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Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road)."],"userestrict_heading_ssm":["Conditions Governing Use"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students"],"persname_ssim":["Sheridan, John, 1847 - 1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1048,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:14:48.388Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c02_c459"}},{"id":"vilxw_repositories_5_resources_641_c01_c02_c01_c02","type":"File","attributes":{"title":"A","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_641_c01_c02_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_641_c01_c02_c01_c02","ref_ssm":["vilxw_repositories_5_resources_641_c01_c02_c01_c02"],"id":"vilxw_repositories_5_resources_641_c01_c02_c01_c02","ead_ssi":"vilxw_repositories_5_resources_641","_root_":"vilxw_repositories_5_resources_641","_nest_parent_":"vilxw_repositories_5_resources_641_c01_c02_c01","parent_ssi":"vilxw_repositories_5_resources_641_c01_c02_c01","parent_ssim":["vilxw_repositories_5_resources_641","vilxw_repositories_5_resources_641_c01","vilxw_repositories_5_resources_641_c01_c02","vilxw_repositories_5_resources_641_c01_c02_c01"],"parent_ids_ssim":["vilxw_repositories_5_resources_641","vilxw_repositories_5_resources_641_c01","vilxw_repositories_5_resources_641_c01_c02","vilxw_repositories_5_resources_641_c01_c02_c01"],"parent_unittitles_ssm":["Shenandoah records","Series 1: Correspondence by Editor","James Boatwright","Surname: A"],"parent_unittitles_tesim":["Shenandoah records","Series 1: Correspondence by Editor","James Boatwright","Surname: A"],"text":["Shenandoah records","Series 1: Correspondence by Editor","James Boatwright","Surname: A","A","box 1","folder 3"],"title_filing_ssi":"A","title_ssm":["A"],"title_tesim":["A"],"unitdate_inclusive_ssm":["1970, 1972, 1977, 1981-1982, 1986-1987"],"normalized_date_ssm":["1970/1987"],"normalized_title_ssm":["A"],"component_level_isim":[4],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Shenandoah records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":17,"parent_access_restrict_tesm":["While Washington and Lee University may own the physical documents contained within this collection, the content of the correspondence from contributors and their submitted manuscripts fall under copyright. 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Any materials used should be fully credited with the source."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"containers_ssim":["box 1","folder 3"],"_nest_path_":"/components#0/components#1/components#0/components#1","timestamp":"2026-05-20T23:45:42.947Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_641","ead_ssi":"vilxw_repositories_5_resources_641","_root_":"vilxw_repositories_5_resources_641","_nest_parent_":"vilxw_repositories_5_resources_641","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_641.xml","title_filing_ssi":"Shenandoah  records","title_ssm":["Shenandoah records"],"title_tesim":["Shenandoah records"],"unitdate_ssm":["1952-2013"],"unitdate_inclusive_ssm":["1952-2013"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.29","/repositories/5/resources/641"],"text":["WLU.RG.29","/repositories/5/resources/641","Shenandoah records","Poetry","American prose literature","This collection is open for research use but must be accessed in person in the Special Collections and Archives reading room. The majority of the collection falls under various copyright and intellectual property rights laws. To ensure compliance with literary estates and federal law, we will not digitize items from this collection without the expressed written permission by the appropriate entities. Special Collections and Archives staff will not serve as the intermediary between researchers and literary estates or living contributors. That responsibility falls solely to the researcher. ","This site can help determine copyright holders: https://norman.hrc.utexas.edu/watch/.","Researchers are restricted from viewing letters of agreement because they include personal privacy information. These documents are restricted for 75 years plus one day from year of creation.","While Washington and Lee University may own the physical documents contained within this collection, the content of the correspondence from contributors and their submitted manuscripts fall under copyright. The manuscripts in this collection, both prose and poetry, were published in the journal. ","Several individuals whose letters and/or manuscripts are included in this colleague have estates which manage their intellectual property rights. The Special Collections and Archives staff will not reproduce material by these individuals which would result in copyright violation. Access will only be allowed in the Special Collections and Archives reading room.","Signed by Tolkien, this poem is under copyright which is managed by the Tolkien Estate. Access is available in person. No reproduction without expressed written permission of the Tolkien Estate. The researcher is responsible for obtaining appropriate permissions.","Restricted until January 1, 2064","Restricted until January 1, 2065","Restricted until January 1, 2065","Restricted until January 1, 2065","Restricted until January 1, 2066","Restricted until January 1, 2067","Restricted until January 1, 2067","Restricted until January 1, 2068","Restricted until January 1, 2069","Restricted until January 1, 2070","Restricted until January 1, 2087","Restricted until January 1, 2088","Restricted until January 1, 2089","This collection has been arranged in six series. Series 1 contains the correspondence of past editors with the majority created during the tenure of James Boatwright. The files are arranged by surname. In his correspondence files, Boatwright sometimes included letters by, to, and about specific contributors into one file. Series 2 includes both prose and poetry that was submitted and accepted for publication. They are arranged by the volume/number they were published in. Series 3 contains galley proofs. Series 4 includes permission requests for reprints and requests for copyright assignments. Series 5 contains subject files that do not fit within other series. Series 6 contains letters of agreement. This series is restricted because the agreements include contributor social security numbers.","From https://shenandoahliterary.org/about/","Shenandoah  was founded in 1950 by a group of Washington and Lee University faculty members and undergraduates, Tom Wolfe among them. For a brief time it was primarily an undergraduate magazine, but under the leadership of student editor Tom Carter,  Shenandoah  became a quarterly, publishing a cast of international writers including e e cummings, Dylan Thomas, W. H. Auden, James Merrill, Ezra Pound, William Faulkner, and Flannery O'Connor. From the 1960s to the 1980s, Washington and Lee faculty member James Boatwright expanded the journal and published occasional theme issues, including a thirty-fifth anniversary anthology. After Boatwright's death in 1988, Dabney Stuart took over as editor. In 1995, R. T. Smith was selected as the magazine's first full-time editor. In 2011, Shenandoah moved online, and is now a web magazine that publishes semiannually. In August 2018, after the retirement of R. T. Smith, Beth Staples took over as editor. Shenandoah is now part of W\u0026L's English Department and, under Beth's direction, is supported by a class of undergraduate interns studying editing and publishing.","Former editors include Tom Wolfe, Tom Carter, James Boatwright, Dabney Stuart, and R. T. Smith. ","Spring 1950-Summer 1950: J. J. Donovan, D. C. G. Kerr, Thomas K. Wolfe, Jr.","Winter 1950-Spring 1951: W. H. Adams, Thomas K. Wolfe, Jr., J. A. F. Hall, Jr.","Summer 1951-Autumn 1953: Thomas Carter","Winter 1953-Summer 1954: Raymond D. Smith, Jr.","Winter 1954-Summer 1956: Edward M. Hood","Winter 1956-Summer 1958: M. Maxwell Caskie, III","Autumn 1958: Marshall W. Fishwick","Winter 1959: Paxton Davis","Spring 1959: James G. Leyburn","Autumn 1959: Marvin B. Perry, Jr.","Winter 1960: Lynwood D. Zinn","Spring 1960: Randolph M. Bulgin","Autumn 1960: William W. Pusey, III","Winter 1961: Bond Johnson, III","Spring 1961: Edward B. Hamer","Autumn 1961: Marshall W. Fishwick","Winter 1962: Douglas Day","Spring 1962: Cecil D. Eby, Jr.","Summer 1962: B. S. Stephenson","Autumn 1962-1988: James Boatwright","1988-1995: Dabney Stuart","1995-2018: R. T. Smith","2018- : Beth Staples","Shenandoah  ceased publishing print journals and went fully online starting with Volume 61.\n View materials in this collection online.","Thomas H. Carter Papers (WLU-Coll-0004)","Dabney Stuart Papers (WLU-Coll-0364)","This collection record material of the Washington and Lee University's literary magazine  Shenandoah . The records include correspondence created by and sent to editors of the publication, financial records, its constitution, reprint permissions, galley proofs, manuscripts, copyright assignments, and subject files. ","The bulk of the collection is from the tenure of editor James Boatwright. The subject matter of the correspondence varies but is primarily from contributors. Correspondents include Langston Hughes, James Baldwin, J. R. R. Tolkien, E. E. Cummings, Eudora Welty, Joyce Carol Oates, James McCourt, George Plimpton, Tom Wolfe, and Flannery O'Connor. The correspondence creating during both Boatwright and Dabney Stuart's tenure may also include letters written or received by  Shenandoah  staff including Helen Schuyler, Sue Stewart, and Lynn Williams.","Researchers are expected to review the access retrictions associated with this collection prior to a virtual inquiry and/or in-person visit.","Includes one letter written to Thomas Carter and one written to Raymond Smith","Includes correspondence to Editor Hood","Also includes correspondence to Smith and Hood.","The 1957 letter is to Mr. Caskie.","The 1958 document is a typescript letter to Merrill from Arthur R. Borden, Jr., Chairman of the Board of  Shenandoah  and then Merrill's handwritten reply to Borden below.","1955 letter was written to Hood","Includes a letter from Harold Pinter dated September 26, 1966","Of particular note is an undated letter from an individual named Willy who describes the Mel Greenberg affair.","This series includes both correspondence and submitted manuscripts that contributors included with their correspondence.","Submitted and accepted manuscripts, both poetry and prose. These are under copyright by the original copyright holder and will not be reproduced without expressed written permission by the copyright holder. Special Collections and Archives staff will not serve as the intermidiaries between researchers and copyright holders. That responsibility lies with the researcher.","This series contains letters of agreement between contributers and  Shenandoah , and they include social security numbers. To protect this information, researchers are restricted from accessing this series for 75 years plus one day from the year of creation. For example, agreements signed in 1988 will be accessible January 1, 2064.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","English \n.    "],"unitid_tesim":["WLU.RG.29","/repositories/5/resources/641"],"normalized_title_ssm":["Shenandoah records"],"collection_title_tesim":["Shenandoah records"],"collection_ssim":["Shenandoah records"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Washington and Lee University"],"creator_ssim":["Washington and Lee University"],"creator_corpname_ssim":["Washington and Lee University"],"creators_ssim":["Washington and Lee University"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source."],"access_subjects_ssim":["Poetry","American prose literature"],"access_subjects_ssm":["Poetry","American prose literature"],"has_online_content_ssim":["false"],"extent_ssm":["17.0 Linear Feet 34 document cases"],"extent_tesim":["17.0 Linear Feet 34 document cases"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use but must be accessed in person in the Special Collections and Archives reading room. The majority of the collection falls under various copyright and intellectual property rights laws. To ensure compliance with literary estates and federal law, we will not digitize items from this collection without the expressed written permission by the appropriate entities. Special Collections and Archives staff will not serve as the intermediary between researchers and literary estates or living contributors. That responsibility falls solely to the researcher. \u003c/p\u003e\n","\u003cp\u003eThis site can help determine copyright holders: https://norman.hrc.utexas.edu/watch/.\u003c/p\u003e","\u003cp\u003eResearchers are restricted from viewing letters of agreement because they include personal privacy information. These documents are restricted for 75 years plus one day from year of creation.\u003c/p\u003e","\u003cp\u003eWhile Washington and Lee University may own the physical documents contained within this collection, the content of the correspondence from contributors and their submitted manuscripts fall under copyright. The manuscripts in this collection, both prose and poetry, were published in the journal. \u003c/p\u003e\n","\u003cp\u003eSeveral individuals whose letters and/or manuscripts are included in this colleague have estates which manage their intellectual property rights. The Special Collections and Archives staff will not reproduce material by these individuals which would result in copyright violation. Access will only be allowed in the Special Collections and Archives reading room.\u003c/p\u003e","\u003cp\u003eSigned by Tolkien, this poem is under copyright which is managed by the Tolkien Estate. Access is available in person. No reproduction without expressed written permission of the Tolkien Estate. The researcher is responsible for obtaining appropriate permissions.\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2064\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2065\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2065\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2065\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2066\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2067\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2067\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2068\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2069\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2070\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2087\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2088\u003c/p\u003e","\u003cp\u003eRestricted until January 1, 2089\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Restrictions - Letters of Agreement","Restrictions - Reproductions","Conditions Governing Access","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["This collection is open for research use but must be accessed in person in the Special Collections and Archives reading room. The majority of the collection falls under various copyright and intellectual property rights laws. To ensure compliance with literary estates and federal law, we will not digitize items from this collection without the expressed written permission by the appropriate entities. Special Collections and Archives staff will not serve as the intermediary between researchers and literary estates or living contributors. That responsibility falls solely to the researcher. ","This site can help determine copyright holders: https://norman.hrc.utexas.edu/watch/.","Researchers are restricted from viewing letters of agreement because they include personal privacy information. These documents are restricted for 75 years plus one day from year of creation.","While Washington and Lee University may own the physical documents contained within this collection, the content of the correspondence from contributors and their submitted manuscripts fall under copyright. The manuscripts in this collection, both prose and poetry, were published in the journal. ","Several individuals whose letters and/or manuscripts are included in this colleague have estates which manage their intellectual property rights. The Special Collections and Archives staff will not reproduce material by these individuals which would result in copyright violation. Access will only be allowed in the Special Collections and Archives reading room.","Signed by Tolkien, this poem is under copyright which is managed by the Tolkien Estate. Access is available in person. No reproduction without expressed written permission of the Tolkien Estate. The researcher is responsible for obtaining appropriate permissions.","Restricted until January 1, 2064","Restricted until January 1, 2065","Restricted until January 1, 2065","Restricted until January 1, 2065","Restricted until January 1, 2066","Restricted until January 1, 2067","Restricted until January 1, 2067","Restricted until January 1, 2068","Restricted until January 1, 2069","Restricted until January 1, 2070","Restricted until January 1, 2087","Restricted until January 1, 2088","Restricted until January 1, 2089"],"arrangement_html_tesm":["\u003cp\u003eThis collection has been arranged in six series. Series 1 contains the correspondence of past editors with the majority created during the tenure of James Boatwright. The files are arranged by surname. In his correspondence files, Boatwright sometimes included letters by, to, and about specific contributors into one file. Series 2 includes both prose and poetry that was submitted and accepted for publication. They are arranged by the volume/number they were published in. Series 3 contains galley proofs. Series 4 includes permission requests for reprints and requests for copyright assignments. Series 5 contains subject files that do not fit within other series. Series 6 contains letters of agreement. This series is restricted because the agreements include contributor social security numbers.\u003c/p\u003e"],"arrangement_heading_ssm":["Collection Arrangement"],"arrangement_tesim":["This collection has been arranged in six series. Series 1 contains the correspondence of past editors with the majority created during the tenure of James Boatwright. The files are arranged by surname. In his correspondence files, Boatwright sometimes included letters by, to, and about specific contributors into one file. Series 2 includes both prose and poetry that was submitted and accepted for publication. They are arranged by the volume/number they were published in. Series 3 contains galley proofs. Series 4 includes permission requests for reprints and requests for copyright assignments. Series 5 contains subject files that do not fit within other series. Series 6 contains letters of agreement. This series is restricted because the agreements include contributor social security numbers."],"bioghist_html_tesm":["\u003cp\u003eFrom https://shenandoahliterary.org/about/\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eShenandoah\u003c/title\u003e was founded in 1950 by a group of Washington and Lee University faculty members and undergraduates, Tom Wolfe among them. For a brief time it was primarily an undergraduate magazine, but under the leadership of student editor Tom Carter, \u003ctitle\u003eShenandoah\u003c/title\u003e became a quarterly, publishing a cast of international writers including e e cummings, Dylan Thomas, W. H. Auden, James Merrill, Ezra Pound, William Faulkner, and Flannery O'Connor. From the 1960s to the 1980s, Washington and Lee faculty member James Boatwright expanded the journal and published occasional theme issues, including a thirty-fifth anniversary anthology. After Boatwright's death in 1988, Dabney Stuart took over as editor. In 1995, R. T. Smith was selected as the magazine's first full-time editor. In 2011, Shenandoah moved online, and is now a web magazine that publishes semiannually. In August 2018, after the retirement of R. T. Smith, Beth Staples took over as editor. Shenandoah is now part of W\u0026amp;L's English Department and, under Beth's direction, is supported by a class of undergraduate interns studying editing and publishing.\u003c/p\u003e\n","\u003cp\u003eFormer editors include Tom Wolfe, Tom Carter, James Boatwright, Dabney Stuart, and R. T. Smith. \u003c/p\u003e","\u003cp\u003eSpring 1950-Summer 1950: J. J. Donovan, D. C. G. Kerr, Thomas K. Wolfe, Jr.\u003c/p\u003e","\u003cp\u003eWinter 1950-Spring 1951: W. H. Adams, Thomas K. Wolfe, Jr., J. A. F. Hall, Jr.\u003c/p\u003e","\u003cp\u003eSummer 1951-Autumn 1953: Thomas Carter\u003c/p\u003e","\u003cp\u003eWinter 1953-Summer 1954: Raymond D. Smith, Jr.\u003c/p\u003e","\u003cp\u003eWinter 1954-Summer 1956: Edward M. Hood\u003c/p\u003e","\u003cp\u003eWinter 1956-Summer 1958: M. Maxwell Caskie, III\u003c/p\u003e","\u003cp\u003eAutumn 1958: Marshall W. Fishwick\u003c/p\u003e","\u003cp\u003eWinter 1959: Paxton Davis\u003c/p\u003e","\u003cp\u003eSpring 1959: James G. Leyburn\u003c/p\u003e","\u003cp\u003eAutumn 1959: Marvin B. Perry, Jr.\u003c/p\u003e","\u003cp\u003eWinter 1960: Lynwood D. Zinn\u003c/p\u003e","\u003cp\u003eSpring 1960: Randolph M. Bulgin\u003c/p\u003e","\u003cp\u003eAutumn 1960: William W. Pusey, III\u003c/p\u003e","\u003cp\u003eWinter 1961: Bond Johnson, III\u003c/p\u003e","\u003cp\u003eSpring 1961: Edward B. Hamer\u003c/p\u003e","\u003cp\u003eAutumn 1961: Marshall W. Fishwick\u003c/p\u003e","\u003cp\u003eWinter 1962: Douglas Day\u003c/p\u003e","\u003cp\u003eSpring 1962: Cecil D. Eby, Jr.\u003c/p\u003e","\u003cp\u003eSummer 1962: B. S. Stephenson\u003c/p\u003e","\u003cp\u003eAutumn 1962-1988: James Boatwright\u003c/p\u003e","\u003cp\u003e1988-1995: Dabney Stuart\u003c/p\u003e","\u003cp\u003e1995-2018: R. T. Smith\u003c/p\u003e","\u003cp\u003e2018- : Beth Staples\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note","Chronology of Editors"],"bioghist_tesim":["From https://shenandoahliterary.org/about/","Shenandoah  was founded in 1950 by a group of Washington and Lee University faculty members and undergraduates, Tom Wolfe among them. For a brief time it was primarily an undergraduate magazine, but under the leadership of student editor Tom Carter,  Shenandoah  became a quarterly, publishing a cast of international writers including e e cummings, Dylan Thomas, W. H. Auden, James Merrill, Ezra Pound, William Faulkner, and Flannery O'Connor. From the 1960s to the 1980s, Washington and Lee faculty member James Boatwright expanded the journal and published occasional theme issues, including a thirty-fifth anniversary anthology. After Boatwright's death in 1988, Dabney Stuart took over as editor. In 1995, R. T. Smith was selected as the magazine's first full-time editor. In 2011, Shenandoah moved online, and is now a web magazine that publishes semiannually. In August 2018, after the retirement of R. T. Smith, Beth Staples took over as editor. Shenandoah is now part of W\u0026L's English Department and, under Beth's direction, is supported by a class of undergraduate interns studying editing and publishing.","Former editors include Tom Wolfe, Tom Carter, James Boatwright, Dabney Stuart, and R. T. Smith. ","Spring 1950-Summer 1950: J. J. Donovan, D. C. G. Kerr, Thomas K. Wolfe, Jr.","Winter 1950-Spring 1951: W. H. Adams, Thomas K. Wolfe, Jr., J. A. F. Hall, Jr.","Summer 1951-Autumn 1953: Thomas Carter","Winter 1953-Summer 1954: Raymond D. Smith, Jr.","Winter 1954-Summer 1956: Edward M. Hood","Winter 1956-Summer 1958: M. Maxwell Caskie, III","Autumn 1958: Marshall W. Fishwick","Winter 1959: Paxton Davis","Spring 1959: James G. Leyburn","Autumn 1959: Marvin B. Perry, Jr.","Winter 1960: Lynwood D. Zinn","Spring 1960: Randolph M. Bulgin","Autumn 1960: William W. Pusey, III","Winter 1961: Bond Johnson, III","Spring 1961: Edward B. Hamer","Autumn 1961: Marshall W. Fishwick","Winter 1962: Douglas Day","Spring 1962: Cecil D. Eby, Jr.","Summer 1962: B. S. Stephenson","Autumn 1962-1988: James Boatwright","1988-1995: Dabney Stuart","1995-2018: R. T. Smith","2018- : Beth Staples"],"originalsloc_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eShenandoah\u003c/emph\u003e ceased publishing print journals and went fully online starting with Volume 61.\n\u003ca href=\"http://shenandoahliterary.org/\"\u003eView materials in this collection online.\u003c/a\u003e\u003c/p\u003e"],"originalsloc_heading_ssm":["Online Access for Digital Issues"],"originalsloc_tesim":["Shenandoah  ceased publishing print journals and went fully online starting with Volume 61.\n View materials in this collection online."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Record Group 29: Shenandoah Records, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Record Group 29: Shenandoah Records, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"relatedmaterial_html_tesm":["\u003cp\u003eThomas H. Carter Papers (WLU-Coll-0004)\u003c/p\u003e\n","\u003cp\u003eDabney Stuart Papers (WLU-Coll-0364)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas H. Carter Papers (WLU-Coll-0004)","Dabney Stuart Papers (WLU-Coll-0364)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection record material of the Washington and Lee University's literary magazine \u003cemph render=\"italic\"\u003eShenandoah\u003c/emph\u003e. The records include correspondence created by and sent to editors of the publication, financial records, its constitution, reprint permissions, galley proofs, manuscripts, copyright assignments, and subject files. \u003c/p\u003e\n","\u003cp\u003eThe bulk of the collection is from the tenure of editor James Boatwright. The subject matter of the correspondence varies but is primarily from contributors. Correspondents include Langston Hughes, James Baldwin, J. R. R. Tolkien, E. E. Cummings, Eudora Welty, Joyce Carol Oates, James McCourt, George Plimpton, Tom Wolfe, and Flannery O'Connor. The correspondence creating during both Boatwright and Dabney Stuart's tenure may also include letters written or received by \u003cemph render=\"italic\"\u003eShenandoah\u003c/emph\u003e staff including Helen Schuyler, Sue Stewart, and Lynn Williams.\u003c/p\u003e\n","\u003cp\u003eResearchers are expected to review the access retrictions associated with this collection prior to a virtual inquiry and/or in-person visit.\u003c/p\u003e","\u003cp\u003eIncludes one letter written to Thomas Carter and one written to Raymond Smith\u003c/p\u003e","\u003cp\u003eIncludes correspondence to Editor Hood\u003c/p\u003e","\u003cp\u003eAlso includes correspondence to Smith and Hood.\u003c/p\u003e","\u003cp\u003eThe 1957 letter is to Mr. Caskie.\u003c/p\u003e","\u003cp\u003eThe 1958 document is a typescript letter to Merrill from Arthur R. Borden, Jr., Chairman of the Board of \u003citalic\u003eShenandoah\u003c/italic\u003e and then Merrill's handwritten reply to Borden below.\u003c/p\u003e","\u003cp\u003e1955 letter was written to Hood\u003c/p\u003e","\u003cp\u003eIncludes a letter from Harold Pinter dated September 26, 1966\u003c/p\u003e","\u003cp\u003eOf particular note is an undated letter from an individual named Willy who describes the Mel Greenberg affair.\u003c/p\u003e","\u003cp\u003eThis series includes both correspondence and submitted manuscripts that contributors included with their correspondence.\u003c/p\u003e","\u003cp\u003eSubmitted and accepted manuscripts, both poetry and prose. These are under copyright by the original copyright holder and will not be reproduced without expressed written permission by the copyright holder. Special Collections and Archives staff will not serve as the intermidiaries between researchers and copyright holders. That responsibility lies with the researcher.\u003c/p\u003e","\u003cp\u003eThis series contains letters of agreement between contributers and \u003ctitle\u003eShenandoah\u003c/title\u003e, and they include social security numbers. To protect this information, researchers are restricted from accessing this series for 75 years plus one day from the year of creation. For example, agreements signed in 1988 will be accessible January 1, 2064.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection record material of the Washington and Lee University's literary magazine  Shenandoah . The records include correspondence created by and sent to editors of the publication, financial records, its constitution, reprint permissions, galley proofs, manuscripts, copyright assignments, and subject files. ","The bulk of the collection is from the tenure of editor James Boatwright. The subject matter of the correspondence varies but is primarily from contributors. Correspondents include Langston Hughes, James Baldwin, J. R. R. Tolkien, E. E. Cummings, Eudora Welty, Joyce Carol Oates, James McCourt, George Plimpton, Tom Wolfe, and Flannery O'Connor. The correspondence creating during both Boatwright and Dabney Stuart's tenure may also include letters written or received by  Shenandoah  staff including Helen Schuyler, Sue Stewart, and Lynn Williams.","Researchers are expected to review the access retrictions associated with this collection prior to a virtual inquiry and/or in-person visit.","Includes one letter written to Thomas Carter and one written to Raymond Smith","Includes correspondence to Editor Hood","Also includes correspondence to Smith and Hood.","The 1957 letter is to Mr. Caskie.","The 1958 document is a typescript letter to Merrill from Arthur R. Borden, Jr., Chairman of the Board of  Shenandoah  and then Merrill's handwritten reply to Borden below.","1955 letter was written to Hood","Includes a letter from Harold Pinter dated September 26, 1966","Of particular note is an undated letter from an individual named Willy who describes the Mel Greenberg affair.","This series includes both correspondence and submitted manuscripts that contributors included with their correspondence.","Submitted and accepted manuscripts, both poetry and prose. These are under copyright by the original copyright holder and will not be reproduced without expressed written permission by the copyright holder. Special Collections and Archives staff will not serve as the intermidiaries between researchers and copyright holders. That responsibility lies with the researcher.","This series contains letters of agreement between contributers and  Shenandoah , and they include social security numbers. To protect this information, researchers are restricted from accessing this series for 75 years plus one day from the year of creation. For example, agreements signed in 1988 will be accessible January 1, 2064."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1141,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:42.947Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_641_c01_c02_c01_c02"}},{"id":"vilxw_repositories_5_resources_231_c04_c02_c01","type":"File","attributes":{"title":"Abb-Ack","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c04_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c04_c02_c01","ref_ssm":["vilxw_repositories_5_resources_231_c04_c02_c01"],"id":"vilxw_repositories_5_resources_231_c04_c02_c01","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c04_c02","parent_ssi":"vilxw_repositories_5_resources_231_c04_c02","parent_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c04","vilxw_repositories_5_resources_231_c04_c02"],"parent_ids_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c04","vilxw_repositories_5_resources_231_c04_c02"],"parent_unittitles_ssm":["O.W. Riegel Papers","Journalism Department","Correspondence"],"parent_unittitles_tesim":["O.W. Riegel Papers","Journalism Department","Correspondence"],"text":["O.W. Riegel Papers","Journalism Department","Correspondence","Abb-Ack","English .","folder 12"],"title_filing_ssi":"Abb-Ack","title_ssm":["Abb-Ack"],"title_tesim":["Abb-Ack"],"unitdate_inclusive_ssm":["1932-1974"],"normalized_date_ssm":["1932/1974"],"normalized_title_ssm":["Abb-Ack"],"component_level_isim":[3],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":737,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"language_ssim":["English ."],"containers_ssim":["folder 12"],"_nest_path_":"/components#3/components#1/components#0","timestamp":"2026-05-20T21:30:16.538Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"text":["WLU.Coll.0387","/repositories/5/resources/231","O.W. Riegel Papers","Propaganda ","Journalism","This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. ","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper,  The Jeffster , and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.","There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English \n.    "],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"normalized_title_ssm":["O.W. Riegel Papers"],"collection_title_tesim":["O.W. Riegel Papers"],"collection_ssim":["O.W. Riegel Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creators_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda ","Journalism"],"access_subjects_ssm":["Propaganda ","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"arrangement_html_tesm":["\u003cp\u003eSome items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e\n","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. ","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.  In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e","\u003cp\u003eItems in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's\u003c/p\u003e","\u003cp\u003eRiegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.\u003c/p\u003e","\u003cp\u003eThe items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.\u003c/p\u003e","\u003cp\u003eThis subseries contains the most up-to-date version of Riegel's unpublished autobiography.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel took on various subjects related to his autobiography.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.\u003c/p\u003e","\u003cp\u003eItems in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.\u003c/p\u003e","\u003cp\u003eAs the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.\u003c/p\u003e","\u003cp\u003eThe Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.\u003c/p\u003e","\u003cp\u003eJournalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.\u003c/p\u003e","\u003cp\u003eRiegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.\u003c/p\u003e","\u003cp\u003eRiegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThis advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.\u003c/p\u003e","\u003cp\u003ethe Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.\u003c/p\u003e","\u003cp\u003eThe Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.\u003c/p\u003e","\u003cp\u003eDuring Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.\u003c/p\u003e","\u003cp\u003eMass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.\u003c/p\u003e","\u003cp\u003ePublicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.\u003c/p\u003e","\u003cp\u003eThis subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.\u003c/p\u003e","\u003cp\u003eMaterials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.\u003c/p\u003e","\u003cp\u003eThis subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.\u003c/p\u003e","\u003cp\u003eThis subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.\u003c/p\u003e","\u003cp\u003eThis subseries consists of maps of various european countries that Riegel traveled through.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eThe items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.\u003c/p\u003e","\u003cp\u003eRiegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.\u003c/p\u003e","\u003cp\u003eCorrespondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.\u003c/p\u003e","\u003cp\u003ePublications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.\u003c/p\u003e","\u003cp\u003eRiegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.\u003c/p\u003e","\u003cp\u003eTh inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.\u003c/p\u003e","\u003cp\u003eGoverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.\u003c/p\u003e","\u003cp\u003eGovernment reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.\u003c/p\u003e","\u003cp\u003eNewspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.\u003c/p\u003e","\u003cp\u003eRiegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.\u003c/p\u003e","\u003cp\u003eThe publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.\u003c/p\u003e","\u003cp\u003eItems in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.\u003c/p\u003e","\u003cp\u003eItems in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.\u003c/p\u003e","\u003cp\u003eRiegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.\u003c/p\u003e","\u003cp\u003eRiegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.\u003c/p\u003e","\u003cp\u003eEuropean propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.\u003c/p\u003e","\u003cp\u003eO.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.\u003c/p\u003e","\u003cp\u003eThese newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.\u003c/p\u003e","\u003cp\u003eRiegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.\u003c/p\u003e","\u003cp\u003eReports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.\u003c/p\u003e","\u003cp\u003eThe Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.\u003c/p\u003e","\u003cp\u003eThe Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.\u003c/p\u003e","\u003cp\u003eSegments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.\u003c/p\u003e","\u003cp\u003eRiegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.\u003c/p\u003e","\u003cp\u003eRiegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.\u003c/p\u003e","\u003cp\u003eRiegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.\u003c/p\u003e","\u003cp\u003eThe Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.\u003c/p\u003e","\u003cp\u003eRiegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.\u003c/p\u003e","\u003cp\u003eThe Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.\u003c/p\u003e","\u003cp\u003eItems from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.\u003c/p\u003e","\u003cp\u003eRiegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.\u003c/p\u003e","\u003cp\u003eThe two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.\u003c/p\u003e","\u003cp\u003eDocuments in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.\u003c/p\u003e","\u003cp\u003eIncludes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.\u003c/p\u003e","\u003cp\u003eRiegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.\u003c/p\u003e","\u003cp\u003eThis folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"\u003c/p\u003e","\u003cp\u003eThis volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.\u003c/p\u003e","\u003cp\u003eRiegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.\u003c/p\u003e","\u003cp\u003ePublications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.\u003c/p\u003e","\u003cp\u003eThis subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.\u003c/p\u003e","\u003cp\u003eMaterials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.\u003c/p\u003e","\u003cp\u003eThis subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.\u003c/p\u003e","\u003cp\u003eThis subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.\u003c/p\u003e","\u003cp\u003eThis subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.\u003c/p\u003e","\u003cp\u003eThis subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.\u003c/p\u003e","\u003cp\u003eThese radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".\u003c/p\u003e","\u003cp\u003eThe U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.\u003c/p\u003e","\u003cp\u003eItems in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.\u003c/p\u003e","\u003cp\u003eThis folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"\u003c/p\u003e","\u003cp\u003eA 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.\u003c/p\u003e","\u003cp\u003eThe Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.\u003c/p\u003e","\u003cp\u003eThe government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.\u003c/p\u003e","\u003cp\u003eItems in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.\u003c/p\u003e","\u003cp\u003eItems in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.\u003c/p\u003e","\u003cp\u003eThis series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.\u003c/p\u003e","\u003cp\u003eThis subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.\u003c/p\u003e","\u003cp\u003ethis subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons\u003c/p\u003e","\u003cp\u003eItems in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.\u003c/p\u003e","\u003cp\u003eThis box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.\u003c/p\u003e","\u003cp\u003eRiegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.\u003c/p\u003e","\u003cp\u003eThe contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, \u003ci\u003eThe Jeffster\u003c/i\u003e, and photographs of the SIPA Awards banquet from 1953 and 1955.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.\u003c/p\u003e","\u003cp\u003eThe contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.\u003c/p\u003e","\u003cp\u003eAlice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.\u003c/p\u003e","\u003cp\u003eCongressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.\u003c/p\u003e","\u003cp\u003eRiegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.\u003c/p\u003e","\u003cp\u003eJim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.\u003c/p\u003e","\u003cp\u003eThis subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eAfter World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.\u003c/p\u003e","\u003cp\u003eRiegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper,  The Jeffster , and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey."],"separatedmaterial_html_tesm":["\u003cp\u003eThere is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.\u003c/p\u003e","\u003cp\u003eSome items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.\u003c/p\u003e","\u003cp\u003eThe leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"names_coll_ssim":["Riegel, Hunt"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2584,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:30:16.538Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c04_c02_c01"}},{"id":"vilxw_repositories_4_resources_958","type":"collection","attributes":{"title":"A. Christian Compton Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_4_resources_958#creator","type":"document_value","attributes":{"value":"Compton, A. 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Christian (Asbury Christian), 1929-2006"],"has_online_content_ssim":["false"],"extent_ssm":["7 Cubic Feet 1) Subject Files - Washington and Lee University Trustee, 1977-1985. 2) Subject Files - Washington and Lee University Trustee, 1985-1991. 3) Subject Files - Washington and Lee University  Alumni Correspondence, 1969-1973; Washington and Lee Law Review, 1972-1974; Washington and Lee University Trustee, 1983-1989. 4) Subject Files - Damages, 1964; Domestic Relations, 1967; Tucker v. Lower, 1974-1995; Research Notes, c. 1960-1963. Boxes 5-7 - Supreme Court of Virginia Case Files in alphabetical order."],"extent_tesim":["7 Cubic Feet 1) Subject Files - Washington and Lee University Trustee, 1977-1985. 2) Subject Files - Washington and Lee University Trustee, 1985-1991. 3) Subject Files - Washington and Lee University  Alumni Correspondence, 1969-1973; Washington and Lee Law Review, 1972-1974; Washington and Lee University Trustee, 1983-1989. 4) Subject Files - Damages, 1964; Domestic Relations, 1967; Tucker v. Lower, 1974-1995; Research Notes, c. 1960-1963. Boxes 5-7 - Supreme Court of Virginia Case Files in alphabetical order."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"names_ssim":["Lewis F. Powell Jr. Archives","Compton, A. Christian (Asbury Christian), 1929-2006"],"corpname_ssim":["Lewis F. Powell Jr. Archives"],"persname_ssim":["Compton, A. Christian (Asbury Christian), 1929-2006"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:24:06.589Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_4_resources_958","ead_ssi":"vilxw_repositories_4_resources_958","_root_":"vilxw_repositories_4_resources_958","_nest_parent_":"vilxw_repositories_4_resources_958","ead_source_url_ssi":"data/oai/WLU/repositories_4_resources_958.xml","aspace_url_ssi":"http://search.vaheritage.org/vivaxtf/view?docId=wl-law/vilxwl00017.xml;query=;brand=default","title_ssm":["A. Christian Compton Papers"],"title_tesim":["A. Christian Compton Papers"],"unitdate_ssm":[" 1960-1999"],"unitdate_inclusive_ssm":[" 1960-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 0017"],"text":["MS 0017","A. Christian Compton Papers","Lewis F. Powell Jr. Archives","Compton, A. Christian (Asbury Christian), 1929-2006","English \n.    "],"unitid_tesim":["MS 0017"],"normalized_title_ssm":["A. Christian Compton Papers"],"collection_title_tesim":["A. Christian Compton Papers"],"collection_ssim":["A. Christian Compton Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Compton, A. Christian (Asbury Christian), 1929-2006"],"creator_ssim":["Compton, A. Christian (Asbury Christian), 1929-2006"],"creator_persname_ssim":["Compton, A. Christian (Asbury Christian), 1929-2006"],"creators_ssim":["Compton, A. Christian (Asbury Christian), 1929-2006"],"has_online_content_ssim":["false"],"extent_ssm":["7 Cubic Feet 1) Subject Files - Washington and Lee University Trustee, 1977-1985. 2) Subject Files - Washington and Lee University Trustee, 1985-1991. 3) Subject Files - Washington and Lee University  Alumni Correspondence, 1969-1973; Washington and Lee Law Review, 1972-1974; Washington and Lee University Trustee, 1983-1989. 4) Subject Files - Damages, 1964; Domestic Relations, 1967; Tucker v. Lower, 1974-1995; Research Notes, c. 1960-1963. Boxes 5-7 - Supreme Court of Virginia Case Files in alphabetical order."],"extent_tesim":["7 Cubic Feet 1) Subject Files - Washington and Lee University Trustee, 1977-1985. 2) Subject Files - Washington and Lee University Trustee, 1985-1991. 3) Subject Files - Washington and Lee University  Alumni Correspondence, 1969-1973; Washington and Lee Law Review, 1972-1974; Washington and Lee University Trustee, 1983-1989. 4) Subject Files - Damages, 1964; Domestic Relations, 1967; Tucker v. Lower, 1974-1995; Research Notes, c. 1960-1963. Boxes 5-7 - Supreme Court of Virginia Case Files in alphabetical order."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"names_ssim":["Lewis F. Powell Jr. Archives","Compton, A. Christian (Asbury Christian), 1929-2006"],"corpname_ssim":["Lewis F. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:24:06.589Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_4_resources_958"}},{"id":"vilxw_repositories_5_resources_1064_c01_c01_c05","type":"Item","attributes":{"title":"\"A Christmas Carol\"","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_1064_c01_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_1064_c01_c01_c05","ref_ssm":["vilxw_repositories_5_resources_1064_c01_c01_c05"],"id":"vilxw_repositories_5_resources_1064_c01_c01_c05","ead_ssi":"vilxw_repositories_5_resources_1064","_root_":"vilxw_repositories_5_resources_1064","_nest_parent_":"vilxw_repositories_5_resources_1064_c01_c01","parent_ssi":"vilxw_repositories_5_resources_1064_c01_c01","parent_ssim":["vilxw_repositories_5_resources_1064","vilxw_repositories_5_resources_1064_c01","vilxw_repositories_5_resources_1064_c01_c01"],"parent_ids_ssim":["vilxw_repositories_5_resources_1064","vilxw_repositories_5_resources_1064_c01","vilxw_repositories_5_resources_1064_c01_c01"],"parent_unittitles_ssm":["WLUR Recordings and Broadcasts","Recordings","Culture"],"parent_unittitles_tesim":["WLUR Recordings and Broadcasts","Recordings","Culture"],"text":["WLUR Recordings and Broadcasts","Recordings","Culture","\"A Christmas Carol\"","Scotch 7-inch. Tape Speed Listed as 7 1/2.","WLUR (Radio Station : Lexington, Va.)","Troubadours. W\u0026L Theater Group (Washington and Lee University, Lexington, VA  )","Kaleidoscope. WLUR Radio Show  (Washington and Lee University, Lexington, VA  )","English","box 1","reel 5","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: \"A Christmas Carol\": this is an adaptation of Dickens' traditional story, Produced for \"Kaleidoscope\" in cooperation with Troubadours.","1975 - Categorized as \"Dramatics,\" reel number 253, to be played at 7 1/2 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 5 "],"title_filing_ssi":"\"A Christmas Carol\"","title_ssm":["\"A Christmas Carol\""],"title_tesim":["\"A Christmas Carol\""],"unitdate_inclusive_ssm":["circa 1938-1983"],"normalized_date_ssm":["1938/1983"],"normalized_title_ssm":["\"A Christmas Carol\""],"component_level_isim":[3],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["WLUR Recordings and Broadcasts"],"physdesc_tesim":["Scotch 7-inch. Tape Speed Listed as 7 1/2."],"extent_ssm":["1 Reels Orange 5 and Reel Number 253"],"extent_tesim":["1 Reels Orange 5 and Reel Number 253"],"physfacet_tesim":["Scotch"],"dimensions_tesim":["7\""],"creator_ssim":["WLUR (Radio Station : Lexington, Va.)","Troubadours. W\u0026L Theater Group (Washington and Lee University, Lexington, VA  )","Kaleidoscope. WLUR Radio Show  (Washington and Lee University, Lexington, VA  )"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":7,"parent_access_restrict_tesm":["Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"names_ssim":["WLUR (Radio Station : Lexington, Va.)","Troubadours. W\u0026L Theater Group (Washington and Lee University, Lexington, VA  )","Kaleidoscope. WLUR Radio Show  (Washington and Lee University, Lexington, VA  )"],"corpname_ssim":["WLUR (Radio Station : Lexington, Va.)","Troubadours. W\u0026L Theater Group (Washington and Lee University, Lexington, VA  )","Kaleidoscope. WLUR Radio Show  (Washington and Lee University, Lexington, VA  )"],"language_ssim":["English"],"containers_ssim":["box 1","reel 5"],"accessrestrict_html_tesm":["\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above."],"custodhist_html_tesm":["\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e","\u003cp\u003eOriginal Title: \"A Christmas Carol\": this is an adaptation of Dickens' traditional story, Produced for \"Kaleidoscope\" in cooperation with Troubadours.\u003c/p\u003e","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 253, to be played at 7 1/2 speed \u003c/p\u003e","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 5 \u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: \"A Christmas Carol\": this is an adaptation of Dickens' traditional story, Produced for \"Kaleidoscope\" in cooperation with Troubadours.","1975 - Categorized as \"Dramatics,\" reel number 253, to be played at 7 1/2 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 5 "],"_nest_path_":"/components#0/components#0/components#4","timestamp":"2026-05-20T23:45:42.947Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_1064","ead_ssi":"vilxw_repositories_5_resources_1064","_root_":"vilxw_repositories_5_resources_1064","_nest_parent_":"vilxw_repositories_5_resources_1064","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1064.xml","title_filing_ssi":"WLUR Recordings and Broadcasts","title_ssm":["WLUR Recordings and Broadcasts"],"title_tesim":["WLUR Recordings and Broadcasts"],"unitdate_ssm":["circa 1938-2010"],"unitdate_inclusive_ssm":["circa 1938-2010"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.50","/repositories/5/resources/1064"],"text":["WLU.RG.50","/repositories/5/resources/1064","WLUR Recordings and Broadcasts","College radio stations","The collection is open for research use.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Speech and reading by Ishmael Reed, poet, in Lee Chapel","1975 - Categorized as \"Content,\" reel number 44, to be played at 3 3/4 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 1 ","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: \"King Lear\" readings from \"King Lear\" by Washington and Lee English Professor Fitzgerald Flournoy. ","1975 - Categorized as \"Dramatics,\" reel number 249, to be played at 7 1/2 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 2 ","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: \"Last Echo\": an original radio adaptation for \"Kaleidoscope\" of this famous literary piece.","1975 - Categorized as \"Dramatics,\" reel number 250, to be played at 7 1/2 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 3 ","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: \"The Old Gentleman\": John K. Jennings, a Washington and Lee student, reads an original radio script entitled \"The Old Gentleman,\" about George Washington, for \"Kaleidoscope\"","1975 - Categorized as \"Dramatics,\" reel number 251, to be played at 7 1/2 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 4 ","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: \"A Christmas Carol\": this is an adaptation of Dickens' traditional story, Produced for \"Kaleidoscope\" in cooperation with Troubadours.","1975 - Categorized as \"Dramatics,\" reel number 253, to be played at 7 1/2 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 5 ","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: \"December Incident\": an original play broadcast on \"Kaleidoscope\" concerning how the story of the birth of Christ might be reported and treated today. ","1975 - Categorized as \"Dramatics,\" reel number 254, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 6","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: \"Measure for Measure\": this was recorded from a Troubadour rehearsal of the play.  ","1975 - Categorized as \"Dramatics,\" reel number 255, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 7","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: panel discussion on \"Marat de Sade\" held on Feb. 26, 1967 in Washington and Lee Bookstore. The topic was the play Marat de Sade, which was produced by the Troubadour Theatre. The participants who appear on this part were Albert Gordon, Director of Theatre at Detroit University, and Dr. George W. Ray, English Professor at Washington and Lee. The program was broadcast shortly before the play in mid-March.   ","1975 - Categorized as \"Dramatics,\" reel number 256, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 8","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: panel discussion on \"Marat de Sade\" held on Feb. 26, 1967 in Washington and Lee Bookstore. The topic was the play Marat de Sade, which was produced by the Troubadour Theatre. The participants who appear on this part were Dr. George W. Ray, English Professor at Washington and Lee, Mr. Lee Kahn, Troubadour Theatre Director, Mr. Mario Pellicciaro, instructor in Ancient Languages, and Mr. Robert Youngblood, German Instructor. The program was broadcast shortly before the play in mid-March.   ","1975 - Categorized as \"Dramatics,\" reel number 257, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 9","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 1 of \"The Knew What They Wanted\" Produsced in cooperation with the Troubadours and broadcast on March 2, 1961","1975 - Categorized as \"Dramatics,\" reel number 261, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 13","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 2 of \"The Knew What They Wanted\" Produsced in cooperation with the Troubadours and broadcast on March 2, 1961","1975 - Categorized as \"Dramatics,\" reel number 262, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 14","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: \"Gallimanfry\" program for May 4, 1967. The theme of this show was the literature of higher education. Regular hostess was Mrs. Jane Rushing, Manager of Washington and Lee Bookstore. Guests were Dean W.W. Pusey III, Dean of the College, and Dr. Edward L. Pinney. Gallimanfry was WLUR's first book review show. ","1975 - Categorized as \"Dramatics,\" reel number 263, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 15","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: \"Gallimanfry\" program from April 13, 1967. Discussion of new book about Governor Letcher, Virginia's Civil War Governor. Regular hostess was Mrs. Jane Rushing. Her guests were General John S. Letcher, the governor's grandson, Dr. Charles Turner, Washington and Lee history professor and Washington and Lee history major, Robert Imholt. ","1975 - Categorized as \"Dramatics,\" reel number 264, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 16","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: \"Gallimanfry\" program on April 5, 1967. Regular hostess Mrs. Jane Rushing interviews Washington and Lee faculty member and poet Dabney Stuart. ","1975 - Categorized as \"Dramatics,\" reel number 265, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 17","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 1 of \"Gallimanfry\" program on May 18, 1967. This program concerned the literature of the theatre. Regular hostess was Mrs. Jane Rushing. Guests were Mr. Lee Kahn, Director of Washington and Lee Troubadour Theatre, and Don Baker, a junior fine arts major. ","1975 - Categorized as \"Dramatics,\" reel number 266, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 18","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 2 of \"Gallimanfry\" program on May 18, 1967. This program concerned the literature of the theatre. Regular hostess was Mrs. Jane Rushing. Guests were Mr. Lee Kahn, Director of Washington and Lee Troubadour Theatre, and Don Baker, a junior fine arts major. ","1975 - Categorized as \"Dramatics,\" reel number 267, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 19","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Radio Theatre: compilation of tapes aired Fall, 1973. Written, produced, and written primarily by Washington and Lee students. One half hour in length, there is no real continuity between the various shows. Strange and unusual stuff. ","1975 - Categorized as \"Dramatics,\" reel number 268, to be played at 7 1/2 or 3 3/4 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 20","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Poetry reading by Richard Eberhart at Washington and Lee on November 26, 1962. ","1975 - Categorized as \"Poetry,\" reel number 269, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 21","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Interview with Stephen Spender. This famous English poet visited Washington and Lee in the fall of some year for an English lecture, and he gave an interview and did some readings of his works for \"Kaleidoscope.\" ","1975 - Categorized as \"Poetry,\" reel number 270, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 22","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Interview with Stephen Spender. This famous English poet visited Washington and Lee in the fall of some year for an English lecture, and he gave an interview and did some readings of his works for \"Kaleidoscope.\" ","1975 - Categorized as \"Poetry,\" reel number 270, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 23","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Readings by Archibald MacLeish, E.E. Cummings, Stephen Spender, and Dylan Thomas. ","1975 - Categorized as \"Poetry,\" reel number 271, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 24","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Readings by Gertrude Stein, Robert Frost, E.E. Cummings, and William Butler Yeats. ","1975 - Categorized as \"Poetry,\" reel number 272, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 25","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Reading of Italian poetry by Prof. Youngblood at Washington and Lee bookstore on May 14, 1967 - Part 1 ","1975 - Categorized as \"Poetry,\" reel number 273, to be played at 1 7/8 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 26","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Reading of Italian poetry by Prof. Youngblood at Washington and Lee bookstore on May 14, 1967 - Part 2","1975 - Categorized as \"Poetry,\" reel number 274, to be played at 1 7/8 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 27","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 1 - Reading by Robert Lowell in duPont Auditorium on April 19, 1967. This was broadcast as WLUR's final program on May 18, 1967. ","1975 - Categorized as \"Poetry,\" reel number 275, to be played at 3 3/4 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 28","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 2 - Reading by Robert Lowell in duPont Auditorium on April 19, 1967. This was broadcast as WLUR's final program on May 18, 1967. ","1975 - Categorized as \"Poetry,\" reel number 276, to be played at 3 3/4 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 29","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Jazz: includes Al Hirt, Pete Fountain and Empire City 6. ","1975 - Categorized as \"Music,\" reel number 142 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Jazz: interview with Woody Herman and Ahmad Jamal on April 27, 1961 ","1975 - Categorized as \"Music,\" reel number 143 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 2","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Jazz: a \"Kaleidoscope\" documentary using a recording by Leonard Bernstein is a speech by Dr. Alvin Kershaw.  Made in Fall, 1957.","1975 - Categorized as \"Music,\" reel number 144 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 3","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Jazz: an interview with Louis Armstrong and his female vocalist, Velma Middleton.  Also contains portions of his performances at Fancy Dress, 1958.  Broadcast February 6, 1958. ","1975 - Categorized as \"Music,\" reel number 145 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 4","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Jazz: An interview with Dave Brubeck.  (Brubeck apparently was in Lexington.)  No date.\n1975 - Categorized as \"Music,\" reel number 146 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 5","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Electronic: \"Chou Wen-Chung Music Special\".  This was a special program in March, 1967.  Panelists were: Washington and Lee Prof. Robert Stewart and students Bob Brenner, Jeff Twardy.  Chou, a Chinese composer, was at Washington and Lee for a concert. ","1975 - Categorized as \"Music,\" reel number 147 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 6","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. ","Below is the information related to this: ","Original Title: Electronic: \"Encore,\" a special on electronic music.  ","1975 - Categorized as \"Music,\" reel number 148 ","C.1990 - Categorized as \"Music and Shows (Green),\" reel number 7","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. ","Below is the information related to this: ","Original Title: Electronic: \"Encore,\" a special on electronic music.  ","1975 - Categorized as \"Music,\" reel number 149 ","C.1990 - Categorized as \"Music and Shows (Green),\" reel number 8","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. ","Below is the information related to this: ","Original Title: Electronic: \"Encore,\" a special on electronic music.  ","1975 - Categorized as \"Music,\" reel number 150 ","C.1990 - Categorized as \"Music and Shows (Green),\" reel number 9","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. ","Below is the information related to this: ","Original Title: Washington and Lee Sextet plays in Lee Chapel ","1975 - Categorized as \"Music,\" reel number 151 ","C.1990 - Categorized as \"Music and Shows (Green),\" reel number 10","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Records of the Washington and Lee University radio station, WLUR 91.5, from its creation in 1967-68 to present. This record group is composed primarily of recordings from the radio station. Included among the tapes are earlier recordings from the Washington and Lee Journalism Dept. predating the founding of the radio station. The station was originally created as an arm of the Journalism Dept. It is now a branch of the Communications and Public Affairs Office. ","Please contact Special Collections and Archives staff for an inventory list of the recordings.","Bell Telephone Hour: a tribute to Yehudi Menuhin, \"Carnival of the Menuhins.\"","Documentary on presidential campaign with good voice excerpts of Eisenhower and Adlai Stevenson.","The Nighthawks Tape 1 Cockpit 5/15/79","April 30, 1956 Sen. Alben W. Barkley's Final Speech","This was a \"Radio W\u0026L\" documentary in the fall of 1965 on the state campaign for governor and legislature.  Voices of Tom White, A. Linwood Holton, Mills E. Godwin, Jr., Mr. Charles Davidson, and Dr. Charles Phillips.","Dr. Ollinger Crenshaw recounts U.S. Presidential elections from 1916 to 1964.  These comments were used to fill on election night in 1966.","Comments by Colonel B. McCluer Gilliam on Virginia, Rockbridge County, and Lexington politics for election night 1966.  These were used as filler.","When Buz Dawbarn was running for the state senate, he was interviewed by Charles Winston at the College Town Shop in Lexington on October 20, 1967.","A news conference of Governor Rockefeller on April 30, 1968 at which he announced his candidacy for the presidency.","Arizona Senator Barry Goldwater (R) accepts presidential nomination of Washington's exclusive Alfalfa Club.","Part 1: WLUR Election Night 1968","Part 2: WLUR Election Night 1968","Part 3: WLUR Election Night 1968","Part 4: WLUR Election Night 1968","Interviews \u0026 actualities, WLUR Election Night 1972.","Part 1; speech by Linwood Holton at Lexington High School on October 9, 1965.","Part 2; speech by Linwood Holton at Lexington High School on October 9, 1965.","Stories by D.R. \"Billy\" Matthews, 8th District Congressman, Florida: An opening story-7 1/2, 10 original stories-7 1/2, final stories-3 3/4","Speech by Sen. Barry Goldwater before the Association of American Editorial Cartoonists on May 10, 1963","Speech by Brooks Hays, former Arizona congressman, before the Pennsylvania Political Science \u0026 Public Administrators Association.  Also, miscellaneous stories told by Mr. Hays.","Inaugural Address: Va. Gov. Linwood Holton.","First \"State of the Commonwealth Address\" by Va. Gov. Linwood Holton","President Truman's keynote address at the 1960 MC.","Part 1: excerpts of the 1964 MC. (Some tapes are missing, so all parts are not consecutive.)","Part 2: excerpts of the 1964 MC. Contains comments by Richard Poff, 6th District Congressman from Roanoke.","Part 3: excerpts of the 1964 MC.  Contains comments by Congressman Poff \u0026 Minnesota Congressman Walter Judd.","Part 4: excerpts of the 1964 MC. Contains keynote address by Congressman Judd.","Part 5: excerpts from the 1964 MC","Part 6: excerpts from the 1964 MC.","Part 7: excerpts from the 1964 MC.","Part 8: excerpts from the 1964 MC.","Part 9: excerpts from the 1964 MC.","Part 10: excerpts from the 1964 MC.","Part 11: excerpts from the 1964 MC.","Part 12: excerpts from the 1964 MC.","Part 13: excerpts from the 1964 MC.","Part 14: excerpts from the 1964 MC.","Richard Nixon was nominated May 4, 1968 for president.  Steve Saunders, MC Chairman called Nixon in Louisville.  This is Nixon's acceptance message.","This tape contains all the promos for the 1968 MC, used by WLUR.","A composite of unrelated tapes about the '68 MC.  Contains: 1. WFTV (Orlando) editorial against Gov. Kirk; 2. Bill Wilkerson's interview with MC Chairman Steve Saunders on Oct. 5, 1967; 3. Larry Honig's interview with Gov. Kirk in Nov. 1967; 4. comments by Red Patton to Don Husat in Nov. 1967; 5. Don Husat in Nov. 1967; 5. Don Husat's interview with Steve Saunders on March 22, 1968.","Part 1: excerpts of the 1968 MC.  Contains Andrew Lupton's interview with Gov. Kirk; speeches by Tenn. Congressman Bill Brock, Gov. Linwood HOlton; Gov. Kirk's keynote address.  Also, the \"bomb hoax\".","Part 2: excerpts from the 1968 MC.  Contains speech by Okla. Gov. Henry Bellman \u0026 Don Husat's interview with Bellman.","Part 3: excerpts from the 1968 MC.  Contains debate on the platform.  States report when they will nominate a candidate.","Part 4: excerpts from the 1968 MC.  Contains nominating speeches.","Part 5: excerpts from the 1968 MC.  Contains more nominating speeches.  Also, the memorial service for Tommy Mac Baremore.","Part 6: excerpts from the 1968 MC.  More nominating speeches \u0026 seconding speeches for Richard M. Nixon.","Part 7: excerpts from the 1968 MC.  Includes nomination of Spiro Agnew, first ballot roll-call for N.Y.","Part 8: excerpts from the 1968 MC.","Part 9: excerpts from the 1968 MC.","Part 10: excerpts from the 1968 MC.  Sen. Charles Percy of Illinois is nominated for VP.  Nixon telephonically accepts his nomination as pres. Convention windup.","Alben Barkley's Final Speech, 1956 Mock Convention, 4-30-56","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","Speech by Albertus S. Harrison at the Virginia Associated Press Broadcaster's meeting on October 9, 1961.  (He became governor of Virginia a few months later.)","Compilation of remarks by assorted U.S. Senators, U.S. Congressmen \u0026 important federal officials.  Includes: Pierre Salinger, Eugene McCarthy, George Romney, Sam J. Ervin Jr., Tom Clark, Nelson Rockefeller, Harry F. Byrd Sr., Willard Wirtz, Robert F. Kennedy \u0026 Arnold Olsen. (Tait Trussell Collection)","Compilation of remarks by U.S. Senators Everett M. Dirksen, Robert S. Kerr, Thurston B. Morton \u0026 Kenneth Keating.  Dirksen talks about: funny stories, treaties \u0026 ladies hats, his status as a presidential candidate on 13 March 1963, \u0026 \"china \u0026 vitals\". (Tait Trussell Collection)","Speech by U.S. Senator Barry Goldwater at W\u0026L on 1 March 1961.","Speech by U.S. Senator Barry Goldwater at W\u0026L on 1 March 1961.","News Conference with U.S. Senator Barry Goldwater at W\u0026L on 1 March 1961","Pres. Eisenhower's speech announcing the landing of U.S. troops in Lebanon.","Pres. Eisenhower's speech at Mary Baldwin College on October 27, 1960.","Pres. Kennedy's Test-Ban Treaty speech in July, 1963","Compilation of Pres. Kennedy's speeches/comments at various functions.","Pres. Kennedy's speech in Boston, Mass. on October 19, 1963.  Also, his Berlin Crisis Speech of 1961.","Pres. Kennedy: Oath of office; inaugural address; Peace Corps message; Alliance for Progress speech.","Pres. Kennedy's Cuban Missile Crisis Speech on October 22, 1962.","Pres. Kennedy: interview \u0026 speech at Roanoke Airport on November 4, 1960.","Pres Johnson: discussion of the world situation, especially the Arab-Israeli conflict, on June 19, 1967 in Washington, D.C.","Pres. Johnson: message to Congress on March 15, 1965 (2 tapes)","Pres. Johnson: message to Congress on March 15, 1965 (2 tapes)","Pres. Johnson: Inaugural on January 20, 1965","Pres. Johnson: speech at Women's National Press Club on January, 1963.","Pres. Johnson: speech before the U.S. Chamber of Commerce- Spring 1964","Pres. Johnson: address to Congress on November 27, 1963.","Pres. Nixon: \"National Welfare Report\" on August 8, 1969","Part 1: speech delivered March 13, 1965 in Lee Chapel by Thomas G. Wicker chief of Washington Bureau, New York Times. (Part 2: lost)","Part 1: seminar conducted by Dr. James W. Silver, past president of the Southern Historical Society, on March 12, 1965.","Part 2: seminar conducted by Dr. James W. Silver on March 12, 1965","Part 1: Speech delivered by Dr. James W. Silver on March 12, 1965","Part 2: speech delivered by Dr. James W. Silver on March 12, 1965","Part 1: speech by Col. Francis Pickens Miller, special assistant at the U.S. State Department, on March 14, 1966","Part 2: speech by Col. Francis Pickens Miller on March 14, 1966","Part 3: speech by Col. Francis Pickens Miller on March 14, 1966","Part 1: speech by Douglass Carter, special assistant to Pres. Lyndon B. Johnson, on March 13, 1965.","Part 2: speech by Douglass Carter on March 13, 1965","Part I: speech by C.P. Ives, associate editor of the Baltimore Sun, on March 14, 1965.","Part 2: speech by C.P. Ives on March 14, 1965. (This tape may not be consecutive with Part 1 since the tape was lost.)","Part 1: speech by James R. Echols, cultural affairs advisor at the USIA March 12, 1965","Part 2: speech by James R. Echols on March 12, 1965","Part 1: speech by James Farmer, former director of CORE, on February 15, 1967 in Lee Chapel","Part 2: speech by James Farmer on February 15, 1967.","Part 1: seminar conducted by Richmond Flowers, former attorney-general of Alabama, with W\u0026L law students on February 15, 1967.","Part 2: seminar conducted by Richmond Flowers on February 15, 1967","Part 2: speech by Richmond Flowers in Lee Chapel on February 15, 1967. (Part 1 has been lost.)","Part 1: speech by Dr. Frederick Wilhelmsen in Lee Chapel on February 16, 1967.","Part 2: speech by Dr. Frederick Wilhelmsen in Lee Chapel on February 16, 1967","Part 1: speech by Tom Wolfe, W\u0026L alumnus \u0026 author, in Lee Chapel on February 18, 1967.","Part 2: speech by Tom Wolfe in Lee Chapel on February 18, 1967.","Part 1: speech by Robert D. Novak, syndicated columnist, on February 10, 1969 (Part 2 has been lost.)","Speech by Philippe Labro on February 12, 1969.  (There used to be another tape of this speech: it's unknown what part of the speech this tape is.)","Speech by Ralph Lapp on February 12, 1969.  (There used to be 3 tapes of this speech: it's uncertain what part this tape is.)","Speech by Walter Adams on February 13, 1969.  (There used to be 3 tapes of this speech: it's uncertain what part this tape is.)","Speech by John Silber on February 14, 1969.  (There used to be 4 tapes: only 1 remains.)","Speech by U.S. Senator George McGovern on February 15, 1969 (There used to be 4 tapes: only 1 remains.)","Part 1: master tape of Contact 1970. (Speakers \u0026 dates aren't indicated)","Part 2: master tape of Contact 1970. (Speakers \u0026 dates aren's indicated)","Part 3: master tape of Contact 1970. (Speakers \u0026 dates aren't indicated)","Speech by Dr. Charles Hamilton on January 15, 1971.","Speech by U.S. Senator Mark Hatfield on January 18, 1971","Speech by Dr. Arthur Hansen, president of Georgia Tech, on January 20, 1971. Subject: \"Education \u0026 Technology\".","Speech by Leonard Weinglass, Chicago defense attorney.  Date unknown.","Speech by Stewart Udall, Secretary of the Interior on February 1, 1972","Part 1: speech by Frank Mankiewicz on February 28, 1973.  Subject: \"Government \u0026 the Press\".","Part 2: Speech by Frank Mankiewicz on February 28, 1973.","Speech by Betty Friedan in Lee Chapel on March 1, 1973. Subject: \"Feminism\"","Speech \u0026 relations by James Dickey in Lee Chapel on February 3, 1973.","Speech by Dick Gregory, comedian \u0026 black activist, in Doremus Gym on March 5, 1973.","Speech by Adm. Jeremiah Denton in Lee Chapel on April 17, 1974.  (A POW during the Vietnam War, Denton told of some of his experiences during captivity.  The entire speech is not included on the tape.)","Speech by Heywood Hale Broun, CBS-TV sportscaster, in Lee Chapel on February 25, 1974","Contact '75- Louis Rukeyser 2/26/75 Lee Chapel 8PM Reel 1 of 2","Part 2: speech by Louis Rukeyser in Lee Chapel on February 26, 1975","Contact '75-Louis Rukeyser Reel 2 of 2","Part 1: speech by David Halberstram, author \u0026 journalist, in Lee Chapel on March 3, 1975.","Part 2: speech by David Halberstram in Lee Chapel on March 3, 1975","Speech by William H. Rehnquist, associate justice of the U.S. Supreme Court, in Lee Chapel on March 4, 1975","Conservation \u0026 Energy Debate between David Brower \u0026 T. Justin Moore Jr. in Lee Chapel on March 5, 1975.  (Bower was executive director of the Sierra Club before he founded \u0026 became president of Friends of the Earth.  Moore is president of VEPCO.","Henry J. Taylor addresses the Lynchburg Chamber of Commerce on April 8, 1965 at RMWC.","Sen. Harry F. Byrd Jr. addresses the Lynchburg Chamber of Commerce on May 8, 1968 at RMWC.","U.N. representative Philip Dean's speech at RMWC on May 9, 1963.  Sponsored by the League of Women Voters.","Dr. Paul Goodman \u0026 Dr. Ernest van der Haag: speeches during RMWC's \"Focus\" on December 4, 1965.","Speech by Clinton Rossitor in Lee Chapel on 11 March 1965, called: \"President \u0026 Congress in the 60's: A New \u0026 Enduring Balance of Power?\"","Collection of 3 speeches by: Alexander P. Saversky, aeronautical engineer; Arthur Larson, coiner of the term \"modern republicanism\"; Dr. Edward Katzenback, director of the defense studies program at Harvard University.","Speech by E.G. Sherbourne in Doremus Gym on March 13, 1967.  Sherbourne, director of science services in D.C., spoke during the SIPA Convention.","Speech by Alan Barth, editorial writer for the Washington Post, to a journalism class on 9 November 1959.","Speech by Robert Estabrook, Washington Post columnist, on December 6, 1967 at W\u0026L (Part 1)","Speech by Robert Estabrook, Washington Post columnist, on December 6, 1967 at W\u0026L (Part 2)","Part 1: speech by MAJ William E. Mayer, Army psychiatrist at San Francisco Naval Shipyard, on brainwashing during the Korean War.","Part 2: speech by MAJ William E. Mayer, Army psychiatrist at San Francisco Naval Shipyard, on brainwashing during the Korean War.","Part 1: speech by H.J.C. Hooper, director of the Rhodesian Information Agency, in Lee Chapel in March 1967. Topic: the Rhodesian position on the Rhodesian independence movement.","Part 2: speech by H.J.C. Hooper, director of the Rhodesian Information Agency, in Lee Chapel in March 1967. Topic: the Rhodesian position on the Rhodesian independence movement.","Part 1: speech by Rev. Charles Metzler in Lee Chapel on 10 May 1967.  The Liberty Hall Society invited Metzler to speak after he returned from South Vietnam.","Part 2: speech by Rev. Charles Metzler in Lee Chapel on 10 May 1967.  The Liberty Hall Society invited Metzler to speak after he returned from South Vietnam.","Speech by Walter Heller, chairman of President Kennedy's Council of Economic Advisors, in Lee Chapel on 10 November 1967.  Speech sponsored by the W\u0026L School of Commerce.","Speech by Richard Nixon, former Vice President, at ODK Assembly in Doremus Gym on 11 January 1968.  Includes comments by Dean Pusey \u0026 the question \u0026 answer period after the speech.","Speech by Daniel Callahan on 27 February 1969, topic: \"Freud, Religion \u0026 Culture\".","Bromfeld speech in Dupont Hall on 20 March 1969.","Speech by Gen. Samuel B. Griffith II (USMC, RTD) on 26 March 1969.  Topic: \"Where is China Going?\"","Speech by Wyatt A Durette in Dupont Hall on 10 April 1969.  Topic: \"The Supreme Court\".","Speech by Hugh Downs on 11 April 1969.  Topic: \"The Role of Communications in Human Affairs.\"","Speech by Henry Fowler, former Secretary of the Treasury, on 28 April 1969.  Topic: \"Current Economic Developments \u0026 National Monetary \u0026 Fiscal Policies\"","Speech by Linwood Holton in Lee Chapel on 21 October 1969.  Holton was running for governor of Virginia at the time.","Speech by Linwood Holton in Lee Chapel at ODK Assembly on 14 April 1970.","Speech by J. Edward Lumbard, chief judge of the U.S. 2nd Court of Appeals in New York.  Topic: \"Trial by Jury \u0026 More Speedy Justice\".","Speech by Roger Mudd (CBS News) at ODK Assembly on 7 December 1970.  Topic: W\u0026L, \u0026 the problems of TV \u0026 TV news.","Speech by Larry Hoover in Lee Chapel on 18 April 1974.  Topic: the League of Women Voters.","A.E. Johnson: speech for American State Highway Officials Association at Jackson Hall on October 27, 1966.","Interview with Christine Carere \u0026 Ralph Davis during the premiere of \"Mardi Gras\" in 1958.","Gov. Mills E. Godwin, Jr.: speech for Virginia Highway Conference at V.M.I. on October 27, 1966.","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","Speech by Samuel Eliot Morison, noted historian. Date unknown","Chou Shu-Kai, Nationalist Chinese Ambassador: speech at VMI gym on April 18, 1967. (2 tapes)","Chou Shu-Kai, Nationalist Chinese Ambassador: speech at VMI gym on April 18, 1967. (2 tapes)","Speech by General Maxwell Taylor at VMI, October 1974","Fred Graham on \"The Impact of the Legal System.\"","Jeff MacNelly and Charles McDowell on \"Washington Wit\"","Jimmy Breslin on \"How the Good Guys Finally Won.\"","George Plimpton's Contact Presentation","Ethics Lecture by Monroe Freedman, March 8, 1976","Speech by Republican National Co-Chairman Richard Obenshain on April 29, 1975.","\"Of Mice and Men\": an original adaptation of this famous novel for radio.","\"Arizona Cowboy\": This was the second program in the \"Kaleidoscope\" series.  It was broadcast on November 2, 1955.  The narrator was John K. Jennings.","Freedom of Information Panel DISCUSSION given on Feb. 28, 1973","Discussions of Arab-Israeli problem in late 1950's between Dr. David W. Sprunt, Washington and Lee religion professor, and Dr. William Jenks, Washington and Lee history professor.","In 1967, the Lexington chapter of the J.C.'s placed Judge William Romans in the running, for the second time for state president.  He won.  On July 18, 1967, WLUR News Director Don Husat interviewed Chapter President Dabney Carver and Judge Romans a few days before the election in Richmond.","This tape is an analysis of the House.  Although the program is incomplete, it contains the voices of John F. Kennedy and Abraham Ribicoff.","A brief history of World War II. Several uses of Hitler's voice and several German battle songs","Reporter Harvey Allen interviews Coach MacLaughlin for WRVA in 1959 before the General's game with Hampden-Sydney.","In the spring of 1967, WLUR recorded a wrap-up of the previous year's debate team activities.  Moderating the discussion was Professor William Chaffin, debate coach, and he discusses the year with some of the debate team.","Lexington's Police Chief is interviewed by WLUR News Director Don Husat on March 23, 1967.","A series of short programs on the history of New Mexico.  Narration is all in Spanish.","Documentary on June 6, 1963 commemorating the 19th anniversary of D-Day.","Part 1: A \"Kaleidoscope\" documentary on beatniks.","Part 2: A \"Kaleidoscope\" documentary on beatniks.","Part 1: A discussion entitled \"The Proper Role of Government in a Free Economy.\"  The discussion includes Professor John M. Gunn and Professor Charles Phillips.  There are two student participants.","Part 2: A discussion entitled \"The Proper Role of Government in a Free Economy.\"  The discussion includes Professor John M. Gunn and Professor Charles Phillips.  There are two student participants.","Part 1 of a documentary on juvenile delinquency.","Part 2 of a documentary on juvenile delinquency.","Part 1: A panel discussion on the sit-in demonstrations between students and Dr. Louis Hodges.","Part 2: A panel discussion on the sit-in demonstrations between students and Dr. Louis Hodges.","Professor Jay D. Cook, Jr., Chairman of W\u0026L's Accounting Department, prepared eight five minute shows on income tax information for March-April, 1958.","Part 1: W\u0026L student Mike Norrell spoke with three residents of Lexington about the city's history: Paul S. Fowler, Mrs. Lester Schnare, and Marshall Fishwick.","Part 2: Lexington history-interviews: Col. George Brooke, Dr. J. J. Murray Sr., Mrs. Nettie Smith, and J. Harris Thompson","Part 1: A symposium held in Lee Chapel concerning the Vietnam war moratorium.  Speeches by W\u0026L students and faculty.","Part 2: Moratorium Day Program, October 15, 1969.","Part 3: Moratorium Day Program, October 15, 1969","Part 4: Moratorium Day Program, October 15, 1969","Part 5: Moratorium Day Program, October 15, 1969","Part 1: A drug information program broadcast in November 1970.  Features Dr. James Buckman, Professor R. H. MacDonald, and various area citizens.","Part 2: A drug information program broadcast in November 1970.  Features Dr. James Buckman, Professor R. H. MacDonald, and various area citizens.","Part 3: A drug information program broadcast in November 1970.  Features Dr. James Buckman, Professor R. H. MacDonald, and various area citizens.","Arthur Godfrey interviews Anna Chenault, widow of WWII hero Gen. \"Flying Tiger\" Chenault.  Godfrey also interviews Eddie Rickenbacker \u0026 Chairman, FCC","\"Town Meeting of the World\", a simucast via Telstar from the U.S., London, \u0026 Rome.  Subject: Christianity.","\" Town Called Europe\": John Chancellor narrates a documentary on the European Common Market.  Mentions the European Court of Justice, Community of Atomic Energy, \u0026 Investment Bank.  Broadcast March 3, 1962","Side 1: NBC News Special, \"Rome:Vatican Council II\", on October 30, 1962 Side 2: ABC News Special, \"Year of Confrontation, on January 1, 1963.  Howard K. Smith narrates a summary of national-international crises during 1962.","Side 1: \"Give My Regards to Broadway\", a TV music special.  Side 2: \"Finland's Tug of War\": Marvin Kalb reports on activities during the 8th World Youth Festival in Helsinki during summer, 1962.","\"God's Gentleman: Robert E. Lee\", a tribute by Edith Jester, broadcast on WINA Radio in 1970.","Part 1: KMOX documentary on \"The Wonderful World of the Muny\", the St. Louis Municipal Opera.  Includes the voices of many artists who have performed there.  Part 2: lost","KHI documentary on \"Insanity \u0026 the Law\".  This was produced because of Jack Ruby's trial.  Brings in the McNaughton Rule on temporary insanity.  Voices: Ca. Gov. Goodwin Knight, L.A. Police Chief William H. Parker, \u0026 lawyer Melvin Belli.","Part 1: WAIT's academy award 1972 program.  Includes winners from 1935-46.  Part 2: lost","Resume of Frank McGee's performance for NBC in 1963.","Documentary on Hong Kong by Broadcasting Foundation of America","KDKA documetnary for the 20th anniversary of Pearl Harbor.  Includes voices of people who were there or remembered it.","KDKA documentary: \"Rescue at Sheppton\".  The story of the Fellin Mine Disaster at Sheppton, Pa.  in August 1963.","Part 1: NBC's 40th Anniversary program.  Taped from WKYC on November 13, 1966.","Part 2: NBC's 40th Anniversary program.  Taped from WKYC on November 13, 1966.","\"Good Work-F100s\"- this story is part of a Vietnam documentary by the McLendon Stations.","\"Kim Dong\"- this story is part of a Vietnam documentary by the McLendon Stations.","McLendon Stations: \"Kim Dong\" and \"Operation Hastings.\" (Part of a series on Vietnam.)","Various battle descriptions, part of the Vietnam documentary by the McLendon Stations.","\"The Flea \u0026 The Elephant\"- this story is part of a Vietnam documentary by the McLendon Stations.","WBT program on Radio Moscow's propaganda techniques.","WBT documentary on USSR's claims that she tried to warn the world of Nazi \u0026 German power.","Excerpts of speeches broadcast by Radio Moscow.  Includes British Prime Minister Harold Wilson \u0026 JFK.","KMOX: \"What is an American?\" (Part of a public affairs series, this part concerns former president Eisenhower.)","KSFO documentary: \"The Candidates\".  Has biographical data \u0026 voices of friends of Richard M. Nixon \u0026 Edmund G. \"Pat\" Brown.","KDKA capsule programs investigate civil rights in Pittsburgh","KDKA documentary: \"Battle of Birmingham\".  Concerns desegregation in Birmingham, Ala.  Includes Rev. Ralph Abernathy, Martin Luther King \u0026 Mayor Arthur Haynes.","WDAS documentary: \"Critical 144 Hours\".  Concerns civil rights, with reports from Cleveland \u0026 a summary.","Plough Stations' reporter Harvey Tate reports directly from Ole Miss during James Meredith's admission.","WDAS documentary: \"Black Sunday\".  Concerns Birmingham, Ala. \u0026 the bombing of a Negro church which killed 4 children.  Includes Martin Luther King, Jr.","WDAS documentary: \"The Birmingham Story\". Includes Gov. George Wallace, Roy Wilkins, Jackie Robinson, Adam Clayton Powell, \u0026 Pres. Kennedy.  Summary of attempts to desegregate Birmingham, Ala.","Reports by KOIL on the trial of Eichmann in 1961.","KSFO documentary on Adolf Eichmann: who he was, what he did, his trial in 1961.","Prog 1: Broadcasting Foundation of America's documentary on the ancient monuments of Nubia in the Egyptian desert.  Called \"The Timeless Land\".","Prog 3: BFA's documentary.  This is part 1 of a story called \"The Stone Moves\".  Part 2 (Prog. 4) is lost.","Prog. 5: BFA's documentary on Nubia, called \"Buhen\".","Prog. 6: BFA's documentary on Nubia.  Called \"Mirggissa\".","Prog. 7: BFA's documentary on Nubia.  Called \"The Shadow of the Cross\".","Prog. 8: BFA's documentary on Nubia.  Describes the works of the first Joint Swedish Expedition.  Called \"The Links in the Chain\".","Prog. 9: continuation of Prog. 8, BFA's documentary on Nubia.  Concerns American archaeologists at the site.","Prog. 10: BFA's documentary on Nubia.  Called \"The Nubians\", it shows their continuity of life over 100,000 years.","WWOD documentary on voting rights.  Broadcast August 3, 1947","ABC news report of the fire \u0026 death of 3 astronauts at Cape Kennedy on January 27, 1967","Reel 1: Apollo 11 launch on July 16, 1969.  Sides 1 \u0026 2, tracks A\u0026B.","Reel 2: Apollo 11 on July 20, 1969.  Sides 1\u00262, Tracks A\u0026B.","\"Space Age Sound Effects\"- telemetry signals from satellites.","\"Project Mercury Astronauts in Flight\".","\"Project Gemini Astronauts in Flight\"","\"Prominent Personalities, Policy Statements, \u0026 Events in Space\".","\"Dilemma of the Farmer\": a discussion of agricultural problems by Prof. Allen E. Ragan on February 16, 1961","\"Sputnik\": a discussion of the Soviet satellite by Prof. John Harvey Wheeler (Poli. Sci. Dept.), \u0026 Prof. Edward Turner (Phys. Dept.)","Documentary on Will Rogers, narrated by Mike Wallace, CBS. NOT BROADCAST QUALITY","\"This is Korea\": a tribute to Edward R. Morrow.  Concerns his life \u0026 career.  Side 1","\"The Great Garrick\", 18th century English actor.  Sides 1 \u0026 2","\"A Look at Monaco\": a tour with Princess Grace which includes details of life in the palace.  Side 1, Track A.","\"Life of Charles Dickens\", narrated by Sam Weller.  Side 1, Track A.  \"The West From 1903\", narrated by Joseph Cotton.  Part of \"Hollywood \u0026 the Stars\" series.  Side 1, Track B.","\"Douglas MacArthur\"- CBS biography.  Side 1, Track B.","\"The House of Rothschild\".  POOR QUALITY.  Side 1, Track A.  CBS News on Vietnam.  Side 2, Track B.","Documentaries on Winston Churchill, Gen. MacArthur, Charles A. Lindberg \u0026 Woodrow Wilson (1 reel: different colors of tape!)","\"Tribute to Winston Churchill\". (Good \u0026 Bad parts!)","EMPTY BOX","Documentary on UFO's, comparing 1964 \u0026 1973 reported sightings in Virginia.","A copy of #378, \"Flying Saucers in VIrginia\".","TV Movie made in 1956, broadcast July 6, 1963, concerning UFO.  Side 1, Track A.  UN Security Council debates on the Dominican Crisis.  Side 2, Tracks A\u0026B.  Pres. Johnson's national address on May 7, 1965.  Side 2, Track B.","CBS Reports: \"U.F.O. -Friend, Foe, Fantasy?\"  Side 2.","Speech by NICAP member to Lynchburg General Electric Engineers on May 27, 1966.  Sides 1 \u0026 2.","Interview with Dick Hall at NICAP on February 4, 1965.","\"A City Grows\": Radio \u0026 Lynchburg; The Years the Stars Fell; Three Lynchburg Musicians; Christmas in Lynchburg; New Year's Celebrations in Lynchburg; Statue of a man (This series was prepared for Lynchburg's centennial.)","\"A City Grows\": The Magic Weed Tobacco; Visitors Looking at Lynchburg; Quaker Meeting House; 7 Hills of Lynchburg; The Sacred Furniture Shop; Lynchburg's Physicians; Lynchburg's Life Saving Crew; The Banks of Lynchburg; Lynchburg Becomes a City; Editorial Wards; Lynchburg's Early Courts \u0026 Judges; The Town Clock \u0026 human interest stories.","\"A City Grows\": The Story of Appomattox.  (Reenacted from the original script broadcast over WWOD in April, 1950.)","\"A City Grows\": Canal Boat Era; Boat Clubs; 1st R/R; Livery Stables; Last Confederate War Horse; Wines \u0026 Dines a Yankee Col.; Old \u0026 Historic Mansions; Norwell House; Old Maps of 1877; Old Fashioned Editors; Editors of 1860. (See master list for full titles.)","\"A CIty Grows\": Red Feather; Red Cross; YWCA; 1st Sunday School; Early Public Schools; Fire Alarm System; Great Court House Robbery; Thos. R. Jefferson; Rivermont Bridge; S.O. Fisher Co.; Ladies Build a Bridge; W.D. Duiguid; J.P. Bell Co.; Rivermont Park; Piedmont Milling Co.; Royalty Visits; Cleland CO.; Milleny Co.","Speech by Dr. Francis P. Gaines on Founders' Day, Jan. 19, 1957.","Parents week end seminar, 1957","Speech by Prof. O.W. Riegel at the International Relations Club on Oct. 21, 1958.","Football coach Lee M. McLaughlin speaks in Lee Chapel on May 2, 1957.","Pres. Huntley's speech on Marijuana, Dec. 4, 1968.","Dr. Ollinger Crenshaw's Founders' Day Speech on Jan. 20, 1969.","Pres. Huntley's Opening Address in 1970.","An interview with Dean Pusey (acting W\u0026L president) by the Ring Tum Phi \u0026 WLUR on Oct. 12, 1967","Pres. Huntley's first news conference, Jan. 3, 1968.  Includes Dean Pusey.","Pres. Huntley's inauguration, October 18, 1968.","Dedication of the Louis Spilman Lounge on May 4, 1965.","Dr. Leyburn's speech in Lee Chapel during Freshman Orientation, 1974.","A tribute to R. E. Lee on Jan. 17, 1974.  \"The Gentleman\"- R.E.R. Huntley; \"The Soldier\"- Prof. J.H. Merchant; \"The Christian\"- Dr. Sprunt; \"The Educator\"- Dr. Sanders.","Part 1: The Coed Debate on Oct. 7, 1969.  Various faculty \u0026 student speakers.","Part 2: The Coed Debate on Oct. 7, 1969.  Various faculty \u0026 student speakers.","Discussion in Lee Chapel on Oct. 12, 1973 concerning the historic front campus.","Dedication of the front campus as a National Historic Landmark on Oct. 12, 1973.  Gov. Linwood Holton was a principal speaker.","Opening ceremonies of the Civil War Centennial in Lee Chapel.  Includes former Va. governor William M. Tuck \u0026 Pres. Gaines (Audio on Tuck is poor)","Part 1: speech by J.S. Whitehead in Lee Chapel in March, 1967.  Concerns the British position on Rhodesian independence.","Part 2: speech by J.S. Whitehead in Lee Chapel in March, 1967.  Concerns the British position on Rhodesian independence.","Speech by Kenneth A. Cox during opening/dedication ceremonies of WLUR on Nov. 13, 1967.  This speech was broadcast by WLUR \u0026 simucast by WREL.","Ceremony at Marshall Library to commemorate the 20th Anniversary of the Marshall Plan.","Dedication of LeJeune Hall on May 15, 1967.","VMI Band performance at Law Day Ceremonies at Marshall Library on April 29, 1967.","Law Day Ceremonies at Marshall Library on April 29, 1967.","Openings \u0026 closings used for \"Concert\".","Possibly filler for a \"Kaleidoscope\" show.","Sound effects: clocks, traffic, birds, sirens, air-raid siren.","\"News from W\u0026L\" with Charles McDowell on May 6, 1971.","Cart re-recordings: intro/close, sign on/off, ID's, etc. Dated June 12, 1969","Tape 1: WLUR's first broadcast on Feb. 27, 1967.","Copy of #407, WLUR's first broadcast.","Tape 2: last half-hour on the air, Feb. 27, 1975","Tape 1: WLUR's first night with 175 watts stereo, February 27, 1975.","Compilation of tapes used on \"Home Edition\".","Trivia Contest-1966","Editorials read on Jan. 23, 1963","1st Anniversary Program-Feb. 27, 1968.  Side 1 \u0026 2, Track A.","2d Anniversary program, February 27, 1969.","2d Anniversary program, February 27, 1969.","Tape 1: 5th Anniversary Program.","Tape 2: 5th Anniversary Program.","Tape 3: 5th Anniversary Program.","News Tapes, 1967-68","News Tapes. 1968","Interviews \u0026 actualities, 1968.","The #1 Album for February 26, 1971","News Tapes, Oct. 6-31, 1973","Tape 1: 1974 Turkey Marathon","Tape 2: 1974 Turkey Marathon","Sign on/off; news intro/tag; sports intro/ tag; used mornings \u0026 afternoons of Winter Term, 1973.","Contact 1976 3/4/76 R.E.R. Huntley on \"honor\" Tails Out 3 3/4 ips","Holiday Marathon","Portion of 1968 CAC Basketball tournament in Sewanee, Tenn.  Jeff Twardy wraps up the game \u0026 tournament- W\u0026L won.  Twardy interviews Coach Canfield","31g. 636/1","Part 1: A \"Kaleidoscope\" documentary on beatniks.","A series of short programs on the history of New Mexico.  Narration is all in Spanish.","Documentary on June 6, 1963 commemorating the 19th anniversary of D-Day.","(From box) Dr. Francis P. Gaines speaking in Lynchburg","The Tell-Tale Heart: radio drama after the short story by Poe: performed by members of the Performing Arts Program, Evergreen State College","When the World Screamed","Maurizio Pollini Interviewed by Robert Sherman in New York 1982.","Politics and Public Health in the People's Republic of China","Nuclear Power on Trial Reel 1 of 3","Nuclear Power on Trial","Nuclear Power on Trial Reel 2 of 3","Playing with Fire: radio drama after Sir Arthur Conan Doyle","Betty Carter 2/2","Betty Carter 1/2","The Atomic Bombing of Worcester 1/2","Whatever Happened to John Lennon? edited/ beeped version","Founder's Day 1/19/79 James G Leyburn","Interview w/ Studs Terkel 1/2","Interview w/ Studs Terkel 2/2","The Nighthawks Tape 3 Cockpit 5/15/79","Guess What's Coming to Dinner Project E.A.T. (Educating Appetites for Tomorrow)","Presidential Press COnf. Panel Lee Chapel March 6, 1981 2nd Panel Dox Tape 3 3/4 ips","Presidential Press Conference Panel Lee Chapel- March 6, 1981 1st panel- Tape 1 of 1 Series- Tape 1 7 1/2 ips","John D. Wilson Inaugural Address OKD January 19, 1983.","(Box) RESOLVED: That Washington \u0026 Lee University should admit women to its undergraduate program WLUR-FM Recorded live 8 p.m. Nov. 16, 1983 Northen Auditorium approx 1:45:00","(Box) Rock Revival (1978) *DO NOT ERASE* (Reel Side 1) Tails Out (Reel Side 2) 3/22/79 Contact Eugene McCarthy/ William Rusher Tails Out","Presidential Press Conf. Panel W\u0026L Lee Chapel March 6,7-1981 Saturday- Tape 1 of 1 3 3/4 ips Series III","Presidential Press Conf. Panel W\u0026L Lee Chapel March 6,7-1981 Tape II Session II Series III 7 1/2 ips","Presidential Press Conf. Panel Lee Chapel- March 6,7-1981 Tape I Panel 2 Series II 7 1/2 ips","Presidential Press Conf. Panel W+L Lee Chapel March 6,7-1981 Auxilary Tape I of I 3 3/4 ips","Pres. Press Conf. Panel Lee Chapel March 6,7-1981 Auxillary Tape Saturday","\"Between the Lines\" with B. Kliban for immediate broadcast cue sheet enclosed.","Hall of Fantasy #22: Bracelet","Hall of Fantasy #21: Hangman's Rope","NBC Short Story #14: Jekyll-Hyde-Stev","NBC Short Story #1: Frankenstein-Shelley","Hall of Fantasy #18: Krum-Kroc","NBC Short Story #50: Usher-Poe","NBC Short Story #21: Lottery-Jackson","NBC Short Story #19: Tell-Tale Heart-Poe","NBC Short Story#15: Cask-Poe","\"Rockbridge Review\" 'Government Beat' Keesee 10:00","An Ounce of Pervention (Cancer Documentary) 2/2","Moment of Insight: the Thief 1/2","Moment of Insight: the Thief 2/2","Atomic Bombing of Worcester 2/2","An Ounce of Pervention (Cancer Documentary) 1/2","Steinbeck- Of Mice and Men","Welfare Reform: Why?","Public Policy Form the Saccharin Ban: Risks vs. Benefits","Tokyo and Urban Life in Japan","Problems of Writers in Twentieth Century China","Confucian Continuities in Contemporary China","Japanese Women Today","Continuity and Change in Japanese Literature","Anti-Intellectualism in the Chinese Tradition","Japan and the Meaning of Modernization","Raw Hineley + Harwood (uncut-uncensored) Reel #1 of 3","Reel 2 of 3 Hineley, Harwood","Reel #3 of 3 Hineley, Harwood","Leffel","Riegel #1","Riegel #2","Don Husat","4/29/82 Dehria or Demria","Jennings WLUR 15th Anniv.","Nation Building in Traditional East Asia","Population Growth: the Seoul Problem in Korea","Folk Beliefs in Contemporary Japan","Japanese Images of America","Population Growth in the Developing World","Soseki and the Modern Japanese Novel","Women in Contemporary Japanese Society","The Japanese Search for \"Roots\"","The United Nations and Japan","\"The Age of the Telemann\"","\"The Age of the Telemann\"","Grateful Dead No I-D Bootleg (Good Condition)","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","WLUR (Radio Station : Lexington, Va.)","Kaleidoscope. WLUR Radio Show  (Washington and Lee University, Lexington, VA  )","Troubadours. W\u0026L Theater Group (Washington and Lee University, Lexington, VA  )","Gallimaufry. WLUR Radio Show (Washington and Lee University, Lexington, VA  )","Washington and Lee University. Bookstore","Empire City 6 ","Washington and Lee University. Fancy Dress Ball","Washington and Lee University. Department of Athletics. Football","Washington and Lee University. Department of Athletics. Volleyball","Washington and Lee University. Department of Athletics. Soccer","Washington and Lee University, Department of Athletics, Basketball","Washington and Lee University. Department of Athletics. Baseball","Washington and Lee University. Department of Athletics. Lacrosse","Washington and Lee University. Mock Convention  ","Habitat for Humanity, inc.","Equal Time. Washington and Lee University Radio Program","Washington and Lee University. Department of Athletics. Field Hockey","House Mountain Radio","Southern Pride Bluegrass","She Speaks. Washington and Lee University Radio Program","Political Darwinism. Washington and Lee University Radio Program","Washington and Lee University. Colonnade Club","Radio IE. WLUR Radio Show (Washington and Lee University, Lexington, VA)","High School Hoops . WLUR Radio Show (Washington and Lee University, Lexington, VA)","Rockbridge Rapids","Headsets. WLUR Radio Show (Washington and Lee University, Lexington, VA)","Flournoy, Fitzgerald","Jennings, John K. ","Ray, George Washington, III","Gordon, Albert Claude","Kahn, Lee","Pellicciaro, Mario","Youngblood, Robert Billington","Rushing, Jane","Pusey, William W., III (William Webb)","Pinney, Edward Lee","Letcher, John S. (John Seymour)","Turner, Charles W. (Charles Wilson)","Imholt, Robert Joseph","Letcher, John","Stuart, Dabney","Baker, Don","Cummings, E. E. (Edward Estlin)","Bernstein, Leonard, 1918-1990","Brubeck, Dave (1920-12-06-2012-12-05)","Wen-Chung, Chou","Stewart, Robert","Brenner, Bob","Twardy, Jeff","Farrar, James D., Jr.","Chase, Doug","English"],"unitid_tesim":["WLU.RG.50","/repositories/5/resources/1064"],"normalized_title_ssm":["WLUR Recordings and Broadcasts"],"collection_title_tesim":["WLUR Recordings and Broadcasts"],"collection_ssim":["WLUR Recordings and Broadcasts"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["WLUR (Radio Station : Lexington, Va.)"],"creator_ssim":["WLUR (Radio Station : Lexington, Va.)"],"creator_corpname_ssim":["WLUR (Radio Station : Lexington, Va.)"],"creators_ssim":["WLUR (Radio Station : Lexington, Va.)"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"access_subjects_ssim":["College radio stations"],"access_subjects_ssm":["College radio stations"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet Official recordings from the radio station on reel-to-reel tapes and CDs.","528 Reels"],"extent_tesim":["10 Linear Feet Official recordings from the radio station on reel-to-reel tapes and CDs.","528 Reels"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e","\u003cp\u003eDue to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above.","Due to the fragility of Reel-to-Reel recordings, this item may only be accessed digitally. If available, the digital copy is linked above."],"custodhist_html_tesm":["\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: Speech and reading by Ishmael Reed, poet, in Lee Chapel\u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Content,\" reel number 44, to be played at 3 3/4 speed \u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 1 \u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: \"King Lear\" readings from \"King Lear\" by Washington and Lee English Professor Fitzgerald Flournoy. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 249, to be played at 7 1/2 speed \u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 2 \u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: \"Last Echo\": an original radio adaptation for \"Kaleidoscope\" of this famous literary piece.\u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 250, to be played at 7 1/2 speed \u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 3 \u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: \"The Old Gentleman\": John K. Jennings, a Washington and Lee student, reads an original radio script entitled \"The Old Gentleman,\" about George Washington, for \"Kaleidoscope\"\u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 251, to be played at 7 1/2 speed \u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 4 \u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: \"A Christmas Carol\": this is an adaptation of Dickens' traditional story, Produced for \"Kaleidoscope\" in cooperation with Troubadours.\u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 253, to be played at 7 1/2 speed \u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 5 \u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: \"December Incident\": an original play broadcast on \"Kaleidoscope\" concerning how the story of the birth of Christ might be reported and treated today. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 254, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 6\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: \"Measure for Measure\": this was recorded from a Troubadour rehearsal of the play.  \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 255, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 7\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: panel discussion on \"Marat de Sade\" held on Feb. 26, 1967 in Washington and Lee Bookstore. The topic was the play Marat de Sade, which was produced by the Troubadour Theatre. The participants who appear on this part were Albert Gordon, Director of Theatre at Detroit University, and Dr. George W. Ray, English Professor at Washington and Lee. The program was broadcast shortly before the play in mid-March.   \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 256, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 8\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: panel discussion on \"Marat de Sade\" held on Feb. 26, 1967 in Washington and Lee Bookstore. The topic was the play Marat de Sade, which was produced by the Troubadour Theatre. The participants who appear on this part were Dr. George W. Ray, English Professor at Washington and Lee, Mr. Lee Kahn, Troubadour Theatre Director, Mr. Mario Pellicciaro, instructor in Ancient Languages, and Mr. Robert Youngblood, German Instructor. The program was broadcast shortly before the play in mid-March.   \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 257, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 9\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Part 1 of \"The Knew What They Wanted\" Produsced in cooperation with the Troubadours and broadcast on March 2, 1961\u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 261, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 13\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Part 2 of \"The Knew What They Wanted\" Produsced in cooperation with the Troubadours and broadcast on March 2, 1961\u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 262, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 14\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: \"Gallimanfry\" program for May 4, 1967. The theme of this show was the literature of higher education. Regular hostess was Mrs. Jane Rushing, Manager of Washington and Lee Bookstore. Guests were Dean W.W. Pusey III, Dean of the College, and Dr. Edward L. Pinney. Gallimanfry was WLUR's first book review show. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 263, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 15\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: \"Gallimanfry\" program from April 13, 1967. Discussion of new book about Governor Letcher, Virginia's Civil War Governor. Regular hostess was Mrs. Jane Rushing. Her guests were General John S. Letcher, the governor's grandson, Dr. Charles Turner, Washington and Lee history professor and Washington and Lee history major, Robert Imholt. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 264, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 16\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: \"Gallimanfry\" program on April 5, 1967. Regular hostess Mrs. Jane Rushing interviews Washington and Lee faculty member and poet Dabney Stuart. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 265, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 17\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Part 1 of \"Gallimanfry\" program on May 18, 1967. This program concerned the literature of the theatre. Regular hostess was Mrs. Jane Rushing. Guests were Mr. Lee Kahn, Director of Washington and Lee Troubadour Theatre, and Don Baker, a junior fine arts major. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 266, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 18\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Part 2 of \"Gallimanfry\" program on May 18, 1967. This program concerned the literature of the theatre. Regular hostess was Mrs. Jane Rushing. Guests were Mr. Lee Kahn, Director of Washington and Lee Troubadour Theatre, and Don Baker, a junior fine arts major. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 267, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 19\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Radio Theatre: compilation of tapes aired Fall, 1973. Written, produced, and written primarily by Washington and Lee students. One half hour in length, there is no real continuity between the various shows. Strange and unusual stuff. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Dramatics,\" reel number 268, to be played at 7 1/2 or 3 3/4 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 20\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Poetry reading by Richard Eberhart at Washington and Lee on November 26, 1962. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Poetry,\" reel number 269, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 21\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Interview with Stephen Spender. This famous English poet visited Washington and Lee in the fall of some year for an English lecture, and he gave an interview and did some readings of his works for \"Kaleidoscope.\" \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Poetry,\" reel number 270, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 22\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Interview with Stephen Spender. This famous English poet visited Washington and Lee in the fall of some year for an English lecture, and he gave an interview and did some readings of his works for \"Kaleidoscope.\" \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Poetry,\" reel number 270, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 23\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Readings by Archibald MacLeish, E.E. Cummings, Stephen Spender, and Dylan Thomas. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Poetry,\" reel number 271, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 24\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Readings by Gertrude Stein, Robert Frost, E.E. Cummings, and William Butler Yeats. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Poetry,\" reel number 272, to be played at 7 1/2 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 25\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Reading of Italian poetry by Prof. Youngblood at Washington and Lee bookstore on May 14, 1967 - Part 1 \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Poetry,\" reel number 273, to be played at 1 7/8 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 26\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Reading of Italian poetry by Prof. Youngblood at Washington and Lee bookstore on May 14, 1967 - Part 2\u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Poetry,\" reel number 274, to be played at 1 7/8 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 27\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Part 1 - Reading by Robert Lowell in duPont Auditorium on April 19, 1967. This was broadcast as WLUR's final program on May 18, 1967. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Poetry,\" reel number 275, to be played at 3 3/4 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 28\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:\u003c/p\u003e\n","\u003cp\u003eOriginal Title: Part 2 - Reading by Robert Lowell in duPont Auditorium on April 19, 1967. This was broadcast as WLUR's final program on May 18, 1967. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Poetry,\" reel number 276, to be played at 3 3/4 speed\u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Culture (Orange),\" reel number 29\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: Jazz: includes Al Hirt, Pete Fountain and Empire City 6. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Music,\" reel number 142 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: Jazz: interview with Woody Herman and Ahmad Jamal on April 27, 1961 \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Music,\" reel number 143 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 2\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: Jazz: a \"Kaleidoscope\" documentary using a recording by Leonard Bernstein is a speech by Dr. Alvin Kershaw.  Made in Fall, 1957.\u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Music,\" reel number 144 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 3\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: Jazz: an interview with Louis Armstrong and his female vocalist, Velma Middleton.  Also contains portions of his performances at Fancy Dress, 1958.  Broadcast February 6, 1958. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Music,\" reel number 145 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 4\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: Jazz: An interview with Dave Brubeck.  (Brubeck apparently was in Lexington.)  No date.\n1975 - Categorized as \"Music,\" reel number 146 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 5\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: Electronic: \"Chou Wen-Chung Music Special\".  This was a special program in March, 1967.  Panelists were: Washington and Lee Prof. Robert Stewart and students Bob Brenner, Jeff Twardy.  Chou, a Chinese composer, was at Washington and Lee for a concert. \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Music,\" reel number 147 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 6\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. \u003c/p\u003e\n","\u003cp\u003eBelow is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: Electronic: \"Encore,\" a special on electronic music.  \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Music,\" reel number 148 \u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Music and Shows (Green),\" reel number 7\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. \u003c/p\u003e\n","\u003cp\u003eBelow is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: Electronic: \"Encore,\" a special on electronic music.  \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Music,\" reel number 149 \u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Music and Shows (Green),\" reel number 8\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. \u003c/p\u003e\n","\u003cp\u003eBelow is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: Electronic: \"Encore,\" a special on electronic music.  \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Music,\" reel number 150 \u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Music and Shows (Green),\" reel number 9\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. \u003c/p\u003e\n","\u003cp\u003eBelow is the information related to this: \u003c/p\u003e\n","\u003cp\u003eOriginal Title: Washington and Lee Sextet plays in Lee Chapel \u003c/p\u003e\n","\u003cp\u003e1975 - Categorized as \"Music,\" reel number 151 \u003c/p\u003e\n","\u003cp\u003eC.1990 - Categorized as \"Music and Shows (Green),\" reel number 10\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e","\u003cp\u003ePrior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026amp; Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History","Custodial History"],"custodhist_tesim":["Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Speech and reading by Ishmael Reed, poet, in Lee Chapel","1975 - Categorized as \"Content,\" reel number 44, to be played at 3 3/4 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 1 ","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: \"King Lear\" readings from \"King Lear\" by Washington and Lee English Professor Fitzgerald Flournoy. ","1975 - Categorized as \"Dramatics,\" reel number 249, to be played at 7 1/2 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 2 ","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: \"Last Echo\": an original radio adaptation for \"Kaleidoscope\" of this famous literary piece.","1975 - Categorized as \"Dramatics,\" reel number 250, to be played at 7 1/2 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 3 ","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: \"The Old Gentleman\": John K. Jennings, a Washington and Lee student, reads an original radio script entitled \"The Old Gentleman,\" about George Washington, for \"Kaleidoscope\"","1975 - Categorized as \"Dramatics,\" reel number 251, to be played at 7 1/2 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 4 ","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: \"A Christmas Carol\": this is an adaptation of Dickens' traditional story, Produced for \"Kaleidoscope\" in cooperation with Troubadours.","1975 - Categorized as \"Dramatics,\" reel number 253, to be played at 7 1/2 speed ","C.1990 - Categorized as \"Culture (Orange),\" reel number 5 ","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: \"December Incident\": an original play broadcast on \"Kaleidoscope\" concerning how the story of the birth of Christ might be reported and treated today. ","1975 - Categorized as \"Dramatics,\" reel number 254, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 6","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: \"Measure for Measure\": this was recorded from a Troubadour rehearsal of the play.  ","1975 - Categorized as \"Dramatics,\" reel number 255, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 7","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: panel discussion on \"Marat de Sade\" held on Feb. 26, 1967 in Washington and Lee Bookstore. The topic was the play Marat de Sade, which was produced by the Troubadour Theatre. The participants who appear on this part were Albert Gordon, Director of Theatre at Detroit University, and Dr. George W. Ray, English Professor at Washington and Lee. The program was broadcast shortly before the play in mid-March.   ","1975 - Categorized as \"Dramatics,\" reel number 256, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 8","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: panel discussion on \"Marat de Sade\" held on Feb. 26, 1967 in Washington and Lee Bookstore. The topic was the play Marat de Sade, which was produced by the Troubadour Theatre. The participants who appear on this part were Dr. George W. Ray, English Professor at Washington and Lee, Mr. Lee Kahn, Troubadour Theatre Director, Mr. Mario Pellicciaro, instructor in Ancient Languages, and Mr. Robert Youngblood, German Instructor. The program was broadcast shortly before the play in mid-March.   ","1975 - Categorized as \"Dramatics,\" reel number 257, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 9","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 1 of \"The Knew What They Wanted\" Produsced in cooperation with the Troubadours and broadcast on March 2, 1961","1975 - Categorized as \"Dramatics,\" reel number 261, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 13","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 2 of \"The Knew What They Wanted\" Produsced in cooperation with the Troubadours and broadcast on March 2, 1961","1975 - Categorized as \"Dramatics,\" reel number 262, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 14","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: \"Gallimanfry\" program for May 4, 1967. The theme of this show was the literature of higher education. Regular hostess was Mrs. Jane Rushing, Manager of Washington and Lee Bookstore. Guests were Dean W.W. Pusey III, Dean of the College, and Dr. Edward L. Pinney. Gallimanfry was WLUR's first book review show. ","1975 - Categorized as \"Dramatics,\" reel number 263, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 15","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: \"Gallimanfry\" program from April 13, 1967. Discussion of new book about Governor Letcher, Virginia's Civil War Governor. Regular hostess was Mrs. Jane Rushing. Her guests were General John S. Letcher, the governor's grandson, Dr. Charles Turner, Washington and Lee history professor and Washington and Lee history major, Robert Imholt. ","1975 - Categorized as \"Dramatics,\" reel number 264, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 16","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: \"Gallimanfry\" program on April 5, 1967. Regular hostess Mrs. Jane Rushing interviews Washington and Lee faculty member and poet Dabney Stuart. ","1975 - Categorized as \"Dramatics,\" reel number 265, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 17","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 1 of \"Gallimanfry\" program on May 18, 1967. This program concerned the literature of the theatre. Regular hostess was Mrs. Jane Rushing. Guests were Mr. Lee Kahn, Director of Washington and Lee Troubadour Theatre, and Don Baker, a junior fine arts major. ","1975 - Categorized as \"Dramatics,\" reel number 266, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 18","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 2 of \"Gallimanfry\" program on May 18, 1967. This program concerned the literature of the theatre. Regular hostess was Mrs. Jane Rushing. Guests were Mr. Lee Kahn, Director of Washington and Lee Troubadour Theatre, and Don Baker, a junior fine arts major. ","1975 - Categorized as \"Dramatics,\" reel number 267, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 19","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Radio Theatre: compilation of tapes aired Fall, 1973. Written, produced, and written primarily by Washington and Lee students. One half hour in length, there is no real continuity between the various shows. Strange and unusual stuff. ","1975 - Categorized as \"Dramatics,\" reel number 268, to be played at 7 1/2 or 3 3/4 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 20","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Poetry reading by Richard Eberhart at Washington and Lee on November 26, 1962. ","1975 - Categorized as \"Poetry,\" reel number 269, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 21","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Interview with Stephen Spender. This famous English poet visited Washington and Lee in the fall of some year for an English lecture, and he gave an interview and did some readings of his works for \"Kaleidoscope.\" ","1975 - Categorized as \"Poetry,\" reel number 270, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 22","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Interview with Stephen Spender. This famous English poet visited Washington and Lee in the fall of some year for an English lecture, and he gave an interview and did some readings of his works for \"Kaleidoscope.\" ","1975 - Categorized as \"Poetry,\" reel number 270, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 23","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Readings by Archibald MacLeish, E.E. Cummings, Stephen Spender, and Dylan Thomas. ","1975 - Categorized as \"Poetry,\" reel number 271, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 24","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Readings by Gertrude Stein, Robert Frost, E.E. Cummings, and William Butler Yeats. ","1975 - Categorized as \"Poetry,\" reel number 272, to be played at 7 1/2 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 25","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Reading of Italian poetry by Prof. Youngblood at Washington and Lee bookstore on May 14, 1967 - Part 1 ","1975 - Categorized as \"Poetry,\" reel number 273, to be played at 1 7/8 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 26","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Reading of Italian poetry by Prof. Youngblood at Washington and Lee bookstore on May 14, 1967 - Part 2","1975 - Categorized as \"Poetry,\" reel number 274, to be played at 1 7/8 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 27","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 1 - Reading by Robert Lowell in duPont Auditorium on April 19, 1967. This was broadcast as WLUR's final program on May 18, 1967. ","1975 - Categorized as \"Poetry,\" reel number 275, to be played at 3 3/4 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 28","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this:","Original Title: Part 2 - Reading by Robert Lowell in duPont Auditorium on April 19, 1967. This was broadcast as WLUR's final program on May 18, 1967. ","1975 - Categorized as \"Poetry,\" reel number 276, to be played at 3 3/4 speed","C.1990 - Categorized as \"Culture (Orange),\" reel number 29","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Jazz: includes Al Hirt, Pete Fountain and Empire City 6. ","1975 - Categorized as \"Music,\" reel number 142 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Jazz: interview with Woody Herman and Ahmad Jamal on April 27, 1961 ","1975 - Categorized as \"Music,\" reel number 143 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 2","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Jazz: a \"Kaleidoscope\" documentary using a recording by Leonard Bernstein is a speech by Dr. Alvin Kershaw.  Made in Fall, 1957.","1975 - Categorized as \"Music,\" reel number 144 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 3","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Jazz: an interview with Louis Armstrong and his female vocalist, Velma Middleton.  Also contains portions of his performances at Fancy Dress, 1958.  Broadcast February 6, 1958. ","1975 - Categorized as \"Music,\" reel number 145 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 4","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Jazz: An interview with Dave Brubeck.  (Brubeck apparently was in Lexington.)  No date.\n1975 - Categorized as \"Music,\" reel number 146 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 5","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: ","Original Title: Electronic: \"Chou Wen-Chung Music Special\".  This was a special program in March, 1967.  Panelists were: Washington and Lee Prof. Robert Stewart and students Bob Brenner, Jeff Twardy.  Chou, a Chinese composer, was at Washington and Lee for a concert. ","1975 - Categorized as \"Music,\" reel number 147 \nC.1990 - Categorized as \"Music and Shows (Green),\" reel number 6","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. ","Below is the information related to this: ","Original Title: Electronic: \"Encore,\" a special on electronic music.  ","1975 - Categorized as \"Music,\" reel number 148 ","C.1990 - Categorized as \"Music and Shows (Green),\" reel number 7","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. ","Below is the information related to this: ","Original Title: Electronic: \"Encore,\" a special on electronic music.  ","1975 - Categorized as \"Music,\" reel number 149 ","C.1990 - Categorized as \"Music and Shows (Green),\" reel number 8","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. ","Below is the information related to this: ","Original Title: Electronic: \"Encore,\" a special on electronic music.  ","1975 - Categorized as \"Music,\" reel number 150 ","C.1990 - Categorized as \"Music and Shows (Green),\" reel number 9","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. ","Below is the information related to this: ","Original Title: Washington and Lee Sextet plays in Lee Chapel ","1975 - Categorized as \"Music,\" reel number 151 ","C.1990 - Categorized as \"Music and Shows (Green),\" reel number 10","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1","Prior to the transfer of these materials to Washington and Lee Special Collections and Archives, two inventories were created, one in 1975 and one circa 1990. Below is the information related to this: Original Title: Jazz: includes Al Hirt, Pete Fountain \u0026 Empire City 6. 1975 - Categorized as \"Music,\" reel number 142 C.1990 - Categorized as \"Music and Shows (Green),\" reel number 1"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], WLUR Recordings and Broadcasts (RG 50), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], WLUR Recordings and Broadcasts (RG 50), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eRecords of the Washington and Lee University radio station, WLUR 91.5, from its creation in 1967-68 to present. This record group is composed primarily of recordings from the radio station. Included among the tapes are earlier recordings from the Washington and Lee Journalism Dept. predating the founding of the radio station. The station was originally created as an arm of the Journalism Dept. It is now a branch of the Communications and Public Affairs Office. \u003c/p\u003e\n","\u003cp\u003ePlease contact Special Collections and Archives staff for an inventory list of the recordings.\u003c/p\u003e","\u003cp\u003eBell Telephone Hour: a tribute to Yehudi Menuhin, \"Carnival of the Menuhins.\"\u003c/p\u003e","\u003cp\u003eDocumentary on presidential campaign with good voice excerpts of Eisenhower and Adlai Stevenson.\u003c/p\u003e","\u003cp\u003eThe Nighthawks Tape 1 Cockpit 5/15/79\u003c/p\u003e","\u003cp\u003eApril 30, 1956 Sen. Alben W. Barkley's Final Speech\u003c/p\u003e","\u003cp\u003eThis was a \"Radio W\u0026amp;L\" documentary in the fall of 1965 on the state campaign for governor and legislature.  Voices of Tom White, A. Linwood Holton, Mills E. Godwin, Jr., Mr. Charles Davidson, and Dr. Charles Phillips.\u003c/p\u003e","\u003cp\u003eDr. Ollinger Crenshaw recounts U.S. Presidential elections from 1916 to 1964.  These comments were used to fill on election night in 1966.\u003c/p\u003e","\u003cp\u003eComments by Colonel B. McCluer Gilliam on Virginia, Rockbridge County, and Lexington politics for election night 1966.  These were used as filler.\u003c/p\u003e","\u003cp\u003eWhen Buz Dawbarn was running for the state senate, he was interviewed by Charles Winston at the College Town Shop in Lexington on October 20, 1967.\u003c/p\u003e","\u003cp\u003eA news conference of Governor Rockefeller on April 30, 1968 at which he announced his candidacy for the presidency.\u003c/p\u003e","\u003cp\u003eArizona Senator Barry Goldwater (R) accepts presidential nomination of Washington's exclusive Alfalfa Club.\u003c/p\u003e","\u003cp\u003ePart 1: WLUR Election Night 1968\u003c/p\u003e","\u003cp\u003ePart 2: WLUR Election Night 1968\u003c/p\u003e","\u003cp\u003ePart 3: WLUR Election Night 1968\u003c/p\u003e","\u003cp\u003ePart 4: WLUR Election Night 1968\u003c/p\u003e","\u003cp\u003eInterviews \u0026amp; actualities, WLUR Election Night 1972.\u003c/p\u003e","\u003cp\u003ePart 1; speech by Linwood Holton at Lexington High School on October 9, 1965.\u003c/p\u003e","\u003cp\u003ePart 2; speech by Linwood Holton at Lexington High School on October 9, 1965.\u003c/p\u003e","\u003cp\u003eStories by D.R. \"Billy\" Matthews, 8th District Congressman, Florida: An opening story-7 1/2, 10 original stories-7 1/2, final stories-3 3/4\u003c/p\u003e","\u003cp\u003eSpeech by Sen. Barry Goldwater before the Association of American Editorial Cartoonists on May 10, 1963\u003c/p\u003e","\u003cp\u003eSpeech by Brooks Hays, former Arizona congressman, before the Pennsylvania Political Science \u0026amp; Public Administrators Association.  Also, miscellaneous stories told by Mr. Hays.\u003c/p\u003e","\u003cp\u003eInaugural Address: Va. Gov. Linwood Holton.\u003c/p\u003e","\u003cp\u003eFirst \"State of the Commonwealth Address\" by Va. Gov. Linwood Holton\u003c/p\u003e","\u003cp\u003ePresident Truman's keynote address at the 1960 MC.\u003c/p\u003e","\u003cp\u003ePart 1: excerpts of the 1964 MC. (Some tapes are missing, so all parts are not consecutive.)\u003c/p\u003e","\u003cp\u003ePart 2: excerpts of the 1964 MC. Contains comments by Richard Poff, 6th District Congressman from Roanoke.\u003c/p\u003e","\u003cp\u003ePart 3: excerpts of the 1964 MC.  Contains comments by Congressman Poff \u0026amp; Minnesota Congressman Walter Judd.\u003c/p\u003e","\u003cp\u003ePart 4: excerpts of the 1964 MC. Contains keynote address by Congressman Judd.\u003c/p\u003e","\u003cp\u003ePart 5: excerpts from the 1964 MC\u003c/p\u003e","\u003cp\u003ePart 6: excerpts from the 1964 MC.\u003c/p\u003e","\u003cp\u003ePart 7: excerpts from the 1964 MC.\u003c/p\u003e","\u003cp\u003ePart 8: excerpts from the 1964 MC.\u003c/p\u003e","\u003cp\u003ePart 9: excerpts from the 1964 MC.\u003c/p\u003e","\u003cp\u003ePart 10: excerpts from the 1964 MC.\u003c/p\u003e","\u003cp\u003ePart 11: excerpts from the 1964 MC.\u003c/p\u003e","\u003cp\u003ePart 12: excerpts from the 1964 MC.\u003c/p\u003e","\u003cp\u003ePart 13: excerpts from the 1964 MC.\u003c/p\u003e","\u003cp\u003ePart 14: excerpts from the 1964 MC.\u003c/p\u003e","\u003cp\u003eRichard Nixon was nominated May 4, 1968 for president.  Steve Saunders, MC Chairman called Nixon in Louisville.  This is Nixon's acceptance message.\u003c/p\u003e","\u003cp\u003eThis tape contains all the promos for the 1968 MC, used by WLUR.\u003c/p\u003e","\u003cp\u003eA composite of unrelated tapes about the '68 MC.  Contains: 1. WFTV (Orlando) editorial against Gov. Kirk; 2. Bill Wilkerson's interview with MC Chairman Steve Saunders on Oct. 5, 1967; 3. Larry Honig's interview with Gov. Kirk in Nov. 1967; 4. comments by Red Patton to Don Husat in Nov. 1967; 5. Don Husat in Nov. 1967; 5. Don Husat's interview with Steve Saunders on March 22, 1968.\u003c/p\u003e","\u003cp\u003ePart 1: excerpts of the 1968 MC.  Contains Andrew Lupton's interview with Gov. Kirk; speeches by Tenn. Congressman Bill Brock, Gov. Linwood HOlton; Gov. Kirk's keynote address.  Also, the \"bomb hoax\".\u003c/p\u003e","\u003cp\u003ePart 2: excerpts from the 1968 MC.  Contains speech by Okla. Gov. Henry Bellman \u0026amp; Don Husat's interview with Bellman.\u003c/p\u003e","\u003cp\u003ePart 3: excerpts from the 1968 MC.  Contains debate on the platform.  States report when they will nominate a candidate.\u003c/p\u003e","\u003cp\u003ePart 4: excerpts from the 1968 MC.  Contains nominating speeches.\u003c/p\u003e","\u003cp\u003ePart 5: excerpts from the 1968 MC.  Contains more nominating speeches.  Also, the memorial service for Tommy Mac Baremore.\u003c/p\u003e","\u003cp\u003ePart 6: excerpts from the 1968 MC.  More nominating speeches \u0026amp; seconding speeches for Richard M. Nixon.\u003c/p\u003e","\u003cp\u003ePart 7: excerpts from the 1968 MC.  Includes nomination of Spiro Agnew, first ballot roll-call for N.Y.\u003c/p\u003e","\u003cp\u003ePart 8: excerpts from the 1968 MC.\u003c/p\u003e","\u003cp\u003ePart 9: excerpts from the 1968 MC.\u003c/p\u003e","\u003cp\u003ePart 10: excerpts from the 1968 MC.  Sen. Charles Percy of Illinois is nominated for VP.  Nixon telephonically accepts his nomination as pres. Convention windup.\u003c/p\u003e","\u003cp\u003eAlben Barkley's Final Speech, 1956 Mock Convention, 4-30-56\u003c/p\u003e","\u003cp\u003eKDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026amp; comments on John F. Kennedy's presidency \u0026amp; life at the White House.\u003c/p\u003e","\u003cp\u003eKDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026amp; comments on John F. Kennedy's presidency \u0026amp; life at the White House.\u003c/p\u003e","\u003cp\u003eKDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026amp; comments on John F. Kennedy's presidency \u0026amp; life at the White House.\u003c/p\u003e","\u003cp\u003eKDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026amp; comments on John F. Kennedy's presidency \u0026amp; life at the White House.\u003c/p\u003e","\u003cp\u003eKDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026amp; comments on John F. Kennedy's presidency \u0026amp; life at the White House.\u003c/p\u003e","\u003cp\u003eKDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026amp; comments on John F. Kennedy's presidency \u0026amp; life at the White House.\u003c/p\u003e","\u003cp\u003eKDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026amp; comments on John F. Kennedy's presidency \u0026amp; life at the White House.\u003c/p\u003e","\u003cp\u003eKDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026amp; comments on John F. Kennedy's presidency \u0026amp; life at the White House.\u003c/p\u003e","\u003cp\u003eKDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026amp; comments on John F. Kennedy's presidency \u0026amp; life at the White House.\u003c/p\u003e","\u003cp\u003eKDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026amp; comments on John F. Kennedy's presidency \u0026amp; life at the White House.\u003c/p\u003e","\u003cp\u003eSpeech by Albertus S. Harrison at the Virginia Associated Press Broadcaster's meeting on October 9, 1961.  (He became governor of Virginia a few months later.)\u003c/p\u003e","\u003cp\u003eCompilation of remarks by assorted U.S. Senators, U.S. Congressmen \u0026amp; important federal officials.  Includes: Pierre Salinger, Eugene McCarthy, George Romney, Sam J. Ervin Jr., Tom Clark, Nelson Rockefeller, Harry F. Byrd Sr., Willard Wirtz, Robert F. Kennedy \u0026amp; Arnold Olsen. (Tait Trussell Collection)\u003c/p\u003e","\u003cp\u003eCompilation of remarks by U.S. Senators Everett M. Dirksen, Robert S. Kerr, Thurston B. Morton \u0026amp; Kenneth Keating.  Dirksen talks about: funny stories, treaties \u0026amp; ladies hats, his status as a presidential candidate on 13 March 1963, \u0026amp; \"china \u0026amp; vitals\". (Tait Trussell Collection)\u003c/p\u003e","\u003cp\u003eSpeech by U.S. Senator Barry Goldwater at W\u0026amp;L on 1 March 1961.\u003c/p\u003e","\u003cp\u003eSpeech by U.S. Senator Barry Goldwater at W\u0026amp;L on 1 March 1961.\u003c/p\u003e","\u003cp\u003eNews Conference with U.S. Senator Barry Goldwater at W\u0026amp;L on 1 March 1961\u003c/p\u003e","\u003cp\u003ePres. Eisenhower's speech announcing the landing of U.S. troops in Lebanon.\u003c/p\u003e","\u003cp\u003ePres. Eisenhower's speech at Mary Baldwin College on October 27, 1960.\u003c/p\u003e","\u003cp\u003ePres. Kennedy's Test-Ban Treaty speech in July, 1963\u003c/p\u003e","\u003cp\u003eCompilation of Pres. Kennedy's speeches/comments at various functions.\u003c/p\u003e","\u003cp\u003ePres. Kennedy's speech in Boston, Mass. on October 19, 1963.  Also, his Berlin Crisis Speech of 1961.\u003c/p\u003e","\u003cp\u003ePres. Kennedy: Oath of office; inaugural address; Peace Corps message; Alliance for Progress speech.\u003c/p\u003e","\u003cp\u003ePres. Kennedy's Cuban Missile Crisis Speech on October 22, 1962.\u003c/p\u003e","\u003cp\u003ePres. Kennedy: interview \u0026amp; speech at Roanoke Airport on November 4, 1960.\u003c/p\u003e","\u003cp\u003ePres Johnson: discussion of the world situation, especially the Arab-Israeli conflict, on June 19, 1967 in Washington, D.C.\u003c/p\u003e","\u003cp\u003ePres. Johnson: message to Congress on March 15, 1965 (2 tapes)\u003c/p\u003e","\u003cp\u003ePres. Johnson: message to Congress on March 15, 1965 (2 tapes)\u003c/p\u003e","\u003cp\u003ePres. Johnson: Inaugural on January 20, 1965\u003c/p\u003e","\u003cp\u003ePres. Johnson: speech at Women's National Press Club on January, 1963.\u003c/p\u003e","\u003cp\u003ePres. Johnson: speech before the U.S. Chamber of Commerce- Spring 1964\u003c/p\u003e","\u003cp\u003ePres. Johnson: address to Congress on November 27, 1963.\u003c/p\u003e","\u003cp\u003ePres. Nixon: \"National Welfare Report\" on August 8, 1969\u003c/p\u003e","\u003cp\u003ePart 1: speech delivered March 13, 1965 in Lee Chapel by Thomas G. Wicker chief of Washington Bureau, New York Times. (Part 2: lost)\u003c/p\u003e","\u003cp\u003ePart 1: seminar conducted by Dr. James W. Silver, past president of the Southern Historical Society, on March 12, 1965.\u003c/p\u003e","\u003cp\u003ePart 2: seminar conducted by Dr. James W. Silver on March 12, 1965\u003c/p\u003e","\u003cp\u003ePart 1: Speech delivered by Dr. James W. Silver on March 12, 1965\u003c/p\u003e","\u003cp\u003ePart 2: speech delivered by Dr. James W. Silver on March 12, 1965\u003c/p\u003e","\u003cp\u003ePart 1: speech by Col. Francis Pickens Miller, special assistant at the U.S. State Department, on March 14, 1966\u003c/p\u003e","\u003cp\u003ePart 2: speech by Col. Francis Pickens Miller on March 14, 1966\u003c/p\u003e","\u003cp\u003ePart 3: speech by Col. Francis Pickens Miller on March 14, 1966\u003c/p\u003e","\u003cp\u003ePart 1: speech by Douglass Carter, special assistant to Pres. Lyndon B. Johnson, on March 13, 1965.\u003c/p\u003e","\u003cp\u003ePart 2: speech by Douglass Carter on March 13, 1965\u003c/p\u003e","\u003cp\u003ePart I: speech by C.P. Ives, associate editor of the Baltimore Sun, on March 14, 1965.\u003c/p\u003e","\u003cp\u003ePart 2: speech by C.P. Ives on March 14, 1965. (This tape may not be consecutive with Part 1 since the tape was lost.)\u003c/p\u003e","\u003cp\u003ePart 1: speech by James R. Echols, cultural affairs advisor at the USIA March 12, 1965\u003c/p\u003e","\u003cp\u003ePart 2: speech by James R. Echols on March 12, 1965\u003c/p\u003e","\u003cp\u003ePart 1: speech by James Farmer, former director of CORE, on February 15, 1967 in Lee Chapel\u003c/p\u003e","\u003cp\u003ePart 2: speech by James Farmer on February 15, 1967.\u003c/p\u003e","\u003cp\u003ePart 1: seminar conducted by Richmond Flowers, former attorney-general of Alabama, with W\u0026amp;L law students on February 15, 1967.\u003c/p\u003e","\u003cp\u003ePart 2: seminar conducted by Richmond Flowers on February 15, 1967\u003c/p\u003e","\u003cp\u003ePart 2: speech by Richmond Flowers in Lee Chapel on February 15, 1967. (Part 1 has been lost.)\u003c/p\u003e","\u003cp\u003ePart 1: speech by Dr. Frederick Wilhelmsen in Lee Chapel on February 16, 1967.\u003c/p\u003e","\u003cp\u003ePart 2: speech by Dr. Frederick Wilhelmsen in Lee Chapel on February 16, 1967\u003c/p\u003e","\u003cp\u003ePart 1: speech by Tom Wolfe, W\u0026amp;L alumnus \u0026amp; author, in Lee Chapel on February 18, 1967.\u003c/p\u003e","\u003cp\u003ePart 2: speech by Tom Wolfe in Lee Chapel on February 18, 1967.\u003c/p\u003e","\u003cp\u003ePart 1: speech by Robert D. Novak, syndicated columnist, on February 10, 1969 (Part 2 has been lost.)\u003c/p\u003e","\u003cp\u003eSpeech by Philippe Labro on February 12, 1969.  (There used to be another tape of this speech: it's unknown what part of the speech this tape is.)\u003c/p\u003e","\u003cp\u003eSpeech by Ralph Lapp on February 12, 1969.  (There used to be 3 tapes of this speech: it's uncertain what part this tape is.)\u003c/p\u003e","\u003cp\u003eSpeech by Walter Adams on February 13, 1969.  (There used to be 3 tapes of this speech: it's uncertain what part this tape is.)\u003c/p\u003e","\u003cp\u003eSpeech by John Silber on February 14, 1969.  (There used to be 4 tapes: only 1 remains.)\u003c/p\u003e","\u003cp\u003eSpeech by U.S. Senator George McGovern on February 15, 1969 (There used to be 4 tapes: only 1 remains.)\u003c/p\u003e","\u003cp\u003ePart 1: master tape of Contact 1970. (Speakers \u0026amp; dates aren't indicated)\u003c/p\u003e","\u003cp\u003ePart 2: master tape of Contact 1970. (Speakers \u0026amp; dates aren's indicated)\u003c/p\u003e","\u003cp\u003ePart 3: master tape of Contact 1970. (Speakers \u0026amp; dates aren't indicated)\u003c/p\u003e","\u003cp\u003eSpeech by Dr. Charles Hamilton on January 15, 1971.\u003c/p\u003e","\u003cp\u003eSpeech by U.S. Senator Mark Hatfield on January 18, 1971\u003c/p\u003e","\u003cp\u003eSpeech by Dr. Arthur Hansen, president of Georgia Tech, on January 20, 1971. Subject: \"Education \u0026amp; Technology\".\u003c/p\u003e","\u003cp\u003eSpeech by Leonard Weinglass, Chicago defense attorney.  Date unknown.\u003c/p\u003e","\u003cp\u003eSpeech by Stewart Udall, Secretary of the Interior on February 1, 1972\u003c/p\u003e","\u003cp\u003ePart 1: speech by Frank Mankiewicz on February 28, 1973.  Subject: \"Government \u0026amp; the Press\".\u003c/p\u003e","\u003cp\u003ePart 2: Speech by Frank Mankiewicz on February 28, 1973.\u003c/p\u003e","\u003cp\u003eSpeech by Betty Friedan in Lee Chapel on March 1, 1973. Subject: \"Feminism\"\u003c/p\u003e","\u003cp\u003eSpeech \u0026amp; relations by James Dickey in Lee Chapel on February 3, 1973.\u003c/p\u003e","\u003cp\u003eSpeech by Dick Gregory, comedian \u0026amp; black activist, in Doremus Gym on March 5, 1973.\u003c/p\u003e","\u003cp\u003eSpeech by Adm. Jeremiah Denton in Lee Chapel on April 17, 1974.  (A POW during the Vietnam War, Denton told of some of his experiences during captivity.  The entire speech is not included on the tape.)\u003c/p\u003e","\u003cp\u003eSpeech by Heywood Hale Broun, CBS-TV sportscaster, in Lee Chapel on February 25, 1974\u003c/p\u003e","\u003cp\u003eContact '75- Louis Rukeyser 2/26/75 Lee Chapel 8PM Reel 1 of 2\u003c/p\u003e","\u003cp\u003ePart 2: speech by Louis Rukeyser in Lee Chapel on February 26, 1975\u003c/p\u003e","\u003cp\u003eContact '75-Louis Rukeyser Reel 2 of 2\u003c/p\u003e","\u003cp\u003ePart 1: speech by David Halberstram, author \u0026amp; journalist, in Lee Chapel on March 3, 1975.\u003c/p\u003e","\u003cp\u003ePart 2: speech by David Halberstram in Lee Chapel on March 3, 1975\u003c/p\u003e","\u003cp\u003eSpeech by William H. Rehnquist, associate justice of the U.S. Supreme Court, in Lee Chapel on March 4, 1975\u003c/p\u003e","\u003cp\u003eConservation \u0026amp; Energy Debate between David Brower \u0026amp; T. Justin Moore Jr. in Lee Chapel on March 5, 1975.  (Bower was executive director of the Sierra Club before he founded \u0026amp; became president of Friends of the Earth.  Moore is president of VEPCO.\u003c/p\u003e","\u003cp\u003eHenry J. Taylor addresses the Lynchburg Chamber of Commerce on April 8, 1965 at RMWC.\u003c/p\u003e","\u003cp\u003eSen. Harry F. Byrd Jr. addresses the Lynchburg Chamber of Commerce on May 8, 1968 at RMWC.\u003c/p\u003e","\u003cp\u003eU.N. representative Philip Dean's speech at RMWC on May 9, 1963.  Sponsored by the League of Women Voters.\u003c/p\u003e","\u003cp\u003eDr. Paul Goodman \u0026amp; Dr. Ernest van der Haag: speeches during RMWC's \"Focus\" on December 4, 1965.\u003c/p\u003e","\u003cp\u003eSpeech by Clinton Rossitor in Lee Chapel on 11 March 1965, called: \"President \u0026amp; Congress in the 60's: A New \u0026amp; Enduring Balance of Power?\"\u003c/p\u003e","\u003cp\u003eCollection of 3 speeches by: Alexander P. Saversky, aeronautical engineer; Arthur Larson, coiner of the term \"modern republicanism\"; Dr. Edward Katzenback, director of the defense studies program at Harvard University.\u003c/p\u003e","\u003cp\u003eSpeech by E.G. Sherbourne in Doremus Gym on March 13, 1967.  Sherbourne, director of science services in D.C., spoke during the SIPA Convention.\u003c/p\u003e","\u003cp\u003eSpeech by Alan Barth, editorial writer for the Washington Post, to a journalism class on 9 November 1959.\u003c/p\u003e","\u003cp\u003eSpeech by Robert Estabrook, Washington Post columnist, on December 6, 1967 at W\u0026amp;L (Part 1)\u003c/p\u003e","\u003cp\u003eSpeech by Robert Estabrook, Washington Post columnist, on December 6, 1967 at W\u0026amp;L (Part 2)\u003c/p\u003e","\u003cp\u003ePart 1: speech by MAJ William E. Mayer, Army psychiatrist at San Francisco Naval Shipyard, on brainwashing during the Korean War.\u003c/p\u003e","\u003cp\u003ePart 2: speech by MAJ William E. Mayer, Army psychiatrist at San Francisco Naval Shipyard, on brainwashing during the Korean War.\u003c/p\u003e","\u003cp\u003ePart 1: speech by H.J.C. Hooper, director of the Rhodesian Information Agency, in Lee Chapel in March 1967. Topic: the Rhodesian position on the Rhodesian independence movement.\u003c/p\u003e","\u003cp\u003ePart 2: speech by H.J.C. Hooper, director of the Rhodesian Information Agency, in Lee Chapel in March 1967. Topic: the Rhodesian position on the Rhodesian independence movement.\u003c/p\u003e","\u003cp\u003ePart 1: speech by Rev. Charles Metzler in Lee Chapel on 10 May 1967.  The Liberty Hall Society invited Metzler to speak after he returned from South Vietnam.\u003c/p\u003e","\u003cp\u003ePart 2: speech by Rev. Charles Metzler in Lee Chapel on 10 May 1967.  The Liberty Hall Society invited Metzler to speak after he returned from South Vietnam.\u003c/p\u003e","\u003cp\u003eSpeech by Walter Heller, chairman of President Kennedy's Council of Economic Advisors, in Lee Chapel on 10 November 1967.  Speech sponsored by the W\u0026amp;L School of Commerce.\u003c/p\u003e","\u003cp\u003eSpeech by Richard Nixon, former Vice President, at ODK Assembly in Doremus Gym on 11 January 1968.  Includes comments by Dean Pusey \u0026amp; the question \u0026amp; answer period after the speech.\u003c/p\u003e","\u003cp\u003eSpeech by Daniel Callahan on 27 February 1969, topic: \"Freud, Religion \u0026amp; Culture\".\u003c/p\u003e","\u003cp\u003eBromfeld speech in Dupont Hall on 20 March 1969.\u003c/p\u003e","\u003cp\u003eSpeech by Gen. Samuel B. Griffith II (USMC, RTD) on 26 March 1969.  Topic: \"Where is China Going?\"\u003c/p\u003e","\u003cp\u003eSpeech by Wyatt A Durette in Dupont Hall on 10 April 1969.  Topic: \"The Supreme Court\".\u003c/p\u003e","\u003cp\u003eSpeech by Hugh Downs on 11 April 1969.  Topic: \"The Role of Communications in Human Affairs.\"\u003c/p\u003e","\u003cp\u003eSpeech by Henry Fowler, former Secretary of the Treasury, on 28 April 1969.  Topic: \"Current Economic Developments \u0026amp; National Monetary \u0026amp; Fiscal Policies\"\u003c/p\u003e","\u003cp\u003eSpeech by Linwood Holton in Lee Chapel on 21 October 1969.  Holton was running for governor of Virginia at the time.\u003c/p\u003e","\u003cp\u003eSpeech by Linwood Holton in Lee Chapel at ODK Assembly on 14 April 1970.\u003c/p\u003e","\u003cp\u003eSpeech by J. Edward Lumbard, chief judge of the U.S. 2nd Court of Appeals in New York.  Topic: \"Trial by Jury \u0026amp; More Speedy Justice\".\u003c/p\u003e","\u003cp\u003eSpeech by Roger Mudd (CBS News) at ODK Assembly on 7 December 1970.  Topic: W\u0026amp;L, \u0026amp; the problems of TV \u0026amp; TV news.\u003c/p\u003e","\u003cp\u003eSpeech by Larry Hoover in Lee Chapel on 18 April 1974.  Topic: the League of Women Voters.\u003c/p\u003e","\u003cp\u003eA.E. Johnson: speech for American State Highway Officials Association at Jackson Hall on October 27, 1966.\u003c/p\u003e","\u003cp\u003eInterview with Christine Carere \u0026amp; Ralph Davis during the premiere of \"Mardi Gras\" in 1958.\u003c/p\u003e","\u003cp\u003eGov. Mills E. Godwin, Jr.: speech for Virginia Highway Conference at V.M.I. on October 27, 1966.\u003c/p\u003e","\u003cp\u003e\"George C. Marshall, the Man \u0026amp; His Career\" (7 tapes)\u003c/p\u003e","\u003cp\u003e\"George C. Marshall, the Man \u0026amp; His Career\" (7 tapes)\u003c/p\u003e","\u003cp\u003e\"George C. Marshall, the Man \u0026amp; His Career\" (7 tapes)\u003c/p\u003e","\u003cp\u003e\"George C. Marshall, the Man \u0026amp; His Career\" (7 tapes)\u003c/p\u003e","\u003cp\u003e\"George C. Marshall, the Man \u0026amp; His Career\" (7 tapes)\u003c/p\u003e","\u003cp\u003e\"George C. Marshall, the Man \u0026amp; His Career\" (7 tapes)\u003c/p\u003e","\u003cp\u003e\"George C. Marshall, the Man \u0026amp; His Career\" (7 tapes)\u003c/p\u003e","\u003cp\u003eSpeech by Samuel Eliot Morison, noted historian. Date unknown\u003c/p\u003e","\u003cp\u003eChou Shu-Kai, Nationalist Chinese Ambassador: speech at VMI gym on April 18, 1967. (2 tapes)\u003c/p\u003e","\u003cp\u003eChou Shu-Kai, Nationalist Chinese Ambassador: speech at VMI gym on April 18, 1967. (2 tapes)\u003c/p\u003e","\u003cp\u003eSpeech by General Maxwell Taylor at VMI, October 1974\u003c/p\u003e","\u003cp\u003eFred Graham on \"The Impact of the Legal System.\"\u003c/p\u003e","\u003cp\u003eJeff MacNelly and Charles McDowell on \"Washington Wit\"\u003c/p\u003e","\u003cp\u003eJimmy Breslin on \"How the Good Guys Finally Won.\"\u003c/p\u003e","\u003cp\u003eGeorge Plimpton's Contact Presentation\u003c/p\u003e","\u003cp\u003eEthics Lecture by Monroe Freedman, March 8, 1976\u003c/p\u003e","\u003cp\u003eSpeech by Republican National Co-Chairman Richard Obenshain on April 29, 1975.\u003c/p\u003e","\u003cp\u003e\"Of Mice and Men\": an original adaptation of this famous novel for radio.\u003c/p\u003e","\u003cp\u003e\"Arizona Cowboy\": This was the second program in the \"Kaleidoscope\" series.  It was broadcast on November 2, 1955.  The narrator was John K. Jennings.\u003c/p\u003e","\u003cp\u003eFreedom of Information Panel DISCUSSION given on Feb. 28, 1973\u003c/p\u003e","\u003cp\u003eDiscussions of Arab-Israeli problem in late 1950's between Dr. David W. Sprunt, Washington and Lee religion professor, and Dr. William Jenks, Washington and Lee history professor.\u003c/p\u003e","\u003cp\u003eIn 1967, the Lexington chapter of the J.C.'s placed Judge William Romans in the running, for the second time for state president.  He won.  On July 18, 1967, WLUR News Director Don Husat interviewed Chapter President Dabney Carver and Judge Romans a few days before the election in Richmond.\u003c/p\u003e","\u003cp\u003eThis tape is an analysis of the House.  Although the program is incomplete, it contains the voices of John F. Kennedy and Abraham Ribicoff.\u003c/p\u003e","\u003cp\u003eA brief history of World War II. Several uses of Hitler's voice and several German battle songs\u003c/p\u003e","\u003cp\u003eReporter Harvey Allen interviews Coach MacLaughlin for WRVA in 1959 before the General's game with Hampden-Sydney.\u003c/p\u003e","\u003cp\u003eIn the spring of 1967, WLUR recorded a wrap-up of the previous year's debate team activities.  Moderating the discussion was Professor William Chaffin, debate coach, and he discusses the year with some of the debate team.\u003c/p\u003e","\u003cp\u003eLexington's Police Chief is interviewed by WLUR News Director Don Husat on March 23, 1967.\u003c/p\u003e","\u003cp\u003eA series of short programs on the history of New Mexico.  Narration is all in Spanish.\u003c/p\u003e","\u003cp\u003eDocumentary on June 6, 1963 commemorating the 19th anniversary of D-Day.\u003c/p\u003e","\u003cp\u003ePart 1: A \"Kaleidoscope\" documentary on beatniks.\u003c/p\u003e","\u003cp\u003ePart 2: A \"Kaleidoscope\" documentary on beatniks.\u003c/p\u003e","\u003cp\u003ePart 1: A discussion entitled \"The Proper Role of Government in a Free Economy.\"  The discussion includes Professor John M. Gunn and Professor Charles Phillips.  There are two student participants.\u003c/p\u003e","\u003cp\u003ePart 2: A discussion entitled \"The Proper Role of Government in a Free Economy.\"  The discussion includes Professor John M. Gunn and Professor Charles Phillips.  There are two student participants.\u003c/p\u003e","\u003cp\u003ePart 1 of a documentary on juvenile delinquency.\u003c/p\u003e","\u003cp\u003ePart 2 of a documentary on juvenile delinquency.\u003c/p\u003e","\u003cp\u003ePart 1: A panel discussion on the sit-in demonstrations between students and Dr. Louis Hodges.\u003c/p\u003e","\u003cp\u003ePart 2: A panel discussion on the sit-in demonstrations between students and Dr. Louis Hodges.\u003c/p\u003e","\u003cp\u003eProfessor Jay D. Cook, Jr., Chairman of W\u0026amp;L's Accounting Department, prepared eight five minute shows on income tax information for March-April, 1958.\u003c/p\u003e","\u003cp\u003ePart 1: W\u0026amp;L student Mike Norrell spoke with three residents of Lexington about the city's history: Paul S. Fowler, Mrs. Lester Schnare, and Marshall Fishwick.\u003c/p\u003e","\u003cp\u003ePart 2: Lexington history-interviews: Col. George Brooke, Dr. J. J. Murray Sr., Mrs. Nettie Smith, and J. Harris Thompson\u003c/p\u003e","\u003cp\u003ePart 1: A symposium held in Lee Chapel concerning the Vietnam war moratorium.  Speeches by W\u0026amp;L students and faculty.\u003c/p\u003e","\u003cp\u003ePart 2: Moratorium Day Program, October 15, 1969.\u003c/p\u003e","\u003cp\u003ePart 3: Moratorium Day Program, October 15, 1969\u003c/p\u003e","\u003cp\u003ePart 4: Moratorium Day Program, October 15, 1969\u003c/p\u003e","\u003cp\u003ePart 5: Moratorium Day Program, October 15, 1969\u003c/p\u003e","\u003cp\u003ePart 1: A drug information program broadcast in November 1970.  Features Dr. James Buckman, Professor R. H. MacDonald, and various area citizens.\u003c/p\u003e","\u003cp\u003ePart 2: A drug information program broadcast in November 1970.  Features Dr. James Buckman, Professor R. H. MacDonald, and various area citizens.\u003c/p\u003e","\u003cp\u003ePart 3: A drug information program broadcast in November 1970.  Features Dr. James Buckman, Professor R. H. MacDonald, and various area citizens.\u003c/p\u003e","\u003cp\u003eArthur Godfrey interviews Anna Chenault, widow of WWII hero Gen. \"Flying Tiger\" Chenault.  Godfrey also interviews Eddie Rickenbacker \u0026amp; Chairman, FCC\u003c/p\u003e","\u003cp\u003e\"Town Meeting of the World\", a simucast via Telstar from the U.S., London, \u0026amp; Rome.  Subject: Christianity.\u003c/p\u003e","\u003cp\u003e\" Town Called Europe\": John Chancellor narrates a documentary on the European Common Market.  Mentions the European Court of Justice, Community of Atomic Energy, \u0026amp; Investment Bank.  Broadcast March 3, 1962\u003c/p\u003e","\u003cp\u003eSide 1: NBC News Special, \"Rome:Vatican Council II\", on October 30, 1962 Side 2: ABC News Special, \"Year of Confrontation, on January 1, 1963.  Howard K. Smith narrates a summary of national-international crises during 1962.\u003c/p\u003e","\u003cp\u003eSide 1: \"Give My Regards to Broadway\", a TV music special.  Side 2: \"Finland's Tug of War\": Marvin Kalb reports on activities during the 8th World Youth Festival in Helsinki during summer, 1962.\u003c/p\u003e","\u003cp\u003e\"God's Gentleman: Robert E. Lee\", a tribute by Edith Jester, broadcast on WINA Radio in 1970.\u003c/p\u003e","\u003cp\u003ePart 1: KMOX documentary on \"The Wonderful World of the Muny\", the St. Louis Municipal Opera.  Includes the voices of many artists who have performed there.  Part 2: lost\u003c/p\u003e","\u003cp\u003eKHI documentary on \"Insanity \u0026amp; the Law\".  This was produced because of Jack Ruby's trial.  Brings in the McNaughton Rule on temporary insanity.  Voices: Ca. Gov. Goodwin Knight, L.A. Police Chief William H. Parker, \u0026amp; lawyer Melvin Belli.\u003c/p\u003e","\u003cp\u003ePart 1: WAIT's academy award 1972 program.  Includes winners from 1935-46.  Part 2: lost\u003c/p\u003e","\u003cp\u003eResume of Frank McGee's performance for NBC in 1963.\u003c/p\u003e","\u003cp\u003eDocumentary on Hong Kong by Broadcasting Foundation of America\u003c/p\u003e","\u003cp\u003eKDKA documetnary for the 20th anniversary of Pearl Harbor.  Includes voices of people who were there or remembered it.\u003c/p\u003e","\u003cp\u003eKDKA documentary: \"Rescue at Sheppton\".  The story of the Fellin Mine Disaster at Sheppton, Pa.  in August 1963.\u003c/p\u003e","\u003cp\u003ePart 1: NBC's 40th Anniversary program.  Taped from WKYC on November 13, 1966.\u003c/p\u003e","\u003cp\u003ePart 2: NBC's 40th Anniversary program.  Taped from WKYC on November 13, 1966.\u003c/p\u003e","\u003cp\u003e\"Good Work-F100s\"- this story is part of a Vietnam documentary by the McLendon Stations.\u003c/p\u003e","\u003cp\u003e\"Kim Dong\"- this story is part of a Vietnam documentary by the McLendon Stations.\u003c/p\u003e","\u003cp\u003eMcLendon Stations: \"Kim Dong\" and \"Operation Hastings.\" (Part of a series on Vietnam.)\u003c/p\u003e","\u003cp\u003eVarious battle descriptions, part of the Vietnam documentary by the McLendon Stations.\u003c/p\u003e","\u003cp\u003e\"The Flea \u0026amp; The Elephant\"- this story is part of a Vietnam documentary by the McLendon Stations.\u003c/p\u003e","\u003cp\u003eWBT program on Radio Moscow's propaganda techniques.\u003c/p\u003e","\u003cp\u003eWBT documentary on USSR's claims that she tried to warn the world of Nazi \u0026amp; German power.\u003c/p\u003e","\u003cp\u003eExcerpts of speeches broadcast by Radio Moscow.  Includes British Prime Minister Harold Wilson \u0026amp; JFK.\u003c/p\u003e","\u003cp\u003eKMOX: \"What is an American?\" (Part of a public affairs series, this part concerns former president Eisenhower.)\u003c/p\u003e","\u003cp\u003eKSFO documentary: \"The Candidates\".  Has biographical data \u0026amp; voices of friends of Richard M. Nixon \u0026amp; Edmund G. \"Pat\" Brown.\u003c/p\u003e","\u003cp\u003eKDKA capsule programs investigate civil rights in Pittsburgh\u003c/p\u003e","\u003cp\u003eKDKA documentary: \"Battle of Birmingham\".  Concerns desegregation in Birmingham, Ala.  Includes Rev. Ralph Abernathy, Martin Luther King \u0026amp; Mayor Arthur Haynes.\u003c/p\u003e","\u003cp\u003eWDAS documentary: \"Critical 144 Hours\".  Concerns civil rights, with reports from Cleveland \u0026amp; a summary.\u003c/p\u003e","\u003cp\u003ePlough Stations' reporter Harvey Tate reports directly from Ole Miss during James Meredith's admission.\u003c/p\u003e","\u003cp\u003eWDAS documentary: \"Black Sunday\".  Concerns Birmingham, Ala. \u0026amp; the bombing of a Negro church which killed 4 children.  Includes Martin Luther King, Jr.\u003c/p\u003e","\u003cp\u003eWDAS documentary: \"The Birmingham Story\". Includes Gov. George Wallace, Roy Wilkins, Jackie Robinson, Adam Clayton Powell, \u0026amp; Pres. Kennedy.  Summary of attempts to desegregate Birmingham, Ala.\u003c/p\u003e","\u003cp\u003eReports by KOIL on the trial of Eichmann in 1961.\u003c/p\u003e","\u003cp\u003eKSFO documentary on Adolf Eichmann: who he was, what he did, his trial in 1961.\u003c/p\u003e","\u003cp\u003eProg 1: Broadcasting Foundation of America's documentary on the ancient monuments of Nubia in the Egyptian desert.  Called \"The Timeless Land\".\u003c/p\u003e","\u003cp\u003eProg 3: BFA's documentary.  This is part 1 of a story called \"The Stone Moves\".  Part 2 (Prog. 4) is lost.\u003c/p\u003e","\u003cp\u003eProg. 5: BFA's documentary on Nubia, called \"Buhen\".\u003c/p\u003e","\u003cp\u003eProg. 6: BFA's documentary on Nubia.  Called \"Mirggissa\".\u003c/p\u003e","\u003cp\u003eProg. 7: BFA's documentary on Nubia.  Called \"The Shadow of the Cross\".\u003c/p\u003e","\u003cp\u003eProg. 8: BFA's documentary on Nubia.  Describes the works of the first Joint Swedish Expedition.  Called \"The Links in the Chain\".\u003c/p\u003e","\u003cp\u003eProg. 9: continuation of Prog. 8, BFA's documentary on Nubia.  Concerns American archaeologists at the site.\u003c/p\u003e","\u003cp\u003eProg. 10: BFA's documentary on Nubia.  Called \"The Nubians\", it shows their continuity of life over 100,000 years.\u003c/p\u003e","\u003cp\u003eWWOD documentary on voting rights.  Broadcast August 3, 1947\u003c/p\u003e","\u003cp\u003eABC news report of the fire \u0026amp; death of 3 astronauts at Cape Kennedy on January 27, 1967\u003c/p\u003e","\u003cp\u003eReel 1: Apollo 11 launch on July 16, 1969.  Sides 1 \u0026amp; 2, tracks A\u0026amp;B.\u003c/p\u003e","\u003cp\u003eReel 2: Apollo 11 on July 20, 1969.  Sides 1\u0026amp;2, Tracks A\u0026amp;B.\u003c/p\u003e","\u003cp\u003e\"Space Age Sound Effects\"- telemetry signals from satellites.\u003c/p\u003e","\u003cp\u003e\"Project Mercury Astronauts in Flight\".\u003c/p\u003e","\u003cp\u003e\"Project Gemini Astronauts in Flight\"\u003c/p\u003e","\u003cp\u003e\"Prominent Personalities, Policy Statements, \u0026amp; Events in Space\".\u003c/p\u003e","\u003cp\u003e\"Dilemma of the Farmer\": a discussion of agricultural problems by Prof. Allen E. Ragan on February 16, 1961\u003c/p\u003e","\u003cp\u003e\"Sputnik\": a discussion of the Soviet satellite by Prof. John Harvey Wheeler (Poli. Sci. Dept.), \u0026amp; Prof. Edward Turner (Phys. Dept.)\u003c/p\u003e","\u003cp\u003eDocumentary on Will Rogers, narrated by Mike Wallace, CBS. NOT BROADCAST QUALITY\u003c/p\u003e","\u003cp\u003e\"This is Korea\": a tribute to Edward R. Morrow.  Concerns his life \u0026amp; career.  Side 1\u003c/p\u003e","\u003cp\u003e\"The Great Garrick\", 18th century English actor.  Sides 1 \u0026amp; 2\u003c/p\u003e","\u003cp\u003e\"A Look at Monaco\": a tour with Princess Grace which includes details of life in the palace.  Side 1, Track A.\u003c/p\u003e","\u003cp\u003e\"Life of Charles Dickens\", narrated by Sam Weller.  Side 1, Track A.  \"The West From 1903\", narrated by Joseph Cotton.  Part of \"Hollywood \u0026amp; the Stars\" series.  Side 1, Track B.\u003c/p\u003e","\u003cp\u003e\"Douglas MacArthur\"- CBS biography.  Side 1, Track B.\u003c/p\u003e","\u003cp\u003e\"The House of Rothschild\".  POOR QUALITY.  Side 1, Track A.  CBS News on Vietnam.  Side 2, Track B.\u003c/p\u003e","\u003cp\u003eDocumentaries on Winston Churchill, Gen. MacArthur, Charles A. Lindberg \u0026amp; Woodrow Wilson (1 reel: different colors of tape!)\u003c/p\u003e","\u003cp\u003e\"Tribute to Winston Churchill\". (Good \u0026amp; Bad parts!)\u003c/p\u003e","\u003cp\u003eEMPTY BOX\u003c/p\u003e","\u003cp\u003eDocumentary on UFO's, comparing 1964 \u0026amp; 1973 reported sightings in Virginia.\u003c/p\u003e","\u003cp\u003eA copy of #378, \"Flying Saucers in VIrginia\".\u003c/p\u003e","\u003cp\u003eTV Movie made in 1956, broadcast July 6, 1963, concerning UFO.  Side 1, Track A.  UN Security Council debates on the Dominican Crisis.  Side 2, Tracks A\u0026amp;B.  Pres. Johnson's national address on May 7, 1965.  Side 2, Track B.\u003c/p\u003e","\u003cp\u003eCBS Reports: \"U.F.O. -Friend, Foe, Fantasy?\"  Side 2.\u003c/p\u003e","\u003cp\u003eSpeech by NICAP member to Lynchburg General Electric Engineers on May 27, 1966.  Sides 1 \u0026amp; 2.\u003c/p\u003e","\u003cp\u003eInterview with Dick Hall at NICAP on February 4, 1965.\u003c/p\u003e","\u003cp\u003e\"A City Grows\": Radio \u0026amp; Lynchburg; The Years the Stars Fell; Three Lynchburg Musicians; Christmas in Lynchburg; New Year's Celebrations in Lynchburg; Statue of a man (This series was prepared for Lynchburg's centennial.)\u003c/p\u003e","\u003cp\u003e\"A City Grows\": The Magic Weed Tobacco; Visitors Looking at Lynchburg; Quaker Meeting House; 7 Hills of Lynchburg; The Sacred Furniture Shop; Lynchburg's Physicians; Lynchburg's Life Saving Crew; The Banks of Lynchburg; Lynchburg Becomes a City; Editorial Wards; Lynchburg's Early Courts \u0026amp; Judges; The Town Clock \u0026amp; human interest stories.\u003c/p\u003e","\u003cp\u003e\"A City Grows\": The Story of Appomattox.  (Reenacted from the original script broadcast over WWOD in April, 1950.)\u003c/p\u003e","\u003cp\u003e\"A City Grows\": Canal Boat Era; Boat Clubs; 1st R/R; Livery Stables; Last Confederate War Horse; Wines \u0026amp; Dines a Yankee Col.; Old \u0026amp; Historic Mansions; Norwell House; Old Maps of 1877; Old Fashioned Editors; Editors of 1860. (See master list for full titles.)\u003c/p\u003e","\u003cp\u003e\"A CIty Grows\": Red Feather; Red Cross; YWCA; 1st Sunday School; Early Public Schools; Fire Alarm System; Great Court House Robbery; Thos. R. Jefferson; Rivermont Bridge; S.O. Fisher Co.; Ladies Build a Bridge; W.D. Duiguid; J.P. Bell Co.; Rivermont Park; Piedmont Milling Co.; Royalty Visits; Cleland CO.; Milleny Co.\u003c/p\u003e","\u003cp\u003eSpeech by Dr. Francis P. Gaines on Founders' Day, Jan. 19, 1957.\u003c/p\u003e","\u003cp\u003eParents week end seminar, 1957\u003c/p\u003e","\u003cp\u003eSpeech by Prof. O.W. Riegel at the International Relations Club on Oct. 21, 1958.\u003c/p\u003e","\u003cp\u003eFootball coach Lee M. McLaughlin speaks in Lee Chapel on May 2, 1957.\u003c/p\u003e","\u003cp\u003ePres. Huntley's speech on Marijuana, Dec. 4, 1968.\u003c/p\u003e","\u003cp\u003eDr. Ollinger Crenshaw's Founders' Day Speech on Jan. 20, 1969.\u003c/p\u003e","\u003cp\u003ePres. Huntley's Opening Address in 1970.\u003c/p\u003e","\u003cp\u003eAn interview with Dean Pusey (acting W\u0026amp;L president) by the Ring Tum Phi \u0026amp; WLUR on Oct. 12, 1967\u003c/p\u003e","\u003cp\u003ePres. Huntley's first news conference, Jan. 3, 1968.  Includes Dean Pusey.\u003c/p\u003e","\u003cp\u003ePres. Huntley's inauguration, October 18, 1968.\u003c/p\u003e","\u003cp\u003eDedication of the Louis Spilman Lounge on May 4, 1965.\u003c/p\u003e","\u003cp\u003eDr. Leyburn's speech in Lee Chapel during Freshman Orientation, 1974.\u003c/p\u003e","\u003cp\u003eA tribute to R. E. Lee on Jan. 17, 1974.  \"The Gentleman\"- R.E.R. Huntley; \"The Soldier\"- Prof. J.H. Merchant; \"The Christian\"- Dr. Sprunt; \"The Educator\"- Dr. Sanders.\u003c/p\u003e","\u003cp\u003ePart 1: The Coed Debate on Oct. 7, 1969.  Various faculty \u0026amp; student speakers.\u003c/p\u003e","\u003cp\u003ePart 2: The Coed Debate on Oct. 7, 1969.  Various faculty \u0026amp; student speakers.\u003c/p\u003e","\u003cp\u003eDiscussion in Lee Chapel on Oct. 12, 1973 concerning the historic front campus.\u003c/p\u003e","\u003cp\u003eDedication of the front campus as a National Historic Landmark on Oct. 12, 1973.  Gov. Linwood Holton was a principal speaker.\u003c/p\u003e","\u003cp\u003eOpening ceremonies of the Civil War Centennial in Lee Chapel.  Includes former Va. governor William M. Tuck \u0026amp; Pres. Gaines (Audio on Tuck is poor)\u003c/p\u003e","\u003cp\u003ePart 1: speech by J.S. Whitehead in Lee Chapel in March, 1967.  Concerns the British position on Rhodesian independence.\u003c/p\u003e","\u003cp\u003ePart 2: speech by J.S. Whitehead in Lee Chapel in March, 1967.  Concerns the British position on Rhodesian independence.\u003c/p\u003e","\u003cp\u003eSpeech by Kenneth A. Cox during opening/dedication ceremonies of WLUR on Nov. 13, 1967.  This speech was broadcast by WLUR \u0026amp; simucast by WREL.\u003c/p\u003e","\u003cp\u003eCeremony at Marshall Library to commemorate the 20th Anniversary of the Marshall Plan.\u003c/p\u003e","\u003cp\u003eDedication of LeJeune Hall on May 15, 1967.\u003c/p\u003e","\u003cp\u003eVMI Band performance at Law Day Ceremonies at Marshall Library on April 29, 1967.\u003c/p\u003e","\u003cp\u003eLaw Day Ceremonies at Marshall Library on April 29, 1967.\u003c/p\u003e","\u003cp\u003eOpenings \u0026amp; closings used for \"Concert\".\u003c/p\u003e","\u003cp\u003ePossibly filler for a \"Kaleidoscope\" show.\u003c/p\u003e","\u003cp\u003eSound effects: clocks, traffic, birds, sirens, air-raid siren.\u003c/p\u003e","\u003cp\u003e\"News from W\u0026amp;L\" with Charles McDowell on May 6, 1971.\u003c/p\u003e","\u003cp\u003eCart re-recordings: intro/close, sign on/off, ID's, etc. Dated June 12, 1969\u003c/p\u003e","\u003cp\u003eTape 1: WLUR's first broadcast on Feb. 27, 1967.\u003c/p\u003e","\u003cp\u003eCopy of #407, WLUR's first broadcast.\u003c/p\u003e","\u003cp\u003eTape 2: last half-hour on the air, Feb. 27, 1975\u003c/p\u003e","\u003cp\u003eTape 1: WLUR's first night with 175 watts stereo, February 27, 1975.\u003c/p\u003e","\u003cp\u003eCompilation of tapes used on \"Home Edition\".\u003c/p\u003e","\u003cp\u003eTrivia Contest-1966\u003c/p\u003e","\u003cp\u003eEditorials read on Jan. 23, 1963\u003c/p\u003e","\u003cp\u003e1st Anniversary Program-Feb. 27, 1968.  Side 1 \u0026amp; 2, Track A.\u003c/p\u003e","\u003cp\u003e2d Anniversary program, February 27, 1969.\u003c/p\u003e","\u003cp\u003e2d Anniversary program, February 27, 1969.\u003c/p\u003e","\u003cp\u003eTape 1: 5th Anniversary Program.\u003c/p\u003e","\u003cp\u003eTape 2: 5th Anniversary Program.\u003c/p\u003e","\u003cp\u003eTape 3: 5th Anniversary Program.\u003c/p\u003e","\u003cp\u003eNews Tapes, 1967-68\u003c/p\u003e","\u003cp\u003eNews Tapes. 1968\u003c/p\u003e","\u003cp\u003eInterviews \u0026amp; actualities, 1968.\u003c/p\u003e","\u003cp\u003eThe #1 Album for February 26, 1971\u003c/p\u003e","\u003cp\u003eNews Tapes, Oct. 6-31, 1973\u003c/p\u003e","\u003cp\u003eTape 1: 1974 Turkey Marathon\u003c/p\u003e","\u003cp\u003eTape 2: 1974 Turkey Marathon\u003c/p\u003e","\u003cp\u003eSign on/off; news intro/tag; sports intro/ tag; used mornings \u0026amp; afternoons of Winter Term, 1973.\u003c/p\u003e","\u003cp\u003eContact 1976 3/4/76 R.E.R. Huntley on \"honor\" Tails Out 3 3/4 ips\u003c/p\u003e","\u003cp\u003eHoliday Marathon\u003c/p\u003e","\u003cp\u003ePortion of 1968 CAC Basketball tournament in Sewanee, Tenn.  Jeff Twardy wraps up the game \u0026amp; tournament- W\u0026amp;L won.  Twardy interviews Coach Canfield\u003c/p\u003e","\u003cp\u003e31g. 636/1\u003c/p\u003e","\u003cp\u003ePart 1: A \"Kaleidoscope\" documentary on beatniks.\u003c/p\u003e","\u003cp\u003eA series of short programs on the history of New Mexico.  Narration is all in Spanish.\u003c/p\u003e","\u003cp\u003eDocumentary on June 6, 1963 commemorating the 19th anniversary of D-Day.\u003c/p\u003e","\u003cp\u003e(From box) Dr. Francis P. Gaines speaking in Lynchburg\u003c/p\u003e","\u003cp\u003eThe Tell-Tale Heart: radio drama after the short story by Poe: performed by members of the Performing Arts Program, Evergreen State College\u003c/p\u003e","\u003cp\u003eWhen the World Screamed\u003c/p\u003e","\u003cp\u003eMaurizio Pollini Interviewed by Robert Sherman in New York 1982.\u003c/p\u003e","\u003cp\u003ePolitics and Public Health in the People's Republic of China\u003c/p\u003e","\u003cp\u003eNuclear Power on Trial Reel 1 of 3\u003c/p\u003e","\u003cp\u003eNuclear Power on Trial\u003c/p\u003e","\u003cp\u003eNuclear Power on Trial Reel 2 of 3\u003c/p\u003e","\u003cp\u003ePlaying with Fire: radio drama after Sir Arthur Conan Doyle\u003c/p\u003e","\u003cp\u003eBetty Carter 2/2\u003c/p\u003e","\u003cp\u003eBetty Carter 1/2\u003c/p\u003e","\u003cp\u003eThe Atomic Bombing of Worcester 1/2\u003c/p\u003e","\u003cp\u003eWhatever Happened to John Lennon? edited/ beeped version\u003c/p\u003e","\u003cp\u003eFounder's Day 1/19/79 James G Leyburn\u003c/p\u003e","\u003cp\u003eInterview w/ Studs Terkel 1/2\u003c/p\u003e","\u003cp\u003eInterview w/ Studs Terkel 2/2\u003c/p\u003e","\u003cp\u003eThe Nighthawks Tape 3 Cockpit 5/15/79\u003c/p\u003e","\u003cp\u003eGuess What's Coming to Dinner Project E.A.T. (Educating Appetites for Tomorrow)\u003c/p\u003e","\u003cp\u003ePresidential Press COnf. Panel Lee Chapel March 6, 1981 2nd Panel Dox Tape 3 3/4 ips\u003c/p\u003e","\u003cp\u003ePresidential Press Conference Panel Lee Chapel- March 6, 1981 1st panel- Tape 1 of 1 Series- Tape 1 7 1/2 ips\u003c/p\u003e","\u003cp\u003eJohn D. Wilson Inaugural Address OKD January 19, 1983.\u003c/p\u003e","\u003cp\u003e(Box) RESOLVED: That Washington \u0026amp; Lee University should admit women to its undergraduate program WLUR-FM Recorded live 8 p.m. Nov. 16, 1983 Northen Auditorium approx 1:45:00\u003c/p\u003e","\u003cp\u003e(Box) Rock Revival (1978) *DO NOT ERASE* (Reel Side 1) Tails Out (Reel Side 2) 3/22/79 Contact Eugene McCarthy/ William Rusher Tails Out\u003c/p\u003e","\u003cp\u003ePresidential Press Conf. Panel W\u0026amp;L Lee Chapel March 6,7-1981 Saturday- Tape 1 of 1 3 3/4 ips Series III\u003c/p\u003e","\u003cp\u003ePresidential Press Conf. Panel W\u0026amp;L Lee Chapel March 6,7-1981 Tape II Session II Series III 7 1/2 ips\u003c/p\u003e","\u003cp\u003ePresidential Press Conf. Panel Lee Chapel- March 6,7-1981 Tape I Panel 2 Series II 7 1/2 ips\u003c/p\u003e","\u003cp\u003ePresidential Press Conf. Panel W+L Lee Chapel March 6,7-1981 Auxilary Tape I of I 3 3/4 ips\u003c/p\u003e","\u003cp\u003ePres. Press Conf. Panel Lee Chapel March 6,7-1981 Auxillary Tape Saturday\u003c/p\u003e","\u003cp\u003e\"Between the Lines\" with B. Kliban for immediate broadcast cue sheet enclosed.\u003c/p\u003e","\u003cp\u003eHall of Fantasy #22: Bracelet\u003c/p\u003e","\u003cp\u003eHall of Fantasy #21: Hangman's Rope\u003c/p\u003e","\u003cp\u003eNBC Short Story #14: Jekyll-Hyde-Stev\u003c/p\u003e","\u003cp\u003eNBC Short Story #1: Frankenstein-Shelley\u003c/p\u003e","\u003cp\u003eHall of Fantasy #18: Krum-Kroc\u003c/p\u003e","\u003cp\u003eNBC Short Story #50: Usher-Poe\u003c/p\u003e","\u003cp\u003eNBC Short Story #21: Lottery-Jackson\u003c/p\u003e","\u003cp\u003eNBC Short Story #19: Tell-Tale Heart-Poe\u003c/p\u003e","\u003cp\u003eNBC Short Story#15: Cask-Poe\u003c/p\u003e","\u003cp\u003e\"Rockbridge Review\" 'Government Beat' Keesee 10:00\u003c/p\u003e","\u003cp\u003eAn Ounce of Pervention (Cancer Documentary) 2/2\u003c/p\u003e","\u003cp\u003eMoment of Insight: the Thief 1/2\u003c/p\u003e","\u003cp\u003eMoment of Insight: the Thief 2/2\u003c/p\u003e","\u003cp\u003eAtomic Bombing of Worcester 2/2\u003c/p\u003e","\u003cp\u003eAn Ounce of Pervention (Cancer Documentary) 1/2\u003c/p\u003e","\u003cp\u003eSteinbeck- Of Mice and Men\u003c/p\u003e","\u003cp\u003eWelfare Reform: Why?\u003c/p\u003e","\u003cp\u003ePublic Policy Form the Saccharin Ban: Risks vs. Benefits\u003c/p\u003e","\u003cp\u003eTokyo and Urban Life in Japan\u003c/p\u003e","\u003cp\u003eProblems of Writers in Twentieth Century China\u003c/p\u003e","\u003cp\u003eConfucian Continuities in Contemporary China\u003c/p\u003e","\u003cp\u003eJapanese Women Today\u003c/p\u003e","\u003cp\u003eContinuity and Change in Japanese Literature\u003c/p\u003e","\u003cp\u003eAnti-Intellectualism in the Chinese Tradition\u003c/p\u003e","\u003cp\u003eJapan and the Meaning of Modernization\u003c/p\u003e","\u003cp\u003eRaw Hineley + Harwood (uncut-uncensored) Reel #1 of 3\u003c/p\u003e","\u003cp\u003eReel 2 of 3 Hineley, Harwood\u003c/p\u003e","\u003cp\u003eReel #3 of 3 Hineley, Harwood\u003c/p\u003e","\u003cp\u003eLeffel\u003c/p\u003e","\u003cp\u003eRiegel #1\u003c/p\u003e","\u003cp\u003eRiegel #2\u003c/p\u003e","\u003cp\u003eDon Husat\u003c/p\u003e","\u003cp\u003e4/29/82 Dehria or Demria\u003c/p\u003e","\u003cp\u003eJennings WLUR 15th Anniv.\u003c/p\u003e","\u003cp\u003eNation Building in Traditional East Asia\u003c/p\u003e","\u003cp\u003ePopulation Growth: the Seoul Problem in Korea\u003c/p\u003e","\u003cp\u003eFolk Beliefs in Contemporary Japan\u003c/p\u003e","\u003cp\u003eJapanese Images of America\u003c/p\u003e","\u003cp\u003ePopulation Growth in the Developing World\u003c/p\u003e","\u003cp\u003eSoseki and the Modern Japanese Novel\u003c/p\u003e","\u003cp\u003eWomen in Contemporary Japanese Society\u003c/p\u003e","\u003cp\u003eThe Japanese Search for \"Roots\"\u003c/p\u003e","\u003cp\u003eThe United Nations and Japan\u003c/p\u003e","\u003cp\u003e\"The Age of the Telemann\"\u003c/p\u003e","\u003cp\u003e\"The Age of the Telemann\"\u003c/p\u003e","\u003cp\u003eGrateful Dead No I-D Bootleg (Good Condition)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original 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Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title","Original Title"],"scopecontent_tesim":["Records of the Washington and Lee University radio station, WLUR 91.5, from its creation in 1967-68 to present. This record group is composed primarily of recordings from the radio station. Included among the tapes are earlier recordings from the Washington and Lee Journalism Dept. predating the founding of the radio station. The station was originally created as an arm of the Journalism Dept. It is now a branch of the Communications and Public Affairs Office. ","Please contact Special Collections and Archives staff for an inventory list of the recordings.","Bell Telephone Hour: a tribute to Yehudi Menuhin, \"Carnival of the Menuhins.\"","Documentary on presidential campaign with good voice excerpts of Eisenhower and Adlai Stevenson.","The Nighthawks Tape 1 Cockpit 5/15/79","April 30, 1956 Sen. Alben W. Barkley's Final Speech","This was a \"Radio W\u0026L\" documentary in the fall of 1965 on the state campaign for governor and legislature.  Voices of Tom White, A. Linwood Holton, Mills E. Godwin, Jr., Mr. Charles Davidson, and Dr. Charles Phillips.","Dr. Ollinger Crenshaw recounts U.S. Presidential elections from 1916 to 1964.  These comments were used to fill on election night in 1966.","Comments by Colonel B. McCluer Gilliam on Virginia, Rockbridge County, and Lexington politics for election night 1966.  These were used as filler.","When Buz Dawbarn was running for the state senate, he was interviewed by Charles Winston at the College Town Shop in Lexington on October 20, 1967.","A news conference of Governor Rockefeller on April 30, 1968 at which he announced his candidacy for the presidency.","Arizona Senator Barry Goldwater (R) accepts presidential nomination of Washington's exclusive Alfalfa Club.","Part 1: WLUR Election Night 1968","Part 2: WLUR Election Night 1968","Part 3: WLUR Election Night 1968","Part 4: WLUR Election Night 1968","Interviews \u0026 actualities, WLUR Election Night 1972.","Part 1; speech by Linwood Holton at Lexington High School on October 9, 1965.","Part 2; speech by Linwood Holton at Lexington High School on October 9, 1965.","Stories by D.R. \"Billy\" Matthews, 8th District Congressman, Florida: An opening story-7 1/2, 10 original stories-7 1/2, final stories-3 3/4","Speech by Sen. Barry Goldwater before the Association of American Editorial Cartoonists on May 10, 1963","Speech by Brooks Hays, former Arizona congressman, before the Pennsylvania Political Science \u0026 Public Administrators Association.  Also, miscellaneous stories told by Mr. Hays.","Inaugural Address: Va. Gov. Linwood Holton.","First \"State of the Commonwealth Address\" by Va. Gov. Linwood Holton","President Truman's keynote address at the 1960 MC.","Part 1: excerpts of the 1964 MC. (Some tapes are missing, so all parts are not consecutive.)","Part 2: excerpts of the 1964 MC. Contains comments by Richard Poff, 6th District Congressman from Roanoke.","Part 3: excerpts of the 1964 MC.  Contains comments by Congressman Poff \u0026 Minnesota Congressman Walter Judd.","Part 4: excerpts of the 1964 MC. Contains keynote address by Congressman Judd.","Part 5: excerpts from the 1964 MC","Part 6: excerpts from the 1964 MC.","Part 7: excerpts from the 1964 MC.","Part 8: excerpts from the 1964 MC.","Part 9: excerpts from the 1964 MC.","Part 10: excerpts from the 1964 MC.","Part 11: excerpts from the 1964 MC.","Part 12: excerpts from the 1964 MC.","Part 13: excerpts from the 1964 MC.","Part 14: excerpts from the 1964 MC.","Richard Nixon was nominated May 4, 1968 for president.  Steve Saunders, MC Chairman called Nixon in Louisville.  This is Nixon's acceptance message.","This tape contains all the promos for the 1968 MC, used by WLUR.","A composite of unrelated tapes about the '68 MC.  Contains: 1. WFTV (Orlando) editorial against Gov. Kirk; 2. Bill Wilkerson's interview with MC Chairman Steve Saunders on Oct. 5, 1967; 3. Larry Honig's interview with Gov. Kirk in Nov. 1967; 4. comments by Red Patton to Don Husat in Nov. 1967; 5. Don Husat in Nov. 1967; 5. Don Husat's interview with Steve Saunders on March 22, 1968.","Part 1: excerpts of the 1968 MC.  Contains Andrew Lupton's interview with Gov. Kirk; speeches by Tenn. Congressman Bill Brock, Gov. Linwood HOlton; Gov. Kirk's keynote address.  Also, the \"bomb hoax\".","Part 2: excerpts from the 1968 MC.  Contains speech by Okla. Gov. Henry Bellman \u0026 Don Husat's interview with Bellman.","Part 3: excerpts from the 1968 MC.  Contains debate on the platform.  States report when they will nominate a candidate.","Part 4: excerpts from the 1968 MC.  Contains nominating speeches.","Part 5: excerpts from the 1968 MC.  Contains more nominating speeches.  Also, the memorial service for Tommy Mac Baremore.","Part 6: excerpts from the 1968 MC.  More nominating speeches \u0026 seconding speeches for Richard M. Nixon.","Part 7: excerpts from the 1968 MC.  Includes nomination of Spiro Agnew, first ballot roll-call for N.Y.","Part 8: excerpts from the 1968 MC.","Part 9: excerpts from the 1968 MC.","Part 10: excerpts from the 1968 MC.  Sen. Charles Percy of Illinois is nominated for VP.  Nixon telephonically accepts his nomination as pres. Convention windup.","Alben Barkley's Final Speech, 1956 Mock Convention, 4-30-56","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","KDKA: documentary \"President Kennedy: Obituary\", ABC News: coverage of the assasination in Dallas \u0026 comments on John F. Kennedy's presidency \u0026 life at the White House.","Speech by Albertus S. Harrison at the Virginia Associated Press Broadcaster's meeting on October 9, 1961.  (He became governor of Virginia a few months later.)","Compilation of remarks by assorted U.S. Senators, U.S. Congressmen \u0026 important federal officials.  Includes: Pierre Salinger, Eugene McCarthy, George Romney, Sam J. Ervin Jr., Tom Clark, Nelson Rockefeller, Harry F. Byrd Sr., Willard Wirtz, Robert F. Kennedy \u0026 Arnold Olsen. (Tait Trussell Collection)","Compilation of remarks by U.S. Senators Everett M. Dirksen, Robert S. Kerr, Thurston B. Morton \u0026 Kenneth Keating.  Dirksen talks about: funny stories, treaties \u0026 ladies hats, his status as a presidential candidate on 13 March 1963, \u0026 \"china \u0026 vitals\". (Tait Trussell Collection)","Speech by U.S. Senator Barry Goldwater at W\u0026L on 1 March 1961.","Speech by U.S. Senator Barry Goldwater at W\u0026L on 1 March 1961.","News Conference with U.S. Senator Barry Goldwater at W\u0026L on 1 March 1961","Pres. Eisenhower's speech announcing the landing of U.S. troops in Lebanon.","Pres. Eisenhower's speech at Mary Baldwin College on October 27, 1960.","Pres. Kennedy's Test-Ban Treaty speech in July, 1963","Compilation of Pres. Kennedy's speeches/comments at various functions.","Pres. Kennedy's speech in Boston, Mass. on October 19, 1963.  Also, his Berlin Crisis Speech of 1961.","Pres. Kennedy: Oath of office; inaugural address; Peace Corps message; Alliance for Progress speech.","Pres. Kennedy's Cuban Missile Crisis Speech on October 22, 1962.","Pres. Kennedy: interview \u0026 speech at Roanoke Airport on November 4, 1960.","Pres Johnson: discussion of the world situation, especially the Arab-Israeli conflict, on June 19, 1967 in Washington, D.C.","Pres. Johnson: message to Congress on March 15, 1965 (2 tapes)","Pres. Johnson: message to Congress on March 15, 1965 (2 tapes)","Pres. Johnson: Inaugural on January 20, 1965","Pres. Johnson: speech at Women's National Press Club on January, 1963.","Pres. Johnson: speech before the U.S. Chamber of Commerce- Spring 1964","Pres. Johnson: address to Congress on November 27, 1963.","Pres. Nixon: \"National Welfare Report\" on August 8, 1969","Part 1: speech delivered March 13, 1965 in Lee Chapel by Thomas G. Wicker chief of Washington Bureau, New York Times. (Part 2: lost)","Part 1: seminar conducted by Dr. James W. Silver, past president of the Southern Historical Society, on March 12, 1965.","Part 2: seminar conducted by Dr. James W. Silver on March 12, 1965","Part 1: Speech delivered by Dr. James W. Silver on March 12, 1965","Part 2: speech delivered by Dr. James W. Silver on March 12, 1965","Part 1: speech by Col. Francis Pickens Miller, special assistant at the U.S. State Department, on March 14, 1966","Part 2: speech by Col. Francis Pickens Miller on March 14, 1966","Part 3: speech by Col. Francis Pickens Miller on March 14, 1966","Part 1: speech by Douglass Carter, special assistant to Pres. Lyndon B. Johnson, on March 13, 1965.","Part 2: speech by Douglass Carter on March 13, 1965","Part I: speech by C.P. Ives, associate editor of the Baltimore Sun, on March 14, 1965.","Part 2: speech by C.P. Ives on March 14, 1965. (This tape may not be consecutive with Part 1 since the tape was lost.)","Part 1: speech by James R. Echols, cultural affairs advisor at the USIA March 12, 1965","Part 2: speech by James R. Echols on March 12, 1965","Part 1: speech by James Farmer, former director of CORE, on February 15, 1967 in Lee Chapel","Part 2: speech by James Farmer on February 15, 1967.","Part 1: seminar conducted by Richmond Flowers, former attorney-general of Alabama, with W\u0026L law students on February 15, 1967.","Part 2: seminar conducted by Richmond Flowers on February 15, 1967","Part 2: speech by Richmond Flowers in Lee Chapel on February 15, 1967. (Part 1 has been lost.)","Part 1: speech by Dr. Frederick Wilhelmsen in Lee Chapel on February 16, 1967.","Part 2: speech by Dr. Frederick Wilhelmsen in Lee Chapel on February 16, 1967","Part 1: speech by Tom Wolfe, W\u0026L alumnus \u0026 author, in Lee Chapel on February 18, 1967.","Part 2: speech by Tom Wolfe in Lee Chapel on February 18, 1967.","Part 1: speech by Robert D. Novak, syndicated columnist, on February 10, 1969 (Part 2 has been lost.)","Speech by Philippe Labro on February 12, 1969.  (There used to be another tape of this speech: it's unknown what part of the speech this tape is.)","Speech by Ralph Lapp on February 12, 1969.  (There used to be 3 tapes of this speech: it's uncertain what part this tape is.)","Speech by Walter Adams on February 13, 1969.  (There used to be 3 tapes of this speech: it's uncertain what part this tape is.)","Speech by John Silber on February 14, 1969.  (There used to be 4 tapes: only 1 remains.)","Speech by U.S. Senator George McGovern on February 15, 1969 (There used to be 4 tapes: only 1 remains.)","Part 1: master tape of Contact 1970. (Speakers \u0026 dates aren't indicated)","Part 2: master tape of Contact 1970. (Speakers \u0026 dates aren's indicated)","Part 3: master tape of Contact 1970. (Speakers \u0026 dates aren't indicated)","Speech by Dr. Charles Hamilton on January 15, 1971.","Speech by U.S. Senator Mark Hatfield on January 18, 1971","Speech by Dr. Arthur Hansen, president of Georgia Tech, on January 20, 1971. Subject: \"Education \u0026 Technology\".","Speech by Leonard Weinglass, Chicago defense attorney.  Date unknown.","Speech by Stewart Udall, Secretary of the Interior on February 1, 1972","Part 1: speech by Frank Mankiewicz on February 28, 1973.  Subject: \"Government \u0026 the Press\".","Part 2: Speech by Frank Mankiewicz on February 28, 1973.","Speech by Betty Friedan in Lee Chapel on March 1, 1973. Subject: \"Feminism\"","Speech \u0026 relations by James Dickey in Lee Chapel on February 3, 1973.","Speech by Dick Gregory, comedian \u0026 black activist, in Doremus Gym on March 5, 1973.","Speech by Adm. Jeremiah Denton in Lee Chapel on April 17, 1974.  (A POW during the Vietnam War, Denton told of some of his experiences during captivity.  The entire speech is not included on the tape.)","Speech by Heywood Hale Broun, CBS-TV sportscaster, in Lee Chapel on February 25, 1974","Contact '75- Louis Rukeyser 2/26/75 Lee Chapel 8PM Reel 1 of 2","Part 2: speech by Louis Rukeyser in Lee Chapel on February 26, 1975","Contact '75-Louis Rukeyser Reel 2 of 2","Part 1: speech by David Halberstram, author \u0026 journalist, in Lee Chapel on March 3, 1975.","Part 2: speech by David Halberstram in Lee Chapel on March 3, 1975","Speech by William H. Rehnquist, associate justice of the U.S. Supreme Court, in Lee Chapel on March 4, 1975","Conservation \u0026 Energy Debate between David Brower \u0026 T. Justin Moore Jr. in Lee Chapel on March 5, 1975.  (Bower was executive director of the Sierra Club before he founded \u0026 became president of Friends of the Earth.  Moore is president of VEPCO.","Henry J. Taylor addresses the Lynchburg Chamber of Commerce on April 8, 1965 at RMWC.","Sen. Harry F. Byrd Jr. addresses the Lynchburg Chamber of Commerce on May 8, 1968 at RMWC.","U.N. representative Philip Dean's speech at RMWC on May 9, 1963.  Sponsored by the League of Women Voters.","Dr. Paul Goodman \u0026 Dr. Ernest van der Haag: speeches during RMWC's \"Focus\" on December 4, 1965.","Speech by Clinton Rossitor in Lee Chapel on 11 March 1965, called: \"President \u0026 Congress in the 60's: A New \u0026 Enduring Balance of Power?\"","Collection of 3 speeches by: Alexander P. Saversky, aeronautical engineer; Arthur Larson, coiner of the term \"modern republicanism\"; Dr. Edward Katzenback, director of the defense studies program at Harvard University.","Speech by E.G. Sherbourne in Doremus Gym on March 13, 1967.  Sherbourne, director of science services in D.C., spoke during the SIPA Convention.","Speech by Alan Barth, editorial writer for the Washington Post, to a journalism class on 9 November 1959.","Speech by Robert Estabrook, Washington Post columnist, on December 6, 1967 at W\u0026L (Part 1)","Speech by Robert Estabrook, Washington Post columnist, on December 6, 1967 at W\u0026L (Part 2)","Part 1: speech by MAJ William E. Mayer, Army psychiatrist at San Francisco Naval Shipyard, on brainwashing during the Korean War.","Part 2: speech by MAJ William E. Mayer, Army psychiatrist at San Francisco Naval Shipyard, on brainwashing during the Korean War.","Part 1: speech by H.J.C. Hooper, director of the Rhodesian Information Agency, in Lee Chapel in March 1967. Topic: the Rhodesian position on the Rhodesian independence movement.","Part 2: speech by H.J.C. Hooper, director of the Rhodesian Information Agency, in Lee Chapel in March 1967. Topic: the Rhodesian position on the Rhodesian independence movement.","Part 1: speech by Rev. Charles Metzler in Lee Chapel on 10 May 1967.  The Liberty Hall Society invited Metzler to speak after he returned from South Vietnam.","Part 2: speech by Rev. Charles Metzler in Lee Chapel on 10 May 1967.  The Liberty Hall Society invited Metzler to speak after he returned from South Vietnam.","Speech by Walter Heller, chairman of President Kennedy's Council of Economic Advisors, in Lee Chapel on 10 November 1967.  Speech sponsored by the W\u0026L School of Commerce.","Speech by Richard Nixon, former Vice President, at ODK Assembly in Doremus Gym on 11 January 1968.  Includes comments by Dean Pusey \u0026 the question \u0026 answer period after the speech.","Speech by Daniel Callahan on 27 February 1969, topic: \"Freud, Religion \u0026 Culture\".","Bromfeld speech in Dupont Hall on 20 March 1969.","Speech by Gen. Samuel B. Griffith II (USMC, RTD) on 26 March 1969.  Topic: \"Where is China Going?\"","Speech by Wyatt A Durette in Dupont Hall on 10 April 1969.  Topic: \"The Supreme Court\".","Speech by Hugh Downs on 11 April 1969.  Topic: \"The Role of Communications in Human Affairs.\"","Speech by Henry Fowler, former Secretary of the Treasury, on 28 April 1969.  Topic: \"Current Economic Developments \u0026 National Monetary \u0026 Fiscal Policies\"","Speech by Linwood Holton in Lee Chapel on 21 October 1969.  Holton was running for governor of Virginia at the time.","Speech by Linwood Holton in Lee Chapel at ODK Assembly on 14 April 1970.","Speech by J. Edward Lumbard, chief judge of the U.S. 2nd Court of Appeals in New York.  Topic: \"Trial by Jury \u0026 More Speedy Justice\".","Speech by Roger Mudd (CBS News) at ODK Assembly on 7 December 1970.  Topic: W\u0026L, \u0026 the problems of TV \u0026 TV news.","Speech by Larry Hoover in Lee Chapel on 18 April 1974.  Topic: the League of Women Voters.","A.E. Johnson: speech for American State Highway Officials Association at Jackson Hall on October 27, 1966.","Interview with Christine Carere \u0026 Ralph Davis during the premiere of \"Mardi Gras\" in 1958.","Gov. Mills E. Godwin, Jr.: speech for Virginia Highway Conference at V.M.I. on October 27, 1966.","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","\"George C. Marshall, the Man \u0026 His Career\" (7 tapes)","Speech by Samuel Eliot Morison, noted historian. Date unknown","Chou Shu-Kai, Nationalist Chinese Ambassador: speech at VMI gym on April 18, 1967. (2 tapes)","Chou Shu-Kai, Nationalist Chinese Ambassador: speech at VMI gym on April 18, 1967. (2 tapes)","Speech by General Maxwell Taylor at VMI, October 1974","Fred Graham on \"The Impact of the Legal System.\"","Jeff MacNelly and Charles McDowell on \"Washington Wit\"","Jimmy Breslin on \"How the Good Guys Finally Won.\"","George Plimpton's Contact Presentation","Ethics Lecture by Monroe Freedman, March 8, 1976","Speech by Republican National Co-Chairman Richard Obenshain on April 29, 1975.","\"Of Mice and Men\": an original adaptation of this famous novel for radio.","\"Arizona Cowboy\": This was the second program in the \"Kaleidoscope\" series.  It was broadcast on November 2, 1955.  The narrator was John K. Jennings.","Freedom of Information Panel DISCUSSION given on Feb. 28, 1973","Discussions of Arab-Israeli problem in late 1950's between Dr. David W. Sprunt, Washington and Lee religion professor, and Dr. William Jenks, Washington and Lee history professor.","In 1967, the Lexington chapter of the J.C.'s placed Judge William Romans in the running, for the second time for state president.  He won.  On July 18, 1967, WLUR News Director Don Husat interviewed Chapter President Dabney Carver and Judge Romans a few days before the election in Richmond.","This tape is an analysis of the House.  Although the program is incomplete, it contains the voices of John F. Kennedy and Abraham Ribicoff.","A brief history of World War II. Several uses of Hitler's voice and several German battle songs","Reporter Harvey Allen interviews Coach MacLaughlin for WRVA in 1959 before the General's game with Hampden-Sydney.","In the spring of 1967, WLUR recorded a wrap-up of the previous year's debate team activities.  Moderating the discussion was Professor William Chaffin, debate coach, and he discusses the year with some of the debate team.","Lexington's Police Chief is interviewed by WLUR News Director Don Husat on March 23, 1967.","A series of short programs on the history of New Mexico.  Narration is all in Spanish.","Documentary on June 6, 1963 commemorating the 19th anniversary of D-Day.","Part 1: A \"Kaleidoscope\" documentary on beatniks.","Part 2: A \"Kaleidoscope\" documentary on beatniks.","Part 1: A discussion entitled \"The Proper Role of Government in a Free Economy.\"  The discussion includes Professor John M. Gunn and Professor Charles Phillips.  There are two student participants.","Part 2: A discussion entitled \"The Proper Role of Government in a Free Economy.\"  The discussion includes Professor John M. Gunn and Professor Charles Phillips.  There are two student participants.","Part 1 of a documentary on juvenile delinquency.","Part 2 of a documentary on juvenile delinquency.","Part 1: A panel discussion on the sit-in demonstrations between students and Dr. Louis Hodges.","Part 2: A panel discussion on the sit-in demonstrations between students and Dr. Louis Hodges.","Professor Jay D. Cook, Jr., Chairman of W\u0026L's Accounting Department, prepared eight five minute shows on income tax information for March-April, 1958.","Part 1: W\u0026L student Mike Norrell spoke with three residents of Lexington about the city's history: Paul S. Fowler, Mrs. Lester Schnare, and Marshall Fishwick.","Part 2: Lexington history-interviews: Col. George Brooke, Dr. J. J. Murray Sr., Mrs. Nettie Smith, and J. Harris Thompson","Part 1: A symposium held in Lee Chapel concerning the Vietnam war moratorium.  Speeches by W\u0026L students and faculty.","Part 2: Moratorium Day Program, October 15, 1969.","Part 3: Moratorium Day Program, October 15, 1969","Part 4: Moratorium Day Program, October 15, 1969","Part 5: Moratorium Day Program, October 15, 1969","Part 1: A drug information program broadcast in November 1970.  Features Dr. James Buckman, Professor R. H. MacDonald, and various area citizens.","Part 2: A drug information program broadcast in November 1970.  Features Dr. James Buckman, Professor R. H. MacDonald, and various area citizens.","Part 3: A drug information program broadcast in November 1970.  Features Dr. James Buckman, Professor R. H. MacDonald, and various area citizens.","Arthur Godfrey interviews Anna Chenault, widow of WWII hero Gen. \"Flying Tiger\" Chenault.  Godfrey also interviews Eddie Rickenbacker \u0026 Chairman, FCC","\"Town Meeting of the World\", a simucast via Telstar from the U.S., London, \u0026 Rome.  Subject: Christianity.","\" Town Called Europe\": John Chancellor narrates a documentary on the European Common Market.  Mentions the European Court of Justice, Community of Atomic Energy, \u0026 Investment Bank.  Broadcast March 3, 1962","Side 1: NBC News Special, \"Rome:Vatican Council II\", on October 30, 1962 Side 2: ABC News Special, \"Year of Confrontation, on January 1, 1963.  Howard K. Smith narrates a summary of national-international crises during 1962.","Side 1: \"Give My Regards to Broadway\", a TV music special.  Side 2: \"Finland's Tug of War\": Marvin Kalb reports on activities during the 8th World Youth Festival in Helsinki during summer, 1962.","\"God's Gentleman: Robert E. Lee\", a tribute by Edith Jester, broadcast on WINA Radio in 1970.","Part 1: KMOX documentary on \"The Wonderful World of the Muny\", the St. Louis Municipal Opera.  Includes the voices of many artists who have performed there.  Part 2: lost","KHI documentary on \"Insanity \u0026 the Law\".  This was produced because of Jack Ruby's trial.  Brings in the McNaughton Rule on temporary insanity.  Voices: Ca. Gov. Goodwin Knight, L.A. Police Chief William H. Parker, \u0026 lawyer Melvin Belli.","Part 1: WAIT's academy award 1972 program.  Includes winners from 1935-46.  Part 2: lost","Resume of Frank McGee's performance for NBC in 1963.","Documentary on Hong Kong by Broadcasting Foundation of America","KDKA documetnary for the 20th anniversary of Pearl Harbor.  Includes voices of people who were there or remembered it.","KDKA documentary: \"Rescue at Sheppton\".  The story of the Fellin Mine Disaster at Sheppton, Pa.  in August 1963.","Part 1: NBC's 40th Anniversary program.  Taped from WKYC on November 13, 1966.","Part 2: NBC's 40th Anniversary program.  Taped from WKYC on November 13, 1966.","\"Good Work-F100s\"- this story is part of a Vietnam documentary by the McLendon Stations.","\"Kim Dong\"- this story is part of a Vietnam documentary by the McLendon Stations.","McLendon Stations: \"Kim Dong\" and \"Operation Hastings.\" (Part of a series on Vietnam.)","Various battle descriptions, part of the Vietnam documentary by the McLendon Stations.","\"The Flea \u0026 The Elephant\"- this story is part of a Vietnam documentary by the McLendon Stations.","WBT program on Radio Moscow's propaganda techniques.","WBT documentary on USSR's claims that she tried to warn the world of Nazi \u0026 German power.","Excerpts of speeches broadcast by Radio Moscow.  Includes British Prime Minister Harold Wilson \u0026 JFK.","KMOX: \"What is an American?\" (Part of a public affairs series, this part concerns former president Eisenhower.)","KSFO documentary: \"The Candidates\".  Has biographical data \u0026 voices of friends of Richard M. Nixon \u0026 Edmund G. \"Pat\" Brown.","KDKA capsule programs investigate civil rights in Pittsburgh","KDKA documentary: \"Battle of Birmingham\".  Concerns desegregation in Birmingham, Ala.  Includes Rev. Ralph Abernathy, Martin Luther King \u0026 Mayor Arthur Haynes.","WDAS documentary: \"Critical 144 Hours\".  Concerns civil rights, with reports from Cleveland \u0026 a summary.","Plough Stations' reporter Harvey Tate reports directly from Ole Miss during James Meredith's admission.","WDAS documentary: \"Black Sunday\".  Concerns Birmingham, Ala. \u0026 the bombing of a Negro church which killed 4 children.  Includes Martin Luther King, Jr.","WDAS documentary: \"The Birmingham Story\". Includes Gov. George Wallace, Roy Wilkins, Jackie Robinson, Adam Clayton Powell, \u0026 Pres. Kennedy.  Summary of attempts to desegregate Birmingham, Ala.","Reports by KOIL on the trial of Eichmann in 1961.","KSFO documentary on Adolf Eichmann: who he was, what he did, his trial in 1961.","Prog 1: Broadcasting Foundation of America's documentary on the ancient monuments of Nubia in the Egyptian desert.  Called \"The Timeless Land\".","Prog 3: BFA's documentary.  This is part 1 of a story called \"The Stone Moves\".  Part 2 (Prog. 4) is lost.","Prog. 5: BFA's documentary on Nubia, called \"Buhen\".","Prog. 6: BFA's documentary on Nubia.  Called \"Mirggissa\".","Prog. 7: BFA's documentary on Nubia.  Called \"The Shadow of the Cross\".","Prog. 8: BFA's documentary on Nubia.  Describes the works of the first Joint Swedish Expedition.  Called \"The Links in the Chain\".","Prog. 9: continuation of Prog. 8, BFA's documentary on Nubia.  Concerns American archaeologists at the site.","Prog. 10: BFA's documentary on Nubia.  Called \"The Nubians\", it shows their continuity of life over 100,000 years.","WWOD documentary on voting rights.  Broadcast August 3, 1947","ABC news report of the fire \u0026 death of 3 astronauts at Cape Kennedy on January 27, 1967","Reel 1: Apollo 11 launch on July 16, 1969.  Sides 1 \u0026 2, tracks A\u0026B.","Reel 2: Apollo 11 on July 20, 1969.  Sides 1\u00262, Tracks A\u0026B.","\"Space Age Sound Effects\"- telemetry signals from satellites.","\"Project Mercury Astronauts in Flight\".","\"Project Gemini Astronauts in Flight\"","\"Prominent Personalities, Policy Statements, \u0026 Events in Space\".","\"Dilemma of the Farmer\": a discussion of agricultural problems by Prof. Allen E. Ragan on February 16, 1961","\"Sputnik\": a discussion of the Soviet satellite by Prof. John Harvey Wheeler (Poli. Sci. Dept.), \u0026 Prof. Edward Turner (Phys. Dept.)","Documentary on Will Rogers, narrated by Mike Wallace, CBS. NOT BROADCAST QUALITY","\"This is Korea\": a tribute to Edward R. Morrow.  Concerns his life \u0026 career.  Side 1","\"The Great Garrick\", 18th century English actor.  Sides 1 \u0026 2","\"A Look at Monaco\": a tour with Princess Grace which includes details of life in the palace.  Side 1, Track A.","\"Life of Charles Dickens\", narrated by Sam Weller.  Side 1, Track A.  \"The West From 1903\", narrated by Joseph Cotton.  Part of \"Hollywood \u0026 the Stars\" series.  Side 1, Track B.","\"Douglas MacArthur\"- CBS biography.  Side 1, Track B.","\"The House of Rothschild\".  POOR QUALITY.  Side 1, Track A.  CBS News on Vietnam.  Side 2, Track B.","Documentaries on Winston Churchill, Gen. MacArthur, Charles A. Lindberg \u0026 Woodrow Wilson (1 reel: different colors of tape!)","\"Tribute to Winston Churchill\". (Good \u0026 Bad parts!)","EMPTY BOX","Documentary on UFO's, comparing 1964 \u0026 1973 reported sightings in Virginia.","A copy of #378, \"Flying Saucers in VIrginia\".","TV Movie made in 1956, broadcast July 6, 1963, concerning UFO.  Side 1, Track A.  UN Security Council debates on the Dominican Crisis.  Side 2, Tracks A\u0026B.  Pres. Johnson's national address on May 7, 1965.  Side 2, Track B.","CBS Reports: \"U.F.O. -Friend, Foe, Fantasy?\"  Side 2.","Speech by NICAP member to Lynchburg General Electric Engineers on May 27, 1966.  Sides 1 \u0026 2.","Interview with Dick Hall at NICAP on February 4, 1965.","\"A City Grows\": Radio \u0026 Lynchburg; The Years the Stars Fell; Three Lynchburg Musicians; Christmas in Lynchburg; New Year's Celebrations in Lynchburg; Statue of a man (This series was prepared for Lynchburg's centennial.)","\"A City Grows\": The Magic Weed Tobacco; Visitors Looking at Lynchburg; Quaker Meeting House; 7 Hills of Lynchburg; The Sacred Furniture Shop; Lynchburg's Physicians; Lynchburg's Life Saving Crew; The Banks of Lynchburg; Lynchburg Becomes a City; Editorial Wards; Lynchburg's Early Courts \u0026 Judges; The Town Clock \u0026 human interest stories.","\"A City Grows\": The Story of Appomattox.  (Reenacted from the original script broadcast over WWOD in April, 1950.)","\"A City Grows\": Canal Boat Era; Boat Clubs; 1st R/R; Livery Stables; Last Confederate War Horse; Wines \u0026 Dines a Yankee Col.; Old \u0026 Historic Mansions; Norwell House; Old Maps of 1877; Old Fashioned Editors; Editors of 1860. (See master list for full titles.)","\"A CIty Grows\": Red Feather; Red Cross; YWCA; 1st Sunday School; Early Public Schools; Fire Alarm System; Great Court House Robbery; Thos. R. Jefferson; Rivermont Bridge; S.O. Fisher Co.; Ladies Build a Bridge; W.D. Duiguid; J.P. Bell Co.; Rivermont Park; Piedmont Milling Co.; Royalty Visits; Cleland CO.; Milleny Co.","Speech by Dr. Francis P. Gaines on Founders' Day, Jan. 19, 1957.","Parents week end seminar, 1957","Speech by Prof. O.W. Riegel at the International Relations Club on Oct. 21, 1958.","Football coach Lee M. McLaughlin speaks in Lee Chapel on May 2, 1957.","Pres. Huntley's speech on Marijuana, Dec. 4, 1968.","Dr. Ollinger Crenshaw's Founders' Day Speech on Jan. 20, 1969.","Pres. Huntley's Opening Address in 1970.","An interview with Dean Pusey (acting W\u0026L president) by the Ring Tum Phi \u0026 WLUR on Oct. 12, 1967","Pres. Huntley's first news conference, Jan. 3, 1968.  Includes Dean Pusey.","Pres. Huntley's inauguration, October 18, 1968.","Dedication of the Louis Spilman Lounge on May 4, 1965.","Dr. Leyburn's speech in Lee Chapel during Freshman Orientation, 1974.","A tribute to R. E. Lee on Jan. 17, 1974.  \"The Gentleman\"- R.E.R. Huntley; \"The Soldier\"- Prof. J.H. Merchant; \"The Christian\"- Dr. Sprunt; \"The Educator\"- Dr. Sanders.","Part 1: The Coed Debate on Oct. 7, 1969.  Various faculty \u0026 student speakers.","Part 2: The Coed Debate on Oct. 7, 1969.  Various faculty \u0026 student speakers.","Discussion in Lee Chapel on Oct. 12, 1973 concerning the historic front campus.","Dedication of the front campus as a National Historic Landmark on Oct. 12, 1973.  Gov. Linwood Holton was a principal speaker.","Opening ceremonies of the Civil War Centennial in Lee Chapel.  Includes former Va. governor William M. Tuck \u0026 Pres. Gaines (Audio on Tuck is poor)","Part 1: speech by J.S. Whitehead in Lee Chapel in March, 1967.  Concerns the British position on Rhodesian independence.","Part 2: speech by J.S. Whitehead in Lee Chapel in March, 1967.  Concerns the British position on Rhodesian independence.","Speech by Kenneth A. Cox during opening/dedication ceremonies of WLUR on Nov. 13, 1967.  This speech was broadcast by WLUR \u0026 simucast by WREL.","Ceremony at Marshall Library to commemorate the 20th Anniversary of the Marshall Plan.","Dedication of LeJeune Hall on May 15, 1967.","VMI Band performance at Law Day Ceremonies at Marshall Library on April 29, 1967.","Law Day Ceremonies at Marshall Library on April 29, 1967.","Openings \u0026 closings used for \"Concert\".","Possibly filler for a \"Kaleidoscope\" show.","Sound effects: clocks, traffic, birds, sirens, air-raid siren.","\"News from W\u0026L\" with Charles McDowell on May 6, 1971.","Cart re-recordings: intro/close, sign on/off, ID's, etc. Dated June 12, 1969","Tape 1: WLUR's first broadcast on Feb. 27, 1967.","Copy of #407, WLUR's first broadcast.","Tape 2: last half-hour on the air, Feb. 27, 1975","Tape 1: WLUR's first night with 175 watts stereo, February 27, 1975.","Compilation of tapes used on \"Home Edition\".","Trivia Contest-1966","Editorials read on Jan. 23, 1963","1st Anniversary Program-Feb. 27, 1968.  Side 1 \u0026 2, Track A.","2d Anniversary program, February 27, 1969.","2d Anniversary program, February 27, 1969.","Tape 1: 5th Anniversary Program.","Tape 2: 5th Anniversary Program.","Tape 3: 5th Anniversary Program.","News Tapes, 1967-68","News Tapes. 1968","Interviews \u0026 actualities, 1968.","The #1 Album for February 26, 1971","News Tapes, Oct. 6-31, 1973","Tape 1: 1974 Turkey Marathon","Tape 2: 1974 Turkey Marathon","Sign on/off; news intro/tag; sports intro/ tag; used mornings \u0026 afternoons of Winter Term, 1973.","Contact 1976 3/4/76 R.E.R. Huntley on \"honor\" Tails Out 3 3/4 ips","Holiday Marathon","Portion of 1968 CAC Basketball tournament in Sewanee, Tenn.  Jeff Twardy wraps up the game \u0026 tournament- W\u0026L won.  Twardy interviews Coach Canfield","31g. 636/1","Part 1: A \"Kaleidoscope\" documentary on beatniks.","A series of short programs on the history of New Mexico.  Narration is all in Spanish.","Documentary on June 6, 1963 commemorating the 19th anniversary of D-Day.","(From box) Dr. Francis P. Gaines speaking in Lynchburg","The Tell-Tale Heart: radio drama after the short story by Poe: performed by members of the Performing Arts Program, Evergreen State College","When the World Screamed","Maurizio Pollini Interviewed by Robert Sherman in New York 1982.","Politics and Public Health in the People's Republic of China","Nuclear Power on Trial Reel 1 of 3","Nuclear Power on Trial","Nuclear Power on Trial Reel 2 of 3","Playing with Fire: radio drama after Sir Arthur Conan Doyle","Betty Carter 2/2","Betty Carter 1/2","The Atomic Bombing of Worcester 1/2","Whatever Happened to John Lennon? edited/ beeped version","Founder's Day 1/19/79 James G Leyburn","Interview w/ Studs Terkel 1/2","Interview w/ Studs Terkel 2/2","The Nighthawks Tape 3 Cockpit 5/15/79","Guess What's Coming to Dinner Project E.A.T. (Educating Appetites for Tomorrow)","Presidential Press COnf. Panel Lee Chapel March 6, 1981 2nd Panel Dox Tape 3 3/4 ips","Presidential Press Conference Panel Lee Chapel- March 6, 1981 1st panel- Tape 1 of 1 Series- Tape 1 7 1/2 ips","John D. Wilson Inaugural Address OKD January 19, 1983.","(Box) RESOLVED: That Washington \u0026 Lee University should admit women to its undergraduate program WLUR-FM Recorded live 8 p.m. Nov. 16, 1983 Northen Auditorium approx 1:45:00","(Box) Rock Revival (1978) *DO NOT ERASE* (Reel Side 1) Tails Out (Reel Side 2) 3/22/79 Contact Eugene McCarthy/ William Rusher Tails Out","Presidential Press Conf. Panel W\u0026L Lee Chapel March 6,7-1981 Saturday- Tape 1 of 1 3 3/4 ips Series III","Presidential Press Conf. Panel W\u0026L Lee Chapel March 6,7-1981 Tape II Session II Series III 7 1/2 ips","Presidential Press Conf. Panel Lee Chapel- March 6,7-1981 Tape I Panel 2 Series II 7 1/2 ips","Presidential Press Conf. Panel W+L Lee Chapel March 6,7-1981 Auxilary Tape I of I 3 3/4 ips","Pres. Press Conf. Panel Lee Chapel March 6,7-1981 Auxillary Tape Saturday","\"Between the Lines\" with B. Kliban for immediate broadcast cue sheet enclosed.","Hall of Fantasy #22: Bracelet","Hall of Fantasy #21: Hangman's Rope","NBC Short Story #14: Jekyll-Hyde-Stev","NBC Short Story #1: Frankenstein-Shelley","Hall of Fantasy #18: Krum-Kroc","NBC Short Story #50: Usher-Poe","NBC Short Story #21: Lottery-Jackson","NBC Short Story #19: Tell-Tale Heart-Poe","NBC Short Story#15: Cask-Poe","\"Rockbridge Review\" 'Government Beat' Keesee 10:00","An Ounce of Pervention (Cancer Documentary) 2/2","Moment of Insight: the Thief 1/2","Moment of Insight: the Thief 2/2","Atomic Bombing of Worcester 2/2","An Ounce of Pervention (Cancer Documentary) 1/2","Steinbeck- Of Mice and Men","Welfare Reform: Why?","Public Policy Form the Saccharin Ban: Risks vs. Benefits","Tokyo and Urban Life in Japan","Problems of Writers in Twentieth Century China","Confucian Continuities in Contemporary China","Japanese Women Today","Continuity and Change in Japanese Literature","Anti-Intellectualism in the Chinese Tradition","Japan and the Meaning of Modernization","Raw Hineley + Harwood (uncut-uncensored) Reel #1 of 3","Reel 2 of 3 Hineley, Harwood","Reel #3 of 3 Hineley, Harwood","Leffel","Riegel #1","Riegel #2","Don Husat","4/29/82 Dehria or Demria","Jennings WLUR 15th Anniv.","Nation Building in Traditional East Asia","Population Growth: the Seoul Problem in Korea","Folk Beliefs in Contemporary Japan","Japanese Images of America","Population Growth in the Developing World","Soseki and the Modern Japanese Novel","Women in Contemporary Japanese Society","The Japanese Search for \"Roots\"","The United Nations and Japan","\"The Age of the Telemann\"","\"The Age of the Telemann\"","Grateful Dead No I-D Bootleg (Good Condition)"],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","WLUR (Radio Station : Lexington, Va.)","Kaleidoscope. WLUR Radio Show  (Washington and Lee University, Lexington, VA  )","Troubadours. W\u0026L Theater Group (Washington and Lee University, Lexington, VA  )","Gallimaufry. WLUR Radio Show (Washington and Lee University, Lexington, VA  )","Washington and Lee University. Bookstore","Empire City 6 ","Washington and Lee University. Fancy Dress Ball","Washington and Lee University. Department of Athletics. Football","Washington and Lee University. Department of Athletics. Volleyball","Washington and Lee University. Department of Athletics. Soccer","Washington and Lee University, Department of Athletics, Basketball","Washington and Lee University. Department of Athletics. Baseball","Washington and Lee University. Department of Athletics. Lacrosse","Washington and Lee University. Mock Convention  ","Habitat for Humanity, inc.","Equal Time. Washington and Lee University Radio Program","Washington and Lee University. Department of Athletics. Field Hockey","House Mountain Radio","Southern Pride Bluegrass","She Speaks. Washington and Lee University Radio Program","Political Darwinism. Washington and Lee University Radio Program","Washington and Lee University. Colonnade Club","Radio IE. WLUR Radio Show (Washington and Lee University, Lexington, VA)","High School Hoops . WLUR Radio Show (Washington and Lee University, Lexington, VA)","Rockbridge Rapids","Headsets. WLUR Radio Show (Washington and Lee University, Lexington, VA)","Flournoy, Fitzgerald","Jennings, John K. ","Ray, George Washington, III","Gordon, Albert Claude","Kahn, Lee","Pellicciaro, Mario","Youngblood, Robert Billington","Rushing, Jane","Pusey, William W., III (William Webb)","Pinney, Edward Lee","Letcher, John S. (John Seymour)","Turner, Charles W. (Charles Wilson)","Imholt, Robert Joseph","Letcher, John","Stuart, Dabney","Baker, Don","Cummings, E. E. (Edward Estlin)","Bernstein, Leonard, 1918-1990","Brubeck, Dave (1920-12-06-2012-12-05)","Wen-Chung, Chou","Stewart, Robert","Brenner, Bob","Twardy, Jeff","Farrar, James D., Jr.","Chase, Doug"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","WLUR (Radio Station : Lexington, Va.)","Kaleidoscope. WLUR Radio Show  (Washington and Lee University, Lexington, VA  )","Troubadours. W\u0026L Theater Group (Washington and Lee University, Lexington, VA  )","Gallimaufry. WLUR Radio Show (Washington and Lee University, Lexington, VA  )","Washington and Lee University. Bookstore","Empire City 6 ","Washington and Lee University. Fancy Dress Ball","Washington and Lee University. Department of Athletics. Football","Washington and Lee University. Department of Athletics. Volleyball","Washington and Lee University. Department of Athletics. Soccer","Washington and Lee University, Department of Athletics, Basketball","Washington and Lee University. Department of Athletics. Baseball","Washington and Lee University. Department of Athletics. Lacrosse","Washington and Lee University. Mock Convention  ","Habitat for Humanity, inc.","Equal Time. Washington and Lee University Radio Program","Washington and Lee University. Department of Athletics. Field Hockey","House Mountain Radio","Southern Pride Bluegrass","She Speaks. Washington and Lee University Radio Program","Political Darwinism. Washington and Lee University Radio Program","Washington and Lee University. Colonnade Club","Radio IE. WLUR Radio Show (Washington and Lee University, Lexington, VA)","High School Hoops . WLUR Radio Show (Washington and Lee University, Lexington, VA)","Rockbridge Rapids","Headsets. WLUR Radio Show (Washington and Lee University, Lexington, VA)"],"persname_ssim":["Flournoy, Fitzgerald","Jennings, John K. ","Ray, George Washington, III","Gordon, Albert Claude","Kahn, Lee","Pellicciaro, Mario","Youngblood, Robert Billington","Rushing, Jane","Pusey, William W., III (William Webb)","Pinney, Edward Lee","Letcher, John S. (John Seymour)","Turner, Charles W. (Charles Wilson)","Imholt, Robert Joseph","Letcher, John","Stuart, Dabney","Baker, Don","Cummings, E. E. (Edward Estlin)","Bernstein, Leonard, 1918-1990","Brubeck, Dave (1920-12-06-2012-12-05)","Wen-Chung, Chou","Stewart, Robert","Brenner, Bob","Twardy, Jeff","Farrar, James D., Jr.","Chase, Doug"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":655,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:42.947Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_1064_c01_c01_c05"}},{"id":"vilxw_repositories_5_resources_231_c04_c02_c02","type":"File","attributes":{"title":"Adl-Allen C.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c04_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c04_c02_c02","ref_ssm":["vilxw_repositories_5_resources_231_c04_c02_c02"],"id":"vilxw_repositories_5_resources_231_c04_c02_c02","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c04_c02","parent_ssi":"vilxw_repositories_5_resources_231_c04_c02","parent_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c04","vilxw_repositories_5_resources_231_c04_c02"],"parent_ids_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c04","vilxw_repositories_5_resources_231_c04_c02"],"parent_unittitles_ssm":["O.W. Riegel Papers","Journalism Department","Correspondence"],"parent_unittitles_tesim":["O.W. Riegel Papers","Journalism Department","Correspondence"],"text":["O.W. Riegel Papers","Journalism Department","Correspondence","Adl-Allen C.","English .","folder 13"],"title_filing_ssi":"Adl-Allen C.","title_ssm":["Adl-Allen C."],"title_tesim":["Adl-Allen C."],"unitdate_inclusive_ssm":["1932-1974"],"normalized_date_ssm":["1932/1974"],"normalized_title_ssm":["Adl-Allen C."],"component_level_isim":[3],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":738,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"language_ssim":["English ."],"containers_ssim":["folder 13"],"_nest_path_":"/components#3/components#1/components#1","timestamp":"2026-05-20T21:30:16.538Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"text":["WLU.Coll.0387","/repositories/5/resources/231","O.W. Riegel Papers","Propaganda ","Journalism","This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. ","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper,  The Jeffster , and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.","There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English \n.    "],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"normalized_title_ssm":["O.W. Riegel Papers"],"collection_title_tesim":["O.W. Riegel Papers"],"collection_ssim":["O.W. Riegel Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creators_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda ","Journalism"],"access_subjects_ssm":["Propaganda ","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"arrangement_html_tesm":["\u003cp\u003eSome items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e\n","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. ","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.  In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e","\u003cp\u003eItems in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's\u003c/p\u003e","\u003cp\u003eRiegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.\u003c/p\u003e","\u003cp\u003eThe items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.\u003c/p\u003e","\u003cp\u003eThis subseries contains the most up-to-date version of Riegel's unpublished autobiography.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel took on various subjects related to his autobiography.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.\u003c/p\u003e","\u003cp\u003eItems in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.\u003c/p\u003e","\u003cp\u003eAs the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.\u003c/p\u003e","\u003cp\u003eThe Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.\u003c/p\u003e","\u003cp\u003eJournalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.\u003c/p\u003e","\u003cp\u003eRiegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.\u003c/p\u003e","\u003cp\u003eRiegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThis advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.\u003c/p\u003e","\u003cp\u003ethe Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.\u003c/p\u003e","\u003cp\u003eThe Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.\u003c/p\u003e","\u003cp\u003eDuring Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.\u003c/p\u003e","\u003cp\u003eMass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.\u003c/p\u003e","\u003cp\u003ePublicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.\u003c/p\u003e","\u003cp\u003eThis subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.\u003c/p\u003e","\u003cp\u003eMaterials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.\u003c/p\u003e","\u003cp\u003eThis subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.\u003c/p\u003e","\u003cp\u003eThis subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.\u003c/p\u003e","\u003cp\u003eThis subseries consists of maps of various european countries that Riegel traveled through.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eThe items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.\u003c/p\u003e","\u003cp\u003eRiegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.\u003c/p\u003e","\u003cp\u003eCorrespondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.\u003c/p\u003e","\u003cp\u003ePublications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.\u003c/p\u003e","\u003cp\u003eRiegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.\u003c/p\u003e","\u003cp\u003eTh inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.\u003c/p\u003e","\u003cp\u003eGoverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.\u003c/p\u003e","\u003cp\u003eGovernment reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.\u003c/p\u003e","\u003cp\u003eNewspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.\u003c/p\u003e","\u003cp\u003eRiegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.\u003c/p\u003e","\u003cp\u003eThe publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.\u003c/p\u003e","\u003cp\u003eItems in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.\u003c/p\u003e","\u003cp\u003eItems in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.\u003c/p\u003e","\u003cp\u003eRiegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.\u003c/p\u003e","\u003cp\u003eRiegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.\u003c/p\u003e","\u003cp\u003eEuropean propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.\u003c/p\u003e","\u003cp\u003eO.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.\u003c/p\u003e","\u003cp\u003eThese newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.\u003c/p\u003e","\u003cp\u003eRiegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.\u003c/p\u003e","\u003cp\u003eReports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.\u003c/p\u003e","\u003cp\u003eThe Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.\u003c/p\u003e","\u003cp\u003eThe Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.\u003c/p\u003e","\u003cp\u003eSegments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.\u003c/p\u003e","\u003cp\u003eRiegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.\u003c/p\u003e","\u003cp\u003eRiegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.\u003c/p\u003e","\u003cp\u003eRiegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.\u003c/p\u003e","\u003cp\u003eThe Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.\u003c/p\u003e","\u003cp\u003eRiegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.\u003c/p\u003e","\u003cp\u003eThe Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.\u003c/p\u003e","\u003cp\u003eItems from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.\u003c/p\u003e","\u003cp\u003eRiegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.\u003c/p\u003e","\u003cp\u003eThe two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.\u003c/p\u003e","\u003cp\u003eDocuments in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.\u003c/p\u003e","\u003cp\u003eIncludes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.\u003c/p\u003e","\u003cp\u003eRiegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.\u003c/p\u003e","\u003cp\u003eThis folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"\u003c/p\u003e","\u003cp\u003eThis volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.\u003c/p\u003e","\u003cp\u003eRiegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.\u003c/p\u003e","\u003cp\u003ePublications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.\u003c/p\u003e","\u003cp\u003eThis subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.\u003c/p\u003e","\u003cp\u003eMaterials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.\u003c/p\u003e","\u003cp\u003eThis subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.\u003c/p\u003e","\u003cp\u003eThis subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.\u003c/p\u003e","\u003cp\u003eThis subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.\u003c/p\u003e","\u003cp\u003eThis subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.\u003c/p\u003e","\u003cp\u003eThese radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".\u003c/p\u003e","\u003cp\u003eThe U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.\u003c/p\u003e","\u003cp\u003eItems in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.\u003c/p\u003e","\u003cp\u003eThis folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"\u003c/p\u003e","\u003cp\u003eA 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.\u003c/p\u003e","\u003cp\u003eThe Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.\u003c/p\u003e","\u003cp\u003eThe government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.\u003c/p\u003e","\u003cp\u003eItems in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.\u003c/p\u003e","\u003cp\u003eItems in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.\u003c/p\u003e","\u003cp\u003eThis series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.\u003c/p\u003e","\u003cp\u003eThis subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.\u003c/p\u003e","\u003cp\u003ethis subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons\u003c/p\u003e","\u003cp\u003eItems in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.\u003c/p\u003e","\u003cp\u003eThis box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.\u003c/p\u003e","\u003cp\u003eRiegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.\u003c/p\u003e","\u003cp\u003eThe contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, \u003ci\u003eThe Jeffster\u003c/i\u003e, and photographs of the SIPA Awards banquet from 1953 and 1955.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.\u003c/p\u003e","\u003cp\u003eThe contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.\u003c/p\u003e","\u003cp\u003eAlice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.\u003c/p\u003e","\u003cp\u003eCongressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.\u003c/p\u003e","\u003cp\u003eRiegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.\u003c/p\u003e","\u003cp\u003eJim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.\u003c/p\u003e","\u003cp\u003eThis subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eAfter World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.\u003c/p\u003e","\u003cp\u003eRiegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper,  The Jeffster , and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey."],"separatedmaterial_html_tesm":["\u003cp\u003eThere is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.\u003c/p\u003e","\u003cp\u003eSome items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.\u003c/p\u003e","\u003cp\u003eThe leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"names_coll_ssim":["Riegel, Hunt"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English \n.    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