Babba Rika, 4 Sardauna Yafashe Fushinai shi Adda Duniya Gabadai, 5 Aikin Sardauna etc, \n\u003c/p\u003e\n          ","\u003cp\u003ePhotograph is marked on verso \"bought Kano Dec 1968.\" This photograph appears to be older than the others in this collection. It was curled when received. Some conservation work was done.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 1 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 2 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 3 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eFolder 4 of 4.\n\u003c/p\u003e\n          ","\u003cp\u003eAll are from same envelope. Date noted is date of development as marked on prints.\n\u003c/p\u003e\n          ","\u003cp\u003eGeneral, 1 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eGeneral, 2 of 2.\n\u003c/p\u003e\n          ","\u003cp\u003eBritish Lit 1-4; Arabic Manuscripts; Arabic #2 Bello ?; Arabic #3 Abdullahi Diya Al-Umma; AK Col (Hausa); AK education (1); AK cont'd military 1907 ?;Kano 1926-39 ?; 1931 conference; NN Colonial Reports #1-4; Diet-Ann; Nig Cit 1956; Abdullahi Imamship; Arabic documents; John Niger/Sokoto, John-Sheikhs, Kano Ol Mosue, Audu \u0026amp; Pidgeon, Kura, garden ? NEPU headquarters; Arabic documents copying for John Paden; seven unidentified. Agfa box marked \"for Mrs. Paden\" containing negatives; two loose rolls.\n\u003c/p\u003e\n            ","\u003cp\u003eAll rolled items are very tightly wound and fragile.\u003c/p\u003e\n          ","\u003cp\u003eMaps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e\n        ","\u003cp\u003eReprinted from The Nigerian Citizen with the story added in Hausa\n\u003c/p\u003e\n          ","\u003cp\u003eMap elements are now in separate pieces. All fragments were originally attached with unknown adhesive to a paper support which was edged with red tape.\n\u003c/p\u003e\n          ","\u003cp\u003eThese items are very fragile.  \n\u003c/p\u003e\n          ","\u003cp\u003eNewspapers which were folded in with the drawing provided the estimated date. \n\u003c/p\u003e\n          ","\u003cp\u003eIncludes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither. Also included are eight Qur'an (Koran) boards. Six have Arabic writing on them. One is undecorated. All realia are undated.\u003c/p\u003e\n        ","\u003cp\u003eAll are musty and smell of mildew.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.","Series 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.","Series 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps,  and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.","Series 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.","Series 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.","Series 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes;  Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.","Series 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Series 7: Realia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All realia is undated.","Includes various types of correspondence relating to book reviews, publications, research projects, travel arrangements, letters of recommendation, and some few personal matters. Organized alphabetically by subject and then chronologically.","Chairing the panel on ethnicity.","Includes letters of recommendation.","Regarding admissions to Northwestern.","Letter of appointment as Dean of Social Sciences at Ahmadu Bello University.","Identity in Africa program.","Course development.","Letter of recommendation and supporting material.","Seeking replacement teacher at Northwestern.","National Endowment for the Humanities.","Relates to Maguire's political campaign.","Afro-Asian World in Transition.","AAI Program.","Includes extensive exchanges with University of California Press.","Strife at the university.","Folder 1 of 2.","Folder 2 of 2.","Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by type, subject, and then chronologically.","Folder 1 of 4. Identified by Dr. Paden. Interior identifies contents of folder as \"Book vol II / Elite analysis / draft.\"","Folder 2 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 5-10, 12.","Folder 3 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 15-19.","Folder 4 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 21-23, 26.","\"Modernization, Stability, and National Integration in Africa\" by John N. Paden.","Folder 1 of 3. Meeting of the American Political Science Association in Los Angeles.","Folder 2 of 3. Meeting of the American Political Science Association in Los Angeles.","Folder 3 of 3. Meeting of the American Political Science Association in Los Angeles.","Published in 1973 by the Institute of International Studies, University of South Carolina.","Notes on possible career paths for African Studies students.","Folder 1 of 3. African Studies Association meeting. Includes correspondence and related materials.","Folder 2 of 3. African Studies Association meeting. Includes correspondence and related materials.","Folder 3 of 3. African Studies Association meeting. Includes correspondence and related materials.","Includes contact information.","Includes printed literature and book lists.","Thirteenth annual meeting.","Folder 1 of 2. Copies of multiple papers for presentation in Sokoto.","Folder 2 of 2. Copies of multiple papers for presentation in Sokoto.","\"The Conflict between National and Supra-National Loyalties in the Political Thought of French-Speaking West Africa,\" by John N. Paden for GOVT 295: Nationalism","Folder 1 of 2.","Folder 2 of 2.","James E. Adler v. The Federal Republic of Nigeria.","Original field notes from 1960s trip to Nigeria. See also note cards in Boxes 80-83.","Folder 1 of 2.","Folder 2 of 2.","Bibliographic references.","Presentation papers.","Los Angeles.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Final draft. A long range plan defining alternative strategies for the development of the Sahel-Sudan Zones. Massachusetts Institute of Technology, Center for Policy Alternatives.","Folder 1 of 2. Institute for Agricultural Research, Ahmadu Bello University.","Folder 2 of 2. Institute for Agricultural Research, Ahmadu Bello University.","Contains article by John N. Paden, \"Kano Hausa Poetry: Reply.\"","Regulations governing the conditions of appointment of senior staff of Ahmadu Bello University.","Folder 1 of 2.","Folder 2 of 2.","Imposition of Native Administration and the Evolution of Chieftancy among the Tiv.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","A Sociocultural View of Hausa Musical Activity.","Folder 1 of 6. Written charms, drinking ink, folk remedies.","Folder 2 of 6. Written charms, drinking ink, folk remedies.","Folder 3 of 6. Written charms, drinking ink, folk remedies.","Folder 4 of 6. Written charms, drinking ink, folk remedies.","Folder 5 of 6. Written charms, drinking ink, folk remedies.","Folder 6 of 6. Written charms, drinking ink, folk remedies.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Houston, TX. Includes list of confirmed attendees.","Notes on marriage and relationships.","Obstacles to Private Sector Activities in Africa","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Prospectus, telephone directory.","News articles and scholarly work.","Research for Dr. Paden's book of the same title","Folder 1 of 2. Research for Dr. Paden's book of the same title.","Folder 2 of 2. Research for Dr. Paden's book of the same title.","Work for Dr. Paden's book of the same title.","Folder 1 of 3. Work for Dr. Paden's book of the same title.","Folder 2 of 3. Work for Dr. Paden's book of the same title.","Folder 3 of 3. Work for Dr. Paden's book of the same title.","Work for Dr. Paden's book of the same title.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Includes related correspondence, Dr. Paden's notes, programs, and papers.","Relationships between sects.","Nigeria working group notes and meetings.","Folder 1 of 5.","Folder 2 of 5.","Folder 3 of 5.","Folder 4 of 5.","Folder 5 of 5.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Folder 1 of 2. Research and course notes.","Folder 2 of 2. Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Folder 1 of 2.","Folder 2 of 2.","Kano related research, Ahmadu Bello University priorities.","\"'Us' and 'Them' : The International African Institute and the Current Crisis of Identity in African Studies.\"","Personal record book","Title IX: Foreign Assistance Act. Folder 1 of 2.","Title IX: Foreign Assistance Act. Folder 2 of 2.","Tuareg and Buzu Immigration into Kano","Folder 1 of 2.","Folder 2 of 2.","Papers from presentations.","Papers from presentations.","Papers from presentations.","Folder 1 of 3. Papers from presentations.","Folder 2 of 3. Papers from presentations.","Folder 3 of 3. Papers from presentations.","Selected Syllabi for Introductory, Interdisciplinary Courses on Africa.","Code sheets 501-600.","Folder 1 of 2.","Folder 2 of 2.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Contains written material and the handmade paper book cover which originally housed it.","Includes information on language and folklore.","Includes information on language and folklore.","Includes information on language and folklore.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Uses in planting, medicinally, and in folklore.","At Northwestern University.","A New Source for the Biography of Ahmad Baba Al-Tinbukti.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Folder 1 of 2.","Folder 2 of 2.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","At Northwestern University.","Personal record book and notes.","Folder 1 of 2.","Folder 1 of 2.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles.","Notes, reprints of scholarly work, journal articles.","Notes, reprints of scholarly work, journal articles.","Reprint for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Vocabulary of Schoolboy Slang in N. Nigeria, Qualification of Office, Review of Bello Book.","Sources and early field notes.","Factors Responsible for the Conflict between the Executive and Legislature in Kaduna State.","Folder 1 of 2.","Folder 2 of 2.","Includes article and personal correspondence from Jean Herskovitz, information on Nigerian economy.","Folder 1 of 7.","Folder 2 of 7.","Folder 3 of 7.","Folder 4 of 7.","Folder 5 of 7.","Folder 6 of 7.","Folder 7 of 7.","Includes articles on women's issues.","Includes information from the Northern Nigeria Marketing Board.","Includes information from the Northern Nigeria Marketing Board.","Includes information from the Northern Nigeria Marketing Board.","Newspaper clippings.","(7) marked on original folder.","Folder 1 of 6.","Folder 2 of 6.","Folder 3 of 6.","Folder 4 of 6.","Folder 5 of 6.","Folder 6 of 6.","Folder 1 of 6.","Folder 2 of 6.","Folder 3 of 6.","Folder 4 of 6.","Folder 5 of 6.","Folder 6 of 6.","Contains extensive materials related to African studies and a small amount of correspondence with Charles Stewart.","Folder also contains one sheet of 12 slides for use with the seminar.","Includes information on Ibrahim Niasse.","Includes information on Ibrahim Niasse.","Includes information on Ibrahim Niasse.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English.  Organized by subject and then chronologically.","Volume XXV, Numbers 2/3.","Volume 26, Numbers 3/4, Volume 27, Number 1.","Volume IX, Number 2, Volume XII, Number 1.","Volume XV, Numbers 1, 2.","Volume XV, Number 4, Volume XVI, Number 2.","Folder 1 of 2.","Folder 2 of 2.","The Carthaginian Voyage to West Africa in 500 B.C. together with Sultan Mohammed Bello's Account of the Origin of the Fulbe.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","MUST BE TOP BOX.","Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically.","Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Materials are organized by medium, then by subject, and then chronologically.","A: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 152  Side 1 / B: 7 ips, same, PL 152 Side 2","A: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 153  Side 1 / B: 7 ips, same [short], PL 153 Side 2.","Interior of paper insert reads: Garba Gwandu","Interior of paper insert reads: Kidan Kalangun Alh-Mamman Shata. 1 Wakar Sardauna (Sardauna Bahag), 2 Sardauna-Kakanka Dan Fodio 1965 Sardauna Ahmadu-April 18, 1973, 3 Sardauna (Sahago-Sardauna Ahmadu Gwauron Giwa 1977, 4 Sardauna Kakanka Dan Fodio 5/73, 5 Rubuttan Wakokin Hausa Na Mohd Sayyed Sokoto Ayyukan Sardauna, 6 Rubutattun Wakokin Hausa Na M. Ali Mai Pampo Zaria (Sardauna)","Interior of paper insert reads: Side A Kidan Kotson A-Musa Danwairo, 1 Taiaziyyar Sardauna (Yawuce rani), 2 Ya Buwayi Maza, 3 Ubangi Jiyy Jagaba Sardauna Dan Muhammad, 4 Hiyayye Jan Zaki Mazasukaya Maka Dole Maidamarar Yaki, Al. Amarinai Saishukura","Interior of paper insert reads: Kidan Taushin Marigay Awyu Dandano, 1 Wakar alh. Sir Ahmadu Bello Sardauna-Ahmadu Mairaro inda Allah, 2 Kidan Kotson Umaru mai Sa'a wakar Sir Ahmadu Bello, 3 Kidan Solon Haruna Solo Waka Ta'aziyyar Sardauna, 4 High Life-Jiririn Isa Wakar Sardauna, 5 Waken Addinin Musulunci (hausa) na M. Lawal Cediya Buyu Zaria-Musulumtar Da Mutane.","Interior of paper insert reads: kidan Kukuma na Alhaji Ibrahim na habu, 1 Maisaje dan Maisaje, 2 Kidan Kukumar ali dan Sarari wakar Sardauna","Interior of paper insert reads: Muhtari Isa 31 Ammanu Rd, Funtua","Interior of paper insert reads: Kidan Kotson Musa Dankuwa, 1 Ahmadu dan Ibrahim Hiyawe Janzaki Maza Sukaya Maka Dole, [no 2] Maza Tsorenka, 4 Alkalin Sokoto, 5 Mai Dubun Nasara, 6 Alhamdu Likkahi dai Yakai, 7 Mai damarar Yaki, side 2. Yawuce Raini simusulmi (Yaazo Haji) Ahmadu dan Ibrahim Baka Yada, Gudun Arnaba","Interior of paper insert reads: Kidan Taushin S/Taushin Katsina wako? Sardauna, 1 Sardauna Ula? Maza, 2 Ahmadu Kambu Gabas ova s/Fade, 3 Yumkura dan Altahim, 4 Jikam Shehu Bello Ahmadi etc.","Interior of paper insert reads: Kidan Taushin s/taushin Katsina, 1 Wakar Sardauna, 2 Kudan Kalangun Illonkano Gonar Bakura, 3 Kidan Sudan na Hamza kalaf Wakar Sardauna","kidan Taushin Salihu Jankiki, 1 Sassalar Sardauna-Ahmadu Kara Shirin D? and Gaskiya ?, 2 Sardauna Jikan Abubakar, 3 Sardauna Girmanka Yayi Babba Rika, 4 Sardauna Yafashe Fushinai shi Adda Duniya Gabadai, 5 Aikin Sardauna etc,","Photograph is marked on verso \"bought Kano Dec 1968.\" This photograph appears to be older than the others in this collection. It was curled when received. Some conservation work was done.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","All are from same envelope. Date noted is date of development as marked on prints.","General, 1 of 2.","General, 2 of 2.","British Lit 1-4; Arabic Manuscripts; Arabic #2 Bello ?; Arabic #3 Abdullahi Diya Al-Umma; AK Col (Hausa); AK education (1); AK cont'd military 1907 ?;Kano 1926-39 ?; 1931 conference; NN Colonial Reports #1-4; Diet-Ann; Nig Cit 1956; Abdullahi Imamship; Arabic documents; John Niger/Sokoto, John-Sheikhs, Kano Ol Mosue, Audu \u0026 Pidgeon, Kura, garden ? NEPU headquarters; Arabic documents copying for John Paden; seven unidentified. Agfa box marked \"for Mrs. Paden\" containing negatives; two loose rolls.","All rolled items are very tightly wound and fragile.","Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Reprinted from The Nigerian Citizen with the story added in Hausa","Map elements are now in separate pieces. All fragments were originally attached with unknown adhesive to a paper support which was edged with red tape.","These items are very fragile.","Newspapers which were folded in with the drawing provided the estimated date.","Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither. Also included are eight Qur'an (Koran) boards. Six have Arabic writing on them. One is undecorated. All realia are undated.","All are musty and smell of mildew."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the John N. Paden papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref4\" label=\"Abstract\"\u003eThe collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa.\u003c/abstract\u003e\n      "],"abstract_tesim":["The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Paden, John N."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Paden, John N."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1043,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:39.323Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_paden_c01_c66"}},{"id":"vifgm_repositories_2_resources_374_c01_c66","type":"File","attributes":{"title":"Zahradeen/Adams, 1973/1974","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_374_c01_c66#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_374_c01_c66","ref_ssm":["vifgm_repositories_2_resources_374_c01_c66"],"id":"vifgm_repositories_2_resources_374_c01_c66","ead_ssi":"vifgm_repositories_2_resources_374","_root_":"vifgm_repositories_2_resources_374","_nest_parent_":"vifgm_repositories_2_resources_374_c01","parent_ssi":"vifgm_repositories_2_resources_374_c01","parent_ssim":["John N. Paden papers, 1938/2010","Series 1: Correspondence, 1960/2005"],"parent_ids_ssim":["vifgm_repositories_2_resources_374","vifgm_repositories_2_resources_374_c01"],"title_filing_ssi":"Zahradeen/Adams","title_ssm":["Zahradeen/Adams"],"title_tesim":["Zahradeen/Adams"],"normalized_title_ssm":["Zahradeen/Adams, 1973/1974"],"text":["Zahradeen/Adams, 1973/1974","John N. Paden papers, 1938/2010","Series 1: Correspondence, 1960/2005","box 4","folder 6"],"parent_unittitles_ssm":["John N. Paden papers, 1938/2010","Series 1: Correspondence, 1960/2005"],"parent_unittitles_tesim":["John N. Paden papers, 1938/2010","Series 1: Correspondence, 1960/2005"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":67,"repository_ssim":["George Mason University"],"collection_ssim":["John N. Paden papers, 1938/2010"],"containers_ssim":["box 4","folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973,1974],"_nest_path_":"/components#0/components#65","timestamp":"2026-06-23T06:54:20.896Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_374","ead_ssi":"vifgm_repositories_2_resources_374","_root_":"vifgm_repositories_2_resources_374","_nest_parent_":"vifgm_repositories_2_resources_374","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_374.xml","title_ssm":["John N. Paden papers"],"title_tesim":["John N. Paden papers"],"unitdate_ssm":["1938 - 2010"],"unitdate_inclusive_ssm":["1938 - 2010"],"normalized_date_ssm":["1938/2010"],"normalized_title_ssm":["John N. Paden papers, 1938/2010"],"text":["John N. Paden papers, 1938/2010","C0194","/repositories/2/resources/374","Africa","Nigeria","International relations","Photography -- Negatives","Photographs","Sound recordings","Correspondence","Slides","There are no access restrictions.","Series\n      Series 1: Correspondence, 1971-1998 (Boxes 1-4)\n      Series 2: Research, 1950s-2010 (Boxes 4-85)\n      Series 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\n      Series 4: Maps, 1949-1980s (Box 104)\n      Series 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\n      Series 6: Oversize, 1949-1997 (110, 130, Map Case)\n      Series 7: Realia, undated (Boxes 131-132)","Dr. John N. Paden is a Clarence Robinson Professor of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University.","A professor at Mason for 25 years, Dr. Paden currently teaches comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China for the past 25 years, and has served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).","Since 2002, Dr. Paden has served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. His most recent book, Post-election Conflict Management in Nigeria: The Challenge of National Unity, was published in 2012 by the George Mason University School of Conflict Analysis and Resolution.","Processed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014. Finding aid updated by Amanda Menjivar in March 2023.","This collection has additional unprocessed accessions 2018.009, 2018.028, 2018.036, 2018.043, 2019.037, 2022.034-C, 2023.014-C, 2023.027-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information.","The Special Collections Research Center also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the , the , and the . Other collections containing photographs or slides of Nigeria include the , the , and the .","The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.","Series 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.","Series 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps, and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.","Series 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.","Series 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.","Series 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes; Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.","Series 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Series 7: Regalia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All regalia is undated.","Includes various types of correspondence relating to book reviews, publications, research projects, travel arrangements, letters of recommendation, and some few personal matters. Organized alphabetically by subject and then chronologically.","Chairing the panel on ethnicity.","Includes letters of recommendation.","Regarding admissions to Northwestern.","Letter of appointment as Dean of Social Sciences at Ahmadu Bello University.","Identity in Africa program.","Course development.","Letter of recommendation and supporting material.","Seeking replacement teacher at Northwestern.","National Endowment for the Humanities.","Relates to Maguire's political campaign.","Afro-Asian World in Transition.","Includes extensive exchanges with University of California Press.","Strife at the university.","Folder 1 of 2.","Folder 2 of 2.","Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by type, subject, and then chronologically.","Folder 1 of 4. Identified by Dr. Paden. Interior identifies contents of folder as \"Book vol II / Elite analysis / draft.\"","Folder 2 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 5-10, 12.","Folder 3 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 15-19.","Folder 4 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 21-23, 26.","\"Modernization, Stability, and National Integration in Africa\" by John N. Paden.","Folder 1 of 3. Meeting of the American Political Science Association in Los Angeles.","Folder 2 of 3. Meeting of the American Political Science Association in Los Angeles.","Folder 3 of 3. Meeting of the American Political Science Association in Los Angeles.","Published in 1973 by the Institute of International Studies, University of South Carolina.","Notes on possible career paths for African Studies students.","African Studies Association meeting. Includes correspondence and related materials. Folder 1 of 3.","African Studies Association meeting. Includes correspondence and related materials. Folder 2 of 3.","African Studies Association meeting. Includes correspondence and related materials. Folder 3 of 3.","Folder 1 of 2. Copies of multiple papers for presentation in Sokoto.","Folder 2 of 2. Copies of multiple papers for presentation in Sokoto.","\"The Conflict between National and Supra-National Loyalties in the Political Thought of French-Speaking West Africa,\" by John N. Paden for GOVT 295: Nationalism","Folder 1 of 2.","Folder 2 of 2.","James E. Adler v. The Federal Republic of Nigeria.","Original field notes from 1960s trip to Nigeria. See also note cards in Boxes 80-83.","Folder 1 of 2.","Folder 2 of 2.","Bibliographic references.","Presentation papers.","Los Angeles.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Final draft. A long range plan defining alternative strategies for the development of the Sahel-Sudan Zones. Massachusetts Institute of Technology, Center for Policy Alternatives.","Folder 1 of 2. Institute for Agricultural Research, Ahmadu Bello University.","Folder 2 of 2. Institute for Agricultural Research, Ahmadu Bello University.","Contains article by John N. Paden, \"Kano Hausa Poetry: Reply.\"","Regulations governing the conditions of appointment of senior staff of Ahmadu Bello University.","Folder 1 of 2.","Folder 2 of 2.","Imposition of Native Administration and the Evolution of Chieftaincy among the Tiv.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","A Sociocultural View of Hausa Musical Activity.","Folder 1 of 6. Written charms, drinking ink, folk remedies.","Folder 2 of 6. Written charms, drinking ink, folk remedies.","Folder 3 of 6. Written charms, drinking ink, folk remedies.","Folder 4 of 6. Written charms, drinking ink, folk remedies.","Folder 5 of 6. Written charms, drinking ink, folk remedies.","Folder 6 of 6. Written charms, drinking ink, folk remedies.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Houston, TX. Includes list of confirmed attendees.","Notes on marriage and relationships.","Obstacles to Private Sector Activities in Africa","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Prospectus, telephone directory.","News articles and scholarly work.","Research for Dr. Paden's book of the same title","Folder 1 of 2. Research for Dr. Paden's book of the same title.","Folder 2 of 2. Research for Dr. Paden's book of the same title.","Work for Dr. Paden's book of the same title.","Folder 1 of 3. Work for Dr. Paden's book of the same title.","Folder 2 of 3. Work for Dr. Paden's book of the same title.","Folder 3 of 3. Work for Dr. Paden's book of the same title.","Work for Dr. Paden's book of the same title.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Includes related correspondence, Dr. Paden's notes, programs, and papers.","Relationships between sects.","Nigeria working group notes and meetings.","Folder 1 of 5.","Folder 2 of 5.","Folder 3 of 5.","Folder 4 of 5.","Folder 5 of 5.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes. Folder 1 of 2.","Research and course notes. Folder 2 of 2.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Folder 1 of 2.","Folder 2 of 2.","Kano related research, Ahmadu Bello University priorities.","\"'Us' and 'Them' : The International African Institute and the Current Crisis of Identity in African Studies.\"","Personal record book","Folder 1 of 2.","Folder 2 of 2.","Tuareg and Buzu Immigration into Kano","Folder 1 of 2.","Folder 2 of 2.","Papers from presentations.","Papers from presentations.","Papers from presentations.","Folder 1 of 3. Papers from presentations.","Folder 2 of 3. Papers from presentations.","Folder 3 of 3. Papers from presentations.","Selected Syllabi for Introductory, Interdisciplinary Courses on Africa.","Folder 1 of 2.","Folder 2 of 2.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Contains written material and the handmade paper book cover which originally housed it.","Includes information on language and folklore.","Includes information on language and folklore.","Includes information on language and folklore.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Uses in planting, medicinally, and in folklore.","At Northwestern University.","A New Source for the Biography of Ahmad Baba Al-Tinbukti.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Folder 1 of 2.","Folder 2 of 2.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","At Northwestern University.","Personal record book and notes.","Folder 1 of 2.","Folder 1 of 2.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles.","Notes, reprints of scholarly work, journal articles.","Notes, reprints of scholarly work, journal articles.","Reprint for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Vocabulary of Schoolboy Slang in N. Nigeria, Qualification of Office, Review of Bello Book.","Sources and early field notes.","Factors Responsible for the Conflict between the Executive and Legislature in Kaduna State.","Folder 1 of 2.","Folder 2 of 2.","Includes article and personal correspondence from Jean Herskovitz, information on Nigerian economy.","Folder 1 of 7.","Folder 2 of 7.","Folder 3 of 7.","Folder 4 of 7.","Folder 5 of 7.","Folder 6 of 7.","Folder 7 of 7.","Includes articles on women's issues.","Includes information from the Northern Nigeria Marketing Board.","Includes information from the Northern Nigeria Marketing Board.","Includes information from the Northern Nigeria Marketing Board.","Newspaper clippings.","(7) marked on original folder.","Folder 1 of 6.","Folder 2 of 6.","Folder 3 of 6.","Folder 4 of 6.","Folder 5 of 6.","Folder 6 of 6.","Folder 1 of 6.","Folder 2 of 6.","Folder 3 of 6.","Folder 4 of 6.","Folder 5 of 6.","Folder 6 of 6.","Contains extensive materials related to African studies and a small amount of correspondence with Charles Stewart.","Folder also contains one sheet of 12 slides for use with the seminar.","Includes information on Ibrahim Niasse.","Includes information on Ibrahim Niasse.","Includes information on Ibrahim Niasse.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Organized by subject and then chronologically.","Volume XXV, Numbers 2/3.","Volume 26, Numbers 3/4, Volume 27, Number 1.","Folder 1 of 2.","Folder 2 of 2.","The Carthaginian Voyage to West Africa in 500 B.C. together with Sultan Mohammed Bello's Account of the Origin of the Fulbe.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","MUST BE TOP BOX.","Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically.","Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Materials are organized by medium, then by subject, and then chronologically.","A: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 152 Side 1 / B: 7 ips, same, PL 152 Side 2","A: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 153 Side 1 / B: 7 ips, same [short], PL 153 Side 2.","Interior of paper insert reads: Garba Gwandu","Interior of paper insert reads: Kidan Kalangun Alh-Mamman Shata. 1 Wakar Sardauna (Sardauna Bahag), 2 Sardauna-Kakanka Dan Fodio 1965 Sardauna Ahmadu-April 18, 1973, 3 Sardauna (Sahago-Sardauna Ahmadu Gwauron Giwa 1977, 4 Sardauna Kakanka Dan Fodio 5/73, 5 Rubuttan Wakokin Hausa Na Mohd Sayyed Sokoto Ayyukan Sardauna, 6 Rubutattun Wakokin Hausa Na M. Ali Mai Pampo Zaria (Sardauna)","Interior of paper insert reads: Side A Kidan Kotson A-Musa Danwairo, 1 Taiaziyyar Sardauna (Yawuce rani), 2 Ya Buwayi Maza, 3 Ubangi Jiyy Jagaba Sardauna Dan Muhammad, 4 Hiyayye Jan Zaki Mazasukaya Maka Dole Maidamarar Yaki, Al. Amarinai Saishukura","Interior of paper insert reads: Kidan Taushin Marigay Awyu Dandano, 1 Wakar alh. Sir Ahmadu Bello Sardauna-Ahmadu Mairaro inda Allah, 2 Kidan Kotson Umaru mai Sa'a wakar Sir Ahmadu Bello, 3 Kidan Solon Haruna Solo Waka Ta'aziyyar Sardauna, 4 High Life-Jiririn Isa Wakar Sardauna, 5 Waken Addinin Musulunci (hausa) na M. Lawal Cediya Buyu Zaria-Musulumtar Da Mutane.","Interior of paper insert reads: kidan Kukuma na Alhaji Ibrahim na habu, 1 Maisaje dan Maisaje, 2 Kidan Kukumar ali dan Sarari wakar Sardauna","Interior of paper insert reads: Muhtari Isa 31 Ammanu Rd, Funtua","Interior of paper insert reads: Kidan Kotson Musa Dankuwa, 1 Ahmadu dan Ibrahim Hiyawe Janzaki Maza Sukaya Maka Dole, [no 2] Maza Tsorenka, 4 Alkalin Sokoto, 5 Mai Dubun Nasara, 6 Alhamdu Likkahi dai Yakai, 7 Mai damarar Yaki, side 2. Yawuce Raini simusulmi (Yaazo Haji) Ahmadu dan Ibrahim Baka Yada, Gudun Arnaba","Interior of paper insert reads: Kidan Taushin S/Taushin Katsina wako? Sardauna, 1 Sardauna Ula? Maza, 2 Ahmadu Kambu Gabas ova s/Fade, 3 Yumkura dan Altahim, 4 Jikam Shehu Bello Ahmadi etc.","Interior of paper insert reads: Kidan Taushin s/taushin Katsina, 1 Wakar Sardauna, 2 Kudan Kalangun Illonkano Gonar Bakura, 3 Kidan Sudan na Hamza kalaf Wakar Sardauna","kidan Taushin Salihu Jankiki, 1 Sassalar Sardauna-Ahmadu Kara Shirin D? and Gaskiya ?, 2 Sardauna Jikan Abubakar, 3 Sardauna Girmanka Yayi Babba Rika, 4 Sardauna Yafashe Fushinai shi Adda Duniya Gabadai, 5 Aikin Sardauna etc,","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","British Lit 1-4; Arabic Manuscripts; Arabic #2 Bello ?; Arabic #3 Abdullahi Diya Al-Umma; AK Col (Hausa); AK education (1); AK cont'd military 1907 ?;Kano 1926-39 ?; 1931 conference; NN Colonial Reports #1-4; Diet-Ann; Nig Cit 1956; Abdullahi Imamship; Arabic documents; John Niger/Sokoto, John-Sheikhs, Kano Ol Mosue, Audu \u0026 Pidgeon, Kura, garden ? NEPU headquarters; Arabic documents copying for John Paden; seven unidentified. Agfa box marked \"for Mrs. Paden\" containing negatives; two loose rolls.","All rolled items are very tightly wound and fragile.","Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Reprinted from The Nigerian Citizen with the story added in Hausa","Map elements are now in separate pieces. All fragments were originally attached with unknown adhesive to a paper support which was edged with red tape.","These items are very fragile.","Newspapers which were folded in with the drawing provided the estimated date.","Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither. Also included are eight Qur'an (Koran) boards. Six have Arabic writing on them. One is undecorated. All regalia are undated.","All are musty and smell of mildew.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa.","Map Case 14.2-14.4","George Mason University. Libraries. Special Collections Research Center","Paden, John N.","English"],"collection_title_tesim":["John N. Paden papers, 1938/2010"],"collection_ssim":["John N. Paden papers, 1938/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0194","/repositories/2/resources/374"],"unitid_tesim":["C0194","/repositories/2/resources/374"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Africa","Nigeria"],"geogname_ssim":["Africa","Nigeria"],"places_ssim":["Africa","Nigeria"],"creator_ssm":["Paden, John N."],"creator_ssim":["Paden, John N."],"creator_persname_ssim":["Paden, John N."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Paden, John N.","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by John N. Paden in 2011. Multiple subsequent donations have followed."],"access_subjects_ssim":["International relations","Photography -- Negatives","Photographs","Sound recordings","Correspondence","Slides"],"access_subjects_ssm":["International relations","Photography -- Negatives","Photographs","Sound recordings","Correspondence","Slides"],"has_online_content_ssim":["false"],"extent_ssm":["66 Linear Feet 133 boxes"],"extent_tesim":["66 Linear Feet 133 boxes"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Slides"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1971-1998 (Boxes 1-4)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Research, 1950s-2010 (Boxes 4-85)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Maps, 1949-1980s (Box 104)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Oversize, 1949-1997 (110, 130, Map Case)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Realia, undated (Boxes 131-132)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series\n      Series 1: Correspondence, 1971-1998 (Boxes 1-4)\n      Series 2: Research, 1950s-2010 (Boxes 4-85)\n      Series 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\n      Series 4: Maps, 1949-1980s (Box 104)\n      Series 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\n      Series 6: Oversize, 1949-1997 (110, 130, Map Case)\n      Series 7: Realia, undated (Boxes 131-132)"],"bioghist_html_tesm":["\u003cp\u003eDr. John N. Paden is a Clarence Robinson Professor of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University. \u003c/p\u003e","\u003cp\u003e A professor at Mason for 25 years, Dr. Paden currently teaches comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China for the past 25 years, and has served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria). \u003c/p\u003e","\u003cp\u003e Since 2002, Dr. Paden has served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. His most recent book, Post-election Conflict Management in Nigeria: The Challenge of National Unity, was published in 2012 by the George Mason University School of Conflict Analysis and Resolution. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dr. John N. Paden is a Clarence Robinson Professor of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University.","A professor at Mason for 25 years, Dr. Paden currently teaches comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China for the past 25 years, and has served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).","Since 2002, Dr. Paden has served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. His most recent book, Post-election Conflict Management in Nigeria: The Challenge of National Unity, was published in 2012 by the George Mason University School of Conflict Analysis and Resolution."],"prefercite_html_tesm":["\u003cp\u003eJohn N. Paden papers, C0194, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["John N. Paden papers, C0194, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014. Finding aid updated by Amanda Menjivar in March 2023.\u003c/p\u003e","\u003cp\u003eThis collection has additional unprocessed accessions 2018.009, 2018.028, 2018.036, 2018.043, 2019.037, 2022.034-C, 2023.014-C, 2023.027-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014. Finding aid updated by Amanda Menjivar in March 2023.","This collection has additional unprocessed accessions 2018.009, 2018.028, 2018.036, 2018.043, 2019.037, 2022.034-C, 2023.014-C, 2023.027-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the \u003cextptr show=\"new\" title=\"John W. Burton papers\" href=\"https://aspace.gmu.edu/resources/c0006\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Henry O. Lampe papers\" href=\"https://aspace.gmu.edu/resources/c0092\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Maxwell Harway papers\" href=\"https://aspace.gmu.edu/resources/c0120\"\u003e\u003c/extptr\u003e. Other collections containing photographs or slides of Nigeria include the \u003cextptr show=\"new\" title=\"Kjell Sandved nature collection\" href=\"https://aspace.gmu.edu/resources/c0020\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Oliver F. Atkins photograph collection\" href=\"https://aspace.gmu.edu/resources/c0036\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Edith McChesney Ker papers\" href=\"https://aspace.gmu.edu/resources/c0077\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the , the , and the . Other collections containing photographs or slides of Nigeria include the , the , and the ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps, and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.\u003c/p\u003e","\u003cp\u003eSeries 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes; Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 7: Regalia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All regalia is undated.\u003c/p\u003e  ","\u003cp\u003eIncludes various types of correspondence relating to book reviews, publications, research projects, travel arrangements, letters of recommendation, and some few personal matters. Organized alphabetically by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eChairing the panel on ethnicity.\u003c/p\u003e","\u003cp\u003eIncludes letters of recommendation.\u003c/p\u003e","\u003cp\u003eRegarding admissions to Northwestern.\u003c/p\u003e","\u003cp\u003eLetter of appointment as Dean of Social Sciences at Ahmadu Bello University.\u003c/p\u003e","\u003cp\u003eIdentity in Africa program.\u003c/p\u003e","\u003cp\u003eCourse development.\u003c/p\u003e","\u003cp\u003eLetter of recommendation and supporting material.\u003c/p\u003e","\u003cp\u003eSeeking replacement teacher at Northwestern.\u003c/p\u003e","\u003cp\u003eNational Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eRelates to Maguire's political campaign.\u003c/p\u003e","\u003cp\u003eAfro-Asian World in Transition.\u003c/p\u003e","\u003cp\u003eIncludes extensive exchanges with University of California Press.\u003c/p\u003e","\u003cp\u003eStrife at the university.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003ePublished papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by type, subject, and then chronologically.\u003c/p\u003e","\u003cp\u003eFolder 1 of 4. Identified by Dr. Paden. Interior identifies contents of folder as \"Book vol II / Elite analysis / draft.\"\u003c/p\u003e","\u003cp\u003eFolder 2 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 5-10, 12.\u003c/p\u003e","\u003cp\u003eFolder 3 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 15-19.\u003c/p\u003e","\u003cp\u003eFolder 4 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 21-23, 26.\u003c/p\u003e","\u003cp\u003e\"Modernization, Stability, and National Integration in Africa\" by John N. Paden.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3. Meeting of the American Political Science Association in Los Angeles.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3. Meeting of the American Political Science Association in Los Angeles.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3. Meeting of the American Political Science Association in Los Angeles.\u003c/p\u003e","\u003cp\u003ePublished in 1973 by the Institute of International Studies, University of South Carolina.\u003c/p\u003e","\u003cp\u003eNotes on possible career paths for African Studies students.\u003c/p\u003e","\u003cp\u003eAfrican Studies Association meeting. Includes correspondence and related materials. Folder 1 of 3.\u003c/p\u003e","\u003cp\u003eAfrican Studies Association meeting. Includes correspondence and related materials. Folder 2 of 3.\u003c/p\u003e","\u003cp\u003eAfrican Studies Association meeting. Includes correspondence and related materials. Folder 3 of 3.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2. Copies of multiple papers for presentation in Sokoto.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2. Copies of multiple papers for presentation in Sokoto.\u003c/p\u003e","\u003cp\u003e\"The Conflict between National and Supra-National Loyalties in the Political Thought of French-Speaking West Africa,\" by John N. Paden for GOVT 295: Nationalism\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eJames E. Adler v. The Federal Republic of Nigeria.\u003c/p\u003e","\u003cp\u003eOriginal field notes from 1960s trip to Nigeria. See also note cards in Boxes 80-83.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eBibliographic references.\u003c/p\u003e","\u003cp\u003ePresentation papers.\u003c/p\u003e","\u003cp\u003eLos Angeles.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3.\u003c/p\u003e","\u003cp\u003eFinal draft. A long range plan defining alternative strategies for the development of the Sahel-Sudan Zones. Massachusetts Institute of Technology, Center for Policy Alternatives.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2. Institute for Agricultural Research, Ahmadu Bello University.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2. Institute for Agricultural Research, Ahmadu Bello University.\u003c/p\u003e","\u003cp\u003eContains article by John N. Paden, \"Kano Hausa Poetry: Reply.\"\u003c/p\u003e","\u003cp\u003eRegulations governing the conditions of appointment of senior staff of Ahmadu Bello University.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eImposition of Native Administration and the Evolution of Chieftaincy among the Tiv.\u003c/p\u003e","\u003cp\u003eFolder 1 of 4.\u003c/p\u003e","\u003cp\u003eFolder 2 of 4.\u003c/p\u003e","\u003cp\u003eFolder 3 of 4.\u003c/p\u003e","\u003cp\u003eFolder 4 of 4.\u003c/p\u003e","\u003cp\u003eA Sociocultural View of Hausa Musical Activity.\u003c/p\u003e","\u003cp\u003eFolder 1 of 6. Written charms, drinking ink, folk remedies.\u003c/p\u003e","\u003cp\u003eFolder 2 of 6. Written charms, drinking ink, folk remedies.\u003c/p\u003e","\u003cp\u003eFolder 3 of 6. Written charms, drinking ink, folk remedies.\u003c/p\u003e","\u003cp\u003eFolder 4 of 6. Written charms, drinking ink, folk remedies.\u003c/p\u003e","\u003cp\u003eFolder 5 of 6. Written charms, drinking ink, folk remedies.\u003c/p\u003e","\u003cp\u003eFolder 6 of 6. Written charms, drinking ink, folk remedies.\u003c/p\u003e","\u003cp\u003eFolder 1 of 4.\u003c/p\u003e","\u003cp\u003eFolder 2 of 4.\u003c/p\u003e","\u003cp\u003eFolder 3 of 4.\u003c/p\u003e","\u003cp\u003eFolder 4 of 4.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eFolder 1 of 4.\u003c/p\u003e","\u003cp\u003eFolder 2 of 4.\u003c/p\u003e","\u003cp\u003eFolder 3 of 4.\u003c/p\u003e","\u003cp\u003eFolder 4 of 4.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eHouston, TX. Includes list of confirmed attendees.\u003c/p\u003e","\u003cp\u003eNotes on marriage and relationships.\u003c/p\u003e","\u003cp\u003eObstacles to Private Sector Activities in Africa\u003c/p\u003e","\u003cp\u003eFolder 1 of 3.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3.\u003c/p\u003e","\u003cp\u003eProspectus, telephone directory.\u003c/p\u003e","\u003cp\u003eNews articles and scholarly work.\u003c/p\u003e","\u003cp\u003eResearch for Dr. Paden's book of the same title\u003c/p\u003e","\u003cp\u003eFolder 1 of 2. Research for Dr. Paden's book of the same title.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2. Research for Dr. Paden's book of the same title.\u003c/p\u003e","\u003cp\u003eWork for Dr. Paden's book of the same title.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3. Work for Dr. Paden's book of the same title.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3. Work for Dr. Paden's book of the same title.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3. Work for Dr. Paden's book of the same title.\u003c/p\u003e","\u003cp\u003eWork for Dr. Paden's book of the same title.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3.\u003c/p\u003e","\u003cp\u003eIncludes related correspondence, Dr. Paden's notes, programs, and papers.\u003c/p\u003e","\u003cp\u003eRelationships between sects.\u003c/p\u003e","\u003cp\u003eNigeria working group notes and meetings.\u003c/p\u003e","\u003cp\u003eFolder 1 of 5.\u003c/p\u003e","\u003cp\u003eFolder 2 of 5.\u003c/p\u003e","\u003cp\u003eFolder 3 of 5.\u003c/p\u003e","\u003cp\u003eFolder 4 of 5.\u003c/p\u003e","\u003cp\u003eFolder 5 of 5.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes. Folder 1 of 2.\u003c/p\u003e","\u003cp\u003eResearch and course notes. Folder 2 of 2.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eResearch and course notes.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eKano related research, Ahmadu Bello University priorities.\u003c/p\u003e","\u003cp\u003e\"'Us' and 'Them' : The International African Institute and the Current Crisis of Identity in African Studies.\"\u003c/p\u003e","\u003cp\u003ePersonal record book\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eTuareg and Buzu Immigration into Kano\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003ePapers from presentations.\u003c/p\u003e","\u003cp\u003ePapers from presentations.\u003c/p\u003e","\u003cp\u003ePapers from presentations.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3. Papers from presentations.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3. Papers from presentations.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3. Papers from presentations.\u003c/p\u003e","\u003cp\u003eSelected Syllabi for Introductory, Interdisciplinary Courses on Africa.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eDr. Paden's student work.\u003c/p\u003e","\u003cp\u003eDr. Paden's student work.\u003c/p\u003e","\u003cp\u003eDr. Paden's student work.\u003c/p\u003e","\u003cp\u003eDr. Paden's student work.\u003c/p\u003e","\u003cp\u003eDr. Paden's student work.\u003c/p\u003e","\u003cp\u003eDr. Paden's student work.\u003c/p\u003e","\u003cp\u003eDr. Paden's student work.\u003c/p\u003e","\u003cp\u003eDr. Paden's student work.\u003c/p\u003e","\u003cp\u003eContains written material and the handmade paper book cover which originally housed it.\u003c/p\u003e","\u003cp\u003eIncludes information on language and folklore.\u003c/p\u003e","\u003cp\u003eIncludes information on language and folklore.\u003c/p\u003e","\u003cp\u003eIncludes information on language and folklore.\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes.\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes.\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes.\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes.\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes.\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes.\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes.\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes.\u003c/p\u003e","\u003cp\u003eFolder 1 of 4.\u003c/p\u003e","\u003cp\u003eFolder 2 of 4.\u003c/p\u003e","\u003cp\u003eFolder 3 of 4.\u003c/p\u003e","\u003cp\u003eFolder 4 of 4.\u003c/p\u003e","\u003cp\u003eReprinted articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eReprinted articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eUses in planting, medicinally, and in folklore.\u003c/p\u003e","\u003cp\u003eAt Northwestern University.\u003c/p\u003e","\u003cp\u003eA New Source for the Biography of Ahmad Baba Al-Tinbukti.\u003c/p\u003e","\u003cp\u003eMaterial relating to African Studies and associated meetings.\u003c/p\u003e","\u003cp\u003eMaterial relating to African Studies and associated meetings.\u003c/p\u003e","\u003cp\u003eMaterial relating to African Studies and associated meetings.\u003c/p\u003e","\u003cp\u003eMaterial relating to African Studies and associated meetings.\u003c/p\u003e","\u003cp\u003eMaterial relating to African Studies and associated meetings.\u003c/p\u003e","\u003cp\u003eMaterial relating to African Studies and associated meetings.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eReprinted articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eReprinted articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eReprinted articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eReprinted articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eReprinted articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eReprinted articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eAt Northwestern University.\u003c/p\u003e","\u003cp\u003ePersonal record book and notes.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eNotes, reprints of scholarly work, journal articles.\u003c/p\u003e","\u003cp\u003eNotes, reprints of scholarly work, journal articles.\u003c/p\u003e","\u003cp\u003eNotes, reprints of scholarly work, journal articles.\u003c/p\u003e","\u003cp\u003eReprint for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3.\u003c/p\u003e","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eNotes, reprints of scholarly work, journal articles for research done in the 1960s.\u003c/p\u003e","\u003cp\u003eVocabulary of Schoolboy Slang in N. Nigeria, Qualification of Office, Review of Bello Book.\u003c/p\u003e","\u003cp\u003eSources and early field notes.\u003c/p\u003e","\u003cp\u003eFactors Responsible for the Conflict between the Executive and Legislature in Kaduna State.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eIncludes article and personal correspondence from Jean Herskovitz, information on Nigerian economy.\u003c/p\u003e","\u003cp\u003eFolder 1 of 7.\u003c/p\u003e","\u003cp\u003eFolder 2 of 7.\u003c/p\u003e","\u003cp\u003eFolder 3 of 7.\u003c/p\u003e","\u003cp\u003eFolder 4 of 7.\u003c/p\u003e","\u003cp\u003eFolder 5 of 7.\u003c/p\u003e","\u003cp\u003eFolder 6 of 7.\u003c/p\u003e","\u003cp\u003eFolder 7 of 7.\u003c/p\u003e","\u003cp\u003eIncludes articles on women's issues.\u003c/p\u003e","\u003cp\u003eIncludes information from the Northern Nigeria Marketing Board.\u003c/p\u003e","\u003cp\u003eIncludes information from the Northern Nigeria Marketing Board.\u003c/p\u003e","\u003cp\u003eIncludes information from the Northern Nigeria Marketing Board.\u003c/p\u003e","\u003cp\u003eNewspaper clippings.\u003c/p\u003e","\u003cp\u003e(7) marked on original folder.\u003c/p\u003e","\u003cp\u003eFolder 1 of 6.\u003c/p\u003e","\u003cp\u003eFolder 2 of 6.\u003c/p\u003e","\u003cp\u003eFolder 3 of 6.\u003c/p\u003e","\u003cp\u003eFolder 4 of 6.\u003c/p\u003e","\u003cp\u003eFolder 5 of 6.\u003c/p\u003e","\u003cp\u003eFolder 6 of 6.\u003c/p\u003e","\u003cp\u003eFolder 1 of 6.\u003c/p\u003e","\u003cp\u003eFolder 2 of 6.\u003c/p\u003e","\u003cp\u003eFolder 3 of 6.\u003c/p\u003e","\u003cp\u003eFolder 4 of 6.\u003c/p\u003e","\u003cp\u003eFolder 5 of 6.\u003c/p\u003e","\u003cp\u003eFolder 6 of 6.\u003c/p\u003e","\u003cp\u003eContains extensive materials related to African studies and a small amount of correspondence with Charles Stewart.\u003c/p\u003e","\u003cp\u003eFolder also contains one sheet of 12 slides for use with the seminar.\u003c/p\u003e","\u003cp\u003eIncludes information on Ibrahim Niasse.\u003c/p\u003e","\u003cp\u003eIncludes information on Ibrahim Niasse.\u003c/p\u003e","\u003cp\u003eIncludes information on Ibrahim Niasse.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eIncludes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Organized by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eVolume XXV, Numbers 2/3.\u003c/p\u003e","\u003cp\u003eVolume 26, Numbers 3/4, Volume 27, Number 1.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eThe Carthaginian Voyage to West Africa in 500 B.C. together with Sultan Mohammed Bello's Account of the Origin of the Fulbe.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eMUST BE TOP BOX.\u003c/p\u003e","\u003cp\u003eIncludes maps of various African nations, primarily Nigeria. Organized by region and then chronologically.\u003c/p\u003e","\u003cp\u003eReel to reel audio tapes, audio cassette tapes, photographs, negatives. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e","\u003cp\u003eA: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 152 Side 1 / B: 7 ips, same, PL 152 Side 2\u003c/p\u003e","\u003cp\u003eA: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 153 Side 1 / B: 7 ips, same [short], PL 153 Side 2.\u003c/p\u003e","\u003cp\u003eInterior of paper insert reads: Garba Gwandu\u003c/p\u003e","\u003cp\u003eInterior of paper insert reads: Kidan Kalangun Alh-Mamman Shata. 1 Wakar Sardauna (Sardauna Bahag), 2 Sardauna-Kakanka Dan Fodio 1965 Sardauna Ahmadu-April 18, 1973, 3 Sardauna (Sahago-Sardauna Ahmadu Gwauron Giwa 1977, 4 Sardauna Kakanka Dan Fodio 5/73, 5 Rubuttan Wakokin Hausa Na Mohd Sayyed Sokoto Ayyukan Sardauna, 6 Rubutattun Wakokin Hausa Na M. Ali Mai Pampo Zaria (Sardauna)\u003c/p\u003e","\u003cp\u003eInterior of paper insert reads: Side A Kidan Kotson A-Musa Danwairo, 1 Taiaziyyar Sardauna (Yawuce rani), 2 Ya Buwayi Maza, 3 Ubangi Jiyy Jagaba Sardauna Dan Muhammad, 4 Hiyayye Jan Zaki Mazasukaya Maka Dole Maidamarar Yaki, Al. Amarinai Saishukura\u003c/p\u003e","\u003cp\u003eInterior of paper insert reads: Kidan Taushin Marigay Awyu Dandano, 1 Wakar alh. Sir Ahmadu Bello Sardauna-Ahmadu Mairaro inda Allah, 2 Kidan Kotson Umaru mai Sa'a wakar Sir Ahmadu Bello, 3 Kidan Solon Haruna Solo Waka Ta'aziyyar Sardauna, 4 High Life-Jiririn Isa Wakar Sardauna, 5 Waken Addinin Musulunci (hausa) na M. Lawal Cediya Buyu Zaria-Musulumtar Da Mutane.\u003c/p\u003e","\u003cp\u003eInterior of paper insert reads: kidan Kukuma na Alhaji Ibrahim na habu, 1 Maisaje dan Maisaje, 2 Kidan Kukumar ali dan Sarari wakar Sardauna\u003c/p\u003e","\u003cp\u003eInterior of paper insert reads: Muhtari Isa 31 Ammanu Rd, Funtua\u003c/p\u003e","\u003cp\u003eInterior of paper insert reads: Kidan Kotson Musa Dankuwa, 1 Ahmadu dan Ibrahim Hiyawe Janzaki Maza Sukaya Maka Dole, [no 2] Maza Tsorenka, 4 Alkalin Sokoto, 5 Mai Dubun Nasara, 6 Alhamdu Likkahi dai Yakai, 7 Mai damarar Yaki, side 2. Yawuce Raini simusulmi (Yaazo Haji) Ahmadu dan Ibrahim Baka Yada, Gudun Arnaba\u003c/p\u003e","\u003cp\u003eInterior of paper insert reads: Kidan Taushin S/Taushin Katsina wako? Sardauna, 1 Sardauna Ula? Maza, 2 Ahmadu Kambu Gabas ova s/Fade, 3 Yumkura dan Altahim, 4 Jikam Shehu Bello Ahmadi etc.\u003c/p\u003e","\u003cp\u003eInterior of paper insert reads: Kidan Taushin s/taushin Katsina, 1 Wakar Sardauna, 2 Kudan Kalangun Illonkano Gonar Bakura, 3 Kidan Sudan na Hamza kalaf Wakar Sardauna\u003c/p\u003e","\u003cp\u003ekidan Taushin Salihu Jankiki, 1 Sassalar Sardauna-Ahmadu Kara Shirin D? and Gaskiya ?, 2 Sardauna Jikan Abubakar, 3 Sardauna Girmanka Yayi Babba Rika, 4 Sardauna Yafashe Fushinai shi Adda Duniya Gabadai, 5 Aikin Sardauna etc,\u003c/p\u003e","\u003cp\u003eFolder 1 of 4.\u003c/p\u003e","\u003cp\u003eFolder 2 of 4.\u003c/p\u003e","\u003cp\u003eFolder 3 of 4.\u003c/p\u003e","\u003cp\u003eFolder 4 of 4.\u003c/p\u003e","\u003cp\u003eBritish Lit 1-4; Arabic Manuscripts; Arabic #2 Bello ?; Arabic #3 Abdullahi Diya Al-Umma; AK Col (Hausa); AK education (1); AK cont'd military 1907 ?;Kano 1926-39 ?; 1931 conference; NN Colonial Reports #1-4; Diet-Ann; Nig Cit 1956; Abdullahi Imamship; Arabic documents; John Niger/Sokoto, John-Sheikhs, Kano Ol Mosue, Audu \u0026amp; Pidgeon, Kura, garden ? NEPU headquarters; Arabic documents copying for John Paden; seven unidentified. Agfa box marked \"for Mrs. Paden\" containing negatives; two loose rolls. \u003c/p\u003e","\u003cp\u003eAll rolled items are very tightly wound and fragile.\u003c/p\u003e","\u003cp\u003eMaps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e","\u003cp\u003eReprinted from The Nigerian Citizen with the story added in Hausa\u003c/p\u003e","\u003cp\u003eMap elements are now in separate pieces. All fragments were originally attached with unknown adhesive to a paper support which was edged with red tape.\u003c/p\u003e","\u003cp\u003eThese items are very fragile.\u003c/p\u003e","\u003cp\u003eNewspapers which were folded in with the drawing provided the estimated date.\u003c/p\u003e","\u003cp\u003eIncludes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither. Also included are eight Qur'an (Koran) boards. Six have Arabic writing on them. One is undecorated. All regalia are undated.\u003c/p\u003e","\u003cp\u003eAll are musty and smell of mildew.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.","Series 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.","Series 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps, and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.","Series 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.","Series 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.","Series 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes; Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.","Series 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Series 7: Regalia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All regalia is undated.","Includes various types of correspondence relating to book reviews, publications, research projects, travel arrangements, letters of recommendation, and some few personal matters. Organized alphabetically by subject and then chronologically.","Chairing the panel on ethnicity.","Includes letters of recommendation.","Regarding admissions to Northwestern.","Letter of appointment as Dean of Social Sciences at Ahmadu Bello University.","Identity in Africa program.","Course development.","Letter of recommendation and supporting material.","Seeking replacement teacher at Northwestern.","National Endowment for the Humanities.","Relates to Maguire's political campaign.","Afro-Asian World in Transition.","Includes extensive exchanges with University of California Press.","Strife at the university.","Folder 1 of 2.","Folder 2 of 2.","Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by type, subject, and then chronologically.","Folder 1 of 4. Identified by Dr. Paden. Interior identifies contents of folder as \"Book vol II / Elite analysis / draft.\"","Folder 2 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 5-10, 12.","Folder 3 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 15-19.","Folder 4 of 4. \"Instability and National Integration in Thirty-Two Independent African States: A Step-Wise Discriminant Function Analysis.\" Contains internal working papers numbers 21-23, 26.","\"Modernization, Stability, and National Integration in Africa\" by John N. Paden.","Folder 1 of 3. Meeting of the American Political Science Association in Los Angeles.","Folder 2 of 3. Meeting of the American Political Science Association in Los Angeles.","Folder 3 of 3. Meeting of the American Political Science Association in Los Angeles.","Published in 1973 by the Institute of International Studies, University of South Carolina.","Notes on possible career paths for African Studies students.","African Studies Association meeting. Includes correspondence and related materials. Folder 1 of 3.","African Studies Association meeting. Includes correspondence and related materials. Folder 2 of 3.","African Studies Association meeting. Includes correspondence and related materials. Folder 3 of 3.","Folder 1 of 2. Copies of multiple papers for presentation in Sokoto.","Folder 2 of 2. Copies of multiple papers for presentation in Sokoto.","\"The Conflict between National and Supra-National Loyalties in the Political Thought of French-Speaking West Africa,\" by John N. Paden for GOVT 295: Nationalism","Folder 1 of 2.","Folder 2 of 2.","James E. Adler v. The Federal Republic of Nigeria.","Original field notes from 1960s trip to Nigeria. See also note cards in Boxes 80-83.","Folder 1 of 2.","Folder 2 of 2.","Bibliographic references.","Presentation papers.","Los Angeles.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Final draft. A long range plan defining alternative strategies for the development of the Sahel-Sudan Zones. Massachusetts Institute of Technology, Center for Policy Alternatives.","Folder 1 of 2. Institute for Agricultural Research, Ahmadu Bello University.","Folder 2 of 2. Institute for Agricultural Research, Ahmadu Bello University.","Contains article by John N. Paden, \"Kano Hausa Poetry: Reply.\"","Regulations governing the conditions of appointment of senior staff of Ahmadu Bello University.","Folder 1 of 2.","Folder 2 of 2.","Imposition of Native Administration and the Evolution of Chieftaincy among the Tiv.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","A Sociocultural View of Hausa Musical Activity.","Folder 1 of 6. Written charms, drinking ink, folk remedies.","Folder 2 of 6. Written charms, drinking ink, folk remedies.","Folder 3 of 6. Written charms, drinking ink, folk remedies.","Folder 4 of 6. Written charms, drinking ink, folk remedies.","Folder 5 of 6. Written charms, drinking ink, folk remedies.","Folder 6 of 6. Written charms, drinking ink, folk remedies.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Contains written material and the handmade paper book cover which originally housed it.","Houston, TX. Includes list of confirmed attendees.","Notes on marriage and relationships.","Obstacles to Private Sector Activities in Africa","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Prospectus, telephone directory.","News articles and scholarly work.","Research for Dr. Paden's book of the same title","Folder 1 of 2. Research for Dr. Paden's book of the same title.","Folder 2 of 2. Research for Dr. Paden's book of the same title.","Work for Dr. Paden's book of the same title.","Folder 1 of 3. Work for Dr. Paden's book of the same title.","Folder 2 of 3. Work for Dr. Paden's book of the same title.","Folder 3 of 3. Work for Dr. Paden's book of the same title.","Work for Dr. Paden's book of the same title.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Includes related correspondence, Dr. Paden's notes, programs, and papers.","Relationships between sects.","Nigeria working group notes and meetings.","Folder 1 of 5.","Folder 2 of 5.","Folder 3 of 5.","Folder 4 of 5.","Folder 5 of 5.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes. Folder 1 of 2.","Research and course notes. Folder 2 of 2.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Research and course notes.","Folder 1 of 2.","Folder 2 of 2.","Kano related research, Ahmadu Bello University priorities.","\"'Us' and 'Them' : The International African Institute and the Current Crisis of Identity in African Studies.\"","Personal record book","Folder 1 of 2.","Folder 2 of 2.","Tuareg and Buzu Immigration into Kano","Folder 1 of 2.","Folder 2 of 2.","Papers from presentations.","Papers from presentations.","Papers from presentations.","Folder 1 of 3. Papers from presentations.","Folder 2 of 3. Papers from presentations.","Folder 3 of 3. Papers from presentations.","Selected Syllabi for Introductory, Interdisciplinary Courses on Africa.","Folder 1 of 2.","Folder 2 of 2.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Dr. Paden's student work.","Contains written material and the handmade paper book cover which originally housed it.","Includes information on language and folklore.","Includes information on language and folklore.","Includes information on language and folklore.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Includes handwritten notes.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Uses in planting, medicinally, and in folklore.","At Northwestern University.","A New Source for the Biography of Ahmad Baba Al-Tinbukti.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Material relating to African Studies and associated meetings.","Folder 1 of 2.","Folder 2 of 2.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","Reprinted articles for research done in the 1960s.","At Northwestern University.","Personal record book and notes.","Folder 1 of 2.","Folder 1 of 2.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles.","Notes, reprints of scholarly work, journal articles.","Notes, reprints of scholarly work, journal articles.","Reprint for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Notes, reprints of scholarly work, journal articles for research done in the 1960s.","Vocabulary of Schoolboy Slang in N. Nigeria, Qualification of Office, Review of Bello Book.","Sources and early field notes.","Factors Responsible for the Conflict between the Executive and Legislature in Kaduna State.","Folder 1 of 2.","Folder 2 of 2.","Includes article and personal correspondence from Jean Herskovitz, information on Nigerian economy.","Folder 1 of 7.","Folder 2 of 7.","Folder 3 of 7.","Folder 4 of 7.","Folder 5 of 7.","Folder 6 of 7.","Folder 7 of 7.","Includes articles on women's issues.","Includes information from the Northern Nigeria Marketing Board.","Includes information from the Northern Nigeria Marketing Board.","Includes information from the Northern Nigeria Marketing Board.","Newspaper clippings.","(7) marked on original folder.","Folder 1 of 6.","Folder 2 of 6.","Folder 3 of 6.","Folder 4 of 6.","Folder 5 of 6.","Folder 6 of 6.","Folder 1 of 6.","Folder 2 of 6.","Folder 3 of 6.","Folder 4 of 6.","Folder 5 of 6.","Folder 6 of 6.","Contains extensive materials related to African studies and a small amount of correspondence with Charles Stewart.","Folder also contains one sheet of 12 slides for use with the seminar.","Includes information on Ibrahim Niasse.","Includes information on Ibrahim Niasse.","Includes information on Ibrahim Niasse.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Organized by subject and then chronologically.","Volume XXV, Numbers 2/3.","Volume 26, Numbers 3/4, Volume 27, Number 1.","Folder 1 of 2.","Folder 2 of 2.","The Carthaginian Voyage to West Africa in 500 B.C. together with Sultan Mohammed Bello's Account of the Origin of the Fulbe.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","MUST BE TOP BOX.","Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically.","Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Materials are organized by medium, then by subject, and then chronologically.","A: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 152 Side 1 / B: 7 ips, same, PL 152 Side 2","A: 7 ips, \"A Boori Liturgy from Katsina\" [1967] LADIN ANO and Ensemble Recorded by A. V. King at SOAS, PL 153 Side 1 / B: 7 ips, same [short], PL 153 Side 2.","Interior of paper insert reads: Garba Gwandu","Interior of paper insert reads: Kidan Kalangun Alh-Mamman Shata. 1 Wakar Sardauna (Sardauna Bahag), 2 Sardauna-Kakanka Dan Fodio 1965 Sardauna Ahmadu-April 18, 1973, 3 Sardauna (Sahago-Sardauna Ahmadu Gwauron Giwa 1977, 4 Sardauna Kakanka Dan Fodio 5/73, 5 Rubuttan Wakokin Hausa Na Mohd Sayyed Sokoto Ayyukan Sardauna, 6 Rubutattun Wakokin Hausa Na M. Ali Mai Pampo Zaria (Sardauna)","Interior of paper insert reads: Side A Kidan Kotson A-Musa Danwairo, 1 Taiaziyyar Sardauna (Yawuce rani), 2 Ya Buwayi Maza, 3 Ubangi Jiyy Jagaba Sardauna Dan Muhammad, 4 Hiyayye Jan Zaki Mazasukaya Maka Dole Maidamarar Yaki, Al. Amarinai Saishukura","Interior of paper insert reads: Kidan Taushin Marigay Awyu Dandano, 1 Wakar alh. Sir Ahmadu Bello Sardauna-Ahmadu Mairaro inda Allah, 2 Kidan Kotson Umaru mai Sa'a wakar Sir Ahmadu Bello, 3 Kidan Solon Haruna Solo Waka Ta'aziyyar Sardauna, 4 High Life-Jiririn Isa Wakar Sardauna, 5 Waken Addinin Musulunci (hausa) na M. Lawal Cediya Buyu Zaria-Musulumtar Da Mutane.","Interior of paper insert reads: kidan Kukuma na Alhaji Ibrahim na habu, 1 Maisaje dan Maisaje, 2 Kidan Kukumar ali dan Sarari wakar Sardauna","Interior of paper insert reads: Muhtari Isa 31 Ammanu Rd, Funtua","Interior of paper insert reads: Kidan Kotson Musa Dankuwa, 1 Ahmadu dan Ibrahim Hiyawe Janzaki Maza Sukaya Maka Dole, [no 2] Maza Tsorenka, 4 Alkalin Sokoto, 5 Mai Dubun Nasara, 6 Alhamdu Likkahi dai Yakai, 7 Mai damarar Yaki, side 2. Yawuce Raini simusulmi (Yaazo Haji) Ahmadu dan Ibrahim Baka Yada, Gudun Arnaba","Interior of paper insert reads: Kidan Taushin S/Taushin Katsina wako? Sardauna, 1 Sardauna Ula? Maza, 2 Ahmadu Kambu Gabas ova s/Fade, 3 Yumkura dan Altahim, 4 Jikam Shehu Bello Ahmadi etc.","Interior of paper insert reads: Kidan Taushin s/taushin Katsina, 1 Wakar Sardauna, 2 Kudan Kalangun Illonkano Gonar Bakura, 3 Kidan Sudan na Hamza kalaf Wakar Sardauna","kidan Taushin Salihu Jankiki, 1 Sassalar Sardauna-Ahmadu Kara Shirin D? and Gaskiya ?, 2 Sardauna Jikan Abubakar, 3 Sardauna Girmanka Yayi Babba Rika, 4 Sardauna Yafashe Fushinai shi Adda Duniya Gabadai, 5 Aikin Sardauna etc,","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","British Lit 1-4; Arabic Manuscripts; Arabic #2 Bello ?; Arabic #3 Abdullahi Diya Al-Umma; AK Col (Hausa); AK education (1); AK cont'd military 1907 ?;Kano 1926-39 ?; 1931 conference; NN Colonial Reports #1-4; Diet-Ann; Nig Cit 1956; Abdullahi Imamship; Arabic documents; John Niger/Sokoto, John-Sheikhs, Kano Ol Mosue, Audu \u0026 Pidgeon, Kura, garden ? NEPU headquarters; Arabic documents copying for John Paden; seven unidentified. Agfa box marked \"for Mrs. Paden\" containing negatives; two loose rolls.","All rolled items are very tightly wound and fragile.","Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Reprinted from The Nigerian Citizen with the story added in Hausa","Map elements are now in separate pieces. All fragments were originally attached with unknown adhesive to a paper support which was edged with red tape.","These items are very fragile.","Newspapers which were folded in with the drawing provided the estimated date.","Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither. Also included are eight Qur'an (Koran) boards. Six have Arabic writing on them. One is undecorated. All regalia are undated.","All are musty and smell of mildew."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d7cf21fd633056d99cc49216099af681\" label=\"Abstract\"\u003eThe collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9cbe2a0631748a606696c3a0fed6eba3\"\u003eMap Case 14.2-14.4\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 14.2-14.4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Paden, John N."],"names_coll_ssim":["Paden, John N."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Paden, John N."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1043,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:20.896Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_374_c01_c66"}},{"id":"viblbv_repositories_2_resources_3294_c04_c17","type":"File","attributes":{"title":"Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\", 1952/1993","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3294_c04_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3294_c04_c17","ref_ssm":["viblbv_repositories_2_resources_3294_c04_c17"],"id":"viblbv_repositories_2_resources_3294_c04_c17","ead_ssi":"viblbv_repositories_2_resources_3294","_root_":"viblbv_repositories_2_resources_3294","_nest_parent_":"viblbv_repositories_2_resources_3294_c04","parent_ssi":"viblbv_repositories_2_resources_3294_c04","parent_ssim":["Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008"],"parent_ids_ssim":["viblbv_repositories_2_resources_3294","viblbv_repositories_2_resources_3294_c04"],"title_filing_ssi":"Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\"","title_ssm":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\""],"title_tesim":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\""],"normalized_title_ssm":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\", 1952/1993"],"text":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\", 1952/1993","Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008","box 9","folder 1"],"parent_unittitles_ssm":["Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008"],"parent_unittitles_tesim":["Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008"],"normalized_date_ssm":["1952/1993"],"unitdate_inclusive_ssm":["1952-1993"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":224,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Doris Zallen Papers, 1952/2016"],"containers_ssim":["box 9","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"_nest_path_":"/components#3/components#16","timestamp":"2026-06-23T06:48:32.624Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3294","ead_ssi":"viblbv_repositories_2_resources_3294","_root_":"viblbv_repositories_2_resources_3294","_nest_parent_":"viblbv_repositories_2_resources_3294","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3294.xml","title_filing_ssi":"Zallen, Doris, Papers","title_ssm":["Doris Zallen Papers"],"title_tesim":["Doris Zallen Papers"],"unitdate_ssm":["1952-2016"],"unitdate_inclusive_ssm":["1952-2016"],"normalized_date_ssm":["1952/2016"],"normalized_title_ssm":["Doris Zallen Papers, 1952/2016"],"text":["Doris Zallen Papers, 1952/2016","Ms.2018.032","Faculty and staff","Science and Technology","University History","University Archives","The collection is open for research.","The Doris Zallen Papers are organized into the following series:\n\nSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\nSeries II. Professional papers, 1960-2016\nSeries III. Book Reviews, 1982-2010\nSeries IV. Background Information on Published Papers, 1980-2008\nSeries V. Ethics Advisory Board, 1979\nSeries VI. Liverpool School, 1952-2012","Doris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance.","The guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/).","The processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020.","See also the following collections:","Choices and Challenges Forum Records, RG 15/27/1, Special Collections and University Archives, Virginia Tech.\nPhilip M. Sheppard Papers, Mss.Ms.Coll.65, American Philosophical Society.\nD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n, Special Collections \u0026 Archives, University of Liverpool.","Related information can be found in Series II, the Bertrand Goldschmidt folder and Rene Wurmser folder.","The Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016.","The records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.","In the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences.","The second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.","Series III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"","The fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.","The fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.","The last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease.","FARs (Faculty Activities Report) and related doucments","Includes photographs, newspaper articles, and interviews in the press","Philip Sheppard gives a brief account of the prevention of Rh haemolytic disease. It was provided to DTZ by Daphne Christie on 22 July 2004 as part of the Wellcome Witness Seminar materials.","These interviews are dditional contacts made at the suggestion of David Price\nEvans and Cyril Clarke. Only DTZ interview notes are available. The interivews that David Price recommended were Cohen, Connor, Cooper, and Rodeck; the interviews that Cyril Clark recommended was Towers.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)","The materials in the collection are in English."],"collection_title_tesim":["Doris Zallen Papers, 1952/2016"],"collection_ssim":["Doris Zallen Papers, 1952/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2018.032"],"unitid_tesim":["Ms.2018.032"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Doris Zallen Papers were donated to Special Collections and University Archives in July 2018. Additions were donated in March 2019 and December 2019."],"access_subjects_ssim":["Faculty and staff","Science and Technology","University History","University Archives"],"access_subjects_ssm":["Faculty and staff","Science and Technology","University History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["10 Cubic Feet 13 boxes"],"extent_tesim":["10 Cubic Feet 13 boxes"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Doris Zallen Papers are organized into the following series:\n\u003clist\u003e\n\u003citem\u003eSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\u003c/item\u003e\n\u003citem\u003eSeries II. Professional papers, 1960-2016\u003c/item\u003e\n\u003citem\u003eSeries III. Book Reviews, 1982-2010\u003c/item\u003e\n\u003citem\u003eSeries IV. Background Information on Published Papers, 1980-2008\u003c/item\u003e\n\u003citem\u003eSeries V. Ethics Advisory Board, 1979\u003c/item\u003e\n\u003citem\u003eSeries VI. Liverpool School, 1952-2012\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Doris Zallen Papers are organized into the following series:\n\nSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\nSeries II. Professional papers, 1960-2016\nSeries III. Book Reviews, 1982-2010\nSeries IV. Background Information on Published Papers, 1980-2008\nSeries V. Ethics Advisory Board, 1979\nSeries VI. Liverpool School, 1952-2012"],"bioghist_html_tesm":["\u003cp\u003eDoris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Doris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance."],"odd_html_tesm":["\u003cp\u003eThe guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Doris Zallen Papers, Ms2018-032, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Doris Zallen Papers, Ms2018-032, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the following collections:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_3289.xml\"\u003eChoices and Challenges Forum Records, RG 15/27/1\u003c/a\u003e, Special Collections and University Archives, Virginia Tech.\u003c/item\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://search.amphilsoc.org/collections/view?docId=ead/Mss.Ms.Coll.65-ead.xml\"\u003ePhilip M. Sheppard Papers, Mss.Ms.Coll.65\u003c/a\u003e, American Philosophical Society.\u003c/item\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://sca-archives.liverpool.ac.uk/Record/22803\"\u003eD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n\u003c/a\u003e, Special Collections \u0026amp; Archives, University of Liverpool.\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  ","\u003cp\u003eRelated information can be found in Series II, the Bertrand Goldschmidt folder and Rene Wurmser folder.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials","Related Materials"],"relatedmaterial_tesim":["See also the following collections:","Choices and Challenges Forum Records, RG 15/27/1, Special Collections and University Archives, Virginia Tech.\nPhilip M. Sheppard Papers, Mss.Ms.Coll.65, American Philosophical Society.\nD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n, Special Collections \u0026 Archives, University of Liverpool.","Related information can be found in Series II, the Bertrand Goldschmidt folder and Rene Wurmser folder."],"scopecontent_html_tesm":["\u003cp\u003eThe Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016. \u003c/p\u003e","\u003cp\u003eThe records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.\u003c/p\u003e","\u003cp\u003eIn the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences. \u003c/p\u003e","\u003cp\u003eThe second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.\u003c/p\u003e","\u003cp\u003eSeries III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"\u003c/p\u003e","\u003cp\u003eThe fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.\u003c/p\u003e","\u003cp\u003eThe fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.\u003c/p\u003e","\u003cp\u003eThe last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease.\u003c/p\u003e  ","\u003cp\u003eFARs (Faculty Activities Report) and related doucments\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper articles, and interviews in the press\u003c/p\u003e","\u003cp\u003ePhilip Sheppard gives a brief account of the prevention of Rh haemolytic disease. It was provided to DTZ by Daphne Christie on 22 July 2004 as part of the Wellcome Witness Seminar materials.\u003c/p\u003e","\u003cp\u003eThese interviews are dditional contacts made at the suggestion of David Price\nEvans and Cyril Clarke. Only DTZ interview notes are available. The interivews that David Price recommended were Cohen, Connor, Cooper, and Rodeck; the interviews that Cyril Clark recommended was Towers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016.","The records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.","In the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences.","The second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.","Series III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"","The fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.","The fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.","The last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease.","FARs (Faculty Activities Report) and related doucments","Includes photographs, newspaper articles, and interviews in the press","Philip Sheppard gives a brief account of the prevention of Rh haemolytic disease. It was provided to DTZ by Daphne Christie on 22 July 2004 as part of the Wellcome Witness Seminar materials.","These interviews are dditional contacts made at the suggestion of David Price\nEvans and Cyril Clarke. Only DTZ interview notes are available. The interivews that David Price recommended were Cohen, Connor, Cooper, and Rodeck; the interviews that Cyril Clark recommended was Towers."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f780eb9474c90671b364abacec9cdc\" label=\"Abstract\"\u003eThe Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:48:32.624Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3294_c04_c17"}},{"id":"vifgm_arenastage_c02_c03_c1545","type":"File","attributes":{"title":"Zalmen, Or the Madness of God,, 1973/1974","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c02_c03_c1545#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c02_c03_c1545#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c02_c03_c1545","ref_ssm":["vifgm_arenastage_c02_c03_c1545"],"id":"vifgm_arenastage_c02_c03_c1545","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c02_c03","parent_ssi":"vifgm_arenastage_c02_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 2: Production files,, 1950/2010","Subseries 2.3: Production files,, 1950/2001"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c02","vifgm_arenastage_c02_c03"],"title_filing_ssi":"Zalmen, Or the Madness of God,","title_ssm":["Zalmen, Or the Madness of God,"],"title_tesim":["Zalmen, Or the Madness of God,"],"normalized_title_ssm":["Zalmen, Or the Madness of God,, 1973/1974"],"text":["Zalmen, Or the Madness of God,, 1973/1974","Arena Stage records, 1949/2010","Series 2: Production files,, 1950/2010","Subseries 2.3: Production files,, 1950/2001","Box 528","Folder 4"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 2: Production files,, 1950/2010","Subseries 2.3: Production files,, 1950/2001"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 2: Production files,, 1950/2010","Subseries 2.3: Production files,, 1950/2001"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":6350,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["Box 528","Folder 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1973,1974],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n            "],"_nest_path_":"/components#1/components#2/components#1544","timestamp":"2026-06-23T06:51:57.452Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"unitid_tesim":["C0017"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e\n    ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e\n            "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n      ","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n      ","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n      ","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n      ","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n      ","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e\n      ","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e\n      ","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e\n    ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e\n        ","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\nContains letters from Sigourney Weaver.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n           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Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n 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subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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           ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eVinegar\n\u003c/p\u003e\n            ","\u003cp\u003eUnraveling - Vinegar\n\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e\n            ","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:51:57.452Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c02_c03_c1545"}},{"id":"vifgm_arenastage_c03_c01_c417","type":"File","attributes":{"title":"Zalmen, or the Madness of God,, 1973/1974","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c03_c01_c417#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c03_c01_c417#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c03_c01_c417","ref_ssm":["vifgm_arenastage_c03_c01_c417"],"id":"vifgm_arenastage_c03_c01_c417","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c03_c01","parent_ssi":"vifgm_arenastage_c03_c01","parent_ssim":["Arena Stage records, 1949/2010","Series 3: Photographs,, 1950/2005","Subseries 3.1: Production photographs,, 1950/2005"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c03","vifgm_arenastage_c03_c01"],"title_filing_ssi":"Zalmen, or the Madness of God,","title_ssm":["Zalmen, or the Madness of God,"],"title_tesim":["Zalmen, or the Madness of God,"],"normalized_title_ssm":["Zalmen, or the Madness of God,, 1973/1974"],"text":["Zalmen, or the Madness of God,, 1973/1974","Arena Stage records, 1949/2010","Series 3: Photographs,, 1950/2005","Subseries 3.1: Production photographs,, 1950/2005","Box 613","Folder 9"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 3: Photographs,, 1950/2005","Subseries 3.1: Production photographs,, 1950/2005"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 3: Photographs,, 1950/2005","Subseries 3.1: Production photographs,, 1950/2005"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7500,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["Box 613","Folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1973,1974],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n            "],"_nest_path_":"/components#2/components#0/components#416","timestamp":"2026-06-23T06:51:57.452Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"unitid_tesim":["C0017"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e\n    ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e\n            "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n      ","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n      ","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n      ","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n      ","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n      ","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e\n      ","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e\n      ","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e\n    ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e\n        ","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\nContains letters from Sigourney Weaver.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n           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Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n 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photography labelled by production. 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","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e\n          ","\u003cp\u003eReel 1 of 3, Includes Program for event\n\u003c/p\u003e\n            ","\u003cp\u003eReel 2 of 3\n\u003c/p\u003e\n            ","\u003cp\u003eReel 3 of 3\n\u003c/p\u003e\n            ","\u003cp\u003ePartially Unraveling\n\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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           ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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           ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eVinegar\n\u003c/p\u003e\n            ","\u003cp\u003eUnraveling - Vinegar\n\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e\n            ","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eTape 3\n\u003c/p\u003e\n            ","\u003cp\u003eTape 4\n\u003c/p\u003e\n            ","\u003cp\u003eTape 5\n\u003c/p\u003e\n            ","\u003cp\u003eTape 6\n\u003c/p\u003e\n            ","\u003cp\u003eReel #168\n\u003c/p\u003e\n            ","\u003cp\u003eReel #169\n\u003c/p\u003e\n            ","\u003cp\u003eReel #170\n\u003c/p\u003e\n            ","\u003cp\u003e3 copies\n\u003c/p\u003e\n            ","\u003cp\u003e2 copies\n\u003c/p\u003e\n            ","\u003cp\u003e2 copies\n\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            "],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:51:57.452Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c03_c01_c417"}},{"id":"vifgm_repositories_2_resources_416_c02_c03_c1545","type":"File","attributes":{"title":"Zalmen, Or the Madness of God, 1973/1974","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c02_c03_c1545#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c02_c03_c1545","ref_ssm":["vifgm_repositories_2_resources_416_c02_c03_c1545"],"id":"vifgm_repositories_2_resources_416_c02_c03_c1545","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c02_c03","parent_ssi":"vifgm_repositories_2_resources_416_c02_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c02","vifgm_repositories_2_resources_416_c02_c03"],"title_filing_ssi":"Zalmen, Or the Madness of God","title_ssm":["Zalmen, Or the Madness of God"],"title_tesim":["Zalmen, Or the Madness of God"],"normalized_title_ssm":["Zalmen, Or the Madness of God, 1973/1974"],"text":["Zalmen, Or the Madness of God, 1973/1974","Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001","box 528","folder 4"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":6350,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 528","folder 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973,1974],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#1/components#2/components#1544","timestamp":"2026-06-23T06:54:23.861Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e  ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:23.861Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c02_c03_c1545"}},{"id":"vifgm_repositories_2_resources_416_c03_c01_c417","type":"File","attributes":{"title":"Zalmen, or the Madness of God, 1973/1974","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c03_c01_c417#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c03_c01_c417","ref_ssm":["vifgm_repositories_2_resources_416_c03_c01_c417"],"id":"vifgm_repositories_2_resources_416_c03_c01_c417","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c03_c01","parent_ssi":"vifgm_repositories_2_resources_416_c03_c01","parent_ssim":["Arena Stage records, 1949/2010","Series 3: Photographs, 1950/2005","Subseries 3.1: Production photographs, 1950/2005"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c03","vifgm_repositories_2_resources_416_c03_c01"],"title_filing_ssi":"Zalmen, or the Madness of God","title_ssm":["Zalmen, or the Madness of God"],"title_tesim":["Zalmen, or the Madness of God"],"normalized_title_ssm":["Zalmen, or the Madness of God, 1973/1974"],"text":["Zalmen, or the Madness of God, 1973/1974","Arena Stage records, 1949/2010","Series 3: Photographs, 1950/2005","Subseries 3.1: Production photographs, 1950/2005","box 613","folder 9"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 3: Photographs, 1950/2005","Subseries 3.1: Production photographs, 1950/2005"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 3: Photographs, 1950/2005","Subseries 3.1: Production photographs, 1950/2005"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7500,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 613","folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973,1974],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#2/components#0/components#416","timestamp":"2026-06-23T06:54:23.861Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e  ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:23.861Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c03_c01_c417"}},{"id":"vifgm_arenastage_c02_c03_c1547","type":"File","attributes":{"title":"Zalmen, Or the Madness of God (1 of 7),, 1973/1974","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c02_c03_c1547#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c02_c03_c1547#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c02_c03_c1547","ref_ssm":["vifgm_arenastage_c02_c03_c1547"],"id":"vifgm_arenastage_c02_c03_c1547","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c02_c03","parent_ssi":"vifgm_arenastage_c02_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 2: Production files,, 1950/2010","Subseries 2.3: Production files,, 1950/2001"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c02","vifgm_arenastage_c02_c03"],"title_filing_ssi":"Zalmen, Or the Madness of God (1 of 7),","title_ssm":["Zalmen, Or the Madness of God (1 of 7),"],"title_tesim":["Zalmen, Or the Madness of God (1 of 7),"],"normalized_title_ssm":["Zalmen, Or the Madness of God (1 of 7),, 1973/1974"],"text":["Zalmen, Or the Madness of God (1 of 7),, 1973/1974","Arena Stage records, 1949/2010","Series 2: Production files,, 1950/2010","Subseries 2.3: Production files,, 1950/2001","Box 528","Folder 6"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 2: Production files,, 1950/2010","Subseries 2.3: Production files,, 1950/2001"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 2: Production files,, 1950/2010","Subseries 2.3: Production files,, 1950/2001"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":6352,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["Box 528","Folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1973,1974],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n            "],"_nest_path_":"/components#1/components#2/components#1546","timestamp":"2026-06-23T06:51:57.452Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"unitid_tesim":["C0017"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e\n    ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e\n            "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n      ","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n      ","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n      ","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n      ","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n      ","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e\n      ","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e\n      ","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e\n    ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e\n        ","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\nContains letters from Sigourney Weaver.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n           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Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n 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subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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           ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eVinegar\n\u003c/p\u003e\n            ","\u003cp\u003eUnraveling - Vinegar\n\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e\n            ","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:51:57.452Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c02_c03_c1547"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":263},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":10508},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":49},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation"}},{"attributes":{"label":"Fairfax County Public Library","value":"Fairfax County Public Library","hits":496},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=Fairfax+County+Public+Library"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":11398},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":294},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":1659},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Jones Memorial Library","value":"Jones Memorial Library","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=Jones+Memorial+Library"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":46},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia"}},{"attributes":{"label":"Longwood University","value":"Longwood 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