{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.sort=index\u0026page=10","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.sort=index\u0026page=9","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.sort=index\u0026page=11","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.sort=index\u0026page=3980"},"meta":{"pages":{"current_page":10,"next_page":11,"prev_page":9,"total_pages":3980,"limit_value":10,"offset_value":90,"total_count":39793,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1030_c03_c06","type":"Sub-Series","attributes":{"title":"1950s, 1950/1959","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1030_c03_c06","ref_ssm":["viu_repositories_3_resources_1030_c03_c06"],"id":"viu_repositories_3_resources_1030_c03_c06","ead_ssi":"viu_repositories_3_resources_1030","_root_":"viu_repositories_3_resources_1030","_nest_parent_":"viu_repositories_3_resources_1030_c03","parent_ssi":"viu_repositories_3_resources_1030_c03","parent_ssim":["Charles M. 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Robinson and Principals Architectural Records, 1855/2012","MSS 16518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1030","Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings","This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","The collection is arranged into four main series:","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically.","Charles Morrison Robinson was born on March 3, 1867, in Hamilton, Loudoun County, Virginia. He was the eldest son of architect and builder James T. Robinson and Elizabeth Crockett Robinson. His family relocated to Welland, Ontario, where he completed his early schooling before beginning architectural training under D.S. Hopkins in Grand Rapids, Michigan, and John K. Peebles in Pittsburgh, Pennsylvania. In 1889, he formed his first partnership—Smith \u0026 Robinson—in Altoona, Pennsylvania. He married Annie Custer in 1891, and their son, Charles Custer Robinson, was born two years later.","Following years of practice in Pennsylvania, including partnerships with George T. Smith, R.B. Crockett, and George Winkler, Robinson returned to Virginia in 1906, establishing Charles M. Robinson, Architect in Richmond. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.","Between 1906 and 1932, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in Richmond, Norfolk, Newport News, Portsmouth, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces.","In 1908 he won the commission to design the campus of the State Normal School at Harrisonburg, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium.","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at Catawba, Burkeville, and Charlottesville for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, Benjamin A. Ruffin, and John Binford Walford, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in 1926, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on August 20, 1932, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/","CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.","The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series.","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater.","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death.","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works.","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater.","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University.","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia.","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos.","Dates: 1907 – 2012, bulk date 1907-1995","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford","English"],"collection_title_tesim":["Charles M. 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Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. 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Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e","\u003cp\u003eFolder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e  ","\u003cp\u003eThis collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e","\u003cp\u003eDue the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Physical Access","Conditions Governing Access","Physical Access"],"accessrestrict_tesim":["This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four main series: \u003c/p\u003e","\u003cp\u003eSeries 1 - Charles M. Robinson records, 1978, 2020, undated\u003c/p\u003e","\u003cp\u003eSeries 2 -  Office records, 1935-1992, undated\u003c/p\u003e","\u003cp\u003eSeries 3 - Architectural drawings, 1907-2012\u003c/p\u003e","\u003cp\u003eSeries 4 - Project photograph files, 1855-1999, undated\u003c/p\u003e","\u003cp\u003eSeries 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.\u003c/p\u003e","\u003cp\u003eThe files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.\u003c/p\u003e","\u003cp\u003eIn Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.\u003c/p\u003e","\u003cp\u003eThe files in Series 4, Project photograph files, are arranged alphabetically. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four main series:","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eCharles Morrison Robinson\u003c/persname\u003e was born on \u003cdate\u003eMarch 3, 1867\u003c/date\u003e, in \u003cgeogname\u003eHamilton, Loudoun County, Virginia\u003c/geogname\u003e. He was the eldest son of \u003coccupation\u003earchitect\u003c/occupation\u003e and builder \u003cpersname\u003eJames T. Robinson\u003c/persname\u003e and \u003cpersname\u003eElizabeth Crockett Robinson\u003c/persname\u003e. His family relocated to \u003cgeogname\u003eWelland, Ontario\u003c/geogname\u003e, where he completed his early schooling before beginning architectural training under \u003cpersname\u003eD.S. Hopkins\u003c/persname\u003e in \u003cgeogname\u003eGrand Rapids, Michigan\u003c/geogname\u003e, and \u003cpersname\u003eJohn K. Peebles\u003c/persname\u003e in \u003cgeogname\u003ePittsburgh, Pennsylvania\u003c/geogname\u003e. In \u003cdate\u003e1889\u003c/date\u003e, he formed his first partnership—Smith \u0026amp; Robinson—in \u003cgeogname\u003eAltoona, Pennsylvania\u003c/geogname\u003e. He married \u003cpersname\u003eAnnie Custer\u003c/persname\u003e in \u003cdate\u003e1891\u003c/date\u003e, and their son, \u003cpersname\u003eCharles Custer Robinson\u003c/persname\u003e, was born two years later.  \u003c/p\u003e","\u003cp\u003eFollowing years of practice in Pennsylvania, including partnerships with \u003cpersname\u003eGeorge T. Smith\u003c/persname\u003e, \u003cpersname\u003eR.B. Crockett\u003c/persname\u003e, and \u003cpersname\u003eGeorge Winkler\u003c/persname\u003e, \u003cfamname\u003eRobinson\u003c/famname\u003e returned to \u003cgeogname\u003eVirginia\u003c/geogname\u003e in \u003cdate\u003e1906\u003c/date\u003e, establishing Charles M. Robinson, Architect in \u003cgeogname\u003eRichmond\u003c/geogname\u003e. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  \u003c/p\u003e","\u003cp\u003eBetween \u003cdate\u003e1906\u003c/date\u003e and \u003cdate\u003e1932\u003c/date\u003e, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in \u003cgeogname\u003eRichmond\u003c/geogname\u003e, \u003cgeogname\u003eNorfolk\u003c/geogname\u003e, \u003cgeogname\u003eNewport News\u003c/geogname\u003e, \u003cgeogname\u003ePortsmouth\u003c/geogname\u003e, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026amp; Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. \u003c/p\u003e","\u003cp\u003eIn \u003cdate\u003e1908\u003c/date\u003e he won the commission to design the campus of the State Normal School at \u003cgeogname\u003eHarrisonburg\u003c/geogname\u003e, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026amp; Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. \u003c/p\u003e","\u003cp\u003eHis practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at \u003cgeogname\u003eCatawba\u003c/geogname\u003e, \u003cgeogname\u003eBurkeville\u003c/geogname\u003e, and \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  \u003c/p\u003e","\u003cp\u003eBy the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, \u003cpersname\u003eBenjamin A. Ruffin\u003c/persname\u003e, and \u003cpersname\u003eJohn Binford Walford\u003c/persname\u003e, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in \u003cdate\u003e1926\u003c/date\u003e, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on \u003cdate\u003eAugust 20, 1932\u003c/date\u003e, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  \u003c/p\u003e","\u003cp\u003eThe practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026amp; Wright (1946–1962); Wright, Jones \u0026amp; Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026amp; Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.\u003c/p\u003e","\u003cp\u003eReference List:\u003c/p\u003e","\u003cp\u003eArlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf\u003c/p\u003e","\u003cp\u003eLedger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/\u003c/p\u003e","\u003cp\u003eLoth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026amp;q=charles+robinson#v=onepage\u0026amp;q=charles%20robinson\u0026amp;f=false\u003c/p\u003e","\u003cp\u003eMorgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/\u003c/p\u003e","\u003cp\u003eMoyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/\u003c/p\u003e","\u003cp\u003ePreservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m\u003c/p\u003e","\u003cp\u003eRobinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html\u003c/p\u003e","\u003cp\u003eUnited States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf\u003c/p\u003e","\u003cp\u003eWinthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Morrison Robinson was born on March 3, 1867, in Hamilton, Loudoun County, Virginia. He was the eldest son of architect and builder James T. Robinson and Elizabeth Crockett Robinson. His family relocated to Welland, Ontario, where he completed his early schooling before beginning architectural training under D.S. Hopkins in Grand Rapids, Michigan, and John K. Peebles in Pittsburgh, Pennsylvania. In 1889, he formed his first partnership—Smith \u0026 Robinson—in Altoona, Pennsylvania. He married Annie Custer in 1891, and their son, Charles Custer Robinson, was born two years later.","Following years of practice in Pennsylvania, including partnerships with George T. Smith, R.B. Crockett, and George Winkler, Robinson returned to Virginia in 1906, establishing Charles M. Robinson, Architect in Richmond. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.","Between 1906 and 1932, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in Richmond, Norfolk, Newport News, Portsmouth, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces.","In 1908 he won the commission to design the campus of the State Normal School at Harrisonburg, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium.","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at Catawba, Burkeville, and Charlottesville for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, Benjamin A. Ruffin, and John Binford Walford, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in 1926, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on August 20, 1932, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/"],"odd_html_tesm":["\u003cp\u003eCONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e  ","\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23\u003c/p\u003e  ","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Conservation and Preservation","General","General"],"odd_tesim":["CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related."],"prefercite_html_tesm":["\u003cp\u003eMSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. \u003c/p\u003e","\u003cp\u003eSeries 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. \u003c/p\u003e","\u003cp\u003eSeries 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. \u003c/p\u003e","\u003cp\u003eSeries 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   \u003c/p\u003e","\u003cp\u003eIncluded are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. \u003c/p\u003e","\u003cp\u003ePrimary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. \u003c/p\u003e","\u003cp\u003eOf particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. \u003c/p\u003e","\u003cp\u003eThe works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. \u003c/p\u003e","\u003cp\u003eSeries 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. \u003c/p\u003e  ","\u003cp\u003eDates: 1907 – 2012, bulk date 1907-1995  \u003c/p\u003e","\u003cp\u003eThis series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series.","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater.","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death.","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works.","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater.","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University.","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia.","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos.","Dates: 1907 – 2012, bulk date 1907-1995","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Robinson"],"persname_ssim":["Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"names_coll_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1707,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:13.060Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c06"}},{"id":"vifgm_arenastage_c04_c03_c02","type":"File","attributes":{"title":"1951-1952 - August 1951 - August 1952,, 1951/1952","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c04_c03_c02","ref_ssm":["vifgm_arenastage_c04_c03_c02"],"id":"vifgm_arenastage_c04_c03_c02","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c04_c03","parent_ssi":"vifgm_arenastage_c04_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 4: Oversize materials,, 1949","Subseries 4.3: Scrapbooks,, 1949/1990"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"title_filing_ssi":"1951-1952 - August 1951 - August 1952,","title_ssm":["1951-1952 - August 1951 - August 1952,"],"title_tesim":["1951-1952 - August 1951 - August 1952,"],"normalized_title_ssm":["1951-1952 - August 1951 - August 1952,, 1951/1952"],"text":["1951-1952 - August 1951 - August 1952,, 1951/1952","Arena Stage records, 1949/2010","Series 4: Oversize materials,, 1949","Subseries 4.3: Scrapbooks,, 1949/1990","Box 664","Folder 2"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 4: Oversize materials,, 1949","Subseries 4.3: Scrapbooks,, 1949/1990"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 4: Oversize materials,, 1949","Subseries 4.3: Scrapbooks,, 1949/1990"],"normalized_date_ssm":["1951/1952"],"unitdate_other_ssim":["1951-1952"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7902,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["Box 664","Folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1951,1952],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n            "],"_nest_path_":"/components#3/components#2/components#1","timestamp":"2026-06-23T06:51:57.452Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"unitid_tesim":["C0017"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e\n    ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e\n            "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n      ","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n      ","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n      ","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n      ","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n      ","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e\n      ","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e\n      ","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e\n    ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e\n        ","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\nContains letters from Sigourney Weaver.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n           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Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n 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photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e\n        ","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n      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subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n      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Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:51:57.452Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c02"}},{"id":"vifgm_repositories_2_resources_416_c04_c03_c02","type":"File","attributes":{"title":"1951-1952 - August 1951 - August 1952, 1951/1952","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c04_c03_c02","ref_ssm":["vifgm_repositories_2_resources_416_c04_c03_c02"],"id":"vifgm_repositories_2_resources_416_c04_c03_c02","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c04_c03","parent_ssi":"vifgm_repositories_2_resources_416_c04_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"title_filing_ssi":"1951-1952 - August 1951 - August 1952","title_ssm":["1951-1952 - August 1951 - August 1952"],"title_tesim":["1951-1952 - August 1951 - August 1952"],"normalized_title_ssm":["1951-1952 - August 1951 - August 1952, 1951/1952"],"text":["1951-1952 - August 1951 - August 1952, 1951/1952","Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990","box 664","folder 2"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"normalized_date_ssm":["1951/1952"],"unitdate_other_ssim":["1951-1952"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7902,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 664","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1951,1952],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#1","timestamp":"2026-06-23T06:54:23.861Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e  ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:23.861Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c02"}},{"id":"vaallhs_repositories_2_resources_46_c01_c02","type":"File","attributes":{"title":"1951-1957, 1951/1957","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_46_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_46_c01_c02","ref_ssm":["vaallhs_repositories_2_resources_46_c01_c02"],"id":"vaallhs_repositories_2_resources_46_c01_c02","ead_ssi":"vaallhs_repositories_2_resources_46","_root_":"vaallhs_repositories_2_resources_46","_nest_parent_":"vaallhs_repositories_2_resources_46_c01","parent_ssi":"vaallhs_repositories_2_resources_46_c01","parent_ssim":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978","Textual Records"],"parent_ids_ssim":["vaallhs_repositories_2_resources_46","vaallhs_repositories_2_resources_46_c01"],"title_filing_ssi":"1951-1957","title_ssm":["1951-1957"],"title_tesim":["1951-1957"],"normalized_title_ssm":["1951-1957, 1951/1957"],"text":["1951-1957, 1951/1957","Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978","Textual Records","box 1","folder 2","English."],"parent_unittitles_ssm":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978","Textual Records"],"parent_unittitles_tesim":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978","Textual Records"],"normalized_date_ssm":["1951/1957"],"unitdate_inclusive_ssm":["1951-1957"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":3,"repository_ssim":["Alexandria Library"],"collection_ssim":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978"],"containers_ssim":["box 1","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"language_ssim":["English."],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957],"_nest_path_":"/components#0/components#1","timestamp":"2026-06-23T06:31:09.600Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_46","ead_ssi":"vaallhs_repositories_2_resources_46","_root_":"vaallhs_repositories_2_resources_46","_nest_parent_":"vaallhs_repositories_2_resources_46","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_46.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/46","title_ssm":["Civitan and Civinette Clubs of Alexandria Collection (MS038)"],"title_tesim":["Civitan and Civinette Clubs of Alexandria Collection (MS038)"],"unitdate_ssm":["1942 - 1978"],"unitdate_inclusive_ssm":["1942 - 1978"],"normalized_date_ssm":["1942/1978"],"normalized_title_ssm":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978"],"text":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978","MS038","Women -- Societies and clubs.","Men -- Societies and clubs.","Women's Clubs -- Virginia","Charities -- Virginia -- Alexandria","Organized by year.","The Civitan Club, founded in 1942, was an Alexandria organization whose membership was exclusively male until 1969. The organization's emphasis was citizenship and community service.\nThe Civinettes, organized in 1944, also emphasized the same.","Newspaper clippings;\nListings of officers for the Civitans and Civinettes;\nMembership lists for the Civinettes;\nLists of naturalized citizens, mid-to-late 1950s;\nBy-laws for both organizations;\nCamp Tapawingo;\nJr. Civitans.","Photos in folder:","1\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\n2\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\n3\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\n4\tPhotograph of members of the Civinettes participating in the Style Show.","Photos in folder:","5\tPhotograph of five Civitan members standing at a table.  The tallest man, second from the right, is named Randall Hicks on the reverse of the photo.\n6\tPhotograph of six Civitan members standing at a table.  The man third from the left, is named Randall Hicks on the reverse of the photo.\n7\tPhotograph of three Civitan members giving a check to a female Civinette member.  The two men in the middle are Randall Hicks and Paul Strachen per the reverse of the photo.\n8\tPhotograph of Civitan Randall Hicks standing next to a Polytechnic track athlete and their trophies.\n9\tPhotograph of Civitan Randall Hicks standing in the middle of 4 Polytechnic track athletes holding a trophy.\n10\tPhotograph of a parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.\n11\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.\n12\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.  The truck is parked in front of J and S Incorporated with the drivers standing at the front.\n13\tPhotograph of the Civitan parade float with a man in colonial attire at the front and Randall Hicks at the back.  The float is driving past Ossie's Building and the Dixie Tire Company. \n14\tPhotograph of a closeup of Randall Hicks standing on the Civitan parade float as it passes the Dixie Tire Company.\n15\tPhotograph of Randall Hicks and another man standing on the Civitan parade float as it moves down the street.\n16\tPhotograph of an unnamed man in colonial period clothing.\n17\tPhotograph of 6 Civitan members standing at a table holding basketball trophies.  The man on the far left is Randall Hicks. \n18\tPhotograph of Civitan and Civinette members in formal attire. \n19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason.","Photos in folder:","19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason.\n20\tPhotograph of 7 members of the Civitan and Civinette Clubs at the annual Christmas party held at the Old Club.\n21\tPhotograph of 5 members of the Civinette Clubs at the annual Christmas party held at the Old Club.\n22\tPhotograph of the Civinette Christmas party held at the Anchorage.\n23\tPhotograph of the Civinette Christmas party held at the Anchorage.","Photos in folder:","24\tPhotograph of several party goers during Civitan Charter Nite.\n25\tPhotograph of two men shaking hands as a woman looks on during Civitan Charter Nite.\n26\tPhotograph of Frank L. Cowles (left), governor of the Chesapeake District of Civitan International, shaking the hand of William E. Lee, president of the Alexandria Civitans.","Photos in folder:","27\tPhotograph of (left to right) Frank L. Cowles, governor of the Chesapeake District of Civitans, Jennings Randolph, a former Democratic Representative of West Virginia, William E. Lee, the Alexandria Civitan President, and Ralph H. Bogle, Jr., the Junior Chamber of Commerce President. The photo is signed \"To Bill Lee\" from Jennings Randolph.\n28\tPhotograph of 5 members of the Civitan Club.  On the far left is William E. Lee, the Alexandria Civitan President.  On the far right is Frank L. Cowles, governor of the Chesapeake District of Civitans.\n29\tPhotograph of 4 seated men talking to a standing man with prosthetic hands.  The two men on the right are (from left to right) William E. Lee, Alexandria Civitan President and Frank L. Cowles, governor of the Chesapeake District of Civitans.\n30\tPhotograph of William E. Lee (center) presenting a trophy to four members of the Durham (NC) High School for winning a 440 relay.  From left to right, the students are: Albert Long, Bill Rigsbee, William McDaniel, and Rex Jarrell.\n31\tPhotograph of 3 men cutting a cake on the 10th anniversary of the Civitan Club.  Alexandria Civitan President William E. Lee stands on the left. \n32\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.\n33\tPhotograph of a man cutting a cake at a table full of people.  Alexandria Civitan President William E. Lee stands to the left holding a microphone stand.\n34\tGroup Photograph of Civitan and Civinette members.  Frank L. Cowles stands 6th from the left, while William E. Lee stands 7th from the left.\n35\tPhotograph of Frank L. Cowles (far left) and William E. Lee (far right) standing with two women in front of a Civitan banner.\n36\tPhotograph of Frank L. Cowles (far left) and two women watching William E. Lee light something on fire in front of a Civitan banner.\n37\tPhotograph of 3 men and 2 women of the Civitans and Civinettes serving dinner at the Servicemen's Lounge and Information Center wearing aprons.  William E. Lee is in the center.\n38\tPhotograph of the Civitans serving dinner at the Servicemen's Lounge and Information Center.\n39\tPhotograph of a man cutting a cake at a table full of people.  William E. Lee stands to the left holding a microphone stand.\n40\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club. \n41\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club. \n42\tPhotograph of several Civitan Club members standing on a porch behind a Red Cross flag and a sign that says \"Thank's Jay!\"  William E. Lee is 4th from the right.\n43\tPhotograph of 3 men during a Civitan award meeting.","Local History and Special Collections Branch, Alexandria Library","English\n."],"collection_title_tesim":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978"],"collection_ssim":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS038"],"unitid_tesim":["MS038"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"creator_corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"creators_ssim":["Local History and Special Collections Branch, Alexandria Library"],"access_subjects_ssim":["Women -- Societies and clubs.","Men -- Societies and clubs.","Women's Clubs -- Virginia","Charities -- Virginia -- Alexandria"],"access_subjects_ssm":["Women -- Societies and clubs.","Men -- Societies and clubs.","Women's Clubs -- Virginia","Charities -- Virginia -- Alexandria"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet 1 box"],"extent_tesim":[".25 Linear Feet 1 box"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"arrangement_html_tesm":["\u003cp\u003eOrganized by year.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by year."],"bioghist_html_tesm":["\u003cp\u003eThe Civitan Club, founded in 1942, was an Alexandria organization whose membership was exclusively male until 1969. The organization's emphasis was citizenship and community service.\nThe Civinettes, organized in 1944, also emphasized the same.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Civitan Club, founded in 1942, was an Alexandria organization whose membership was exclusively male until 1969. The organization's emphasis was citizenship and community service.\nThe Civinettes, organized in 1944, also emphasized the same."],"scopecontent_html_tesm":["\u003cp\u003eNewspaper clippings;\nListings of officers for the Civitans and Civinettes;\nMembership lists for the Civinettes;\nLists of naturalized citizens, mid-to-late 1950s;\nBy-laws for both organizations;\nCamp Tapawingo;\nJr. Civitans.\u003c/p\u003e  ","\u003cp\u003ePhotos in folder:\u003cbr\u003e\u003c/p\u003e","\u003cp\u003e1\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\u003cbr\u003e\n2\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\u003cbr\u003e\n3\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\u003cbr\u003e\n4\tPhotograph of members of the Civinettes participating in the Style Show.\u003c/p\u003e","\u003cp\u003ePhotos in folder: \u003cbr\u003e\u003c/p\u003e","\u003cp\u003e5\tPhotograph of five Civitan members standing at a table.  The tallest man, second from the right, is named Randall Hicks on the reverse of the photo.\u003cbr\u003e\n6\tPhotograph of six Civitan members standing at a table.  The man third from the left, is named Randall Hicks on the reverse of the photo.\u003cbr\u003e\n7\tPhotograph of three Civitan members giving a check to a female Civinette member.  The two men in the middle are Randall Hicks and Paul Strachen per the reverse of the photo.\u003cbr\u003e\n8\tPhotograph of Civitan Randall Hicks standing next to a Polytechnic track athlete and their trophies.\u003cbr\u003e\n9\tPhotograph of Civitan Randall Hicks standing in the middle of 4 Polytechnic track athletes holding a trophy.\u003cbr\u003e\n10\tPhotograph of a parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.\u003cbr\u003e\n11\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.\u003cbr\u003e\n12\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.  The truck is parked in front of J and S Incorporated with the drivers standing at the front.\u003cbr\u003e\n13\tPhotograph of the Civitan parade float with a man in colonial attire at the front and Randall Hicks at the back.  The float is driving past Ossie's Building and the Dixie Tire Company. \u003cbr\u003e\n14\tPhotograph of a closeup of Randall Hicks standing on the Civitan parade float as it passes the Dixie Tire Company.\u003cbr\u003e\n15\tPhotograph of Randall Hicks and another man standing on the Civitan parade float as it moves down the street.\u003cbr\u003e\n16\tPhotograph of an unnamed man in colonial period clothing.\u003cbr\u003e\n17\tPhotograph of 6 Civitan members standing at a table holding basketball trophies.  The man on the far left is Randall Hicks. \u003cbr\u003e\n18\tPhotograph of Civitan and Civinette members in formal attire. \u003cbr\u003e\n19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason.\u003c/p\u003e","\u003cp\u003ePhotos in folder:\u003cbr\u003e\u003c/p\u003e","\u003cp\u003e19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason.\u003cbr\u003e\n20\tPhotograph of 7 members of the Civitan and Civinette Clubs at the annual Christmas party held at the Old Club.\u003cbr\u003e\n21\tPhotograph of 5 members of the Civinette Clubs at the annual Christmas party held at the Old Club.\u003cbr\u003e\n22\tPhotograph of the Civinette Christmas party held at the Anchorage.\u003cbr\u003e\n23\tPhotograph of the Civinette Christmas party held at the Anchorage.\u003cbr\u003e\u003c/p\u003e","\u003cp\u003ePhotos in folder:\u003cbr\u003e\u003c/p\u003e","\u003cp\u003e24\tPhotograph of several party goers during Civitan Charter Nite.\u003cbr\u003e\n25\tPhotograph of two men shaking hands as a woman looks on during Civitan Charter Nite.\u003cbr\u003e\n26\tPhotograph of Frank L. Cowles (left), governor of the Chesapeake District of Civitan International, shaking the hand of William E. Lee, president of the Alexandria Civitans.\u003c/p\u003e","\u003cp\u003ePhotos in folder:\u003cbr\u003e\u003c/p\u003e","\u003cp\u003e27\tPhotograph of (left to right) Frank L. Cowles, governor of the Chesapeake District of Civitans, Jennings Randolph, a former Democratic Representative of West Virginia, William E. Lee, the Alexandria Civitan President, and Ralph H. Bogle, Jr., the Junior Chamber of Commerce President. The photo is signed \"To Bill Lee\" from Jennings Randolph.\u003cbr\u003e\n28\tPhotograph of 5 members of the Civitan Club.  On the far left is William E. Lee, the Alexandria Civitan President.  On the far right is Frank L. Cowles, governor of the Chesapeake District of Civitans.\u003cbr\u003e\n29\tPhotograph of 4 seated men talking to a standing man with prosthetic hands.  The two men on the right are (from left to right) William E. Lee, Alexandria Civitan President and Frank L. Cowles, governor of the Chesapeake District of Civitans.\u003cbr\u003e\n30\tPhotograph of William E. Lee (center) presenting a trophy to four members of the Durham (NC) High School for winning a 440 relay.  From left to right, the students are: Albert Long, Bill Rigsbee, William McDaniel, and Rex Jarrell.\u003cbr\u003e\n31\tPhotograph of 3 men cutting a cake on the 10th anniversary of the Civitan Club.  Alexandria Civitan President William E. Lee stands on the left.\u003cbr\u003e \n32\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.\u003cbr\u003e\n33\tPhotograph of a man cutting a cake at a table full of people.  Alexandria Civitan President William E. Lee stands to the left holding a microphone stand.\u003cbr\u003e\n34\tGroup Photograph of Civitan and Civinette members.  Frank L. Cowles stands 6th from the left, while William E. Lee stands 7th from the left.\u003cbr\u003e\n35\tPhotograph of Frank L. Cowles (far left) and William E. Lee (far right) standing with two women in front of a Civitan banner.\u003cbr\u003e\n36\tPhotograph of Frank L. Cowles (far left) and two women watching William E. Lee light something on fire in front of a Civitan banner.\u003cbr\u003e\n37\tPhotograph of 3 men and 2 women of the Civitans and Civinettes serving dinner at the Servicemen's Lounge and Information Center wearing aprons.  William E. Lee is in the center.\u003cbr\u003e\n38\tPhotograph of the Civitans serving dinner at the Servicemen's Lounge and Information Center.\u003cbr\u003e\n39\tPhotograph of a man cutting a cake at a table full of people.  William E. Lee stands to the left holding a microphone stand.\u003cbr\u003e\n40\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.\u003cbr\u003e \n41\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.\u003cbr\u003e \n42\tPhotograph of several Civitan Club members standing on a porch behind a Red Cross flag and a sign that says \"Thank's Jay!\"  William E. Lee is 4th from the right.\u003cbr\u003e\n43\tPhotograph of 3 men during a Civitan award meeting.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Newspaper clippings;\nListings of officers for the Civitans and Civinettes;\nMembership lists for the Civinettes;\nLists of naturalized citizens, mid-to-late 1950s;\nBy-laws for both organizations;\nCamp Tapawingo;\nJr. Civitans.","Photos in folder:","1\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\n2\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\n3\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\n4\tPhotograph of members of the Civinettes participating in the Style Show.","Photos in folder:","5\tPhotograph of five Civitan members standing at a table.  The tallest man, second from the right, is named Randall Hicks on the reverse of the photo.\n6\tPhotograph of six Civitan members standing at a table.  The man third from the left, is named Randall Hicks on the reverse of the photo.\n7\tPhotograph of three Civitan members giving a check to a female Civinette member.  The two men in the middle are Randall Hicks and Paul Strachen per the reverse of the photo.\n8\tPhotograph of Civitan Randall Hicks standing next to a Polytechnic track athlete and their trophies.\n9\tPhotograph of Civitan Randall Hicks standing in the middle of 4 Polytechnic track athletes holding a trophy.\n10\tPhotograph of a parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.\n11\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.\n12\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.  The truck is parked in front of J and S Incorporated with the drivers standing at the front.\n13\tPhotograph of the Civitan parade float with a man in colonial attire at the front and Randall Hicks at the back.  The float is driving past Ossie's Building and the Dixie Tire Company. \n14\tPhotograph of a closeup of Randall Hicks standing on the Civitan parade float as it passes the Dixie Tire Company.\n15\tPhotograph of Randall Hicks and another man standing on the Civitan parade float as it moves down the street.\n16\tPhotograph of an unnamed man in colonial period clothing.\n17\tPhotograph of 6 Civitan members standing at a table holding basketball trophies.  The man on the far left is Randall Hicks. \n18\tPhotograph of Civitan and Civinette members in formal attire. \n19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason.","Photos in folder:","19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason.\n20\tPhotograph of 7 members of the Civitan and Civinette Clubs at the annual Christmas party held at the Old Club.\n21\tPhotograph of 5 members of the Civinette Clubs at the annual Christmas party held at the Old Club.\n22\tPhotograph of the Civinette Christmas party held at the Anchorage.\n23\tPhotograph of the Civinette Christmas party held at the Anchorage.","Photos in folder:","24\tPhotograph of several party goers during Civitan Charter Nite.\n25\tPhotograph of two men shaking hands as a woman looks on during Civitan Charter Nite.\n26\tPhotograph of Frank L. Cowles (left), governor of the Chesapeake District of Civitan International, shaking the hand of William E. Lee, president of the Alexandria Civitans.","Photos in folder:","27\tPhotograph of (left to right) Frank L. Cowles, governor of the Chesapeake District of Civitans, Jennings Randolph, a former Democratic Representative of West Virginia, William E. Lee, the Alexandria Civitan President, and Ralph H. Bogle, Jr., the Junior Chamber of Commerce President. The photo is signed \"To Bill Lee\" from Jennings Randolph.\n28\tPhotograph of 5 members of the Civitan Club.  On the far left is William E. Lee, the Alexandria Civitan President.  On the far right is Frank L. Cowles, governor of the Chesapeake District of Civitans.\n29\tPhotograph of 4 seated men talking to a standing man with prosthetic hands.  The two men on the right are (from left to right) William E. Lee, Alexandria Civitan President and Frank L. Cowles, governor of the Chesapeake District of Civitans.\n30\tPhotograph of William E. Lee (center) presenting a trophy to four members of the Durham (NC) High School for winning a 440 relay.  From left to right, the students are: Albert Long, Bill Rigsbee, William McDaniel, and Rex Jarrell.\n31\tPhotograph of 3 men cutting a cake on the 10th anniversary of the Civitan Club.  Alexandria Civitan President William E. Lee stands on the left. \n32\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.\n33\tPhotograph of a man cutting a cake at a table full of people.  Alexandria Civitan President William E. Lee stands to the left holding a microphone stand.\n34\tGroup Photograph of Civitan and Civinette members.  Frank L. Cowles stands 6th from the left, while William E. Lee stands 7th from the left.\n35\tPhotograph of Frank L. Cowles (far left) and William E. Lee (far right) standing with two women in front of a Civitan banner.\n36\tPhotograph of Frank L. Cowles (far left) and two women watching William E. Lee light something on fire in front of a Civitan banner.\n37\tPhotograph of 3 men and 2 women of the Civitans and Civinettes serving dinner at the Servicemen's Lounge and Information Center wearing aprons.  William E. Lee is in the center.\n38\tPhotograph of the Civitans serving dinner at the Servicemen's Lounge and Information Center.\n39\tPhotograph of a man cutting a cake at a table full of people.  William E. Lee stands to the left holding a microphone stand.\n40\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club. \n41\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club. \n42\tPhotograph of several Civitan Club members standing on a porch behind a Red Cross flag and a sign that says \"Thank's Jay!\"  William E. Lee is 4th from the right.\n43\tPhotograph of 3 men during a Civitan award meeting."],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:31:09.600Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_46_c01_c02"}},{"id":"viblbv_repositories_2_resources_1323_c11_c04_c13","type":"File","attributes":{"title":"1951SD, 1952","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1323_c11_c04_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1323_c11_c04_c13","ref_ssm":["viblbv_repositories_2_resources_1323_c11_c04_c13"],"id":"viblbv_repositories_2_resources_1323_c11_c04_c13","ead_ssi":"viblbv_repositories_2_resources_1323","_root_":"viblbv_repositories_2_resources_1323","_nest_parent_":"viblbv_repositories_2_resources_1323_c11_c04","parent_ssi":"viblbv_repositories_2_resources_1323_c11_c04","parent_ssim":["Samuel Herrick Papers, 1930/1974","Series XI. Subject Files, 1924/1981","Sub-Series D. Minor Planets and Objects, 1929/1983"],"parent_ids_ssim":["viblbv_repositories_2_resources_1323","viblbv_repositories_2_resources_1323_c11","viblbv_repositories_2_resources_1323_c11_c04"],"title_filing_ssi":"1951SD","title_ssm":["1951SD"],"title_tesim":["1951SD"],"normalized_title_ssm":["1951SD, 1952"],"text":["1951SD, 1952","Samuel Herrick Papers, 1930/1974","Series XI. Subject Files, 1924/1981","Sub-Series D. Minor Planets and Objects, 1929/1983","box 38","folder 41"],"parent_unittitles_ssm":["Samuel Herrick Papers, 1930/1974","Series XI. Subject Files, 1924/1981","Sub-Series D. Minor Planets and Objects, 1929/1983"],"parent_unittitles_tesim":["Samuel Herrick Papers, 1930/1974","Series XI. Subject Files, 1924/1981","Sub-Series D. Minor Planets and Objects, 1929/1983"],"normalized_date_ssm":["1952"],"unitdate_other_ssim":["1952"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":1969,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Samuel Herrick Papers, 1930/1974"],"containers_ssim":["box 38","folder 41"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research with the exception of Box 74, which is restricted for use. Items in Box 74 are restricted for use until 75 years after date of creation."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1952],"_nest_path_":"/components#10/components#3/components#12","timestamp":"2026-06-23T06:44:44.878Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1323","ead_ssi":"viblbv_repositories_2_resources_1323","_root_":"viblbv_repositories_2_resources_1323","_nest_parent_":"viblbv_repositories_2_resources_1323","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1323.xml","title_filing_ssi":"Herrick, Samuel, Papers","title_ssm":["Samuel Herrick Papers"],"title_tesim":["Samuel Herrick Papers"],"unitdate_ssm":["1930-1974"],"unitdate_inclusive_ssm":["1930-1974"],"normalized_date_ssm":["1930/1974"],"normalized_title_ssm":["Samuel Herrick Papers, 1930/1974"],"text":["Samuel Herrick Papers, 1930/1974","Ms.1978.002","Astronomy","Science and Technology","Astrodynamics","Archives of American Aerospace Exploration (AAAE)","Astronomers","Aerospace engineers","The collection is open for research with the exception of Box 74, which is restricted for use. Items in Box 74 are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Some of this collection has been digitized and is available online.","Astrodynamics","The Betulia Files contain materials relating to the asteroid (1580) Betulia, named for Samuel Herrick's wife, Betulia Toro Herrick. This includes an article, calculations, correspondence, ephemerides, numerical integration, observations, elements, oppositions, and representations.\n    \n    The Icarus Files contain materials relating to the near-Earth object (1566) Icarus, including ephemerides, residuals, correspondence, history and facts, observations, orbit graphs, and publications.\n    \n    The Geographos Files contain materials relating to the asteroid (1620) Geographos, including early Encke orbit files, elements, ellipse graphs, ephemerides, general information, publicity, variation of parameters, and possible exploration.\n    The Jupiter IX and Jupiter XII Files contain materials relating to Jupiter IX (an irregular satellite of Jupiter now known as Sinope) and Jupiter XII (an irregular moon of Jupiter now known as Ananke). This includes Cowell integrations, ephemeris, graphs, basic calculations, history, general information, variation of constants, observations and representations, and publicity.\n    \n    Items not included in the above files consist of materials relating to other minor planets and objects, such as Lanzia, the Swift comet, and the Wilson object. This includes graphs and calculations, articles, observations, general information, history, ephemerides, opposition graphs, formulae, and procedures. Also included are Minor Planet Center Notices 151 through 2800, and 3535 through 3602.","This series has been divided into further sub-series by subject:","Sub-Series A. Academic Activites and Affairs, includes files from Herrick's time as an instructor and professor at UCLA, including budgets, public and university service, appointment and promotional committees, and the UCLA space program. This sub-series also includes papers on the faculty senate, the Guggenheim Fellowship, letters of appreciation to Herrick, patents, and complimentary reviews of Herrick's publications.","Sub-Series B. Correspondence, consists of correspondence with faculty, university departments, and schools such as UCLA and Berkeley.  It also includes correspondence with Robert H. Goddard, American professor, engineer, physicist, and inventor.","Sub-Series C. Course Materials, is made up of materials from courses Herrick taught, such as History of Astrodynamics, Fundamental Astronomy, and short co0urses in astrodynamics. These include notes, course outlines, syllabi, exams and exercises, flash cards and practice problems, and course evaluations.","Sub-Series D. SH Students' Dissertations, Theses, and Comprehensive Exams, includes work by students Herrick taught. Their work includes drafts and completed dissertations, theses, and comprehensive exams.","Sub-Series E. Williams College, consists of materials from Herrick's time as an undergraduate student at Williams College. This includes Herrick's course notes, papers, and outlines.","Within these sub-series the materials have remained in the order they were received.","This series is arranged alphabetically according to who Herrick was corresponding with.","Materials in this series have been listed in alphabetical order for ease of use.","This series has been divided into sub-series according to the original arrangement of materials:","Sub-Series A. \"S\" series of files, chiefly reprints of articles, includes reprints of articles by others that were identified as \"S\" series by Herrick. These articles and papers are on topics such as comets, grid navigation, orbits, and advancements in the field of astrodynamics. The files are numbered sequentially, maintaining the original order, and there are a number of folders with an \"S\" number, but no title.","Sub-Series B. Article Reprints, includes reprints of articles and technical papers by others. These files are organized alphabetically by author name and include topics such as celestial mechanics, orbits, and the space sciences.","Sub-Series C. SH Publications, consists of notes, drafts, and revisions of Herrick's Astrodynamics. It also includes errata, vellums, research reports, and bibliography materials.","Sub-Series D. SH Numbered Publications (see also listing in Box 1), is made up of Herrick's publications numbers 1 through 233. They are numbered in accordance with his bibliography (located in Box 1) and include drafts and reprints of his work, as well as correspondence relating to it. Topics include orbit methods, comet observations, position determination, celestial navigation, planetary grids, ephemeris of minor planets and objects, rocket trajectories, space travel, lunar exploration, astronomical values, and advancements in astrodynamics.","Sub-Series E. Drafts of Articles and Book Chapters, includes additional notes and drafts of articles and book chapters, such as Herrick's Contribution to CRC \"Handbook of Tables for Mathematics,\" 1965-1966, Gibb's Contribution to Orbit Theory, and Herrick's review of Einstein books. It also contains correspondence related to Herrick's drafts and publications.","This Sub-Series is arranged in alphabetical order by author.","This series largely maintains the order it was received. Materials relating to Halley's Comet and (1566) Icarus have been grouped together for ease of use.","This series largely maintains the order in which it was received. Oversized materials have been separated into additional boxes.","This series has been separated into four parts to maintain the original order and separation of materials.","The Betulia Files contain materials relating to the asteroid (1580) Betulia, named for Samuel Herrick's wife, Betulia Toro Herrick. This includes an article, calculations, correspondence, ephemerides, numerical integration, observations, elements, oppositions, and representations.\n    \n    The Icarus Files contain materials relating to the near-Earth object (1566) Icarus, including ephemerides, residuals, correspondence, history and facts, observations, orbit graphs, and publications.\n    \n    The Geographos Files contain materials relating to the asteroid (1620) Geographos, including early Encke orbit files, elements, ellipse graphs, ephemerides, general information, publicity, variation of parameters, and possible exploration.\n    The Jupiter IX and Jupiter XII Files contain materials relating to Jupiter IX (an irregular satellite of Jupiter now known as Sinope) and Jupiter XII (an irregular moon of Jupiter now known as Ananke). This includes Cowell integrations, ephemeris, graphs, basic calculations, history, general information, variation of constants, observations and representations, and publicity.\n    \n    Items not included in the above files consist of materials relating to other minor planets and objects, such as Lanzia, the Swift comet, and the Wilson object. This includes graphs and calculations, articles, observations, general information, history, ephemerides, opposition graphs, formulae, and procedures. Also included are Minor Planet Center Notices 151 through 2800, and 3535 through 3602.","Samuel Herrick, generally recognized as the founder of the field of astrodynamics, was born in Madison County, Virginia, in 1911. He received a B. S. in Mathematics from Williams College in 1932 and a Ph.D. in Astronomy from the University of California at Berkeley in 1936. Most of his teaching career was spent at the University of California at Los Angeles (UCLA). Herrick served as an instructor in the Astronomy Department from 1937 to 1942; as an assistant professor from 1942 to 1947; as an associate professor from 1947 to 1952; and as a professor from 1952 to 1962. He was the Hunsaker Professor of Astronomy at the Massachusetts Institute of Technology during 1961-1962 and was made a professor in the Astronomy and Engineering Departments at UCLA in 1962. Herrick died in 1974.","Herrick's work applied the classic disciplines of celestial mechanics and mathematics to the special problems of space trajectory research. His studies of the celestial mechanics aspects of space navigation date from 1931, when he received advice and encouragement from R. H. Goddard. As early as 1936, he formulated a development program for the utilization of celestial mechanics in the solution of space navigation problems destined to become real problems only two decades later. In 1946, Herrick instituted a course in Rocket Navigation, the world's first university course designed specifically for astronautics. In 1957, he founded the Astrodynamics Colloquium at UCLA to facilitate communication among scientists engaged in rocket research.","Herrick's publications number over two hundred items, culminating in his comprehensive two-volume work on Astrodynamics, published by Van Nostrand in 1971-1972. His principal contributions to scientific theory are in the areas of orbit determination and ephemeris integration; universal variables; perturbation theory and variation of parameters; differential correction and least squares; space navigation; and sea and air navigation. Further information on Herrick and his accomplishments can be found in the biographical files in Box 1 of the collection.","The guide to the Samuel Herrick Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Some of the materials in this folder are in French.","Some materials in this folder are written in French.","This folder contains glass plates, some of which have broken. Please use caution when handling the materials.","Minimal description was completed prior to 1998.","Additional processing, arrangement and description of the Samuel Herrick Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the National Historical Publications and Records Commission (NHPRC) in 2024.","This collection is made up of the personal and professional papers of Samuel Herrick (1911-1974), astronomer and founder of the field of astrodynamics. It contains personal materials such as biographical and bibliographical information, correspondence, and personal subject files. This collection also contains materials that document Herrick's career in astronomy, beginning with his B.S. in Mathematics from Williams College and including his time teaching at the University of California at Los Angeles (UCLA). Among these are notes, drafts of publications, files relating to astrodynamics courses, computer printouts, manuscript calculations, and reprints of the works on others in astronomy and the space sciences. These include notable materials such as correspondence with R. H. Goddard, a development program for the utilization of celestial mechanics in the solution of space navigation problems, the founding of the Astrodynamics Colloquium at UCLA, consulting files for NASA's Project Mercury and the film \"The Day the Earth Stood Still,\" and a comprehensive two-volume work on Astrodynamics, published by Van Nostrand in 1971-1972. Materials are largely textual, consisting of correspondence, memoranda, reports, clippings, publications, and others. This collection also includes glass plates, Fortran computer printouts, and some drawings.","Series I. Biographical Information, 1949-1973. This series is made up of materials relating to Herrick's life, such as biographical sketches of Herrick, biographical directory files, complete and partial bibliographies, and a personal reading log. These include information about his life, professional activities, honors and memeberships in societies, publications, and citations.","Series II. Academic Files, 1930-1974. This series contains materials related to Herrick's academic activities. This includes files and notes from his time as a student at Williams College, correspondence with faculty, files from his time with UCLA, course notes and materials from courses he taught, and student dissertations, theses, and comprehensive exams.","Sub-Series A. Academic Activities and Affairs, 1935-1973, includes academic affairs files (1930-1970), UCLA Astronomy Dept.; Guggenheim fellowship (1945-1951); UCLA files; Hunsaker professorship at MIT (1961-1962); reviews of others' works; Los Angeles Advisory Committee (1964-1968); and participation in \"Los Angeles in Paris\" trip (1967-1968).","Sub-Series B. Correspondence, 1931-1972, consists of academic correspondence, including correspondence with R. H. Goddard.","Sub-Series C. Course Materials, 1948-1974. This sub-series includes course notes, outlines, and exams for space navigation (1955) and astrodynamics courses.","Sub-Series D. S.H. Students' Dissertations, Theses, and Comprehensive Exams, 1965-1973, includes drafts and completed versions of dissertations, theses, and comprehensive exams from students Herrick taught.","Sub-Series E. Williams College, 1930-1969. This sub-series includes Williams College course notes; S.H. thesis and papers; and William College Correspondence.","Series III. Correspondence, 1930-1973. This series contains correspondence between Herrick and others ranging from 1930 to 1973.","Series IV. Consulting, 1940-1966. This series includes contracts and consultations, such as Ohio State Mapping Lab, Lockheed, North American Aviation, Army Air Force, NSF Grant G976, Western Data Processing Center, and 20th Century Fox [Consulting for \"The Day the Earth Stood Still\"]. It also includes materials such as monthly reports, proposals, and logs.","Series V. Presentations and Lectures, 1955-1964. This series consists of notes, outlines, slides, and other materials related to talks, presentations, and lectures given by Herrick. This includes talks and presentations given for organizations such as AIAA and IAU, covering topics such as differential correction, variation of parameters, planetary motions, and asteroids.","Series VI. Professional Societies, 1925-1973. This series includes materials related to professional societies in the space sciences, including, but not limited to: the American Institute of Aeronautics and Astronautics, American Academy of Mechanics, American Academy of Sciences, American Rocket Society, British Interplanetary Society, and the International Academy of Astronautics. Materials include membership information, board of directors files, awards, annual meeting and conference notes, committees, reports, and journals.","Series VII. Publications, including Reprints and Drafts, 1932-1973. This series includes drafts and reprints of Herrick's many works, notably Astrodynamics, published in 1971-1972. The series also contains correspondence about Herrick's publications or his reviews of work published by others. There are also reprints of the works of others in astronomy and space sciences.","Series VIII. Manuscript Calculations, 1948-1972. This series consists of calculations used in Herrick's studies of minor planets and objects. It includes materials such as shock waves of Icarus calculations, Project 15, minor planets and objects, perturbations, geophysical constraints and correction methods, collection of formulae, and ephemeral calculations.","Series IX. Computer Printouts, 1965-1973. This series includes early SH printouts, calculations, and Fortran computer runs such as Betulia ephemeris, Icarus ephemerides, Geographos, planetary coordinates, and two-body problems. Much of the computer printouts were created by Gary R. Smith, who received his Ph.D. in astrodynamics at UCLA in 1972 from Herrick.","Series X. Card Files, n.d. This series contains 4 sets card files with names and addresses of Herrick's contacts and bibliographies for celestial mechanics and astrodynamics.","Series XI. Subject Files, 1924-1981. This series includes Herrick's files on a variety of subjects. These materials reflect his professional and personal interests, including early computers, minor planets, space exploration, and piano music. Notable materials include Aeronutronic Systems Division-Ford files, Technical Study #3, mathematics publications, Jet Propulsion Laboratory reports, files on Betulia, Icarus, Geographos, and Jupiter IX and XII, Minor Planet Center Notices, and notes on navigation.","Series XII. Drawings and Calculations, 1949, n.d. This series consists of oversize drawings and calculations, including rectilinear tables, the nonimal system, and navigational drawings.","This series is made up of materials relating to Herrick's life, such as biographical sketches of Herrick, biographical directory files, complete and partial bibliographies, and a personal reading log. These include information about his life, professional activities, honors and memeberships in societies, publications, and citations.","This series contains materials related to Herrick's academic activities. This includes files and notes from his time as a student at Williams College, correspondence with faculty, files from his time with UCLA, course notes and materials from courses he taught, and student dissertations, theses, and comprehensive exams.","Sub-Series A. Academic Activities and Affairs, 1935-1973, includes academic affairs files (1930-1970), UCLA Astronomy Dept.; Guggenheim fellowship (1945-1951); UCLA files; Hunsaker professorship at MIT (1961-1962); reviews of others' works; Los Angeles Advisory Committee (1964-1968); and participation in \"Los Angeles in Paris\" trip (1967-1968).","Sub-Series B. Correspondence, 1931-1972, consists of academic correspondence, including correspondence with R. H. Goddard.","Sub-Series C. Course Materials, 1948-1974. This sub-series includes course notes, outlines, and exams for space navigation (1955) and astrodynamics courses.","Sub-Series D. S.H. Students' Dissertations, Theses, and Comprehensive Exams, 1965-1973, includes drafts and completed versions of dissertations, theses, and comprehensive exams from students Herrick taught.","Sub-Series E. Williams College, 1930-1969. This sub-series includes Williams College course notes; S.H. thesis and papers; and William College Correspondence.","This series contains correspondence between Herrick and others ranging from 1930 to 1973.","This series includes contracts and consultations, such as Ohio State Mapping Lab, Lockheed, North American Aviation, Army Air Force, NSF Grant G976, Western Data Processing Center, and 20th Century Fox [Consulting for \"The Day the Earth Stood Still\"]. It also includes materials such as monthly reports, proposals, and logs.","This series consists of notes, outlines, slides, and other materials related to talks, presentations, and lectures given by Herrick. This includes talks and presentations given for organizations such as AIAA and IAU, covering topics such as differential correction, variation of parameters, planetary motions, and asteroids.","This series includes materials related to professional societies in the space sciences, including, but not limited to: the American Institute of Aeronautics and Astronautics, American Academy of Mechanics, American Academy of Sciences, American Rocket Society, British Interplanetary Society, and the International Academy of Astronautics. Materials include membership information, board of directors files, awards, annual meeting and conference notes, committees, reports, and journals.","This series includes drafts and reprints of Herrick's many works, notably Astrodynamics, published in 1971-1972. The series also contains correspondence about Herrick's publications or his reviews of work published by others. There are also reprints of the works of others in astronomy and space sciences.","This series consists of calculations used in Herrick's studies of minor planets and objects. It includes materials such as shock waves of Icarus calculations, Project 15, minor planets and objects, perturbations, geophysical constraints and correction methods, collection of formulae, and ephemeral calculations.","This series includes early SH printouts, calculations, and Fortran computer runs such as Betulia ephemeris, Icarus ephemerides, Geographos, planetary coordinates, and two-body problems.","Much of the computer printouts were created by Gary R. Smith, who received his Ph.D. in astrodynamics at UCLA in 1972 from Herrick.","This series contains 4 sets card files with names and addresses of Herrick's contacts and bibliographies for celestial mechanics and astrodynamics.","This series includes Herrick's files on a variety of subjects. These materials reflect his professional and personal interests, including early computers, minor planets, space exploration, and piano music. Notable materials include Aeronutronic Systems Division-Ford files, Technical Study #3, mathematics publications, Jet Propulsion Laboratory reports, files on Betulia, Icarus, Geographos, and Jupiter IX and XII, Minor Planet Center Notices, and notes on navigation.","This series consists of oversize drawings and calculations, including rectilinear tables, the nonimal system, and navigational drawings.","The following publications have been separated to the Rare Book Collection:","Harbold, Norris B. The Log of Air Navigation. San Antonio: The Naylor Company, 1970.","Mechanics.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1970.","Mechanics.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1971.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Samuel Herrick was an astronomer who specialized in celestial mechanics, generally recognized as the founder of the field of astrodynamics. His papers consist of correspondence, notes, drafts of publications, files relating to students and courses, and reprints of the works of others in astronomy and space sciences. Other highlights include Herrick's consulting files for projects such as NASA's Project Mercury, the film \"\"The Day the Earth Stood Still\" (1951), and private industry. This collection is part of the Archives of American Aerospace Exploration at Virginia Tech.","Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Herrick, Samuel, 1911-1974","Most of the materials in this collection are in English. Some materials in Series VI. Professional Societies, Series VII. Publications, and Series XI. Subject Files are in French, German, Russian, Italian, Dutch, Portuguese, or Japanese."],"collection_title_tesim":["Samuel Herrick Papers, 1930/1974"],"collection_ssim":["Samuel Herrick Papers, 1930/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1978.002"],"unitid_tesim":["Ms.1978.002"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Herrick, Samuel, 1911-1974"],"creator_ssim":["Herrick, Samuel, 1911-1974"],"creator_persname_ssim":["Herrick, Samuel, 1911-1974"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Herrick, Samuel, 1911-1974","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Samuel Herrick Papers were donated to Special Collections and University Archives in 1978."],"access_subjects_ssim":["Astronomy","Science and Technology","Astrodynamics","Archives of American Aerospace Exploration (AAAE)","Astronomers","Aerospace engineers"],"access_subjects_ssm":["Astronomy","Science and Technology","Astrodynamics","Archives of American Aerospace Exploration (AAAE)","Astronomers","Aerospace engineers"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 85 Cubic Feet 74 boxes, 1 oversize folder"],"extent_tesim":["ca. 85 Cubic Feet 74 boxes, 1 oversize folder"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research with the exception of Box 74, which is restricted for use. Items in Box 74 are restricted for use until 75 years after date of creation.\u003c/p\u003e  ","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e","\u003cp\u003eContents in this folder are restricted for use until 75 years after date of creation.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Contents in this folder are restricted for use until 75 years after date of creation.","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research with the exception of Box 74, which is restricted for use. Items in Box 74 are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation.","Contents in this folder are restricted for use until 75 years after date of creation."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/325\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003ctitle render=\"italic\"\u003eAstrodynamics\u003c/title\u003e. It also includes errata, vellums, research reports, and bibliography materials.\n\nSub-Series D. SH Numbered Publications (also see listing in Box 1), 1932-1972. This sub-series is made up of Herrick's publications numbers 1 through 233. They are numbered in accordance with his bibliography (located in Box 1) and include drafts and reprints of his work, as well as correspondence relating to it. Topics include orbit methods, comet observations, position determination, celestial navigation, planetary grids, ephemeris of minor planets and objects, rocket trajectories, space travel, lunar exploration, astronomical values, and advancements in astrodynamics. \n\nSub-Series E. Drafts of Articles and Book Chapters, 1944-1971, includes additional notes and drafts of articles and book chapters, such as Herrick's Contribution to CRC \"Handbook of Tables for Mathematics,\" 1965-1966, Gibb's Contribution to Orbit Theory, and Herrick's review of Einstein books. It also contains correspondence related to Herrick's drafts and publications.\n\nSeries VIII. Manuscript Calculations, 1948-1973. This series largely maintains the order it was received. Materials relating to Halley's Comet and (1566) Icarus have been grouped together for ease of use. \n\nSeries IX. Computer Printouts, 1965-1973\n\nSeries X. Card Files, n.d. This series has been separated into four parts to maintain the original order and separation of materials. \n\nSeries XI. Subject Files, 1924-1981. With the exception of general subject files, this series has been further divided into the following sub-series:\n\nSub-Series A. Aeronutronics Systems Division (ASD), 1956-1960, includes numbered files on various technical and organization matters, proposals, and projects. They are part of Herrick's series of Aeronutronic Systems Division-Ford files. Topics include, but are not limited to, a project planning committee, orbits for Vargo-Boeing, Navy direction presentation, and geodetic position determination.\n\nSub-Series B. Computers and Electronic Calculations, 1947-1967, includes manuals on early computers such as EDVAC and ZEPHYR, Monroe calculator, SWAC memoranda, coding sheets, differential analyzer operation and problems, and Technical Study #3.\n\nSub-Series C. Mathematics, 1931-1975, consists of materials relating to mathematical techniques, including Chebyshev polynomials, Hansen's method of general perturbations, numerical analysis and integration, data smoothing, theoretical mechanics, Encke's method, astronomical and gravitational constants, and universal variables. \n\nSub-Series D. Minor Planets and Objects, 1929-1983, has been divided further. Materials in this sub-series and its divisions have been alphabetized.\n\n","\u003cul\u003e\n\n\u003cli\u003eThe Betulia Files contain materials relating to the asteroid (1580) Betulia, named for Samuel Herrick's wife, Betulia Toro Herrick. This includes an article, calculations, correspondence, ephemerides, numerical integration, observations, elements, oppositions, and representations.\u003c/li\u003e\n    \n    \u003cli\u003eThe Icarus Files contain materials relating to the near-Earth object (1566) Icarus, including ephemerides, residuals, correspondence, history and facts, observations, orbit graphs, and publications.\u003c/li\u003e\n    \n    \u003cli\u003eThe Geographos Files contain materials relating to the asteroid (1620) Geographos, including early Encke orbit files, elements, ellipse graphs, ephemerides, general information, publicity, variation of parameters, and possible exploration.\u003c/li\u003e\n    \u003cli\u003eThe Jupiter IX and Jupiter XII Files contain materials relating to Jupiter IX (an irregular satellite of Jupiter now known as Sinope) and Jupiter XII (an irregular moon of Jupiter now known as Ananke). This includes Cowell integrations, ephemeris, graphs, basic calculations, history, general information, variation of constants, observations and representations, and publicity.\u003c/li\u003e\n    \n    \u003cli\u003eItems not included in the above files consist of materials relating to other minor planets and objects, such as Lanzia, the Swift comet, and the Wilson object. This includes graphs and calculations, articles, observations, general information, history, ephemerides, opposition graphs, formulae, and procedures. Also included are Minor Planet Center Notices 151 through 2800, and 3535 through 3602. \u003c/li\u003e\n\u003c/ul\u003e\n\nSub-Series E. Space Exploration, 1924-1975. This sub-series is made up of materials relating to space exploration, including space travel and navigation. This includes foreign journal articles on orbit determination, meeting minutes of NASA Earth model (1961), notes on \"fly-by\" orbits, artificial satellites, space colonies, UCLA moon base study, grid navigation, navigation methods, Project Mercury, precision satellite orbit correction, and planetary position data requirements for space vehicle trajectory computations.\n\nSeries XII. Drawings and Calculations, 1949, n.d.  ","\u003cp\u003eThis series has been divided into further sub-series by subject:\u003c/p\u003e","\u003cp\u003e\nSub-Series A. Academic Activites and Affairs, includes files from Herrick's time as an instructor and professor at UCLA, including budgets, public and university service, appointment and promotional committees, and the UCLA space program. This sub-series also includes papers on the faculty senate, the Guggenheim Fellowship, letters of appreciation to Herrick, patents, and complimentary reviews of Herrick's publications.\u003c/p\u003e","\u003cp\u003eSub-Series B. Correspondence, consists of correspondence with faculty, university departments, and schools such as UCLA and Berkeley.  It also includes correspondence with Robert H. Goddard, American professor, engineer, physicist, and inventor.\u003c/p\u003e","\u003cp\u003eSub-Series C. Course Materials, is made up of materials from courses Herrick taught, such as History of Astrodynamics, Fundamental Astronomy, and short co0urses in astrodynamics. These include notes, course outlines, syllabi, exams and exercises, flash cards and practice problems, and course evaluations.\u003c/p\u003e","\u003cp\u003eSub-Series D. SH Students' Dissertations, Theses, and Comprehensive Exams, includes work by students Herrick taught. Their work includes drafts and completed dissertations, theses, and comprehensive exams.\u003c/p\u003e","\u003cp\u003eSub-Series E. Williams College, consists of materials from Herrick's time as an undergraduate student at Williams College. This includes Herrick's course notes, papers, and outlines. \u003c/p\u003e","\u003cp\u003e\nWithin these sub-series the materials have remained in the order they were received.\u003c/p\u003e","\u003cp\u003eThis series is arranged alphabetically according to who Herrick was corresponding with.\u003c/p\u003e","\u003cp\u003eMaterials in this series have been listed in alphabetical order for ease of use.\u003c/p\u003e","\u003cp\u003eThis series has been divided into sub-series according to the original arrangement of materials:\u003c/p\u003e","\u003cp\u003eSub-Series A. \"S\" series of files, chiefly reprints of articles, includes reprints of articles by others that were identified as \"S\" series by Herrick. These articles and papers are on topics such as comets, grid navigation, orbits, and advancements in the field of astrodynamics. The files are numbered sequentially, maintaining the original order, and there are a number of folders with an \"S\" number, but no title. \u003c/p\u003e","\u003cp\u003eSub-Series B. Article Reprints, includes reprints of articles and technical papers by others. These files are organized alphabetically by author name and include topics such as celestial mechanics, orbits, and the space sciences.\u003c/p\u003e","\u003cp\u003eSub-Series C. SH Publications, consists of notes, drafts, and revisions of Herrick's \u003ctitle render=\"italic\"\u003eAstrodynamics\u003c/title\u003e. It also includes errata, vellums, research reports, and bibliography materials.\u003c/p\u003e","\u003cp\u003eSub-Series D. SH Numbered Publications (see also listing in Box 1), is made up of Herrick's publications numbers 1 through 233. They are numbered in accordance with his bibliography (located in Box 1) and include drafts and reprints of his work, as well as correspondence relating to it. Topics include orbit methods, comet observations, position determination, celestial navigation, planetary grids, ephemeris of minor planets and objects, rocket trajectories, space travel, lunar exploration, astronomical values, and advancements in astrodynamics. \u003c/p\u003e","\u003cp\u003eSub-Series E. Drafts of Articles and Book Chapters, includes additional notes and drafts of articles and book chapters, such as Herrick's Contribution to CRC \"Handbook of Tables for Mathematics,\" 1965-1966, Gibb's Contribution to Orbit Theory, and Herrick's review of Einstein books. It also contains correspondence related to Herrick's drafts and publications.\u003c/p\u003e","\u003cp\u003eThis Sub-Series is arranged in alphabetical order by author.\u003c/p\u003e","\u003cp\u003eThis series largely maintains the order it was received. Materials relating to Halley's Comet and (1566) Icarus have been grouped together for ease of use.\u003c/p\u003e","\u003cp\u003eThis series largely maintains the order in which it was received. Oversized materials have been separated into additional boxes.\u003c/p\u003e","\u003cp\u003eThis series has been separated into four parts to maintain the original order and separation of materials.\u003c/p\u003e","\u003cul\u003e\n\n\u003cli\u003eThe Betulia Files contain materials relating to the asteroid (1580) Betulia, named for Samuel Herrick's wife, Betulia Toro Herrick. This includes an article, calculations, correspondence, ephemerides, numerical integration, observations, elements, oppositions, and representations.\u003c/li\u003e\n    \n    \u003cli\u003eThe Icarus Files contain materials relating to the near-Earth object (1566) Icarus, including ephemerides, residuals, correspondence, history and facts, observations, orbit graphs, and publications.\u003c/li\u003e\n    \n    \u003cli\u003eThe Geographos Files contain materials relating to the asteroid (1620) Geographos, including early Encke orbit files, elements, ellipse graphs, ephemerides, general information, publicity, variation of parameters, and possible exploration.\u003c/li\u003e\n    \u003cli\u003eThe Jupiter IX and Jupiter XII Files contain materials relating to Jupiter IX (an irregular satellite of Jupiter now known as Sinope) and Jupiter XII (an irregular moon of Jupiter now known as Ananke). This includes Cowell integrations, ephemeris, graphs, basic calculations, history, general information, variation of constants, observations and representations, and publicity.\u003c/li\u003e\n    \n    \u003cli\u003eItems not included in the above files consist of materials relating to other minor planets and objects, such as Lanzia, the Swift comet, and the Wilson object. This includes graphs and calculations, articles, observations, general information, history, ephemerides, opposition graphs, formulae, and procedures. Also included are Minor Planet Center Notices 151 through 2800, and 3535 through 3602. \u003c/li\u003e\n\u003c/ul\u003e\n\nSub-Series E. Space Exploration, is made up of materials relating to space exploration, including space travel and navigation. This includes foreign journal articles on orbit determination, meeting minutes of NASA Earth model (1961), notes on \"fly-by\" orbits, artificial satellites, space colonies, UCLA moon base study, grid navigation, navigation methods, Project Mercury, precision satellite orbit correction, and planetary position data requirements for space vehicle trajectory computations.\n\nItems not included in the above sub-series are general subject files consisting of Herrick's personal materials, such as piano sheet music, notes, and a bill of sale."],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Astrodynamics","The Betulia Files contain materials relating to the asteroid (1580) Betulia, named for Samuel Herrick's wife, Betulia Toro Herrick. This includes an article, calculations, correspondence, ephemerides, numerical integration, observations, elements, oppositions, and representations.\n    \n    The Icarus Files contain materials relating to the near-Earth object (1566) Icarus, including ephemerides, residuals, correspondence, history and facts, observations, orbit graphs, and publications.\n    \n    The Geographos Files contain materials relating to the asteroid (1620) Geographos, including early Encke orbit files, elements, ellipse graphs, ephemerides, general information, publicity, variation of parameters, and possible exploration.\n    The Jupiter IX and Jupiter XII Files contain materials relating to Jupiter IX (an irregular satellite of Jupiter now known as Sinope) and Jupiter XII (an irregular moon of Jupiter now known as Ananke). This includes Cowell integrations, ephemeris, graphs, basic calculations, history, general information, variation of constants, observations and representations, and publicity.\n    \n    Items not included in the above files consist of materials relating to other minor planets and objects, such as Lanzia, the Swift comet, and the Wilson object. This includes graphs and calculations, articles, observations, general information, history, ephemerides, opposition graphs, formulae, and procedures. Also included are Minor Planet Center Notices 151 through 2800, and 3535 through 3602.","This series has been divided into further sub-series by subject:","Sub-Series A. Academic Activites and Affairs, includes files from Herrick's time as an instructor and professor at UCLA, including budgets, public and university service, appointment and promotional committees, and the UCLA space program. This sub-series also includes papers on the faculty senate, the Guggenheim Fellowship, letters of appreciation to Herrick, patents, and complimentary reviews of Herrick's publications.","Sub-Series B. Correspondence, consists of correspondence with faculty, university departments, and schools such as UCLA and Berkeley.  It also includes correspondence with Robert H. Goddard, American professor, engineer, physicist, and inventor.","Sub-Series C. Course Materials, is made up of materials from courses Herrick taught, such as History of Astrodynamics, Fundamental Astronomy, and short co0urses in astrodynamics. These include notes, course outlines, syllabi, exams and exercises, flash cards and practice problems, and course evaluations.","Sub-Series D. SH Students' Dissertations, Theses, and Comprehensive Exams, includes work by students Herrick taught. Their work includes drafts and completed dissertations, theses, and comprehensive exams.","Sub-Series E. Williams College, consists of materials from Herrick's time as an undergraduate student at Williams College. This includes Herrick's course notes, papers, and outlines.","Within these sub-series the materials have remained in the order they were received.","This series is arranged alphabetically according to who Herrick was corresponding with.","Materials in this series have been listed in alphabetical order for ease of use.","This series has been divided into sub-series according to the original arrangement of materials:","Sub-Series A. \"S\" series of files, chiefly reprints of articles, includes reprints of articles by others that were identified as \"S\" series by Herrick. These articles and papers are on topics such as comets, grid navigation, orbits, and advancements in the field of astrodynamics. The files are numbered sequentially, maintaining the original order, and there are a number of folders with an \"S\" number, but no title.","Sub-Series B. Article Reprints, includes reprints of articles and technical papers by others. These files are organized alphabetically by author name and include topics such as celestial mechanics, orbits, and the space sciences.","Sub-Series C. SH Publications, consists of notes, drafts, and revisions of Herrick's Astrodynamics. It also includes errata, vellums, research reports, and bibliography materials.","Sub-Series D. SH Numbered Publications (see also listing in Box 1), is made up of Herrick's publications numbers 1 through 233. They are numbered in accordance with his bibliography (located in Box 1) and include drafts and reprints of his work, as well as correspondence relating to it. Topics include orbit methods, comet observations, position determination, celestial navigation, planetary grids, ephemeris of minor planets and objects, rocket trajectories, space travel, lunar exploration, astronomical values, and advancements in astrodynamics.","Sub-Series E. Drafts of Articles and Book Chapters, includes additional notes and drafts of articles and book chapters, such as Herrick's Contribution to CRC \"Handbook of Tables for Mathematics,\" 1965-1966, Gibb's Contribution to Orbit Theory, and Herrick's review of Einstein books. It also contains correspondence related to Herrick's drafts and publications.","This Sub-Series is arranged in alphabetical order by author.","This series largely maintains the order it was received. Materials relating to Halley's Comet and (1566) Icarus have been grouped together for ease of use.","This series largely maintains the order in which it was received. Oversized materials have been separated into additional boxes.","This series has been separated into four parts to maintain the original order and separation of materials.","The Betulia Files contain materials relating to the asteroid (1580) Betulia, named for Samuel Herrick's wife, Betulia Toro Herrick. This includes an article, calculations, correspondence, ephemerides, numerical integration, observations, elements, oppositions, and representations.\n    \n    The Icarus Files contain materials relating to the near-Earth object (1566) Icarus, including ephemerides, residuals, correspondence, history and facts, observations, orbit graphs, and publications.\n    \n    The Geographos Files contain materials relating to the asteroid (1620) Geographos, including early Encke orbit files, elements, ellipse graphs, ephemerides, general information, publicity, variation of parameters, and possible exploration.\n    The Jupiter IX and Jupiter XII Files contain materials relating to Jupiter IX (an irregular satellite of Jupiter now known as Sinope) and Jupiter XII (an irregular moon of Jupiter now known as Ananke). This includes Cowell integrations, ephemeris, graphs, basic calculations, history, general information, variation of constants, observations and representations, and publicity.\n    \n    Items not included in the above files consist of materials relating to other minor planets and objects, such as Lanzia, the Swift comet, and the Wilson object. This includes graphs and calculations, articles, observations, general information, history, ephemerides, opposition graphs, formulae, and procedures. Also included are Minor Planet Center Notices 151 through 2800, and 3535 through 3602."],"bioghist_html_tesm":["\u003cp\u003eSamuel Herrick, generally recognized as the founder of the field of astrodynamics, was born in Madison County, Virginia, in 1911. He received a B. S. in Mathematics from Williams College in 1932 and a Ph.D. in Astronomy from the University of California at Berkeley in 1936. Most of his teaching career was spent at the University of California at Los Angeles (UCLA). Herrick served as an instructor in the Astronomy Department from 1937 to 1942; as an assistant professor from 1942 to 1947; as an associate professor from 1947 to 1952; and as a professor from 1952 to 1962. He was the Hunsaker Professor of Astronomy at the Massachusetts Institute of Technology during 1961-1962 and was made a professor in the Astronomy and Engineering Departments at UCLA in 1962. Herrick died in 1974. \u003c/p\u003e","\u003cp\u003eHerrick's work applied the classic disciplines of celestial mechanics and mathematics to the special problems of space trajectory research. His studies of the celestial mechanics aspects of space navigation date from 1931, when he received advice and encouragement from R. H. Goddard. As early as 1936, he formulated a development program for the utilization of celestial mechanics in the solution of space navigation problems destined to become real problems only two decades later. In 1946, Herrick instituted a course in Rocket Navigation, the world's first university course designed specifically for astronautics. In 1957, he founded the Astrodynamics Colloquium at UCLA to facilitate communication among scientists engaged in rocket research. \u003c/p\u003e","\u003cp\u003eHerrick's publications number over two hundred items, culminating in his comprehensive two-volume work on \u003ctitle render=\"italic\"\u003eAstrodynamics\u003c/title\u003e, published by Van Nostrand in 1971-1972. His principal contributions to scientific theory are in the areas of orbit determination and ephemeris integration; universal variables; perturbation theory and variation of parameters; differential correction and least squares; space navigation; and sea and air navigation. Further information on Herrick and his accomplishments can be found in the biographical files in Box 1 of the collection. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Samuel Herrick, generally recognized as the founder of the field of astrodynamics, was born in Madison County, Virginia, in 1911. He received a B. S. in Mathematics from Williams College in 1932 and a Ph.D. in Astronomy from the University of California at Berkeley in 1936. Most of his teaching career was spent at the University of California at Los Angeles (UCLA). Herrick served as an instructor in the Astronomy Department from 1937 to 1942; as an assistant professor from 1942 to 1947; as an associate professor from 1947 to 1952; and as a professor from 1952 to 1962. He was the Hunsaker Professor of Astronomy at the Massachusetts Institute of Technology during 1961-1962 and was made a professor in the Astronomy and Engineering Departments at UCLA in 1962. Herrick died in 1974.","Herrick's work applied the classic disciplines of celestial mechanics and mathematics to the special problems of space trajectory research. His studies of the celestial mechanics aspects of space navigation date from 1931, when he received advice and encouragement from R. H. Goddard. As early as 1936, he formulated a development program for the utilization of celestial mechanics in the solution of space navigation problems destined to become real problems only two decades later. In 1946, Herrick instituted a course in Rocket Navigation, the world's first university course designed specifically for astronautics. In 1957, he founded the Astrodynamics Colloquium at UCLA to facilitate communication among scientists engaged in rocket research.","Herrick's publications number over two hundred items, culminating in his comprehensive two-volume work on Astrodynamics, published by Van Nostrand in 1971-1972. His principal contributions to scientific theory are in the areas of orbit determination and ephemeris integration; universal variables; perturbation theory and variation of parameters; differential correction and least squares; space navigation; and sea and air navigation. Further information on Herrick and his accomplishments can be found in the biographical files in Box 1 of the collection."],"odd_html_tesm":["\u003cp\u003eThe guide to the Samuel Herrick Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  ","\u003cp\u003eSome of the materials in this folder are in French.\u003c/p\u003e","\u003cp\u003eSome materials in this folder are written in French.\u003c/p\u003e","\u003cp\u003eThis folder contains glass plates, some of which have broken. Please use caution when handling the materials.\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","Language of Materials","Language of Materials","Caution"],"odd_tesim":["The guide to the Samuel Herrick Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Some of the materials in this folder are in French.","Some materials in this folder are written in French.","This folder contains glass plates, some of which have broken. Please use caution when handling the materials."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Samuel Herrick Papers, Ms1978-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Samuel Herrick Papers, Ms1978-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eMinimal description was completed prior to 1998.\u003c/p\u003e","\u003cp\u003eAdditional processing, arrangement and description of the Samuel Herrick Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003eNational Historical Publications and Records Commission (NHPRC)\u003c/a\u003e in 2024. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Minimal description was completed prior to 1998.","Additional processing, arrangement and description of the Samuel Herrick Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the National Historical Publications and Records Commission (NHPRC) in 2024."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is made up of the personal and professional papers of Samuel Herrick (1911-1974), astronomer and founder of the field of astrodynamics. It contains personal materials such as biographical and bibliographical information, correspondence, and personal subject files. This collection also contains materials that document Herrick's career in astronomy, beginning with his B.S. in Mathematics from Williams College and including his time teaching at the University of California at Los Angeles (UCLA). Among these are notes, drafts of publications, files relating to astrodynamics courses, computer printouts, manuscript calculations, and reprints of the works on others in astronomy and the space sciences. These include notable materials such as correspondence with R. H. Goddard, a development program for the utilization of celestial mechanics in the solution of space navigation problems, the founding of the Astrodynamics Colloquium at UCLA, consulting files for NASA's Project Mercury and the film \"The Day the Earth Stood Still,\" and a comprehensive two-volume work on \u003ctitle render=\"italic\"\u003eAstrodynamics\u003c/title\u003e, published by Van Nostrand in 1971-1972. Materials are largely textual, consisting of correspondence, memoranda, reports, clippings, publications, and others. This collection also includes glass plates, Fortran computer printouts, and some drawings.\u003c/p\u003e","\u003cp\u003eSeries I. Biographical Information, 1949-1973. This series is made up of materials relating to Herrick's life, such as biographical sketches of Herrick, biographical directory files, complete and partial bibliographies, and a personal reading log. These include information about his life, professional activities, honors and memeberships in societies, publications, and citations.\u003c/p\u003e","\u003cp\u003eSeries II. Academic Files, 1930-1974. This series contains materials related to Herrick's academic activities. This includes files and notes from his time as a student at Williams College, correspondence with faculty, files from his time with UCLA, course notes and materials from courses he taught, and student dissertations, theses, and comprehensive exams. \u003c/p\u003e","\u003cp\u003eSub-Series A. Academic Activities and Affairs, 1935-1973, includes academic affairs files (1930-1970), UCLA Astronomy Dept.; Guggenheim fellowship (1945-1951); UCLA files; Hunsaker professorship at MIT (1961-1962); reviews of others' works; Los Angeles Advisory Committee (1964-1968); and participation in \"Los Angeles in Paris\" trip (1967-1968).\u003c/p\u003e","\u003cp\u003eSub-Series B. Correspondence, 1931-1972, consists of academic correspondence, including correspondence with R. H. Goddard.\u003c/p\u003e","\u003cp\u003eSub-Series C. Course Materials, 1948-1974. This sub-series includes course notes, outlines, and exams for space navigation (1955) and astrodynamics courses.\u003c/p\u003e","\u003cp\u003eSub-Series D. S.H. Students' Dissertations, Theses, and Comprehensive Exams, 1965-1973, includes drafts and completed versions of dissertations, theses, and comprehensive exams from students Herrick taught.\u003c/p\u003e","\u003cp\u003eSub-Series E. Williams College, 1930-1969. This sub-series includes Williams College course notes; S.H. thesis and papers; and William College Correspondence.\u003c/p\u003e","\u003cp\u003eSeries III. Correspondence, 1930-1973. This series contains correspondence between Herrick and others ranging from 1930 to 1973.\u003c/p\u003e","\u003cp\u003eSeries IV. Consulting, 1940-1966. This series includes contracts and consultations, such as Ohio State Mapping Lab, Lockheed, North American Aviation, Army Air Force, NSF Grant G976, Western Data Processing Center, and 20th Century Fox [Consulting for \"The Day the Earth Stood Still\"]. It also includes materials such as monthly reports, proposals, and logs.\u003c/p\u003e","\u003cp\u003eSeries V. Presentations and Lectures, 1955-1964. This series consists of notes, outlines, slides, and other materials related to talks, presentations, and lectures given by Herrick. This includes talks and presentations given for organizations such as AIAA and IAU, covering topics such as differential correction, variation of parameters, planetary motions, and asteroids.\u003c/p\u003e","\u003cp\u003eSeries VI. Professional Societies, 1925-1973. This series includes materials related to professional societies in the space sciences, including, but not limited to: the American Institute of Aeronautics and Astronautics, American Academy of Mechanics, American Academy of Sciences, American Rocket Society, British Interplanetary Society, and the International Academy of Astronautics. Materials include membership information, board of directors files, awards, annual meeting and conference notes, committees, reports, and journals.\u003c/p\u003e","\u003cp\u003eSeries VII. Publications, including Reprints and Drafts, 1932-1973. This series includes drafts and reprints of Herrick's many works, notably \u003ctitle render=\"italic\"\u003eAstrodynamics\u003c/title\u003e, published in 1971-1972. The series also contains correspondence about Herrick's publications or his reviews of work published by others. There are also reprints of the works of others in astronomy and space sciences.\u003c/p\u003e","\u003cp\u003eSeries VIII. Manuscript Calculations, 1948-1972. This series consists of calculations used in Herrick's studies of minor planets and objects. It includes materials such as shock waves of Icarus calculations, Project 15, minor planets and objects, perturbations, geophysical constraints and correction methods, collection of formulae, and ephemeral calculations. \u003c/p\u003e","\u003cp\u003eSeries IX. Computer Printouts, 1965-1973. This series includes early SH printouts, calculations, and Fortran computer runs such as Betulia ephemeris, Icarus ephemerides, Geographos, planetary coordinates, and two-body problems. Much of the computer printouts were created by Gary R. Smith, who received his Ph.D. in astrodynamics at UCLA in 1972 from Herrick.\u003c/p\u003e","\u003cp\u003eSeries X. Card Files, n.d. This series contains 4 sets card files with names and addresses of Herrick's contacts and bibliographies for celestial mechanics and astrodynamics.\u003c/p\u003e","\u003cp\u003eSeries XI. Subject Files, 1924-1981. This series includes Herrick's files on a variety of subjects. These materials reflect his professional and personal interests, including early computers, minor planets, space exploration, and piano music. Notable materials include Aeronutronic Systems Division-Ford files, Technical Study #3, mathematics publications, Jet Propulsion Laboratory reports, files on Betulia, Icarus, Geographos, and Jupiter IX and XII, Minor Planet Center Notices, and notes on navigation.\u003c/p\u003e","\u003cp\u003eSeries XII. Drawings and Calculations, 1949, n.d. This series consists of oversize drawings and calculations, including rectilinear tables, the nonimal system, and navigational drawings.\u003c/p\u003e  ","\u003cp\u003eThis series is made up of materials relating to Herrick's life, such as biographical sketches of Herrick, biographical directory files, complete and partial bibliographies, and a personal reading log. These include information about his life, professional activities, honors and memeberships in societies, publications, and citations.\u003c/p\u003e","\u003cp\u003eThis series contains materials related to Herrick's academic activities. This includes files and notes from his time as a student at Williams College, correspondence with faculty, files from his time with UCLA, course notes and materials from courses he taught, and student dissertations, theses, and comprehensive exams. \u003c/p\u003e","\u003cp\u003eSub-Series A. Academic Activities and Affairs, 1935-1973, includes academic affairs files (1930-1970), UCLA Astronomy Dept.; Guggenheim fellowship (1945-1951); UCLA files; Hunsaker professorship at MIT (1961-1962); reviews of others' works; Los Angeles Advisory Committee (1964-1968); and participation in \"Los Angeles in Paris\" trip (1967-1968).\u003c/p\u003e","\u003cp\u003eSub-Series B. Correspondence, 1931-1972, consists of academic correspondence, including correspondence with R. H. Goddard.\u003c/p\u003e","\u003cp\u003eSub-Series C. Course Materials, 1948-1974. This sub-series includes course notes, outlines, and exams for space navigation (1955) and astrodynamics courses.\u003c/p\u003e","\u003cp\u003eSub-Series D. S.H. Students' Dissertations, Theses, and Comprehensive Exams, 1965-1973, includes drafts and completed versions of dissertations, theses, and comprehensive exams from students Herrick taught.\u003c/p\u003e","\u003cp\u003eSub-Series E. Williams College, 1930-1969. This sub-series includes Williams College course notes; S.H. thesis and papers; and William College Correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence between Herrick and others ranging from 1930 to 1973.\u003c/p\u003e","\u003cp\u003eThis series includes contracts and consultations, such as Ohio State Mapping Lab, Lockheed, North American Aviation, Army Air Force, NSF Grant G976, Western Data Processing Center, and 20th Century Fox [Consulting for \"The Day the Earth Stood Still\"]. It also includes materials such as monthly reports, proposals, and logs.\u003c/p\u003e","\u003cp\u003eThis series consists of notes, outlines, slides, and other materials related to talks, presentations, and lectures given by Herrick. This includes talks and presentations given for organizations such as AIAA and IAU, covering topics such as differential correction, variation of parameters, planetary motions, and asteroids.\u003c/p\u003e","\u003cp\u003eThis series includes materials related to professional societies in the space sciences, including, but not limited to: the American Institute of Aeronautics and Astronautics, American Academy of Mechanics, American Academy of Sciences, American Rocket Society, British Interplanetary Society, and the International Academy of Astronautics. Materials include membership information, board of directors files, awards, annual meeting and conference notes, committees, reports, and journals.\u003c/p\u003e","\u003cp\u003eThis series includes drafts and reprints of Herrick's many works, notably \u003ctitle render=\"italic\"\u003eAstrodynamics\u003c/title\u003e, published in 1971-1972. The series also contains correspondence about Herrick's publications or his reviews of work published by others. There are also reprints of the works of others in astronomy and space sciences.\u003c/p\u003e","\u003cp\u003eThis series consists of calculations used in Herrick's studies of minor planets and objects. It includes materials such as shock waves of Icarus calculations, Project 15, minor planets and objects, perturbations, geophysical constraints and correction methods, collection of formulae, and ephemeral calculations.\u003c/p\u003e","\u003cp\u003eThis series includes early SH printouts, calculations, and Fortran computer runs such as Betulia ephemeris, Icarus ephemerides, Geographos, planetary coordinates, and two-body problems. \u003c/p\u003e","\u003cp\u003eMuch of the computer printouts were created by Gary R. Smith, who received his Ph.D. in astrodynamics at UCLA in 1972 from Herrick.\u003c/p\u003e","\u003cp\u003eThis series contains 4 sets card files with names and addresses of Herrick's contacts and bibliographies for celestial mechanics and astrodynamics.\u003c/p\u003e","\u003cp\u003eThis series includes Herrick's files on a variety of subjects. These materials reflect his professional and personal interests, including early computers, minor planets, space exploration, and piano music. Notable materials include Aeronutronic Systems Division-Ford files, Technical Study #3, mathematics publications, Jet Propulsion Laboratory reports, files on Betulia, Icarus, Geographos, and Jupiter IX and XII, Minor Planet Center Notices, and notes on navigation.\u003c/p\u003e","\u003cp\u003eThis series consists of oversize drawings and calculations, including rectilinear tables, the nonimal system, and navigational drawings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection is made up of the personal and professional papers of Samuel Herrick (1911-1974), astronomer and founder of the field of astrodynamics. It contains personal materials such as biographical and bibliographical information, correspondence, and personal subject files. This collection also contains materials that document Herrick's career in astronomy, beginning with his B.S. in Mathematics from Williams College and including his time teaching at the University of California at Los Angeles (UCLA). Among these are notes, drafts of publications, files relating to astrodynamics courses, computer printouts, manuscript calculations, and reprints of the works on others in astronomy and the space sciences. These include notable materials such as correspondence with R. H. Goddard, a development program for the utilization of celestial mechanics in the solution of space navigation problems, the founding of the Astrodynamics Colloquium at UCLA, consulting files for NASA's Project Mercury and the film \"The Day the Earth Stood Still,\" and a comprehensive two-volume work on Astrodynamics, published by Van Nostrand in 1971-1972. Materials are largely textual, consisting of correspondence, memoranda, reports, clippings, publications, and others. This collection also includes glass plates, Fortran computer printouts, and some drawings.","Series I. Biographical Information, 1949-1973. This series is made up of materials relating to Herrick's life, such as biographical sketches of Herrick, biographical directory files, complete and partial bibliographies, and a personal reading log. These include information about his life, professional activities, honors and memeberships in societies, publications, and citations.","Series II. Academic Files, 1930-1974. This series contains materials related to Herrick's academic activities. This includes files and notes from his time as a student at Williams College, correspondence with faculty, files from his time with UCLA, course notes and materials from courses he taught, and student dissertations, theses, and comprehensive exams.","Sub-Series A. Academic Activities and Affairs, 1935-1973, includes academic affairs files (1930-1970), UCLA Astronomy Dept.; Guggenheim fellowship (1945-1951); UCLA files; Hunsaker professorship at MIT (1961-1962); reviews of others' works; Los Angeles Advisory Committee (1964-1968); and participation in \"Los Angeles in Paris\" trip (1967-1968).","Sub-Series B. Correspondence, 1931-1972, consists of academic correspondence, including correspondence with R. H. Goddard.","Sub-Series C. Course Materials, 1948-1974. This sub-series includes course notes, outlines, and exams for space navigation (1955) and astrodynamics courses.","Sub-Series D. S.H. Students' Dissertations, Theses, and Comprehensive Exams, 1965-1973, includes drafts and completed versions of dissertations, theses, and comprehensive exams from students Herrick taught.","Sub-Series E. Williams College, 1930-1969. This sub-series includes Williams College course notes; S.H. thesis and papers; and William College Correspondence.","Series III. Correspondence, 1930-1973. This series contains correspondence between Herrick and others ranging from 1930 to 1973.","Series IV. Consulting, 1940-1966. This series includes contracts and consultations, such as Ohio State Mapping Lab, Lockheed, North American Aviation, Army Air Force, NSF Grant G976, Western Data Processing Center, and 20th Century Fox [Consulting for \"The Day the Earth Stood Still\"]. It also includes materials such as monthly reports, proposals, and logs.","Series V. Presentations and Lectures, 1955-1964. This series consists of notes, outlines, slides, and other materials related to talks, presentations, and lectures given by Herrick. This includes talks and presentations given for organizations such as AIAA and IAU, covering topics such as differential correction, variation of parameters, planetary motions, and asteroids.","Series VI. Professional Societies, 1925-1973. This series includes materials related to professional societies in the space sciences, including, but not limited to: the American Institute of Aeronautics and Astronautics, American Academy of Mechanics, American Academy of Sciences, American Rocket Society, British Interplanetary Society, and the International Academy of Astronautics. Materials include membership information, board of directors files, awards, annual meeting and conference notes, committees, reports, and journals.","Series VII. Publications, including Reprints and Drafts, 1932-1973. This series includes drafts and reprints of Herrick's many works, notably Astrodynamics, published in 1971-1972. The series also contains correspondence about Herrick's publications or his reviews of work published by others. There are also reprints of the works of others in astronomy and space sciences.","Series VIII. Manuscript Calculations, 1948-1972. This series consists of calculations used in Herrick's studies of minor planets and objects. It includes materials such as shock waves of Icarus calculations, Project 15, minor planets and objects, perturbations, geophysical constraints and correction methods, collection of formulae, and ephemeral calculations.","Series IX. Computer Printouts, 1965-1973. This series includes early SH printouts, calculations, and Fortran computer runs such as Betulia ephemeris, Icarus ephemerides, Geographos, planetary coordinates, and two-body problems. Much of the computer printouts were created by Gary R. Smith, who received his Ph.D. in astrodynamics at UCLA in 1972 from Herrick.","Series X. Card Files, n.d. This series contains 4 sets card files with names and addresses of Herrick's contacts and bibliographies for celestial mechanics and astrodynamics.","Series XI. Subject Files, 1924-1981. This series includes Herrick's files on a variety of subjects. These materials reflect his professional and personal interests, including early computers, minor planets, space exploration, and piano music. Notable materials include Aeronutronic Systems Division-Ford files, Technical Study #3, mathematics publications, Jet Propulsion Laboratory reports, files on Betulia, Icarus, Geographos, and Jupiter IX and XII, Minor Planet Center Notices, and notes on navigation.","Series XII. Drawings and Calculations, 1949, n.d. This series consists of oversize drawings and calculations, including rectilinear tables, the nonimal system, and navigational drawings.","This series is made up of materials relating to Herrick's life, such as biographical sketches of Herrick, biographical directory files, complete and partial bibliographies, and a personal reading log. These include information about his life, professional activities, honors and memeberships in societies, publications, and citations.","This series contains materials related to Herrick's academic activities. This includes files and notes from his time as a student at Williams College, correspondence with faculty, files from his time with UCLA, course notes and materials from courses he taught, and student dissertations, theses, and comprehensive exams.","Sub-Series A. Academic Activities and Affairs, 1935-1973, includes academic affairs files (1930-1970), UCLA Astronomy Dept.; Guggenheim fellowship (1945-1951); UCLA files; Hunsaker professorship at MIT (1961-1962); reviews of others' works; Los Angeles Advisory Committee (1964-1968); and participation in \"Los Angeles in Paris\" trip (1967-1968).","Sub-Series B. Correspondence, 1931-1972, consists of academic correspondence, including correspondence with R. H. Goddard.","Sub-Series C. Course Materials, 1948-1974. This sub-series includes course notes, outlines, and exams for space navigation (1955) and astrodynamics courses.","Sub-Series D. S.H. Students' Dissertations, Theses, and Comprehensive Exams, 1965-1973, includes drafts and completed versions of dissertations, theses, and comprehensive exams from students Herrick taught.","Sub-Series E. Williams College, 1930-1969. This sub-series includes Williams College course notes; S.H. thesis and papers; and William College Correspondence.","This series contains correspondence between Herrick and others ranging from 1930 to 1973.","This series includes contracts and consultations, such as Ohio State Mapping Lab, Lockheed, North American Aviation, Army Air Force, NSF Grant G976, Western Data Processing Center, and 20th Century Fox [Consulting for \"The Day the Earth Stood Still\"]. It also includes materials such as monthly reports, proposals, and logs.","This series consists of notes, outlines, slides, and other materials related to talks, presentations, and lectures given by Herrick. This includes talks and presentations given for organizations such as AIAA and IAU, covering topics such as differential correction, variation of parameters, planetary motions, and asteroids.","This series includes materials related to professional societies in the space sciences, including, but not limited to: the American Institute of Aeronautics and Astronautics, American Academy of Mechanics, American Academy of Sciences, American Rocket Society, British Interplanetary Society, and the International Academy of Astronautics. Materials include membership information, board of directors files, awards, annual meeting and conference notes, committees, reports, and journals.","This series includes drafts and reprints of Herrick's many works, notably Astrodynamics, published in 1971-1972. The series also contains correspondence about Herrick's publications or his reviews of work published by others. There are also reprints of the works of others in astronomy and space sciences.","This series consists of calculations used in Herrick's studies of minor planets and objects. It includes materials such as shock waves of Icarus calculations, Project 15, minor planets and objects, perturbations, geophysical constraints and correction methods, collection of formulae, and ephemeral calculations.","This series includes early SH printouts, calculations, and Fortran computer runs such as Betulia ephemeris, Icarus ephemerides, Geographos, planetary coordinates, and two-body problems.","Much of the computer printouts were created by Gary R. Smith, who received his Ph.D. in astrodynamics at UCLA in 1972 from Herrick.","This series contains 4 sets card files with names and addresses of Herrick's contacts and bibliographies for celestial mechanics and astrodynamics.","This series includes Herrick's files on a variety of subjects. These materials reflect his professional and personal interests, including early computers, minor planets, space exploration, and piano music. Notable materials include Aeronutronic Systems Division-Ford files, Technical Study #3, mathematics publications, Jet Propulsion Laboratory reports, files on Betulia, Icarus, Geographos, and Jupiter IX and XII, Minor Planet Center Notices, and notes on navigation.","This series consists of oversize drawings and calculations, including rectilinear tables, the nonimal system, and navigational drawings."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Book Collection:\u003c/p\u003e","\u003cp\u003eHarbold, Norris B. \u003ctitle render=\"italic\"\u003eThe Log of Air Navigation\u003c/title\u003e. San Antonio: The Naylor Company, 1970.\u003c/p\u003e","\u003cp\u003e\u003ctitle render=\"italic\"\u003eMechanics\u003c/title\u003e.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1970.\u003c/p\u003e","\u003cp\u003e\u003ctitle render=\"italic\"\u003eMechanics\u003c/title\u003e.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1971.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Book Collection:","Harbold, Norris B. The Log of Air Navigation. San Antonio: The Naylor Company, 1970.","Mechanics.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1970.","Mechanics.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1971."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_acc4d01cb676f92a1d153a36c3fb189e\" label=\"Abstract\"\u003eSamuel Herrick was an astronomer who specialized in celestial mechanics, generally recognized as the founder of the field of astrodynamics. His papers consist of correspondence, notes, drafts of publications, files relating to students and courses, and reprints of the works of others in astronomy and space sciences. Other highlights include Herrick's consulting files for projects such as NASA's Project Mercury, the film \"\"The Day the Earth Stood Still\" (1951), and private industry. This collection is part of the Archives of American Aerospace Exploration at Virginia Tech.\u003c/abstract\u003e\n    "],"abstract_tesim":["Samuel Herrick was an astronomer who specialized in celestial mechanics, generally recognized as the founder of the field of astrodynamics. His papers consist of correspondence, notes, drafts of publications, files relating to students and courses, and reprints of the works of others in astronomy and space sciences. Other highlights include Herrick's consulting files for projects such as NASA's Project Mercury, the film \"\"The Day the Earth Stood Still\" (1951), and private industry. This collection is part of the Archives of American Aerospace Exploration at Virginia Tech."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4fc81cde4ab25c82e0187aaee248b2b7\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e\n    "],"physloc_tesim":["Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Herrick, Samuel, 1911-1974"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Herrick, Samuel, 1911-1974"],"language_ssim":["Most of the materials in this collection are in English. Some materials in Series VI. Professional Societies, Series VII. Publications, and Series XI. Subject Files are in French, German, Russian, Italian, Dutch, Portuguese, or Japanese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2166,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:44:44.878Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1323_c11_c04_c13"}},{"id":"vifgm_vifgm00017_c04_c56","type":"File","attributes":{"title":",, 1952/1953","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00017_c04_c56#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePublication images entitled, The Starling Nuisance: He's Driving Everybody Crazy; He makes the Brass see Red; The man Ike trusts with the cash; He runs the show for Ike; Silliest statues you ever saw; How to clean a dirty city; and I watched Eisenhower Campaign. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00017_c04_c56#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_vifgm00017_c04_c56","ref_ssm":["vifgm_vifgm00017_c04_c56"],"id":"vifgm_vifgm00017_c04_c56","ead_ssi":"vifgm_vifgm00017","_root_":"vifgm_vifgm00017","_nest_parent_":"vifgm_vifgm00017_c04","parent_ssi":"vifgm_vifgm00017_c04","parent_ssim":["The Charles Baptie photograph collection, 1917/1995","Series 4: Publications,, 1942/1994"],"parent_ids_ssim":["vifgm_vifgm00017","vifgm_vifgm00017_c04"],"title_filing_ssi":",","title_ssm":[","],"title_tesim":[","],"normalized_title_ssm":[",, 1952/1953"],"text":[",, 1952/1953","The Charles Baptie photograph collection, 1917/1995","Series 4: Publications,, 1942/1994","box 60","Folder 1-7","Publication images entitled, The Starling Nuisance: He's Driving Everybody Crazy; He makes the Brass see Red; The man Ike trusts with the cash; He runs the show for Ike; Silliest statues you ever saw; How to clean a dirty city; and I watched Eisenhower Campaign."],"parent_unittitles_ssm":["The Charles Baptie photograph collection, 1917/1995","Series 4: Publications,, 1942/1994"],"parent_unittitles_tesim":["The Charles Baptie photograph collection, 1917/1995","Series 4: Publications,, 1942/1994"],"normalized_date_ssm":["1952/1953"],"unitdate_other_ssim":["1952-1953"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":269,"repository_ssim":["George Mason University"],"collection_ssim":["The Charles Baptie photograph collection, 1917/1995"],"containers_ssim":["box 60","Folder 1-7"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1952,1953],"scopecontent_html_tesm":["\u003cp\u003ePublication images entitled, The Starling Nuisance: He's Driving Everybody Crazy; He makes the Brass see Red; The man Ike trusts with the cash; He runs the show for Ike; Silliest statues you ever saw; How to clean a dirty city; and I watched Eisenhower Campaign.\n\t\u003c/p\u003e\n          "],"scopecontent_tesim":["Publication images entitled, The Starling Nuisance: He's Driving Everybody Crazy; He makes the Brass see Red; The man Ike trusts with the cash; He runs the show for Ike; Silliest statues you ever saw; How to clean a dirty city; and I watched Eisenhower Campaign."],"_nest_path_":"/components#3/components#55","timestamp":"2026-06-23T06:56:35.785Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00017","ead_ssi":"vifgm_vifgm00017","_root_":"vifgm_vifgm00017","_nest_parent_":"vifgm_vifgm00017","ead_source_url_ssi":"data/gmu/vifgm00017.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["The Charles Baptie photograph collection"],"title_tesim":["The Charles Baptie photograph collection"],"unitdate_ssm":["1917-1995"],"unitdate_inclusive_ssm":["1917-1995"],"normalized_date_ssm":["1917/1995"],"normalized_title_ssm":["The Charles Baptie photograph collection, 1917/1995"],"text":["The Charles Baptie photograph collection, 1917/1995","C0032","Buildings--Photographs.","Drive-in restaurants--Photographs.","Embassy buildings--Washington (D.C.)--Photographs.","Monuments and memorials--Washington (D.C.)--Photographs.","Nature--Photographs.","Service stations--Photographs.","Technology--Photographs.","Aerial photographs.","Negtaives.","Photographic prints.","Portraits.","Slides.","Collection is open to research.","The collection is organized into 21 series.","Series 1: Buildings: Interior and Exterior, 1947-1975\n\n        Series 2: Embassies, 1950s-1970s\n\n        Series 3: Art, 1947-1975\n\n        Series 4: Publications, 1942-1994\n\n        Series 5: Texaco Stations, 1950-1972\n\n        Series 6: Hot Shoppes, 1948-1953\n\n        Series 7: Washington, D.C., Monuments, 1944-1991\n\n        Series 8: Aerial Photographs, 1934-1991\n\n        Series 9: Nature, 1917-1988\n\n        Series 10: Maps and Building Plans, 1941-1973\n\n        Series 11: People, 1944-1976\n\n        Series 12: Food, 1950s-1960s\n\n        Series 13: Museum Exhibits, 1952-1970s\n\n        Series 14: Animals, 1946-1980s\n\n        Series 15: Technology, 1948-1974\n\n        Series 16: George Mason College, 1959-1976\n\n        Series 17: Vehicles, 1946-1995\n\n        Series 18: Gunston Hall, 1960s-1993\n\n        Series 19: International, 1958-1989\n\n        Series 20: Correspondence, 1955-1990s\n\n        Series 21: Electronic Media, 1970s-1980s","Charles Baptie, a photographer, printer, and publisher, was born in Munhall, PA on March 13, 1914. Early in life, Baptie became interested in photography and airplanes, interests that would eventually lead to him becoming a photographer and public relations agent for Capital Airlines. His camera recorded the life of the airline for many years. When Capital Airlines merged with United Airlines, Baptie left the company and formed his own business, Charles Baptie Studios, Inc.","While operating his own studio, Baptie provided photographs for more than fifty books and other publications, including: Capital Airlines: A Nostalgic Flight Into the Past, Great Houses of Washington, Camera on Assignment (with Ollie Atkins), the sixteen volume Encyclopedia of United States History, Guest House of the Presidents, the story of the Blair Lee House, and Mid the Hills of Pennsylvania. As a photojournalist, Baptie covered feature stories for leading magazines and other news publications. Over the course of his journalistic career, Baptie met and photographed many world leaders and public figures.  He passed away in 2000.","Several different staff members have processed this collection as it came into the archives. Instead of reprocessing the whole collection, each new addition was added on, thus making the organization of the collection rather difficult.  Instead of reorganizing the thousands of photographs and negatives, the decision was made to divide the collection into series, but not resort it.  Therefore, some boxes contain several different series, as well as each folder containing several series.  Some individual photographs overlap series; when this occurs, it can be found in both series.","Processed by Special Collections and Archives staff. Additional processing by Sean Tennant and Stacey Kniatt in 2008-2010. EAD markup completed by Stacey Kniatt and Hal Barthold in October 2010.","Special Collections and Archives also holds the  the  and the .","The Charles Baptie Photograph Collection contains color prints and negatives of Gunston Hall, the home of George Mason; color transparencies from the Encyclopedia of United States History; color transparencies and prints from the Great Houses of Washington, D.C.; black \u0026 white negatives of the Washington metropolitan area; and photographs of George Mason College.  There are, in addition, aerial photographs, photographs of malaria prevention overseas, and publicity photographs for various publications. Also included in this collection are photographs pertaining to the childrens' book, Herkie the Pup, written by Charles Baptie. The total volume of the collection is 26 linear feet, consisting of 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes.","Series 1 is a group of images of buildings, both interior and exterior, including facades of famous houses and embassies around DC as well as images of the interior decorations; also included are images of churches, DC monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes.","Series 2 consists of images of the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies; most of these items are also found in series 1.","Series 3 contains images of artwork, including of paintings, sculptures, dolls, trophies, and architecture; also images of artwork used for publications such as a baseball book, an Encyclopedia of American History, a History of the Civil War, and a Northern Virginia guidebook.","Series 4 is for Publications for which Baptie either provided photos or printed at his studio including brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections.","Series 5 shows images of Texaco stations in the area, both on the ground and in the air throughout the Washington, D.C., area included are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles.","Hot Shoppes restaurant photos make up Series 6, Hot Shoppes were a chain of restaurant owned by the Marriott Company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of the restaurants.","Series 7 includes photographs of D.C. monuments and landmarks including Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon.","Series 8 contains images from several other series that happen to be aerial shots, as well as general aerial views from around the country; images of nearby locations include Alexandria, Annandale, Texaco service stations, construction sites, DC monuments, Gunston Hall, Sully Plantation, and the Potomac River.","Series 9 consists of nature scenes, such as trees, mountains, clouds, gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries.","Series 10 contains maps and building plans, such as blueprints or architectural renderings, specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills.","People make up the subject of Series 11, where the people are doing something else or just taking a portrait.  Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, presidents, actors, the National Symphony, and military leaders.","Series 12 consists of pictures of food from restaurants, Hot Shoppes, and holiday events.","Series 13 is made up of museum exhibits and artifacts including the Star Spangled Banner, dolls, and various Smithsonian objects and exhibits.","Series 14 documents various animals including monkeys, horses, birds, bees, cattle, dogs, hippopotamuses, snakes, butterflies and animals for scientific testing.","Series 15 shows different types of technology such as science labs, computers, a space shuttle, factories, and a camera.","George Mason College is featured in Series 16 with images of athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials.","Series 17 includes pictures of vehicles, such as cars, baby carriage, planes, trains, ships, helicopters and bicycles.","Series 18 consists of images from Gunston Hall, the historical home of George Mason.  Images in the series include the Mason coat of arms, publications, postcard images, aerial views, and a car show hosted by Gunston Hall.","Series 19 is consists of images of international subjects taken during Baptie's many travels, including various settings in Central America, like Brazil, Honduras, and Ecuador; and other locations, such as Paris or India.","Series 20 is made up of documents consisting of correspondence between Charles Baptie and others about photograph orders and publications.","Finally, Series 21 contains electronic media, specifically a number of 5 1/4 inch floppy discs used for a program called Wordstar.","This series contains photographic prints, negatives and slides that show various building interiors and exteriors.  Some of these photographs appear in other series based on the image.  Images include facades of famous houses and embassies around Washington, D.C., as well as images of the interior decorations. Also included are images of churches, Washington, D.C., monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes.","Anderson house","Arts club","Bacon house (negatives)","Robert Lou Bacon","Belgian Embassy","Belmont house","Blair house (negatives)","Brazilian Embassy","Cosmos Club","Decatur house","Dumbarton House","Dumbarton Oaks","Evermay","Firenze house","French Embassy","Hillwood","International Eastern Star Temple","Irish Embassy","Kreegar house","Laird house","The Lindens","Meridian house","Mexican Embassy (1 of 2)","Mexican Embassy (2 of 2)","Morris house","Senator Claiborne Pell's house","Peruvian Embassy","Post (Marjorie Merriweather) house","Prospect house","Spanish Embassy (1 of 2)","Spanish Embassy (2 of 2)","Stanley house, Tryon Place","Tryon Place","Tudor place","Turkish Embassy (1 of 2)","Turkish Embassy (2 of 2)","Woodrow Wilson house","Worthington house","unidentified","Image of Alsop house. (negatives)","Interior images of Joe Alsop's Georgetown House. (negatives)","Image of Arlington Hospital, Arlington High School. (negatives)","Image of Bell Telephone Company Building. (negatives)","Images of buildings on Blakestone Island. (negatives)","Images of Butterfly Hill. (negatives)","Images of Capitol Hill. (negatives)","Images of cathedrals. (negatives)","Image of Cavalier Hotel. (negatives)","Images of Christ Church. (negatives)","Images of buildings such as Columbus Fountain. (negatives)","Images of buildings at the lock at Cumberland. (negatives)","Images of buildings at Du Pont Circle. (negatives)","Images of The Washington Monument with fireworks. (negatives)","Images of buildings in Georgetown. (negatives)","Images of buildings at Hogates. (negatives)","Images of buildings in Jefferson Village. (negative)","Images of the Jefferson Memorial. (negatives)","Images of Library of Congress. (negatives)","Images of Ossian Hall.","Interior images of Riggs Bank. (negatives)","Images of St. Agnes School. (negatives)","Images of school buildings. (negatives)","Images of Supreme Court building. (negatives)","Images of buildings around Taft Bridge. (negatives)","Images of Union Station. (negatives)","Images of buildings along Route 40. (negatives)","Images of buildings in Washington, D.C.","Exterior and interior images of Art Master's. (negatives)","Exterior and interior images of a cemetery. (negatives)","Exterior and interior images of churches. (with negatives)","Exterior and interior images of hotels and motels.","Exterior and interior images of houses. (with negatives)","Exterior and interior images of miscellaneous buildings.","Exterior and interior images of restaurants.","Exterior and interior images of schools. (with negatives)","American Association of Nursery Men (1 of 2), buildings. (negatives)","American Association of Nursery Men (2 of 2), buildings. (negatives)","Voices of America, buildings (negatives)","American Weekly (1 of 4), buildings (negatives)","American Weekly (2 of 4), buildings (negatives)","American Weekly (3 of 4), buildings (negatives)","American Weekly (4 of 4), buildings (negatives)","Allen Dickey, Architect, buildings (negatives)","Wills and Van Metre buildings (negatives)","Building interiors of Hazelton Labs. (negatives)","Photographs of the interior of a Texaco station, as well as the exteriors of several more locations. (with negatives)","Photographs of the exteriors of several Texaco gas stations.","Photographs of miscellaneous building interiors. (negatives)","Photographs of building interiors. (negatives)","Photographs of the exterior of miscellaneous service stations. (negatives)","Photographs of a wastewater treatment plant.","Photographs of Harry Clarkson's home. (negative)","Building being constructed.","Building being constructed.","Building being constructed.","Building being constructed.","Photographs of various buildings. (with slides)","Photographs of various buildings.","Photographs of Fairfax Hospital. (negatives)","Photographs of various buildings.","Photographs of a bootery shop. (negatives)","Photographs of the Hawkins Motor Company building. (negatives)","Photographs of Arlex Esso Service Station. (negatives)","Exterior view of St. Clement church.","Photographs of various buildings around town. (negatives)","Photographs of hotel rooms inside and out and of various buildings. (with negatives)","Photographs of various building interior and exteriors, as well as kitchens.","Photographs of various buildings.","Photographs of the inside of St. John's Church. (with negatives)","Photographs of Virginia Theatre.","Photographs of various building interiors. (with negatives)","Photographs of various buildings.","Postcards of St. John's Church and Rive Gauche Cafe.","Photographs of buildings while on a trip.","Photographs of building interior and exteriors.","Negatives of the exterior and interior of several buildings: Little Theatre; DAR; Blair House; Statler Hotel; Sand Meridian; Shrine of Immaculate Conception; Harvey Rest; Holiday Inn; and Kenmore's House (Fredericksburg, VA).","Negatives that contain images of building interiors and exteriors of these subjects: Mrs. Hunt; Riverside Garden; Waynewood; Woodlawn; Kurty; and Alexandria Hospital.","Interior images of Gunston Hall and Washington, D.C., monuments.","Images of building exteriors and interiors of houses, tele tech, Yates restaurant, hotels, restaurants, street house, embassies, and Firenze house. (with negatives)","Building interiors and exteriors from amongst toy making, film set, Ecuador, malaria prevention, Honduras, and US generals prints.","Building interiors and exteriors within the following print subjects: construction sites; room interiors; apartment plans; building facades; river; aerial Washington, D.C., monuments; Niagara Falls; Hot Shoppes; fireworks; factory; and World War Two scenes.","Prints and negatives of building interiors and exteriors within the following subjects: scenic mountain views; Ecuador; aerial Washington, D.C., views; building exteriors; a film set; toy making; people; cattle; food; flowers; and Buddy Dean band.","Images of the exterior and interior of hotels, restaurants, and embassies.","Building interiors and exteriors within this box containing: handwritten notes; Mise; Sully Plantation; Air Force; Plate; President Truman; St. Petersburg; Baseball Team; Kid's haircut; White House; Misc. Vacation Resort; Adolf Hitler; and L. Campaign. (with negatives)","Images of building interiors and interiors of Woodlawn; St. John's Church; and National Biological lab. (negatives)","Negatives of building interiors and exteriors of Mt. Vernon, Mexico Chapala Church, Riggs Seria, Phil Sern Co., Carlyle home, Hostess Cox Series, Farly, Silver Spring store, Woodlawn, St. Clements, Continental Room, House military affair, Briefing room in ATC, Officers club, and Coast Guard lab.","Negatives of Interior and exterior images of Fairfax Hospital.","Building interiors and exteriors from the following topics: vacation, Space shuttle launch, aircraft and hot air balloons, Baptie at home, architectural interiors and exteriors, Washington, D.C., monuments, Mt. Vernon, and Gunston Hall. (with negatives)","Images of building interiors and exteriors are found within the following picture subjects: Vepco Fire, hospital campaign, Alexandria, Fairfax Hills, Mining Company, Windsor Park hotel, Chuck Baptie, Homestead PA and map, Washington Hebrew Congregation, Tom Lawson, Cowboy Ray Allen, Harod the Great, Masonic Temple - Alexandria, Cathedral, St. Clements Church, Butterfly prints, Great Falls air NG, aerials of Gunston Hall, Fairfax hospital (1972-6-21), Nepal, Alexandria Hospital, boat, Gunston Hall car show (1993)","Building interiors and exteriors for Woodlawn, Oswaldo Altamirano - Ecuador, and Washington, D.C., monuments. (negatives)","Interior and exterior building views from malaria testing and prevention series and toy and poster makers.","Interior and exterior building views of St. John's Church, Hot Shoppes, Billy Martin's Carriage house, Rive Gauche interior, S and W Cafeteria, Paul Young's Restaurant Safari Lounge, Hotel Continental, Roosevelt Hotel, Statler hotel, Windsor Park hotel, Lord and Taylor, Gas Equipment Center, Texaco Service Station, White House, Fort Lincoln, and ILS Institute. (with negatives)","Building exteriors and interiors of Washington, D.C., monuments, Griffith Stadium, Georgetown, Anderson house, Arts Club, Cosmos Club, Bacon house, Belgium embassy, Belmont, Brazilian embassy, John Co and house, Decatur house, Firenze house, Kreeger house, Meridian house, Mexican embassy, Morris house, Octagon house, Sen. Pell house, Prospect house, Woodrow Wilson house, Woodlawn, and ballet of Monte Carlo.","Building exteriors of a briefing room, Affair club, Texaco, Red Cross Canteen, Officers Club reception, Air Traffic Command, Hamamitt, Carol Steve, and Mr. Hodge [Rio].","Building exteriors and interiors of vacation or foreign travel; Ecuador; Guatemala; malaria prevention; Mt. Vernon; and McIlvaine Building. (with negatives)","Images of building interiors and exteriors of Texaco (on Duke St.), St. Agnes School, Embassy Dairy, Pepsi Cola Plant, Cathedral, Virginia Theatre series, Christ Church anniversary, Gadsby Tavern, Lee Mansion, and [Maryland] Co. old plant. (negatives)","Interior and exterior images of Waynewood, Great House, and Dumbarton. (negatives)","Building exterior and interior images of Town and Country bank, George Mason College, Short post club, John Torches group, Tahj Mahal, Statler, and Dickerson. (negatives)","Negatives of a house interior.","Interior and exterior views of Alexandria Hospital, Hotels and restaurants,and Mrs. Hunt's old house. (negatives)","Building interior and exterior views relating to malaria prevention and testing campaign.","White house interior images; Embassy of Iran interior shots, and Washington, D.C., monuments inside and out.","Snail house exterior, Willist and Van Milin house exterior, Nolah Bunaldy house exterior, All Sports Awards house exterior, Mike Koen house exterior,Justin Bacon house exterior, Holiday Inn, Sona's Motel interior, APEX liquor store exterior,  Naylors restaurant interior, and Ralerge Hotel interior. (negatives)","Mayer and Co. Furniture store interior, Exxon station exterior, Washington, D.C., monuments, White House exterior, Shirlington garage, Gadsby Tavern interior, St. Clements Church exterior, Lee Mansion, and Northern Virginia Now and Then showcasing building exteriors.","Waynewood exterior and interior, Great House exterior, Brent House exterior, Decatur house exterior, and Anderson house interior. (negatives)","Images of a famous house in Georgetown (exterior), Dumbarton House interior, and inside the Sully Plantation. (with negatives)","Images of famous houses in the Washington, D.C., area, Gunston Hall, Washington, D.C., Monuments, arial photographs of buildings.","Interior and exterior images of the White House, the Turkish Embassy, Dunbarton, Mexican embassy, Brazilian embassy, Waynewood, Elen May, Peruvian Embassy, and Mrs. Post House. (negatives)","Building interior in the series The Starling Nuisance: It's Driving me crazy.","Oversized images of the exterior of the NASA building, church exteriors, Gunston Hall, and a silo.","Interior and exterior views of several embassies, including Belgian Embassy, French Embassy, Irish Embassy, Spanish Embassy, and Turkish Embassy.","Images of interior and exterior of buildings, including the White House in a larger format print.","Interior and exterior views of Belmont Mansion, Christ Church, Post House, Dumbarton Oaks, Hillwood House, Kreegar House, Library of Congress, Prospect House, Supreme Court Building, White House, and Woodlawn.","Interior and exterior views of Dumbarton Oaks, Spanish Embassy, Firenze House, Cosmos Club, Turkish Embassy, Worthington House, EverMay Sunroom, Irish Embassy, Brazilian Embassy, The Lindens, Kreegar House, Tudor Place, Mexican Embassy, Belgian Embassy, Hillwood, Eastern Star Temple, French Embassy, and Anderson House.","Oversized pictures and negatives of building interiors and exteriors.","Oversized pictures and negatives of building interiors and exteriors including the Spanish Embassy, Turkish Embassy.","Oversized images of Irish Embassy, Eisenhower Executive Building, Post House, Dumbarton Oaks, Anderson House.","Oversized images of restaurants, stores and theater interiors.","Images of churches in larger print formats.","Various home interiors including the Brazilian Embassy, the Post House, Turkish Embassy, Tudor Place, in larger print formats.","Pictures and negatives of buildings in larger print formats.","This series contains photographic prints, negatives and slides that show various embassies.  Some of these photographs appear in other series based on the image. The embassies shown include the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies.","Belgian Embassy","Brazilian Embassy","French Embassy","Irish Embassy","Mexican Embassy (1 of 2)","Mexican Embassy (2 of 2)","Peruvian Embassy","Spanish Embassy (1 of 2)","Spanish Embassy (2 of 2)","Turkish Embassy (1 of 2)","Turkish Embassy (2 of 2)","Views of Spanish Embassy.","Views of Mexican Embassy, Irish Embassy (negatives)","Views of the Belgian, Brazilian, and Mexican embassies. (negatives)","Views of the Embassy of Iran. (negatives)","Views of the Turkish, Mexican, Brazilian, and Peruvian embassies. (negatives)","Large format prints of the Belgian, French, Irish, Spanish, and Turkish embassies.","Large format prints of the Spanish Embassy ballroom and patio; the Turkish Embassy entrance; the Irish Embassy garden; the Brazilian Embassy ballroom and dining room;  the Mexican Embassy music room, solarium, and entrance hallway; the Belgian Embassy library and salon; and the French Embassy drawing room and exteriors.","Oversized pictures and negatives of building interiors and exteriors including the Spanish Embassy, Turkish Embassy","Oversize images of the Irish Embassy.","Various home interiors including the Brazilian Embassy and Turkish Embassy in larger print formats.","This series contains photographic prints, negatives and slides that show artwork.  Some of these photographs appear in other series based on the image.  The artwork includes that for a baseball book, an Encyclopedia of American History, a History of the Civil War, a Northern Virginia guidebook, as well as paintings, sculptures, dolls, trophies, and architecture.","Photographs and diagrams to illustrate a book about baseball. (with negatives)","Images and artwork used to illustrate the encyclopedia.","Artwork and images to illustrate a publication on the Civil War.","Images and artwork from around Northern Virginia for a guide book. (with negatives)","Miscellaneous art.","Miscellaneous art.","Sports trophies and plaques. (negatives)","Artwork from the National Memorial Park.","Photographs of various works of art.","Photographs of artwork within Harry Clarkson's home.","Photographs of artwork.","Photographs of portraits of Marine generals.","Drawings of houses including Pohick Church, Calvin Run Mill, Mount Vernon, and Gunston Hall.","Photographs of artwork from Christ Church.","Photographs of paintings.","Various artwork within Little Theatre, DAR, Blair House, Statler Hotel, Sand Meridian, Shrine of Immaculate Conception, Harvey Rest, Holiday Inn, Kenmore's house, or a Uranium ore sample. (with negatives)","Artwork within ideas for bicentennial celebration, Gunston Hall, Smithsonian artifacts, and Washington, D.C., monuments. (with negatives)","Religious artwork, Mrs. Meticals artwork, and Mrs. Mitiary artwork. (negatives)","Images of ideas for bicentenial celebration, dolls, art, and furniture.","Artwork from within the Windsor Park hotel, Washington Hebrew Congregation, Tom Lawson, Cowboy Ray Allen, Harod the Great, St. Clements Church, and a cathedral.","Artwork from the Smithsonian and Woodlawn. (negatives)","Artwork in the form of posters, including the making of the posters.","More posters as artwork as well as photographs of various paintings and other forms of art.","Artwork from inside the White House, the Iranian Embassy and at various Washington, D.C., monuments.","Artwork in this box includes art inside the Gadsby Tavern and images of Christmas stockings and Christmas card images. (negatives)","Images of artwork in the White House, Waynewood, and Embassies.","Images of art in larger print formats.","This series contains publications for which Charles Baptie provided pictures or helped print at his studio.  The series includes many brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections.","A book about baseball.","Encyclopedia of American History","History of the Civil War","Northern Virginia Guide Book.","Publications for advertisements","Publications for the George Hamill [For Mayor] campaign.","Publication items entitled Besley, Oliver.","Brochures for George Mason College.","Printed materials for George Mason College.","Publication materials for Texaco.","Publication items for Christmas cards and a religious program bulletin","Publication items for Speedlight","Camera on Assignment flyer; American Forests magazine (May 1959); and In Washington: The National Society Daughters of the American Revolution (1965).","New Comer's/ Spring issue 1990 of Northern Virginian since 1971.","Guide book of Northern Virginia photographs.","Scientific photographs for publications.","Posed military uniform scene.","Logos and cover pages for publications.","Newspaper about Pearl Harbor with photographs.","Poems by Margaret Gibson; printed by Charles Baptie Studios.","Living Poetry by Ann Sawyer Berkley; printed by Charles Baptie Studios.","Dorothy Heizer: the Artist and her Dolls by Helen Bullard; printed by Charles Baptie Studios.","Iceland's 20th Century Composers and a Listening of their works by Amanda Burt, Ph.D.; printed by Charles Baptie Studios.","Volume 16; printed by Charles Baptie Studios.","Maplewood by Diane N. Rafuse; printed by Charles Baptie Studios.","Volume 15; printed by Charles Baptie Studios.","By Ramona Graham Cook; printed by Charles Baptie Studios.","Notes n Stuff: Simply Fundamentals of Music by Amanda M. Burt, Ph.D.;printed by Charles Baptie Studios.","Doing Things and Happenings: A Book of Poems for Boys and Girls by Mary Goodlet Kellogg; printed by Charles Baptie Studios.","A guide to resources and services; printed by Charles Baptie Studios.","Fort Burd: Redstones Historic Frontier Fort: A Historical Account by Richard A. Sells; printed by Charles Baptie Studios.","Written by Zenia L. Koladis; printed by Charles Baptie Studios.","Article written by Baptie, \"Still Photography Techniques for Use in Audiovisual Aids\"","Written by Eugenia B. Smith; printed by Charles Baptie Studios.","Written by Michele Moure Elliott; printed by Charles Baptie Studios.","Assembled by the Fairfax County Historical Commission; printed by Charles Baptie Studios.","By George Boggs Roscoe; printed by Charles Baptie Studios.","Pamphlet for Gunston Hall.","Pamphlet for Woodlawn Plantation.","Spring 1967 Symposium.","Erudite book.","Fallout book.","Page book by the W.T. Woodson High School.","The Walrus, a book printed by Baptie Studios","1965 Annual Report for Hazelton Labs","1976 issue of the National Limestone Institute publication.","1983 issue of the National Limestone Institute publication.","1972 St. Agnes Alumnae magazine.","July-August 1982 issue of La Voz de Colombia en Washington.","Painting Hex signs by Kay Gephart.","Sheet music for Battle of Manassas for piano.","Camera on Assignment by Ollie Atkins and Charles Baptie.","Papers dealing with a publication about Brazil.","Images to be used for Smithsonian Guidebook publication.","Charles Fenwick library publication image.","Publication images entitled, The Starling Nuisance: He's Driving Everybody Crazy; He makes the Brass see Red; The man Ike trusts with the cash; He runs the show for Ike; Silliest statues you ever saw; How to clean a dirty city; and I watched Eisenhower Campaign.","Newspaper clippings.","Camera scraps publication pages.","Gunston Hall publication proofs.","Copy of Washington Portrait, a book Charles Baptie helped illustrate with photographs.","Miscellaneous papers dealing with publications.","Photos and text for Herkie the Pup.","Publication materials for a book about Brazil.","Publication materials for a book about Brazil.","Small publications from Washington, D.C. and Northern Virginia. Content includes: Color Picture Book of Washington; The Rag and Bone Shop, a book of poetry by C.J.S. Durham, 1985; Records of Dettingen Parish, 1745-1802; The Blueprint, student handbook for W.T. Woodson High School, 1966; Student Handbook, for Annandale High School, 1965; Dorothy Heizer The Artist and Her Dolls, by Helen Bullard, 1972; Measure and Beat: Recipes From the musicians and friends of the Fairfax Symphony Orchestra; Crafts and Craftsmen of the Tennessee Mountains, by Helen Bullard, 1976; Moorefield, a guide to the historical home of Jeremiah Moore by Thomas V. DiBacco, 1971; Green Spring Farm, a guide to the historic home by Ross and Nan Netherton, two editions 1970 and 1975; Willian Ray Brown A Tribute; Dawn Song, a book of poetry by Margaret Christensen Gilbert, 1977; Lee Mansion, a guide to the historic home of Robert E. Lee by Randle Bond Truett, 1943; J. G. Whittier Middle School Year Book, 1980-1981; Colvin Run Mill, a guide to the historic mill by Ross D. Netherton, 1976; The Conservative Virginian Magazine, 1980; The Official Manual and Selective Music List for the Virginia Band and Orchestra Directors' Association, 1972-1975. Also a folder of small pamphlets and programs including: Friends of the Fairfax County Jail; Reston Summer Festival, 1972; Annandale High School Graduation Excersizes program, 1976; The Fairfax Resolves, reproduction of George Mason's document, 1974; Carlyle House Historic Park guide pamphlet; System Sciences Corporation holiday greeting card; Northern Virginia Region High School Football Championships program, 1994.","Newspaper clippings and postcards relating to Capital Airlines. Capitaliner magazine and airline napkin.","This series contains negatives of Texaco stations in the greater Washington, D.C., area.  There are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles included in the collection.","Images include company's logo; a mural; rust proofing trucks; salesmen; N.D, no location; 1950-1960s; 1964; 1965; 1966; 1967; 1968; 1969; 4th and Florida N.E.; 11th Street S.E.; Alexandria; Annandale; Annandale Road and Arlington Boulevard, Aerial View of Jefferson Village; Aerial views of Columbia Pike-Barcroft Area; Aerial view of southeast edge of Beacon Field; Beltway near Andrews Field Authority Road; Bender - US 1; Berryville; Aerial vies of Bethesda, MD area; Blau Road and Cedar; Brown Texaco 1964; South Capitol and Livingston Road; Capitol Plaza; Chantilly; Aerial views of Cherrydale and Lee Highway; Aerial views of Clearwood Road and Rhode Island Avenue; miscellaneous; Darnstown; Democracy Boulevard; Dodge Park; East Capitol and 13th N.E.; People Fairfax; Fairfax Circle; Fairfax Drive and 25th Street, Falls Church; Forestville; Fort Hunt and Route 1; Franconia; and Franconia Road.","These folders contain images of Bob H; Hillcrest Drive, off Branch Avenue, NE; Hillcrest Gardens; I-66 and Route 234; Interchange I-95; I-495 and River Road; Indian Head Highway; Bud Johnson; Kamp Washington near Fairfax; Route 66 and Route 50, Kamp Washington; Langley; Lanham; Laurel; Leesburg Pike and S. Walter Reed Drive; SE 1/2 M Street; Manassas; Route 66, Manassas; Massachusetts Avenue at District Lane; McCoy Texaco; Bill Me; Morningside Area; Mt. Vernon Boulevard and 10th Street; New York Avenue and Bladensburg Road; New York Avenue at 5th Street; Nicholas and South Capitol; aerial view northeast section of Washington, D.C.,; Oakton; Olney, MD; Piney Branch and Carroll; Potomac, MD; Riggs Road Intersection; aerial view River Road; Rocking Horse and Bioling Brook; Rockville; US 240 - Rockville; aerial view of Route 1 near Plant and Industrial Boulevard; Route 50 at 56th Street; Route 240 between Rockville and Naval Hospital; Route 495, Defense Highway; Seminary Road and Shirley Highway; Route 277-Route 9 Stephen City; Telegraph Road; Tyson's Corner; University of Maryland; Gerry Utter Texaco; Wheaton, MD; Route 11, Winchester, VA; Route 50 and Route 81, Winchester, VA; and Winchester, VA.","Images of Texaco stations, including pictures; negatives; Fairlington area; Central and 495; Waynewood Fort Hunt Road; Route 7 and Route 81 Winchester; Central and Bell Highway; Annandale East; Fort Ward Tower, Annandale; Central Avenue and Addison Road, SW Washington, D.C.,; Gainesville; Gaithersburg; Kenilworth Avenue Station and Watkins Station; Riggs Road and Ager Road; New Hampshire Avenue and E.W Highway; Ritchie Road and Central Avenue, NE; aerial views; Wilson Boulevard and Edison Street; Bolling Field, Cheverly; EW Highway and Colesvill Road; Brown's Texaco; New York and W. VA, 2nd and Riggs; Ronnie Peppe; Conomingo; Buddy Johnson; New York Avenue Station; prints and negatives; blueprints and maps; Gaithersburg; Gaithersburg South; Germantown; Hamilton; Bill Hawk Texaco; Herndon Route 7; and Herndon Junction.","Images of Texaco stations at Route 50 and Baltimore Highway; Piney Branch and Silver Spring Avenue; New York Avenue Training station; New Hampshire and Kennedy Street, NW; New Hampshire and EW Highway; Mt. Vernon Ridge Road, Glebe Road intersection; Mosby Woods; Wilson Boulevard and Peyton Drive, near Seven Corners; Washington Lane Shopping Center; Takoma Park; Silver Spring Avenue, Piney Branch; Shirlington; Andrews Field, Morningside MD; Mt. Vernon Avenue and Monroe, Alexandria; Morningside; Woodstock; Woodbridge; Marumsco Village and Route 1; Connecticut Avenue and St Station; Dulles; Fairfax Town; Fairfax Drive, Falls Church; aerial view of Park; Fort Hunt Road section; Georgia and Hobart Drive; Georgia Avenue and Old Bladensburg Road; Georgia and Sher; Herndon; Lee Highway and Old Dominion Drive; MacArthur Boulevard; Clarendon area; Fairfax Drive and N. Quincy; Art Harold; aerial views; Plant, Alexandria; 6th and Florida Avenue, NE; 41st at Southern Avenue; Ager Road and Hamilton Street, NW; River Road, Alexandria; S. Wood Street, Alexandria; Annandale; Bethesda area; East Capitol and 64th Shady Grove; aerial view of S. Capitol Street and Lexington Road; S. Capitol Street and M Street; S. Capitol and Nicholas Street; Centreville; Columbia Pike; Station; Alexandria; and Rithie Road and Central Avenue, NE.","Negative of a Texaco Service Station.","Images of Texaco. (negatives)","Texaco station on Duke Street.","Texaco aerial views. (negatives)","Street and aerial view of an Annandale area Texaco station. (with negatives)","Images and negatives of Texaco stations.","This series contains negatives of Hot Shoppes Restaurants in the greater Washington, D.C., area.  This was a restaurant owned by the Marriott company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of Hot Shoppes.","Food (1 of 2)","Food (2 of 2)","Cakes","Airport Airline Service","Pantry House","Salt Lake City","Meridian Hall","J.W. Marriott","Virginia","Washington, D.C.","Maryland","Kitchens, Etc.","Hot Shoppes (1 of 5)","Hot Shoppes (2 of 5)","Hot Shoppes (3 of 5)","Hot Shoppes (4 of 5)","Hot Shoppes (5 of 5)","Photographs of kitchens, possibly Hot Shoppes.","Images of Hot Shoppes can be found within this box.","Negatives of Hot Shoppes are in this box.","Large format images of kitchens.","This series contains photographic prints, negatives, and slides of D.C. monuments.  Some of these images are listed in other series as necessary.  The monuments include Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon, for example.","Capitol Hill photographs. (negatives)","Cherry Blossoms at the Jefferson Memorial. (negatives)","Images of the White House, Supreme Court, Taft Bridge, the Potomac River, the Library of Congress, and other Washington, D.C., monuments.","Various Washington, D.C., monuments in regards to the birthday celebration. (negatives)","Fireworks over Washington, D.C., monuments.","Jefferson Memorial.","Lincoln memorial and Washington Monument.","Lincoln memorial and Washington Monument.","Photographs of the US Capitol.","Photographs of the US Capitol.","Photographs of the Jefferson Memorial.","Photographs of Washington, D.C., monuments taken from the air.","Photographs of Washington, D.C., monuments taken from the air.","Photographs and postcards of Washington, D.C., monuments.","Photographs of Washington, D.C., monuments. (with negatives)","Photographs of Washington, D.C., monuments. (with negatives)","Photographs of monuments. (with negatives)","Photographs of monuments. (with negatives)","Photographs of fireworks over Washington, D.C., monuments.","Postcards of Washington, D.C., monuments.","Photographs of Mount Vernon.","Photographs of Mount Vernon and Woodlawn plantation.","White house interior photographs.","White House negatives.","Various Washington, D.C., monuments.","Various Washington, D.C., monuments. (negatives)","Various Washington, D.C., monuments, many aerial views.","Image of the Washington Monument.","Images of the Washington, D.C., monuments and hotels.","Aerial views of Washington, D.C., monuments. (negatives)","Fireworks over Washington, D.C. (with negatives)","Aerial views of Washington, D.C., along with pictures of Washington, D.C., monuments, including Mount Vernon. (with negatives)","Images of Washington, D.C., monuments.","Images of the White House as well as area hotels. (with negatives)","Images of Washington, D.C., monuments through various years.  Includes several of the areas famous houses.","Images of Mount Vernon.","Images of Washington, D.C., Circle Road, Washington, D.C., Monuments, and famous houses in the area.","Images of the White House and other Washington, D.C., monuments.","Images of various Washington, D.C., monuments, including Gadsby Tavern, St. Clements Church, and Lee Mansion. (negatives)","Various Washington, D.C., monuments, including aerial views.","Images of the White House, buildings along the mall in Washington, D.C.,, and aerial views of monuments.","Large format photographs of fireworks over Washington, D.C.","Images of Washington, D.C., from the ground and the air, including Georgetown, Mount Vernon, the Pentagon, and the Reflecting Pool.","Large format images of the Library of Congress, Lincoln Memorial, Memorial Amphitheater, Supreme Court building, and the White House.","Large format images of Washington, D.C., monuments. (with negatives)","Aerial views of Washington D.C. with Capital Airlines plane.","Large format images of Washington, D.C., monuments.","Large format images the Washington monument and other Washington, D.C., monuments.","Panoramic photograph of Washington, D.C. from the Ellipse by Michael Lawton for Perpetual Federal Savings.","This series contains aerial photographs and negatives of the D.C. area. Some of these photos are listed in other series as necessary. Aerial views include those of Alexandria, Annandale, Texaco service stations, construction sites, Washington, D.C., monuments, Gunston Hall, Sully Plantation, and the Potomac River.","Aerial views of Alexandria","Aerial views of Route 1","Aerial views of Washington, D.C.","Aerial views of Washington, D.C.","Unidentified aerial views.","Aerial views for Besley, Oliver.","Aerial views of Texaco service stations around Washington, D.C.","Aerial views of Texaco service stations around Washington, D.C..","Aerial views of the National Memorial Park.","Aerial views of a construction site.","Aerial views of a construction site.","Aerial views of a construction site.","Aerial views of a construction site.","Photographs of aerial views.","Photographs of aerial views.","Photographs of aerial views.","Photographs of aerial views.","Air view of Columbia Pike area.","Photographs of aerial views of the Washington, D.C., area and Annandale.","Negatives of three Washington, D.C., monuments.","Photographs of Washington, D.C., monuments taken from the air.","Aerial views of houses, embassies, restaurants, hotels, and streets around Washington, D.C. (negatives)","Aerial views of Washington, D.C., monuments.","Aerial Washington, D.C., views. (negatives)","Aerial views of Sully Plantation and an unknown vacation resort. (negatives)","Aerial prints of Fairfax Hills and aerial views of Washington, D.C., from helicopter.","Aerial view of a storm cloud and of Washington, D.C..","Aerial images of Gunston Hall, Fairfax, Annandale, Washington, D.C., and Pittsburgh.","Aerial views (slides) of aircraft and hot air balloons, Washington, D.C., Mount Vernon, and Gunston Hall.","Aerial images of Gunston Hall.","City aerial views.","aerial images within the malaria testing and prevention series.","Aerial photos.","Aerial views of the area, including Bailey's Crossroads.","Air views of Annandale, VA.","Aerial shots of a PTS in Arlington and of Carvan.","Aerial views of Glebe and Arlington, St. Stephens school, and Fairfax Hills.","Aerial views.","Aerial views of Washington, D.C., monuments.","Texaco aerial views.","Air view of Annandale, Butterfly Hill, and a Texaco station in the Annandale area.","Air views of a construction site.","Aerial views of the Washington, D.C., area.","Aerial views of a hospital, church, the Pentagon, and a map.","Aerial views of Washington D.C., Alexandria, Mount Vernon, Potomac River, and the Pentagon.","Large format prints of aerial photos.","Aerial panoramic photograph of Washington, D.C. from the Ellipse by Michael Lawton for Perpetual Federal Savings.","This series contains photographs, negatives and slides of nature, including gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries. Some of these photos are listed in other series as necessary.","Negatives of butterflies and flowers at Butterfly Hill.","Images of clouds and the sunset at Wakefield. (negatives)","Images of Dumfries, VA natural scenes.","Images of fireworks.","Images of Harpers Ferry, WV. (negatives)","Images of cherry Blossoms at the Jefferson Memorial. (negatives)","Images of Little River Turnpike.","Images of a sunset on the Potomac. (negatives)","Images of nature at Riggs Bank. (negatives)","Images of nature along US Route 1 near Fort Belvoir. (negatives)","Images of nature along Route 40. (negatives)","Scenes of nature in a cemetery. (negatives)","Scenes of miscellaneous nature.","Natural photos for the American Association of Nurserymen. (negatives)","Photos of natural and zoo scenes for American Weekly. (negatives)","Natural scenes around Geophysical Labs. (negatives)","Natural scenes at National Memorial Park.","Fishing on a river","Park plans","Photographs of mountains, a glacier, water, and a cave.","Photographs of a graveyard.","Negatives of birds and mushrooms.","Photographs of bees and flowers and trees.","Slides of flowers.","Negatives of natural bridge.","Nature scenes surrounding Little Theatre, DAR, Blair house, Statler hotel, Sand Meridian, Shrine of Immaculate Conception, Harvey Rest, Holiday Inn, Kenmore's House, or Uranium ore sample. (with negatives)","Natural scenes of Riverside Garden, Waynewood, Woodlawn, and Kurty. (negatives)","Natural scenes in Ecuador and Honduras dealing with the malaria prevention series.","Images of a river, Niagara Falls, and fireworks.","Scenic mountain views, cattle, flowers, and scenes in Ecuador.","Natural images from Sully Plantation, desert scenes, St. Petersburg, and a vacation resort.","Images of a beach vacation, fishing, and a storm cloud.","Images of Belvedere beach, Africa, and Gunston Hall.","Scenic images of a vacation, hot air balloons, Mount Vernon, and Gunston Hall. (slides)","Photos of Great Falls, Fairfax Hills, Nepal, and butterflies on flowers. (with negatives)","Images from Ecuador and of caves.","Scenic images in regards to the malaria testing and prevention series.","Natural scenes of snow on Butterfly Hill.","Images of the Potomac River.","Images of nature from vacation or foreign travel photos, Ecuador, Guatemala, the malaria prevention series, and of butterflies.","Malaria prevention and testing campaign in Ecuador.","Images of a flood in Accotink and Fairfax Falls. Also, images of a covered bridge in Vermont; Fairfax Hills; and Butterfly Hill.","Images of a lake.","Great Falls of the Potomac: Close up view of the Great Falls, labeled on back as largest falls in the East outside of Niagara.","Large format scenic pictures.","Large format scenic pictures.","This series contains photographs and negatives of various maps and building plans.  This includes blueprints and architectural designs too. Some of these photos are listed in other series as necessary.  Specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills.","Map or plans of Baltimore.","Map or plans of Washington D.C., Highway Improvement Program.","Miscellaneous map or plans.","Map or plans of St. Agnes School.","Plans and maps of churches.","Plans and maps of houses.","Miscellaneous plans and maps.","Plans and maps for the American Association of Nursery Men.","Plans and maps for Allen Dickey, Architect.","Plans and blueprints from Hazelton Labs.","Texaco maps and blueprints.","Drawings, plans, and maps of National Memorial Park.","Plans for Woodbridge Toll Center","Plans for apartments in Florida, Grasshopper Green School, and Coastal Aviation.","Study of Hogate's waterside development.","Apartment plans.","Map and images of Homestead, PA.","Floor plan of Woodlawn.","Building plans and layouts from the malaria testing and prevention series.","Plans and maps of Fairfax Hills.","Various plans.","Personality homes plans by Verkerke.","Map of Washington, D.C.,","This series contains prints and negatives of people in various settings.  Some of these photos are listed in other series as necessary. Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, Presidents, actors, the National Symphony, and military leaders.","Pictures of people in the Cathedral series.","Pictures of people at the Cavalier Hotel.","Pictures of miscellaneous portraits.","Pictures of people from the cemetery series. (negatives)","Pictures of people from the choral society.","Pictures of people from churches. (with negatives)","Pictures of a coffee taster from the Food and Drug Department, Department of Agriculture. (negatives)","Pictures of people from the Omer Hirst series. (negatives)","Pictures of Edward Everett Horton. (negatives)","Pictures of people from President Eisenhower's 1957 inauguration. (negatives)","Pictures of Frances Leighton. (with negatives)","Pictures of Neil McElroy, Secretary of Defense. (negatives)","Pictures of miscellaneous people.","Pictures of the National Symphony from 1953. (negatives)","Pictures of Lillian Rogers Parks of the White House. (negatives)","Pictures of people. (with negatives)","Pictures of Assistant Secretary Hein-Perkins. (negatives)","Pictures of people from schools. (negatives)","Pictures of people from the WAVES second birthday celebration.","Portraits and pictures of people with the American Association of Nursery Men. (negatives)","Portraits and pictures of people with American Weekly. (negatives)","Portraits and pictures of Oliver Besley. (negatives)","Portraits and pictures of people with the Fairfax National Bank. (negatives)","Pictures of people who work at Geophysical Labs.","People who work at Hazelton Labs.","People who work at Mount Vernon Research.","Pictures of people at Texaco stations.","Pictures of Art Harold.","People at National Memorial Park. (negatives)","Pictures of people using technology. (negatives)","Pictures of Leighton. (negatives)","Pictures of school portraits. (with negatives)","Pictures of Ann Wheaton. (negatives)","Pictures of Besley. (negatives)","Pictures of people from TGA. (negatvies)","Portraits. (negatives)","Pictures of people at work.","Pictures of Jayce White's portraits. (negatives)","Pictures of people at an event.","Pictures of an artist painting. (negatives)","Pictures of Thompson wedding. (negatives)","Pictures of Ashworth wedding. (with negatives)","Photographs of Alfred Hitchcock, John Forsythe, and the film crew.","Photographs of Richard Nixon and his family in the White House.","Photographs of people. (negatives)","Photographs of people.","Photographs of people doing various jobs.","Photographs of people around a fire hydrant. (negatives)","Photographs of people at a banquet and of notable persons.","Prints of various people at a function.","Photographs of children.","Photographs of people.","Photographs of people at a wedding.","Photographs of a Women's Club and Monroe Junior High School.","8x10 inch portrait print and smaller negative.","Photographs of Truman, military officer's homecoming, and portraits.","Photographs of the Washington, D.C., symphony orchestra.","Photographs of groups.","Photographs from the Hostess series.","Photographs of a woman and man.","Photographs of a high school football team. (negatives)","Photographs of various people. (with negatives)","Photographs of Fairfax High School football team. (negatives)","Photographs of people placing boxes along a grave. (negatives)","Photographs of Desmond Walton. (negatives)","Photographs of Kennedy with Girl Scouts.","Portraits signed by the subject.","Dolly Madison School class photos. (negatives)","Photographs of 100 year celebration in Homestead, PA. (negatives)","Pictures of people at the Little Theatre. (negatives","Pictures of people at Alexandria hospital and Mrs. Hunt. (negatives)","Pictures of people in houses, Tele Tech, restaurants, and hotels. (negatives)","Pictures of people involved in the malaria prevention testing and U.S. Generals.","People in several photos from World War Two.","People involved in malaria prevention, as well as general people and the Buddy Dean Band.","Photographs of people at hotels. (negatives)","Pictures of President Truman, a baseball team, a child's haircut, and Adolf Hitler. (with negatives)","Pictures of people within this box.","Pictures of people at swim practice, in an officer's club, selling war bonds, and the Helen Jefeson and Army band.","Photographs of people at the Fairfax Hospital, making bows, and military men.","Photographs of people on vacation and Charles Baptie at home.","People campaigning for a hospital, at the Mining Company, Chuck Baptie, the Washington Hebrew Congregation, Tom Lawson, Cowboy Ray Allen, and Harod the Great.","Pictures from Woodlawn of Mrs. Udall and a portrait of Mrs. Gibson. Also pictures of people involved in the malaria prevention testing in Ecuador.","People involved in malaria prevention and testing.","Pictures of Lyndon Johnson, VPI Marines football game with President Truman attending, and President Truman on Air Transport Command plane.","Pictures of people within this box.","Photographs of President Truman, the Red Cross Canteen, an officer's club reception, Carol Steve, and a Bolivian girl.","Portraits of General Eisenhower, as well as notable military and political leaders.","Army time series, Dolly Madison Junior High School group portrait, a Fashion show, and Barry Real Estate.","President Eisenhower's inaugural, short post club, John Torches group, Secretary of Defense Wilson, National Symphony records, Howard Mitchell, President Eisenhower, President Carter with Pope John Paul II, Denise Hudson, and Symphony volunteers portraits.","People working with malaria prevention and testing; poster makers; military men; and people relaxing.","People working with malaria prevention and testing in Ecuador.","People at a special locomotive ceremony, Herrich Benmuger kissing a woman, and people at a Texaco station.","Dr. Ableson Geography, Fairfax Hospital graduation pictures, the National Symphony Orchestra, Mrs. harry Stengle's boy, and General Wainwright.","Photographs of Adolf Hitler, Little Theater series, Mrs. Carmey, Gadsby Tavern, and Alexandria Hospital service.","People on Sully Plantation","Picture of General Eisenhower.","People in a car.","People cleaning; cop writing a ticket to a monkey for littering.","Senator Henry Cabot Lodge and Senator William Knowland.","Tourists looking at statues around Washington, D.C..","Secretary of Treasury George Humphrey, Secretary of State John Foster Dulles, and Vice President Richard Nixon.","Prints of Committee Counsel John J. Courtney, Congressman Jack Anderson, and Congressman F. Edward Herbert, Chairman of the Sub Committee on Procurement, examining lighting fixtures; luncheon for former Governor of Louisiana James M. Noe, Admiral Harold Houser, aide to the Secretary of Defense Congressman Edward Herbert, and Admiral Charles Fox, Chief of Navy Materials; Congressman Herbert with his wife and daughter; and secretary Betty Harter, Congressman Herbert and his wife.","CBS radio newscaster Claude Mahoney.","Presidents Richard Nixon and his family; Lyndon B. Johnson.","Pictures of a baby, a man in a costume, a secretary at a desk, a scientist, a woman in a gown, and several portrait sessions.","Pictures of Lt. Commander M. Scott Carpenter and his secretary Nancy; President Eisenhower and his pilot.","Pictures of people.","Pictures of people.","Group photos of people.","President Harry S. Truman descending airplane staircase.","President of Capital Airlines Clifford Bell, Capital Airlines airplane.","Pictures of people's head shots.","Pictures of military photographs.","Pictures of people.","Pictures of Nancy C. Lowe.","This series contains photographs and negatives of food from restaurants and Hot Shoppes.","Images of food made in restaurants.","Photographs of food.","Photographs of food.","Pictures of food from restaurants.","Images of food from Hot Shoppes.","Images of food.","Images of restaurant food.","Images of food.","Images of a Thanksgiving dinner.","Images of food.","Images of food entitled Statler.","Images of food.","Images of food from the Holiday Inn.","Images of food from a series entitled 3 Chefs.","This series contains photographs and negatives of various museum exhibits and artifacts.  Some of these photos are listed in other series as necessary. Artifacts and exhibits include the Star Spangled Banner, dolls, and Smithsonian objects.","Images of the Star Spangled Banner.","Images of a P.O.W. museum exhibit within the American Weekly series. (negatives)","Negative facsimiles of historical documents. (negatives)","Photographs of museum exhibits. (negatives)","Kodachrome from Gallery.","Photographs of dolls for a book by Helen Bullard. (negatives)","Images of museum artifacts. (negatives)","Photographs of some of the Smithsonian's artifacts.","Images of rocks from the Smithsonian.","Images of exhibits from the Smithsonian.","Images of various artwork, natural, and scientific objects.","Images of museum artifacts.","Images taken for a Smithsonian Guide Book.","Images of Smithsonian exhibits.","Images of Smithsonian exhibits.","Images of Smithsonian exhibits.","Tourists looking at statues around Washington, D.C.","This series contains photographs and negatives of animals. Some of these photos are listed in other series as necessary.  Animals include monkeys, horses, birds, bees, cattle, dogs, butterflies and animals for scientific testing.","Images of monkeys.","Images of animals in the American Weekly series. (negatives)","Images of animals used at Hazleton Labs. (negatives)","Pictures of animals at National Memorial Park. (negatives)","O'Donovan horse pictures. (negatives)","W.L. Clark horse pictures. (negatives)","Photographs of horseback riding.","Photographs of birds.","Photographs of bees.","Photographs of a woman feeding treats to a dog.","Photographs of cattle.","Photographs of dogs.","Photographs of horses.","Photographs of dogs.","Photographs of dogs.","Photographs of a puppy.","Pictures of animals within this box.","Pictures of cattle.","Animal photos within the Hostess Cox series.","Slides of animals.","Pictures of animals within the malaria testing and prevention series.","Pictures of butterflies.","Pictures of Dillard Topsy Setter and of King-Collie, dog of Raynor, Mrs. Aline.","Images from the Turkey Series.","Images of butterflies. (slides)","Police writing a littering ticket to a monkey.","Pictures of a puppy.","Large format prints of animals at the National Zoo, including two hippopotami and a snake.","This series contains photographs and negatives of technology. Some of these photos are listed in other series as necessary.  Images in this series include science labs, computers, a space shuttle, factories, and a camera.","Photographs dealing with technology in the American Weekly series. (negatives)","Images of technology from Applied Electro Mechanics. (negatives)","Images of technology from Commonwealth Scientific. (negatives)","Images of technology from Dryomatic. (negatives)","Images of technology from Geophysical Labs. (negatives)","Images of technology from US Recording. (negatives)","Images of technology from Hazelton Labs. (negatives)","Images of technology from Mount Vernon Research. (negatives)","Images of technology from Sloan Instruments. (negatives)","Images of technology from the Water Authority.","Pictures of data for Speedlight.","Pictures of technology.","Pictures of navigation images.","Images of technology in the Alexandria Hospital.","Images from Tele Tech. (negatives)","Pictures of technology from the malaria prevention and testing series.","Images of technology in a factory.","Photographs from the National Biological Lab.","Images of a space shuttle launch, aircraft and hot air balloons.","Photographs of the Gas Equipment Center and the ILS Institute.","Images of technology.","Photographs of the Pepsi Cola Plant.","Dr. Ableson Geography Lab for America Weekly.","Images of an Editor's house at work. (negatives)","Large format images of a scientist and of a camera set up.","Large format images of technology.","Images of computers.","Large format images of technology.","This series contains photographs and negatives of George Mason College. Some of these photos are listed in other series as necessary.  Specific subjects include athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials.","Photographs of George Mason College.","Photographs of George Mason College basketball.","Photographs of Dimitrios Papaconstatopoulus of the Physics Department.","Photographs of George Mason College master plan.","Brochures for George Mason College.","Photographs of George Mason College Tennis.","Photographs of George Mason College Baseball.","Photographs of George Mason College, ground breaking of Thompson Hall.","Photographs of George Mason College Fenwick Library.","Photographs of George Mason College sign.","Photographs of George Mason College campus.","Photographs of George Mason College campus.","Photographs of George Mason College campus.","Photographs of George Mason College at Bailey's Crossroads.","Photographs of George Mason College athletics.","Photographs of George Mason College Printed Materials.","Photographs of George Mason College graduations. (with negatives)","Photographs of George Mason College's people, buildings, classes, students, and classrooms.","Photographs of George Mason College's classrooms, aerials.","Photographs of George Mason College sports.","Photographs of George Mason College buildings.","George Mason College portraits.","Photographs of Fenwick Library.","Photographs of George Mason Day.","Images from George Mason College.","Miscellaneous images and items from George Mason College.","This series contains photographs and negatives of vehicles, such as cars, baby carriage, planes, trains, and ships. Some of these photos are listed in other series as necessary.","Image of a vehicle at a lock at Cumberland. (negatives)","Picture of a vehicle at Hazelton Labs. (negatives)","Images of vehicles in association with Texaco. (with negatives)","Images of vehicles in association with Texaco.","Pictures of a baby carriage.","Photographs of vehicles.","Photographs of vehicles.","Photographs of a locomotive.","Photographs of train cars, buses, locomotives and C and O box cars. (with negatives)","Photographs of various types of transportation.","Photographs of White Service vehicle.","Photographs of a car accident.","Postcards of planes and ships.","Photographs of various forms of transportation.","Photographs of a B-20.","Photographs of a locomotive.","Images of a vehicle.","Images of vehicles.","Photographs of vehicles, including those of the Air Force.","Pictures of boxcars.","Pictures of a space shuttle, aircraft, and hot air balloons.","Pictures of a boat and car and the Gunston Hall car show","Picture of President Truman on an Air Transport Command plane.","Photographs of a plane, as well as Air Traffic Command.","Picture of a dual drive Army Jeep.","Images of Thompson trailers and Gunston Hall cars.","Photographs of a special locomotive ceremony.","Images of Pan 1957 vehicles.","People in a car.","Pictures of airplanes and a car fire.","Photograph of a truck on fire on a small highway and a car in a showroom.","Images of vehicles.","Images of planes.","This series contains photographs and negatives of Gunston Hall, home of George Mason. Some of these photos are listed in other series as necessary. Images include the Mason coat of arms, publications, postcard images, aerial views, and a car show.","Images of Gunston Hall, as well as the Mason Coat of Arms, publications, the Prophetic Pineapple of Gunston Hall, and postcard. (with negatives and slides)","Pamphlet for Gunston Hall.","Photographs of Gunston Hall.","Aerial images of Gunston Hall.","Aerial shots of Gunston Hall. Also, images of a car show held at Gunston Hall.","Images of Gunston Hall, including publication negatives and large format prints.","Gunston Hall publication proofs.","This series contains photographs and negatives of various settings in Central America, like Brazil, Honduras, and Ecuador; and other international locations, like Paris or India. Some of these photos are listed in other series as necessary.","Papers for a publication about Brazil.","Images of malaria prevention and testing in Honduras and Ecuador.","Images of malaria prevention and testing in Honduras and Ecuador.","Pictures of Paris.","Images of malaria prevention and testing in Honduras and Ecuador.","Images of malaria prevention and testing in Honduras and Ecuador.","Photograph of the Taj Mahal.","Images of malaria prevention and testing in Honduras and Ecuador.","Images of malaria prevention and testing in Honduras and Ecuador.","Picture of the Eiffel Tower during its 100th anniversary.","This series contains correspondence between Charles Baptie and others about photograph orders and publications.","Letters written to and from Charles Baptie.","Letters written to and from Charles Baptie regarding publication information.","Letters written to and from Charles Baptie regarding publication information.","This series contains electronic media, specifically a couple of floppy disks for a computer program called Wordstar.","Out-dated 5 1/4 inch computer floppy discs.","There are no restrictions.","Mid-20th century photographs of Washington, D.C., area landmarks, including Gunston Hall, the White House, and embassies; local businesses, including Texaco stations and Hot Shoppes; and more common subjects, like artwork, animals, nature, or people.  These images are in several formats: negatives, slides, prints, and publications.","George Mason University--Photographs.","Gunston Hall (Va.)--Photographs.","Charles Baptie, 1914-2000","Eisenhower, Dwight D., 1890-1969--Photographs.","Truman, Harry S., 1884-1972--Photographs.","English"],"collection_title_tesim":["The Charles Baptie photograph collection, 1917/1995"],"collection_ssim":["The Charles Baptie photograph collection, 1917/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0032"],"unitid_tesim":["C0032"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Charles Baptie, 1914-2000"],"creator_ssim":["Charles Baptie, 1914-2000"],"creator_persname_ssim":["Charles Baptie, 1914-2000","Eisenhower, Dwight D., 1890-1969--Photographs.","Truman, Harry S., 1884-1972--Photographs."],"creator_corpname_ssim":["George Mason University--Photographs.","Gunston Hall (Va.)--Photographs."],"creators_ssim":["Charles Baptie, 1914-2000","Eisenhower, Dwight D., 1890-1969--Photographs.","Truman, Harry S., 1884-1972--Photographs.","George Mason University--Photographs.","Gunston Hall (Va.)--Photographs."],"acqinfo_ssim":["The collection was donated in several stages by Charles Baptie and J. Roger Bentley.  Charles Baptie, in November 1993, donated GMU materials and other material relating to Northern Virginia.  He donated 2.4 linear feet of negatives in July 1994.  He donated more photographic negatives and other material in September 1994.  In May 2002, J. Roger Bentley donated 1900 negatives, 1,400 photographs, and some publication materials.  The next year, May 2003, he donated approximately 2,000 negatives, slides, and photographs, as well as pamphlets, postcards, news clippings and other documents."],"access_subjects_ssim":["Buildings--Photographs.","Drive-in restaurants--Photographs.","Embassy buildings--Washington (D.C.)--Photographs.","Monuments and memorials--Washington (D.C.)--Photographs.","Nature--Photographs.","Service stations--Photographs.","Technology--Photographs.","Aerial photographs.","Negtaives.","Photographic prints.","Portraits.","Slides."],"access_subjects_ssm":["Buildings--Photographs.","Drive-in restaurants--Photographs.","Embassy buildings--Washington (D.C.)--Photographs.","Monuments and memorials--Washington (D.C.)--Photographs.","Nature--Photographs.","Service stations--Photographs.","Technology--Photographs.","Aerial photographs.","Negtaives.","Photographic prints.","Portraits.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["26 linear feet (24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes)"],"extent_tesim":["26 linear feet (24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 21 series.\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Buildings: Interior and Exterior, 1947-1975\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Embassies, 1950s-1970s\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Art, 1947-1975\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Publications, 1942-1994\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Texaco Stations, 1950-1972\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Hot Shoppes, 1948-1953\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Washington, D.C., Monuments, 1944-1991\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Aerial Photographs, 1934-1991\n\u003c/item\u003e\n        \u003citem\u003eSeries 9: Nature, 1917-1988\n\u003c/item\u003e\n        \u003citem\u003eSeries 10: Maps and Building Plans, 1941-1973\n\u003c/item\u003e\n        \u003citem\u003eSeries 11: People, 1944-1976\n\u003c/item\u003e\n        \u003citem\u003eSeries 12: Food, 1950s-1960s\n\u003c/item\u003e\n        \u003citem\u003eSeries 13: Museum Exhibits, 1952-1970s\n\u003c/item\u003e\n        \u003citem\u003eSeries 14: Animals, 1946-1980s\n\u003c/item\u003e\n        \u003citem\u003eSeries 15: Technology, 1948-1974\n\u003c/item\u003e\n        \u003citem\u003eSeries 16: George Mason College, 1959-1976\n\u003c/item\u003e\n        \u003citem\u003eSeries 17: Vehicles, 1946-1995\n\u003c/item\u003e\n        \u003citem\u003eSeries 18: Gunston Hall, 1960s-1993\n\u003c/item\u003e\n        \u003citem\u003eSeries 19: International, 1958-1989\n\u003c/item\u003e\n        \u003citem\u003eSeries 20: Correspondence, 1955-1990s\n\u003c/item\u003e\n        \u003citem\u003eSeries 21: Electronic Media, 1970s-1980s\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 21 series.","Series 1: Buildings: Interior and Exterior, 1947-1975\n\n        Series 2: Embassies, 1950s-1970s\n\n        Series 3: Art, 1947-1975\n\n        Series 4: Publications, 1942-1994\n\n        Series 5: Texaco Stations, 1950-1972\n\n        Series 6: Hot Shoppes, 1948-1953\n\n        Series 7: Washington, D.C., Monuments, 1944-1991\n\n        Series 8: Aerial Photographs, 1934-1991\n\n        Series 9: Nature, 1917-1988\n\n        Series 10: Maps and Building Plans, 1941-1973\n\n        Series 11: People, 1944-1976\n\n        Series 12: Food, 1950s-1960s\n\n        Series 13: Museum Exhibits, 1952-1970s\n\n        Series 14: Animals, 1946-1980s\n\n        Series 15: Technology, 1948-1974\n\n        Series 16: George Mason College, 1959-1976\n\n        Series 17: Vehicles, 1946-1995\n\n        Series 18: Gunston Hall, 1960s-1993\n\n        Series 19: International, 1958-1989\n\n        Series 20: Correspondence, 1955-1990s\n\n        Series 21: Electronic Media, 1970s-1980s"],"bioghist_html_tesm":["\u003cp\u003eCharles Baptie, a photographer, printer, and publisher, was born in Munhall, PA on March 13, 1914. Early in life, Baptie became interested in photography and airplanes, interests that would eventually lead to him becoming a photographer and public relations agent for Capital Airlines. His camera recorded the life of the airline for many years. When Capital Airlines merged with United Airlines, Baptie left the company and formed his own business, Charles Baptie Studios, Inc.\n\u003c/p\u003e\n      ","\u003cp\u003eWhile operating his own studio, Baptie provided photographs for more than fifty books and other publications, including: \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eCapital Airlines: A Nostalgic Flight Into the Past\u003c/title\u003e, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eGreat Houses of Washington\u003c/title\u003e, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eCamera on Assignment\u003c/title\u003e (with Ollie Atkins), the sixteen volume \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEncyclopedia of United States History\u003c/title\u003e, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eGuest House of the Presidents\u003c/title\u003e, the story of the Blair Lee House, and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eMid the Hills of Pennsylvania\u003c/title\u003e. As a photojournalist, Baptie covered feature stories for leading magazines and other news publications. Over the course of his journalistic career, Baptie met and photographed many world leaders and public figures.  He passed away in 2000.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Baptie, a photographer, printer, and publisher, was born in Munhall, PA on March 13, 1914. Early in life, Baptie became interested in photography and airplanes, interests that would eventually lead to him becoming a photographer and public relations agent for Capital Airlines. His camera recorded the life of the airline for many years. When Capital Airlines merged with United Airlines, Baptie left the company and formed his own business, Charles Baptie Studios, Inc.","While operating his own studio, Baptie provided photographs for more than fifty books and other publications, including: Capital Airlines: A Nostalgic Flight Into the Past, Great Houses of Washington, Camera on Assignment (with Ollie Atkins), the sixteen volume Encyclopedia of United States History, Guest House of the Presidents, the story of the Blair Lee House, and Mid the Hills of Pennsylvania. As a photojournalist, Baptie covered feature stories for leading magazines and other news publications. Over the course of his journalistic career, Baptie met and photographed many world leaders and public figures.  He passed away in 2000."],"prefercite_html_tesm":["\u003cp\u003eThe Charles Baptie photograph collection, Collection #C0032, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["The Charles Baptie photograph collection, Collection #C0032, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eSeveral different staff members have processed this collection as it came into the archives. Instead of reprocessing the whole collection, each new addition was added on, thus making the organization of the collection rather difficult.  Instead of reorganizing the thousands of photographs and negatives, the decision was made to divide the collection into series, but not resort it.  Therefore, some boxes contain several different series, as well as each folder containing several series.  Some individual photographs overlap series; when this occurs, it can be found in both series.\n\u003c/p\u003e\n        ","\u003cp\u003eProcessed by Special Collections and Archives staff. Additional processing by Sean Tennant and Stacey Kniatt in 2008-2010. EAD markup completed by Stacey Kniatt and Hal Barthold in October 2010. \n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Several different staff members have processed this collection as it came into the archives. Instead of reprocessing the whole collection, each new addition was added on, thus making the organization of the collection rather difficult.  Instead of reorganizing the thousands of photographs and negatives, the decision was made to divide the collection into series, but not resort it.  Therefore, some boxes contain several different series, as well as each folder containing several series.  Some individual photographs overlap series; when this occurs, it can be found in both series.","Processed by Special Collections and Archives staff. Additional processing by Sean Tennant and Stacey Kniatt in 2008-2010. EAD markup completed by Stacey Kniatt and Hal Barthold in October 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Richard Nixon presidential photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/nixonphoto.html\"\u003e\u003c/extptr\u003e the \u003cextptr type=\"simple\" title=\"Jack Rottier photograph collection, 1953-1983\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/rottier.html\"\u003e\u003c/extptr\u003e and the \u003cextptr type=\"simple\" title=\"Oliver Atkins Photograph Collection\" show=\"new\" href=\"http://sca.gmu.edu/exhibit/atkins_1.htm\"\u003e\u003c/extptr\u003e.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  the  and the ."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Baptie Photograph Collection contains color prints and negatives of Gunston Hall, the home of George Mason; color transparencies from the Encyclopedia of United States History; color transparencies and prints from the Great Houses of Washington, D.C.; black \u0026amp; white negatives of the Washington metropolitan area; and photographs of George Mason College.  There are, in addition, aerial photographs, photographs of malaria prevention overseas, and publicity photographs for various publications. Also included in this collection are photographs pertaining to the childrens' book, Herkie the Pup, written by Charles Baptie. The total volume of the collection is 26 linear feet, consisting of 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes.  \u003c/p\u003e\n      ","\u003cp\u003eSeries 1 is a group of images of buildings, both interior and exterior, including facades of famous houses and embassies around DC as well as images of the interior decorations; also included are images of churches, DC monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 2 consists of images of the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies; most of these items are also found in series 1. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 3 contains images of artwork, including of paintings, sculptures, dolls, trophies, and architecture; also images of artwork used for publications such as a baseball book, an Encyclopedia of American History, a History of the Civil War, and a Northern Virginia guidebook.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 4 is for Publications for which Baptie either provided photos or printed at his studio including brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 5 shows images of Texaco stations in the area, both on the ground and in the air throughout the Washington, D.C., area included are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles.  \n\u003c/p\u003e\n      ","\u003cp\u003eHot Shoppes restaurant photos make up Series 6, Hot Shoppes were a chain of restaurant owned by the Marriott Company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of the restaurants. \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 7 includes photographs of D.C. monuments and landmarks including Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 8 contains images from several other series that happen to be aerial shots, as well as general aerial views from around the country; images of nearby locations include Alexandria, Annandale, Texaco service stations, construction sites, DC monuments, Gunston Hall, Sully Plantation, and the Potomac River.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 9 consists of nature scenes, such as trees, mountains, clouds, gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 10 contains maps and building plans, such as blueprints or architectural renderings, specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills.  \n\u003c/p\u003e\n      ","\u003cp\u003ePeople make up the subject of Series 11, where the people are doing something else or just taking a portrait.  Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, presidents, actors, the National Symphony, and military leaders.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 12 consists of pictures of food from restaurants, Hot Shoppes, and holiday events.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 13 is made up of museum exhibits and artifacts including the Star Spangled Banner, dolls, and various Smithsonian objects and exhibits.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 14 documents various animals including monkeys, horses, birds, bees, cattle, dogs, hippopotamuses, snakes, butterflies and animals for scientific testing.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 15 shows different types of technology such as science labs, computers, a space shuttle, factories, and a camera.  \u003c/p\u003e\n      ","\u003cp\u003eGeorge Mason College is featured in Series 16 with images of athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 17 includes pictures of vehicles, such as cars, baby carriage, planes, trains, ships, helicopters and bicycles.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 18 consists of images from Gunston Hall, the historical home of George Mason.  Images in the series include the Mason coat of arms, publications, postcard images, aerial views, and a car show hosted by Gunston Hall.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 19 is consists of images of international subjects taken during Baptie's many travels, including various settings in Central America, like Brazil, Honduras, and Ecuador; and other locations, such as Paris or India.  \n\u003c/p\u003e\n      ","\u003cp\u003eSeries 20 is made up of documents consisting of correspondence between Charles Baptie and others about photograph orders and publications. \n\u003c/p\u003e\n      ","\u003cp\u003eFinally, Series 21 contains electronic media, specifically a number of 5 1/4 inch floppy discs used for a program called Wordstar.\n\u003c/p\u003e\n    ","\u003cp\u003eThis series contains photographic prints, negatives and slides that show various building interiors and exteriors.  Some of these photographs appear in other series based on the image.  Images include facades of famous houses and embassies around Washington, D.C., as well as images of the interior decorations. Also included are images of churches, Washington, D.C., monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes.\u003c/p\u003e\n        ","\u003cp\u003eAnderson house\n\t\u003c/p\u003e\n          ","\u003cp\u003eArts club\n\t\u003c/p\u003e\n          ","\u003cp\u003eBacon house (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eRobert Lou Bacon\n\t\u003c/p\u003e\n          ","\u003cp\u003eBelgian Embassy\n\t\u003c/p\u003e\n          ","\u003cp\u003eBelmont house\n\t\u003c/p\u003e\n          ","\u003cp\u003eBlair house (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eBrazilian Embassy\n\t\u003c/p\u003e\n          ","\u003cp\u003eCosmos Club\n\t\u003c/p\u003e\n          ","\u003cp\u003eDecatur house\n\t\u003c/p\u003e\n          ","\u003cp\u003eDumbarton House\n\t\u003c/p\u003e\n          ","\u003cp\u003eDumbarton Oaks\n\t\u003c/p\u003e\n          ","\u003cp\u003eEvermay\n\t\u003c/p\u003e\n          ","\u003cp\u003eFirenze house\n\t\u003c/p\u003e\n          ","\u003cp\u003eFrench Embassy\n\t\u003c/p\u003e\n          ","\u003cp\u003eHillwood\n\t\u003c/p\u003e\n          ","\u003cp\u003eInternational Eastern Star Temple\n\t\u003c/p\u003e\n          ","\u003cp\u003eIrish Embassy\n\t\u003c/p\u003e\n          ","\u003cp\u003eKreegar house\n\t\u003c/p\u003e\n          ","\u003cp\u003eLaird house\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe Lindens\n\t\u003c/p\u003e\n          ","\u003cp\u003eMeridian house\n\t\u003c/p\u003e\n          ","\u003cp\u003eMexican Embassy (1 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eMexican Embassy (2 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eMorris house\n\t\u003c/p\u003e\n          ","\u003cp\u003eSenator Claiborne Pell's house\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeruvian Embassy\n\t\u003c/p\u003e\n          ","\u003cp\u003ePost (Marjorie Merriweather) house\n\t\u003c/p\u003e\n          ","\u003cp\u003eProspect house\n\t\u003c/p\u003e\n          ","\u003cp\u003eSpanish Embassy (1 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eSpanish Embassy (2 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eStanley house, Tryon Place\n\t\u003c/p\u003e\n          ","\u003cp\u003eTryon Place\n\t\u003c/p\u003e\n          ","\u003cp\u003eTudor place\n\t\u003c/p\u003e\n          ","\u003cp\u003eTurkish Embassy (1 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eTurkish Embassy (2 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eWoodrow Wilson house\n\t\u003c/p\u003e\n          ","\u003cp\u003eWorthington house\n\t\u003c/p\u003e\n          ","\u003cp\u003eunidentified\n\t\u003c/p\u003e\n          ","\u003cp\u003eImage of Alsop house. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eInterior images of Joe Alsop's Georgetown House. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImage of Arlington Hospital, Arlington High School. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImage of Bell Telephone Company Building. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of buildings on Blakestone Island. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Butterfly Hill. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Capitol Hill. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of cathedrals. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImage of Cavalier Hotel. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Christ Church. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of buildings such as Columbus Fountain. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of buildings at the lock at Cumberland. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of buildings at Du Pont Circle. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of The Washington Monument with fireworks. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of buildings in Georgetown. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of buildings at Hogates. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of buildings in Jefferson Village. (negative)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of the Jefferson Memorial. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Library of Congress. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Ossian Hall.\n\t\u003c/p\u003e\n          ","\u003cp\u003eInterior images of Riggs Bank. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of St. Agnes School. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of school buildings. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Supreme Court building. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of buildings around Taft Bridge. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Union Station. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of buildings along Route 40. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of buildings in Washington, D.C.\n\t\u003c/p\u003e\n          ","\u003cp\u003eExterior and interior images of Art Master's. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eExterior and interior images of a cemetery. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eExterior and interior images of churches. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eExterior and interior images of hotels and motels.\n\t\u003c/p\u003e\n          ","\u003cp\u003eExterior and interior images of houses. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eExterior and interior images of miscellaneous buildings.\n\t\u003c/p\u003e\n          ","\u003cp\u003eExterior and interior images of restaurants.\n\t\u003c/p\u003e\n          ","\u003cp\u003eExterior and interior images of schools. (with negatives) \n\t\u003c/p\u003e\n          ","\u003cp\u003eAmerican Association of Nursery Men (1 of 2), buildings. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eAmerican Association of Nursery Men (2 of 2), buildings. (negatives)  \n\t\u003c/p\u003e\n          ","\u003cp\u003eVoices of America, buildings (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eAmerican Weekly (1 of 4), buildings (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eAmerican Weekly (2 of 4), buildings (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eAmerican Weekly (3 of 4), buildings (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eAmerican Weekly (4 of 4), buildings (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eAllen Dickey, Architect, buildings (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eWills and Van Metre buildings (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding interiors of Hazelton Labs. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of the interior of a Texaco station, as well as the exteriors of several more locations. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of the exteriors of several Texaco gas stations.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of miscellaneous building interiors. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of building interiors. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of the exterior of miscellaneous service stations. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a wastewater treatment plant.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Harry Clarkson's home. (negative)\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding being constructed.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding being constructed.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding being constructed.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding being constructed.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various buildings. (with slides)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various buildings.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Fairfax Hospital. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various buildings.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a bootery shop. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of the Hawkins Motor Company building. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Arlex Esso Service Station. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eExterior view of St. Clement church.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various buildings around town. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of hotel rooms inside and out and of various buildings. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various building interior and exteriors, as well as kitchens.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various buildings.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of the inside of St. John's Church. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Virginia Theatre.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various building interiors. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various buildings.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePostcards of St. John's Church and Rive Gauche Cafe.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of buildings while on a trip.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of building interior and exteriors.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNegatives of the exterior and interior of several buildings: Little Theatre; DAR; Blair House; Statler Hotel; Sand Meridian; Shrine of Immaculate Conception; Harvey Rest; Holiday Inn; and Kenmore's House (Fredericksburg, VA).\n\t\u003c/p\u003e\n          ","\u003cp\u003eNegatives that contain images of building interiors and exteriors of these subjects: Mrs. Hunt; Riverside Garden; Waynewood; Woodlawn; Kurty; and Alexandria Hospital.\n\t\u003c/p\u003e\n          ","\u003cp\u003eInterior images of Gunston Hall and Washington, D.C., monuments. \n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of building exteriors and interiors of houses, tele tech, Yates restaurant, hotels, restaurants, street house, embassies, and Firenze house. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding interiors and exteriors from amongst toy making, film set, Ecuador, malaria prevention, Honduras, and US generals prints.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding interiors and exteriors within the following print subjects: construction sites; room interiors; apartment plans; building facades; river; aerial Washington, D.C., monuments; Niagara Falls; Hot Shoppes; fireworks; factory; and World War Two scenes.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePrints and negatives of building interiors and exteriors within the following subjects: scenic mountain views; Ecuador; aerial Washington, D.C., views; building exteriors; a film set; toy making; people; cattle; food; flowers; and Buddy Dean band.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of the exterior and interior of hotels, restaurants, and embassies.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding interiors and exteriors within this box containing: handwritten notes; Mise; Sully Plantation; Air Force; Plate; President Truman; St. Petersburg; Baseball Team; Kid's haircut; White House; Misc. Vacation Resort; Adolf Hitler; and L. Campaign. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of building interiors and interiors of Woodlawn; St. John's Church; and National Biological lab. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eNegatives of building interiors and exteriors of Mt. Vernon, Mexico Chapala Church, Riggs Seria, Phil Sern Co., Carlyle home, Hostess Cox Series, Farly, Silver Spring store, Woodlawn, St. Clements, Continental Room, House military affair, Briefing room in ATC, Officers club, and Coast Guard lab.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNegatives of Interior and exterior images of Fairfax Hospital.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding interiors and exteriors from the following topics: vacation, Space shuttle launch, aircraft and hot air balloons, Baptie at home, architectural interiors and exteriors, Washington, D.C., monuments, Mt. Vernon, and Gunston Hall. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of building interiors and exteriors are found within the following picture subjects: Vepco Fire, hospital campaign, Alexandria, Fairfax Hills, Mining Company, Windsor Park hotel, Chuck Baptie, Homestead PA and map, Washington Hebrew Congregation, Tom Lawson, Cowboy Ray Allen, Harod the Great, Masonic Temple - Alexandria, Cathedral, St. Clements Church, Butterfly prints, Great Falls air NG, aerials of Gunston Hall, Fairfax hospital (1972-6-21), Nepal, Alexandria Hospital, boat, Gunston Hall car show (1993)\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding interiors and exteriors for Woodlawn, Oswaldo Altamirano - Ecuador, and Washington, D.C., monuments. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eInterior and exterior building views from malaria testing and prevention series and toy and poster makers.\n\t\u003c/p\u003e\n          ","\u003cp\u003eInterior and exterior building views of St. John's Church, Hot Shoppes, Billy Martin's Carriage house, Rive Gauche interior, S and W Cafeteria, Paul Young's Restaurant Safari Lounge, Hotel Continental, Roosevelt Hotel, Statler hotel, Windsor Park hotel, Lord and Taylor, Gas Equipment Center, Texaco Service Station, White House, Fort Lincoln, and ILS Institute. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding exteriors and interiors of Washington, D.C., monuments, Griffith Stadium, Georgetown, Anderson house, Arts Club, Cosmos Club, Bacon house, Belgium embassy, Belmont, Brazilian embassy, John Co and house, Decatur house, Firenze house, Kreeger house, Meridian house, Mexican embassy, Morris house, Octagon house, Sen. Pell house, Prospect house, Woodrow Wilson house, Woodlawn, and ballet of Monte Carlo.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding exteriors of a briefing room, Affair club, Texaco, Red Cross Canteen, Officers Club reception, Air Traffic Command, Hamamitt, Carol Steve, and Mr. Hodge [Rio].\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding exteriors and interiors of vacation or foreign travel; Ecuador; Guatemala; malaria prevention; Mt. Vernon; and McIlvaine Building. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of building interiors and exteriors of Texaco (on Duke St.), St. Agnes School, Embassy Dairy, Pepsi Cola Plant, Cathedral, Virginia Theatre series, Christ Church anniversary, Gadsby Tavern, Lee Mansion, and [Maryland] Co. old plant. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eInterior and exterior images of Waynewood, Great House, and Dumbarton. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding exterior and interior images of Town and Country bank, George Mason College, Short post club, John Torches group, Tahj Mahal, Statler, and Dickerson. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eNegatives of a house interior.\n\t\u003c/p\u003e\n          ","\u003cp\u003eInterior and exterior views of Alexandria Hospital, Hotels and restaurants,and Mrs. Hunt's old house. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding interior and exterior views relating to malaria prevention and testing campaign.\n\t\u003c/p\u003e\n          ","\u003cp\u003eWhite house interior images; Embassy of Iran interior shots, and Washington, D.C., monuments inside and out.\n\t\u003c/p\u003e\n          ","\u003cp\u003eSnail house exterior, Willist and Van Milin house exterior, Nolah Bunaldy house exterior, All Sports Awards house exterior, Mike Koen house exterior,Justin Bacon house exterior, Holiday Inn, Sona's Motel interior, APEX liquor store exterior,  Naylors restaurant interior, and Ralerge Hotel interior. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eMayer and Co. Furniture store interior, Exxon station exterior, Washington, D.C., monuments, White House exterior, Shirlington garage, Gadsby Tavern interior, St. Clements Church exterior, Lee Mansion, and Northern Virginia Now and Then showcasing building exteriors.\n\t\u003c/p\u003e\n          ","\u003cp\u003eWaynewood exterior and interior, Great House exterior, Brent House exterior, Decatur house exterior, and Anderson house interior. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of a famous house in Georgetown (exterior), Dumbarton House interior, and inside the Sully Plantation. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of famous houses in the Washington, D.C., area, Gunston Hall, Washington, D.C., Monuments, arial photographs of buildings.\n\t\u003c/p\u003e\n          ","\u003cp\u003eInterior and exterior images of the White House, the Turkish Embassy, Dunbarton, Mexican embassy, Brazilian embassy, Waynewood, Elen May, Peruvian Embassy, and Mrs. Post House. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding interior in the series The Starling Nuisance: It's Driving me crazy.\n\t\u003c/p\u003e\n          ","\u003cp\u003eOversized images of the exterior of the NASA building, church exteriors, Gunston Hall, and a silo.\n\t\u003c/p\u003e\n          ","\u003cp\u003eInterior and exterior views of several embassies, including Belgian Embassy, French Embassy, Irish Embassy, Spanish Embassy, and Turkish Embassy.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of interior and exterior of buildings, including the White House in a larger format print.\n\t\u003c/p\u003e\n          ","\u003cp\u003eInterior and exterior views of Belmont Mansion, Christ Church, Post House, Dumbarton Oaks, Hillwood House, Kreegar House, Library of Congress, Prospect House, Supreme Court Building, White House, and Woodlawn.\n\t\u003c/p\u003e\n          ","\u003cp\u003eInterior and exterior views of Dumbarton Oaks, Spanish Embassy, Firenze House, Cosmos Club, Turkish Embassy, Worthington House, EverMay Sunroom, Irish Embassy, Brazilian Embassy, The Lindens, Kreegar House, Tudor Place, Mexican Embassy, Belgian Embassy, Hillwood, Eastern Star Temple, French Embassy, and Anderson House.\n\t\u003c/p\u003e\n          ","\u003cp\u003eOversized pictures and negatives of building interiors and exteriors.\n\t\u003c/p\u003e\n          ","\u003cp\u003eOversized pictures and negatives of building interiors and exteriors including the Spanish Embassy, Turkish Embassy.\n\t\u003c/p\u003e\n          ","\u003cp\u003eOversized images of Irish Embassy, Eisenhower Executive Building, Post House, Dumbarton Oaks, Anderson House.\n\t\u003c/p\u003e\n          ","\u003cp\u003eOversized images of restaurants, stores and theater interiors.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of churches in larger print formats.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVarious home interiors including the Brazilian Embassy, the Post House, Turkish Embassy, Tudor Place, in larger print formats.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures and negatives of buildings in larger print formats.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographic prints, negatives and slides that show various embassies.  Some of these photographs appear in other series based on the image. The embassies shown include the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies.\u003c/p\u003e\n        ","\u003cp\u003eBelgian Embassy\n\t\u003c/p\u003e\n          ","\u003cp\u003eBrazilian Embassy\n\t\u003c/p\u003e\n          ","\u003cp\u003eFrench Embassy\n\t\u003c/p\u003e\n          ","\u003cp\u003eIrish Embassy\n\t\u003c/p\u003e\n          ","\u003cp\u003eMexican Embassy (1 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eMexican Embassy (2 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeruvian Embassy\n\t\u003c/p\u003e\n          ","\u003cp\u003eSpanish Embassy (1 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eSpanish Embassy (2 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eTurkish Embassy (1 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eTurkish Embassy (2 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eViews of Spanish Embassy.\n\t\u003c/p\u003e\n          ","\u003cp\u003eViews of Mexican Embassy, Irish Embassy (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eViews of the Belgian, Brazilian, and Mexican embassies. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eViews of the Embassy of Iran. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eViews of the Turkish, Mexican, Brazilian, and Peruvian embassies. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format prints of the Belgian, French, Irish, Spanish, and Turkish embassies.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format prints of the Spanish Embassy ballroom and patio; the Turkish Embassy entrance; the Irish Embassy garden; the Brazilian Embassy ballroom and dining room;  the Mexican Embassy music room, solarium, and entrance hallway; the Belgian Embassy library and salon; and the French Embassy drawing room and exteriors.\n\t\u003c/p\u003e\n          ","\u003cp\u003eOversized pictures and negatives of building interiors and exteriors including the Spanish Embassy, Turkish Embassy\n\t\u003c/p\u003e\n          ","\u003cp\u003eOversize images of the Irish Embassy.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVarious home interiors including the Brazilian Embassy and Turkish Embassy in larger print formats.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographic prints, negatives and slides that show artwork.  Some of these photographs appear in other series based on the image.  The artwork includes that for a baseball book, an Encyclopedia of American History, a History of the Civil War, a Northern Virginia guidebook, as well as paintings, sculptures, dolls, trophies, and architecture.\u003c/p\u003e\n        ","\u003cp\u003ePhotographs and diagrams to illustrate a book about baseball. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages and artwork used to illustrate the encyclopedia.\n\t\u003c/p\u003e\n          ","\u003cp\u003eArtwork and images to illustrate a publication on the Civil War.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages and artwork from around Northern Virginia for a guide book. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eMiscellaneous art.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMiscellaneous art.\n\t\u003c/p\u003e\n          ","\u003cp\u003eSports trophies and plaques. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eArtwork from the National Memorial Park.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various works of art.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of artwork within Harry Clarkson's home.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of artwork.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of portraits of Marine generals.\n\t\u003c/p\u003e\n          ","\u003cp\u003eDrawings of houses including Pohick Church, Calvin Run Mill, Mount Vernon, and Gunston Hall.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of artwork from Christ Church.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of paintings.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVarious artwork within Little Theatre, DAR, Blair House, Statler Hotel, Sand Meridian, Shrine of Immaculate Conception, Harvey Rest, Holiday Inn, Kenmore's house, or a Uranium ore sample. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eArtwork within ideas for bicentennial celebration, Gunston Hall, Smithsonian artifacts, and Washington, D.C., monuments. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eReligious artwork, Mrs. Meticals artwork, and Mrs. Mitiary artwork. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of ideas for bicentenial celebration, dolls, art, and furniture.\n\t\u003c/p\u003e\n          ","\u003cp\u003eArtwork from within the Windsor Park hotel, Washington Hebrew Congregation, Tom Lawson, Cowboy Ray Allen, Harod the Great, St. Clements Church, and a cathedral.\n\t\u003c/p\u003e\n          ","\u003cp\u003eArtwork from the Smithsonian and Woodlawn. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eArtwork in the form of posters, including the making of the posters.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMore posters as artwork as well as photographs of various paintings and other forms of art.\n\t\u003c/p\u003e\n          ","\u003cp\u003eArtwork from inside the White House, the Iranian Embassy and at various Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003eArtwork in this box includes art inside the Gadsby Tavern and images of Christmas stockings and Christmas card images. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of artwork in the White House, Waynewood, and Embassies.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of art in larger print formats.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains publications for which Charles Baptie provided pictures or helped print at his studio.  The series includes many brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections.\u003c/p\u003e\n        ","\u003cp\u003eA book about baseball.\n\t\u003c/p\u003e\n          ","\u003cp\u003eEncyclopedia of American History\n\t\u003c/p\u003e\n          ","\u003cp\u003eHistory of the Civil War\n\t\u003c/p\u003e\n          ","\u003cp\u003eNorthern Virginia Guide Book.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePublications for advertisements\n\t\u003c/p\u003e\n          ","\u003cp\u003ePublications for the George Hamill [For Mayor] campaign.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePublication items entitled Besley, Oliver.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBrochures for George Mason College.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePrinted materials for George Mason College.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePublication materials for Texaco.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePublication items for Christmas cards and a religious program bulletin\n\t\u003c/p\u003e\n          ","\u003cp\u003ePublication items for Speedlight\n\t\u003c/p\u003e\n          ","\u003cp\u003eCamera on Assignment flyer; American Forests magazine (May 1959); and In Washington: The National Society Daughters of the American Revolution (1965).\n\t\u003c/p\u003e\n          ","\u003cp\u003eNew Comer's/ Spring issue 1990 of Northern Virginian since 1971.\n\t\u003c/p\u003e\n          ","\u003cp\u003eGuide book of Northern Virginia photographs.\n\t\u003c/p\u003e\n          ","\u003cp\u003eScientific photographs for publications.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePosed military uniform scene.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLogos and cover pages for publications.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewspaper about Pearl Harbor with photographs.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePoems by Margaret Gibson; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLiving Poetry by Ann Sawyer Berkley; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eDorothy Heizer: the Artist and her Dolls by Helen Bullard; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eIceland's 20th Century Composers and a Listening of their works by Amanda Burt, Ph.D.; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVolume 16; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMaplewood by Diane N. Rafuse; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVolume 15; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBy Ramona Graham Cook; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNotes n Stuff: Simply Fundamentals of Music by Amanda M. Burt, Ph.D.;printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eDoing Things and Happenings: A Book of Poems for Boys and Girls by Mary Goodlet Kellogg; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eA guide to resources and services; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eFort Burd: Redstones Historic Frontier Fort: A Historical Account by Richard A. Sells; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eWritten by Zenia L. Koladis; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eArticle written by Baptie, \"Still Photography Techniques for Use in Audiovisual Aids\"\n\t\u003c/p\u003e\n          ","\u003cp\u003eWritten by Eugenia B. Smith; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eWritten by Michele Moure Elliott; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAssembled by the Fairfax County Historical Commission; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBy George Boggs Roscoe; printed by Charles Baptie Studios.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePamphlet for Gunston Hall.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePamphlet for Woodlawn Plantation.\n\t\u003c/p\u003e\n          ","\u003cp\u003eSpring 1967 Symposium.\n\t\u003c/p\u003e\n          ","\u003cp\u003eErudite book.\n\t\u003c/p\u003e\n          ","\u003cp\u003eFallout book.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePage book by the W.T. Woodson High School.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThe Walrus, a book printed by Baptie Studios\n\t\u003c/p\u003e\n          ","\u003cp\u003e1965 Annual Report for Hazelton Labs\n\t\u003c/p\u003e\n          ","\u003cp\u003e1976 issue of the National Limestone Institute publication.\n\t\u003c/p\u003e\n          ","\u003cp\u003e1983 issue of the National Limestone Institute publication.\n\t\u003c/p\u003e\n          ","\u003cp\u003e1972 St. Agnes Alumnae magazine.\n\t\u003c/p\u003e\n          ","\u003cp\u003eJuly-August 1982 issue of La Voz de Colombia en Washington.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePainting Hex signs by Kay Gephart.\n\t\u003c/p\u003e\n          ","\u003cp\u003eSheet music for Battle of Manassas for piano.\n\t\u003c/p\u003e\n          ","\u003cp\u003eCamera on Assignment by Ollie Atkins and Charles Baptie.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePapers dealing with a publication about Brazil.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages to be used for Smithsonian Guidebook publication.\n\t\u003c/p\u003e\n          ","\u003cp\u003eCharles Fenwick library publication image.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePublication images entitled, The Starling Nuisance: He's Driving Everybody Crazy; He makes the Brass see Red; The man Ike trusts with the cash; He runs the show for Ike; Silliest statues you ever saw; How to clean a dirty city; and I watched Eisenhower Campaign.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewspaper clippings.\n\t\u003c/p\u003e\n          ","\u003cp\u003eCamera scraps publication pages.\n\t\u003c/p\u003e\n          ","\u003cp\u003eGunston Hall publication proofs.\n\t\u003c/p\u003e\n          ","\u003cp\u003eCopy of Washington Portrait, a book Charles Baptie helped illustrate with photographs.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMiscellaneous papers dealing with publications.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotos and text for Herkie the Pup.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePublication materials for a book about Brazil.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePublication materials for a book about Brazil.\n\t\u003c/p\u003e\n          ","\u003cp\u003eSmall publications from Washington, D.C. and Northern Virginia. Content includes: Color Picture Book of Washington; The Rag and Bone Shop, a book of poetry by C.J.S. Durham, 1985; Records of Dettingen Parish, 1745-1802; The Blueprint, student handbook for W.T. Woodson High School, 1966; Student Handbook, for Annandale High School, 1965; Dorothy Heizer The Artist and Her Dolls, by Helen Bullard, 1972; Measure and Beat: Recipes From the musicians and friends of the Fairfax Symphony Orchestra; Crafts and Craftsmen of the Tennessee Mountains, by Helen Bullard, 1976; Moorefield, a guide to the historical home of Jeremiah Moore by Thomas V. DiBacco, 1971; Green Spring Farm, a guide to the historic home by Ross and Nan Netherton, two editions 1970 and 1975; Willian Ray Brown A Tribute; Dawn Song, a book of poetry by Margaret Christensen Gilbert, 1977; Lee Mansion, a guide to the historic home of Robert E. Lee by Randle Bond Truett, 1943; J. G. Whittier Middle School Year Book, 1980-1981; Colvin Run Mill, a guide to the historic mill by Ross D. Netherton, 1976; The Conservative Virginian Magazine, 1980; The Official Manual and Selective Music List for the Virginia Band and Orchestra Directors' Association, 1972-1975. Also a folder of small pamphlets and programs including: Friends of the Fairfax County Jail; Reston Summer Festival, 1972; Annandale High School Graduation Excersizes program, 1976; The Fairfax Resolves, reproduction of George Mason's document, 1974; Carlyle House Historic Park guide pamphlet; System Sciences Corporation holiday greeting card; Northern Virginia Region High School Football Championships program, 1994.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNewspaper clippings and postcards relating to Capital Airlines. Capitaliner magazine and airline napkin.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains negatives of Texaco stations in the greater Washington, D.C., area.  There are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles included in the collection.\u003c/p\u003e\n        ","\u003cp\u003eImages include company's logo; a mural; rust proofing trucks; salesmen; N.D, no location; 1950-1960s; 1964; 1965; 1966; 1967; 1968; 1969; 4th and Florida N.E.; 11th Street S.E.; Alexandria; Annandale; Annandale Road and Arlington Boulevard, Aerial View of Jefferson Village; Aerial views of Columbia Pike-Barcroft Area; Aerial view of southeast edge of Beacon Field; Beltway near Andrews Field Authority Road; Bender - US 1; Berryville; Aerial vies of Bethesda, MD area; Blau Road and Cedar; Brown Texaco 1964; South Capitol and Livingston Road; Capitol Plaza; Chantilly; Aerial views of Cherrydale and Lee Highway; Aerial views of Clearwood Road and Rhode Island Avenue; miscellaneous; Darnstown; Democracy Boulevard; Dodge Park; East Capitol and 13th N.E.; People Fairfax; Fairfax Circle; Fairfax Drive and 25th Street, Falls Church; Forestville; Fort Hunt and Route 1; Franconia; and Franconia Road.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThese folders contain images of Bob H; Hillcrest Drive, off Branch Avenue, NE; Hillcrest Gardens; I-66 and Route 234; Interchange I-95; I-495 and River Road; Indian Head Highway; Bud Johnson; Kamp Washington near Fairfax; Route 66 and Route 50, Kamp Washington; Langley; Lanham; Laurel; Leesburg Pike and S. Walter Reed Drive; SE 1/2 M Street; Manassas; Route 66, Manassas; Massachusetts Avenue at District Lane; McCoy Texaco; Bill Me; Morningside Area; Mt. Vernon Boulevard and 10th Street; New York Avenue and Bladensburg Road; New York Avenue at 5th Street; Nicholas and South Capitol; aerial view northeast section of Washington, D.C.,; Oakton; Olney, MD; Piney Branch and Carroll; Potomac, MD; Riggs Road Intersection; aerial view River Road; Rocking Horse and Bioling Brook; Rockville; US 240 - Rockville; aerial view of Route 1 near Plant and Industrial Boulevard; Route 50 at 56th Street; Route 240 between Rockville and Naval Hospital; Route 495, Defense Highway; Seminary Road and Shirley Highway; Route 277-Route 9 Stephen City; Telegraph Road; Tyson's Corner; University of Maryland; Gerry Utter Texaco; Wheaton, MD; Route 11, Winchester, VA; Route 50 and Route 81, Winchester, VA; and Winchester, VA.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Texaco stations, including pictures; negatives; Fairlington area; Central and 495; Waynewood Fort Hunt Road; Route 7 and Route 81 Winchester; Central and Bell Highway; Annandale East; Fort Ward Tower, Annandale; Central Avenue and Addison Road, SW Washington, D.C.,; Gainesville; Gaithersburg; Kenilworth Avenue Station and Watkins Station; Riggs Road and Ager Road; New Hampshire Avenue and E.W Highway; Ritchie Road and Central Avenue, NE; aerial views; Wilson Boulevard and Edison Street; Bolling Field, Cheverly; EW Highway and Colesvill Road; Brown's Texaco; New York and W. VA, 2nd and Riggs; Ronnie Peppe; Conomingo; Buddy Johnson; New York Avenue Station; prints and negatives; blueprints and maps; Gaithersburg; Gaithersburg South; Germantown; Hamilton; Bill Hawk Texaco; Herndon Route 7; and Herndon Junction.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Texaco stations at Route 50 and Baltimore Highway; Piney Branch and Silver Spring Avenue; New York Avenue Training station; New Hampshire and Kennedy Street, NW; New Hampshire and EW Highway; Mt. Vernon Ridge Road, Glebe Road intersection; Mosby Woods; Wilson Boulevard and Peyton Drive, near Seven Corners; Washington Lane Shopping Center; Takoma Park; Silver Spring Avenue, Piney Branch; Shirlington; Andrews Field, Morningside MD; Mt. Vernon Avenue and Monroe, Alexandria; Morningside; Woodstock; Woodbridge; Marumsco Village and Route 1; Connecticut Avenue and St Station; Dulles; Fairfax Town; Fairfax Drive, Falls Church; aerial view of Park; Fort Hunt Road section; Georgia and Hobart Drive; Georgia Avenue and Old Bladensburg Road; Georgia and Sher; Herndon; Lee Highway and Old Dominion Drive; MacArthur Boulevard; Clarendon area; Fairfax Drive and N. Quincy; Art Harold; aerial views; Plant, Alexandria; 6th and Florida Avenue, NE; 41st at Southern Avenue; Ager Road and Hamilton Street, NW; River Road, Alexandria; S. Wood Street, Alexandria; Annandale; Bethesda area; East Capitol and 64th Shady Grove; aerial view of S. Capitol Street and Lexington Road; S. Capitol Street and M Street; S. Capitol and Nicholas Street; Centreville; Columbia Pike; Station; Alexandria; and Rithie Road and Central Avenue, NE.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNegative of a Texaco Service Station.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Texaco. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eTexaco station on Duke Street.\n\t\u003c/p\u003e\n          ","\u003cp\u003eTexaco aerial views. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003e Street and aerial view of an Annandale area Texaco station. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages and negatives of Texaco stations.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains negatives of Hot Shoppes Restaurants in the greater Washington, D.C., area.  This was a restaurant owned by the Marriott company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of Hot Shoppes.\u003c/p\u003e\n        ","\u003cp\u003eFood (1 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eFood (2 of 2)\n\t\u003c/p\u003e\n          ","\u003cp\u003eCakes\n\t\u003c/p\u003e\n          ","\u003cp\u003eAirport Airline Service\n\t\u003c/p\u003e\n          ","\u003cp\u003ePantry House\n\t\u003c/p\u003e\n          ","\u003cp\u003eSalt Lake City\n\t\u003c/p\u003e\n          ","\u003cp\u003eMeridian Hall\n\t\u003c/p\u003e\n          ","\u003cp\u003eJ.W. Marriott\n\t\u003c/p\u003e\n          ","\u003cp\u003eVirginia\n\t\u003c/p\u003e\n          ","\u003cp\u003eWashington, D.C.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMaryland\n\t\u003c/p\u003e\n          ","\u003cp\u003eKitchens, Etc.\n\t\u003c/p\u003e\n          ","\u003cp\u003eHot Shoppes (1 of 5)\n\t\u003c/p\u003e\n          ","\u003cp\u003eHot Shoppes (2 of 5)\n\t\u003c/p\u003e\n          ","\u003cp\u003eHot Shoppes (3 of 5)\n\t\u003c/p\u003e\n          ","\u003cp\u003eHot Shoppes (4 of 5)\n\t\u003c/p\u003e\n          ","\u003cp\u003eHot Shoppes (5 of 5)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of kitchens, possibly Hot Shoppes.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Hot Shoppes can be found within this box.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNegatives of Hot Shoppes are in this box.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format images of kitchens.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographic prints, negatives, and slides of D.C. monuments.  Some of these images are listed in other series as necessary.  The monuments include Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon, for example.\u003c/p\u003e\n        ","\u003cp\u003eCapitol Hill photographs. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eCherry Blossoms at the Jefferson Memorial. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of the White House, Supreme Court, Taft Bridge, the Potomac River, the Library of Congress, and other Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVarious Washington, D.C., monuments in regards to the birthday celebration. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eFireworks over Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003eJefferson Memorial.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLincoln memorial and Washington Monument.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLincoln memorial and Washington Monument.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of the US Capitol.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of the US Capitol.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of the Jefferson Memorial.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Washington, D.C., monuments taken from the air.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Washington, D.C., monuments taken from the air.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs and postcards of Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Washington, D.C., monuments. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Washington, D.C., monuments. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of monuments. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of monuments. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of fireworks over Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePostcards of Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Mount Vernon.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Mount Vernon and Woodlawn plantation.\n\t\u003c/p\u003e\n          ","\u003cp\u003eWhite house interior photographs.\n\t\u003c/p\u003e\n          ","\u003cp\u003eWhite House negatives.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVarious Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVarious Washington, D.C., monuments. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eVarious Washington, D.C., monuments, many aerial views.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImage of the Washington Monument.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of the Washington, D.C., monuments and hotels.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Washington, D.C., monuments. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eFireworks over Washington, D.C. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Washington, D.C., along with pictures of Washington, D.C., monuments, including Mount Vernon. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of the White House as well as area hotels. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Washington, D.C., monuments through various years.  Includes several of the areas famous houses.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Mount Vernon.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Washington, D.C., Circle Road, Washington, D.C., Monuments, and famous houses in the area.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of the White House and other Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of various Washington, D.C., monuments, including Gadsby Tavern, St. Clements Church, and Lee Mansion. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eVarious Washington, D.C., monuments, including aerial views.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of the White House, buildings along the mall in Washington, D.C.,, and aerial views of monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format photographs of fireworks over Washington, D.C.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Washington, D.C., from the ground and the air, including Georgetown, Mount Vernon, the Pentagon, and the Reflecting Pool.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format images of the Library of Congress, Lincoln Memorial, Memorial Amphitheater, Supreme Court building, and the White House.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format images of Washington, D.C., monuments. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Washington D.C. with Capital Airlines plane.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format images of Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format images the Washington monument and other Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePanoramic photograph of Washington, D.C. from the Ellipse by Michael Lawton for Perpetual Federal Savings.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains aerial photographs and negatives of the D.C. area. Some of these photos are listed in other series as necessary. Aerial views include those of Alexandria, Annandale, Texaco service stations, construction sites, Washington, D.C., monuments, Gunston Hall, Sully Plantation, and the Potomac River.\u003c/p\u003e\n        ","\u003cp\u003eAerial views of Alexandria\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Route 1\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Washington, D.C.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Washington, D.C.\n\t\u003c/p\u003e\n          ","\u003cp\u003eUnidentified aerial views.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views for Besley, Oliver.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Texaco service stations around Washington, D.C.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Texaco service stations around Washington, D.C..\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of the National Memorial Park.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of a construction site.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of a construction site.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of a construction site.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of a construction site.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of aerial views.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of aerial views.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of aerial views.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of aerial views.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAir view of Columbia Pike area.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of aerial views of the Washington, D.C., area and Annandale.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNegatives of three Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Washington, D.C., monuments taken from the air.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of houses, embassies, restaurants, hotels, and streets around Washington, D.C. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial Washington, D.C., views. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Sully Plantation and an unknown vacation resort. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial prints of Fairfax Hills and aerial views of Washington, D.C., from helicopter.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial view of a storm cloud and of Washington, D.C..\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial images of Gunston Hall, Fairfax, Annandale, Washington, D.C., and Pittsburgh.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views (slides) of aircraft and hot air balloons, Washington, D.C., Mount Vernon, and Gunston Hall.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial images of Gunston Hall.\n\t\u003c/p\u003e\n          ","\u003cp\u003eCity aerial views.\n\t\u003c/p\u003e\n          ","\u003cp\u003eaerial images within the malaria testing and prevention series.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial photos.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of the area, including Bailey's Crossroads.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAir views of Annandale, VA.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial shots of a PTS in Arlington and of Carvan.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Glebe and Arlington, St. Stephens school, and Fairfax Hills.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Washington, D.C., monuments.\n\t\u003c/p\u003e\n          ","\u003cp\u003eTexaco aerial views.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAir view of Annandale, Butterfly Hill, and a Texaco station in the Annandale area.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAir views of a construction site.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of the Washington, D.C., area.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of a hospital, church, the Pentagon, and a map.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial views of Washington D.C., Alexandria, Mount Vernon, Potomac River, and the Pentagon.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format prints of aerial photos.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial panoramic photograph of Washington, D.C. from the Ellipse by Michael Lawton for Perpetual Federal Savings.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs, negatives and slides of nature, including gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries. Some of these photos are listed in other series as necessary.\u003c/p\u003e\n        ","\u003cp\u003eNegatives of butterflies and flowers at Butterfly Hill.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of clouds and the sunset at Wakefield. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Dumfries, VA natural scenes. \n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of fireworks.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Harpers Ferry, WV. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of cherry Blossoms at the Jefferson Memorial. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Little River Turnpike.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of a sunset on the Potomac. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of nature at Riggs Bank. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of nature along US Route 1 near Fort Belvoir. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of nature along Route 40. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eScenes of nature in a cemetery. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eScenes of miscellaneous nature.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNatural photos for the American Association of Nurserymen. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotos of natural and zoo scenes for American Weekly. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eNatural scenes around Geophysical Labs. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eNatural scenes at National Memorial Park.\n\t\u003c/p\u003e\n          ","\u003cp\u003eFishing on a river\n\t\u003c/p\u003e\n          ","\u003cp\u003ePark plans\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of mountains, a glacier, water, and a cave.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a graveyard.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNegatives of birds and mushrooms.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of bees and flowers and trees.\n\t\u003c/p\u003e\n          ","\u003cp\u003eSlides of flowers.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNegatives of natural bridge.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNature scenes surrounding Little Theatre, DAR, Blair house, Statler hotel, Sand Meridian, Shrine of Immaculate Conception, Harvey Rest, Holiday Inn, Kenmore's House, or Uranium ore sample. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eNatural scenes of Riverside Garden, Waynewood, Woodlawn, and Kurty. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eNatural scenes in Ecuador and Honduras dealing with the malaria prevention series.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of a river, Niagara Falls, and fireworks.\n\t\u003c/p\u003e\n          ","\u003cp\u003eScenic mountain views, cattle, flowers, and scenes in Ecuador. \n\t\u003c/p\u003e\n          ","\u003cp\u003eNatural images from Sully Plantation, desert scenes, St. Petersburg, and a vacation resort.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of a beach vacation, fishing, and a storm cloud.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Belvedere beach, Africa, and Gunston Hall.\n\t\u003c/p\u003e\n          ","\u003cp\u003eScenic images of a vacation, hot air balloons, Mount Vernon, and Gunston Hall. (slides)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotos of Great Falls, Fairfax Hills, Nepal, and butterflies on flowers. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages from Ecuador and of caves.\n\t\u003c/p\u003e\n          ","\u003cp\u003eScenic images in regards to the malaria testing and prevention series.\n\t\u003c/p\u003e\n          ","\u003cp\u003eNatural scenes of snow on Butterfly Hill.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of the Potomac River.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of nature from vacation or foreign travel photos, Ecuador, Guatemala, the malaria prevention series, and of butterflies.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMalaria prevention and testing campaign in Ecuador.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of a flood in Accotink and Fairfax Falls. Also, images of a covered bridge in Vermont; Fairfax Hills; and Butterfly Hill.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of a lake.\n\t\u003c/p\u003e\n          ","\u003cp\u003eGreat Falls of the Potomac: Close up view of the Great Falls, labeled on back as largest falls in the East outside of Niagara.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format scenic pictures.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format scenic pictures.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs and negatives of various maps and building plans.  This includes blueprints and architectural designs too. Some of these photos are listed in other series as necessary.  Specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills.\u003c/p\u003e\n        ","\u003cp\u003eMap or plans of Baltimore.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMap or plans of Washington D.C., Highway Improvement Program.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMiscellaneous map or plans.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMap or plans of St. Agnes School.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePlans and maps of churches.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePlans and maps of houses.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMiscellaneous plans and maps.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePlans and maps for the American Association of Nursery Men.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePlans and maps for Allen Dickey, Architect.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePlans and blueprints from Hazelton Labs.\n\t\u003c/p\u003e\n          ","\u003cp\u003eTexaco maps and blueprints.\n\t\u003c/p\u003e\n          ","\u003cp\u003eDrawings, plans, and maps of National Memorial Park.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePlans for Woodbridge Toll Center\n\t\u003c/p\u003e\n          ","\u003cp\u003ePlans for apartments in Florida, Grasshopper Green School, and Coastal Aviation.\n\t\u003c/p\u003e\n          ","\u003cp\u003eStudy of Hogate's waterside development.\n\t\u003c/p\u003e\n          ","\u003cp\u003eApartment plans.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMap and images of Homestead, PA.\n\t\u003c/p\u003e\n          ","\u003cp\u003eFloor plan of Woodlawn.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBuilding plans and layouts from the malaria testing and prevention series.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePlans and maps of Fairfax Hills.\n\t\u003c/p\u003e\n          ","\u003cp\u003eVarious plans.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePersonality homes plans by Verkerke.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMap of Washington, D.C.,\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains prints and negatives of people in various settings.  Some of these photos are listed in other series as necessary. Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, Presidents, actors, the National Symphony, and military leaders.\u003c/p\u003e\n        ","\u003cp\u003ePictures of people in the Cathedral series.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people at the Cavalier Hotel.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of miscellaneous portraits.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people from the cemetery series. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people from the choral society. \n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people from churches. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of a coffee taster from the Food and Drug Department, Department of Agriculture. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people from the Omer Hirst series. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Edward Everett Horton. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people from President Eisenhower's 1957 inauguration. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Frances Leighton. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Neil McElroy, Secretary of Defense. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of miscellaneous people. \n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of the National Symphony from 1953. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Lillian Rogers Parks of the White House. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Assistant Secretary Hein-Perkins. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people from schools. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people from the WAVES second birthday celebration. \n\t\u003c/p\u003e\n          ","\u003cp\u003ePortraits and pictures of people with the American Association of Nursery Men. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePortraits and pictures of people with American Weekly. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePortraits and pictures of Oliver Besley. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePortraits and pictures of people with the Fairfax National Bank. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people who work at Geophysical Labs.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople who work at Hazelton Labs.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople who work at Mount Vernon Research.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people at Texaco stations.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Art Harold.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople at National Memorial Park. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people using technology. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Leighton. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of school portraits. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Ann Wheaton. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Besley. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people from TGA. (negatvies)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePortraits. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people at work.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Jayce White's portraits. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people at an event.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of an artist painting. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Thompson wedding. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Ashworth wedding. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Alfred Hitchcock, John Forsythe, and the film crew.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Richard Nixon and his family in the White House.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of people. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of people.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of people doing various jobs.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of people around a fire hydrant. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of people at a banquet and of notable persons.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePrints of various people at a function.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of children.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of people.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of people at a wedding.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a Women's Club and Monroe Junior High School.\n\t\u003c/p\u003e\n          ","\u003cp\u003e8x10 inch portrait print and smaller negative.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Truman, military officer's homecoming, and portraits.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of the Washington, D.C., symphony orchestra.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of groups.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs from the Hostess series.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a woman and man.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a high school football team. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various people. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Fairfax High School football team. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of people placing boxes along a grave. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Desmond Walton. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Kennedy with Girl Scouts.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePortraits signed by the subject.\n\t\u003c/p\u003e\n          ","\u003cp\u003eDolly Madison School class photos. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of 100 year celebration in Homestead, PA. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people at the Little Theatre. (negatives\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people at Alexandria hospital and Mrs. Hunt. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people in houses, Tele Tech, restaurants, and hotels. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people involved in the malaria prevention testing and U.S. Generals.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople in several photos from World War Two.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople involved in malaria prevention, as well as general people and the Buddy Dean Band.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of people at hotels. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of President Truman, a baseball team, a child's haircut, and Adolf Hitler. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people within this box.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people at swim practice, in an officer's club, selling war bonds, and the Helen Jefeson and Army band.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of people at the Fairfax Hospital, making bows, and military men.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of people on vacation and Charles Baptie at home.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople campaigning for a hospital, at the Mining Company, Chuck Baptie, the Washington Hebrew Congregation, Tom Lawson, Cowboy Ray Allen, and Harod the Great.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures from Woodlawn of Mrs. Udall and a portrait of Mrs. Gibson. Also pictures of people involved in the malaria prevention testing in Ecuador.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople involved in malaria prevention and testing.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Lyndon Johnson, VPI Marines football game with President Truman attending, and President Truman on Air Transport Command plane.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people within this box.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of President Truman, the Red Cross Canteen, an officer's club reception, Carol Steve, and a Bolivian girl.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePortraits of General Eisenhower, as well as notable military and political leaders.\n\t\u003c/p\u003e\n          ","\u003cp\u003eArmy time series, Dolly Madison Junior High School group portrait, a Fashion show, and Barry Real Estate.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePresident Eisenhower's inaugural, short post club, John Torches group, Secretary of Defense Wilson, National Symphony records, Howard Mitchell, President Eisenhower, President Carter with Pope John Paul II, Denise Hudson, and Symphony volunteers portraits. \n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople working with malaria prevention and testing; poster makers; military men; and people relaxing.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople working with malaria prevention and testing in Ecuador.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople at a special locomotive ceremony, Herrich Benmuger kissing a woman, and people at a Texaco station.\n\t\u003c/p\u003e\n          ","\u003cp\u003eDr. Ableson Geography, Fairfax Hospital graduation pictures, the National Symphony Orchestra, Mrs. harry Stengle's boy, and General Wainwright.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Adolf Hitler, Little Theater series, Mrs. Carmey, Gadsby Tavern, and Alexandria Hospital service.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople on Sully Plantation\n\t\u003c/p\u003e\n          ","\u003cp\u003ePicture of General Eisenhower.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople in a car.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople cleaning; cop writing a ticket to a monkey for littering.\n\t\u003c/p\u003e\n          ","\u003cp\u003eSenator Henry Cabot Lodge and Senator William Knowland.\n\t\u003c/p\u003e\n          ","\u003cp\u003eTourists looking at statues around Washington, D.C..\n\t\u003c/p\u003e\n          ","\u003cp\u003eSecretary of Treasury George Humphrey, Secretary of State John Foster Dulles, and Vice President Richard Nixon.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePrints of Committee Counsel John J. Courtney, Congressman Jack Anderson, and Congressman F. Edward Herbert, Chairman of the Sub Committee on Procurement, examining lighting fixtures; luncheon for former Governor of Louisiana James M. Noe, Admiral Harold Houser, aide to the Secretary of Defense Congressman Edward Herbert, and Admiral Charles Fox, Chief of Navy Materials; Congressman Herbert with his wife and daughter; and secretary Betty Harter, Congressman Herbert and his wife.\n\t\u003c/p\u003e\n          ","\u003cp\u003eCBS radio newscaster Claude Mahoney.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePresidents Richard Nixon and his family; Lyndon B. Johnson.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of a baby, a man in a costume, a secretary at a desk, a scientist, a woman in a gown, and several portrait sessions.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Lt. Commander M. Scott Carpenter and his secretary Nancy; President Eisenhower and his pilot.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people.\n\t\u003c/p\u003e\n          ","\u003cp\u003eGroup photos of people.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePresident Harry S. Truman descending airplane staircase.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePresident of Capital Airlines Clifford Bell, Capital Airlines airplane.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people's head shots.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of military photographs.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of people.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Nancy C. Lowe.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs and negatives of food from restaurants and Hot Shoppes.\u003c/p\u003e\n        ","\u003cp\u003eImages of food made in restaurants.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of food.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of food.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of food from restaurants.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of food from Hot Shoppes.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of food.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of restaurant food.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of food.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of a Thanksgiving dinner.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of food.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of food entitled Statler.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of food.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of food from the Holiday Inn.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of food from a series entitled 3 Chefs.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs and negatives of various museum exhibits and artifacts.  Some of these photos are listed in other series as necessary. Artifacts and exhibits include the Star Spangled Banner, dolls, and Smithsonian objects.\u003c/p\u003e\n        ","\u003cp\u003eImages of the Star Spangled Banner.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of a P.O.W. museum exhibit within the American Weekly series. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eNegative facsimiles of historical documents. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of museum exhibits. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eKodachrome from Gallery.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of dolls for a book by Helen Bullard. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of museum artifacts. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of some of the Smithsonian's artifacts.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of rocks from the Smithsonian.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of exhibits from the Smithsonian.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of various artwork, natural, and scientific objects.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of museum artifacts.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages taken for a Smithsonian Guide Book.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Smithsonian exhibits.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Smithsonian exhibits.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Smithsonian exhibits.\n\t\u003c/p\u003e\n          ","\u003cp\u003eTourists looking at statues around Washington, D.C.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs and negatives of animals. Some of these photos are listed in other series as necessary.  Animals include monkeys, horses, birds, bees, cattle, dogs, butterflies and animals for scientific testing.\u003c/p\u003e\n        ","\u003cp\u003eImages of monkeys.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of animals in the American Weekly series. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of animals used at Hazleton Labs. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of animals at National Memorial Park. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eO'Donovan horse pictures. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eW.L. Clark horse pictures. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of horseback riding.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of birds.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of bees.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a woman feeding treats to a dog.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of cattle.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of dogs.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of horses.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of dogs.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of dogs.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a puppy.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of animals within this box.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of cattle.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAnimal photos within the Hostess Cox series.\n\t\u003c/p\u003e\n          ","\u003cp\u003eSlides of animals.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of animals within the malaria testing and prevention series.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of butterflies.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Dillard Topsy Setter and of King-Collie, dog of Raynor, Mrs. Aline.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages from the Turkey Series.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of butterflies. (slides)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePolice writing a littering ticket to a monkey.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of a puppy.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format prints of animals at the National Zoo, including two hippopotami and a snake.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs and negatives of technology. Some of these photos are listed in other series as necessary.  Images in this series include science labs, computers, a space shuttle, factories, and a camera.\u003c/p\u003e\n        ","\u003cp\u003ePhotographs dealing with technology in the American Weekly series. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology from Applied Electro Mechanics. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology from Commonwealth Scientific. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology from Dryomatic. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology from Geophysical Labs. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology from US Recording. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology from Hazelton Labs. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology from Mount Vernon Research. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology from Sloan Instruments. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology from the Water Authority.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of data for Speedlight.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of technology.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of navigation images.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology in the Alexandria Hospital.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages from Tele Tech. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of technology from the malaria prevention and testing series.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology in a factory.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs from the National Biological Lab.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of a space shuttle launch, aircraft and hot air balloons.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of the Gas Equipment Center and the ILS Institute.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of technology.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of the Pepsi Cola Plant.\n\t\u003c/p\u003e\n          ","\u003cp\u003eDr. Ableson Geography Lab for America Weekly.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of an Editor's house at work. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format images of a scientist and of a camera set up.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format images of technology.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of computers.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLarge format images of technology.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs and negatives of George Mason College. Some of these photos are listed in other series as necessary.  Specific subjects include athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials.\u003c/p\u003e\n        ","\u003cp\u003ePhotographs of George Mason College.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College basketball.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Dimitrios Papaconstatopoulus of the Physics Department.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College master plan.\n\t\u003c/p\u003e\n          ","\u003cp\u003eBrochures for George Mason College.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College Tennis.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College Baseball.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College, ground breaking of Thompson Hall.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College Fenwick Library.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College sign.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College campus.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College campus.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College campus.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College at Bailey's Crossroads.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College athletics.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College Printed Materials.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College graduations. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College's people, buildings, classes, students, and classrooms.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College's classrooms, aerials.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College sports.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason College buildings.\n\t\u003c/p\u003e\n          ","\u003cp\u003eGeorge Mason College portraits.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Fenwick Library.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of George Mason Day.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages from George Mason College.\n\t\u003c/p\u003e\n          ","\u003cp\u003eMiscellaneous images and items from George Mason College.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs and negatives of vehicles, such as cars, baby carriage, planes, trains, and ships. Some of these photos are listed in other series as necessary.\u003c/p\u003e\n        ","\u003cp\u003eImage of a vehicle at a lock at Cumberland. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePicture of a vehicle at Hazelton Labs. (negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of vehicles in association with Texaco. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of vehicles in association with Texaco.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of a baby carriage.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of vehicles.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of vehicles.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a locomotive.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of train cars, buses, locomotives and C and O box cars. (with negatives)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various types of transportation.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of White Service vehicle.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a car accident.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePostcards of planes and ships.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of various forms of transportation.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a B-20.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a locomotive.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of a vehicle.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of vehicles.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of vehicles, including those of the Air Force.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of boxcars.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of a space shuttle, aircraft, and hot air balloons.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of a boat and car and the Gunston Hall car show\n\t\u003c/p\u003e\n          ","\u003cp\u003ePicture of President Truman on an Air Transport Command plane.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a plane, as well as Air Traffic Command.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePicture of a dual drive Army Jeep.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Thompson trailers and Gunston Hall cars.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of a special locomotive ceremony.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Pan 1957 vehicles.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePeople in a car.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of airplanes and a car fire.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotograph of a truck on fire on a small highway and a car in a showroom.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of vehicles.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of planes.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs and negatives of Gunston Hall, home of George Mason. Some of these photos are listed in other series as necessary. Images include the Mason coat of arms, publications, postcard images, aerial views, and a car show.\u003c/p\u003e\n        ","\u003cp\u003eImages of Gunston Hall, as well as the Mason Coat of Arms, publications, the Prophetic Pineapple of Gunston Hall, and postcard. (with negatives and slides)\n\t\u003c/p\u003e\n          ","\u003cp\u003ePamphlet for Gunston Hall.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotographs of Gunston Hall.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial images of Gunston Hall.\n\t\u003c/p\u003e\n          ","\u003cp\u003eAerial shots of Gunston Hall. Also, images of a car show held at Gunston Hall.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of Gunston Hall, including publication negatives and large format prints.\n\t\u003c/p\u003e\n          ","\u003cp\u003eGunston Hall publication proofs.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains photographs and negatives of various settings in Central America, like Brazil, Honduras, and Ecuador; and other international locations, like Paris or India. Some of these photos are listed in other series as necessary.\u003c/p\u003e\n        ","\u003cp\u003ePapers for a publication about Brazil.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of malaria prevention and testing in Honduras and Ecuador.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of malaria prevention and testing in Honduras and Ecuador.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePictures of Paris.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of malaria prevention and testing in Honduras and Ecuador.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of malaria prevention and testing in Honduras and Ecuador.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePhotograph of the Taj Mahal.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of malaria prevention and testing in Honduras and Ecuador.\n\t\u003c/p\u003e\n          ","\u003cp\u003eImages of malaria prevention and testing in Honduras and Ecuador.\n\t\u003c/p\u003e\n          ","\u003cp\u003ePicture of the Eiffel Tower during its 100th anniversary.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains correspondence between Charles Baptie and others about photograph orders and publications.\u003c/p\u003e\n        ","\u003cp\u003eLetters written to and from Charles Baptie.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLetters written to and from Charles Baptie regarding publication information.\n\t\u003c/p\u003e\n          ","\u003cp\u003eLetters written to and from Charles Baptie regarding publication information.\n\t\u003c/p\u003e\n          ","\u003cp\u003eThis series contains electronic media, specifically a couple of floppy disks for a computer program called Wordstar.\u003c/p\u003e\n        ","\u003cp\u003eOut-dated 5 1/4 inch computer floppy discs.\n\t\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Baptie Photograph Collection contains color prints and negatives of Gunston Hall, the home of George Mason; color transparencies from the Encyclopedia of United States History; color transparencies and prints from the Great Houses of Washington, D.C.; black \u0026 white negatives of the Washington metropolitan area; and photographs of George Mason College.  There are, in addition, aerial photographs, photographs of malaria prevention overseas, and publicity photographs for various publications. Also included in this collection are photographs pertaining to the childrens' book, Herkie the Pup, written by Charles Baptie. The total volume of the collection is 26 linear feet, consisting of 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes.","Series 1 is a group of images of buildings, both interior and exterior, including facades of famous houses and embassies around DC as well as images of the interior decorations; also included are images of churches, DC monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes.","Series 2 consists of images of the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies; most of these items are also found in series 1.","Series 3 contains images of artwork, including of paintings, sculptures, dolls, trophies, and architecture; also images of artwork used for publications such as a baseball book, an Encyclopedia of American History, a History of the Civil War, and a Northern Virginia guidebook.","Series 4 is for Publications for which Baptie either provided photos or printed at his studio including brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections.","Series 5 shows images of Texaco stations in the area, both on the ground and in the air throughout the Washington, D.C., area included are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles.","Hot Shoppes restaurant photos make up Series 6, Hot Shoppes were a chain of restaurant owned by the Marriott Company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of the restaurants.","Series 7 includes photographs of D.C. monuments and landmarks including Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon.","Series 8 contains images from several other series that happen to be aerial shots, as well as general aerial views from around the country; images of nearby locations include Alexandria, Annandale, Texaco service stations, construction sites, DC monuments, Gunston Hall, Sully Plantation, and the Potomac River.","Series 9 consists of nature scenes, such as trees, mountains, clouds, gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries.","Series 10 contains maps and building plans, such as blueprints or architectural renderings, specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills.","People make up the subject of Series 11, where the people are doing something else or just taking a portrait.  Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, presidents, actors, the National Symphony, and military leaders.","Series 12 consists of pictures of food from restaurants, Hot Shoppes, and holiday events.","Series 13 is made up of museum exhibits and artifacts including the Star Spangled Banner, dolls, and various Smithsonian objects and exhibits.","Series 14 documents various animals including monkeys, horses, birds, bees, cattle, dogs, hippopotamuses, snakes, butterflies and animals for scientific testing.","Series 15 shows different types of technology such as science labs, computers, a space shuttle, factories, and a camera.","George Mason College is featured in Series 16 with images of athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials.","Series 17 includes pictures of vehicles, such as cars, baby carriage, planes, trains, ships, helicopters and bicycles.","Series 18 consists of images from Gunston Hall, the historical home of George Mason.  Images in the series include the Mason coat of arms, publications, postcard images, aerial views, and a car show hosted by Gunston Hall.","Series 19 is consists of images of international subjects taken during Baptie's many travels, including various settings in Central America, like Brazil, Honduras, and Ecuador; and other locations, such as Paris or India.","Series 20 is made up of documents consisting of correspondence between Charles Baptie and others about photograph orders and publications.","Finally, Series 21 contains electronic media, specifically a number of 5 1/4 inch floppy discs used for a program called Wordstar.","This series contains photographic prints, negatives and slides that show various building interiors and exteriors.  Some of these photographs appear in other series based on the image.  Images include facades of famous houses and embassies around Washington, D.C., as well as images of the interior decorations. Also included are images of churches, Washington, D.C., monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes.","Anderson house","Arts club","Bacon house (negatives)","Robert Lou Bacon","Belgian Embassy","Belmont house","Blair house (negatives)","Brazilian Embassy","Cosmos Club","Decatur house","Dumbarton House","Dumbarton Oaks","Evermay","Firenze house","French Embassy","Hillwood","International Eastern Star Temple","Irish Embassy","Kreegar house","Laird house","The Lindens","Meridian house","Mexican Embassy (1 of 2)","Mexican Embassy (2 of 2)","Morris house","Senator Claiborne Pell's house","Peruvian Embassy","Post (Marjorie Merriweather) house","Prospect house","Spanish Embassy (1 of 2)","Spanish Embassy (2 of 2)","Stanley house, Tryon Place","Tryon Place","Tudor place","Turkish Embassy (1 of 2)","Turkish Embassy (2 of 2)","Woodrow Wilson house","Worthington house","unidentified","Image of Alsop house. (negatives)","Interior images of Joe Alsop's Georgetown House. (negatives)","Image of Arlington Hospital, Arlington High School. (negatives)","Image of Bell Telephone Company Building. (negatives)","Images of buildings on Blakestone Island. (negatives)","Images of Butterfly Hill. (negatives)","Images of Capitol Hill. (negatives)","Images of cathedrals. (negatives)","Image of Cavalier Hotel. (negatives)","Images of Christ Church. (negatives)","Images of buildings such as Columbus Fountain. (negatives)","Images of buildings at the lock at Cumberland. (negatives)","Images of buildings at Du Pont Circle. (negatives)","Images of The Washington Monument with fireworks. (negatives)","Images of buildings in Georgetown. (negatives)","Images of buildings at Hogates. (negatives)","Images of buildings in Jefferson Village. (negative)","Images of the Jefferson Memorial. (negatives)","Images of Library of Congress. (negatives)","Images of Ossian Hall.","Interior images of Riggs Bank. (negatives)","Images of St. Agnes School. (negatives)","Images of school buildings. (negatives)","Images of Supreme Court building. (negatives)","Images of buildings around Taft Bridge. (negatives)","Images of Union Station. (negatives)","Images of buildings along Route 40. (negatives)","Images of buildings in Washington, D.C.","Exterior and interior images of Art Master's. (negatives)","Exterior and interior images of a cemetery. (negatives)","Exterior and interior images of churches. (with negatives)","Exterior and interior images of hotels and motels.","Exterior and interior images of houses. (with negatives)","Exterior and interior images of miscellaneous buildings.","Exterior and interior images of restaurants.","Exterior and interior images of schools. (with negatives)","American Association of Nursery Men (1 of 2), buildings. (negatives)","American Association of Nursery Men (2 of 2), buildings. (negatives)","Voices of America, buildings (negatives)","American Weekly (1 of 4), buildings (negatives)","American Weekly (2 of 4), buildings (negatives)","American Weekly (3 of 4), buildings (negatives)","American Weekly (4 of 4), buildings (negatives)","Allen Dickey, Architect, buildings (negatives)","Wills and Van Metre buildings (negatives)","Building interiors of Hazelton Labs. (negatives)","Photographs of the interior of a Texaco station, as well as the exteriors of several more locations. (with negatives)","Photographs of the exteriors of several Texaco gas stations.","Photographs of miscellaneous building interiors. (negatives)","Photographs of building interiors. (negatives)","Photographs of the exterior of miscellaneous service stations. (negatives)","Photographs of a wastewater treatment plant.","Photographs of Harry Clarkson's home. (negative)","Building being constructed.","Building being constructed.","Building being constructed.","Building being constructed.","Photographs of various buildings. (with slides)","Photographs of various buildings.","Photographs of Fairfax Hospital. (negatives)","Photographs of various buildings.","Photographs of a bootery shop. (negatives)","Photographs of the Hawkins Motor Company building. (negatives)","Photographs of Arlex Esso Service Station. (negatives)","Exterior view of St. Clement church.","Photographs of various buildings around town. (negatives)","Photographs of hotel rooms inside and out and of various buildings. (with negatives)","Photographs of various building interior and exteriors, as well as kitchens.","Photographs of various buildings.","Photographs of the inside of St. John's Church. (with negatives)","Photographs of Virginia Theatre.","Photographs of various building interiors. (with negatives)","Photographs of various buildings.","Postcards of St. John's Church and Rive Gauche Cafe.","Photographs of buildings while on a trip.","Photographs of building interior and exteriors.","Negatives of the exterior and interior of several buildings: Little Theatre; DAR; Blair House; Statler Hotel; Sand Meridian; Shrine of Immaculate Conception; Harvey Rest; Holiday Inn; and Kenmore's House (Fredericksburg, VA).","Negatives that contain images of building interiors and exteriors of these subjects: Mrs. Hunt; Riverside Garden; Waynewood; Woodlawn; Kurty; and Alexandria Hospital.","Interior images of Gunston Hall and Washington, D.C., monuments.","Images of building exteriors and interiors of houses, tele tech, Yates restaurant, hotels, restaurants, street house, embassies, and Firenze house. (with negatives)","Building interiors and exteriors from amongst toy making, film set, Ecuador, malaria prevention, Honduras, and US generals prints.","Building interiors and exteriors within the following print subjects: construction sites; room interiors; apartment plans; building facades; river; aerial Washington, D.C., monuments; Niagara Falls; Hot Shoppes; fireworks; factory; and World War Two scenes.","Prints and negatives of building interiors and exteriors within the following subjects: scenic mountain views; Ecuador; aerial Washington, D.C., views; building exteriors; a film set; toy making; people; cattle; food; flowers; and Buddy Dean band.","Images of the exterior and interior of hotels, restaurants, and embassies.","Building interiors and exteriors within this box containing: handwritten notes; Mise; Sully Plantation; Air Force; Plate; President Truman; St. Petersburg; Baseball Team; Kid's haircut; White House; Misc. Vacation Resort; Adolf Hitler; and L. Campaign. (with negatives)","Images of building interiors and interiors of Woodlawn; St. John's Church; and National Biological lab. (negatives)","Negatives of building interiors and exteriors of Mt. Vernon, Mexico Chapala Church, Riggs Seria, Phil Sern Co., Carlyle home, Hostess Cox Series, Farly, Silver Spring store, Woodlawn, St. Clements, Continental Room, House military affair, Briefing room in ATC, Officers club, and Coast Guard lab.","Negatives of Interior and exterior images of Fairfax Hospital.","Building interiors and exteriors from the following topics: vacation, Space shuttle launch, aircraft and hot air balloons, Baptie at home, architectural interiors and exteriors, Washington, D.C., monuments, Mt. Vernon, and Gunston Hall. (with negatives)","Images of building interiors and exteriors are found within the following picture subjects: Vepco Fire, hospital campaign, Alexandria, Fairfax Hills, Mining Company, Windsor Park hotel, Chuck Baptie, Homestead PA and map, Washington Hebrew Congregation, Tom Lawson, Cowboy Ray Allen, Harod the Great, Masonic Temple - Alexandria, Cathedral, St. Clements Church, Butterfly prints, Great Falls air NG, aerials of Gunston Hall, Fairfax hospital (1972-6-21), Nepal, Alexandria Hospital, boat, Gunston Hall car show (1993)","Building interiors and exteriors for Woodlawn, Oswaldo Altamirano - Ecuador, and Washington, D.C., monuments. (negatives)","Interior and exterior building views from malaria testing and prevention series and toy and poster makers.","Interior and exterior building views of St. John's Church, Hot Shoppes, Billy Martin's Carriage house, Rive Gauche interior, S and W Cafeteria, Paul Young's Restaurant Safari Lounge, Hotel Continental, Roosevelt Hotel, Statler hotel, Windsor Park hotel, Lord and Taylor, Gas Equipment Center, Texaco Service Station, White House, Fort Lincoln, and ILS Institute. (with negatives)","Building exteriors and interiors of Washington, D.C., monuments, Griffith Stadium, Georgetown, Anderson house, Arts Club, Cosmos Club, Bacon house, Belgium embassy, Belmont, Brazilian embassy, John Co and house, Decatur house, Firenze house, Kreeger house, Meridian house, Mexican embassy, Morris house, Octagon house, Sen. Pell house, Prospect house, Woodrow Wilson house, Woodlawn, and ballet of Monte Carlo.","Building exteriors of a briefing room, Affair club, Texaco, Red Cross Canteen, Officers Club reception, Air Traffic Command, Hamamitt, Carol Steve, and Mr. Hodge [Rio].","Building exteriors and interiors of vacation or foreign travel; Ecuador; Guatemala; malaria prevention; Mt. Vernon; and McIlvaine Building. (with negatives)","Images of building interiors and exteriors of Texaco (on Duke St.), St. Agnes School, Embassy Dairy, Pepsi Cola Plant, Cathedral, Virginia Theatre series, Christ Church anniversary, Gadsby Tavern, Lee Mansion, and [Maryland] Co. old plant. (negatives)","Interior and exterior images of Waynewood, Great House, and Dumbarton. (negatives)","Building exterior and interior images of Town and Country bank, George Mason College, Short post club, John Torches group, Tahj Mahal, Statler, and Dickerson. (negatives)","Negatives of a house interior.","Interior and exterior views of Alexandria Hospital, Hotels and restaurants,and Mrs. Hunt's old house. (negatives)","Building interior and exterior views relating to malaria prevention and testing campaign.","White house interior images; Embassy of Iran interior shots, and Washington, D.C., monuments inside and out.","Snail house exterior, Willist and Van Milin house exterior, Nolah Bunaldy house exterior, All Sports Awards house exterior, Mike Koen house exterior,Justin Bacon house exterior, Holiday Inn, Sona's Motel interior, APEX liquor store exterior,  Naylors restaurant interior, and Ralerge Hotel interior. (negatives)","Mayer and Co. Furniture store interior, Exxon station exterior, Washington, D.C., monuments, White House exterior, Shirlington garage, Gadsby Tavern interior, St. Clements Church exterior, Lee Mansion, and Northern Virginia Now and Then showcasing building exteriors.","Waynewood exterior and interior, Great House exterior, Brent House exterior, Decatur house exterior, and Anderson house interior. (negatives)","Images of a famous house in Georgetown (exterior), Dumbarton House interior, and inside the Sully Plantation. (with negatives)","Images of famous houses in the Washington, D.C., area, Gunston Hall, Washington, D.C., Monuments, arial photographs of buildings.","Interior and exterior images of the White House, the Turkish Embassy, Dunbarton, Mexican embassy, Brazilian embassy, Waynewood, Elen May, Peruvian Embassy, and Mrs. Post House. (negatives)","Building interior in the series The Starling Nuisance: It's Driving me crazy.","Oversized images of the exterior of the NASA building, church exteriors, Gunston Hall, and a silo.","Interior and exterior views of several embassies, including Belgian Embassy, French Embassy, Irish Embassy, Spanish Embassy, and Turkish Embassy.","Images of interior and exterior of buildings, including the White House in a larger format print.","Interior and exterior views of Belmont Mansion, Christ Church, Post House, Dumbarton Oaks, Hillwood House, Kreegar House, Library of Congress, Prospect House, Supreme Court Building, White House, and Woodlawn.","Interior and exterior views of Dumbarton Oaks, Spanish Embassy, Firenze House, Cosmos Club, Turkish Embassy, Worthington House, EverMay Sunroom, Irish Embassy, Brazilian Embassy, The Lindens, Kreegar House, Tudor Place, Mexican Embassy, Belgian Embassy, Hillwood, Eastern Star Temple, French Embassy, and Anderson House.","Oversized pictures and negatives of building interiors and exteriors.","Oversized pictures and negatives of building interiors and exteriors including the Spanish Embassy, Turkish Embassy.","Oversized images of Irish Embassy, Eisenhower Executive Building, Post House, Dumbarton Oaks, Anderson House.","Oversized images of restaurants, stores and theater interiors.","Images of churches in larger print formats.","Various home interiors including the Brazilian Embassy, the Post House, Turkish Embassy, Tudor Place, in larger print formats.","Pictures and negatives of buildings in larger print formats.","This series contains photographic prints, negatives and slides that show various embassies.  Some of these photographs appear in other series based on the image. The embassies shown include the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies.","Belgian Embassy","Brazilian Embassy","French Embassy","Irish Embassy","Mexican Embassy (1 of 2)","Mexican Embassy (2 of 2)","Peruvian Embassy","Spanish Embassy (1 of 2)","Spanish Embassy (2 of 2)","Turkish Embassy (1 of 2)","Turkish Embassy (2 of 2)","Views of Spanish Embassy.","Views of Mexican Embassy, Irish Embassy (negatives)","Views of the Belgian, Brazilian, and Mexican embassies. (negatives)","Views of the Embassy of Iran. (negatives)","Views of the Turkish, Mexican, Brazilian, and Peruvian embassies. (negatives)","Large format prints of the Belgian, French, Irish, Spanish, and Turkish embassies.","Large format prints of the Spanish Embassy ballroom and patio; the Turkish Embassy entrance; the Irish Embassy garden; the Brazilian Embassy ballroom and dining room;  the Mexican Embassy music room, solarium, and entrance hallway; the Belgian Embassy library and salon; and the French Embassy drawing room and exteriors.","Oversized pictures and negatives of building interiors and exteriors including the Spanish Embassy, Turkish Embassy","Oversize images of the Irish Embassy.","Various home interiors including the Brazilian Embassy and Turkish Embassy in larger print formats.","This series contains photographic prints, negatives and slides that show artwork.  Some of these photographs appear in other series based on the image.  The artwork includes that for a baseball book, an Encyclopedia of American History, a History of the Civil War, a Northern Virginia guidebook, as well as paintings, sculptures, dolls, trophies, and architecture.","Photographs and diagrams to illustrate a book about baseball. (with negatives)","Images and artwork used to illustrate the encyclopedia.","Artwork and images to illustrate a publication on the Civil War.","Images and artwork from around Northern Virginia for a guide book. (with negatives)","Miscellaneous art.","Miscellaneous art.","Sports trophies and plaques. (negatives)","Artwork from the National Memorial Park.","Photographs of various works of art.","Photographs of artwork within Harry Clarkson's home.","Photographs of artwork.","Photographs of portraits of Marine generals.","Drawings of houses including Pohick Church, Calvin Run Mill, Mount Vernon, and Gunston Hall.","Photographs of artwork from Christ Church.","Photographs of paintings.","Various artwork within Little Theatre, DAR, Blair House, Statler Hotel, Sand Meridian, Shrine of Immaculate Conception, Harvey Rest, Holiday Inn, Kenmore's house, or a Uranium ore sample. (with negatives)","Artwork within ideas for bicentennial celebration, Gunston Hall, Smithsonian artifacts, and Washington, D.C., monuments. (with negatives)","Religious artwork, Mrs. Meticals artwork, and Mrs. Mitiary artwork. (negatives)","Images of ideas for bicentenial celebration, dolls, art, and furniture.","Artwork from within the Windsor Park hotel, Washington Hebrew Congregation, Tom Lawson, Cowboy Ray Allen, Harod the Great, St. Clements Church, and a cathedral.","Artwork from the Smithsonian and Woodlawn. (negatives)","Artwork in the form of posters, including the making of the posters.","More posters as artwork as well as photographs of various paintings and other forms of art.","Artwork from inside the White House, the Iranian Embassy and at various Washington, D.C., monuments.","Artwork in this box includes art inside the Gadsby Tavern and images of Christmas stockings and Christmas card images. (negatives)","Images of artwork in the White House, Waynewood, and Embassies.","Images of art in larger print formats.","This series contains publications for which Charles Baptie provided pictures or helped print at his studio.  The series includes many brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections.","A book about baseball.","Encyclopedia of American History","History of the Civil War","Northern Virginia Guide Book.","Publications for advertisements","Publications for the George Hamill [For Mayor] campaign.","Publication items entitled Besley, Oliver.","Brochures for George Mason College.","Printed materials for George Mason College.","Publication materials for Texaco.","Publication items for Christmas cards and a religious program bulletin","Publication items for Speedlight","Camera on Assignment flyer; American Forests magazine (May 1959); and In Washington: The National Society Daughters of the American Revolution (1965).","New Comer's/ Spring issue 1990 of Northern Virginian since 1971.","Guide book of Northern Virginia photographs.","Scientific photographs for publications.","Posed military uniform scene.","Logos and cover pages for publications.","Newspaper about Pearl Harbor with photographs.","Poems by Margaret Gibson; printed by Charles Baptie Studios.","Living Poetry by Ann Sawyer Berkley; printed by Charles Baptie Studios.","Dorothy Heizer: the Artist and her Dolls by Helen Bullard; printed by Charles Baptie Studios.","Iceland's 20th Century Composers and a Listening of their works by Amanda Burt, Ph.D.; printed by Charles Baptie Studios.","Volume 16; printed by Charles Baptie Studios.","Maplewood by Diane N. Rafuse; printed by Charles Baptie Studios.","Volume 15; printed by Charles Baptie Studios.","By Ramona Graham Cook; printed by Charles Baptie Studios.","Notes n Stuff: Simply Fundamentals of Music by Amanda M. Burt, Ph.D.;printed by Charles Baptie Studios.","Doing Things and Happenings: A Book of Poems for Boys and Girls by Mary Goodlet Kellogg; printed by Charles Baptie Studios.","A guide to resources and services; printed by Charles Baptie Studios.","Fort Burd: Redstones Historic Frontier Fort: A Historical Account by Richard A. Sells; printed by Charles Baptie Studios.","Written by Zenia L. Koladis; printed by Charles Baptie Studios.","Article written by Baptie, \"Still Photography Techniques for Use in Audiovisual Aids\"","Written by Eugenia B. Smith; printed by Charles Baptie Studios.","Written by Michele Moure Elliott; printed by Charles Baptie Studios.","Assembled by the Fairfax County Historical Commission; printed by Charles Baptie Studios.","By George Boggs Roscoe; printed by Charles Baptie Studios.","Pamphlet for Gunston Hall.","Pamphlet for Woodlawn Plantation.","Spring 1967 Symposium.","Erudite book.","Fallout book.","Page book by the W.T. Woodson High School.","The Walrus, a book printed by Baptie Studios","1965 Annual Report for Hazelton Labs","1976 issue of the National Limestone Institute publication.","1983 issue of the National Limestone Institute publication.","1972 St. Agnes Alumnae magazine.","July-August 1982 issue of La Voz de Colombia en Washington.","Painting Hex signs by Kay Gephart.","Sheet music for Battle of Manassas for piano.","Camera on Assignment by Ollie Atkins and Charles Baptie.","Papers dealing with a publication about Brazil.","Images to be used for Smithsonian Guidebook publication.","Charles Fenwick library publication image.","Publication images entitled, The Starling Nuisance: He's Driving Everybody Crazy; He makes the Brass see Red; The man Ike trusts with the cash; He runs the show for Ike; Silliest statues you ever saw; How to clean a dirty city; and I watched Eisenhower Campaign.","Newspaper clippings.","Camera scraps publication pages.","Gunston Hall publication proofs.","Copy of Washington Portrait, a book Charles Baptie helped illustrate with photographs.","Miscellaneous papers dealing with publications.","Photos and text for Herkie the Pup.","Publication materials for a book about Brazil.","Publication materials for a book about Brazil.","Small publications from Washington, D.C. and Northern Virginia. Content includes: Color Picture Book of Washington; The Rag and Bone Shop, a book of poetry by C.J.S. Durham, 1985; Records of Dettingen Parish, 1745-1802; The Blueprint, student handbook for W.T. Woodson High School, 1966; Student Handbook, for Annandale High School, 1965; Dorothy Heizer The Artist and Her Dolls, by Helen Bullard, 1972; Measure and Beat: Recipes From the musicians and friends of the Fairfax Symphony Orchestra; Crafts and Craftsmen of the Tennessee Mountains, by Helen Bullard, 1976; Moorefield, a guide to the historical home of Jeremiah Moore by Thomas V. DiBacco, 1971; Green Spring Farm, a guide to the historic home by Ross and Nan Netherton, two editions 1970 and 1975; Willian Ray Brown A Tribute; Dawn Song, a book of poetry by Margaret Christensen Gilbert, 1977; Lee Mansion, a guide to the historic home of Robert E. Lee by Randle Bond Truett, 1943; J. G. Whittier Middle School Year Book, 1980-1981; Colvin Run Mill, a guide to the historic mill by Ross D. Netherton, 1976; The Conservative Virginian Magazine, 1980; The Official Manual and Selective Music List for the Virginia Band and Orchestra Directors' Association, 1972-1975. Also a folder of small pamphlets and programs including: Friends of the Fairfax County Jail; Reston Summer Festival, 1972; Annandale High School Graduation Excersizes program, 1976; The Fairfax Resolves, reproduction of George Mason's document, 1974; Carlyle House Historic Park guide pamphlet; System Sciences Corporation holiday greeting card; Northern Virginia Region High School Football Championships program, 1994.","Newspaper clippings and postcards relating to Capital Airlines. Capitaliner magazine and airline napkin.","This series contains negatives of Texaco stations in the greater Washington, D.C., area.  There are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles included in the collection.","Images include company's logo; a mural; rust proofing trucks; salesmen; N.D, no location; 1950-1960s; 1964; 1965; 1966; 1967; 1968; 1969; 4th and Florida N.E.; 11th Street S.E.; Alexandria; Annandale; Annandale Road and Arlington Boulevard, Aerial View of Jefferson Village; Aerial views of Columbia Pike-Barcroft Area; Aerial view of southeast edge of Beacon Field; Beltway near Andrews Field Authority Road; Bender - US 1; Berryville; Aerial vies of Bethesda, MD area; Blau Road and Cedar; Brown Texaco 1964; South Capitol and Livingston Road; Capitol Plaza; Chantilly; Aerial views of Cherrydale and Lee Highway; Aerial views of Clearwood Road and Rhode Island Avenue; miscellaneous; Darnstown; Democracy Boulevard; Dodge Park; East Capitol and 13th N.E.; People Fairfax; Fairfax Circle; Fairfax Drive and 25th Street, Falls Church; Forestville; Fort Hunt and Route 1; Franconia; and Franconia Road.","These folders contain images of Bob H; Hillcrest Drive, off Branch Avenue, NE; Hillcrest Gardens; I-66 and Route 234; Interchange I-95; I-495 and River Road; Indian Head Highway; Bud Johnson; Kamp Washington near Fairfax; Route 66 and Route 50, Kamp Washington; Langley; Lanham; Laurel; Leesburg Pike and S. Walter Reed Drive; SE 1/2 M Street; Manassas; Route 66, Manassas; Massachusetts Avenue at District Lane; McCoy Texaco; Bill Me; Morningside Area; Mt. Vernon Boulevard and 10th Street; New York Avenue and Bladensburg Road; New York Avenue at 5th Street; Nicholas and South Capitol; aerial view northeast section of Washington, D.C.,; Oakton; Olney, MD; Piney Branch and Carroll; Potomac, MD; Riggs Road Intersection; aerial view River Road; Rocking Horse and Bioling Brook; Rockville; US 240 - Rockville; aerial view of Route 1 near Plant and Industrial Boulevard; Route 50 at 56th Street; Route 240 between Rockville and Naval Hospital; Route 495, Defense Highway; Seminary Road and Shirley Highway; Route 277-Route 9 Stephen City; Telegraph Road; Tyson's Corner; University of Maryland; Gerry Utter Texaco; Wheaton, MD; Route 11, Winchester, VA; Route 50 and Route 81, Winchester, VA; and Winchester, VA.","Images of Texaco stations, including pictures; negatives; Fairlington area; Central and 495; Waynewood Fort Hunt Road; Route 7 and Route 81 Winchester; Central and Bell Highway; Annandale East; Fort Ward Tower, Annandale; Central Avenue and Addison Road, SW Washington, D.C.,; Gainesville; Gaithersburg; Kenilworth Avenue Station and Watkins Station; Riggs Road and Ager Road; New Hampshire Avenue and E.W Highway; Ritchie Road and Central Avenue, NE; aerial views; Wilson Boulevard and Edison Street; Bolling Field, Cheverly; EW Highway and Colesvill Road; Brown's Texaco; New York and W. VA, 2nd and Riggs; Ronnie Peppe; Conomingo; Buddy Johnson; New York Avenue Station; prints and negatives; blueprints and maps; Gaithersburg; Gaithersburg South; Germantown; Hamilton; Bill Hawk Texaco; Herndon Route 7; and Herndon Junction.","Images of Texaco stations at Route 50 and Baltimore Highway; Piney Branch and Silver Spring Avenue; New York Avenue Training station; New Hampshire and Kennedy Street, NW; New Hampshire and EW Highway; Mt. Vernon Ridge Road, Glebe Road intersection; Mosby Woods; Wilson Boulevard and Peyton Drive, near Seven Corners; Washington Lane Shopping Center; Takoma Park; Silver Spring Avenue, Piney Branch; Shirlington; Andrews Field, Morningside MD; Mt. Vernon Avenue and Monroe, Alexandria; Morningside; Woodstock; Woodbridge; Marumsco Village and Route 1; Connecticut Avenue and St Station; Dulles; Fairfax Town; Fairfax Drive, Falls Church; aerial view of Park; Fort Hunt Road section; Georgia and Hobart Drive; Georgia Avenue and Old Bladensburg Road; Georgia and Sher; Herndon; Lee Highway and Old Dominion Drive; MacArthur Boulevard; Clarendon area; Fairfax Drive and N. Quincy; Art Harold; aerial views; Plant, Alexandria; 6th and Florida Avenue, NE; 41st at Southern Avenue; Ager Road and Hamilton Street, NW; River Road, Alexandria; S. Wood Street, Alexandria; Annandale; Bethesda area; East Capitol and 64th Shady Grove; aerial view of S. Capitol Street and Lexington Road; S. Capitol Street and M Street; S. Capitol and Nicholas Street; Centreville; Columbia Pike; Station; Alexandria; and Rithie Road and Central Avenue, NE.","Negative of a Texaco Service Station.","Images of Texaco. (negatives)","Texaco station on Duke Street.","Texaco aerial views. (negatives)","Street and aerial view of an Annandale area Texaco station. (with negatives)","Images and negatives of Texaco stations.","This series contains negatives of Hot Shoppes Restaurants in the greater Washington, D.C., area.  This was a restaurant owned by the Marriott company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of Hot Shoppes.","Food (1 of 2)","Food (2 of 2)","Cakes","Airport Airline Service","Pantry House","Salt Lake City","Meridian Hall","J.W. Marriott","Virginia","Washington, D.C.","Maryland","Kitchens, Etc.","Hot Shoppes (1 of 5)","Hot Shoppes (2 of 5)","Hot Shoppes (3 of 5)","Hot Shoppes (4 of 5)","Hot Shoppes (5 of 5)","Photographs of kitchens, possibly Hot Shoppes.","Images of Hot Shoppes can be found within this box.","Negatives of Hot Shoppes are in this box.","Large format images of kitchens.","This series contains photographic prints, negatives, and slides of D.C. monuments.  Some of these images are listed in other series as necessary.  The monuments include Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon, for example.","Capitol Hill photographs. (negatives)","Cherry Blossoms at the Jefferson Memorial. (negatives)","Images of the White House, Supreme Court, Taft Bridge, the Potomac River, the Library of Congress, and other Washington, D.C., monuments.","Various Washington, D.C., monuments in regards to the birthday celebration. (negatives)","Fireworks over Washington, D.C., monuments.","Jefferson Memorial.","Lincoln memorial and Washington Monument.","Lincoln memorial and Washington Monument.","Photographs of the US Capitol.","Photographs of the US Capitol.","Photographs of the Jefferson Memorial.","Photographs of Washington, D.C., monuments taken from the air.","Photographs of Washington, D.C., monuments taken from the air.","Photographs and postcards of Washington, D.C., monuments.","Photographs of Washington, D.C., monuments. (with negatives)","Photographs of Washington, D.C., monuments. (with negatives)","Photographs of monuments. (with negatives)","Photographs of monuments. (with negatives)","Photographs of fireworks over Washington, D.C., monuments.","Postcards of Washington, D.C., monuments.","Photographs of Mount Vernon.","Photographs of Mount Vernon and Woodlawn plantation.","White house interior photographs.","White House negatives.","Various Washington, D.C., monuments.","Various Washington, D.C., monuments. (negatives)","Various Washington, D.C., monuments, many aerial views.","Image of the Washington Monument.","Images of the Washington, D.C., monuments and hotels.","Aerial views of Washington, D.C., monuments. (negatives)","Fireworks over Washington, D.C. (with negatives)","Aerial views of Washington, D.C., along with pictures of Washington, D.C., monuments, including Mount Vernon. (with negatives)","Images of Washington, D.C., monuments.","Images of the White House as well as area hotels. (with negatives)","Images of Washington, D.C., monuments through various years.  Includes several of the areas famous houses.","Images of Mount Vernon.","Images of Washington, D.C., Circle Road, Washington, D.C., Monuments, and famous houses in the area.","Images of the White House and other Washington, D.C., monuments.","Images of various Washington, D.C., monuments, including Gadsby Tavern, St. Clements Church, and Lee Mansion. (negatives)","Various Washington, D.C., monuments, including aerial views.","Images of the White House, buildings along the mall in Washington, D.C.,, and aerial views of monuments.","Large format photographs of fireworks over Washington, D.C.","Images of Washington, D.C., from the ground and the air, including Georgetown, Mount Vernon, the Pentagon, and the Reflecting Pool.","Large format images of the Library of Congress, Lincoln Memorial, Memorial Amphitheater, Supreme Court building, and the White House.","Large format images of Washington, D.C., monuments. (with negatives)","Aerial views of Washington D.C. with Capital Airlines plane.","Large format images of Washington, D.C., monuments.","Large format images the Washington monument and other Washington, D.C., monuments.","Panoramic photograph of Washington, D.C. from the Ellipse by Michael Lawton for Perpetual Federal Savings.","This series contains aerial photographs and negatives of the D.C. area. Some of these photos are listed in other series as necessary. Aerial views include those of Alexandria, Annandale, Texaco service stations, construction sites, Washington, D.C., monuments, Gunston Hall, Sully Plantation, and the Potomac River.","Aerial views of Alexandria","Aerial views of Route 1","Aerial views of Washington, D.C.","Aerial views of Washington, D.C.","Unidentified aerial views.","Aerial views for Besley, Oliver.","Aerial views of Texaco service stations around Washington, D.C.","Aerial views of Texaco service stations around Washington, D.C..","Aerial views of the National Memorial Park.","Aerial views of a construction site.","Aerial views of a construction site.","Aerial views of a construction site.","Aerial views of a construction site.","Photographs of aerial views.","Photographs of aerial views.","Photographs of aerial views.","Photographs of aerial views.","Air view of Columbia Pike area.","Photographs of aerial views of the Washington, D.C., area and Annandale.","Negatives of three Washington, D.C., monuments.","Photographs of Washington, D.C., monuments taken from the air.","Aerial views of houses, embassies, restaurants, hotels, and streets around Washington, D.C. (negatives)","Aerial views of Washington, D.C., monuments.","Aerial Washington, D.C., views. (negatives)","Aerial views of Sully Plantation and an unknown vacation resort. (negatives)","Aerial prints of Fairfax Hills and aerial views of Washington, D.C., from helicopter.","Aerial view of a storm cloud and of Washington, D.C..","Aerial images of Gunston Hall, Fairfax, Annandale, Washington, D.C., and Pittsburgh.","Aerial views (slides) of aircraft and hot air balloons, Washington, D.C., Mount Vernon, and Gunston Hall.","Aerial images of Gunston Hall.","City aerial views.","aerial images within the malaria testing and prevention series.","Aerial photos.","Aerial views of the area, including Bailey's Crossroads.","Air views of Annandale, VA.","Aerial shots of a PTS in Arlington and of Carvan.","Aerial views of Glebe and Arlington, St. Stephens school, and Fairfax Hills.","Aerial views.","Aerial views of Washington, D.C., monuments.","Texaco aerial views.","Air view of Annandale, Butterfly Hill, and a Texaco station in the Annandale area.","Air views of a construction site.","Aerial views of the Washington, D.C., area.","Aerial views of a hospital, church, the Pentagon, and a map.","Aerial views of Washington D.C., Alexandria, Mount Vernon, Potomac River, and the Pentagon.","Large format prints of aerial photos.","Aerial panoramic photograph of Washington, D.C. from the Ellipse by Michael Lawton for Perpetual Federal Savings.","This series contains photographs, negatives and slides of nature, including gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries. Some of these photos are listed in other series as necessary.","Negatives of butterflies and flowers at Butterfly Hill.","Images of clouds and the sunset at Wakefield. (negatives)","Images of Dumfries, VA natural scenes.","Images of fireworks.","Images of Harpers Ferry, WV. (negatives)","Images of cherry Blossoms at the Jefferson Memorial. (negatives)","Images of Little River Turnpike.","Images of a sunset on the Potomac. (negatives)","Images of nature at Riggs Bank. (negatives)","Images of nature along US Route 1 near Fort Belvoir. (negatives)","Images of nature along Route 40. (negatives)","Scenes of nature in a cemetery. (negatives)","Scenes of miscellaneous nature.","Natural photos for the American Association of Nurserymen. (negatives)","Photos of natural and zoo scenes for American Weekly. (negatives)","Natural scenes around Geophysical Labs. (negatives)","Natural scenes at National Memorial Park.","Fishing on a river","Park plans","Photographs of mountains, a glacier, water, and a cave.","Photographs of a graveyard.","Negatives of birds and mushrooms.","Photographs of bees and flowers and trees.","Slides of flowers.","Negatives of natural bridge.","Nature scenes surrounding Little Theatre, DAR, Blair house, Statler hotel, Sand Meridian, Shrine of Immaculate Conception, Harvey Rest, Holiday Inn, Kenmore's House, or Uranium ore sample. (with negatives)","Natural scenes of Riverside Garden, Waynewood, Woodlawn, and Kurty. (negatives)","Natural scenes in Ecuador and Honduras dealing with the malaria prevention series.","Images of a river, Niagara Falls, and fireworks.","Scenic mountain views, cattle, flowers, and scenes in Ecuador.","Natural images from Sully Plantation, desert scenes, St. Petersburg, and a vacation resort.","Images of a beach vacation, fishing, and a storm cloud.","Images of Belvedere beach, Africa, and Gunston Hall.","Scenic images of a vacation, hot air balloons, Mount Vernon, and Gunston Hall. (slides)","Photos of Great Falls, Fairfax Hills, Nepal, and butterflies on flowers. (with negatives)","Images from Ecuador and of caves.","Scenic images in regards to the malaria testing and prevention series.","Natural scenes of snow on Butterfly Hill.","Images of the Potomac River.","Images of nature from vacation or foreign travel photos, Ecuador, Guatemala, the malaria prevention series, and of butterflies.","Malaria prevention and testing campaign in Ecuador.","Images of a flood in Accotink and Fairfax Falls. Also, images of a covered bridge in Vermont; Fairfax Hills; and Butterfly Hill.","Images of a lake.","Great Falls of the Potomac: Close up view of the Great Falls, labeled on back as largest falls in the East outside of Niagara.","Large format scenic pictures.","Large format scenic pictures.","This series contains photographs and negatives of various maps and building plans.  This includes blueprints and architectural designs too. Some of these photos are listed in other series as necessary.  Specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills.","Map or plans of Baltimore.","Map or plans of Washington D.C., Highway Improvement Program.","Miscellaneous map or plans.","Map or plans of St. Agnes School.","Plans and maps of churches.","Plans and maps of houses.","Miscellaneous plans and maps.","Plans and maps for the American Association of Nursery Men.","Plans and maps for Allen Dickey, Architect.","Plans and blueprints from Hazelton Labs.","Texaco maps and blueprints.","Drawings, plans, and maps of National Memorial Park.","Plans for Woodbridge Toll Center","Plans for apartments in Florida, Grasshopper Green School, and Coastal Aviation.","Study of Hogate's waterside development.","Apartment plans.","Map and images of Homestead, PA.","Floor plan of Woodlawn.","Building plans and layouts from the malaria testing and prevention series.","Plans and maps of Fairfax Hills.","Various plans.","Personality homes plans by Verkerke.","Map of Washington, D.C.,","This series contains prints and negatives of people in various settings.  Some of these photos are listed in other series as necessary. Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, Presidents, actors, the National Symphony, and military leaders.","Pictures of people in the Cathedral series.","Pictures of people at the Cavalier Hotel.","Pictures of miscellaneous portraits.","Pictures of people from the cemetery series. (negatives)","Pictures of people from the choral society.","Pictures of people from churches. (with negatives)","Pictures of a coffee taster from the Food and Drug Department, Department of Agriculture. (negatives)","Pictures of people from the Omer Hirst series. (negatives)","Pictures of Edward Everett Horton. (negatives)","Pictures of people from President Eisenhower's 1957 inauguration. (negatives)","Pictures of Frances Leighton. (with negatives)","Pictures of Neil McElroy, Secretary of Defense. (negatives)","Pictures of miscellaneous people.","Pictures of the National Symphony from 1953. (negatives)","Pictures of Lillian Rogers Parks of the White House. (negatives)","Pictures of people. (with negatives)","Pictures of Assistant Secretary Hein-Perkins. (negatives)","Pictures of people from schools. (negatives)","Pictures of people from the WAVES second birthday celebration.","Portraits and pictures of people with the American Association of Nursery Men. (negatives)","Portraits and pictures of people with American Weekly. (negatives)","Portraits and pictures of Oliver Besley. (negatives)","Portraits and pictures of people with the Fairfax National Bank. (negatives)","Pictures of people who work at Geophysical Labs.","People who work at Hazelton Labs.","People who work at Mount Vernon Research.","Pictures of people at Texaco stations.","Pictures of Art Harold.","People at National Memorial Park. (negatives)","Pictures of people using technology. (negatives)","Pictures of Leighton. (negatives)","Pictures of school portraits. (with negatives)","Pictures of Ann Wheaton. (negatives)","Pictures of Besley. (negatives)","Pictures of people from TGA. (negatvies)","Portraits. (negatives)","Pictures of people at work.","Pictures of Jayce White's portraits. (negatives)","Pictures of people at an event.","Pictures of an artist painting. (negatives)","Pictures of Thompson wedding. (negatives)","Pictures of Ashworth wedding. (with negatives)","Photographs of Alfred Hitchcock, John Forsythe, and the film crew.","Photographs of Richard Nixon and his family in the White House.","Photographs of people. (negatives)","Photographs of people.","Photographs of people doing various jobs.","Photographs of people around a fire hydrant. (negatives)","Photographs of people at a banquet and of notable persons.","Prints of various people at a function.","Photographs of children.","Photographs of people.","Photographs of people at a wedding.","Photographs of a Women's Club and Monroe Junior High School.","8x10 inch portrait print and smaller negative.","Photographs of Truman, military officer's homecoming, and portraits.","Photographs of the Washington, D.C., symphony orchestra.","Photographs of groups.","Photographs from the Hostess series.","Photographs of a woman and man.","Photographs of a high school football team. (negatives)","Photographs of various people. (with negatives)","Photographs of Fairfax High School football team. (negatives)","Photographs of people placing boxes along a grave. (negatives)","Photographs of Desmond Walton. (negatives)","Photographs of Kennedy with Girl Scouts.","Portraits signed by the subject.","Dolly Madison School class photos. (negatives)","Photographs of 100 year celebration in Homestead, PA. (negatives)","Pictures of people at the Little Theatre. (negatives","Pictures of people at Alexandria hospital and Mrs. Hunt. (negatives)","Pictures of people in houses, Tele Tech, restaurants, and hotels. (negatives)","Pictures of people involved in the malaria prevention testing and U.S. Generals.","People in several photos from World War Two.","People involved in malaria prevention, as well as general people and the Buddy Dean Band.","Photographs of people at hotels. (negatives)","Pictures of President Truman, a baseball team, a child's haircut, and Adolf Hitler. (with negatives)","Pictures of people within this box.","Pictures of people at swim practice, in an officer's club, selling war bonds, and the Helen Jefeson and Army band.","Photographs of people at the Fairfax Hospital, making bows, and military men.","Photographs of people on vacation and Charles Baptie at home.","People campaigning for a hospital, at the Mining Company, Chuck Baptie, the Washington Hebrew Congregation, Tom Lawson, Cowboy Ray Allen, and Harod the Great.","Pictures from Woodlawn of Mrs. Udall and a portrait of Mrs. Gibson. Also pictures of people involved in the malaria prevention testing in Ecuador.","People involved in malaria prevention and testing.","Pictures of Lyndon Johnson, VPI Marines football game with President Truman attending, and President Truman on Air Transport Command plane.","Pictures of people within this box.","Photographs of President Truman, the Red Cross Canteen, an officer's club reception, Carol Steve, and a Bolivian girl.","Portraits of General Eisenhower, as well as notable military and political leaders.","Army time series, Dolly Madison Junior High School group portrait, a Fashion show, and Barry Real Estate.","President Eisenhower's inaugural, short post club, John Torches group, Secretary of Defense Wilson, National Symphony records, Howard Mitchell, President Eisenhower, President Carter with Pope John Paul II, Denise Hudson, and Symphony volunteers portraits.","People working with malaria prevention and testing; poster makers; military men; and people relaxing.","People working with malaria prevention and testing in Ecuador.","People at a special locomotive ceremony, Herrich Benmuger kissing a woman, and people at a Texaco station.","Dr. Ableson Geography, Fairfax Hospital graduation pictures, the National Symphony Orchestra, Mrs. harry Stengle's boy, and General Wainwright.","Photographs of Adolf Hitler, Little Theater series, Mrs. Carmey, Gadsby Tavern, and Alexandria Hospital service.","People on Sully Plantation","Picture of General Eisenhower.","People in a car.","People cleaning; cop writing a ticket to a monkey for littering.","Senator Henry Cabot Lodge and Senator William Knowland.","Tourists looking at statues around Washington, D.C..","Secretary of Treasury George Humphrey, Secretary of State John Foster Dulles, and Vice President Richard Nixon.","Prints of Committee Counsel John J. Courtney, Congressman Jack Anderson, and Congressman F. Edward Herbert, Chairman of the Sub Committee on Procurement, examining lighting fixtures; luncheon for former Governor of Louisiana James M. Noe, Admiral Harold Houser, aide to the Secretary of Defense Congressman Edward Herbert, and Admiral Charles Fox, Chief of Navy Materials; Congressman Herbert with his wife and daughter; and secretary Betty Harter, Congressman Herbert and his wife.","CBS radio newscaster Claude Mahoney.","Presidents Richard Nixon and his family; Lyndon B. Johnson.","Pictures of a baby, a man in a costume, a secretary at a desk, a scientist, a woman in a gown, and several portrait sessions.","Pictures of Lt. Commander M. Scott Carpenter and his secretary Nancy; President Eisenhower and his pilot.","Pictures of people.","Pictures of people.","Group photos of people.","President Harry S. Truman descending airplane staircase.","President of Capital Airlines Clifford Bell, Capital Airlines airplane.","Pictures of people's head shots.","Pictures of military photographs.","Pictures of people.","Pictures of Nancy C. Lowe.","This series contains photographs and negatives of food from restaurants and Hot Shoppes.","Images of food made in restaurants.","Photographs of food.","Photographs of food.","Pictures of food from restaurants.","Images of food from Hot Shoppes.","Images of food.","Images of restaurant food.","Images of food.","Images of a Thanksgiving dinner.","Images of food.","Images of food entitled Statler.","Images of food.","Images of food from the Holiday Inn.","Images of food from a series entitled 3 Chefs.","This series contains photographs and negatives of various museum exhibits and artifacts.  Some of these photos are listed in other series as necessary. Artifacts and exhibits include the Star Spangled Banner, dolls, and Smithsonian objects.","Images of the Star Spangled Banner.","Images of a P.O.W. museum exhibit within the American Weekly series. (negatives)","Negative facsimiles of historical documents. (negatives)","Photographs of museum exhibits. (negatives)","Kodachrome from Gallery.","Photographs of dolls for a book by Helen Bullard. (negatives)","Images of museum artifacts. (negatives)","Photographs of some of the Smithsonian's artifacts.","Images of rocks from the Smithsonian.","Images of exhibits from the Smithsonian.","Images of various artwork, natural, and scientific objects.","Images of museum artifacts.","Images taken for a Smithsonian Guide Book.","Images of Smithsonian exhibits.","Images of Smithsonian exhibits.","Images of Smithsonian exhibits.","Tourists looking at statues around Washington, D.C.","This series contains photographs and negatives of animals. Some of these photos are listed in other series as necessary.  Animals include monkeys, horses, birds, bees, cattle, dogs, butterflies and animals for scientific testing.","Images of monkeys.","Images of animals in the American Weekly series. (negatives)","Images of animals used at Hazleton Labs. (negatives)","Pictures of animals at National Memorial Park. (negatives)","O'Donovan horse pictures. (negatives)","W.L. Clark horse pictures. (negatives)","Photographs of horseback riding.","Photographs of birds.","Photographs of bees.","Photographs of a woman feeding treats to a dog.","Photographs of cattle.","Photographs of dogs.","Photographs of horses.","Photographs of dogs.","Photographs of dogs.","Photographs of a puppy.","Pictures of animals within this box.","Pictures of cattle.","Animal photos within the Hostess Cox series.","Slides of animals.","Pictures of animals within the malaria testing and prevention series.","Pictures of butterflies.","Pictures of Dillard Topsy Setter and of King-Collie, dog of Raynor, Mrs. Aline.","Images from the Turkey Series.","Images of butterflies. (slides)","Police writing a littering ticket to a monkey.","Pictures of a puppy.","Large format prints of animals at the National Zoo, including two hippopotami and a snake.","This series contains photographs and negatives of technology. Some of these photos are listed in other series as necessary.  Images in this series include science labs, computers, a space shuttle, factories, and a camera.","Photographs dealing with technology in the American Weekly series. (negatives)","Images of technology from Applied Electro Mechanics. (negatives)","Images of technology from Commonwealth Scientific. (negatives)","Images of technology from Dryomatic. (negatives)","Images of technology from Geophysical Labs. (negatives)","Images of technology from US Recording. (negatives)","Images of technology from Hazelton Labs. (negatives)","Images of technology from Mount Vernon Research. (negatives)","Images of technology from Sloan Instruments. (negatives)","Images of technology from the Water Authority.","Pictures of data for Speedlight.","Pictures of technology.","Pictures of navigation images.","Images of technology in the Alexandria Hospital.","Images from Tele Tech. (negatives)","Pictures of technology from the malaria prevention and testing series.","Images of technology in a factory.","Photographs from the National Biological Lab.","Images of a space shuttle launch, aircraft and hot air balloons.","Photographs of the Gas Equipment Center and the ILS Institute.","Images of technology.","Photographs of the Pepsi Cola Plant.","Dr. Ableson Geography Lab for America Weekly.","Images of an Editor's house at work. (negatives)","Large format images of a scientist and of a camera set up.","Large format images of technology.","Images of computers.","Large format images of technology.","This series contains photographs and negatives of George Mason College. Some of these photos are listed in other series as necessary.  Specific subjects include athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials.","Photographs of George Mason College.","Photographs of George Mason College basketball.","Photographs of Dimitrios Papaconstatopoulus of the Physics Department.","Photographs of George Mason College master plan.","Brochures for George Mason College.","Photographs of George Mason College Tennis.","Photographs of George Mason College Baseball.","Photographs of George Mason College, ground breaking of Thompson Hall.","Photographs of George Mason College Fenwick Library.","Photographs of George Mason College sign.","Photographs of George Mason College campus.","Photographs of George Mason College campus.","Photographs of George Mason College campus.","Photographs of George Mason College at Bailey's Crossroads.","Photographs of George Mason College athletics.","Photographs of George Mason College Printed Materials.","Photographs of George Mason College graduations. (with negatives)","Photographs of George Mason College's people, buildings, classes, students, and classrooms.","Photographs of George Mason College's classrooms, aerials.","Photographs of George Mason College sports.","Photographs of George Mason College buildings.","George Mason College portraits.","Photographs of Fenwick Library.","Photographs of George Mason Day.","Images from George Mason College.","Miscellaneous images and items from George Mason College.","This series contains photographs and negatives of vehicles, such as cars, baby carriage, planes, trains, and ships. Some of these photos are listed in other series as necessary.","Image of a vehicle at a lock at Cumberland. (negatives)","Picture of a vehicle at Hazelton Labs. (negatives)","Images of vehicles in association with Texaco. (with negatives)","Images of vehicles in association with Texaco.","Pictures of a baby carriage.","Photographs of vehicles.","Photographs of vehicles.","Photographs of a locomotive.","Photographs of train cars, buses, locomotives and C and O box cars. (with negatives)","Photographs of various types of transportation.","Photographs of White Service vehicle.","Photographs of a car accident.","Postcards of planes and ships.","Photographs of various forms of transportation.","Photographs of a B-20.","Photographs of a locomotive.","Images of a vehicle.","Images of vehicles.","Photographs of vehicles, including those of the Air Force.","Pictures of boxcars.","Pictures of a space shuttle, aircraft, and hot air balloons.","Pictures of a boat and car and the Gunston Hall car show","Picture of President Truman on an Air Transport Command plane.","Photographs of a plane, as well as Air Traffic Command.","Picture of a dual drive Army Jeep.","Images of Thompson trailers and Gunston Hall cars.","Photographs of a special locomotive ceremony.","Images of Pan 1957 vehicles.","People in a car.","Pictures of airplanes and a car fire.","Photograph of a truck on fire on a small highway and a car in a showroom.","Images of vehicles.","Images of planes.","This series contains photographs and negatives of Gunston Hall, home of George Mason. Some of these photos are listed in other series as necessary. Images include the Mason coat of arms, publications, postcard images, aerial views, and a car show.","Images of Gunston Hall, as well as the Mason Coat of Arms, publications, the Prophetic Pineapple of Gunston Hall, and postcard. (with negatives and slides)","Pamphlet for Gunston Hall.","Photographs of Gunston Hall.","Aerial images of Gunston Hall.","Aerial shots of Gunston Hall. Also, images of a car show held at Gunston Hall.","Images of Gunston Hall, including publication negatives and large format prints.","Gunston Hall publication proofs.","This series contains photographs and negatives of various settings in Central America, like Brazil, Honduras, and Ecuador; and other international locations, like Paris or India. Some of these photos are listed in other series as necessary.","Papers for a publication about Brazil.","Images of malaria prevention and testing in Honduras and Ecuador.","Images of malaria prevention and testing in Honduras and Ecuador.","Pictures of Paris.","Images of malaria prevention and testing in Honduras and Ecuador.","Images of malaria prevention and testing in Honduras and Ecuador.","Photograph of the Taj Mahal.","Images of malaria prevention and testing in Honduras and Ecuador.","Images of malaria prevention and testing in Honduras and Ecuador.","Picture of the Eiffel Tower during its 100th anniversary.","This series contains correspondence between Charles Baptie and others about photograph orders and publications.","Letters written to and from Charles Baptie.","Letters written to and from Charles Baptie regarding publication information.","Letters written to and from Charles Baptie regarding publication information.","This series contains electronic media, specifically a couple of floppy disks for a computer program called Wordstar.","Out-dated 5 1/4 inch computer floppy discs."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eMid-20th century photographs of Washington, D.C., area landmarks, including Gunston Hall, the White House, and embassies; local businesses, including Texaco stations and Hot Shoppes; and more common subjects, like artwork, animals, nature, or people.  These images are in several formats: negatives, slides, prints, and publications.  \n\u003c/abstract\u003e\n    "],"abstract_tesim":["Mid-20th century photographs of Washington, D.C., area landmarks, including Gunston Hall, the White House, and embassies; local businesses, including Texaco stations and Hot Shoppes; and more common subjects, like artwork, animals, nature, or people.  These images are in several formats: negatives, slides, prints, and publications."],"corpname_ssim":["George Mason University--Photographs.","Gunston Hall (Va.)--Photographs."],"persname_ssim":["Charles Baptie, 1914-2000","Eisenhower, Dwight D., 1890-1969--Photographs.","Truman, Harry S., 1884-1972--Photographs."],"names_ssim":["George Mason University--Photographs.","Gunston Hall (Va.)--Photographs.","Charles Baptie, 1914-2000","Eisenhower, Dwight D., 1890-1969--Photographs.","Truman, Harry S., 1884-1972--Photographs."],"language_ssim":["English"],"total_component_count_is":775,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:35.785Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00017_c04_c56"}},{"id":"vifgm_arenastage_c04_c03_c03","type":"File","attributes":{"title":"1952-1953 - August 1952 - August 1953,, 1952/1953","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c04_c03_c03","ref_ssm":["vifgm_arenastage_c04_c03_c03"],"id":"vifgm_arenastage_c04_c03_c03","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c04_c03","parent_ssi":"vifgm_arenastage_c04_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 4: Oversize materials,, 1949","Subseries 4.3: Scrapbooks,, 1949/1990"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"title_filing_ssi":"1952-1953 - August 1952 - August 1953,","title_ssm":["1952-1953 - August 1952 - August 1953,"],"title_tesim":["1952-1953 - August 1952 - August 1953,"],"normalized_title_ssm":["1952-1953 - August 1952 - August 1953,, 1952/1953"],"text":["1952-1953 - August 1952 - August 1953,, 1952/1953","Arena Stage records, 1949/2010","Series 4: Oversize materials,, 1949","Subseries 4.3: Scrapbooks,, 1949/1990","Box 665","Folder 1"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 4: Oversize materials,, 1949","Subseries 4.3: Scrapbooks,, 1949/1990"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 4: Oversize materials,, 1949","Subseries 4.3: Scrapbooks,, 1949/1990"],"normalized_date_ssm":["1952/1953"],"unitdate_other_ssim":["1952-1953"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7903,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["Box 665","Folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1952,1953],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n            "],"_nest_path_":"/components#3/components#2/components#2","timestamp":"2026-06-23T06:51:57.452Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"unitid_tesim":["C0017"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e\n    ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e\n            "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n        Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n        Series 3: Photographs, 1950-1991 (Boxes 589-639)\n        Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n        Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n      ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n      ","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n      ","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n      ","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n      ","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n      ","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n      ","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e\n      ","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e\n      ","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e\n    "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e\n    ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e\n        ","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\nContains letters from Sigourney Weaver.\n\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              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Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n          ","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n           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Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n              ","\u003cp\u003e\u003c/p\u003e\n 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photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e\n        ","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n      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subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n      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Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            ","\u003cp\u003e\u003c/p\u003e\n            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and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:51:57.452Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c03"}},{"id":"vifgm_repositories_2_resources_416_c04_c03_c03","type":"File","attributes":{"title":"1952-1953 - August 1952 - August 1953, 1952/1953","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c04_c03_c03","ref_ssm":["vifgm_repositories_2_resources_416_c04_c03_c03"],"id":"vifgm_repositories_2_resources_416_c04_c03_c03","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c04_c03","parent_ssi":"vifgm_repositories_2_resources_416_c04_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"title_filing_ssi":"1952-1953 - August 1952 - August 1953","title_ssm":["1952-1953 - August 1952 - August 1953"],"title_tesim":["1952-1953 - August 1952 - August 1953"],"normalized_title_ssm":["1952-1953 - August 1952 - August 1953, 1952/1953"],"text":["1952-1953 - August 1952 - August 1953, 1952/1953","Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990","box 665","folder 1"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"normalized_date_ssm":["1952/1953"],"unitdate_other_ssim":["1952-1953"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7903,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 665","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1952,1953],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#2","timestamp":"2026-06-23T06:54:23.861Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e  ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:23.861Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c03"}},{"id":"viw_repositories_2_resources_8527_c14_c03_c10_c19","type":"Item","attributes":{"title":"1952 7 Last Words of Christ (2 CDs), 1952","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c10_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8527_c14_c03_c10_c19","ref_ssm":["viw_repositories_2_resources_8527_c14_c03_c10_c19"],"id":"viw_repositories_2_resources_8527_c14_c03_c10_c19","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssi":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"parent_ids_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c14","viw_repositories_2_resources_8527_c14_c03","viw_repositories_2_resources_8527_c14_c03_c10"],"title_filing_ssi":"1952 7 Last Words of Christ (2 CDs)","title_ssm":["1952 7 Last Words of Christ (2 CDs)"],"title_tesim":["1952 7 Last Words of Christ (2 CDs)"],"normalized_title_ssm":["1952 7 Last Words of Christ (2 CDs), 1952"],"text":["1952 7 Last Words of Christ (2 CDs), 1952","Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs","Box Series 14, Subseries 3, Box 10"],"parent_unittitles_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"parent_unittitles_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"normalized_date_ssm":["1952"],"unitdate_inclusive_ssm":["1952"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":2013,"repository_ssim":["College of William and Mary"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"containers_ssim":["Box Series 14, Subseries 3, Box 10"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1952],"_nest_path_":"/components#13/components#2/components#9/components#18","timestamp":"2026-06-23T07:46:46.043Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"unitdate_bulk_ssim":["1945-1974"],"normalized_date_ssm":["1907/2012, bulk 1945/1974"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"text":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","UA 6.017","/repositories/2/resources/8527","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary.","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e  ","\u003cp\u003eSubseries is arranged by date and then alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:","Arrangement"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e  ","\u003cp\u003eThis series includes concert programs representing Dr. Fehr's directorship of William \u0026amp; Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026amp; Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.\u003c/p\u003e","\u003cp\u003eThe Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.\u003c/p\u003e","\u003cp\u003eThis series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.\u003c/p\u003e","\u003cp\u003eThis series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.\u003c/p\u003e","\u003cp\u003eThis series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.\u003c/p\u003e","\u003cp\u003eThis series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.\u003c/p\u003e","\u003cp\u003eOne poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"\u003c/p\u003e","\u003cp\u003eThis series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.\u003c/p\u003e","\u003cp\u003eScope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970\u003c/p\u003e","\u003cp\u003eThis is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.\u003c/p\u003e","\u003cp\u003eThis series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.\u003c/p\u003e","\u003cp\u003eInstrumental Parts Accompaniments Correspondence and Publications\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.\u003c/p\u003e","\u003cp\u003eThe correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.\u003c/p\u003e","\u003cp\u003eThe photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"\u003c/p\u003e","\u003cp\u003ePasted onto the back of this mounting is a black and white picture of an unidentified young woman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThere are two copies of this item.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in robes, W. Warren Sprouse, Director\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, Wren Building (possible duplicate)\u003c/p\u003e","\u003cp\u003eVirginia All East Chorus, Highland Springs, Virginia\u003c/p\u003e","\u003cp\u003eColored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Choir with Dr. Fehr 1962\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eBlack and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eColor photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.\u003c/p\u003e","\u003cp\u003eOne color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s (Black and white on paper.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr conducting a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970's. Black and White.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choral Group members rehearsing at the piano, 1970s\u003c/p\u003e","\u003cp\u003eBlack and White photo of Carl A. Fehr with William and Mary Chorus\u003c/p\u003e","\u003cp\u003eDr. Fehr with the Alumni Choir in performance, 1983; color photo\u003c/p\u003e","\u003cp\u003eAustin High School Glee Club in Candlelight performance, Christmas 1944\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Roal Theater\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memeber Barbara Blum 1951\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026amp; Shirley Thompson\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in June 1954. Photographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.\u003c/p\u003e","\u003cp\u003ePhotographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003ePhotographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eColor photo of the Common Glory Choir from the 1950s in Colonial dress.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir ( Developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eOfficial Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eDr. Fehr with Common Glory Choir cast members from the 1950s.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eA reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.\u003c/p\u003e","\u003cp\u003eBlack and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Graduation\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1940s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eNote on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"\u003c/p\u003e","\u003cp\u003emarked as a duplicate; large version in Box #1\u003c/p\u003e","\u003cp\u003eTeachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eMarked as William and Mary cover. Von Stubell Studio, Williamsburg, Va\u003c/p\u003e","\u003cp\u003eThe Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eA side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr, Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; front and side view\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Carl A. Fehr, Director\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThw William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eAutographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"\u003c/p\u003e","\u003cp\u003eNote on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952\u003c/p\u003e","\u003cp\u003eFifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe Wiliam and Mary Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Wren Chapel, 1955\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir , Christmas Concert, 1955\u003c/p\u003e","\u003cp\u003eNews Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Concert in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Procession on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing at a special ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eChoral Performance at the Yorktown Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir inperformance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir during the Boston Trip; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, Christmas\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Graduation Procession\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation Ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring Choir Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir directed by Dr. Fehr in the Wren Chapel\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance in the Wren Building\u003c/p\u003e","\u003cp\u003eScope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals. Official Photograph , The Common Glory\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scenes\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scene\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eDr. Fehr rehearsing the William and Mary Choir\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eDr. Fehr opening a gift from the William and Mary Choir before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members (women) at exterior of back of Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance .\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus Christmas Concert with Dr. Fehr directing.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus informal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation in Wren Courtyard\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir-male members only- in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eAnne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.\u003c/p\u003e","\u003cp\u003eJoan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information\u003c/p\u003e","\u003cp\u003eWilliam and Mary formal ceremony at the Wren Building\u003c/p\u003e","\u003cp\u003eNew York, New York\u003c/p\u003e","\u003cp\u003eView of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952\u003c/p\u003e","\u003cp\u003eCeremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, in performance in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eScope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir in Danville, Virginia.\u003c/p\u003e","\u003cp\u003eWilliam R. Heins when he was in Elementary School playing the Tuba. Class of 1966.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eDr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003edate on front is May 1971\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with candles\u003c/p\u003e","\u003cp\u003ePhotograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003ePhotos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDisplay of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate\u003c/p\u003e","\u003cp\u003eDr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eDr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in Graduation Procession with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir soloist in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance; Dr. Fehr conducting\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance (note on back indicates men in The Messiah.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eSoloist performs with the William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral group in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eDr. Fehr with William and Mary Choir members waiting to perform duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with  Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026amp; white duplicate\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir member in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members studying music. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr with Choir member. Photograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003eDr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eChoral Group Rehearsal with Dr. Fehr. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003eNote on back: Kymmell\u003c/p\u003e","\u003cp\u003eString section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003ePicture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben\u003c/p\u003e","\u003cp\u003eNote on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"\u003c/p\u003e","\u003cp\u003eNote on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones\u003c/p\u003e","\u003cp\u003eNote on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"\u003c/p\u003e","\u003cp\u003eNote: To Pappy - with much love and gratitude always. Kathy\"\u003c/p\u003e","\u003cp\u003eDr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003esmaller duplicate included\u003c/p\u003e","\u003cp\u003eNote on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026amp;M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas\u003c/p\u003e","\u003cp\u003eduplicate included; photo by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003eNotation on back: News Release Bureau, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eDr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eStamped on back \"Jan 21 1957\"\u003c/p\u003e","\u003cp\u003ePhotographer: Von Dubell Studio, Williamsburg, VA\u003c/p\u003e","\u003cp\u003euplicate included\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ecolor photo\u003c/p\u003e","\u003cp\u003eDr. Fehr with Ann Lond (?) in DawnVe, VA\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, Va; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; duplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, photographer; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White\u003c/p\u003e","\u003cp\u003eHumorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; small copy included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams for 1971 Brochure\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer duplicate included\u003c/p\u003e","\u003cp\u003edate on back \"1-9-53\"? duplicate included\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with military officials at the ceremony during which W\u0026amp;M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania\u003c/p\u003e","\u003cp\u003eScope and Contents W\u0026amp;M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.\u003c/p\u003e","\u003cp\u003esmall duplicate included\u003c/p\u003e","\u003cp\u003eMounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal, Austin Daily Tribune\u003c/p\u003e","\u003cp\u003eDuplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eCandlelight performance; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eLeft to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal; Austin Daily Tribune\u003c/p\u003e","\u003cp\u003ePhot by Dan Weisser\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"\u003c/p\u003e","\u003cp\u003eBlack and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.\u003c/p\u003e","\u003cp\u003ePhoto with signed Brochure from the Annual Dinner Meeting in Williamsburg\u003c/p\u003e","\u003cp\u003eThis series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e3 records\u003c/p\u003e","\u003cp\u003e3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn\u003c/p\u003e","\u003cp\u003eTwo albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.\u003c/p\u003e","\u003cp\u003eTwo copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual\u003c/p\u003e","\u003cp\u003eTwo copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster\u003c/p\u003e","\u003cp\u003eTwo copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater\u003c/p\u003e","\u003cp\u003eThis phonographic record has been digitized. At least 72 hours advanced notice required for access.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune\u003c/p\u003e","\u003cp\u003eTwo copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr\u003c/p\u003e","\u003cp\u003e2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr\u003c/p\u003e","\u003cp\u003eNorthrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.\u003c/p\u003e","\u003cp\u003eNorthrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026amp; fond memories. Bill 9-27-'79.\"\u003c/p\u003e","\u003cp\u003eSide 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn\u003c/p\u003e","\u003cp\u003eSide 1 no. 8P-0944 Side 2 8P-0944\u003c/p\u003e","\u003cp\u003eThe following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)\u003c/p\u003e","\u003cp\u003eBox also includes CDs of digitized reels\u003c/p\u003e","\u003cp\u003eDigitized on CD\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eThe contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.\u003c/p\u003e","\u003cp\u003e1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel\u003c/p\u003e","\u003cp\u003eFirst full box of Compact Disks\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003eScope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(1 CD)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)\u003c/p\u003e","\u003cp\u003eTrack 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet\u003c/p\u003e","\u003cp\u003e(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner\u003c/p\u003e","\u003cp\u003e(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody\u003c/p\u003e","\u003cp\u003eReels 1-3\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc\u003c/p\u003e","\u003cp\u003eReels 1-2 (2CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You\u003c/p\u003e","\u003cp\u003e(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel\u003c/p\u003e","\u003cp\u003eThis series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eThe artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.\u003c/p\u003e","\u003cp\u003eBlack metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.\u003c/p\u003e","\u003cp\u003eTooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28\u003c/p\u003e","\u003cp\u003eWooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29\u003c/p\u003e","\u003cp\u003eWalnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30\u003c/p\u003e","\u003cp\u003eLarge neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.\u003c/p\u003e","\u003cp\u003eClear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.\u003c/p\u003e","\u003cp\u003eMetal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.\u003c/p\u003e","\u003cp\u003eWig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.\u003c/p\u003e","\u003cp\u003eHand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.\u003c/p\u003e","\u003cp\u003eFigure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.\u003c/p\u003e","\u003cp\u003eEmpty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.\u003c/p\u003e","\u003cp\u003eWooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.\u003c/p\u003e","\u003cp\u003e93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.\u003c/p\u003e","\u003cp\u003eCardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.\u003c/p\u003e","\u003cp\u003eWalnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.\u003c/p\u003e","\u003cp\u003e13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.\u003c/p\u003e","\u003cp\u003eCut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.\u003c/p\u003e","\u003cp\u003e14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.\u003c/p\u003e","\u003cp\u003e5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.\u003c/p\u003e","\u003cp\u003eScope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38\u003c/p\u003e","\u003cp\u003e\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32\u003c/p\u003e","\u003cp\u003eBlack morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34\u003c/p\u003e","\u003cp\u003eTwo items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.\u003c/p\u003e","\u003cp\u003eCarl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.\u003c/p\u003e","\u003cp\u003eCotrell \u0026amp; Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.\u003c/p\u003e","\u003cp\u003eBowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.\u003c/p\u003e","\u003cp\u003eOff-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35\u003c/p\u003e","\u003cp\u003eBlack tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36\u003c/p\u003e","\u003cp\u003eStriped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37\u003c/p\u003e","\u003cp\u003eScope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.\u003c/p\u003e","\u003cp\u003eOne black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.\u003c/p\u003e","\u003cp\u003eOne paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.\u003c/p\u003e","\u003cp\u003eOne wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.\u003c/p\u003e","\u003cp\u003eOne vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026amp;M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.\u003c/p\u003e","\u003cp\u003eScope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026amp; Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01\u003c/p\u003e","\u003cp\u003eWatercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.\u003c/p\u003e","\u003cp\u003ePortrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23\u003c/p\u003e","\u003cp\u003eChoir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31\u003c/p\u003e","\u003cp\u003eThe series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"\u003c/p\u003e","\u003cp\u003eW \u0026amp; M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary.","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:46:46.043Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c10_c19"}},{"id":"wvmturhc_repositories_2_resources_1383_c01_c06_c06","type":"File","attributes":{"title":"1952 Campaign Releases, 1952","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1383_c01_c06_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1383_c01_c06_c06","ref_ssm":["wvmturhc_repositories_2_resources_1383_c01_c06_c06"],"id":"wvmturhc_repositories_2_resources_1383_c01_c06_c06","ead_ssi":"wvmturhc_repositories_2_resources_1383","_root_":"wvmturhc_repositories_2_resources_1383","_nest_parent_":"wvmturhc_repositories_2_resources_1383_c01_c06","parent_ssi":"wvmturhc_repositories_2_resources_1383_c01_c06","parent_ssim":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956","Series 1. Political File [boxes 1-6], 1946/1952","1952 Senatorial Campaign, 1952"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1383","wvmturhc_repositories_2_resources_1383_c01","wvmturhc_repositories_2_resources_1383_c01_c06"],"title_filing_ssi":"1952 Campaign Releases","title_ssm":["1952 Campaign Releases"],"title_tesim":["1952 Campaign Releases"],"normalized_title_ssm":["1952 Campaign Releases, 1952"],"text":["1952 Campaign Releases, 1952","Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956","Series 1. Political File [boxes 1-6], 1946/1952","1952 Senatorial Campaign, 1952","Box 5"],"parent_unittitles_ssm":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956","Series 1. Political File [boxes 1-6], 1946/1952","1952 Senatorial Campaign, 1952"],"parent_unittitles_tesim":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956","Series 1. Political File [boxes 1-6], 1946/1952","1952 Senatorial Campaign, 1952"],"normalized_date_ssm":["1952"],"unitdate_inclusive_ssm":["1952"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":45,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956"],"containers_ssim":["Box 5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1952],"_nest_path_":"/components#0/components#5/components#5","timestamp":"2026-06-23T07:53:14.141Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1383","ead_ssi":"wvmturhc_repositories_2_resources_1383","_root_":"wvmturhc_repositories_2_resources_1383","_nest_parent_":"wvmturhc_repositories_2_resources_1383","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1383.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195684","title_ssm":["Harley Martin Kilgore (1893-1956), Senator, Papers"],"title_tesim":["Harley Martin Kilgore (1893-1956), Senator, Papers"],"unitdate_ssm":["ca. 1927-1956, undated"],"unitdate_inclusive_ssm":["ca. 1927-1956, undated"],"normalized_date_ssm":["1927/1956"],"normalized_title_ssm":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956"],"text":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956","A\u0026M 3143","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1383","United States -- Politics and government","Coal mines and mining","Communism","Educational law and legislation","Elections","Legislation - United States.","Nuremberg Trial of Major German War Criminals, Nuremberg, Germany, 1945-1946","Political campaigns","Politics and government.","Refugees - Legal status, laws, etc.","Taxation","Veterans -- Legal status, laws, etc.  -- United States","Politicians -- United States","West Virginia - Politics and government.","Politicians","No special access restriction applies.","Harley Martin Kilgore (January 11, 1893 - February 28, 1956) was born in Brown, West Virginia, to Quimby and Laura Martin Kilgore. He received his LL.B. from West Virginia University in 1914 and was admitted to the bar the same year.","He taught school in Hancock, West Virginia in 1914 and 1915. Also in 1915, he organized the first high school in Raleigh County, WV, and served as principal. He established his law practice in Beckley, WV in 1916. During World War I, he served in the infantry from 1917 and was discharged as a captain in 1920. Kilgore married Lois Elaine Lilly in Huntington, WV on May 10, 1921. That same year, he helped organize the West Virginia National Guard, and was promoted to major and appointed commander of 2nd Battalion the following year. He also served as Beckley city recorder in 1922. His son, Robert Martin Kilgore, was born in 1924. His daughter, Elinor Stuart Kilgore, was born in 1926.","In 1932, Kilgore was assigned to the state headquarters of the National Guard. He was elected judge of the Raleigh County criminal court from 1933 to 1940 on the Democratic ticket. In 1940, he was elected to the U.S. Senate with support from the Neely faction of the Democratic Party, and won reelection in 1946 and 1952. Also in 1940, he was placed on active military duty as judge advocate for West Virginia's Selective Service system until he entered the Senate. A member of the U.S. Senate from 1941 until his death, Kilgore served as chairman of the Judiciary Committee and the Committee to Investigate the National Defense Program. In October 1942, he became chair of the Subcommittee on War Mobilization of the Military Affairs Committee (also known as the Kilgore Committee).","In 1948, Kilgore served as a delegate at the Democratic National Convention, where he was an outspoken supporter of Harry S. Truman. He retired from the West Virginia National Guard as a lieutenant colonel in 1953. He died in 1956 at age 63 at Bethesda Naval Hospital, and was buried at Arlington National Cemetery.","491, 967, 1068, 1108, 1500, 3143, 3335","Papers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics.","Series include:","Series 1. Political File [boxes 1-6], 1946-1952, undated\nSeries 2. Senate Judiciary Committee Papers and Other Senate Committees [boxes 7-9], 1949-1954, undated\nSeries 3. Correspondence with Federal Government Agencies [boxes 10-17], 1954–1956\nSeries 4. Legislative Files (Topical) [boxes 18-60], 1944–1955\nSeries 5. Legislative Files (Numerical) [boxes 61-69], 1949, 1953-1956\nSeries 6. General Correspondence [boxes 70-80], ca. 1927-1953\nSeries 7. General Correspondence with West Virginia State Agencies [boxes 81-82], undated\nSeries 8. West Virginia Matters (Topical) [boxes 83-87], 1948-1949, undated\nSeries 9. West Virginia Matters (Name File) [boxes 88-91], undated\nSeries 10. Speech File and Other Writings, Releases, etc. [boxes 92-107], 1941–1956\nSeries 11. Democratic Party Campaign Materials [boxes 108-109], 1952\nSeries 12. Coal Mine Problems [boxes 110-111], undated\nSeries 13. Post-War German Problems [boxes 112-116], 1944-1945, undated\nSeries 14. Department of Justice Patent Policy Survey [box 117], undated\nSeries 15. Miscellaneous Printed Materials [boxes 118-120], 1945, undated\nSeries 16. Clippings [boxes 121-123], 1946-1956, undated\nSeries 17. Senator's Constituent Lists, 1952 Campaign [boxes 124-129], 1952\nSeries 18. Senator's Voting Record, 80th-84th Congresses [boxes 130-132], 1947–1956\nSeries 19. Senator's Committee Work Books [box 133], undated\nSeries 20. Scrapbooks [boxes 134-145], 1941-1954, undated","This series includes political material regarding several of Kilgore's campaigns.","This series includes papers from Kilgore's time on the Senate Judiciary Committee (Kilgore chaired the Committee from 1955-1956) and other committees.","This series includes correspondence with assorted Federal Government agencies sorted by agency, including the Civil Service Commission, Department of the Army, etc.","This series includes material regarding legislation organized by topic, including appropriations, displaced persons, housing, etc.","This series includes files regarding assorted legislation sorted by piece of legislation.","This series includes general correspondence sorted by subject or by correspondent, including several files of correspondence to or regarding the United States Navy, the Veterans Administration, assorted national and state politicians, and others.","This series includes correspondence with assorted West Virginia state agencies organized by agency.","This series includes material regarding \"West Virginia matters\" organized by topic.","This series includes materials related to \"West Virginia matters\" organized by subject/correspondent.","This series includes transcripts and other material relating to speeches, press releases, congressional utterances, and other writings by Kilgore.","This series includes material regarding assorted campaigns run by the Democratic Party, including an index of quotes from assorted speeches of President Dwight D. Eisenhower, assorted reports, etc.","This series includes reports and unmounted newspaper clippings regarding coal mining problems and coal mine disasters.","This series includes material related to problems in Post-War Germany, including transcripts of the Nuremburg trial (United States vs. Carl Krauch, et al.) and other such material.","This series includes material related to the Department of Justice policy survey.","This series includes miscellaneous printed materials arranged by subject, including antisemitism, a variety of different countires, and other material.","This series includes mounted and unmounted clippings and newspapers.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics. See Historical Note for more information on Senator Kilgore. See Scope and Content Note for more details.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary","Kilgore, Harley Martin, 1893-1956","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Revercomb, Chapman, 1895-","English"],"collection_title_tesim":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956"],"collection_ssim":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3143","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1383"],"unitid_tesim":["A\u0026M 3143","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1383"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["United States -- Politics and government"],"geogname_ssim":["United States -- Politics and government"],"places_ssim":["United States -- Politics and government"],"creator_ssm":["Kilgore, Harley Martin, 1893-1956"],"creator_ssim":["Kilgore, Harley Martin, 1893-1956"],"creator_persname_ssim":["Kilgore, Harley Martin, 1893-1956","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Revercomb, Chapman, 1895-"],"creator_corpname_ssim":["West Virginia and Regional History Center","Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary"],"creators_ssim":["Kilgore, Harley Martin, 1893-1956","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Revercomb, Chapman, 1895-","West Virginia and Regional History Center","Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Coal mines and mining","Communism","Educational law and legislation","Elections","Legislation - United States.","Nuremberg Trial of Major German War Criminals, Nuremberg, Germany, 1945-1946","Political campaigns","Politics and government.","Refugees - Legal status, laws, etc.","Taxation","Veterans -- Legal status, laws, etc.  -- United States","Politicians -- United States","West Virginia - Politics and government.","Politicians"],"access_subjects_ssm":["Coal mines and mining","Communism","Educational law and legislation","Elections","Legislation - United States.","Nuremberg Trial of Major German War Criminals, Nuremberg, Germany, 1945-1946","Political campaigns","Politics and government.","Refugees - Legal status, laws, etc.","Taxation","Veterans -- Legal status, laws, etc.  -- United States","Politicians -- United States","West Virginia - Politics and government.","Politicians"],"has_online_content_ssim":["false"],"extent_ssm":["57.7 Linear Feet Summary: 57 ft. 8 in. (130 document cases, 5 in.); (4 small flat storage boxes, 3 in.); (8 large flat storage boxes, 3 in.); (4 scrapbooks, 6 in. total)"],"extent_tesim":["57.7 Linear Feet Summary: 57 ft. 8 in. (130 document cases, 5 in.); (4 small flat storage boxes, 3 in.); (8 large flat storage boxes, 3 in.); (4 scrapbooks, 6 in. total)"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eHarley Martin Kilgore (January 11, 1893 - February 28, 1956) was born in Brown, West Virginia, to Quimby and Laura Martin Kilgore. He received his LL.B. from West Virginia University in 1914 and was admitted to the bar the same year.\u003c/p\u003e","\u003cp\u003eHe taught school in Hancock, West Virginia in 1914 and 1915. Also in 1915, he organized the first high school in Raleigh County, WV, and served as principal. He established his law practice in Beckley, WV in 1916. During World War I, he served in the infantry from 1917 and was discharged as a captain in 1920. Kilgore married Lois Elaine Lilly in Huntington, WV on May 10, 1921. That same year, he helped organize the West Virginia National Guard, and was promoted to major and appointed commander of 2nd Battalion the following year. He also served as Beckley city recorder in 1922. His son, Robert Martin Kilgore, was born in 1924. His daughter, Elinor Stuart Kilgore, was born in 1926. \u003c/p\u003e","\u003cp\u003eIn 1932, Kilgore was assigned to the state headquarters of the National Guard. He was elected judge of the Raleigh County criminal court from 1933 to 1940 on the Democratic ticket. In 1940, he was elected to the U.S. Senate with support from the Neely faction of the Democratic Party, and won reelection in 1946 and 1952. Also in 1940, he was placed on active military duty as judge advocate for West Virginia's Selective Service system until he entered the Senate. A member of the U.S. Senate from 1941 until his death, Kilgore served as chairman of the Judiciary Committee and the Committee to Investigate the National Defense Program. In October 1942, he became chair of the Subcommittee on War Mobilization of the Military Affairs Committee (also known as the Kilgore Committee).\u003c/p\u003e","\u003cp\u003eIn 1948, Kilgore served as a delegate at the Democratic National Convention, where he was an outspoken supporter of Harry S. Truman. He retired from the West Virginia National Guard as a lieutenant colonel in 1953. He died in 1956 at age 63 at Bethesda Naval Hospital, and was buried at Arlington National Cemetery.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Harley Martin Kilgore (January 11, 1893 - February 28, 1956) was born in Brown, West Virginia, to Quimby and Laura Martin Kilgore. He received his LL.B. from West Virginia University in 1914 and was admitted to the bar the same year.","He taught school in Hancock, West Virginia in 1914 and 1915. Also in 1915, he organized the first high school in Raleigh County, WV, and served as principal. He established his law practice in Beckley, WV in 1916. During World War I, he served in the infantry from 1917 and was discharged as a captain in 1920. Kilgore married Lois Elaine Lilly in Huntington, WV on May 10, 1921. That same year, he helped organize the West Virginia National Guard, and was promoted to major and appointed commander of 2nd Battalion the following year. He also served as Beckley city recorder in 1922. His son, Robert Martin Kilgore, was born in 1924. His daughter, Elinor Stuart Kilgore, was born in 1926.","In 1932, Kilgore was assigned to the state headquarters of the National Guard. He was elected judge of the Raleigh County criminal court from 1933 to 1940 on the Democratic ticket. In 1940, he was elected to the U.S. Senate with support from the Neely faction of the Democratic Party, and won reelection in 1946 and 1952. Also in 1940, he was placed on active military duty as judge advocate for West Virginia's Selective Service system until he entered the Senate. A member of the U.S. Senate from 1941 until his death, Kilgore served as chairman of the Judiciary Committee and the Committee to Investigate the National Defense Program. In October 1942, he became chair of the Subcommittee on War Mobilization of the Military Affairs Committee (also known as the Kilgore Committee).","In 1948, Kilgore served as a delegate at the Democratic National Convention, where he was an outspoken supporter of Harry S. Truman. He retired from the West Virginia National Guard as a lieutenant colonel in 1953. He died in 1956 at age 63 at Bethesda Naval Hospital, and was buried at Arlington National Cemetery."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Harley Martin Kilgore (1893-1956), Senator, Papers, A\u0026amp;M 3143, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Harley Martin Kilgore (1893-1956), Senator, Papers, A\u0026M 3143, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e491, 967, 1068, 1108, 1500, 3143, 3335\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["491, 967, 1068, 1108, 1500, 3143, 3335"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics.\u003c/p\u003e","\u003cp\u003eSeries include:\u003c/p\u003e","\u003cp\u003eSeries 1. Political File [boxes 1-6], 1946-1952, undated\u003clb\u003e\u003c/lb\u003e\nSeries 2. Senate Judiciary Committee Papers and Other Senate Committees [boxes 7-9], 1949-1954, undated\u003clb\u003e\u003c/lb\u003e\nSeries 3. Correspondence with Federal Government Agencies [boxes 10-17], 1954–1956\u003clb\u003e\u003c/lb\u003e\nSeries 4. Legislative Files (Topical) [boxes 18-60], 1944–1955\u003clb\u003e\u003c/lb\u003e\nSeries 5. Legislative Files (Numerical) [boxes 61-69], 1949, 1953-1956\u003clb\u003e\u003c/lb\u003e\nSeries 6. General Correspondence [boxes 70-80], ca. 1927-1953\u003clb\u003e\u003c/lb\u003e\nSeries 7. General Correspondence with West Virginia State Agencies [boxes 81-82], undated\u003clb\u003e\u003c/lb\u003e\nSeries 8. West Virginia Matters (Topical) [boxes 83-87], 1948-1949, undated\u003clb\u003e\u003c/lb\u003e\nSeries 9. West Virginia Matters (Name File) [boxes 88-91], undated\u003clb\u003e\u003c/lb\u003e\nSeries 10. Speech File and Other Writings, Releases, etc. [boxes 92-107], 1941–1956\u003clb\u003e\u003c/lb\u003e\nSeries 11. Democratic Party Campaign Materials [boxes 108-109], 1952\u003clb\u003e\u003c/lb\u003e\nSeries 12. Coal Mine Problems [boxes 110-111], undated\u003clb\u003e\u003c/lb\u003e\nSeries 13. Post-War German Problems [boxes 112-116], 1944-1945, undated\u003clb\u003e\u003c/lb\u003e\nSeries 14. Department of Justice Patent Policy Survey [box 117], undated\u003clb\u003e\u003c/lb\u003e\nSeries 15. Miscellaneous Printed Materials [boxes 118-120], 1945, undated\u003clb\u003e\u003c/lb\u003e\nSeries 16. Clippings [boxes 121-123], 1946-1956, undated\u003clb\u003e\u003c/lb\u003e\nSeries 17. Senator's Constituent Lists, 1952 Campaign [boxes 124-129], 1952\u003clb\u003e\u003c/lb\u003e\nSeries 18. Senator's Voting Record, 80th-84th Congresses [boxes 130-132], 1947–1956\u003clb\u003e\u003c/lb\u003e\nSeries 19. Senator's Committee Work Books [box 133], undated\u003clb\u003e\u003c/lb\u003e\nSeries 20. Scrapbooks [boxes 134-145], 1941-1954, undated\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e  ","\u003cp\u003eThis series includes political material regarding several of Kilgore's campaigns.\u003c/p\u003e","\u003cp\u003eThis series includes papers from Kilgore's time on the Senate Judiciary Committee (Kilgore chaired the Committee from 1955-1956) and other committees.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence with assorted Federal Government agencies sorted by agency, including the Civil Service Commission, Department of the Army, etc.\u003c/p\u003e","\u003cp\u003eThis series includes material regarding legislation organized by topic, including appropriations, displaced persons, housing, etc.\u003c/p\u003e","\u003cp\u003eThis series includes files regarding assorted legislation sorted by piece of legislation.\u003c/p\u003e","\u003cp\u003eThis series includes general correspondence sorted by subject or by correspondent, including several files of correspondence to or regarding the United States Navy, the Veterans Administration, assorted national and state politicians, and others.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence with assorted West Virginia state agencies organized by agency.\u003c/p\u003e","\u003cp\u003eThis series includes material regarding \"West Virginia matters\" organized by topic.\u003c/p\u003e","\u003cp\u003eThis series includes materials related to \"West Virginia matters\" organized by subject/correspondent.\u003c/p\u003e","\u003cp\u003eThis series includes transcripts and other material relating to speeches, press releases, congressional utterances, and other writings by Kilgore.\u003c/p\u003e","\u003cp\u003eThis series includes material regarding assorted campaigns run by the Democratic Party, including an index of quotes from assorted speeches of President Dwight D. Eisenhower, assorted reports, etc.\u003c/p\u003e","\u003cp\u003eThis series includes reports and unmounted newspaper clippings regarding coal mining problems and coal mine disasters.\u003c/p\u003e","\u003cp\u003eThis series includes material related to problems in Post-War Germany, including transcripts of the Nuremburg trial (United States vs. Carl Krauch, et al.) and other such material.\u003c/p\u003e","\u003cp\u003eThis series includes material related to the Department of Justice policy survey.\u003c/p\u003e","\u003cp\u003eThis series includes miscellaneous printed materials arranged by subject, including antisemitism, a variety of different countires, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes mounted and unmounted clippings and newspapers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics.","Series include:","Series 1. Political File [boxes 1-6], 1946-1952, undated\nSeries 2. Senate Judiciary Committee Papers and Other Senate Committees [boxes 7-9], 1949-1954, undated\nSeries 3. Correspondence with Federal Government Agencies [boxes 10-17], 1954–1956\nSeries 4. Legislative Files (Topical) [boxes 18-60], 1944–1955\nSeries 5. Legislative Files (Numerical) [boxes 61-69], 1949, 1953-1956\nSeries 6. General Correspondence [boxes 70-80], ca. 1927-1953\nSeries 7. General Correspondence with West Virginia State Agencies [boxes 81-82], undated\nSeries 8. West Virginia Matters (Topical) [boxes 83-87], 1948-1949, undated\nSeries 9. West Virginia Matters (Name File) [boxes 88-91], undated\nSeries 10. Speech File and Other Writings, Releases, etc. [boxes 92-107], 1941–1956\nSeries 11. Democratic Party Campaign Materials [boxes 108-109], 1952\nSeries 12. Coal Mine Problems [boxes 110-111], undated\nSeries 13. Post-War German Problems [boxes 112-116], 1944-1945, undated\nSeries 14. Department of Justice Patent Policy Survey [box 117], undated\nSeries 15. Miscellaneous Printed Materials [boxes 118-120], 1945, undated\nSeries 16. Clippings [boxes 121-123], 1946-1956, undated\nSeries 17. Senator's Constituent Lists, 1952 Campaign [boxes 124-129], 1952\nSeries 18. Senator's Voting Record, 80th-84th Congresses [boxes 130-132], 1947–1956\nSeries 19. Senator's Committee Work Books [box 133], undated\nSeries 20. Scrapbooks [boxes 134-145], 1941-1954, undated","This series includes political material regarding several of Kilgore's campaigns.","This series includes papers from Kilgore's time on the Senate Judiciary Committee (Kilgore chaired the Committee from 1955-1956) and other committees.","This series includes correspondence with assorted Federal Government agencies sorted by agency, including the Civil Service Commission, Department of the Army, etc.","This series includes material regarding legislation organized by topic, including appropriations, displaced persons, housing, etc.","This series includes files regarding assorted legislation sorted by piece of legislation.","This series includes general correspondence sorted by subject or by correspondent, including several files of correspondence to or regarding the United States Navy, the Veterans Administration, assorted national and state politicians, and others.","This series includes correspondence with assorted West Virginia state agencies organized by agency.","This series includes material regarding \"West Virginia matters\" organized by topic.","This series includes materials related to \"West Virginia matters\" organized by subject/correspondent.","This series includes transcripts and other material relating to speeches, press releases, congressional utterances, and other writings by Kilgore.","This series includes material regarding assorted campaigns run by the Democratic Party, including an index of quotes from assorted speeches of President Dwight D. Eisenhower, assorted reports, etc.","This series includes reports and unmounted newspaper clippings regarding coal mining problems and coal mine disasters.","This series includes material related to problems in Post-War Germany, including transcripts of the Nuremburg trial (United States vs. Carl Krauch, et al.) and other such material.","This series includes material related to the Department of Justice policy survey.","This series includes miscellaneous printed materials arranged by subject, including antisemitism, a variety of different countires, and other material.","This series includes mounted and unmounted clippings and newspapers."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_886b4a58f862e507078c24be2093ced1\"\u003ePapers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics. See Historical Note for more information on Senator Kilgore. See Scope and Content Note for more details.\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics. See Historical Note for more information on Senator Kilgore. See Scope and Content Note for more details."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_af7ff639e8f1b4949d6cd79fa6633e27\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary"],"names_coll_ssim":["Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Kilgore, Harley Martin, 1893-1956","Revercomb, Chapman, 1895-"],"persname_ssim":["Kilgore, Harley Martin, 1893-1956","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Revercomb, Chapman, 1895-"],"names_ssim":["West Virginia and Regional History Center","Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary","Kilgore, Harley Martin, 1893-1956","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Revercomb, Chapman, 1895-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":916,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:53:14.141Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1383_c01_c06_c06"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":315},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and 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