{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026f%5Brepository%5D%5B%5D=West+Virginia+and+Regional+History+Center\u0026page=13","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026f%5Brepository%5D%5B%5D=West+Virginia+and+Regional+History+Center\u0026page=12","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026f%5Brepository%5D%5B%5D=West+Virginia+and+Regional+History+Center\u0026page=14","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026f%5Brepository%5D%5B%5D=West+Virginia+and+Regional+History+Center\u0026page=1413"},"meta":{"pages":{"current_page":13,"next_page":14,"prev_page":12,"total_pages":1413,"limit_value":10,"offset_value":120,"total_count":14128,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_5371_c09_c70","type":"File","attributes":{"title":"35mm transparencies (in original containers) \"Landscape - waterfall and rocks under Seargentsville\", 1969","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c09_c70#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c09_c70","ref_ssm":["wvmturhc_repositories_2_resources_5371_c09_c70"],"id":"wvmturhc_repositories_2_resources_5371_c09_c70","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c09","parent_ssi":"wvmturhc_repositories_2_resources_5371_c09","parent_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013","Series 9. Photographs, 1919/1974"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c09"],"title_filing_ssi":"35mm transparencies (in original containers) \"Landscape - waterfall and rocks under Seargentsville\"","title_ssm":["35mm transparencies (in original containers) \"Landscape - waterfall and rocks under Seargentsville\""],"title_tesim":["35mm transparencies (in original containers) \"Landscape - waterfall and rocks under Seargentsville\""],"normalized_title_ssm":["35mm transparencies (in original containers) \"Landscape - waterfall and rocks under Seargentsville\", 1969"],"text":["35mm transparencies (in original containers) \"Landscape - waterfall and rocks under Seargentsville\", 1969","James E. Davis, Artist, Papers and Artworks, 1845/2013","Series 9. Photographs, 1919/1974","Box 84","Folder unfoldered"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013","Series 9. Photographs, 1919/1974"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013","Series 9. Photographs, 1919/1974"],"normalized_date_ssm":["1969"],"unitdate_inclusive_ssm":["1969"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":549,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"containers_ssim":["Box 84","Folder unfoldered"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1969],"_nest_path_":"/components#8/components#69","timestamp":"2026-06-23T07:57:04.936Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"normalized_date_ssm":["1845/2013"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"text":["James E. Davis, Artist, Papers and Artworks, 1845/2013","A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English\n."],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"places_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Davis family"],"creators_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","West Virginia and Regional History Center","Davis family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e  ","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Davis family"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c09_c70"}},{"id":"wvmturhc_repositories_2_resources_5371_c09_c117","type":"File","attributes":{"title":"35mm transparencies \"Portrait and Genre - Linda and Mark Warren, Don Egbert, etc.\", 1968/1970","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c09_c117#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c09_c117","ref_ssm":["wvmturhc_repositories_2_resources_5371_c09_c117"],"id":"wvmturhc_repositories_2_resources_5371_c09_c117","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c09","parent_ssi":"wvmturhc_repositories_2_resources_5371_c09","parent_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013","Series 9. Photographs, 1919/1974"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c09"],"title_filing_ssi":"35mm transparencies \"Portrait and Genre - Linda and Mark Warren, Don Egbert, etc.\"","title_ssm":["35mm transparencies \"Portrait and Genre - Linda and Mark Warren, Don Egbert, etc.\""],"title_tesim":["35mm transparencies \"Portrait and Genre - Linda and Mark Warren, Don Egbert, etc.\""],"normalized_title_ssm":["35mm transparencies \"Portrait and Genre - Linda and Mark Warren, Don Egbert, etc.\", 1968/1970"],"text":["35mm transparencies \"Portrait and Genre - Linda and Mark Warren, Don Egbert, etc.\", 1968/1970","James E. Davis, Artist, Papers and Artworks, 1845/2013","Series 9. Photographs, 1919/1974","Box 88","Folder unfoldered"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013","Series 9. Photographs, 1919/1974"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013","Series 9. Photographs, 1919/1974"],"normalized_date_ssm":["1968/1970"],"unitdate_inclusive_ssm":["1968-1970"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":596,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"containers_ssim":["Box 88","Folder unfoldered"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1968,1969,1970],"_nest_path_":"/components#8/components#116","timestamp":"2026-06-23T07:57:04.936Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"normalized_date_ssm":["1845/2013"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"text":["James E. Davis, Artist, Papers and Artworks, 1845/2013","A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English\n."],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"places_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Davis family"],"creators_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","West Virginia and Regional History Center","Davis family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e  ","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Davis family"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c09_c117"}},{"id":"wvmturhc_repositories_2_resources_5374_c2596","type":"File","attributes":{"title":"3rd Avenue, Hinton (prints of houses, buildings, people, street scenes), 1900/1978","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5374_c2596#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5374_c2596","ref_ssm":["wvmturhc_repositories_2_resources_5374_c2596"],"id":"wvmturhc_repositories_2_resources_5374_c2596","ead_ssi":"wvmturhc_repositories_2_resources_5374","_root_":"wvmturhc_repositories_2_resources_5374","_nest_parent_":"wvmturhc_repositories_2_resources_5374","parent_ssi":"wvmturhc_repositories_2_resources_5374","parent_ssim":["Long/Trail Southeastern West Virginia Historical Records, 1870/2025"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5374"],"title_filing_ssi":"3rd Avenue, Hinton (prints of houses, buildings, people, street scenes)","title_ssm":["3rd Avenue, Hinton (prints of houses, buildings, people, street scenes)"],"title_tesim":["3rd Avenue, Hinton (prints of houses, buildings, people, street scenes)"],"normalized_title_ssm":["3rd Avenue, Hinton (prints of houses, buildings, people, street scenes), 1900/1978"],"text":["3rd Avenue, Hinton (prints of houses, buildings, people, street scenes), 1900/1978","Long/Trail Southeastern West Virginia Historical Records, 1870/2025","Box 89","Folder 20"],"parent_unittitles_ssm":["Long/Trail Southeastern West Virginia Historical Records, 1870/2025"],"parent_unittitles_tesim":["Long/Trail Southeastern West Virginia Historical Records, 1870/2025"],"normalized_date_ssm":["1900/1978"],"unitdate_inclusive_ssm":["ca. 1900-1978"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":2596,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Long/Trail Southeastern West Virginia Historical Records, 1870/2025"],"containers_ssim":["Box 89","Folder 20"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"_nest_path_":"/components#2595","timestamp":"2026-06-23T07:57:15.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5374","ead_ssi":"wvmturhc_repositories_2_resources_5374","_root_":"wvmturhc_repositories_2_resources_5374","_nest_parent_":"wvmturhc_repositories_2_resources_5374","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5374.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/204651","title_ssm":["Long/Trail Southeastern West Virginia Historical Records"],"title_tesim":["Long/Trail Southeastern West Virginia Historical Records"],"unitdate_ssm":["circa 1870-2020s and undated"],"unitdate_inclusive_ssm":["circa 1870-2020s and undated"],"normalized_date_ssm":["1870/2025"],"normalized_title_ssm":["Long/Trail Southeastern West Virginia Historical Records, 1870/2025"],"text":["Long/Trail Southeastern West Virginia Historical Records, 1870/2025","A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374","Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)","Genealogies.","Schools","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the Hinton Daily News (later the Hinton News). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","Records about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.","Genealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.","Chesapeake and Ohio (C\u0026O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.","Geographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.","Summers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.","War-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026O Railroad.\n \nNote on Terminology in the Contents List:","Photographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.","For genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).","The Chesapeake and Ohio (C\u0026O) Railroad can be both spelled out fully or abbreviated C\u0026O.","Clippings may also be noted as articles or newspapers.","Addendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.","Addendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.","Addendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.","Addendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Addendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.","Addendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.","Addendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.","Hinton News, The Register-Herald, The Post-Report, The Monroe Watchman","\"People, Places, and Things\" column and article on Pipestem public water system.","Several issues of column entitled \"Anecdotes in Summers County,\" mostly discussing Hinton in the late 19th century.","Includes photocopy of book by Lively entitled \"Historical Summers County.\" Also includes clippings and drafts of articles relating to Summers County history.","One page article by Stephen Trail.","Includes two articles: \"The Battle at Rich Mountain\" by Kenneth L. Carvell, and \"The Kanawha Rebel Victory\" by Terry Lowry.","Includes articles on Civil War letters by Jeff Gammage and Fred Long, as well as four transcpritions of Civil War soldier letters copied by Fred Long.","Includes articles from several newspapers, including the Hinton Daily News, and magazines pertaining to Elvis, specifically his death and continuing legacy.","Includes one article entitled \"A History of Monroe County West Virginia\" by Oren F. Morton discussing the construction of Cook's Fort.","Two articles from the Hinton Daily News and one article in Wonderful West Virginia (August 1975).","Includes an article on the genealogy of the Keeney family, a photocopied map of western Virginia, Pennsylvania, Maryland, and North Carolina from 1778, and a list of names taken from the Blaken Mill Road Cemetery in Alderson.","Includes entry from \"West Virginians in the Revolution\" on John and Peter Van Bibber, information on Samuel Gwinn, one page of notes from \"Pioneers and their Homes on Upper Kanawha,\" and two selections from the \"West Virginia Heritage Encyclopedia.\"","Photocopy of article by Roy Bird Cook entitled \"Virginia Frontier Defenses, 1719-1795\" publixhed in the West Virginia Blue Book, 1936.","Includes a pamphlet for \"Hatfields and MacCoys\" outdoor drama, a booklet titled \"The True Facts About the Famous Hatfield-McCoy Feud,\" and a newspaper clipping featuring a photo of a statue of Devil Anse Hatfield.","Two-page advertisement for the Hinton Daily News, including history of the paper, distribution information, and a list of distributors.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes 1970 student handbook and board meeting minutes.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes issues of the Dart, board meeting minutes, a list of the numbers of white, female students per school year (1880-1910), and a copy of the original deed for the school.","Includes photographs and newspaper clippings relating to Hinton High School.","Includes articles on the Hinton National Historic District, a booklet entitled \"Historic Hinton: Ready for the Future,\" and a folder of materials labeled \"Scenic Summers County in souther West Virginia.\"","Includes photocopies of photographs used as part of the Hinton Historic District Survey in 1983.","Includes mostly columns relating Hinton history. Also includes stories on the flood of 1940, John Henry, a train wreck in 1976, and other topics.","Includes three articles from the \"West Virginia Heritage Encyclopedia\" and an unidentified book on Pocahontas County discussing early Native American trails and trade networks.","Includes two articles (one by Fred Long) about \"Mad Anne\" Bailey, a woman soldier and Indian fighter during Lord Dunmore's War and the American War for Independence in Western Virginia.","Includes: Gray's New Map of Hinton (1876, reprint); map of summers county (1933, reprint); Washington's Cahin of Forts (undated, copied from a book); Archaeological Survey of New River Bluestone Reservoir (undated); Botetourt County, Virginia (1778, reprint); \"The Springs of Virginia and the Routes leading thereto\" (undated, reprint); Map of Hill Crest Cemetery (undated); Map of Section One of East Hill Cemetery (undated).","Includes: General Highway Map Augusta County (1973); Augusta County Primary and Secondary Highway Systems (1963); Map of the Giles, Fayette and Kanawha Turnpike (1840, reprint); Map of Greenbrier County, W. Va. (1887, reprint); West Virginia Official Highway Map (ca. 1980); Map of Alleghany County Virginia (undated, reprint); Map of Augusta County Virginia (1886, reprint); \"The Theatre of War in North America, with the Roads and a Table of the Distances\" (1776, reprint); The Town of Staunton (1749, reprint); Augusta County (1777, reprint); Welcome to Lewisburg (ca. 1975); Lewisburg, W. Va. Historic Walking Tour (undated); Staunton Virginia (ca. 1960); Delaware, Maryland, Virginia, West Virginia (1978); Carte de la Virginie et du Maryland (1755, reprint).","Includes notes on the First Christian Church of Hinton, black and white engravings of Hinton scenes, two historic West Virginia postcards, and an article on a large rock carved in 1814 in Beckley, W. Va., among other items.","Includes articles of incorporation and bylaws for The Pipestem Foundation, Inc., a map and brochure for the park, a newspaper article about the Old Time Mountain Music Festival, and a pamphlet by Earl L. Core discussing the history of the pipestem name and plant.","Includes a letter and photocopies of historical material sent to Fred Long relating to W.F. Echols, a C\u0026O railroad conductor in Huntington during the early 1900s.","Includes one photocopy of \"A Brief History of the Red Sulphur Springs, Monroe County, West Virginia, 1987\" by John W. Dumont.","Includes one copy of an official report addressing a train collision that occurred near Vaughn, Mississippi on April 30, 1900 involving Engineer J.L. (Casey) Jones. This incident later became a folk legend and was the subject of a popular ballad.","Subjects of photos include Hinton High School, John Henry statue, aerial images of Hinton and surrounding areas, unidentified construction photos, First National Bank, Bluestone Dam, Chessie Steam Special, a Hinton parade, the Bluestone Conference Center, Aunt Jane Williams, Low Gap Methodist Church, and a turn-of-the-century a group of men playing pool, among other subjects. Many of the photos are not identified or dated. Some are reprints.","Subjects of photos include Bluestone Dam, the James Graham House, Coney Island (Hinton), Bank of Alderson, Fred Long and wife, Cooper's Mill, and two turn-of-the-century school group photos.","Subjects of photos include Summers County Court House, City of Hinton Fire Department, the James Graham House, Swift and Company, James T. McCreery, the Hinton Hospital, New River, Roses Drug Store (Hinton), Green Sulphur Springs, Confederate monument, Hotel McCreery, Hill Top Cemetery, and Greenbrier School, among other subjects. All photos are reprints and many are unidentified.","One photo of Margaret C. Pennington, mother of Cynthia Pennington, at the Pearl Trail farm in Judson.","Includes six VHS tapes:\nTV News\nTree Work City\nHinton Streetscape\nSteve Trail, TV News, BOE Meeting\nTV News\nReed Ceremony, Nov. 27, '85; Street Lighting Ceremony, Nov. 21, '86","Documents regarding economic development program for Hinton.","Election campaign letter.","Letter regarding loan of two photographs.","Includes a business card and a thank you note for materials loaned by Trail.","List of photos.","One letter from Stephen Trail to Robert Maslowski, US Army Corps of Engineers.","Material regarding 2016 Democratic Convention in Philadelphia; includes membership card, delegate ticket, etc.","Assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.","Separated to the dvd / vhs / betacam collection:","DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)","Separated to the book collection; forwarded to Curator of Books:","Bragg, Melody. Thurmond and Ghost Towns of the New River Gorge. Glen Jean, West Virginia: Gem Publications, ca. 1995.","Daly, Dorothy. The Dart, 1926, Volume VII. Hinton, West Virginia: Senior Class of Hinton High School, 1926.","Directory of Hinton, West Virginia. 1927.","Enoch, Harry G. Affair at Captina Creek. Bowie, Maryland: Heritage Books, 1999.","Foster, Elizabeth Carroll. Virginia Carrolls and Their Neighbors 1618-1800s. Bowie, Maryland: Heritage Books, 1999.","Glen Jean Historical Society. Dunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories. Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.","Grafton, Emily. West Virginia Adventure Guide to the Natural History of Blackwater Falls State Park. Terra Alta, West Virginia: Headline Books, 2002.","Harsh, Sharon Wilmoth. School Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899. Bowie, Maryland: Heritage Books, 2000.","Hatcher, Charles Silas. Historical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families. Princeton, West Virginia: Jake Forest Hatcher, 1980.","History of the Great Kanawha Valley, Volume I. Bowie, Maryland: Heritage Books, 2000.","Keller, Barbara, editor. Summers County, West Virginia, Historical Society: Cemetery Book. Beckley, West Virginia: BJW Printing, 1996.","Keller, Robert, editor. Senior \"34\". Hinton, West Virginia: Senior Class, Hinton High School, 1934.","Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors. Hinton City Directory. White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.","Lilly, Jack. Historical Genealogy of the Lilly Family. Canton, Ohio: Jack Lilly, 1977.","Lilly, Jack. Lilly Family History, 1566-1997. Canton, Ohio: Jack Lilly, 1997.","Lilly, Jack. Our Heritage: The Lilly Family, Vol. II. Canton, Ohio: Jack Lilly, 1978.","Long, Fred and Steve Trail. Historic Pence Springs Resort. 1987.","Marockie, Henry R. School Laws of West Virginia: 1989 Edition. Charlottesville: The Michie Company, 1990.","McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson. Frontier Forts in West Virginia: Historical and Archaeological Explorations. Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.","McKey, JoAnn Riley. Accomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7. Bowie, Maryland: Heritage Books, 1998.","McKey, JoAnn Riley. Accomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8. Bowie, Maryland: Heritage Books, 1999.","McKey, JoAnn Riley. Accomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10. Bowie, Maryland: Heritage Books, 2000.","McNeer, Sally Withrow. Echoes of Summers. Undated.","Miller, Hurley. Once in a Lifetime. Raleigh: Pentland Press, 2000.","Myers, Tom E. Moccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758. Parsons, West Virginia: McClain Printing Company, 1995.","Pemberton, Robert L. A History of Pleasants County, West Virginia. Bowie, Maryland: Heritage Books, 1999.","Peters, Okey Erwin, compiler. Conrad Peters and Wife Clara Snidow. Paducah, Kentucky: Paducah Printing Co., 1954.","Roles, Joe B. Mary Janes's War: A Civil War Novel Based on a True Story. Annandale, Virginia: Joe B. Roles, 2002.","Scott, Eugene. Thurmond: Dodge City of West Virginia: Believe It or Not City. Beckley, West Virginia: Eugene Scott, undated.","Senior Class of Hinton High School. The Senior Handbook; 1935. Hinton, West Virginia: Senior Class, Hinton High School, 1935.","Shuff, Murray. Stone Cliff, West Virginia: \"Life Along New River\", 1930-1938. Beckley, West Virginia: Central Printing Company, 1984.","Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center. Thurmond Commercial Buildings: New River Gorge, National River, West Virginia. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","Stewart, Kathleen. A Space on the Side of the Road: Cultural Poetics in an \"Other\" America. Princeton: Princeton University Press, 1996.","Sullivan, Ken. Thurmond: A New River Community. Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.","Taylor, Sharon. The Amazing Story of the Gwinns in America. Washington, D.C.: Halbert's, 1982.","Trail, Stephen D. and Vandalia Consultants, Inc. Bluestone Dam 50th Anniversary Commemorative Album 1949-1999. Hinton, West Virginia: Fox Photographics, 1999.","United States. National Park Service. Denver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","United States. National Park Service. Land Protection Plan: New River Gorge. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.","Wardell, Patrick G., compiler. Virginians and West Virginians, 1607-1870, Volume 1. Bowie, Maryland: Heritage Books, 1986.","Wilson, Goodridge. Smyth County History and Traditions. Bowie, Maryland: Heritage Books, 1998.","Separated to closed collections:","Baseball card of Jack Warhop, originally in box 79, folder 15.","Hinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the Hinton Daily News (later the Hinton News). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company","Long, Frederick","Trail, Stephen D.","Bagdon, Philip V.","English\n."],"collection_title_tesim":["Long/Trail Southeastern West Virginia Historical Records, 1870/2025"],"collection_ssim":["Long/Trail Southeastern West Virginia Historical Records, 1870/2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374"],"unitid_tesim":["A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"geogname_ssim":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"places_ssim":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"creator_ssm":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creator_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creator_persname_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creator_corpname_ssim":["West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company"],"creators_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V.","West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogies.","Schools"],"access_subjects_ssm":["Genealogies.","Schools"],"has_online_content_ssim":["false"],"extent_ssm":["117.02 Linear Feet 29 document case, 5 in. each; 20 document cases, 2.5 in. each; 78 record cartons, 15 in. each; 3 small flat storage boxes, 1.5 in. each; 1 small flat storage box, 3 in.; 4 large flat storage boxes, 1.5 in. each; 4 large flat storage boxes, 3 in. each; 1 card file box, 4.5 in.; 1 square roll tube, 3 in.; 1 square roll tube, 4 in.; 1 oversize folder, 2 in.; 1 framed item, 0.25 in.; 1 oversize photograph","38.2 Gigabytes 14,700 files, formats primarily include .tif, .jpg, .doc"],"extent_tesim":["117.02 Linear Feet 29 document case, 5 in. each; 20 document cases, 2.5 in. each; 78 record cartons, 15 in. each; 3 small flat storage boxes, 1.5 in. each; 1 small flat storage box, 3 in.; 4 large flat storage boxes, 1.5 in. each; 4 large flat storage boxes, 3 in. each; 1 card file box, 4.5 in.; 1 square roll tube, 3 in.; 1 square roll tube, 4 in.; 1 oversize folder, 2 in.; 1 framed item, 0.25 in.; 1 oversize photograph","38.2 Gigabytes 14,700 files, formats primarily include .tif, .jpg, .doc"],"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Long/Trail Southeastern West Virginia Historical Records, A\u0026amp;M 3762, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Long/Trail Southeastern West Virginia Historical Records, A\u0026M 3762, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the \u003cemph render=\"italic\"\u003eHinton Daily News\u003c/emph\u003e (later the \u003cemph render=\"italic\"\u003eHinton News\u003c/emph\u003e). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026amp;O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.\u003c/p\u003e","\u003cp\u003eRecords about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.\u003c/p\u003e","\u003cp\u003eGenealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.\u003c/p\u003e","\u003cp\u003eChesapeake and Ohio (C\u0026amp;O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.\u003c/p\u003e","\u003cp\u003eGeographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.\u003c/p\u003e","\u003cp\u003eSummers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.\u003c/p\u003e","\u003cp\u003eWar-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026amp;O Railroad.\n \nNote on Terminology in the Contents List:\u003c/p\u003e","\u003cp\u003ePhotographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.\u003c/p\u003e","\u003cp\u003eFor genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).\u003c/p\u003e","\u003cp\u003eThe Chesapeake and Ohio (C\u0026amp;O) Railroad can be both spelled out fully or abbreviated C\u0026amp;O.\u003c/p\u003e","\u003cp\u003eClippings may also be noted as articles or newspapers.\u003c/p\u003e","\u003cp\u003eAddendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.\u003c/p\u003e","\u003cp\u003e\nAddendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.\u003c/p\u003e","\u003cp\u003eAddendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.\u003c/p\u003e","\u003cp\u003eAddendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.\u003c/p\u003e","\u003cp\u003eAddendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.\u003c/p\u003e","\u003cp\u003eAddendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.\u003c/p\u003e","\u003cp\u003eAddendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.\u003c/p\u003e  ","\u003cp\u003eHinton News, The Register-Herald, The Post-Report, The Monroe Watchman\u003c/p\u003e","\u003cp\u003e\"People, Places, and Things\" column and article on Pipestem public water system.\u003c/p\u003e","\u003cp\u003eSeveral issues of column entitled \"Anecdotes in Summers County,\" mostly discussing Hinton in the late 19th century.\u003c/p\u003e","\u003cp\u003eIncludes photocopy of book by Lively entitled \"Historical Summers County.\" Also includes clippings and drafts of articles relating to Summers County history.\u003c/p\u003e","\u003cp\u003eOne page article by Stephen Trail.\u003c/p\u003e","\u003cp\u003eIncludes two articles: \"The Battle at Rich Mountain\" by Kenneth L. Carvell, and \"The Kanawha Rebel Victory\" by Terry Lowry.\u003c/p\u003e","\u003cp\u003eIncludes articles on Civil War letters by Jeff Gammage and Fred Long, as well as four transcpritions of Civil War soldier letters copied by Fred Long.\u003c/p\u003e","\u003cp\u003eIncludes articles from several newspapers, including the Hinton Daily News, and magazines pertaining to Elvis, specifically his death and continuing legacy.\u003c/p\u003e","\u003cp\u003eIncludes one article entitled \"A History of Monroe County West Virginia\" by Oren F. Morton discussing the construction of Cook's Fort.\u003c/p\u003e","\u003cp\u003eTwo articles from the Hinton Daily News and one article in Wonderful West Virginia (August 1975).\u003c/p\u003e","\u003cp\u003eIncludes an article on the genealogy of the Keeney family, a photocopied map of western Virginia, Pennsylvania, Maryland, and North Carolina from 1778, and a list of names taken from the Blaken Mill Road Cemetery in Alderson.\u003c/p\u003e","\u003cp\u003eIncludes entry from \"West Virginians in the Revolution\" on John and Peter Van Bibber, information on Samuel Gwinn, one page of notes from \"Pioneers and their Homes on Upper Kanawha,\" and two selections from the \"West Virginia Heritage Encyclopedia.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of article by Roy Bird Cook entitled \"Virginia Frontier Defenses, 1719-1795\" publixhed in the West Virginia Blue Book, 1936.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet for \"Hatfields and MacCoys\" outdoor drama, a booklet titled \"The True Facts About the Famous Hatfield-McCoy Feud,\" and a newspaper clipping featuring a photo of a statue of Devil Anse Hatfield.\u003c/p\u003e","\u003cp\u003eTwo-page advertisement for the Hinton Daily News, including history of the paper, distribution information, and a list of distributors.\u003c/p\u003e","\u003cp\u003eIncludes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes 1970 student handbook and board meeting minutes.\u003c/p\u003e","\u003cp\u003eIncludes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes issues of the Dart, board meeting minutes, a list of the numbers of white, female students per school year (1880-1910), and a copy of the original deed for the school.\u003c/p\u003e","\u003cp\u003eIncludes photographs and newspaper clippings relating to Hinton High School.\u003c/p\u003e","\u003cp\u003eIncludes articles on the Hinton National Historic District, a booklet entitled \"Historic Hinton: Ready for the Future,\" and a folder of materials labeled \"Scenic Summers County in souther West Virginia.\"\u003c/p\u003e","\u003cp\u003eIncludes photocopies of photographs used as part of the Hinton Historic District Survey in 1983.\u003c/p\u003e","\u003cp\u003eIncludes mostly columns relating Hinton history. Also includes stories on the flood of 1940, John Henry, a train wreck in 1976, and other topics.\u003c/p\u003e","\u003cp\u003eIncludes three articles from the \"West Virginia Heritage Encyclopedia\" and an unidentified book on Pocahontas County discussing early Native American trails and trade networks.\u003c/p\u003e","\u003cp\u003eIncludes two articles (one by Fred Long) about \"Mad Anne\" Bailey, a woman soldier and Indian fighter during Lord Dunmore's War and the American War for Independence in Western Virginia.\u003c/p\u003e","\u003cp\u003eIncludes: Gray's New Map of Hinton (1876, reprint); map of summers county (1933, reprint); Washington's Cahin of Forts (undated, copied from a book); Archaeological Survey of New River Bluestone Reservoir (undated); Botetourt County, Virginia (1778, reprint); \"The Springs of Virginia and the Routes leading thereto\" (undated, reprint); Map of Hill Crest Cemetery (undated); Map of Section One of East Hill Cemetery (undated).\u003c/p\u003e","\u003cp\u003eIncludes: General Highway Map Augusta County (1973); Augusta County Primary and Secondary Highway Systems (1963); Map of the Giles, Fayette and Kanawha Turnpike (1840, reprint); Map of Greenbrier County, W. Va. (1887, reprint); West Virginia Official Highway Map (ca. 1980); Map of Alleghany County Virginia (undated, reprint); Map of Augusta County Virginia (1886, reprint); \"The Theatre of War in North America, with the Roads and a Table of the Distances\" (1776, reprint); The Town of Staunton (1749, reprint); Augusta County (1777, reprint); Welcome to Lewisburg (ca. 1975); Lewisburg, W. Va. Historic Walking Tour (undated); Staunton Virginia (ca. 1960); Delaware, Maryland, Virginia, West Virginia (1978); Carte de la Virginie et du Maryland (1755, reprint).\u003c/p\u003e","\u003cp\u003eIncludes notes on the First Christian Church of Hinton, black and white engravings of Hinton scenes, two historic West Virginia postcards, and an article on a large rock carved in 1814 in Beckley, W. Va., among other items.\u003c/p\u003e","\u003cp\u003eIncludes articles of incorporation and bylaws for The Pipestem Foundation, Inc., a map and brochure for the park, a newspaper article about the Old Time Mountain Music Festival, and a pamphlet by Earl L. Core discussing the history of the pipestem name and plant.\u003c/p\u003e","\u003cp\u003eIncludes a letter and photocopies of historical material sent to Fred Long relating to W.F. Echols, a C\u0026amp;O railroad conductor in Huntington during the early 1900s.\u003c/p\u003e","\u003cp\u003eIncludes one photocopy of \"A Brief History of the Red Sulphur Springs, Monroe County, West Virginia, 1987\" by John W. Dumont.\u003c/p\u003e","\u003cp\u003eIncludes one copy of an official report addressing a train collision that occurred near Vaughn, Mississippi on April 30, 1900 involving Engineer J.L. (Casey) Jones. This incident later became a folk legend and was the subject of a popular ballad.\u003c/p\u003e","\u003cp\u003eSubjects of photos include Hinton High School, John Henry statue, aerial images of Hinton and surrounding areas, unidentified construction photos, First National Bank, Bluestone Dam, Chessie Steam Special, a Hinton parade, the Bluestone Conference Center, Aunt Jane Williams, Low Gap Methodist Church, and a turn-of-the-century a group of men playing pool, among other subjects. Many of the photos are not identified or dated. Some are reprints.\u003c/p\u003e","\u003cp\u003eSubjects of photos include Bluestone Dam, the James Graham House, Coney Island (Hinton), Bank of Alderson, Fred Long and wife, Cooper's Mill, and two turn-of-the-century school group photos.\u003c/p\u003e","\u003cp\u003eSubjects of photos include Summers County Court House, City of Hinton Fire Department, the James Graham House, Swift and Company, James T. McCreery, the Hinton Hospital, New River, Roses Drug Store (Hinton), Green Sulphur Springs, Confederate monument, Hotel McCreery, Hill Top Cemetery, and Greenbrier School, among other subjects. All photos are reprints and many are unidentified.\u003c/p\u003e","\u003cp\u003eOne photo of Margaret C. Pennington, mother of Cynthia Pennington, at the Pearl Trail farm in Judson.\u003c/p\u003e","\u003cp\u003eIncludes six VHS tapes:\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nTV News\u003clb\u003e\u003c/lb\u003e\nTree Work City\u003clb\u003e\u003c/lb\u003e\nHinton Streetscape\u003clb\u003e\u003c/lb\u003e\nSteve Trail, TV News, BOE Meeting\u003clb\u003e\u003c/lb\u003e\nTV News\u003clb\u003e\u003c/lb\u003e\nReed Ceremony, Nov. 27, '85; Street Lighting Ceremony, Nov. 21, '86\u003c/p\u003e","\u003cp\u003eDocuments regarding economic development program for Hinton.\u003c/p\u003e","\u003cp\u003eElection campaign letter.\u003c/p\u003e","\u003cp\u003eLetter regarding loan of two photographs.\u003c/p\u003e","\u003cp\u003eIncludes a business card and a thank you note for materials loaned by Trail.\u003c/p\u003e","\u003cp\u003eList of photos.\u003c/p\u003e","\u003cp\u003eOne letter from Stephen Trail to Robert Maslowski, US Army Corps of Engineers.\u003c/p\u003e","\u003cp\u003eMaterial regarding 2016 Democratic Convention in Philadelphia; includes membership card, delegate ticket, etc.\u003c/p\u003e","\u003cp\u003eAssorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.\u003c/p\u003e","\u003cp\u003eAssorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the Hinton Daily News (later the Hinton News). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","Records about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.","Genealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.","Chesapeake and Ohio (C\u0026O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.","Geographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.","Summers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.","War-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026O Railroad.\n \nNote on Terminology in the Contents List:","Photographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.","For genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).","The Chesapeake and Ohio (C\u0026O) Railroad can be both spelled out fully or abbreviated C\u0026O.","Clippings may also be noted as articles or newspapers.","Addendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.","Addendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.","Addendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.","Addendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Addendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.","Addendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.","Addendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.","Hinton News, The Register-Herald, The Post-Report, The Monroe Watchman","\"People, Places, and Things\" column and article on Pipestem public water system.","Several issues of column entitled \"Anecdotes in Summers County,\" mostly discussing Hinton in the late 19th century.","Includes photocopy of book by Lively entitled \"Historical Summers County.\" Also includes clippings and drafts of articles relating to Summers County history.","One page article by Stephen Trail.","Includes two articles: \"The Battle at Rich Mountain\" by Kenneth L. Carvell, and \"The Kanawha Rebel Victory\" by Terry Lowry.","Includes articles on Civil War letters by Jeff Gammage and Fred Long, as well as four transcpritions of Civil War soldier letters copied by Fred Long.","Includes articles from several newspapers, including the Hinton Daily News, and magazines pertaining to Elvis, specifically his death and continuing legacy.","Includes one article entitled \"A History of Monroe County West Virginia\" by Oren F. Morton discussing the construction of Cook's Fort.","Two articles from the Hinton Daily News and one article in Wonderful West Virginia (August 1975).","Includes an article on the genealogy of the Keeney family, a photocopied map of western Virginia, Pennsylvania, Maryland, and North Carolina from 1778, and a list of names taken from the Blaken Mill Road Cemetery in Alderson.","Includes entry from \"West Virginians in the Revolution\" on John and Peter Van Bibber, information on Samuel Gwinn, one page of notes from \"Pioneers and their Homes on Upper Kanawha,\" and two selections from the \"West Virginia Heritage Encyclopedia.\"","Photocopy of article by Roy Bird Cook entitled \"Virginia Frontier Defenses, 1719-1795\" publixhed in the West Virginia Blue Book, 1936.","Includes a pamphlet for \"Hatfields and MacCoys\" outdoor drama, a booklet titled \"The True Facts About the Famous Hatfield-McCoy Feud,\" and a newspaper clipping featuring a photo of a statue of Devil Anse Hatfield.","Two-page advertisement for the Hinton Daily News, including history of the paper, distribution information, and a list of distributors.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes 1970 student handbook and board meeting minutes.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes issues of the Dart, board meeting minutes, a list of the numbers of white, female students per school year (1880-1910), and a copy of the original deed for the school.","Includes photographs and newspaper clippings relating to Hinton High School.","Includes articles on the Hinton National Historic District, a booklet entitled \"Historic Hinton: Ready for the Future,\" and a folder of materials labeled \"Scenic Summers County in souther West Virginia.\"","Includes photocopies of photographs used as part of the Hinton Historic District Survey in 1983.","Includes mostly columns relating Hinton history. Also includes stories on the flood of 1940, John Henry, a train wreck in 1976, and other topics.","Includes three articles from the \"West Virginia Heritage Encyclopedia\" and an unidentified book on Pocahontas County discussing early Native American trails and trade networks.","Includes two articles (one by Fred Long) about \"Mad Anne\" Bailey, a woman soldier and Indian fighter during Lord Dunmore's War and the American War for Independence in Western Virginia.","Includes: Gray's New Map of Hinton (1876, reprint); map of summers county (1933, reprint); Washington's Cahin of Forts (undated, copied from a book); Archaeological Survey of New River Bluestone Reservoir (undated); Botetourt County, Virginia (1778, reprint); \"The Springs of Virginia and the Routes leading thereto\" (undated, reprint); Map of Hill Crest Cemetery (undated); Map of Section One of East Hill Cemetery (undated).","Includes: General Highway Map Augusta County (1973); Augusta County Primary and Secondary Highway Systems (1963); Map of the Giles, Fayette and Kanawha Turnpike (1840, reprint); Map of Greenbrier County, W. Va. (1887, reprint); West Virginia Official Highway Map (ca. 1980); Map of Alleghany County Virginia (undated, reprint); Map of Augusta County Virginia (1886, reprint); \"The Theatre of War in North America, with the Roads and a Table of the Distances\" (1776, reprint); The Town of Staunton (1749, reprint); Augusta County (1777, reprint); Welcome to Lewisburg (ca. 1975); Lewisburg, W. Va. Historic Walking Tour (undated); Staunton Virginia (ca. 1960); Delaware, Maryland, Virginia, West Virginia (1978); Carte de la Virginie et du Maryland (1755, reprint).","Includes notes on the First Christian Church of Hinton, black and white engravings of Hinton scenes, two historic West Virginia postcards, and an article on a large rock carved in 1814 in Beckley, W. Va., among other items.","Includes articles of incorporation and bylaws for The Pipestem Foundation, Inc., a map and brochure for the park, a newspaper article about the Old Time Mountain Music Festival, and a pamphlet by Earl L. Core discussing the history of the pipestem name and plant.","Includes a letter and photocopies of historical material sent to Fred Long relating to W.F. Echols, a C\u0026O railroad conductor in Huntington during the early 1900s.","Includes one photocopy of \"A Brief History of the Red Sulphur Springs, Monroe County, West Virginia, 1987\" by John W. Dumont.","Includes one copy of an official report addressing a train collision that occurred near Vaughn, Mississippi on April 30, 1900 involving Engineer J.L. (Casey) Jones. This incident later became a folk legend and was the subject of a popular ballad.","Subjects of photos include Hinton High School, John Henry statue, aerial images of Hinton and surrounding areas, unidentified construction photos, First National Bank, Bluestone Dam, Chessie Steam Special, a Hinton parade, the Bluestone Conference Center, Aunt Jane Williams, Low Gap Methodist Church, and a turn-of-the-century a group of men playing pool, among other subjects. Many of the photos are not identified or dated. Some are reprints.","Subjects of photos include Bluestone Dam, the James Graham House, Coney Island (Hinton), Bank of Alderson, Fred Long and wife, Cooper's Mill, and two turn-of-the-century school group photos.","Subjects of photos include Summers County Court House, City of Hinton Fire Department, the James Graham House, Swift and Company, James T. McCreery, the Hinton Hospital, New River, Roses Drug Store (Hinton), Green Sulphur Springs, Confederate monument, Hotel McCreery, Hill Top Cemetery, and Greenbrier School, among other subjects. All photos are reprints and many are unidentified.","One photo of Margaret C. Pennington, mother of Cynthia Pennington, at the Pearl Trail farm in Judson.","Includes six VHS tapes:\nTV News\nTree Work City\nHinton Streetscape\nSteve Trail, TV News, BOE Meeting\nTV News\nReed Ceremony, Nov. 27, '85; Street Lighting Ceremony, Nov. 21, '86","Documents regarding economic development program for Hinton.","Election campaign letter.","Letter regarding loan of two photographs.","Includes a business card and a thank you note for materials loaned by Trail.","List of photos.","One letter from Stephen Trail to Robert Maslowski, US Army Corps of Engineers.","Material regarding 2016 Democratic Convention in Philadelphia; includes membership card, delegate ticket, etc.","Assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the dvd / vhs / betacam collection:\u003c/p\u003e","\u003cp\u003e  DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)\u003c/p\u003e","\u003cp\u003e  Separated to the book collection; forwarded to Curator of Books:\u003c/p\u003e","\u003cp\u003e  Bragg, Melody. \u003ctitle render=\"italic\"\u003eThurmond and Ghost Towns of the New River Gorge\u003c/title\u003e. Glen Jean, West Virginia: Gem Publications, ca. 1995.\u003c/p\u003e","\u003cp\u003e  Daly, Dorothy. \u003ctitle render=\"italic\"\u003eThe Dart, 1926, Volume VII\u003c/title\u003e. Hinton, West Virginia: Senior Class of Hinton High School, 1926.\u003c/p\u003e","\u003cp\u003e  \u003ctitle render=\"italic\"\u003eDirectory of Hinton, West Virginia\u003c/title\u003e. 1927.\u003c/p\u003e","\u003cp\u003e  Enoch, Harry G. \u003ctitle render=\"italic\"\u003eAffair at Captina Creek\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e","\u003cp\u003e  Foster, Elizabeth Carroll. \u003ctitle render=\"italic\"\u003eVirginia Carrolls and Their Neighbors 1618-1800s\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e","\u003cp\u003e  Glen Jean Historical Society. \u003ctitle render=\"italic\"\u003eDunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories\u003c/title\u003e. Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.\u003c/p\u003e","\u003cp\u003e  Grafton, Emily. \u003ctitle render=\"italic\"\u003eWest Virginia Adventure Guide to the Natural History of Blackwater Falls State Park\u003c/title\u003e. Terra Alta, West Virginia: Headline Books, 2002.\u003c/p\u003e","\u003cp\u003e  Harsh, Sharon Wilmoth. \u003ctitle render=\"italic\"\u003eSchool Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e","\u003cp\u003e  Hatcher, Charles Silas. \u003ctitle render=\"italic\"\u003eHistorical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families\u003c/title\u003e. Princeton, West Virginia: Jake Forest Hatcher, 1980.\u003c/p\u003e","\u003cp\u003e  \u003ctitle render=\"italic\"\u003eHistory of the Great Kanawha Valley, Volume I\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e","\u003cp\u003e  Keller, Barbara, editor. \u003ctitle render=\"italic\"\u003eSummers County, West Virginia, Historical Society: Cemetery Book\u003c/title\u003e. Beckley, West Virginia: BJW Printing, 1996.\u003c/p\u003e","\u003cp\u003e  Keller, Robert, editor. \u003ctitle render=\"italic\"\u003eSenior \"34\"\u003c/title\u003e. Hinton, West Virginia: Senior Class, Hinton High School, 1934.\u003c/p\u003e","\u003cp\u003e  Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors. \u003ctitle render=\"italic\"\u003eHinton City Directory\u003c/title\u003e. White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.\u003c/p\u003e","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eHistorical Genealogy of the Lilly Family\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1977.\u003c/p\u003e","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eLilly Family History, 1566-1997\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1997.\u003c/p\u003e","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eOur Heritage: The Lilly Family, Vol. II\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1978.\u003c/p\u003e","\u003cp\u003e  Long, Fred and Steve Trail. \u003ctitle render=\"italic\"\u003eHistoric Pence Springs Resort\u003c/title\u003e. 1987.\u003c/p\u003e","\u003cp\u003e  Marockie, Henry R. \u003ctitle render=\"italic\"\u003eSchool Laws of West Virginia: 1989 Edition\u003c/title\u003e. Charlottesville: The Michie Company, 1990.\u003c/p\u003e","\u003cp\u003e  McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson. \u003ctitle render=\"italic\"\u003eFrontier Forts in West Virginia: Historical and Archaeological Explorations\u003c/title\u003e. Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.\u003c/p\u003e","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1998.\u003c/p\u003e","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e","\u003cp\u003e  McNeer, Sally Withrow. \u003ctitle render=\"italic\"\u003eEchoes of Summers\u003c/title\u003e. Undated.\u003c/p\u003e","\u003cp\u003e  Miller, Hurley. \u003ctitle render=\"italic\"\u003eOnce in a Lifetime\u003c/title\u003e. Raleigh: Pentland Press, 2000.\u003c/p\u003e","\u003cp\u003e  Myers, Tom E. \u003ctitle render=\"italic\"\u003eMoccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758\u003c/title\u003e. Parsons, West Virginia: McClain Printing Company, 1995.\u003c/p\u003e","\u003cp\u003e  Pemberton, Robert L. \u003ctitle render=\"italic\"\u003eA History of Pleasants County, West Virginia\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e","\u003cp\u003e  Peters, Okey Erwin, compiler. \u003ctitle render=\"italic\"\u003eConrad Peters and Wife Clara Snidow\u003c/title\u003e. Paducah, Kentucky: Paducah Printing Co., 1954.\u003c/p\u003e","\u003cp\u003e  Roles, Joe B. \u003ctitle render=\"italic\"\u003eMary Janes's War: A Civil War Novel Based on a True Story\u003c/title\u003e. Annandale, Virginia: Joe B. Roles, 2002.\u003c/p\u003e","\u003cp\u003e  Scott, Eugene. \u003ctitle render=\"italic\"\u003eThurmond: Dodge City of West Virginia: Believe It or Not City\u003c/title\u003e. Beckley, West Virginia: Eugene Scott, undated.\u003c/p\u003e","\u003cp\u003e  Senior Class of Hinton High School. \u003ctitle render=\"italic\"\u003eThe Senior Handbook; 1935\u003c/title\u003e. Hinton, West Virginia: Senior Class, Hinton High School, 1935.\u003c/p\u003e","\u003cp\u003e  Shuff, Murray. \u003ctitle render=\"italic\"\u003eStone Cliff, West Virginia: \"Life Along New River\", 1930-1938\u003c/title\u003e. Beckley, West Virginia: Central Printing Company, 1984.\u003c/p\u003e","\u003cp\u003e  Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center. \u003ctitle render=\"italic\"\u003eThurmond Commercial Buildings: New River Gorge, National River, West Virginia\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.\u003c/p\u003e","\u003cp\u003e  Stewart, Kathleen. \u003ctitle render=\"italic\"\u003eA Space on the Side of the Road: Cultural Poetics in an \"Other\" America\u003c/title\u003e. Princeton: Princeton University Press, 1996.\u003c/p\u003e","\u003cp\u003e  Sullivan, Ken. \u003ctitle render=\"italic\"\u003eThurmond: A New River Community\u003c/title\u003e. Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.\u003c/p\u003e","\u003cp\u003e  Taylor, Sharon. \u003ctitle render=\"italic\"\u003eThe Amazing Story of the Gwinns in America\u003c/title\u003e. Washington, D.C.: Halbert's, 1982.\u003c/p\u003e","\u003cp\u003e  Trail, Stephen D. and Vandalia Consultants, Inc. \u003ctitle render=\"italic\"\u003eBluestone Dam 50th Anniversary Commemorative Album 1949-1999\u003c/title\u003e. Hinton, West Virginia: Fox Photographics, 1999.\u003c/p\u003e","\u003cp\u003e  United States. National Park Service. \u003ctitle render=\"italic\"\u003eDenver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.\u003c/p\u003e","\u003cp\u003e  United States. National Park Service. \u003ctitle render=\"italic\"\u003eLand Protection Plan: New River Gorge\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.\u003c/p\u003e","\u003cp\u003e  Wardell, Patrick G., compiler. \u003ctitle render=\"italic\"\u003eVirginians and West Virginians, 1607-1870, Volume 1\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1986.\u003c/p\u003e","\u003cp\u003e  Wilson, Goodridge. \u003ctitle render=\"italic\"\u003eSmyth County History and Traditions\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1998.\u003c/p\u003e","\u003cp\u003e  Separated to closed collections:\u003c/p\u003e","\u003cp\u003e  Baseball card of Jack Warhop, originally in box 79, folder 15.\u003c/p\u003e  ","\u003cp\u003eHinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Separated to the dvd / vhs / betacam collection:","DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)","Separated to the book collection; forwarded to Curator of Books:","Bragg, Melody. Thurmond and Ghost Towns of the New River Gorge. Glen Jean, West Virginia: Gem Publications, ca. 1995.","Daly, Dorothy. The Dart, 1926, Volume VII. Hinton, West Virginia: Senior Class of Hinton High School, 1926.","Directory of Hinton, West Virginia. 1927.","Enoch, Harry G. Affair at Captina Creek. Bowie, Maryland: Heritage Books, 1999.","Foster, Elizabeth Carroll. Virginia Carrolls and Their Neighbors 1618-1800s. Bowie, Maryland: Heritage Books, 1999.","Glen Jean Historical Society. Dunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories. Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.","Grafton, Emily. West Virginia Adventure Guide to the Natural History of Blackwater Falls State Park. Terra Alta, West Virginia: Headline Books, 2002.","Harsh, Sharon Wilmoth. School Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899. Bowie, Maryland: Heritage Books, 2000.","Hatcher, Charles Silas. Historical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families. Princeton, West Virginia: Jake Forest Hatcher, 1980.","History of the Great Kanawha Valley, Volume I. Bowie, Maryland: Heritage Books, 2000.","Keller, Barbara, editor. Summers County, West Virginia, Historical Society: Cemetery Book. Beckley, West Virginia: BJW Printing, 1996.","Keller, Robert, editor. Senior \"34\". Hinton, West Virginia: Senior Class, Hinton High School, 1934.","Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors. Hinton City Directory. White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.","Lilly, Jack. Historical Genealogy of the Lilly Family. Canton, Ohio: Jack Lilly, 1977.","Lilly, Jack. Lilly Family History, 1566-1997. Canton, Ohio: Jack Lilly, 1997.","Lilly, Jack. Our Heritage: The Lilly Family, Vol. II. Canton, Ohio: Jack Lilly, 1978.","Long, Fred and Steve Trail. Historic Pence Springs Resort. 1987.","Marockie, Henry R. School Laws of West Virginia: 1989 Edition. Charlottesville: The Michie Company, 1990.","McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson. Frontier Forts in West Virginia: Historical and Archaeological Explorations. Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.","McKey, JoAnn Riley. Accomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7. Bowie, Maryland: Heritage Books, 1998.","McKey, JoAnn Riley. Accomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8. Bowie, Maryland: Heritage Books, 1999.","McKey, JoAnn Riley. Accomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10. Bowie, Maryland: Heritage Books, 2000.","McNeer, Sally Withrow. Echoes of Summers. Undated.","Miller, Hurley. Once in a Lifetime. Raleigh: Pentland Press, 2000.","Myers, Tom E. Moccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758. Parsons, West Virginia: McClain Printing Company, 1995.","Pemberton, Robert L. A History of Pleasants County, West Virginia. Bowie, Maryland: Heritage Books, 1999.","Peters, Okey Erwin, compiler. Conrad Peters and Wife Clara Snidow. Paducah, Kentucky: Paducah Printing Co., 1954.","Roles, Joe B. Mary Janes's War: A Civil War Novel Based on a True Story. Annandale, Virginia: Joe B. Roles, 2002.","Scott, Eugene. Thurmond: Dodge City of West Virginia: Believe It or Not City. Beckley, West Virginia: Eugene Scott, undated.","Senior Class of Hinton High School. The Senior Handbook; 1935. Hinton, West Virginia: Senior Class, Hinton High School, 1935.","Shuff, Murray. Stone Cliff, West Virginia: \"Life Along New River\", 1930-1938. Beckley, West Virginia: Central Printing Company, 1984.","Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center. Thurmond Commercial Buildings: New River Gorge, National River, West Virginia. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","Stewart, Kathleen. A Space on the Side of the Road: Cultural Poetics in an \"Other\" America. Princeton: Princeton University Press, 1996.","Sullivan, Ken. Thurmond: A New River Community. Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.","Taylor, Sharon. The Amazing Story of the Gwinns in America. Washington, D.C.: Halbert's, 1982.","Trail, Stephen D. and Vandalia Consultants, Inc. Bluestone Dam 50th Anniversary Commemorative Album 1949-1999. Hinton, West Virginia: Fox Photographics, 1999.","United States. National Park Service. Denver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","United States. National Park Service. Land Protection Plan: New River Gorge. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.","Wardell, Patrick G., compiler. Virginians and West Virginians, 1607-1870, Volume 1. Bowie, Maryland: Heritage Books, 1986.","Wilson, Goodridge. Smyth County History and Traditions. Bowie, Maryland: Heritage Books, 1998.","Separated to closed collections:","Baseball card of Jack Warhop, originally in box 79, folder 15.","Hinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_43a428a036329b8d08d80398402053d8\"\u003eRecords and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the \u003cemph render=\"italic\"\u003eHinton Daily News\u003c/emph\u003e (later the \u003cemph render=\"italic\"\u003eHinton News\u003c/emph\u003e). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026amp;O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.\u003c/abstract\u003e\n    "],"abstract_tesim":["Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the Hinton Daily News (later the Hinton News). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_93518063762d4bcef4eb8598eb8cce65\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company"],"names_coll_ssim":["Chesapeake and Ohio Railroad Company"],"persname_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"names_ssim":["West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company","Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3592,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:15.461Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5374_c2596"}},{"id":"wvmturhc_repositories_2_resources_6342_c02_c31","type":"File","attributes":{"title":"4-H General, 1955/2000","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6342_c02_c31#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6342_c02_c31","ref_ssm":["wvmturhc_repositories_2_resources_6342_c02_c31"],"id":"wvmturhc_repositories_2_resources_6342_c02_c31","ead_ssi":"wvmturhc_repositories_2_resources_6342","_root_":"wvmturhc_repositories_2_resources_6342","_nest_parent_":"wvmturhc_repositories_2_resources_6342_c02","parent_ssi":"wvmturhc_repositories_2_resources_6342_c02","parent_ssim":["West Virginia University, Extension Service, Photographs and Printed Material, 1900/2011","Series 2. Photographs - 4-H, 1913/2011"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6342","wvmturhc_repositories_2_resources_6342_c02"],"title_filing_ssi":"4-H General","title_ssm":["4-H General"],"title_tesim":["4-H General"],"normalized_title_ssm":["4-H General, 1955/2000"],"text":["4-H General, 1955/2000","West Virginia University, Extension Service, Photographs and Printed Material, 1900/2011","Series 2. Photographs - 4-H, 1913/2011","Box 01","Folder 32"],"parent_unittitles_ssm":["West Virginia University, Extension Service, Photographs and Printed Material, 1900/2011","Series 2. Photographs - 4-H, 1913/2011"],"parent_unittitles_tesim":["West Virginia University, Extension Service, Photographs and Printed Material, 1900/2011","Series 2. Photographs - 4-H, 1913/2011"],"normalized_date_ssm":["1955/2000"],"unitdate_inclusive_ssm":["ca. 1955-2000"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":34,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, Extension Service, Photographs and Printed Material, 1900/2011"],"containers_ssim":["Box 01","Folder 32"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"_nest_path_":"/components#1/components#30","timestamp":"2026-06-23T07:58:31.866Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6342","ead_ssi":"wvmturhc_repositories_2_resources_6342","_root_":"wvmturhc_repositories_2_resources_6342","_nest_parent_":"wvmturhc_repositories_2_resources_6342","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6342.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199258","title_ssm":["West Virginia University, Extension Service, Photographs and Printed Material"],"title_tesim":["West Virginia University, Extension Service, Photographs and Printed Material"],"unitdate_ssm":["1900-2011"],"unitdate_inclusive_ssm":["1900-2011"],"normalized_date_ssm":["1900/2011"],"normalized_title_ssm":["West Virginia University, Extension Service, Photographs and Printed Material, 1900/2011"],"text":["West Virginia University, Extension Service, Photographs and Printed Material, 1900/2011","A\u0026M 5235","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6342","Jackson's Mill 4-H Camp.","Agriculture   -- West Virginia","4-H clubs -- West Virginia","No special access restriction applies.","The University's extension service grew out of its inception under the Morrill Act of 1862. Founded in 1867 as a land-grant school under the Morrill Act, West Virginia University's mission thus included the charge to teach practical agriculture in addition to military science and classical studies.  The scope of the agricultural mission was expanded in 1909, through the College of Agriculture, to include not only the University's students, but also any citizen of West Virginia engaged in agricultural work.  This instruction, or extension service, was to occur at appropriate centralized locations, and to be conducted through lectures, correspondence school, and reading courses.","Although the University's extension service was initially supported by only the state, the passage of the Smith-Lever Act in 1914 established a national system of cooperative extension services connected to land-grant universities, thus leveraging the financial resources of the federal government to the purpose of informing citizens regarding current developments in agricultural practices.","Early in the 20th century, rural communities supported boys \"corn clubs\" and girls \"canning clubs\" in order to teach practical skills, a movement in which WVU Extension involved itself.  With the passage of the Smith-Lever Act in 1914, the U.S. Department of Agriculture also became involved in supporting these rural clubs.  By 1918, these West Virginia clubs for youth identified themselves using the 4-H logo and name. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University. Extension Service","English\n."],"collection_title_tesim":["West Virginia University, Extension Service, Photographs and Printed Material, 1900/2011"],"collection_ssim":["West Virginia University, Extension Service, Photographs and Printed Material, 1900/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5235","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6342"],"unitid_tesim":["A\u0026M 5235","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6342"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Jackson's Mill 4-H Camp."],"geogname_ssim":["Jackson's Mill 4-H Camp."],"places_ssim":["Jackson's Mill 4-H Camp."],"creator_ssm":["West Virginia University. Extension Service"],"creator_ssim":["West Virginia University. Extension Service"],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Extension Service"],"creators_ssim":["West Virginia and Regional History Center","West Virginia University. Extension Service"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Agriculture   -- West Virginia","4-H clubs -- West Virginia"],"access_subjects_ssm":["Agriculture   -- West Virginia","4-H clubs -- West Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["5.83 Linear Feet 4 record cartons, 15 in. each; 1 document case, 5 in.; 2 document cases; 2.5 in. each"],"extent_tesim":["5.83 Linear Feet 4 record cartons, 15 in. each; 1 document case, 5 in.; 2 document cases; 2.5 in. each"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eThe University's extension service grew out of its inception under the Morrill Act of 1862. 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This instruction, or extension service, was to occur at appropriate centralized locations, and to be conducted through lectures, correspondence school, and reading courses.\u003c/p\u003e","\u003cp\u003eAlthough the University's extension service was initially supported by only the state, the passage of the Smith-Lever Act in 1914 established a national system of cooperative extension services connected to land-grant universities, thus leveraging the financial resources of the federal government to the purpose of informing citizens regarding current developments in agricultural practices. \u003c/p\u003e","\u003cp\u003eEarly in the 20th century, rural communities supported boys \"corn clubs\" and girls \"canning clubs\" in order to teach practical skills, a movement in which WVU Extension involved itself.  With the passage of the Smith-Lever Act in 1914, the U.S. Department of Agriculture also became involved in supporting these rural clubs.  By 1918, these West Virginia clubs for youth identified themselves using the 4-H logo and name. In 1921, Jackson's Mill, the childhood home of Stonewall Jackson in Lewis County, became the first state 4-H camp in America.\u003c/p\u003e","\u003cp\u003eIn addition to its efforts in supporting boys and girls clubs, WVU Extension reached out to farmers in the state as well.  To this end, Extension hired four county agricultural agents in 1912-1913, including B.B. Ezell who worked out of the Chamber of Commerce office in Kanawha County, and who often rode by horseback to access rural communities.  Mabel Sutherland, a teacher, became his assistant in her work with girls canning clubs.  \u003c/p\u003e","\u003cp\u003eHome demonstration geared towards women was another important aspect of the growth of extension.   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The scope of the agricultural mission was expanded in 1909, through the College of Agriculture, to include not only the University's students, but also any citizen of West Virginia engaged in agricultural work.  This instruction, or extension service, was to occur at appropriate centralized locations, and to be conducted through lectures, correspondence school, and reading courses.","Although the University's extension service was initially supported by only the state, the passage of the Smith-Lever Act in 1914 established a national system of cooperative extension services connected to land-grant universities, thus leveraging the financial resources of the federal government to the purpose of informing citizens regarding current developments in agricultural practices.","Early in the 20th century, rural communities supported boys \"corn clubs\" and girls \"canning clubs\" in order to teach practical skills, a movement in which WVU Extension involved itself.  With the passage of the Smith-Lever Act in 1914, the U.S. Department of Agriculture also became involved in supporting these rural clubs.  By 1918, these West Virginia clubs for youth identified themselves using the 4-H logo and name. In 1921, Jackson's Mill, the childhood home of Stonewall Jackson in Lewis County, became the first state 4-H camp in America.","In addition to its efforts in supporting boys and girls clubs, WVU Extension reached out to farmers in the state as well.  To this end, Extension hired four county agricultural agents in 1912-1913, including B.B. Ezell who worked out of the Chamber of Commerce office in Kanawha County, and who often rode by horseback to access rural communities.  Mabel Sutherland, a teacher, became his assistant in her work with girls canning clubs.","Home demonstration geared towards women was another important aspect of the growth of extension.   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The photographs include 4-H camps, Farm Women's Clubs and other various activities. Many are unidentified or undated. The printed material includes some annual reports, Extension Service publications regarding wildlife and tourism, and books on regional colleges and extension programs. Also included are photographs and reports from Oglebay Institute in Wheeling, WV.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection of photographs and printed material from the West Virginia University Extension Service. The photographs include 4-H camps, Farm Women's Clubs and other various activities. Many are unidentified or undated. The printed material includes some annual reports, Extension Service publications regarding wildlife and tourism, and books on regional colleges and extension programs. Also included are photographs and reports from Oglebay Institute in Wheeling, WV."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_7d1db0f6e5ad59f13a5149b9b26abeb8\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Extension Service"],"names_coll_ssim":["West Virginia University. Extension Service"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Extension Service"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:58:31.866Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6342_c02_c31"}},{"id":"wvmturhc_repositories_2_resources_4394","type":"collection","attributes":{"title":"4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4394#abstract_or_scope","type":"document_value","attributes":{"value":"Projects and posters regarding West Virginia flowers and trees, as well as African wildlife. Projects include fifteen collections of leaves and flowers, labeled and mounted on cardboard. These project boards also include the wild flower conservation pledge and a poem about roadside flowers. The posters, distributed by the East African Wild Life Society include the zebra, water buck, lion, buffalo, and black rhinoceros. The collection also includes the following miscellaneous items: a quadrangle map featuring the Mason Dixon Line from Maryland and the lands west of the line; a program from the Hewitt Presbyterian Church for its eightieth reunion (October 14, 1951); an \"at home\" card for Mrs. Charles Montgomery Babb, Miss Babb, and Miss Lulu Babb; a brochure featuring the 1933 autumn rate schedules for Lake Mohonk Mountain House and Mountain Rest House in Ulster County, New York; an 1897 article from the Daily New Dominion featuring articles about West Virginia University president Dr. J. H. Raymond and Hon. James H Stewart, the director of the West Virginia Experiment Station; and a 1978-1979 member directory for Internal City Management Association, a professional and educational association of appointed administrators in city and county governments.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4394#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_4394","ead_ssi":"wvmturhc_repositories_2_resources_4394","_root_":"wvmturhc_repositories_2_resources_4394","_nest_parent_":"wvmturhc_repositories_2_resources_4394","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4394.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/206296","title_ssm":["4-H Project, West Virginia Flowers and Trees and Other Records"],"title_tesim":["4-H Project, West Virginia Flowers and Trees and Other Records"],"unitdate_ssm":["1933-1979"],"unitdate_inclusive_ssm":["1933-1979"],"normalized_date_ssm":["1933/1979"],"normalized_title_ssm":["4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979"],"text":["4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979","A\u0026M 1153","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4394","Churches  -- Ennon Baptist","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Projects and posters regarding West Virginia flowers and trees, as well as African wildlife. Projects include fifteen collections of leaves and flowers, labeled and mounted on cardboard. These project boards also include the wild flower conservation pledge and a poem about roadside flowers. The posters, distributed by the East African Wild Life Society include the zebra, water buck, lion, buffalo, and black rhinoceros. The collection also includes the following miscellaneous items: a quadrangle map featuring the Mason Dixon Line from Maryland and the lands west of the line; a program from the Hewitt Presbyterian Church for its eightieth reunion (October 14, 1951); an \"at home\" card for Mrs. Charles Montgomery Babb, Miss Babb, and Miss Lulu Babb; a brochure featuring the 1933 autumn rate schedules for Lake Mohonk Mountain House and Mountain Rest House in Ulster County, New York; an 1897 article from the Daily New Dominion featuring articles about West Virginia University president Dr. J. H. Raymond and Hon. James H Stewart, the director of the West Virginia Experiment Station; and a 1978-1979 member directory for Internal City Management Association, a professional and educational association of appointed administrators in city and county governments.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","4-H Project. West Virginia Flowers and Trees","Morris family - Genealogy","English"],"collection_title_tesim":["4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979"],"collection_ssim":["4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1153","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4394"],"unitid_tesim":["A\u0026M 1153","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4394"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_corpname_ssim":["West Virginia and Regional History Center","4-H Project. 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(large flat storage box)"],"date_range_isim":[1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], 4-H Project, West Virginia Flowers and Trees and Other Records, A\u0026amp;M 1153, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], 4-H Project, West Virginia Flowers and Trees and Other Records, A\u0026M 1153, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d6fd2f2109ab28aa8126de4f83e87550\"\u003eProjects and posters regarding West Virginia flowers and trees, as well as African wildlife. Projects include fifteen collections of leaves and flowers, labeled and mounted on cardboard. These project boards also include the wild flower conservation pledge and a poem about roadside flowers. The posters, distributed by the East African Wild Life Society include the zebra, water buck, lion, buffalo, and black rhinoceros. The collection also includes the following miscellaneous items: a quadrangle map featuring the Mason Dixon Line from Maryland and the lands west of the line; a program from the Hewitt Presbyterian Church for its eightieth reunion (October 14, 1951); an \"at home\" card for Mrs. Charles Montgomery Babb, Miss Babb, and Miss Lulu Babb; a brochure featuring the 1933 autumn rate schedules for Lake Mohonk Mountain House and Mountain Rest House in Ulster County, New York; an 1897 article from the Daily New Dominion featuring articles about West Virginia University president Dr. J. H. Raymond and Hon. James H Stewart, the director of the West Virginia Experiment Station; and a 1978-1979 member directory for Internal City Management Association, a professional and educational association of appointed administrators in city and county governments.\u003c/abstract\u003e\n    "],"abstract_tesim":["Projects and posters regarding West Virginia flowers and trees, as well as African wildlife. Projects include fifteen collections of leaves and flowers, labeled and mounted on cardboard. These project boards also include the wild flower conservation pledge and a poem about roadside flowers. The posters, distributed by the East African Wild Life Society include the zebra, water buck, lion, buffalo, and black rhinoceros. The collection also includes the following miscellaneous items: a quadrangle map featuring the Mason Dixon Line from Maryland and the lands west of the line; a program from the Hewitt Presbyterian Church for its eightieth reunion (October 14, 1951); an \"at home\" card for Mrs. Charles Montgomery Babb, Miss Babb, and Miss Lulu Babb; a brochure featuring the 1933 autumn rate schedules for Lake Mohonk Mountain House and Mountain Rest House in Ulster County, New York; an 1897 article from the Daily New Dominion featuring articles about West Virginia University president Dr. J. H. Raymond and Hon. James H Stewart, the director of the West Virginia Experiment Station; and a 1978-1979 member directory for Internal City Management Association, a professional and educational association of appointed administrators in city and county governments."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_966e3325dcfe77fda4be07b66d8d0890\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","4-H Project. West Virginia Flowers and Trees"],"names_coll_ssim":["4-H Project. West Virginia Flowers and Trees","Morris family - Genealogy"],"famname_ssim":["Morris family - Genealogy"],"names_ssim":["West Virginia and Regional History Center","4-H Project. West Virginia Flowers and Trees","Morris family - Genealogy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:56:36.205Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4394","ead_ssi":"wvmturhc_repositories_2_resources_4394","_root_":"wvmturhc_repositories_2_resources_4394","_nest_parent_":"wvmturhc_repositories_2_resources_4394","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4394.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/206296","title_ssm":["4-H Project, West Virginia Flowers and Trees and Other Records"],"title_tesim":["4-H Project, West Virginia Flowers and Trees and Other Records"],"unitdate_ssm":["1933-1979"],"unitdate_inclusive_ssm":["1933-1979"],"normalized_date_ssm":["1933/1979"],"normalized_title_ssm":["4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979"],"text":["4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979","A\u0026M 1153","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4394","Churches  -- Ennon Baptist","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Projects and posters regarding West Virginia flowers and trees, as well as African wildlife. Projects include fifteen collections of leaves and flowers, labeled and mounted on cardboard. These project boards also include the wild flower conservation pledge and a poem about roadside flowers. The posters, distributed by the East African Wild Life Society include the zebra, water buck, lion, buffalo, and black rhinoceros. The collection also includes the following miscellaneous items: a quadrangle map featuring the Mason Dixon Line from Maryland and the lands west of the line; a program from the Hewitt Presbyterian Church for its eightieth reunion (October 14, 1951); an \"at home\" card for Mrs. Charles Montgomery Babb, Miss Babb, and Miss Lulu Babb; a brochure featuring the 1933 autumn rate schedules for Lake Mohonk Mountain House and Mountain Rest House in Ulster County, New York; an 1897 article from the Daily New Dominion featuring articles about West Virginia University president Dr. J. H. Raymond and Hon. James H Stewart, the director of the West Virginia Experiment Station; and a 1978-1979 member directory for Internal City Management Association, a professional and educational association of appointed administrators in city and county governments.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","4-H Project. West Virginia Flowers and Trees","Morris family - Genealogy","English"],"collection_title_tesim":["4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979"],"collection_ssim":["4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1153","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4394"],"unitid_tesim":["A\u0026M 1153","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4394"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_corpname_ssim":["West Virginia and Regional History Center","4-H Project. West Virginia Flowers and Trees"],"creator_famname_ssim":["Morris family - Genealogy"],"creators_ssim":["West Virginia and Regional History Center","4-H Project. West Virginia Flowers and Trees","Morris family - Genealogy"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["from ,"],"access_subjects_ssim":["Churches  -- Ennon Baptist"],"access_subjects_ssm":["Churches  -- Ennon Baptist"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet Summary: 3 in. (large flat storage box)"],"extent_tesim":["0.25 Linear Feet Summary: 3 in. (large flat storage box)"],"date_range_isim":[1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], 4-H Project, West Virginia Flowers and Trees and Other Records, A\u0026amp;M 1153, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], 4-H Project, West Virginia Flowers and Trees and Other Records, A\u0026M 1153, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d6fd2f2109ab28aa8126de4f83e87550\"\u003eProjects and posters regarding West Virginia flowers and trees, as well as African wildlife. Projects include fifteen collections of leaves and flowers, labeled and mounted on cardboard. These project boards also include the wild flower conservation pledge and a poem about roadside flowers. The posters, distributed by the East African Wild Life Society include the zebra, water buck, lion, buffalo, and black rhinoceros. The collection also includes the following miscellaneous items: a quadrangle map featuring the Mason Dixon Line from Maryland and the lands west of the line; a program from the Hewitt Presbyterian Church for its eightieth reunion (October 14, 1951); an \"at home\" card for Mrs. Charles Montgomery Babb, Miss Babb, and Miss Lulu Babb; a brochure featuring the 1933 autumn rate schedules for Lake Mohonk Mountain House and Mountain Rest House in Ulster County, New York; an 1897 article from the Daily New Dominion featuring articles about West Virginia University president Dr. J. H. Raymond and Hon. James H Stewart, the director of the West Virginia Experiment Station; and a 1978-1979 member directory for Internal City Management Association, a professional and educational association of appointed administrators in city and county governments.\u003c/abstract\u003e\n    "],"abstract_tesim":["Projects and posters regarding West Virginia flowers and trees, as well as African wildlife. Projects include fifteen collections of leaves and flowers, labeled and mounted on cardboard. These project boards also include the wild flower conservation pledge and a poem about roadside flowers. The posters, distributed by the East African Wild Life Society include the zebra, water buck, lion, buffalo, and black rhinoceros. The collection also includes the following miscellaneous items: a quadrangle map featuring the Mason Dixon Line from Maryland and the lands west of the line; a program from the Hewitt Presbyterian Church for its eightieth reunion (October 14, 1951); an \"at home\" card for Mrs. Charles Montgomery Babb, Miss Babb, and Miss Lulu Babb; a brochure featuring the 1933 autumn rate schedules for Lake Mohonk Mountain House and Mountain Rest House in Ulster County, New York; an 1897 article from the Daily New Dominion featuring articles about West Virginia University president Dr. J. H. Raymond and Hon. James H Stewart, the director of the West Virginia Experiment Station; and a 1978-1979 member directory for Internal City Management Association, a professional and educational association of appointed administrators in city and county governments."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_966e3325dcfe77fda4be07b66d8d0890\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","4-H Project. West Virginia Flowers and Trees"],"names_coll_ssim":["4-H Project. West Virginia Flowers and Trees","Morris family - Genealogy"],"famname_ssim":["Morris family - Genealogy"],"names_ssim":["West Virginia and Regional History Center","4-H Project. West Virginia Flowers and Trees","Morris family - Genealogy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:56:36.205Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4394"}},{"id":"wvmturhc_repositories_2_resources_5371_c21_c22","type":"File","attributes":{"title":"4 letters, 1969","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c21_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c21_c22","ref_ssm":["wvmturhc_repositories_2_resources_5371_c21_c22"],"id":"wvmturhc_repositories_2_resources_5371_c21_c22","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c21","parent_ssi":"wvmturhc_repositories_2_resources_5371_c21","parent_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence, 1943/1992"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c21"],"title_filing_ssi":"4 letters","title_ssm":["4 letters"],"title_tesim":["4 letters"],"normalized_title_ssm":["4 letters, 1969"],"text":["4 letters, 1969","James E. Davis, Artist, Papers and Artworks, 1845/2013","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence, 1943/1992","Box 1995/undated 9","Folder 8"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence, 1943/1992"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence, 1943/1992"],"normalized_date_ssm":["1969"],"unitdate_inclusive_ssm":["1969"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":840,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"containers_ssim":["Box 1995/undated 9","Folder 8"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1969],"_nest_path_":"/components#20/components#21","timestamp":"2026-06-23T07:57:04.936Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"normalized_date_ssm":["1845/2013"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"text":["James E. Davis, Artist, Papers and Artworks, 1845/2013","A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English\n."],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"places_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Davis family"],"creators_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","West Virginia and Regional History Center","Davis family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e  ","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Davis family"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c21_c22"}},{"id":"wvmturhc_repositories_2_resources_1610_c04_c885","type":"File","attributes":{"title":"4 Men and a Monster, 1968/1969","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610_c04_c885#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1610_c04_c885","ref_ssm":["wvmturhc_repositories_2_resources_1610_c04_c885"],"id":"wvmturhc_repositories_2_resources_1610_c04_c885","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610_c04","parent_ssi":"wvmturhc_repositories_2_resources_1610_c04","parent_ssim":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989","Series 4. 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Theater Programs and Workshops, 1929/1997, bulk 1951/1991"],"normalized_date_ssm":["1968/1969"],"unitdate_inclusive_ssm":["1968 December-1969 January"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":1245,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989"],"containers_ssim":["Box 54","Folder 24"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1968,1969],"separatedmaterial_html_tesm":["\u003cp\u003eRemoved from A\u0026amp;M 3300 B36/F6\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Removed from A\u0026M 3300 B36/F6"],"_nest_path_":"/components#3/components#884","timestamp":"2026-06-23T07:53:36.499Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1610","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1610.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195886","title_ssm":["Maryat Lee, Playwright, Papers"],"title_tesim":["Maryat Lee, Playwright, Papers"],"unitdate_ssm":["1902-1997","1951-1989"],"unitdate_inclusive_ssm":["1902-1997"],"unitdate_bulk_ssim":["1951-1989"],"normalized_date_ssm":["1902/1997, bulk 1951/1989"],"normalized_title_ssm":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989"],"text":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989","A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610","Hinton (W. Va.)","New York (N.Y.)","West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert.","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, DOPE! which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work.","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater.","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including John Henry and Ole Miz Dacey. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with DOPE! and SALT, used non-actors in its performances.","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky.","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.","This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings.","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series.","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request.","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.","Material moved to A\u0026M 3300 B54/F21","Material moved to B48/I1","Material moved to A\u0026M 3300 B54/F2","Material moved to A\u0026M 3300 B54/F3","Material moved to A\u0026M 3300 B51/F2","Material moved to A\u0026M 3300 B45/F5, B54/F4","Material moved to A\u0026M 3300 B45/F6","Material moved to A\u0026M 3300 B45/F7","Material moved to A\u0026M 3300 B54/F5","Material moved to A\u0026M 3300 B52/F2","Material moved to A\u0026M 3300 B54/F6","Material moved to A\u0026M 3300 B52/F3","Material moved to A\u0026M 3300 B45/F8","Material moved to A\u0026M 3300 B45/F9","Material moved to A\u0026M 3300 B45/F12","Material moved to A\u0026M 3300 B45/F13","Material moved to A\u0026M 3300 B45/F15","Material moved to A\u0026M 3300 B51/F6","Material moved to A\u0026M 3300 B45/F16","Material moved to A\u0026M 3300 B45/F17, B51/F7","Material moved to A\u0026M 3300 B45/F18","Material moved to A\u0026M 3300 B45/F19","Material moved to A\u0026M 3300 B45/F20","Material moved to A\u0026M 3300 B54/F7, B45/F21-24, B51/F8","Material moved to A\u0026M 3300 B45/F25-27","Material moved to A\u0026M 3300 B45/F28-31, B46/F1-2, B50/F3-4, 19","Material moved to A\u0026M 3300 B54/F13","Material moved to A\u0026M 3300 B46/F3","Material moved to A\u0026M 3300 B54/F8","Material moved to A\u0026M 3300 B54/F9","Material moved to A\u0026M 3300 B54/F10","Material moved to A\u0026M 3300 B54/F11","Material moved to A\u0026M 3300 B54/F12","Material moved to A\u0026M 3300 B50/F5","Material moved to A\u0026M 3300 B50/F6","Material moved to A\u0026M 3300 B54/F14","Material moved to A\u0026M 3300 B50/F7","Material moved to A\u0026M 3300 B46/F4","Material moved to A\u0026M 3300 B20/F63","Material moved to A\u0026M 3300 B54/F16","Material moved to A\u0026M 3300 B54/F17","Material moved to A\u0026M 3300 B46/F6","Material moved to A\u0026M 3300 B46/F7","Material moved to A\u0026M 3300 B46/F8","Material moved to A\u0026M 3300 B46/F9","Material moved to A\u0026M 3300 B46/F10","Material moved to A\u0026M 3300 B46/F11","Material moved to A\u0026M 3300 B46/F13-19","Material moved to A\u0026M 3300 B46/F20","Material moved to A\u0026M 3300 B46/F21-24","Material moved to A\u0026M 3300 B46/F28","Material moved to A\u0026M 3300 B46/F29, B50/F8","Material moved to A\u0026M 3300 B54/F18","Material moved to A\u0026M 3300 B46/F30","Material moved to A\u0026M 3300 B50/F9-11, B46/F33","Material moved to A\u0026M 3300 B46/F34","Material moved to A\u0026M 3300 B46/F35","Material moved to A\u0026M 3300 B46/F36","Material moved to A\u0026M3300 B26/F12","Material moved to A\u0026M 3300 B46/F38","Material moved to A\u0026M 3300 B46/F39","Material moved to A\u0026M 3300 B46/F40","Material moved to A\u0026M3300 B55/F3","Material moved to A\u0026M 3300 B50/F12","Material moved to A\u0026M 3300 B46/F42","Material moved to A\u0026M 3300 B53/F4","Material moved to A\u0026M 3300 B46/F43","Material moved to A\u0026M 3300 F46/F44","Material moved to A\u0026M 3300 B46/F45","Material moved to A\u0026M 3300 B54/F20","Material moved to A\u0026M 3300 B46/F46","Material moved to A\u0026M 3300 B53/F1","Material moved to A\u0026M 3300 B46/F47","Material moved to A\u0026M 3300 B52/F4","Material moved to A\u0026M 3300 B46/F48","Material moved to A\u0026M 3300 B50/F13","Material moved to A\u0026M 3300 B54/F21","Material moved to A\u0026M 3300 B47/F10","Material moved to A\u0026M 3300 B54/F23","Material moved to A\u0026M 3300 B47/F11","Material moved to A\u0026M 3300 B54/F24","Material moved to A\u0026M 3300 B47/F12","Material moved to A\u0026M 3300 B50/F15","Material moved to A\u0026M 3300 B47/F13","Material moved to A\u0026M 3300 B54/F26","Material moved to A\u0026M 3300 B54/F27","Material moved to A\u0026M 3300 B47/F26","Material moved to A\u0026M 3300 B47/F27","Material moved to A\u0026M 3300 B50/F17","Material moved to A\u0026M 3300 B50/F18","Material moved to A\u0026M 3300 B50/F20","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B12","Removed from A\u0026M 3300 B15","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F1g","Removed from A\u0026M 3300 B17/F1h","Removed from A\u0026M 3300 B17/F4h","Removed from A\u0026M 3300 B18/F15","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B18/F17","Removed from A\u0026M 3300 B18/F21","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B19/F6","Removed from A\u0026M 3300 B19/F10a","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F13a","Removed from A\u0026M 3300 B19/F16","Removed from A\u0026M 3300 B19/F22","Removed from A\u0026M 3300 B19/F26","Removed from A\u0026M 3300 B19/F29","Removed from A\u0026M 3300 B19/F31","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B20/F12","Removed from A\u0026M 3300 B20/F14","Removed from A\u0026M 3300 B20/F16","Removed from A\u0026M 3300 B20/F20","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B20/F22","Removed from A\u0026M 3300 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from A\u0026M 3300 B32/F9","Removed from A\u0026M 3300 B33/F25","Removed from A\u0026M 3300 B33/F33","Removed from A\u0026M 3300 B34/F3","Removed from A\u0026M 3300 B34/F23","Removed from A\u0026M 3300 B36/F8","Removed from A\u0026M 3300 B36/F31","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B39/F16a","Removed from A\u0026M 3300 B1/F1","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F23","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F51","Removed from A\u0026M 3300 B20/F52","Removed from A\u0026M 3300 B20/F58","Removed from A\u0026M 3300 B22/F12b","Removed from A\u0026M 3300 B23/F25","Removed from A\u0026M 3300 B23/F28","Removed from A\u0026M 3300 B23/F29","Removed from A\u0026M 3300 B31/F19","Removed from A\u0026M 3300 B34/F30b","Removed from A\u0026M 3300 B39/F24","Removed from A\u0026M 3300 B39/F25","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B39/F32","Removed from A\u0026M 3300 B40","Removed from A\u0026M 3300 [Add. 1998/07/22] B60","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B19/F9","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B17/F2l","Removed from A\u0026M 3300 B17/F4f","Removed from A\u0026M 3300 B33/F35","Removed from A\u0026M 3300 B31/F28","Removed from A\u0026M 3300 B1","Removed from A\u0026M 3300 B11/F22","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F2i","Removed from A\u0026M 3300 B17/F2q","Removed from A\u0026M 3300 B19/F25","Removed from A\u0026M 3300 B20/F44","Removed from A\u0026M 3300 B20/F45","Removed from A\u0026M 3300 B20/F46","Removed from A\u0026M 3300 B20/F48","Removed from A\u0026M 3300 B20/F49","Removed from A\u0026M 3300 B20/F53","Removed from A\u0026M 3300 B20/F54","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F65","Removed from A\u0026M 3300 B20/F66","Removed from A\u0026M 3300 B22/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B32/F34","Removed from A\u0026M 3300 B35/F1j","Removed from A\u0026M 3300 B35/F28","Removed from A\u0026M 3300 B36/F6","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B38/F31","Removed from A\u0026M 3300 B38/F43","Removed from A\u0026M 3300 B40/F13","Removed from A\u0026M 3300 B32","Removed from A\u0026M3300 B31/F5","Material moved to A\u0026M 3300 B65/F3","Material moved to A\u0026M 3300 B64/F7","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F17","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F3","Removed from A\u0026M 3300 B63/F15","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Material moved to oversized, B50/F1","Material moved to A\u0026M 3300 B45/F1","Material moved to A\u0026M 3300 B45/F11","Material moved to A\u0026M 3300 B46/F25-26","Material moved to A\u0026M 3300 B46/F27","Material moved to A\u0026M 3300 B46/F41","Material moved to A\u0026M 3300 B47/F2-3","Material moved to A\u0026M 3300 B50/F14","Material moved to A\u0026M 3300 B47/F4, B52/F5","Material moved to A\u0026M 3300 B47/F5","Material moved to A\u0026M 3300 B47/F6-7","Material moved to A\u0026M 3300 B47/F8","Material moved to A\u0026M 3300 B53/F2, B47/F9, B54/F22","Material moved to A\u0026M 3300 B47/F18","Material moved to A\u0026M 3300 B47/F19-21","Material moved to A\u0026M 3300 B47/F23","Material moved to A\u0026M 3300 B47/F24","Material moved to A\u0026M 3300 B53/F3","Material moved to A\u0026M 3300 B47/F28","Removed from A\u0026M 3300 B11/F27","Removed from A\u0026M 3300 B18/F16","Removed from A\u0026M 3300 B21/F56","Removed from A\u0026M 3300 B22/F2","Removed from A\u0026M 3300 B35/F2-3a","Removed from A\u0026M 3300 B35/F8","Removed from A\u0026M 3300 B35/F10","Removed from A\u0026M 3300 B35/F11-12","Removed from A\u0026M 3300 B35/F13","Removed from A\u0026M 3300 B35/F16","Removed from A\u0026M 3300 B35/F26","Removed from A\u0026M 3300 B36/F3","Removed from A\u0026M 3300 B37/F59-60","Removed from A\u0026M 3300 B37/F61","Removed from A\u0026M 3300 B37/F62","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B38/F49","Removed from A\u0026M 3300 B38/F51","Removed from A\u0026M 3300 B39/F11","Removed from A\u0026M 3300 B39/F13","Removed from A\u0026M 3300 B40/F4","Removed from A\u0026M 3300 B7/F34","Removed from A\u0026M 3300 B8","Removed from A\u0026M 3300 B35/F6","Removed from A\u0026M 3300 B36/F30","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B11/F23","Removed from A\u0026M 3300 B35/F9","Removed from A\u0026M 3300 B33/F26","Removed from A\u0026M 3300 B35/F15","Removed from A\u0026M 3300 B40/F3","Removed from A\u0026M 3300 B11/F21","Removed from A\u0026M 3300 B35/F17","Removed from A\u0026M3300 B38","Removed from A\u0026M 3300 B31, B29","Removed from A\u0026M 3300 B30","Removed from A\u0026M 3300 B26","Material moved to A\u0026M 3300 B65/F2","Material moved to A\u0026M 3300 B64/F3","Material removed from A\u0026M 3300 B63/F18","Material removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert","English\n."],"collection_title_tesim":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989"],"collection_ssim":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"unitid_tesim":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Hinton (W. Va.)","New York (N.Y.)"],"geogname_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"places_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"creator_ssm":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum"],"creators_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia and Regional History Center","West Virginia University. Art Museum"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Lee, Robert, 1998 June 5.","Gift from Lee, Robert, 1998 July 11.","Transfer from West Virginia University Art Museum, 2022 April 29."],"access_subjects_ssim":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"access_subjects_ssm":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"has_online_content_ssim":["false"],"extent_ssm":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"extent_tesim":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eMaryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  \u003c/p\u003e","\u003cp\u003eMaryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. \u003c/p\u003e","\u003cp\u003eShe graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.\u003c/p\u003e","\u003cp\u003eIn the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  \u003c/p\u003e","\u003cp\u003eInspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, \u003ctitle\u003eDOPE!\u003c/title\u003e which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. \u003c/p\u003e","\u003cp\u003eIn 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   \u003c/p\u003e","\u003cp\u003eIn 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.\u003c/p\u003e","\u003cp\u003eShe founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. \u003c/p\u003e","\u003cp\u003eSoon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  \u003c/p\u003e","\u003cp\u003eIn 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  \u003c/p\u003e","\u003cp\u003eDuring this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including \u003ctitle\u003eJohn Henry\u003c/title\u003e and \u003ctitle\u003eOle Miz Dacey\u003c/title\u003e. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  \u003c/p\u003e","\u003cp\u003eEcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with \u003ctitle\u003eDOPE!\u003c/title\u003e and SALT, used non-actors in its performances.  \u003c/p\u003e","\u003cp\u003eIn 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. \u003c/p\u003e","\u003cp\u003eMaryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert.","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, DOPE! which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work.","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater.","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including John Henry and Ole Miz Dacey. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with DOPE! and SALT, used non-actors in its performances.","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky.","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026amp;M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. \u003c/p\u003e","\u003cp\u003eMaterials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. \u003c/p\u003e","\u003cp\u003eThe collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. \u003c/p\u003e","\u003cp\u003eSeries 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. \u003c/p\u003e","\u003cp\u003eSeries 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. \u003c/p\u003e","\u003cp\u003eSeries 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.\u003c/p\u003e","\u003cp\u003eSeries 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e","\u003cp\u003eSeries 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e","\u003cp\u003eSeries 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e","\u003cp\u003eSeries 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. \u003c/p\u003e","\u003cp\u003eThis collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. \u003c/p\u003e","\u003cp\u003eSelect audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  ","\u003cp\u003eThis series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.\u003c/p\u003e","\u003cp\u003eThis series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.\u003c/p\u003e","\u003cp\u003eThis series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. 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Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eThis series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eIncludes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)\u003c/p\u003e","\u003cp\u003eThis series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e","\u003cp\u003eThis series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings.","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series.","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request.","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F21\u003c/p\u003e","\u003cp\u003eMaterial moved to B48/I1\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B51/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F5, B54/F4\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F7\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F5\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 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A\u0026amp;M 3300 B35/F8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F10\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F11-12\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F13\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B36/F3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B37/F59-60\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B37/F61\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B37/F62\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38/F49\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38/F51\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B39/F11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B39/F13\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B40/F4\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B7/F34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F6\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B36/F30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B38\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B11/F23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F9\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B33/F26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B40/F3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B11/F21\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B35/F17\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M3300 B38\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B31, B29\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B26\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B65/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B64/F3\u003c/p\u003e","\u003cp\u003eMaterial removed from A\u0026amp;M 3300 B63/F18\u003c/p\u003e","\u003cp\u003eMaterial removed from A\u0026amp;M 3300 B63\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B63\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated 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Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Material moved to A\u0026M 3300 B54/F21","Material moved to B48/I1","Material moved to A\u0026M 3300 B54/F2","Material moved to A\u0026M 3300 B54/F3","Material moved to A\u0026M 3300 B51/F2","Material moved to A\u0026M 3300 B45/F5, B54/F4","Material moved to A\u0026M 3300 B45/F6","Material moved to A\u0026M 3300 B45/F7","Material moved to A\u0026M 3300 B54/F5","Material moved to A\u0026M 3300 B52/F2","Material moved to A\u0026M 3300 B54/F6","Material moved to A\u0026M 3300 B52/F3","Material moved to A\u0026M 3300 B45/F8","Material moved to A\u0026M 3300 B45/F9","Material moved to A\u0026M 3300 B45/F12","Material moved to A\u0026M 3300 B45/F13","Material moved to A\u0026M 3300 B45/F15","Material moved to A\u0026M 3300 B51/F6","Material moved to A\u0026M 3300 B45/F16","Material moved to A\u0026M 3300 B45/F17, B51/F7","Material moved to A\u0026M 3300 B45/F18","Material moved to A\u0026M 3300 B45/F19","Material moved to A\u0026M 3300 B45/F20","Material moved to A\u0026M 3300 B54/F7, B45/F21-24, B51/F8","Material moved to A\u0026M 3300 B45/F25-27","Material moved to A\u0026M 3300 B45/F28-31, B46/F1-2, B50/F3-4, 19","Material moved to A\u0026M 3300 B54/F13","Material moved to A\u0026M 3300 B46/F3","Material moved to A\u0026M 3300 B54/F8","Material moved to A\u0026M 3300 B54/F9","Material moved to A\u0026M 3300 B54/F10","Material moved to A\u0026M 3300 B54/F11","Material moved to A\u0026M 3300 B54/F12","Material moved to A\u0026M 3300 B50/F5","Material moved to A\u0026M 3300 B50/F6","Material moved to A\u0026M 3300 B54/F14","Material moved to A\u0026M 3300 B50/F7","Material moved to A\u0026M 3300 B46/F4","Material moved to A\u0026M 3300 B20/F63","Material moved to A\u0026M 3300 B54/F16","Material moved to A\u0026M 3300 B54/F17","Material moved to A\u0026M 3300 B46/F6","Material moved to A\u0026M 3300 B46/F7","Material moved to A\u0026M 3300 B46/F8","Material moved to A\u0026M 3300 B46/F9","Material moved to A\u0026M 3300 B46/F10","Material moved to A\u0026M 3300 B46/F11","Material moved to A\u0026M 3300 B46/F13-19","Material moved to A\u0026M 3300 B46/F20","Material moved to A\u0026M 3300 B46/F21-24","Material moved to A\u0026M 3300 B46/F28","Material moved to A\u0026M 3300 B46/F29, B50/F8","Material moved to A\u0026M 3300 B54/F18","Material moved to A\u0026M 3300 B46/F30","Material moved to A\u0026M 3300 B50/F9-11, B46/F33","Material moved to A\u0026M 3300 B46/F34","Material moved to A\u0026M 3300 B46/F35","Material moved to A\u0026M 3300 B46/F36","Material moved to A\u0026M3300 B26/F12","Material moved to A\u0026M 3300 B46/F38","Material moved to A\u0026M 3300 B46/F39","Material moved to A\u0026M 3300 B46/F40","Material moved to A\u0026M3300 B55/F3","Material moved to A\u0026M 3300 B50/F12","Material moved to A\u0026M 3300 B46/F42","Material moved to A\u0026M 3300 B53/F4","Material moved to A\u0026M 3300 B46/F43","Material moved to A\u0026M 3300 F46/F44","Material moved to A\u0026M 3300 B46/F45","Material moved to A\u0026M 3300 B54/F20","Material moved to A\u0026M 3300 B46/F46","Material moved to A\u0026M 3300 B53/F1","Material moved to A\u0026M 3300 B46/F47","Material moved to A\u0026M 3300 B52/F4","Material moved to A\u0026M 3300 B46/F48","Material moved to A\u0026M 3300 B50/F13","Material moved to A\u0026M 3300 B54/F21","Material moved to A\u0026M 3300 B47/F10","Material moved to A\u0026M 3300 B54/F23","Material moved to A\u0026M 3300 B47/F11","Material moved to A\u0026M 3300 B54/F24","Material moved to A\u0026M 3300 B47/F12","Material moved to A\u0026M 3300 B50/F15","Material moved to A\u0026M 3300 B47/F13","Material moved to A\u0026M 3300 B54/F26","Material moved to A\u0026M 3300 B54/F27","Material moved to A\u0026M 3300 B47/F26","Material moved to A\u0026M 3300 B47/F27","Material moved to A\u0026M 3300 B50/F17","Material moved to A\u0026M 3300 B50/F18","Material moved to A\u0026M 3300 B50/F20","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B12","Removed from A\u0026M 3300 B15","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F1g","Removed from A\u0026M 3300 B17/F1h","Removed from A\u0026M 3300 B17/F4h","Removed from A\u0026M 3300 B18/F15","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B18/F17","Removed from A\u0026M 3300 B18/F21","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B19/F6","Removed from A\u0026M 3300 B19/F10a","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F13a","Removed from A\u0026M 3300 B19/F16","Removed from A\u0026M 3300 B19/F22","Removed from A\u0026M 3300 B19/F26","Removed from A\u0026M 3300 B19/F29","Removed from A\u0026M 3300 B19/F31","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B20/F12","Removed from A\u0026M 3300 B20/F14","Removed from A\u0026M 3300 B20/F16","Removed from A\u0026M 3300 B20/F20","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B20/F22","Removed from A\u0026M 3300 B20/F24","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F26","Removed from A\u0026M 3300 B20/F37","Removed from A\u0026M 3300 B20/F59","Removed from A\u0026M 3300 B20/F63","Removed from A\u0026M 3300 B21/F1","Removed from A\u0026M 3300 B21/F2","Removed from A\u0026M 3300 B21/F3","Removed from A\u0026M 3300 B21/F5","Removed from A\u0026M 3300 B21/F11","Removed from A\u0026M 3300 B21/F36","Removed from A\u0026M 3300 B22/F12a","Removed from A\u0026M 3300 B23/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23/F31","Removed from A\u0026M 3300 B26/F1","Removed from A\u0026M 3300 B26/F4","Removed from A\u0026M 3300 B26/F6","Removed from A\u0026M 3300 B26/F12","Removed from A\u0026M 3300 B26/F35","Removed from A\u0026M 3300 B26/F48","Removed from A\u0026M 3300 B27/F3","Removed from A\u0026M 3300 B31/F7","Removed from A\u0026M 3300 B31/F24","Removed from A\u0026M 3300 B31/F44","Removed from A\u0026M 3300 B31/F45","Removed from A\u0026M 3300 B32/F9","Removed from A\u0026M 3300 B33/F25","Removed from A\u0026M 3300 B33/F33","Removed from A\u0026M 3300 B34/F3","Removed from A\u0026M 3300 B34/F23","Removed from A\u0026M 3300 B36/F8","Removed from A\u0026M 3300 B36/F31","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B39/F16a","Removed from A\u0026M 3300 B1/F1","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F23","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F51","Removed from A\u0026M 3300 B20/F52","Removed from A\u0026M 3300 B20/F58","Removed from A\u0026M 3300 B22/F12b","Removed from A\u0026M 3300 B23/F25","Removed from A\u0026M 3300 B23/F28","Removed from A\u0026M 3300 B23/F29","Removed from A\u0026M 3300 B31/F19","Removed from A\u0026M 3300 B34/F30b","Removed from A\u0026M 3300 B39/F24","Removed from A\u0026M 3300 B39/F25","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B39/F32","Removed from A\u0026M 3300 B40","Removed from A\u0026M 3300 [Add. 1998/07/22] B60","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B19/F9","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B17/F2l","Removed from A\u0026M 3300 B17/F4f","Removed from A\u0026M 3300 B33/F35","Removed from A\u0026M 3300 B31/F28","Removed from A\u0026M 3300 B1","Removed from A\u0026M 3300 B11/F22","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F2i","Removed from A\u0026M 3300 B17/F2q","Removed from A\u0026M 3300 B19/F25","Removed from A\u0026M 3300 B20/F44","Removed from A\u0026M 3300 B20/F45","Removed from A\u0026M 3300 B20/F46","Removed from A\u0026M 3300 B20/F48","Removed from A\u0026M 3300 B20/F49","Removed from A\u0026M 3300 B20/F53","Removed from A\u0026M 3300 B20/F54","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F65","Removed from A\u0026M 3300 B20/F66","Removed from A\u0026M 3300 B22/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B32/F34","Removed from A\u0026M 3300 B35/F1j","Removed from A\u0026M 3300 B35/F28","Removed from A\u0026M 3300 B36/F6","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B38/F31","Removed from A\u0026M 3300 B38/F43","Removed from A\u0026M 3300 B40/F13","Removed from A\u0026M 3300 B32","Removed from A\u0026M3300 B31/F5","Material moved to A\u0026M 3300 B65/F3","Material moved to A\u0026M 3300 B64/F7","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F17","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F3","Removed from A\u0026M 3300 B63/F15","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Material moved to oversized, B50/F1","Material moved to A\u0026M 3300 B45/F1","Material moved to A\u0026M 3300 B45/F11","Material moved to A\u0026M 3300 B46/F25-26","Material moved to A\u0026M 3300 B46/F27","Material moved to A\u0026M 3300 B46/F41","Material moved to A\u0026M 3300 B47/F2-3","Material moved to A\u0026M 3300 B50/F14","Material moved to A\u0026M 3300 B47/F4, B52/F5","Material moved to A\u0026M 3300 B47/F5","Material moved to A\u0026M 3300 B47/F6-7","Material moved to A\u0026M 3300 B47/F8","Material moved to A\u0026M 3300 B53/F2, B47/F9, B54/F22","Material moved to A\u0026M 3300 B47/F18","Material moved to A\u0026M 3300 B47/F19-21","Material moved to A\u0026M 3300 B47/F23","Material moved to A\u0026M 3300 B47/F24","Material moved to A\u0026M 3300 B53/F3","Material moved to A\u0026M 3300 B47/F28","Removed from A\u0026M 3300 B11/F27","Removed from A\u0026M 3300 B18/F16","Removed from A\u0026M 3300 B21/F56","Removed from A\u0026M 3300 B22/F2","Removed from A\u0026M 3300 B35/F2-3a","Removed from A\u0026M 3300 B35/F8","Removed from A\u0026M 3300 B35/F10","Removed from A\u0026M 3300 B35/F11-12","Removed from A\u0026M 3300 B35/F13","Removed from A\u0026M 3300 B35/F16","Removed from A\u0026M 3300 B35/F26","Removed from A\u0026M 3300 B36/F3","Removed from A\u0026M 3300 B37/F59-60","Removed from A\u0026M 3300 B37/F61","Removed from A\u0026M 3300 B37/F62","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B38/F49","Removed from A\u0026M 3300 B38/F51","Removed from A\u0026M 3300 B39/F11","Removed from A\u0026M 3300 B39/F13","Removed from A\u0026M 3300 B40/F4","Removed from A\u0026M 3300 B7/F34","Removed from A\u0026M 3300 B8","Removed from A\u0026M 3300 B35/F6","Removed from A\u0026M 3300 B36/F30","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B11/F23","Removed from A\u0026M 3300 B35/F9","Removed from A\u0026M 3300 B33/F26","Removed from A\u0026M 3300 B35/F15","Removed from A\u0026M 3300 B40/F3","Removed from A\u0026M 3300 B11/F21","Removed from A\u0026M 3300 B35/F17","Removed from A\u0026M3300 B38","Removed from A\u0026M 3300 B31, B29","Removed from A\u0026M 3300 B30","Removed from A\u0026M 3300 B26","Material moved to A\u0026M 3300 B65/F2","Material moved to A\u0026M 3300 B64/F3","Material removed from A\u0026M 3300 B63/F18","Material removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_41a071f25400b148208ada4216a47db7\"\u003eMaryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.\u003c/abstract\u003e\n    "],"abstract_tesim":["Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_59b034a3f262570e93a472c5cb053744\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum"],"names_coll_ssim":["West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1537,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:53:36.499Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610_c04_c885"}},{"id":"wvmturhc_repositories_2_resources_1610_c04_c618","type":"File","attributes":{"title":"4 Men and a Monster - Miscellaneous, Playhouse Park, 1968/1969","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610_c04_c618#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1610_c04_c618","ref_ssm":["wvmturhc_repositories_2_resources_1610_c04_c618"],"id":"wvmturhc_repositories_2_resources_1610_c04_c618","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610_c04","parent_ssi":"wvmturhc_repositories_2_resources_1610_c04","parent_ssim":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989","Series 4. Theater Programs and Workshops, 1929/1997, bulk 1951/1991"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1610","wvmturhc_repositories_2_resources_1610_c04"],"title_filing_ssi":"4 Men and a Monster - Miscellaneous, Playhouse Park","title_ssm":["4 Men and a Monster - Miscellaneous, Playhouse Park"],"title_tesim":["4 Men and a Monster - Miscellaneous, Playhouse Park"],"normalized_title_ssm":["4 Men and a Monster - Miscellaneous, Playhouse Park, 1968/1969"],"text":["4 Men and a Monster - Miscellaneous, Playhouse Park, 1968/1969","Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989","Series 4. Theater Programs and Workshops, 1929/1997, bulk 1951/1991","Box 36b","Folder 6-7","Material moved to A\u0026M 3300 B54/F24"],"parent_unittitles_ssm":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989","Series 4. Theater Programs and Workshops, 1929/1997, bulk 1951/1991"],"parent_unittitles_tesim":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989","Series 4. Theater Programs and Workshops, 1929/1997, bulk 1951/1991"],"normalized_date_ssm":["1968/1969"],"unitdate_inclusive_ssm":["1968-1969 and undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":978,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989"],"containers_ssim":["Box 36b","Folder 6-7"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1968,1969],"separatedmaterial_html_tesm":["\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F24\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Material moved to A\u0026M 3300 B54/F24"],"_nest_path_":"/components#3/components#617","timestamp":"2026-06-23T07:53:36.499Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1610","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1610.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195886","title_ssm":["Maryat Lee, Playwright, Papers"],"title_tesim":["Maryat Lee, Playwright, Papers"],"unitdate_ssm":["1902-1997","1951-1989"],"unitdate_inclusive_ssm":["1902-1997"],"unitdate_bulk_ssim":["1951-1989"],"normalized_date_ssm":["1902/1997, bulk 1951/1989"],"normalized_title_ssm":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989"],"text":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989","A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610","Hinton (W. Va.)","New York (N.Y.)","West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert.","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, DOPE! which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work.","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater.","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including John Henry and Ole Miz Dacey. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with DOPE! and SALT, used non-actors in its performances.","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky.","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.","This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings.","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series.","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request.","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.","Material moved to A\u0026M 3300 B54/F21","Material moved to B48/I1","Material moved to A\u0026M 3300 B54/F2","Material moved to A\u0026M 3300 B54/F3","Material moved to A\u0026M 3300 B51/F2","Material moved to A\u0026M 3300 B45/F5, B54/F4","Material moved to A\u0026M 3300 B45/F6","Material moved to A\u0026M 3300 B45/F7","Material moved to A\u0026M 3300 B54/F5","Material moved to A\u0026M 3300 B52/F2","Material moved to A\u0026M 3300 B54/F6","Material moved to A\u0026M 3300 B52/F3","Material moved to A\u0026M 3300 B45/F8","Material moved to A\u0026M 3300 B45/F9","Material moved to A\u0026M 3300 B45/F12","Material moved to A\u0026M 3300 B45/F13","Material moved to A\u0026M 3300 B45/F15","Material moved to A\u0026M 3300 B51/F6","Material moved to A\u0026M 3300 B45/F16","Material moved to A\u0026M 3300 B45/F17, B51/F7","Material moved to A\u0026M 3300 B45/F18","Material moved to A\u0026M 3300 B45/F19","Material moved to A\u0026M 3300 B45/F20","Material moved to A\u0026M 3300 B54/F7, B45/F21-24, B51/F8","Material moved to A\u0026M 3300 B45/F25-27","Material moved to A\u0026M 3300 B45/F28-31, B46/F1-2, B50/F3-4, 19","Material moved to A\u0026M 3300 B54/F13","Material moved to A\u0026M 3300 B46/F3","Material moved to A\u0026M 3300 B54/F8","Material moved to A\u0026M 3300 B54/F9","Material moved to A\u0026M 3300 B54/F10","Material moved to A\u0026M 3300 B54/F11","Material moved to A\u0026M 3300 B54/F12","Material moved to A\u0026M 3300 B50/F5","Material moved to A\u0026M 3300 B50/F6","Material moved to A\u0026M 3300 B54/F14","Material moved to A\u0026M 3300 B50/F7","Material moved to A\u0026M 3300 B46/F4","Material moved to A\u0026M 3300 B20/F63","Material moved to A\u0026M 3300 B54/F16","Material moved to A\u0026M 3300 B54/F17","Material moved to A\u0026M 3300 B46/F6","Material moved to A\u0026M 3300 B46/F7","Material moved to A\u0026M 3300 B46/F8","Material moved to A\u0026M 3300 B46/F9","Material moved to A\u0026M 3300 B46/F10","Material moved to A\u0026M 3300 B46/F11","Material moved to A\u0026M 3300 B46/F13-19","Material moved to A\u0026M 3300 B46/F20","Material moved to A\u0026M 3300 B46/F21-24","Material moved to A\u0026M 3300 B46/F28","Material moved to A\u0026M 3300 B46/F29, B50/F8","Material moved to A\u0026M 3300 B54/F18","Material moved to A\u0026M 3300 B46/F30","Material moved to A\u0026M 3300 B50/F9-11, B46/F33","Material moved to A\u0026M 3300 B46/F34","Material moved to A\u0026M 3300 B46/F35","Material moved to A\u0026M 3300 B46/F36","Material moved to A\u0026M3300 B26/F12","Material moved to A\u0026M 3300 B46/F38","Material moved to A\u0026M 3300 B46/F39","Material moved to A\u0026M 3300 B46/F40","Material moved to A\u0026M3300 B55/F3","Material moved to A\u0026M 3300 B50/F12","Material moved to A\u0026M 3300 B46/F42","Material moved to A\u0026M 3300 B53/F4","Material moved to A\u0026M 3300 B46/F43","Material moved to A\u0026M 3300 F46/F44","Material moved to A\u0026M 3300 B46/F45","Material moved to A\u0026M 3300 B54/F20","Material moved to A\u0026M 3300 B46/F46","Material moved to A\u0026M 3300 B53/F1","Material moved to A\u0026M 3300 B46/F47","Material moved to A\u0026M 3300 B52/F4","Material moved to A\u0026M 3300 B46/F48","Material moved to A\u0026M 3300 B50/F13","Material moved to A\u0026M 3300 B54/F21","Material moved to A\u0026M 3300 B47/F10","Material moved to A\u0026M 3300 B54/F23","Material moved to A\u0026M 3300 B47/F11","Material moved to A\u0026M 3300 B54/F24","Material moved to A\u0026M 3300 B47/F12","Material moved to A\u0026M 3300 B50/F15","Material moved to A\u0026M 3300 B47/F13","Material moved to A\u0026M 3300 B54/F26","Material moved to A\u0026M 3300 B54/F27","Material moved to A\u0026M 3300 B47/F26","Material moved to A\u0026M 3300 B47/F27","Material moved to A\u0026M 3300 B50/F17","Material moved to A\u0026M 3300 B50/F18","Material moved to A\u0026M 3300 B50/F20","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B12","Removed from A\u0026M 3300 B15","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F1g","Removed from A\u0026M 3300 B17/F1h","Removed from A\u0026M 3300 B17/F4h","Removed from A\u0026M 3300 B18/F15","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B18/F17","Removed from A\u0026M 3300 B18/F21","Removed from A\u0026M 3300 B18","Removed from A\u0026M 3300 B19/F6","Removed from A\u0026M 3300 B19/F10a","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F13a","Removed from A\u0026M 3300 B19/F16","Removed from A\u0026M 3300 B19/F22","Removed from A\u0026M 3300 B19/F26","Removed from A\u0026M 3300 B19/F29","Removed from A\u0026M 3300 B19/F31","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B20/F12","Removed from A\u0026M 3300 B20/F14","Removed from A\u0026M 3300 B20/F16","Removed from A\u0026M 3300 B20/F20","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B20/F22","Removed from A\u0026M 3300 B20/F24","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F26","Removed from A\u0026M 3300 B20/F37","Removed from A\u0026M 3300 B20/F59","Removed from A\u0026M 3300 B20/F63","Removed from A\u0026M 3300 B21/F1","Removed from A\u0026M 3300 B21/F2","Removed from A\u0026M 3300 B21/F3","Removed from A\u0026M 3300 B21/F5","Removed from A\u0026M 3300 B21/F11","Removed from A\u0026M 3300 B21/F36","Removed from A\u0026M 3300 B22/F12a","Removed from A\u0026M 3300 B23/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B23/F31","Removed from A\u0026M 3300 B26/F1","Removed from A\u0026M 3300 B26/F4","Removed from A\u0026M 3300 B26/F6","Removed from A\u0026M 3300 B26/F12","Removed from A\u0026M 3300 B26/F35","Removed from A\u0026M 3300 B26/F48","Removed from A\u0026M 3300 B27/F3","Removed from A\u0026M 3300 B31/F7","Removed from A\u0026M 3300 B31/F24","Removed from A\u0026M 3300 B31/F44","Removed from A\u0026M 3300 B31/F45","Removed from A\u0026M 3300 B32/F9","Removed from A\u0026M 3300 B33/F25","Removed from A\u0026M 3300 B33/F33","Removed from A\u0026M 3300 B34/F3","Removed from A\u0026M 3300 B34/F23","Removed from A\u0026M 3300 B36/F8","Removed from A\u0026M 3300 B36/F31","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B39/F16a","Removed from A\u0026M 3300 B1/F1","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F23","Removed from A\u0026M 3300 B20/F25","Removed from A\u0026M 3300 B20/F51","Removed from A\u0026M 3300 B20/F52","Removed from A\u0026M 3300 B20/F58","Removed from A\u0026M 3300 B22/F12b","Removed from A\u0026M 3300 B23/F25","Removed from A\u0026M 3300 B23/F28","Removed from A\u0026M 3300 B23/F29","Removed from A\u0026M 3300 B31/F19","Removed from A\u0026M 3300 B34/F30b","Removed from A\u0026M 3300 B39/F24","Removed from A\u0026M 3300 B39/F25","Removed from A\u0026M 3300 B20/F21","Removed from A\u0026M 3300 B39/F32","Removed from A\u0026M 3300 B40","Removed from A\u0026M 3300 [Add. 1998/07/22] B60","Removed from A\u0026M 3300 B11","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B13","Removed from A\u0026M 3300 B19/F9","Removed from A\u0026M 3300 B19/F12","Removed from A\u0026M 3300 B19/F34","Removed from A\u0026M 3300 B17/F2l","Removed from A\u0026M 3300 B17/F4f","Removed from A\u0026M 3300 B33/F35","Removed from A\u0026M 3300 B31/F28","Removed from A\u0026M 3300 B1","Removed from A\u0026M 3300 B11/F22","Removed from A\u0026M 3300 B17/F1f","Removed from A\u0026M 3300 B17/F2i","Removed from A\u0026M 3300 B17/F2q","Removed from A\u0026M 3300 B19/F25","Removed from A\u0026M 3300 B20/F44","Removed from A\u0026M 3300 B20/F45","Removed from A\u0026M 3300 B20/F46","Removed from A\u0026M 3300 B20/F48","Removed from A\u0026M 3300 B20/F49","Removed from A\u0026M 3300 B20/F53","Removed from A\u0026M 3300 B20/F54","Removed from A\u0026M 3300 B20","Removed from A\u0026M 3300 B20/F65","Removed from A\u0026M 3300 B20/F66","Removed from A\u0026M 3300 B22/F15","Removed from A\u0026M 3300 B23","Removed from A\u0026M 3300 B32/F34","Removed from A\u0026M 3300 B35/F1j","Removed from A\u0026M 3300 B35/F28","Removed from A\u0026M 3300 B36/F6","Removed from A\u0026M 3300 B37","Removed from A\u0026M 3300 B38/F31","Removed from A\u0026M 3300 B38/F43","Removed from A\u0026M 3300 B40/F13","Removed from A\u0026M 3300 B32","Removed from A\u0026M3300 B31/F5","Material moved to A\u0026M 3300 B65/F3","Material moved to A\u0026M 3300 B64/F7","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F17","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63/F3","Removed from A\u0026M 3300 B63/F15","Removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Material moved to oversized, B50/F1","Material moved to A\u0026M 3300 B45/F1","Material moved to A\u0026M 3300 B45/F11","Material moved to A\u0026M 3300 B46/F25-26","Material moved to A\u0026M 3300 B46/F27","Material moved to A\u0026M 3300 B46/F41","Material moved to A\u0026M 3300 B47/F2-3","Material moved to A\u0026M 3300 B50/F14","Material moved to A\u0026M 3300 B47/F4, B52/F5","Material moved to A\u0026M 3300 B47/F5","Material moved to A\u0026M 3300 B47/F6-7","Material moved to A\u0026M 3300 B47/F8","Material moved to A\u0026M 3300 B53/F2, B47/F9, B54/F22","Material moved to A\u0026M 3300 B47/F18","Material moved to A\u0026M 3300 B47/F19-21","Material moved to A\u0026M 3300 B47/F23","Material moved to A\u0026M 3300 B47/F24","Material moved to A\u0026M 3300 B53/F3","Material moved to A\u0026M 3300 B47/F28","Removed from A\u0026M 3300 B11/F27","Removed from A\u0026M 3300 B18/F16","Removed from A\u0026M 3300 B21/F56","Removed from A\u0026M 3300 B22/F2","Removed from A\u0026M 3300 B35/F2-3a","Removed from A\u0026M 3300 B35/F8","Removed from A\u0026M 3300 B35/F10","Removed from A\u0026M 3300 B35/F11-12","Removed from A\u0026M 3300 B35/F13","Removed from A\u0026M 3300 B35/F16","Removed from A\u0026M 3300 B35/F26","Removed from A\u0026M 3300 B36/F3","Removed from A\u0026M 3300 B37/F59-60","Removed from A\u0026M 3300 B37/F61","Removed from A\u0026M 3300 B37/F62","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B38/F49","Removed from A\u0026M 3300 B38/F51","Removed from A\u0026M 3300 B39/F11","Removed from A\u0026M 3300 B39/F13","Removed from A\u0026M 3300 B40/F4","Removed from A\u0026M 3300 B7/F34","Removed from A\u0026M 3300 B8","Removed from A\u0026M 3300 B35/F6","Removed from A\u0026M 3300 B36/F30","Removed from A\u0026M 3300 B38","Removed from A\u0026M 3300 B11/F23","Removed from A\u0026M 3300 B35/F9","Removed from A\u0026M 3300 B33/F26","Removed from A\u0026M 3300 B35/F15","Removed from A\u0026M 3300 B40/F3","Removed from A\u0026M 3300 B11/F21","Removed from A\u0026M 3300 B35/F17","Removed from A\u0026M3300 B38","Removed from A\u0026M 3300 B31, B29","Removed from A\u0026M 3300 B30","Removed from A\u0026M 3300 B26","Material moved to A\u0026M 3300 B65/F2","Material moved to A\u0026M 3300 B64/F3","Material removed from A\u0026M 3300 B63/F18","Material removed from A\u0026M 3300 B63","Removed from A\u0026M 3300 B63","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert","English\n."],"collection_title_tesim":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989"],"collection_ssim":["Maryat Lee, Playwright, Papers, 1902/1997, bulk 1951/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"unitid_tesim":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Hinton (W. Va.)","New York (N.Y.)"],"geogname_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"places_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"creator_ssm":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum"],"creators_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia and Regional History Center","West Virginia University. Art Museum"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Lee, Robert, 1998 June 5.","Gift from Lee, Robert, 1998 July 11.","Transfer from West Virginia University Art Museum, 2022 April 29."],"access_subjects_ssim":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"access_subjects_ssm":["West Virginia Feminist Activist and Women's History Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"has_online_content_ssim":["false"],"extent_ssm":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"extent_tesim":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eMaryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  \u003c/p\u003e","\u003cp\u003eMaryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. \u003c/p\u003e","\u003cp\u003eShe graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.\u003c/p\u003e","\u003cp\u003eIn the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  \u003c/p\u003e","\u003cp\u003eInspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, \u003ctitle\u003eDOPE!\u003c/title\u003e which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. \u003c/p\u003e","\u003cp\u003eIn 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   \u003c/p\u003e","\u003cp\u003eIn 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.\u003c/p\u003e","\u003cp\u003eShe founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. \u003c/p\u003e","\u003cp\u003eSoon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  \u003c/p\u003e","\u003cp\u003eIn 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  \u003c/p\u003e","\u003cp\u003eDuring this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including \u003ctitle\u003eJohn Henry\u003c/title\u003e and \u003ctitle\u003eOle Miz Dacey\u003c/title\u003e. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  \u003c/p\u003e","\u003cp\u003eEcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with \u003ctitle\u003eDOPE!\u003c/title\u003e and SALT, used non-actors in its performances.  \u003c/p\u003e","\u003cp\u003eIn 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. \u003c/p\u003e","\u003cp\u003eMaryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert.","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, DOPE! which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work.","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater.","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including John Henry and Ole Miz Dacey. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with DOPE! and SALT, used non-actors in its performances.","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky.","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026amp;M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. \u003c/p\u003e","\u003cp\u003eMaterials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. \u003c/p\u003e","\u003cp\u003eThe collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. \u003c/p\u003e","\u003cp\u003eSeries 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. \u003c/p\u003e","\u003cp\u003eSeries 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. \u003c/p\u003e","\u003cp\u003eSeries 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.\u003c/p\u003e","\u003cp\u003eSeries 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e","\u003cp\u003eSeries 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e","\u003cp\u003eSeries 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e","\u003cp\u003eSeries 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. \u003c/p\u003e","\u003cp\u003eThis collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. \u003c/p\u003e","\u003cp\u003eSelect audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  ","\u003cp\u003eThis series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.\u003c/p\u003e","\u003cp\u003eThis series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.\u003c/p\u003e","\u003cp\u003eThis series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel Tape\u003c/p\u003e","\u003cp\u003eReel-to-reel 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Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eThis series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.\u003c/p\u003e","\u003cp\u003eIncludes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)\u003c/p\u003e","\u003cp\u003eThis series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e","\u003cp\u003eThis series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings.","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series.","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29.","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request.","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts.","This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing.","This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","Cassette Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","VHS Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","Reel-to-reel Tape","DVD","This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an Addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date.","Includes cassette tape labeled (\"Dr. Pfieffer\", October 28 1983)","This series contains published plays collected, but not written, by Maryat Lee.","This series contains nine paintings by Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F21\u003c/p\u003e","\u003cp\u003eMaterial moved to B48/I1\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B51/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F5, B54/F4\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B45/F7\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F5\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F2\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B54/F6\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B52/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 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B54/F18\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B46/F30\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B50/F9-11, B46/F33\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B46/F34\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B46/F35\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B46/F36\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M3300 B26/F12\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B46/F38\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B46/F39\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B46/F40\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M3300 B55/F3\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B50/F12\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 B46/F42\u003c/p\u003e","\u003cp\u003eMaterial moved to A\u0026amp;M 3300 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from A\u0026amp;M 3300 B20/F37\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B20/F59\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B20/F63\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B21/F1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B21/F2\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B21/F3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B21/F5\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B21/F11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B21/F36\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B22/F12a\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B23/F15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 B23/F31\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3300 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_41a071f25400b148208ada4216a47db7\"\u003eMaryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.\u003c/abstract\u003e\n    "],"abstract_tesim":["Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_59b034a3f262570e93a472c5cb053744\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum"],"names_coll_ssim":["West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1537,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:53:36.499Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610_c04_c618"}},{"id":"wvmturhc_repositories_2_resources_6967_c01_c84","type":"File","attributes":{"title":"50 Years of Arts and Humanities, 1965/2015","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6967_c01_c84#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6967_c01_c84","ref_ssm":["wvmturhc_repositories_2_resources_6967_c01_c84"],"id":"wvmturhc_repositories_2_resources_6967_c01_c84","ead_ssi":"wvmturhc_repositories_2_resources_6967","_root_":"wvmturhc_repositories_2_resources_6967","_nest_parent_":"wvmturhc_repositories_2_resources_6967_c01","parent_ssi":"wvmturhc_repositories_2_resources_6967_c01","parent_ssim":["Carroll Wilkinson Papers, 1914/2018, bulk 1979/2018","Series 1. West Virginia University (WVU) Libraries, 1914/2018, bulk 1979/2018"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6967","wvmturhc_repositories_2_resources_6967_c01"],"title_filing_ssi":"50 Years of Arts and Humanities","title_ssm":["50 Years of Arts and Humanities"],"title_tesim":["50 Years of Arts and Humanities"],"normalized_title_ssm":["50 Years of Arts and Humanities, 1965/2015"],"text":["50 Years of Arts and Humanities, 1965/2015","Carroll Wilkinson Papers, 1914/2018, bulk 1979/2018","Series 1. West Virginia University (WVU) Libraries, 1914/2018, bulk 1979/2018","Box 4","Folder 2"],"parent_unittitles_ssm":["Carroll Wilkinson Papers, 1914/2018, bulk 1979/2018","Series 1. West Virginia University (WVU) Libraries, 1914/2018, bulk 1979/2018"],"parent_unittitles_tesim":["Carroll Wilkinson Papers, 1914/2018, bulk 1979/2018","Series 1. 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For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"_nest_path_":"/components#0/components#83","timestamp":"2026-06-23T07:59:29.663Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6967","ead_ssi":"wvmturhc_repositories_2_resources_6967","_root_":"wvmturhc_repositories_2_resources_6967","_nest_parent_":"wvmturhc_repositories_2_resources_6967","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6967.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/226990","title_ssm":["Carroll Wilkinson Papers"],"title_tesim":["Carroll Wilkinson Papers"],"unitdate_ssm":["1914-2018 and undated","1979-2018 and undated"],"unitdate_inclusive_ssm":["1914-2018 and undated"],"unitdate_bulk_ssim":["1979-2018 and undated"],"normalized_date_ssm":["1914/2018, bulk 1979/2018"],"normalized_title_ssm":["Carroll Wilkinson Papers, 1914/2018, bulk 1979/2018"],"text":["Carroll Wilkinson Papers, 1914/2018, bulk 1979/2018","A\u0026M 4576","Archival Resource Key","/repositories/2/resources/6967","Adult education of women","Education, Higher -- Administration","Library records","West Virginia Feminist Activist and Women's History Collection","West Virginia University - buildings - Downtown Campus Library.","West Virginia University  --  Women's Centenary (1891-1991)","Women blue collar workers","Women's studies","Material in box 16 contains student research proposals from 1999 and is restricted for 75 years after the latest date of creation. Materials may be accessed in 2074.","Carroll Wilkinson is a feminist scholar and librarian best known for her 41 years of service in West Virginia University Libraries, where she was a prominent voice for women's rights and an active member of a wide variety of university councils and committees.","Carroll Wilkinson was born Carroll Feild Wetzel on January 17, 1946, in Chicago, Illinois to Anne Tate Feild Wetzel and Theodore Cuyler Wetzel and raised in Lake Bluff, Illinois. She attended Wells College, a historical women's college, in Aurora, New York from 1964 to 1968 where she graduated with a Bachelor of Arts in Music. In 1968, she married Christopher Wilkinson, with whom she would have one son, Samuel Evan Wilkinson.","While attending Rutgers, The State University of New Jersey, in New Brunswick, New Jersey between 1972 and 1975, Wilkinson was employed at the Kilmer Area Library in Livingston College in the reference department as a library trainee (1972-1974) and reference librarian and coordinator of instructional services (1974-1975). She graduated with her master's in library science in 1975.","In 1976, she was engaged in graduate studies at the Institute for Communication Research at the University of Illinois at Urbana-Champaign in Champaign, Illinois, where she also worked as a part-time instructor of information services in the music library.","In 1978, Wilkinson became employed by the West Virginia University (WVU) Gerontology Center as a research assistant. She served in this position for a year before becoming a reference librarian and Appalachian bibliographer at WVU Libraries. She would stay with WVU Libraries for the next 40 years before retiring in 2019.","During this long consecutive employment with WVU Libraries, Wilkinson worked in several roles, including Chief Circulation Librarian/Head of Access Services for the Wise Library (1980-2006), Adjunct Instructor in the Center for Women's Studies (1988), Women and Gender Studies Bibliographer (1993-2019), Head of the Math Library (2004-2006), Director of Instruction and Information Literacy (2006-2014), Women's Studies Subject Librarian (2009-2019), Director of Strategic Library Initiatives (2014-2019), WVU Libraries Interim Director of Strategy and Planning (2017-2019), and University Librarian Emerita (2019-present).","Additionally, she was a participant in the \"Women in the Community Project\" sponsored by the National Endowment for the Humanities and Radcliffe College from 1981 to 1983.","In 1988, she was awarded the Mary Catherine Buswell Award, for providing outstanding services for women at WVU.","While Head of Access Services for the Wise Library between 2002 and 2006, Wilkinson oversaw the opening of WVU Libraries' first book depository and led the development of the electronic reserves system. She also served as president of the Western Pennsylvania/West Virginia chapter of the Association of College and Research Libraries from 2006-2007. In 2007, she was a co-recipient of the WVU Outstanding Librarian Award alongside fellow librarian Penny Pugh.","She taught several classes and gave numerous lectures and presentations focusing on women and library science. Her research interests were particularly centered around women's employment, especially in the coal industry and other traditionally male-dominated industries.","Wilkinson also served on a wide variety of university committees and councils throughout her 41 years of employment, including the West Virginia University Senate, Gerontology Center Executive Committee, Gerontology Center Service Committee, Gerontology Center Library Committee, Center for Women's Studies Executive Committee, Council for Women's Concerns, University Affirmative Action Committee, Center for Women's Studies Curriculum Committee, Center for Women's Studies Faculty Associates, Women's Studies Advisory Committee, Public Service Grant Committee, University Planning Council, and Faculty Senate Library Committee.","Upon retirement in 2019, she was awarded the Faculty 2019 Center for Women's and Gender Studies Joyce McConnell Award for Feminist Leadership.","As of 2024, Wilkinson holds an active presence in WVU Libraries as University Library Emerita, where she has been focused on collecting and promoting feminist activist history through the West Virginia and Regional History Center Feminist Activist and Women's History Collections.","This collection contains materials collected and created by Carroll Wilkinson during her time working for West Virginia University (WVU) Libraries and Women's and Gender Studies Center between 1979 and 2019. It includes materials from her work in several positions within the library and WVU Women's Studies Center, including Chief Circulation Librarian, Women and Gender Studies Bibliographer, Head of Access Services, Director of Instruction and Information Literacy, Director of Strategic Library Initiatives, and Interim Director of Strategy and Planning. It also includes materials from her participation in several councils and committees, such as the Council for Women's Concerns and the Gerontology Center Service Committee.","Materials include memos, minutes, correspondence, grant applications, pamphlets, brochures, newsletters, catalogs, manuals, notes, policies, photographs, drafts, bibliographies, agendas, publications, conference materials, book orders, newspaper clippings, budgets, statistics, presentations, and class planning. Also included are two CDs, two VHS tapes, and three medallions.","The collection is divided into two series. There is some overlap between the two series, especially concerning Wilkinson's work as librarian liaison to the WVU Women's and Gender Studies Center.","Series 1. West Virginia University (WVU) Libraries: This series contains materials produced and collected by Carroll Wilkinson during her employment with WVU Libraries between 1979 and 2018, particularly the Wise and Downtown Libraries. Prominent topics include the implementation of faculty status for WVU librarians, implementation of innovative technologies for the WVU library circulations department, library instruction, and library business administration. The types of materials included are memos, minutes, correspondence, grant applications, pamphlets, brochures, newsletters, catalogs, manuals, notes, policies, and photographs. Also included are two CDs, two VHS tapes, and three medallions. Box 15 is an addendum of 2024/06/05.","Series 2. West Virginia University (WVU) Center for Women's and Gender Studies: This series contains materials created and collected by Carroll Wilkinson during her work with the West Virginia University (WVU) Women's and Gender Studies Center (formerly the WVU Women's Studies Center) and various women's councils and committees such as the Council for Women's Concerns and the Women's Studies Curriculum Committee. Prominent topics include class curriculum, collection development, women's labor and employment, and women coal mining. Types of materials included are correspondence, bibliographies, minutes, agendas, grant applications, newsletters, notes, publications, conference materials, book orders, newspaper clippings, memos, drafts, articles, and budgets. Box 15 is an addendum of 2024/06/05.","An addendum of 2024/06/05, consisting of one binder, has been divided into the two series according to subject matter.","This series contains materials produced and collected by Carroll Wilkinson during her employment with WVU Libraries between 1979 and 2018, particularly the Wise and Downtown Libraries. Prominent topics include the implementation of faculty status for WVU librarians, implementation of new technologies for the WVU library circulations department, library instruction, and library business administration. The types of materials included are memos, minutes, correspondence, grant applications, pamphlets, brochures, newsletters, catalogs, manuals, notes, policies, and photographs. Also included are two CDs, two VHS tapes, and three medallions. Box 15 is an addendum of 2024/06/05.","Includes two CDs","VHS Tape","VHS Tape","This series contains materials created and collected by Carroll Wilkinson during her work with the West Virginia University (WVU) Women's and Gender Studies Center (formerly the WVU Women's Studies Center) and various women's councils and committees such as the Council for Women's Concerns and the Women's Studies Curriculum Committee. Prominent topics include class curriculum, collection development, women's labor and employment, and women coal mining. Types of materials included are correspondence, bibliographies, minutes, agendas, grant applications, newsletters, notes, publications, conference materials, book orders, newspaper clippings, memos, drafts, articles and budgets. Box 15 is an addendum of 2024/06/05.","The donor of this collection has transferred rights of the intellectual property they created to the Center. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Libraries","West Virginia University. Center for Women's Studies","West Virginia University. 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In 1968, she married Christopher Wilkinson, with whom she would have one son, Samuel Evan Wilkinson.   \u003c/p\u003e","\u003cp\u003eWhile attending Rutgers, The State University of New Jersey, in New Brunswick, New Jersey between 1972 and 1975, Wilkinson was employed at the Kilmer Area Library in Livingston College in the reference department as a library trainee (1972-1974) and reference librarian and coordinator of instructional services (1974-1975). She graduated with her master's in library science in 1975. \u003c/p\u003e","\u003cp\u003eIn 1976, she was engaged in graduate studies at the Institute for Communication Research at the University of Illinois at Urbana-Champaign in Champaign, Illinois, where she also worked as a part-time instructor of information services in the music library.  \u003c/p\u003e","\u003cp\u003eIn 1978, Wilkinson became employed by the West Virginia University (WVU) Gerontology Center as a research assistant. She served in this position for a year before becoming a reference librarian and Appalachian bibliographer at WVU Libraries. She would stay with WVU Libraries for the next 40 years before retiring in 2019.  \u003c/p\u003e","\u003cp\u003eDuring this long consecutive employment with WVU Libraries, Wilkinson worked in several roles, including Chief Circulation Librarian/Head of Access Services for the Wise Library (1980-2006), Adjunct Instructor in the Center for Women's Studies (1988), Women and Gender Studies Bibliographer (1993-2019), Head of the Math Library (2004-2006), Director of Instruction and Information Literacy (2006-2014), Women's Studies Subject Librarian (2009-2019), Director of Strategic Library Initiatives (2014-2019), WVU Libraries Interim Director of Strategy and Planning (2017-2019), and University Librarian Emerita (2019-present). \u003c/p\u003e","\u003cp\u003eAdditionally, she was a participant in the \"Women in the Community Project\" sponsored by the National Endowment for the Humanities and Radcliffe College from 1981 to 1983.  \u003c/p\u003e","\u003cp\u003eIn 1988, she was awarded the Mary Catherine Buswell Award, for providing outstanding services for women at WVU. \u003c/p\u003e","\u003cp\u003eWhile Head of Access Services for the Wise Library between 2002 and 2006, Wilkinson oversaw the opening of WVU Libraries' first book depository and led the development of the electronic reserves system. She also served as president of the Western Pennsylvania/West Virginia chapter of the Association of College and Research Libraries from 2006-2007. In 2007, she was a co-recipient of the WVU Outstanding Librarian Award alongside fellow librarian Penny Pugh. \u003c/p\u003e","\u003cp\u003eShe taught several classes and gave numerous lectures and presentations focusing on women and library science. Her research interests were particularly centered around women's employment, especially in the coal industry and other traditionally male-dominated industries.  \u003c/p\u003e","\u003cp\u003eWilkinson also served on a wide variety of university committees and councils throughout her 41 years of employment, including the West Virginia University Senate, Gerontology Center Executive Committee, Gerontology Center Service Committee, Gerontology Center Library Committee, Center for Women's Studies Executive Committee, Council for Women's Concerns, University Affirmative Action Committee, Center for Women's Studies Curriculum Committee, Center for Women's Studies Faculty Associates, Women's Studies Advisory Committee, Public Service Grant Committee, University Planning Council, and Faculty Senate Library Committee. \u003c/p\u003e","\u003cp\u003eUpon retirement in 2019, she was awarded the Faculty 2019 Center for Women's and Gender Studies Joyce McConnell Award for Feminist Leadership.  \u003c/p\u003e","\u003cp\u003eAs of 2024, Wilkinson holds an active presence in WVU Libraries as University Library Emerita, where she has been focused on collecting and promoting feminist activist history through the West Virginia and Regional History Center Feminist Activist and Women's History Collections.  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carroll Wilkinson is a feminist scholar and librarian best known for her 41 years of service in West Virginia University Libraries, where she was a prominent voice for women's rights and an active member of a wide variety of university councils and committees.","Carroll Wilkinson was born Carroll Feild Wetzel on January 17, 1946, in Chicago, Illinois to Anne Tate Feild Wetzel and Theodore Cuyler Wetzel and raised in Lake Bluff, Illinois. She attended Wells College, a historical women's college, in Aurora, New York from 1964 to 1968 where she graduated with a Bachelor of Arts in Music. In 1968, she married Christopher Wilkinson, with whom she would have one son, Samuel Evan Wilkinson.","While attending Rutgers, The State University of New Jersey, in New Brunswick, New Jersey between 1972 and 1975, Wilkinson was employed at the Kilmer Area Library in Livingston College in the reference department as a library trainee (1972-1974) and reference librarian and coordinator of instructional services (1974-1975). She graduated with her master's in library science in 1975.","In 1976, she was engaged in graduate studies at the Institute for Communication Research at the University of Illinois at Urbana-Champaign in Champaign, Illinois, where she also worked as a part-time instructor of information services in the music library.","In 1978, Wilkinson became employed by the West Virginia University (WVU) Gerontology Center as a research assistant. She served in this position for a year before becoming a reference librarian and Appalachian bibliographer at WVU Libraries. She would stay with WVU Libraries for the next 40 years before retiring in 2019.","During this long consecutive employment with WVU Libraries, Wilkinson worked in several roles, including Chief Circulation Librarian/Head of Access Services for the Wise Library (1980-2006), Adjunct Instructor in the Center for Women's Studies (1988), Women and Gender Studies Bibliographer (1993-2019), Head of the Math Library (2004-2006), Director of Instruction and Information Literacy (2006-2014), Women's Studies Subject Librarian (2009-2019), Director of Strategic Library Initiatives (2014-2019), WVU Libraries Interim Director of Strategy and Planning (2017-2019), and University Librarian Emerita (2019-present).","Additionally, she was a participant in the \"Women in the Community Project\" sponsored by the National Endowment for the Humanities and Radcliffe College from 1981 to 1983.","In 1988, she was awarded the Mary Catherine Buswell Award, for providing outstanding services for women at WVU.","While Head of Access Services for the Wise Library between 2002 and 2006, Wilkinson oversaw the opening of WVU Libraries' first book depository and led the development of the electronic reserves system. She also served as president of the Western Pennsylvania/West Virginia chapter of the Association of College and Research Libraries from 2006-2007. In 2007, she was a co-recipient of the WVU Outstanding Librarian Award alongside fellow librarian Penny Pugh.","She taught several classes and gave numerous lectures and presentations focusing on women and library science. Her research interests were particularly centered around women's employment, especially in the coal industry and other traditionally male-dominated industries.","Wilkinson also served on a wide variety of university committees and councils throughout her 41 years of employment, including the West Virginia University Senate, Gerontology Center Executive Committee, Gerontology Center Service Committee, Gerontology Center Library Committee, Center for Women's Studies Executive Committee, Council for Women's Concerns, University Affirmative Action Committee, Center for Women's Studies Curriculum Committee, Center for Women's Studies Faculty Associates, Women's Studies Advisory Committee, Public Service Grant Committee, University Planning Council, and Faculty Senate Library Committee.","Upon retirement in 2019, she was awarded the Faculty 2019 Center for Women's and Gender Studies Joyce McConnell Award for Feminist Leadership.","As of 2024, Wilkinson holds an active presence in WVU Libraries as University Library Emerita, where she has been focused on collecting and promoting feminist activist history through the West Virginia and Regional History Center Feminist Activist and Women's History Collections."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Carroll Wilkinson Papers, A\u0026amp;M 4576, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Carroll Wilkinson Papers, A\u0026M 4576, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials collected and created by Carroll Wilkinson during her time working for West Virginia University (WVU) Libraries and Women's and Gender Studies Center between 1979 and 2019. It includes materials from her work in several positions within the library and WVU Women's Studies Center, including Chief Circulation Librarian, Women and Gender Studies Bibliographer, Head of Access Services, Director of Instruction and Information Literacy, Director of Strategic Library Initiatives, and Interim Director of Strategy and Planning. It also includes materials from her participation in several councils and committees, such as the Council for Women's Concerns and the Gerontology Center Service Committee.  \u003c/p\u003e","\u003cp\u003eMaterials include memos, minutes, correspondence, grant applications, pamphlets, brochures, newsletters, catalogs, manuals, notes, policies, photographs, drafts, bibliographies, agendas, publications, conference materials, book orders, newspaper clippings, budgets, statistics, presentations, and class planning. Also included are two CDs, two VHS tapes, and three medallions.  \u003c/p\u003e","\u003cp\u003eThe collection is divided into two series. There is some overlap between the two series, especially concerning Wilkinson's work as librarian liaison to the WVU Women's and Gender Studies Center.  \u003c/p\u003e","\u003cp\u003eSeries 1. West Virginia University (WVU) Libraries: This series contains materials produced and collected by Carroll Wilkinson during her employment with WVU Libraries between 1979 and 2018, particularly the Wise and Downtown Libraries. Prominent topics include the implementation of faculty status for WVU librarians, implementation of innovative technologies for the WVU library circulations department, library instruction, and library business administration. The types of materials included are memos, minutes, correspondence, grant applications, pamphlets, brochures, newsletters, catalogs, manuals, notes, policies, and photographs. Also included are two CDs, two VHS tapes, and three medallions. Box 15 is an addendum of 2024/06/05.  \u003c/p\u003e","\u003cp\u003eSeries 2. West Virginia University (WVU) Center for Women's and Gender Studies: This series contains materials created and collected by Carroll Wilkinson during her work with the West Virginia University (WVU) Women's and Gender Studies Center (formerly the WVU Women's Studies Center) and various women's councils and committees such as the Council for Women's Concerns and the Women's Studies Curriculum Committee. Prominent topics include class curriculum, collection development, women's labor and employment, and women coal mining. Types of materials included are correspondence, bibliographies, minutes, agendas, grant applications, newsletters, notes, publications, conference materials, book orders, newspaper clippings, memos, drafts, articles, and budgets. Box 15 is an addendum of 2024/06/05.  \u003c/p\u003e","\u003cp\u003eAn addendum of 2024/06/05, consisting of one binder, has been divided into the two series according to subject matter.\u003c/p\u003e  ","\u003cp\u003eThis series contains materials produced and collected by Carroll Wilkinson during her employment with WVU Libraries between 1979 and 2018, particularly the Wise and Downtown Libraries. Prominent topics include the implementation of faculty status for WVU librarians, implementation of new technologies for the WVU library circulations department, library instruction, and library business administration. The types of materials included are memos, minutes, correspondence, grant applications, pamphlets, brochures, newsletters, catalogs, manuals, notes, policies, and photographs. Also included are two CDs, two VHS tapes, and three medallions. Box 15 is an addendum of 2024/06/05.  \u003c/p\u003e","\u003cp\u003eIncludes two CDs\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eVHS Tape\u003c/p\u003e","\u003cp\u003eThis series contains materials created and collected by Carroll Wilkinson during her work with the West Virginia University (WVU) Women's and Gender Studies Center (formerly the WVU Women's Studies Center) and various women's councils and committees such as the Council for Women's Concerns and the Women's Studies Curriculum Committee. Prominent topics include class curriculum, collection development, women's labor and employment, and women coal mining. Types of materials included are correspondence, bibliographies, minutes, agendas, grant applications, newsletters, notes, publications, conference materials, book orders, newspaper clippings, memos, drafts, articles and budgets. Box 15 is an addendum of 2024/06/05.  \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains materials collected and created by Carroll Wilkinson during her time working for West Virginia University (WVU) Libraries and Women's and Gender Studies Center between 1979 and 2019. It includes materials from her work in several positions within the library and WVU Women's Studies Center, including Chief Circulation Librarian, Women and Gender Studies Bibliographer, Head of Access Services, Director of Instruction and Information Literacy, Director of Strategic Library Initiatives, and Interim Director of Strategy and Planning. It also includes materials from her participation in several councils and committees, such as the Council for Women's Concerns and the Gerontology Center Service Committee.","Materials include memos, minutes, correspondence, grant applications, pamphlets, brochures, newsletters, catalogs, manuals, notes, policies, photographs, drafts, bibliographies, agendas, publications, conference materials, book orders, newspaper clippings, budgets, statistics, presentations, and class planning. Also included are two CDs, two VHS tapes, and three medallions.","The collection is divided into two series. There is some overlap between the two series, especially concerning Wilkinson's work as librarian liaison to the WVU Women's and Gender Studies Center.","Series 1. West Virginia University (WVU) Libraries: This series contains materials produced and collected by Carroll Wilkinson during her employment with WVU Libraries between 1979 and 2018, particularly the Wise and Downtown Libraries. Prominent topics include the implementation of faculty status for WVU librarians, implementation of innovative technologies for the WVU library circulations department, library instruction, and library business administration. The types of materials included are memos, minutes, correspondence, grant applications, pamphlets, brochures, newsletters, catalogs, manuals, notes, policies, and photographs. Also included are two CDs, two VHS tapes, and three medallions. Box 15 is an addendum of 2024/06/05.","Series 2. West Virginia University (WVU) Center for Women's and Gender Studies: This series contains materials created and collected by Carroll Wilkinson during her work with the West Virginia University (WVU) Women's and Gender Studies Center (formerly the WVU Women's Studies Center) and various women's councils and committees such as the Council for Women's Concerns and the Women's Studies Curriculum Committee. Prominent topics include class curriculum, collection development, women's labor and employment, and women coal mining. Types of materials included are correspondence, bibliographies, minutes, agendas, grant applications, newsletters, notes, publications, conference materials, book orders, newspaper clippings, memos, drafts, articles, and budgets. Box 15 is an addendum of 2024/06/05.","An addendum of 2024/06/05, consisting of one binder, has been divided into the two series according to subject matter.","This series contains materials produced and collected by Carroll Wilkinson during her employment with WVU Libraries between 1979 and 2018, particularly the Wise and Downtown Libraries. Prominent topics include the implementation of faculty status for WVU librarians, implementation of new technologies for the WVU library circulations department, library instruction, and library business administration. The types of materials included are memos, minutes, correspondence, grant applications, pamphlets, brochures, newsletters, catalogs, manuals, notes, policies, and photographs. Also included are two CDs, two VHS tapes, and three medallions. Box 15 is an addendum of 2024/06/05.","Includes two CDs","VHS Tape","VHS Tape","This series contains materials created and collected by Carroll Wilkinson during her work with the West Virginia University (WVU) Women's and Gender Studies Center (formerly the WVU Women's Studies Center) and various women's councils and committees such as the Council for Women's Concerns and the Women's Studies Curriculum Committee. Prominent topics include class curriculum, collection development, women's labor and employment, and women coal mining. Types of materials included are correspondence, bibliographies, minutes, agendas, grant applications, newsletters, notes, publications, conference materials, book orders, newspaper clippings, memos, drafts, articles and budgets. Box 15 is an addendum of 2024/06/05."],"userestrict_html_tesm":["\u003cp\u003eThe donor of this collection has transferred rights of the intellectual property they created to the Center. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The donor of this collection has transferred rights of the intellectual property they created to the Center. For more information regarding permission to publish or reproduce, please contact the West Virginia and Regional History Center."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3a6a4e09add094559a0c8afdbd6bfbec\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wrhc.lib.wvu.edu/\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wrhc.lib.wvu.edu/"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Libraries","West Virginia University. Center for Women's Studies","West Virginia University. Center for Women's and Gender Studies"],"names_coll_ssim":["West Virginia University. Libraries","West Virginia University. 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Seckar, 1945/2008"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6533"],"title_filing_ssi":"5 small pieces of artwork by Seckar","title_ssm":["5 small pieces of artwork by Seckar"],"title_tesim":["5 small pieces of artwork by Seckar"],"normalized_title_ssm":["5 small pieces of artwork by Seckar, 1945/1970"],"text":["5 small pieces of artwork by Seckar, 1945/1970","Alice McMechen, Collector, Papers of Artist Alvena V. Seckar, 1945/2008","Box 1","Folder 10"],"parent_unittitles_ssm":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar, 1945/2008"],"parent_unittitles_tesim":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar, 1945/2008"],"normalized_date_ssm":["1945/1970"],"unitdate_inclusive_ssm":["1945, 1970, undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":11,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar, 1945/2008"],"containers_ssim":["Box 1","Folder 10"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"_nest_path_":"/components#10","timestamp":"2026-06-23T07:58:55.130Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6533","ead_ssi":"wvmturhc_repositories_2_resources_6533","_root_":"wvmturhc_repositories_2_resources_6533","_nest_parent_":"wvmturhc_repositories_2_resources_6533","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6533.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199424","title_ssm":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar"],"title_tesim":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar"],"unitdate_ssm":["1945-1957, 1973-2008, undated"],"unitdate_inclusive_ssm":["1945-1957, 1973-2008, undated"],"normalized_date_ssm":["1945/2008"],"normalized_title_ssm":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar, 1945/2008"],"text":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar, 1945/2008","A\u0026M 4428","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6533","Women authors, American   -- West Virginia -- 20th century","Authors -- Letters and papers","Art and artists","Women's history -- 1929-1950","Women's history -- 1951-present","Women's history -- Emigration and immigration","Slovak Americans","American literature -- Slovak American authors","No special access restriction applies.","Alvena Seckar was born in McMechen, West Virginia to first-generation immigrants from the former Czechoslovakia in 1915. Her father was a coal miner and the family moved frequently around the coal fields of West Virginia and Pennsylvania during her childhood. Seckar's artistic talents were recognized while she was in school and she was able to attend college, first studying at the University of Pennsylvania. She then transferred to the Institue of Fine Arts, New York University. She earned her Bachelor's Degree there in 1939 and her Master's Degree in the History of Fine Arts in 1949. Seckar's artwork drew inspiration from her coal field childhood, depicting working class people and landscapes with sympathy but without any attempt to \"prettify\" her subjects. She was also inspired by her travels in post-World War II Europe, where she visited the Eastern Europe of her parent's heritage. Seckar considered herself a politically conscious artist and took part in the Civil Rights Movement, anti-nuclear movement, and other causes. Seckar came to her second career as a writer almost by accident. She was initially interested in illustrating children's books, but after receiving several rejections, decided to write a book of her own. Like her artwork, her books drew from her childhood experiences living in the coal fields. \"Zuska of the Burning Hills\" and \"Mischko\" tell stories of children from Eastern European immigrant families living in coal towns, while \"Trapped in the Old Mine\" is a science-fiction story for young readers. Seckar continued to write, paint, and exhibit her artwork throughout her life. Even when, later in life, she developed multiple sclerosis, which crippled her right hand, Seckar continued to paint and write, even teaching herself to paint with her left hand. Seckar had been working on a novel regarding the lives of her grandmother, mother, and herself -- tentatively titled \"Jewels of Memory\" -- which was not published before her death. Seckar passed away on 7 March 2012 in her long-time home of Pompton Lakes, New Jersey.","556, 903, 2002, 4204, 4428","Papers of artist and author Alvena V. Seckar, collected by her friend Alice McMechen. Collection includes newspaper and magazine articles regarding Seckar's later years after she was diagnosed with multiple sclerosis and taught herself how to paint with her (non-dominant) left hand. In addition, there is material regarding \"Jewels of Memory\", a work-in-progress by Seckar about her mother's life, and regarding Bolchazy-Carducci Publishers, which re-issued Seckar's earlier works and would have published \"Jewels\". There are also illustrated invitations to Seckar's birthday parties, correspondence, photographs, artworks, and copies of two of Seckar's books.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers of artist and author Alvena V. Seckar, collected by her friend Alice McMechen. Collection includes newspaper and magazine articles; material regarding work-in-progress \"Jewels of Memory\"; invitations to Seckar's birthday parties, correspondence, photographs, artworks, and copies of two of Seckar's books.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Seckar, Alvena, 1916-2012","McMechen, Alice","English\n."],"collection_title_tesim":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar, 1945/2008"],"collection_ssim":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar, 1945/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4428","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6533"],"unitid_tesim":["A\u0026M 4428","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6533"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Seckar, Alvena, 1916-2012","McMechen, Alice"],"creator_ssim":["Seckar, Alvena, 1916-2012","McMechen, Alice"],"creator_persname_ssim":["Seckar, Alvena, 1916-2012","McMechen, Alice"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Seckar, Alvena, 1916-2012","McMechen, Alice","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Women authors, American   -- West Virginia -- 20th century","Authors -- Letters and papers","Art and artists","Women's history -- 1929-1950","Women's history -- 1951-present","Women's history -- Emigration and immigration","Slovak Americans","American literature -- Slovak American authors"],"access_subjects_ssm":["Women authors, American   -- West Virginia -- 20th century","Authors -- Letters and papers","Art and artists","Women's history -- 1929-1950","Women's history -- 1951-present","Women's history -- Emigration and immigration","Slovak Americans","American literature -- Slovak American authors"],"has_online_content_ssim":["false"],"extent_ssm":[".3 Linear Feet 4 in. (document case)"],"extent_tesim":[".3 Linear Feet 4 in. (document case)"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eAlvena Seckar was born in McMechen, West Virginia to first-generation immigrants from the former Czechoslovakia in 1915. Her father was a coal miner and the family moved frequently around the coal fields of West Virginia and Pennsylvania during her childhood. Seckar's artistic talents were recognized while she was in school and she was able to attend college, first studying at the University of Pennsylvania. She then transferred to the Institue of Fine Arts, New York University. She earned her Bachelor's Degree there in 1939 and her Master's Degree in the History of Fine Arts in 1949. Seckar's artwork drew inspiration from her coal field childhood, depicting working class people and landscapes with sympathy but without any attempt to \"prettify\" her subjects. She was also inspired by her travels in post-World War II Europe, where she visited the Eastern Europe of her parent's heritage. Seckar considered herself a politically conscious artist and took part in the Civil Rights Movement, anti-nuclear movement, and other causes. Seckar came to her second career as a writer almost by accident. She was initially interested in illustrating children's books, but after receiving several rejections, decided to write a book of her own. Like her artwork, her books drew from her childhood experiences living in the coal fields. \"Zuska of the Burning Hills\" and \"Mischko\" tell stories of children from Eastern European immigrant families living in coal towns, while \"Trapped in the Old Mine\" is a science-fiction story for young readers. Seckar continued to write, paint, and exhibit her artwork throughout her life. Even when, later in life, she developed multiple sclerosis, which crippled her right hand, Seckar continued to paint and write, even teaching herself to paint with her left hand. Seckar had been working on a novel regarding the lives of her grandmother, mother, and herself -- tentatively titled \"Jewels of Memory\" -- which was not published before her death. 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She was also inspired by her travels in post-World War II Europe, where she visited the Eastern Europe of her parent's heritage. Seckar considered herself a politically conscious artist and took part in the Civil Rights Movement, anti-nuclear movement, and other causes. Seckar came to her second career as a writer almost by accident. She was initially interested in illustrating children's books, but after receiving several rejections, decided to write a book of her own. Like her artwork, her books drew from her childhood experiences living in the coal fields. \"Zuska of the Burning Hills\" and \"Mischko\" tell stories of children from Eastern European immigrant families living in coal towns, while \"Trapped in the Old Mine\" is a science-fiction story for young readers. Seckar continued to write, paint, and exhibit her artwork throughout her life. Even when, later in life, she developed multiple sclerosis, which crippled her right hand, Seckar continued to paint and write, even teaching herself to paint with her left hand. Seckar had been working on a novel regarding the lives of her grandmother, mother, and herself -- tentatively titled \"Jewels of Memory\" -- which was not published before her death. Seckar passed away on 7 March 2012 in her long-time home of Pompton Lakes, New Jersey."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Alice McMechen, Collector, Papers of Artist Alvena V. Seckar, A\u0026amp;M 4428, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Alice McMechen, Collector, Papers of Artist Alvena V. Seckar, A\u0026M 4428, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e556, 903, 2002, 4204, 4428\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["556, 903, 2002, 4204, 4428"],"scopecontent_html_tesm":["\u003cp\u003ePapers of artist and author Alvena V. Seckar, collected by her friend Alice McMechen. Collection includes newspaper and magazine articles regarding Seckar's later years after she was diagnosed with multiple sclerosis and taught herself how to paint with her (non-dominant) left hand. In addition, there is material regarding \"Jewels of Memory\", a work-in-progress by Seckar about her mother's life, and regarding Bolchazy-Carducci Publishers, which re-issued Seckar's earlier works and would have published \"Jewels\". 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There are also illustrated invitations to Seckar's birthday parties, correspondence, photographs, artworks, and copies of two of Seckar's books."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c71059612b75f9c4a2017ed9c34e26d2\"\u003ePapers of artist and author Alvena V. Seckar, collected by her friend Alice McMechen. Collection includes newspaper and magazine articles; material regarding work-in-progress \"Jewels of Memory\"; invitations to Seckar's birthday parties, correspondence, photographs, artworks, and copies of two of Seckar's books.\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers of artist and author Alvena V. Seckar, collected by her friend Alice McMechen. Collection includes newspaper and magazine articles; material regarding work-in-progress \"Jewels of Memory\"; invitations to Seckar's birthday parties, correspondence, photographs, artworks, and copies of two of Seckar's books."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_93a5eec715f2c239d6863cb826c7f111\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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