{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026f%5Bnames%5D%5B%5D=Maxim+Gorki+Theater\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026f%5Bnames%5D%5B%5D=Maxim+Gorki+Theater\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_317","type":"collection","attributes":{"title":"East German poster collection performing arts series","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_317#creator","type":"document_value","attributes":{"value":"Palast der Republik (Berlin, Germany)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_317#abstract_or_scope","type":"document_value","attributes":{"value":"This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_317#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_317","ead_ssi":"vifgm_repositories_2_resources_317","_root_":"vifgm_repositories_2_resources_317","_nest_parent_":"vifgm_repositories_2_resources_317","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_317.xml","title_ssm":["East German poster collection performing arts series"],"title_tesim":["East German poster collection performing arts series"],"unitdate_ssm":["1955-1997"],"unitdate_inclusive_ssm":["1955-1997"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0209","/repositories/2/resources/317"],"text":["C0209","/repositories/2/resources/317","East German poster collection performing arts series","Germany (East)","Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters","Collection is open to research.","Arranged by subject and a numbering system.","The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.","Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. ","The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","Map Case 4.1-4.5, 10.5, 20.2","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","German"],"unitid_tesim":["C0209","/repositories/2/resources/317"],"normalized_title_ssm":["East German poster collection performing arts series"],"collection_title_tesim":["East German poster collection performing arts series"],"collection_ssim":["East German poster collection performing arts series"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany (East)"],"geogname_ssim":["Germany (East)"],"creator_ssm":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"creator_corpname_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creators_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"places_ssim":["Germany (East)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"access_subjects_ssm":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"has_online_content_ssim":["false"],"extent_ssm":["941 posters"],"extent_tesim":["941 posters"],"genreform_ssim":["Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["East German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"film series\" href=\"https://aspace.gmu.edu/resources/c0208\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9eb3f2e8b125dcfea2ab13e34194d4bd\"\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.\u003c/abstract\u003e"],"abstract_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5f6ab7aa6f788afa781b01c0075628a3\"\u003eMap Case 4.1-4.5, 10.5, 20.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 4.1-4.5, 10.5, 20.2"],"names_coll_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:24:24.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_317","ead_ssi":"vifgm_repositories_2_resources_317","_root_":"vifgm_repositories_2_resources_317","_nest_parent_":"vifgm_repositories_2_resources_317","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_317.xml","title_ssm":["East German poster collection performing arts series"],"title_tesim":["East German poster collection performing arts series"],"unitdate_ssm":["1955-1997"],"unitdate_inclusive_ssm":["1955-1997"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0209","/repositories/2/resources/317"],"text":["C0209","/repositories/2/resources/317","East German poster collection performing arts series","Germany (East)","Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters","Collection is open to research.","Arranged by subject and a numbering system.","The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.","Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. ","The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","Map Case 4.1-4.5, 10.5, 20.2","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","German"],"unitid_tesim":["C0209","/repositories/2/resources/317"],"normalized_title_ssm":["East German poster collection performing arts series"],"collection_title_tesim":["East German poster collection performing arts series"],"collection_ssim":["East German poster collection performing arts series"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany (East)"],"geogname_ssim":["Germany (East)"],"creator_ssm":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"creator_corpname_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creators_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"places_ssim":["Germany (East)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"access_subjects_ssm":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"has_online_content_ssim":["false"],"extent_ssm":["941 posters"],"extent_tesim":["941 posters"],"genreform_ssim":["Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["East German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"film series\" href=\"https://aspace.gmu.edu/resources/c0208\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9eb3f2e8b125dcfea2ab13e34194d4bd\"\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.\u003c/abstract\u003e"],"abstract_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5f6ab7aa6f788afa781b01c0075628a3\"\u003eMap Case 4.1-4.5, 10.5, 20.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 4.1-4.5, 10.5, 20.2"],"names_coll_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"corpname_ssim":["George Mason University. Libraries. 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