{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.page=3\u0026page=10","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.page=3\u0026page=9","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.page=3\u0026page=11","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.page=3\u0026page=3892"},"meta":{"pages":{"current_page":10,"next_page":11,"prev_page":9,"total_pages":3892,"limit_value":10,"offset_value":90,"total_count":38918,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1030_c03_c06","type":"Sub-Series","attributes":{"title":"1950s, 1950/1959","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1030_c03_c06","ref_ssm":["viu_repositories_3_resources_1030_c03_c06"],"id":"viu_repositories_3_resources_1030_c03_c06","ead_ssi":"viu_repositories_3_resources_1030","_root_":"viu_repositories_3_resources_1030","_nest_parent_":"viu_repositories_3_resources_1030_c03","parent_ssi":"viu_repositories_3_resources_1030_c03","parent_ssim":["Charles M. 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Robinson and Principals Architectural Records, 1855/2012"],"has_online_content_ssim":["false"],"child_component_count_isi":200,"parent_access_restrict_tesm":["This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. 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Robinson and Principals Architectural Records"],"unitdate_ssm":["Circa 1855-2012"],"unitdate_inclusive_ssm":["Circa 1855-2012"],"normalized_date_ssm":["1855/2012"],"normalized_title_ssm":["Charles M. Robinson and Principals Architectural Records, 1855/2012"],"text":["Charles M. Robinson and Principals Architectural Records, 1855/2012","MSS 16518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1030","Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings","This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","The collection is arranged into four main series:","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically.","Charles Morrison Robinson was born on March 3, 1867, in Hamilton, Loudoun County, Virginia. He was the eldest son of architect and builder James T. Robinson and Elizabeth Crockett Robinson. His family relocated to Welland, Ontario, where he completed his early schooling before beginning architectural training under D.S. Hopkins in Grand Rapids, Michigan, and John K. Peebles in Pittsburgh, Pennsylvania. In 1889, he formed his first partnership—Smith \u0026 Robinson—in Altoona, Pennsylvania. He married Annie Custer in 1891, and their son, Charles Custer Robinson, was born two years later.","Following years of practice in Pennsylvania, including partnerships with George T. Smith, R.B. Crockett, and George Winkler, Robinson returned to Virginia in 1906, establishing Charles M. Robinson, Architect in Richmond. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.","Between 1906 and 1932, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in Richmond, Norfolk, Newport News, Portsmouth, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces.","In 1908 he won the commission to design the campus of the State Normal School at Harrisonburg, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium.","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at Catawba, Burkeville, and Charlottesville for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, Benjamin A. Ruffin, and John Binford Walford, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in 1926, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on August 20, 1932, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/","This material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series.","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater.","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death.","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works.","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater.","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University.","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia.","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. 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Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. 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Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e","\u003cp\u003eFolder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","Physical Access"],"accessrestrict_tesim":["This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four main series: \u003c/p\u003e","\u003cp\u003eSeries 1 - Charles M. 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The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eCharles Morrison Robinson\u003c/persname\u003e was born on \u003cdate\u003eMarch 3, 1867\u003c/date\u003e, in \u003cgeogname\u003eHamilton, Loudoun County, Virginia\u003c/geogname\u003e. He was the eldest son of \u003coccupation\u003earchitect\u003c/occupation\u003e and builder \u003cpersname\u003eJames T. Robinson\u003c/persname\u003e and \u003cpersname\u003eElizabeth Crockett Robinson\u003c/persname\u003e. His family relocated to \u003cgeogname\u003eWelland, Ontario\u003c/geogname\u003e, where he completed his early schooling before beginning architectural training under \u003cpersname\u003eD.S. Hopkins\u003c/persname\u003e in \u003cgeogname\u003eGrand Rapids, Michigan\u003c/geogname\u003e, and \u003cpersname\u003eJohn K. Peebles\u003c/persname\u003e in \u003cgeogname\u003ePittsburgh, Pennsylvania\u003c/geogname\u003e. In \u003cdate\u003e1889\u003c/date\u003e, he formed his first partnership—Smith \u0026amp; Robinson—in \u003cgeogname\u003eAltoona, Pennsylvania\u003c/geogname\u003e. He married \u003cpersname\u003eAnnie Custer\u003c/persname\u003e in \u003cdate\u003e1891\u003c/date\u003e, and their son, \u003cpersname\u003eCharles Custer Robinson\u003c/persname\u003e, was born two years later.  \u003c/p\u003e","\u003cp\u003eFollowing years of practice in Pennsylvania, including partnerships with \u003cpersname\u003eGeorge T. Smith\u003c/persname\u003e, \u003cpersname\u003eR.B. Crockett\u003c/persname\u003e, and \u003cpersname\u003eGeorge Winkler\u003c/persname\u003e, \u003cfamname\u003eRobinson\u003c/famname\u003e returned to \u003cgeogname\u003eVirginia\u003c/geogname\u003e in \u003cdate\u003e1906\u003c/date\u003e, establishing Charles M. Robinson, Architect in \u003cgeogname\u003eRichmond\u003c/geogname\u003e. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  \u003c/p\u003e","\u003cp\u003eBetween \u003cdate\u003e1906\u003c/date\u003e and \u003cdate\u003e1932\u003c/date\u003e, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in \u003cgeogname\u003eRichmond\u003c/geogname\u003e, \u003cgeogname\u003eNorfolk\u003c/geogname\u003e, \u003cgeogname\u003eNewport News\u003c/geogname\u003e, \u003cgeogname\u003ePortsmouth\u003c/geogname\u003e, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026amp; Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. \u003c/p\u003e","\u003cp\u003eIn \u003cdate\u003e1908\u003c/date\u003e he won the commission to design the campus of the State Normal School at \u003cgeogname\u003eHarrisonburg\u003c/geogname\u003e, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026amp; Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. \u003c/p\u003e","\u003cp\u003eHis practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at \u003cgeogname\u003eCatawba\u003c/geogname\u003e, \u003cgeogname\u003eBurkeville\u003c/geogname\u003e, and \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  \u003c/p\u003e","\u003cp\u003eBy the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, \u003cpersname\u003eBenjamin A. Ruffin\u003c/persname\u003e, and \u003cpersname\u003eJohn Binford Walford\u003c/persname\u003e, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in \u003cdate\u003e1926\u003c/date\u003e, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on \u003cdate\u003eAugust 20, 1932\u003c/date\u003e, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  \u003c/p\u003e","\u003cp\u003eThe practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026amp; Wright (1946–1962); Wright, Jones \u0026amp; Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026amp; Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.\u003c/p\u003e","\u003cp\u003eReference List:\u003c/p\u003e","\u003cp\u003eArlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf\u003c/p\u003e","\u003cp\u003eLedger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/\u003c/p\u003e","\u003cp\u003eLoth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026amp;q=charles+robinson#v=onepage\u0026amp;q=charles%20robinson\u0026amp;f=false\u003c/p\u003e","\u003cp\u003eMorgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/\u003c/p\u003e","\u003cp\u003eMoyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/\u003c/p\u003e","\u003cp\u003ePreservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m\u003c/p\u003e","\u003cp\u003eRobinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html\u003c/p\u003e","\u003cp\u003eUnited States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf\u003c/p\u003e","\u003cp\u003eWinthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Morrison Robinson was born on March 3, 1867, in Hamilton, Loudoun County, Virginia. He was the eldest son of architect and builder James T. Robinson and Elizabeth Crockett Robinson. His family relocated to Welland, Ontario, where he completed his early schooling before beginning architectural training under D.S. Hopkins in Grand Rapids, Michigan, and John K. Peebles in Pittsburgh, Pennsylvania. In 1889, he formed his first partnership—Smith \u0026 Robinson—in Altoona, Pennsylvania. He married Annie Custer in 1891, and their son, Charles Custer Robinson, was born two years later.","Following years of practice in Pennsylvania, including partnerships with George T. Smith, R.B. Crockett, and George Winkler, Robinson returned to Virginia in 1906, establishing Charles M. Robinson, Architect in Richmond. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.","Between 1906 and 1932, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in Richmond, Norfolk, Newport News, Portsmouth, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces.","In 1908 he won the commission to design the campus of the State Normal School at Harrisonburg, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium.","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at Catawba, Burkeville, and Charlottesville for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, Benjamin A. Ruffin, and John Binford Walford, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in 1926, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on August 20, 1932, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/"],"odd_html_tesm":["\u003cp\u003eCONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e  ","\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23\u003c/p\u003e  "],"odd_heading_ssm":["Content Warning","Conservation and Preservation"],"odd_tesim":["This material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23"],"prefercite_html_tesm":["\u003cp\u003eMSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. \u003c/p\u003e","\u003cp\u003eSeries 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. \u003c/p\u003e","\u003cp\u003eSeries 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. \u003c/p\u003e","\u003cp\u003eSeries 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   \u003c/p\u003e","\u003cp\u003eIncluded are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. \u003c/p\u003e","\u003cp\u003ePrimary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. \u003c/p\u003e","\u003cp\u003eOf particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. \u003c/p\u003e","\u003cp\u003eThe works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. \u003c/p\u003e","\u003cp\u003eSeries 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series.","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater.","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death.","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works.","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater.","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University.","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia.","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Robinson"],"persname_ssim":["Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"names_coll_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1707,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:24.943Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c06"}},{"id":"vifgm_repositories_2_resources_416_c04_c03_c02","type":"File","attributes":{"title":"1951-1952 - August 1951 - August 1952, 1951/1952","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c04_c03_c02","ref_ssm":["vifgm_repositories_2_resources_416_c04_c03_c02"],"id":"vifgm_repositories_2_resources_416_c04_c03_c02","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c04_c03","parent_ssi":"vifgm_repositories_2_resources_416_c04_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"title_filing_ssi":"1951-1952 - August 1951 - August 1952","title_ssm":["1951-1952 - August 1951 - August 1952"],"title_tesim":["1951-1952 - August 1951 - August 1952"],"normalized_title_ssm":["1951-1952 - August 1951 - August 1952, 1951/1952"],"text":["1951-1952 - August 1951 - August 1952, 1951/1952","Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990","box 664","folder 2"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"normalized_date_ssm":["1951/1952"],"unitdate_other_ssim":["1951-1952"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7902,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 664","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1951,1952],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#1","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c02"}},{"id":"vaallhs_repositories_2_resources_46_c01_c02","type":"File","attributes":{"title":"1951-1957, 1951/1957","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_46_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_46_c01_c02","ref_ssm":["vaallhs_repositories_2_resources_46_c01_c02"],"id":"vaallhs_repositories_2_resources_46_c01_c02","ead_ssi":"vaallhs_repositories_2_resources_46","_root_":"vaallhs_repositories_2_resources_46","_nest_parent_":"vaallhs_repositories_2_resources_46_c01","parent_ssi":"vaallhs_repositories_2_resources_46_c01","parent_ssim":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978","Textual Records"],"parent_ids_ssim":["vaallhs_repositories_2_resources_46","vaallhs_repositories_2_resources_46_c01"],"title_filing_ssi":"1951-1957","title_ssm":["1951-1957"],"title_tesim":["1951-1957"],"normalized_title_ssm":["1951-1957, 1951/1957"],"text":["1951-1957, 1951/1957","Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978","Textual Records","box 1","folder 2","English."],"parent_unittitles_ssm":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978","Textual Records"],"parent_unittitles_tesim":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978","Textual Records"],"normalized_date_ssm":["1951/1957"],"unitdate_inclusive_ssm":["1951-1957"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":3,"repository_ssim":["Alexandria Library"],"collection_ssim":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978"],"containers_ssim":["box 1","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"language_ssim":["English."],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957],"_nest_path_":"/components#0/components#1","timestamp":"2026-08-14T22:22:04.515Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_46","ead_ssi":"vaallhs_repositories_2_resources_46","_root_":"vaallhs_repositories_2_resources_46","_nest_parent_":"vaallhs_repositories_2_resources_46","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_46.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/46","title_ssm":["Civitan and Civinette Clubs of Alexandria Collection (MS038)"],"title_tesim":["Civitan and Civinette Clubs of Alexandria Collection (MS038)"],"unitdate_ssm":["1942 - 1978"],"unitdate_inclusive_ssm":["1942 - 1978"],"normalized_date_ssm":["1942/1978"],"normalized_title_ssm":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978"],"text":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978","MS038","Women -- Societies and clubs.","Men -- Societies and clubs.","Women's Clubs -- Virginia","Charities -- Virginia -- Alexandria","Organized by year.","The Civitan Club, founded in 1942, was an Alexandria organization whose membership was exclusively male until 1969. The organization's emphasis was citizenship and community service.\nThe Civinettes, organized in 1944, also emphasized the same.","Newspaper clippings;\nListings of officers for the Civitans and Civinettes;\nMembership lists for the Civinettes;\nLists of naturalized citizens, mid-to-late 1950s;\nBy-laws for both organizations;\nCamp Tapawingo;\nJr. Civitans.","Local History and Special Collections Branch, Alexandria Library","English\n."],"collection_title_tesim":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978"],"collection_ssim":["Civitan and Civinette Clubs of Alexandria Collection (MS038), 1942/1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS038"],"unitid_tesim":["MS038"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"creator_corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"creators_ssim":["Local History and Special Collections Branch, Alexandria Library"],"access_subjects_ssim":["Women -- Societies and clubs.","Men -- Societies and clubs.","Women's Clubs -- Virginia","Charities -- Virginia -- Alexandria"],"access_subjects_ssm":["Women -- Societies and clubs.","Men -- Societies and clubs.","Women's Clubs -- Virginia","Charities -- Virginia -- Alexandria"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet 1 box"],"extent_tesim":[".25 Linear Feet 1 box"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"arrangement_html_tesm":["\u003cp\u003eOrganized by year.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by year."],"bioghist_html_tesm":["\u003cp\u003eThe Civitan Club, founded in 1942, was an Alexandria organization whose membership was exclusively male until 1969. The organization's emphasis was citizenship and community service.\nThe Civinettes, organized in 1944, also emphasized the same.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Civitan Club, founded in 1942, was an Alexandria organization whose membership was exclusively male until 1969. The organization's emphasis was citizenship and community service.\nThe Civinettes, organized in 1944, also emphasized the same."],"scopecontent_html_tesm":["\u003cp\u003eNewspaper clippings;\nListings of officers for the Civitans and Civinettes;\nMembership lists for the Civinettes;\nLists of naturalized citizens, mid-to-late 1950s;\nBy-laws for both organizations;\nCamp Tapawingo;\nJr. Civitans.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Newspaper clippings;\nListings of officers for the Civitans and Civinettes;\nMembership lists for the Civinettes;\nLists of naturalized citizens, mid-to-late 1950s;\nBy-laws for both organizations;\nCamp Tapawingo;\nJr. Civitans."],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:22:04.515Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_46_c01_c02"}},{"id":"viblbv_repositories_2_resources_1323_c11_c04_c13","type":"File","attributes":{"title":"1951SD, 1952","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1323_c11_c04_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1323_c11_c04_c13","ref_ssm":["viblbv_repositories_2_resources_1323_c11_c04_c13"],"id":"viblbv_repositories_2_resources_1323_c11_c04_c13","ead_ssi":"viblbv_repositories_2_resources_1323","_root_":"viblbv_repositories_2_resources_1323","_nest_parent_":"viblbv_repositories_2_resources_1323_c11_c04","parent_ssi":"viblbv_repositories_2_resources_1323_c11_c04","parent_ssim":["Samuel Herrick Papers, 1930/1974","Series XI. Subject Files, 1924/1981","Sub-Series D. Minor Planets and Objects, 1929/1983"],"parent_ids_ssim":["viblbv_repositories_2_resources_1323","viblbv_repositories_2_resources_1323_c11","viblbv_repositories_2_resources_1323_c11_c04"],"title_filing_ssi":"1951SD","title_ssm":["1951SD"],"title_tesim":["1951SD"],"normalized_title_ssm":["1951SD, 1952"],"text":["1951SD, 1952","Samuel Herrick Papers, 1930/1974","Series XI. Subject Files, 1924/1981","Sub-Series D. Minor Planets and Objects, 1929/1983","box 38","folder 41"],"parent_unittitles_ssm":["Samuel Herrick Papers, 1930/1974","Series XI. Subject Files, 1924/1981","Sub-Series D. Minor Planets and Objects, 1929/1983"],"parent_unittitles_tesim":["Samuel Herrick Papers, 1930/1974","Series XI. Subject Files, 1924/1981","Sub-Series D. Minor Planets and Objects, 1929/1983"],"normalized_date_ssm":["1952"],"unitdate_other_ssim":["1952"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":1969,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Samuel Herrick Papers, 1930/1974"],"containers_ssim":["box 38","folder 41"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research with the exception of Box 74, which is restricted for use. Items in Box 74 are restricted for use until 75 years after date of creation."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1952],"_nest_path_":"/components#10/components#3/components#12","timestamp":"2026-08-27T00:05:04.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1323","ead_ssi":"viblbv_repositories_2_resources_1323","_root_":"viblbv_repositories_2_resources_1323","_nest_parent_":"viblbv_repositories_2_resources_1323","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1323.xml","title_filing_ssi":"Herrick, Samuel, Papers","title_ssm":["Samuel Herrick Papers"],"title_tesim":["Samuel Herrick Papers"],"unitdate_ssm":["1930-1974"],"unitdate_inclusive_ssm":["1930-1974"],"normalized_date_ssm":["1930/1974"],"normalized_title_ssm":["Samuel Herrick Papers, 1930/1974"],"text":["Samuel Herrick Papers, 1930/1974","Ms.1978.002","/repositories/2/resources/1323","Astronomy","Science and Technology","Astrodynamics","Archives of American Aerospace Exploration (AAAE)","Astronomers","Aerospace engineers","The collection is open for research with the exception of Box 74, which is restricted for use. Items in Box 74 are restricted for use until 75 years after date of creation.","Some of this collection has been digitized and is available online.","Astrodynamics","The Betulia Files contain materials relating to the asteroid (1580) Betulia, named for Samuel Herrick's wife, Betulia Toro Herrick. This includes an article, calculations, correspondence, ephemerides, numerical integration, observations, elements, oppositions, and representations.\n    \n    The Icarus Files contain materials relating to the near-Earth object (1566) Icarus, including ephemerides, residuals, correspondence, history and facts, observations, orbit graphs, and publications.\n    \n    The Geographos Files contain materials relating to the asteroid (1620) Geographos, including early Encke orbit files, elements, ellipse graphs, ephemerides, general information, publicity, variation of parameters, and possible exploration.\n    The Jupiter IX and Jupiter XII Files contain materials relating to Jupiter IX (an irregular satellite of Jupiter now known as Sinope) and Jupiter XII (an irregular moon of Jupiter now known as Ananke). This includes Cowell integrations, ephemeris, graphs, basic calculations, history, general information, variation of constants, observations and representations, and publicity.\n    \n    Items not included in the above files consist of materials relating to other minor planets and objects, such as Lanzia, the Swift comet, and the Wilson object. This includes graphs and calculations, articles, observations, general information, history, ephemerides, opposition graphs, formulae, and procedures. Also included are Minor Planet Center Notices 151 through 2800, and 3535 through 3602.","Samuel Herrick, generally recognized as the founder of the field of astrodynamics, was born in Madison County, Virginia, in 1911. He received a B. S. in Mathematics from Williams College in 1932 and a Ph.D. in Astronomy from the University of California at Berkeley in 1936. Most of his teaching career was spent at the University of California at Los Angeles (UCLA). Herrick served as an instructor in the Astronomy Department from 1937 to 1942; as an assistant professor from 1942 to 1947; as an associate professor from 1947 to 1952; and as a professor from 1952 to 1962. He was the Hunsaker Professor of Astronomy at the Massachusetts Institute of Technology during 1961-1962 and was made a professor in the Astronomy and Engineering Departments at UCLA in 1962. Herrick died in 1974.","Herrick's work applied the classic disciplines of celestial mechanics and mathematics to the special problems of space trajectory research. His studies of the celestial mechanics aspects of space navigation date from 1931, when he received advice and encouragement from R. H. Goddard. As early as 1936, he formulated a development program for the utilization of celestial mechanics in the solution of space navigation problems destined to become real problems only two decades later. In 1946, Herrick instituted a course in Rocket Navigation, the world's first university course designed specifically for astronautics. In 1957, he founded the Astrodynamics Colloquium at UCLA to facilitate communication among scientists engaged in rocket research.","Herrick's publications number over two hundred items, culminating in his comprehensive two-volume work on Astrodynamics, published by Van Nostrand in 1971-1972. His principal contributions to scientific theory are in the areas of orbit determination and ephemeris integration; universal variables; perturbation theory and variation of parameters; differential correction and least squares; space navigation; and sea and air navigation. Further information on Herrick and his accomplishments can be found in the biographical files in Box 1 of the collection.","The guide to the Samuel Herrick Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Minimal description was completed prior to 1998.","Additional processing, arrangement and description of the Samuel Herrick Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the National Historical Publications and Records Commission (NHPRC) in 2024.","This collection is made up of the personal and professional papers of Samuel Herrick (1911-1974), astronomer and founder of the field of astrodynamics. It contains personal materials such as biographical and bibliographical information, correspondence, and personal subject files. This collection also contains materials that document Herrick's career in astronomy, beginning with his B.S. in Mathematics from Williams College and including his time teaching at the University of California at Los Angeles (UCLA). Among these are notes, drafts of publications, files relating to astrodynamics courses, computer printouts, manuscript calculations, and reprints of the works on others in astronomy and the space sciences. These include notable materials such as correspondence with R. H. Goddard, a development program for the utilization of celestial mechanics in the solution of space navigation problems, the founding of the Astrodynamics Colloquium at UCLA, consulting files for NASA's Project Mercury and the film \"The Day the Earth Stood Still,\" and a comprehensive two-volume work on Astrodynamics, published by Van Nostrand in 1971-1972. Materials are largely textual, consisting of correspondence, memoranda, reports, clippings, publications, and others. This collection also includes glass plates, Fortran computer printouts, and some drawings.","Series I. Biographical Information, 1949-1973. This series is made up of materials relating to Herrick's life, such as biographical sketches of Herrick, biographical directory files, complete and partial bibliographies, and a personal reading log. These include information about his life, professional activities, honors and memeberships in societies, publications, and citations.","Series II. Academic Files, 1930-1974. This series contains materials related to Herrick's academic activities. This includes files and notes from his time as a student at Williams College, correspondence with faculty, files from his time with UCLA, course notes and materials from courses he taught, and student dissertations, theses, and comprehensive exams.","Sub-Series A. Academic Activities and Affairs, 1935-1973, includes academic affairs files (1930-1970), UCLA Astronomy Dept.; Guggenheim fellowship (1945-1951); UCLA files; Hunsaker professorship at MIT (1961-1962); reviews of others' works; Los Angeles Advisory Committee (1964-1968); and participation in \"Los Angeles in Paris\" trip (1967-1968).","Sub-Series B. Correspondence, 1931-1972, consists of academic correspondence, including correspondence with R. H. Goddard.","Sub-Series C. Course Materials, 1948-1974. This sub-series includes course notes, outlines, and exams for space navigation (1955) and astrodynamics courses.","Sub-Series D. S.H. Students' Dissertations, Theses, and Comprehensive Exams, 1965-1973, includes drafts and completed versions of dissertations, theses, and comprehensive exams from students Herrick taught.","Sub-Series E. Williams College, 1930-1969. This sub-series includes Williams College course notes; S.H. thesis and papers; and William College Correspondence.","Series III. Correspondence, 1930-1973. This series contains correspondence between Herrick and others ranging from 1930 to 1973.","Series IV. Consulting, 1940-1966. This series includes contracts and consultations, such as Ohio State Mapping Lab, Lockheed, North American Aviation, Army Air Force, NSF Grant G976, Western Data Processing Center, and 20th Century Fox [Consulting for \"The Day the Earth Stood Still\"]. It also includes materials such as monthly reports, proposals, and logs.","Series V. Presentations and Lectures, 1955-1964. This series consists of notes, outlines, slides, and other materials related to talks, presentations, and lectures given by Herrick. This includes talks and presentations given for organizations such as AIAA and IAU, covering topics such as differential correction, variation of parameters, planetary motions, and asteroids.","Series VI. Professional Societies, 1925-1973. This series includes materials related to professional societies in the space sciences, including, but not limited to: the American Institute of Aeronautics and Astronautics, American Academy of Mechanics, American Academy of Sciences, American Rocket Society, British Interplanetary Society, and the International Academy of Astronautics. Materials include membership information, board of directors files, awards, annual meeting and conference notes, committees, reports, and journals.","Series VII. Publications, including Reprints and Drafts, 1932-1973. This series includes drafts and reprints of Herrick's many works, notably Astrodynamics, published in 1971-1972. The series also contains correspondence about Herrick's publications or his reviews of work published by others. There are also reprints of the works of others in astronomy and space sciences.","Series VIII. Manuscript Calculations, 1948-1972. This series consists of calculations used in Herrick's studies of minor planets and objects. It includes materials such as shock waves of Icarus calculations, Project 15, minor planets and objects, perturbations, geophysical constraints and correction methods, collection of formulae, and ephemeral calculations.","Series IX. Computer Printouts, 1965-1973. This series includes early SH printouts, calculations, and Fortran computer runs such as Betulia ephemeris, Icarus ephemerides, Geographos, planetary coordinates, and two-body problems. Much of the computer printouts were created by Gary R. Smith, who received his Ph.D. in astrodynamics at UCLA in 1972 from Herrick.","Series X. Card Files, n.d. This series contains 4 sets card files with names and addresses of Herrick's contacts and bibliographies for celestial mechanics and astrodynamics.","Series XI. Subject Files, 1924-1981. This series includes Herrick's files on a variety of subjects. These materials reflect his professional and personal interests, including early computers, minor planets, space exploration, and piano music. Notable materials include Aeronutronic Systems Division-Ford files, Technical Study #3, mathematics publications, Jet Propulsion Laboratory reports, files on Betulia, Icarus, Geographos, and Jupiter IX and XII, Minor Planet Center Notices, and notes on navigation.","Series XII. Drawings and Calculations, 1949, n.d. This series consists of oversize drawings and calculations, including rectilinear tables, the nonimal system, and navigational drawings.","The following publications have been separated to the Rare Book Collection:","Harbold, Norris B. The Log of Air Navigation. San Antonio: The Naylor Company, 1970.","Mechanics.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1970.","Mechanics.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1971.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Samuel Herrick was an astronomer who specialized in celestial mechanics, generally recognized as the founder of the field of astrodynamics. His papers consist of correspondence, notes, drafts of publications, files relating to students and courses, and reprints of the works of others in astronomy and space sciences. Other highlights include Herrick's consulting files for projects such as NASA's Project Mercury, the film \"\"The Day the Earth Stood Still\" (1951), and private industry. This collection is part of the Archives of American Aerospace Exploration at Virginia Tech.","Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Herrick, Samuel, 1911-1974","Most of the materials in this collection are in English. Some materials in Series VI. Professional Societies, Series VII. Publications, and Series XI. Subject Files are in French, German, Russian, Italian, Dutch, Portuguese, or Japanese."],"collection_title_tesim":["Samuel Herrick Papers, 1930/1974"],"collection_ssim":["Samuel Herrick Papers, 1930/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1978.002","/repositories/2/resources/1323"],"unitid_tesim":["Ms.1978.002","/repositories/2/resources/1323"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Herrick, Samuel, 1911-1974"],"creator_ssim":["Herrick, Samuel, 1911-1974"],"creator_persname_ssim":["Herrick, Samuel, 1911-1974"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Herrick, Samuel, 1911-1974","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Samuel Herrick Papers were donated to Special Collections and University Archives in 1978."],"access_subjects_ssim":["Astronomy","Science and Technology","Astrodynamics","Archives of American Aerospace Exploration (AAAE)","Astronomers","Aerospace engineers"],"access_subjects_ssm":["Astronomy","Science and Technology","Astrodynamics","Archives of American Aerospace Exploration (AAAE)","Astronomers","Aerospace engineers"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 85 Cubic Feet 74 boxes, 1 oversize folder"],"extent_tesim":["ca. 85 Cubic Feet 74 boxes, 1 oversize folder"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research with the exception of Box 74, which is restricted for use. Items in Box 74 are restricted for use until 75 years after date of creation.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research with the exception of Box 74, which is restricted for use. Items in Box 74 are restricted for use until 75 years after date of creation."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/325\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003ctitle render=\"italic\"\u003eAstrodynamics\u003c/title\u003e. It also includes errata, vellums, research reports, and bibliography materials.\n\nSub-Series D. SH Numbered Publications (also see listing in Box 1), 1932-1972. This sub-series is made up of Herrick's publications numbers 1 through 233. They are numbered in accordance with his bibliography (located in Box 1) and include drafts and reprints of his work, as well as correspondence relating to it. Topics include orbit methods, comet observations, position determination, celestial navigation, planetary grids, ephemeris of minor planets and objects, rocket trajectories, space travel, lunar exploration, astronomical values, and advancements in astrodynamics. \n\nSub-Series E. Drafts of Articles and Book Chapters, 1944-1971, includes additional notes and drafts of articles and book chapters, such as Herrick's Contribution to CRC \"Handbook of Tables for Mathematics,\" 1965-1966, Gibb's Contribution to Orbit Theory, and Herrick's review of Einstein books. It also contains correspondence related to Herrick's drafts and publications.\n\nSeries VIII. Manuscript Calculations, 1948-1973. This series largely maintains the order it was received. Materials relating to Halley's Comet and (1566) Icarus have been grouped together for ease of use. \n\nSeries IX. Computer Printouts, 1965-1973\n\nSeries X. Card Files, n.d. This series has been separated into four parts to maintain the original order and separation of materials. \n\nSeries XI. Subject Files, 1924-1981. With the exception of general subject files, this series has been further divided into the following sub-series:\n\nSub-Series A. Aeronutronics Systems Division (ASD), 1956-1960, includes numbered files on various technical and organization matters, proposals, and projects. They are part of Herrick's series of Aeronutronic Systems Division-Ford files. Topics include, but are not limited to, a project planning committee, orbits for Vargo-Boeing, Navy direction presentation, and geodetic position determination.\n\nSub-Series B. Computers and Electronic Calculations, 1947-1967, includes manuals on early computers such as EDVAC and ZEPHYR, Monroe calculator, SWAC memoranda, coding sheets, differential analyzer operation and problems, and Technical Study #3.\n\nSub-Series C. Mathematics, 1931-1975, consists of materials relating to mathematical techniques, including Chebyshev polynomials, Hansen's method of general perturbations, numerical analysis and integration, data smoothing, theoretical mechanics, Encke's method, astronomical and gravitational constants, and universal variables. \n\nSub-Series D. Minor Planets and Objects, 1929-1983, has been divided further. Materials in this sub-series and its divisions have been alphabetized.\n\n","\u003cul\u003e\n\n\u003cli\u003eThe Betulia Files contain materials relating to the asteroid (1580) Betulia, named for Samuel Herrick's wife, Betulia Toro Herrick. This includes an article, calculations, correspondence, ephemerides, numerical integration, observations, elements, oppositions, and representations.\u003c/li\u003e\n    \n    \u003cli\u003eThe Icarus Files contain materials relating to the near-Earth object (1566) Icarus, including ephemerides, residuals, correspondence, history and facts, observations, orbit graphs, and publications.\u003c/li\u003e\n    \n    \u003cli\u003eThe Geographos Files contain materials relating to the asteroid (1620) Geographos, including early Encke orbit files, elements, ellipse graphs, ephemerides, general information, publicity, variation of parameters, and possible exploration.\u003c/li\u003e\n    \u003cli\u003eThe Jupiter IX and Jupiter XII Files contain materials relating to Jupiter IX (an irregular satellite of Jupiter now known as Sinope) and Jupiter XII (an irregular moon of Jupiter now known as Ananke). This includes Cowell integrations, ephemeris, graphs, basic calculations, history, general information, variation of constants, observations and representations, and publicity.\u003c/li\u003e\n    \n    \u003cli\u003eItems not included in the above files consist of materials relating to other minor planets and objects, such as Lanzia, the Swift comet, and the Wilson object. This includes graphs and calculations, articles, observations, general information, history, ephemerides, opposition graphs, formulae, and procedures. Also included are Minor Planet Center Notices 151 through 2800, and 3535 through 3602. \u003c/li\u003e\n\u003c/ul\u003e\n\nSub-Series E. Space Exploration, 1924-1975. This sub-series is made up of materials relating to space exploration, including space travel and navigation. This includes foreign journal articles on orbit determination, meeting minutes of NASA Earth model (1961), notes on \"fly-by\" orbits, artificial satellites, space colonies, UCLA moon base study, grid navigation, navigation methods, Project Mercury, precision satellite orbit correction, and planetary position data requirements for space vehicle trajectory computations.\n\nSeries XII. Drawings and Calculations, 1949, n.d.  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Astrodynamics","The Betulia Files contain materials relating to the asteroid (1580) Betulia, named for Samuel Herrick's wife, Betulia Toro Herrick. This includes an article, calculations, correspondence, ephemerides, numerical integration, observations, elements, oppositions, and representations.\n    \n    The Icarus Files contain materials relating to the near-Earth object (1566) Icarus, including ephemerides, residuals, correspondence, history and facts, observations, orbit graphs, and publications.\n    \n    The Geographos Files contain materials relating to the asteroid (1620) Geographos, including early Encke orbit files, elements, ellipse graphs, ephemerides, general information, publicity, variation of parameters, and possible exploration.\n    The Jupiter IX and Jupiter XII Files contain materials relating to Jupiter IX (an irregular satellite of Jupiter now known as Sinope) and Jupiter XII (an irregular moon of Jupiter now known as Ananke). This includes Cowell integrations, ephemeris, graphs, basic calculations, history, general information, variation of constants, observations and representations, and publicity.\n    \n    Items not included in the above files consist of materials relating to other minor planets and objects, such as Lanzia, the Swift comet, and the Wilson object. This includes graphs and calculations, articles, observations, general information, history, ephemerides, opposition graphs, formulae, and procedures. Also included are Minor Planet Center Notices 151 through 2800, and 3535 through 3602."],"bioghist_html_tesm":["\u003cp\u003eSamuel Herrick, generally recognized as the founder of the field of astrodynamics, was born in Madison County, Virginia, in 1911. He received a B. S. in Mathematics from Williams College in 1932 and a Ph.D. in Astronomy from the University of California at Berkeley in 1936. Most of his teaching career was spent at the University of California at Los Angeles (UCLA). Herrick served as an instructor in the Astronomy Department from 1937 to 1942; as an assistant professor from 1942 to 1947; as an associate professor from 1947 to 1952; and as a professor from 1952 to 1962. He was the Hunsaker Professor of Astronomy at the Massachusetts Institute of Technology during 1961-1962 and was made a professor in the Astronomy and Engineering Departments at UCLA in 1962. Herrick died in 1974. \u003c/p\u003e","\u003cp\u003eHerrick's work applied the classic disciplines of celestial mechanics and mathematics to the special problems of space trajectory research. His studies of the celestial mechanics aspects of space navigation date from 1931, when he received advice and encouragement from R. H. Goddard. As early as 1936, he formulated a development program for the utilization of celestial mechanics in the solution of space navigation problems destined to become real problems only two decades later. In 1946, Herrick instituted a course in Rocket Navigation, the world's first university course designed specifically for astronautics. In 1957, he founded the Astrodynamics Colloquium at UCLA to facilitate communication among scientists engaged in rocket research. \u003c/p\u003e","\u003cp\u003eHerrick's publications number over two hundred items, culminating in his comprehensive two-volume work on \u003ctitle render=\"italic\"\u003eAstrodynamics\u003c/title\u003e, published by Van Nostrand in 1971-1972. His principal contributions to scientific theory are in the areas of orbit determination and ephemeris integration; universal variables; perturbation theory and variation of parameters; differential correction and least squares; space navigation; and sea and air navigation. Further information on Herrick and his accomplishments can be found in the biographical files in Box 1 of the collection. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Samuel Herrick, generally recognized as the founder of the field of astrodynamics, was born in Madison County, Virginia, in 1911. He received a B. S. in Mathematics from Williams College in 1932 and a Ph.D. in Astronomy from the University of California at Berkeley in 1936. Most of his teaching career was spent at the University of California at Los Angeles (UCLA). Herrick served as an instructor in the Astronomy Department from 1937 to 1942; as an assistant professor from 1942 to 1947; as an associate professor from 1947 to 1952; and as a professor from 1952 to 1962. He was the Hunsaker Professor of Astronomy at the Massachusetts Institute of Technology during 1961-1962 and was made a professor in the Astronomy and Engineering Departments at UCLA in 1962. Herrick died in 1974.","Herrick's work applied the classic disciplines of celestial mechanics and mathematics to the special problems of space trajectory research. His studies of the celestial mechanics aspects of space navigation date from 1931, when he received advice and encouragement from R. H. Goddard. As early as 1936, he formulated a development program for the utilization of celestial mechanics in the solution of space navigation problems destined to become real problems only two decades later. In 1946, Herrick instituted a course in Rocket Navigation, the world's first university course designed specifically for astronautics. In 1957, he founded the Astrodynamics Colloquium at UCLA to facilitate communication among scientists engaged in rocket research.","Herrick's publications number over two hundred items, culminating in his comprehensive two-volume work on Astrodynamics, published by Van Nostrand in 1971-1972. His principal contributions to scientific theory are in the areas of orbit determination and ephemeris integration; universal variables; perturbation theory and variation of parameters; differential correction and least squares; space navigation; and sea and air navigation. Further information on Herrick and his accomplishments can be found in the biographical files in Box 1 of the collection."],"odd_html_tesm":["\u003cp\u003eThe guide to the Samuel Herrick Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Samuel Herrick Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Samuel Herrick Papers, Ms1978-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Samuel Herrick Papers, Ms1978-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eMinimal description was completed prior to 1998.\u003c/p\u003e","\u003cp\u003eAdditional processing, arrangement and description of the Samuel Herrick Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003eNational Historical Publications and Records Commission (NHPRC)\u003c/a\u003e in 2024. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Minimal description was completed prior to 1998.","Additional processing, arrangement and description of the Samuel Herrick Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the National Historical Publications and Records Commission (NHPRC) in 2024."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is made up of the personal and professional papers of Samuel Herrick (1911-1974), astronomer and founder of the field of astrodynamics. It contains personal materials such as biographical and bibliographical information, correspondence, and personal subject files. This collection also contains materials that document Herrick's career in astronomy, beginning with his B.S. in Mathematics from Williams College and including his time teaching at the University of California at Los Angeles (UCLA). Among these are notes, drafts of publications, files relating to astrodynamics courses, computer printouts, manuscript calculations, and reprints of the works on others in astronomy and the space sciences. These include notable materials such as correspondence with R. H. Goddard, a development program for the utilization of celestial mechanics in the solution of space navigation problems, the founding of the Astrodynamics Colloquium at UCLA, consulting files for NASA's Project Mercury and the film \"The Day the Earth Stood Still,\" and a comprehensive two-volume work on \u003ctitle render=\"italic\"\u003eAstrodynamics\u003c/title\u003e, published by Van Nostrand in 1971-1972. Materials are largely textual, consisting of correspondence, memoranda, reports, clippings, publications, and others. This collection also includes glass plates, Fortran computer printouts, and some drawings.\u003c/p\u003e","\u003cp\u003eSeries I. Biographical Information, 1949-1973. This series is made up of materials relating to Herrick's life, such as biographical sketches of Herrick, biographical directory files, complete and partial bibliographies, and a personal reading log. These include information about his life, professional activities, honors and memeberships in societies, publications, and citations.\u003c/p\u003e","\u003cp\u003eSeries II. Academic Files, 1930-1974. This series contains materials related to Herrick's academic activities. This includes files and notes from his time as a student at Williams College, correspondence with faculty, files from his time with UCLA, course notes and materials from courses he taught, and student dissertations, theses, and comprehensive exams. \u003c/p\u003e","\u003cp\u003eSub-Series A. Academic Activities and Affairs, 1935-1973, includes academic affairs files (1930-1970), UCLA Astronomy Dept.; Guggenheim fellowship (1945-1951); UCLA files; Hunsaker professorship at MIT (1961-1962); reviews of others' works; Los Angeles Advisory Committee (1964-1968); and participation in \"Los Angeles in Paris\" trip (1967-1968).\u003c/p\u003e","\u003cp\u003eSub-Series B. Correspondence, 1931-1972, consists of academic correspondence, including correspondence with R. H. Goddard.\u003c/p\u003e","\u003cp\u003eSub-Series C. Course Materials, 1948-1974. This sub-series includes course notes, outlines, and exams for space navigation (1955) and astrodynamics courses.\u003c/p\u003e","\u003cp\u003eSub-Series D. S.H. Students' Dissertations, Theses, and Comprehensive Exams, 1965-1973, includes drafts and completed versions of dissertations, theses, and comprehensive exams from students Herrick taught.\u003c/p\u003e","\u003cp\u003eSub-Series E. Williams College, 1930-1969. This sub-series includes Williams College course notes; S.H. thesis and papers; and William College Correspondence.\u003c/p\u003e","\u003cp\u003eSeries III. Correspondence, 1930-1973. This series contains correspondence between Herrick and others ranging from 1930 to 1973.\u003c/p\u003e","\u003cp\u003eSeries IV. Consulting, 1940-1966. This series includes contracts and consultations, such as Ohio State Mapping Lab, Lockheed, North American Aviation, Army Air Force, NSF Grant G976, Western Data Processing Center, and 20th Century Fox [Consulting for \"The Day the Earth Stood Still\"]. It also includes materials such as monthly reports, proposals, and logs.\u003c/p\u003e","\u003cp\u003eSeries V. Presentations and Lectures, 1955-1964. This series consists of notes, outlines, slides, and other materials related to talks, presentations, and lectures given by Herrick. This includes talks and presentations given for organizations such as AIAA and IAU, covering topics such as differential correction, variation of parameters, planetary motions, and asteroids.\u003c/p\u003e","\u003cp\u003eSeries VI. Professional Societies, 1925-1973. This series includes materials related to professional societies in the space sciences, including, but not limited to: the American Institute of Aeronautics and Astronautics, American Academy of Mechanics, American Academy of Sciences, American Rocket Society, British Interplanetary Society, and the International Academy of Astronautics. Materials include membership information, board of directors files, awards, annual meeting and conference notes, committees, reports, and journals.\u003c/p\u003e","\u003cp\u003eSeries VII. Publications, including Reprints and Drafts, 1932-1973. This series includes drafts and reprints of Herrick's many works, notably \u003ctitle render=\"italic\"\u003eAstrodynamics\u003c/title\u003e, published in 1971-1972. The series also contains correspondence about Herrick's publications or his reviews of work published by others. There are also reprints of the works of others in astronomy and space sciences.\u003c/p\u003e","\u003cp\u003eSeries VIII. Manuscript Calculations, 1948-1972. This series consists of calculations used in Herrick's studies of minor planets and objects. It includes materials such as shock waves of Icarus calculations, Project 15, minor planets and objects, perturbations, geophysical constraints and correction methods, collection of formulae, and ephemeral calculations. \u003c/p\u003e","\u003cp\u003eSeries IX. Computer Printouts, 1965-1973. This series includes early SH printouts, calculations, and Fortran computer runs such as Betulia ephemeris, Icarus ephemerides, Geographos, planetary coordinates, and two-body problems. Much of the computer printouts were created by Gary R. Smith, who received his Ph.D. in astrodynamics at UCLA in 1972 from Herrick.\u003c/p\u003e","\u003cp\u003eSeries X. Card Files, n.d. This series contains 4 sets card files with names and addresses of Herrick's contacts and bibliographies for celestial mechanics and astrodynamics.\u003c/p\u003e","\u003cp\u003eSeries XI. Subject Files, 1924-1981. This series includes Herrick's files on a variety of subjects. These materials reflect his professional and personal interests, including early computers, minor planets, space exploration, and piano music. Notable materials include Aeronutronic Systems Division-Ford files, Technical Study #3, mathematics publications, Jet Propulsion Laboratory reports, files on Betulia, Icarus, Geographos, and Jupiter IX and XII, Minor Planet Center Notices, and notes on navigation.\u003c/p\u003e","\u003cp\u003eSeries XII. Drawings and Calculations, 1949, n.d. This series consists of oversize drawings and calculations, including rectilinear tables, the nonimal system, and navigational drawings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is made up of the personal and professional papers of Samuel Herrick (1911-1974), astronomer and founder of the field of astrodynamics. It contains personal materials such as biographical and bibliographical information, correspondence, and personal subject files. This collection also contains materials that document Herrick's career in astronomy, beginning with his B.S. in Mathematics from Williams College and including his time teaching at the University of California at Los Angeles (UCLA). Among these are notes, drafts of publications, files relating to astrodynamics courses, computer printouts, manuscript calculations, and reprints of the works on others in astronomy and the space sciences. These include notable materials such as correspondence with R. H. Goddard, a development program for the utilization of celestial mechanics in the solution of space navigation problems, the founding of the Astrodynamics Colloquium at UCLA, consulting files for NASA's Project Mercury and the film \"The Day the Earth Stood Still,\" and a comprehensive two-volume work on Astrodynamics, published by Van Nostrand in 1971-1972. Materials are largely textual, consisting of correspondence, memoranda, reports, clippings, publications, and others. This collection also includes glass plates, Fortran computer printouts, and some drawings.","Series I. Biographical Information, 1949-1973. This series is made up of materials relating to Herrick's life, such as biographical sketches of Herrick, biographical directory files, complete and partial bibliographies, and a personal reading log. These include information about his life, professional activities, honors and memeberships in societies, publications, and citations.","Series II. Academic Files, 1930-1974. This series contains materials related to Herrick's academic activities. This includes files and notes from his time as a student at Williams College, correspondence with faculty, files from his time with UCLA, course notes and materials from courses he taught, and student dissertations, theses, and comprehensive exams.","Sub-Series A. Academic Activities and Affairs, 1935-1973, includes academic affairs files (1930-1970), UCLA Astronomy Dept.; Guggenheim fellowship (1945-1951); UCLA files; Hunsaker professorship at MIT (1961-1962); reviews of others' works; Los Angeles Advisory Committee (1964-1968); and participation in \"Los Angeles in Paris\" trip (1967-1968).","Sub-Series B. Correspondence, 1931-1972, consists of academic correspondence, including correspondence with R. H. Goddard.","Sub-Series C. Course Materials, 1948-1974. This sub-series includes course notes, outlines, and exams for space navigation (1955) and astrodynamics courses.","Sub-Series D. S.H. Students' Dissertations, Theses, and Comprehensive Exams, 1965-1973, includes drafts and completed versions of dissertations, theses, and comprehensive exams from students Herrick taught.","Sub-Series E. Williams College, 1930-1969. This sub-series includes Williams College course notes; S.H. thesis and papers; and William College Correspondence.","Series III. Correspondence, 1930-1973. This series contains correspondence between Herrick and others ranging from 1930 to 1973.","Series IV. Consulting, 1940-1966. This series includes contracts and consultations, such as Ohio State Mapping Lab, Lockheed, North American Aviation, Army Air Force, NSF Grant G976, Western Data Processing Center, and 20th Century Fox [Consulting for \"The Day the Earth Stood Still\"]. It also includes materials such as monthly reports, proposals, and logs.","Series V. Presentations and Lectures, 1955-1964. This series consists of notes, outlines, slides, and other materials related to talks, presentations, and lectures given by Herrick. This includes talks and presentations given for organizations such as AIAA and IAU, covering topics such as differential correction, variation of parameters, planetary motions, and asteroids.","Series VI. Professional Societies, 1925-1973. This series includes materials related to professional societies in the space sciences, including, but not limited to: the American Institute of Aeronautics and Astronautics, American Academy of Mechanics, American Academy of Sciences, American Rocket Society, British Interplanetary Society, and the International Academy of Astronautics. Materials include membership information, board of directors files, awards, annual meeting and conference notes, committees, reports, and journals.","Series VII. Publications, including Reprints and Drafts, 1932-1973. This series includes drafts and reprints of Herrick's many works, notably Astrodynamics, published in 1971-1972. The series also contains correspondence about Herrick's publications or his reviews of work published by others. There are also reprints of the works of others in astronomy and space sciences.","Series VIII. Manuscript Calculations, 1948-1972. This series consists of calculations used in Herrick's studies of minor planets and objects. It includes materials such as shock waves of Icarus calculations, Project 15, minor planets and objects, perturbations, geophysical constraints and correction methods, collection of formulae, and ephemeral calculations.","Series IX. Computer Printouts, 1965-1973. This series includes early SH printouts, calculations, and Fortran computer runs such as Betulia ephemeris, Icarus ephemerides, Geographos, planetary coordinates, and two-body problems. Much of the computer printouts were created by Gary R. Smith, who received his Ph.D. in astrodynamics at UCLA in 1972 from Herrick.","Series X. Card Files, n.d. This series contains 4 sets card files with names and addresses of Herrick's contacts and bibliographies for celestial mechanics and astrodynamics.","Series XI. Subject Files, 1924-1981. This series includes Herrick's files on a variety of subjects. These materials reflect his professional and personal interests, including early computers, minor planets, space exploration, and piano music. Notable materials include Aeronutronic Systems Division-Ford files, Technical Study #3, mathematics publications, Jet Propulsion Laboratory reports, files on Betulia, Icarus, Geographos, and Jupiter IX and XII, Minor Planet Center Notices, and notes on navigation.","Series XII. Drawings and Calculations, 1949, n.d. This series consists of oversize drawings and calculations, including rectilinear tables, the nonimal system, and navigational drawings."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Book Collection:\u003c/p\u003e","\u003cp\u003eHarbold, Norris B. \u003ctitle render=\"italic\"\u003eThe Log of Air Navigation\u003c/title\u003e. San Antonio: The Naylor Company, 1970.\u003c/p\u003e","\u003cp\u003e\u003ctitle render=\"italic\"\u003eMechanics\u003c/title\u003e.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1970.\u003c/p\u003e","\u003cp\u003e\u003ctitle render=\"italic\"\u003eMechanics\u003c/title\u003e.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1971.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Book Collection:","Harbold, Norris B. The Log of Air Navigation. San Antonio: The Naylor Company, 1970.","Mechanics.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1970.","Mechanics.Edited by N.C. Lind. Compiled and produced by American Academy of Mechanics, 1971."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_acc4d01cb676f92a1d153a36c3fb189e\" label=\"Abstract\"\u003eSamuel Herrick was an astronomer who specialized in celestial mechanics, generally recognized as the founder of the field of astrodynamics. His papers consist of correspondence, notes, drafts of publications, files relating to students and courses, and reprints of the works of others in astronomy and space sciences. Other highlights include Herrick's consulting files for projects such as NASA's Project Mercury, the film \"\"The Day the Earth Stood Still\" (1951), and private industry. This collection is part of the Archives of American Aerospace Exploration at Virginia Tech.\u003c/abstract\u003e\n    "],"abstract_tesim":["Samuel Herrick was an astronomer who specialized in celestial mechanics, generally recognized as the founder of the field of astrodynamics. His papers consist of correspondence, notes, drafts of publications, files relating to students and courses, and reprints of the works of others in astronomy and space sciences. Other highlights include Herrick's consulting files for projects such as NASA's Project Mercury, the film \"\"The Day the Earth Stood Still\" (1951), and private industry. This collection is part of the Archives of American Aerospace Exploration at Virginia Tech."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4fc81cde4ab25c82e0187aaee248b2b7\" label=\"Physical Access\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e\n    "],"physloc_tesim":["Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Herrick, Samuel, 1911-1974"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Herrick, Samuel, 1911-1974"],"language_ssim":["Most of the materials in this collection are in English. Some materials in Series VI. Professional Societies, Series VII. Publications, and Series XI. Subject Files are in French, German, Russian, Italian, Dutch, Portuguese, or Japanese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2166,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-27T00:05:04.973Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1323_c11_c04_c13"}},{"id":"vifgm_repositories_2_resources_416_c04_c03_c03","type":"File","attributes":{"title":"1952-1953 - August 1952 - August 1953, 1952/1953","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c04_c03_c03","ref_ssm":["vifgm_repositories_2_resources_416_c04_c03_c03"],"id":"vifgm_repositories_2_resources_416_c04_c03_c03","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c04_c03","parent_ssi":"vifgm_repositories_2_resources_416_c04_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"title_filing_ssi":"1952-1953 - August 1952 - August 1953","title_ssm":["1952-1953 - August 1952 - August 1953"],"title_tesim":["1952-1953 - August 1952 - August 1953"],"normalized_title_ssm":["1952-1953 - August 1952 - August 1953, 1952/1953"],"text":["1952-1953 - August 1952 - August 1953, 1952/1953","Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990","box 665","folder 1"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"normalized_date_ssm":["1952/1953"],"unitdate_other_ssim":["1952-1953"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7903,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 665","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1952,1953],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#2","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c03"}},{"id":"viw_repositories_2_resources_8527_c14_c03_c10_c19","type":"Item","attributes":{"title":"1952 7 Last Words of Christ (2 CDs), 1952","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c10_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8527_c14_c03_c10_c19","ref_ssm":["viw_repositories_2_resources_8527_c14_c03_c10_c19"],"id":"viw_repositories_2_resources_8527_c14_c03_c10_c19","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssi":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"parent_ids_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c14","viw_repositories_2_resources_8527_c14_c03","viw_repositories_2_resources_8527_c14_c03_c10"],"title_filing_ssi":"1952 7 Last Words of Christ (2 CDs)","title_ssm":["1952 7 Last Words of Christ (2 CDs)"],"title_tesim":["1952 7 Last Words of Christ (2 CDs)"],"normalized_title_ssm":["1952 7 Last Words of Christ (2 CDs), 1952"],"text":["1952 7 Last Words of Christ (2 CDs), 1952","Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs","Box Series 14, Subseries 3, Box 10"],"parent_unittitles_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"parent_unittitles_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"normalized_date_ssm":["1952"],"unitdate_inclusive_ssm":["1952"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":2013,"repository_ssim":["College of William and Mary"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"containers_ssim":["Box Series 14, Subseries 3, Box 10"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1952],"_nest_path_":"/components#13/components#2/components#9/components#18","timestamp":"2026-08-14T23:04:06.265Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"unitdate_bulk_ssim":["1945-1974"],"normalized_date_ssm":["1907/2012, bulk 1945/1974"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"text":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","UA 6.017","/repositories/2/resources/8527","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:06.265Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c10_c19"}},{"id":"wvmturhc_repositories_2_resources_1383_c01_c06_c06","type":"File","attributes":{"title":"1952 Campaign Releases, 1952","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1383_c01_c06_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1383_c01_c06_c06","ref_ssm":["wvmturhc_repositories_2_resources_1383_c01_c06_c06"],"id":"wvmturhc_repositories_2_resources_1383_c01_c06_c06","ead_ssi":"wvmturhc_repositories_2_resources_1383","_root_":"wvmturhc_repositories_2_resources_1383","_nest_parent_":"wvmturhc_repositories_2_resources_1383_c01_c06","parent_ssi":"wvmturhc_repositories_2_resources_1383_c01_c06","parent_ssim":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956","Series 1. Political File [boxes 1-6], 1946/1952","1952 Senatorial Campaign, 1952"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1383","wvmturhc_repositories_2_resources_1383_c01","wvmturhc_repositories_2_resources_1383_c01_c06"],"title_filing_ssi":"1952 Campaign Releases","title_ssm":["1952 Campaign Releases"],"title_tesim":["1952 Campaign Releases"],"normalized_title_ssm":["1952 Campaign Releases, 1952"],"text":["1952 Campaign Releases, 1952","Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956","Series 1. Political File [boxes 1-6], 1946/1952","1952 Senatorial Campaign, 1952","Box 5"],"parent_unittitles_ssm":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956","Series 1. Political File [boxes 1-6], 1946/1952","1952 Senatorial Campaign, 1952"],"parent_unittitles_tesim":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956","Series 1. Political File [boxes 1-6], 1946/1952","1952 Senatorial Campaign, 1952"],"normalized_date_ssm":["1952"],"unitdate_inclusive_ssm":["1952"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":45,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956"],"containers_ssim":["Box 5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1952],"_nest_path_":"/components#0/components#5/components#5","timestamp":"2026-09-01T16:09:24.514Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1383","ead_ssi":"wvmturhc_repositories_2_resources_1383","_root_":"wvmturhc_repositories_2_resources_1383","_nest_parent_":"wvmturhc_repositories_2_resources_1383","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1383.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195684","title_ssm":["Harley Martin Kilgore (1893-1956), Senator, Papers"],"title_tesim":["Harley Martin Kilgore (1893-1956), Senator, Papers"],"unitdate_ssm":["ca. 1927-1956, undated"],"unitdate_inclusive_ssm":["ca. 1927-1956, undated"],"normalized_date_ssm":["1927/1956"],"normalized_title_ssm":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956"],"text":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956","A\u0026M 3143","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1383","West Virginia -- Politics and government","United States -- Politics and government","Coal mines and mining","Communism","Educational law and legislation","Elections","Legislation - United States.","Nuremberg Trial of Major German War Criminals, Nuremberg, Germany, 1945-1946","Political campaigns","Politics and government.","Refugees - Legal status, laws, etc.","Taxation","Veterans -- Legal status, laws, etc.  -- United States","Politicians -- United States","Politicians","No special access restriction applies.","Harley Martin Kilgore (January 11, 1893 - February 28, 1956) was born in Brown, West Virginia, to Quimby and Laura Martin Kilgore. He received his LL.B. from West Virginia University in 1914 and was admitted to the bar the same year.","He taught school in Hancock, West Virginia in 1914 and 1915. Also in 1915, he organized the first high school in Raleigh County, WV, and served as principal. He established his law practice in Beckley, WV in 1916. During World War I, he served in the infantry from 1917 and was discharged as a captain in 1920. Kilgore married Lois Elaine Lilly in Huntington, WV on May 10, 1921. That same year, he helped organize the West Virginia National Guard, and was promoted to major and appointed commander of 2nd Battalion the following year. He also served as Beckley city recorder in 1922. His son, Robert Martin Kilgore, was born in 1924. His daughter, Elinor Stuart Kilgore, was born in 1926.","In 1932, Kilgore was assigned to the state headquarters of the National Guard. He was elected judge of the Raleigh County criminal court from 1933 to 1940 on the Democratic ticket. In 1940, he was elected to the U.S. Senate with support from the Neely faction of the Democratic Party, and won reelection in 1946 and 1952. Also in 1940, he was placed on active military duty as judge advocate for West Virginia's Selective Service system until he entered the Senate. A member of the U.S. Senate from 1941 until his death, Kilgore served as chairman of the Judiciary Committee and the Committee to Investigate the National Defense Program. In October 1942, he became chair of the Subcommittee on War Mobilization of the Military Affairs Committee (also known as the Kilgore Committee).","In 1948, Kilgore served as a delegate at the Democratic National Convention, where he was an outspoken supporter of Harry S. Truman. He retired from the West Virginia National Guard as a lieutenant colonel in 1953. He died in 1956 at age 63 at Bethesda Naval Hospital, and was buried at Arlington National Cemetery.","491, 967, 1068, 1108, 1500, 3143, 3335","Papers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics.","Series include:","Series 1. Political File [boxes 1-6], 1946-1952, undated\nSeries 2. Senate Judiciary Committee Papers and Other Senate Committees [boxes 7-9], 1949-1954, undated\nSeries 3. Correspondence with Federal Government Agencies [boxes 10-17], 1954–1956\nSeries 4. Legislative Files (Topical) [boxes 18-60], 1944–1955\nSeries 5. Legislative Files (Numerical) [boxes 61-69], 1949, 1953-1956\nSeries 6. General Correspondence [boxes 70-80], ca. 1927-1953\nSeries 7. General Correspondence with West Virginia State Agencies [boxes 81-82], undated\nSeries 8. West Virginia Matters (Topical) [boxes 83-87], 1948-1949, undated\nSeries 9. West Virginia Matters (Name File) [boxes 88-91], undated\nSeries 10. Speech File and Other Writings, Releases, etc. [boxes 92-107], 1941–1956\nSeries 11. Democratic Party Campaign Materials [boxes 108-109], 1952\nSeries 12. Coal Mine Problems [boxes 110-111], undated\nSeries 13. Post-War German Problems [boxes 112-116], 1944-1945, undated\nSeries 14. Department of Justice Patent Policy Survey [box 117], undated\nSeries 15. Miscellaneous Printed Materials [boxes 118-120], 1945, undated\nSeries 16. Clippings [boxes 121-123], 1946-1956, undated\nSeries 17. Senator's Constituent Lists, 1952 Campaign [boxes 124-129], 1952\nSeries 18. Senator's Voting Record, 80th-84th Congresses [boxes 130-132], 1947–1956\nSeries 19. Senator's Committee Work Books [box 133], undated\nSeries 20. Scrapbooks [boxes 134-145], 1941-1954, undated","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics. See Historical Note for more information on Senator Kilgore. See Scope and Content Note for more details.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary","Kilgore, Harley Martin, 1893-1956","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Revercomb, Chapman, 1895-","English"],"collection_title_tesim":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956"],"collection_ssim":["Harley Martin Kilgore (1893-1956), Senator, Papers, 1927/1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3143","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1383"],"unitid_tesim":["A\u0026M 3143","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1383"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["West Virginia -- Politics and government","United States -- Politics and government"],"geogname_ssim":["West Virginia -- Politics and government","United States -- Politics and government"],"places_ssim":["West Virginia -- Politics and government","United States -- Politics and government"],"creator_ssm":["Kilgore, Harley Martin, 1893-1956"],"creator_ssim":["Kilgore, Harley Martin, 1893-1956"],"creator_persname_ssim":["Kilgore, Harley Martin, 1893-1956","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Revercomb, Chapman, 1895-"],"creator_corpname_ssim":["West Virginia and Regional History Center","Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary"],"creators_ssim":["Kilgore, Harley Martin, 1893-1956","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Revercomb, Chapman, 1895-","West Virginia and Regional History Center","Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Coal mines and mining","Communism","Educational law and legislation","Elections","Legislation - United States.","Nuremberg Trial of Major German War Criminals, Nuremberg, Germany, 1945-1946","Political campaigns","Politics and government.","Refugees - Legal status, laws, etc.","Taxation","Veterans -- Legal status, laws, etc.  -- United States","Politicians -- United States","Politicians"],"access_subjects_ssm":["Coal mines and mining","Communism","Educational law and legislation","Elections","Legislation - United States.","Nuremberg Trial of Major German War Criminals, Nuremberg, Germany, 1945-1946","Political campaigns","Politics and government.","Refugees - Legal status, laws, etc.","Taxation","Veterans -- Legal status, laws, etc.  -- United States","Politicians -- United States","Politicians"],"has_online_content_ssim":["false"],"extent_ssm":["57.7 Linear Feet Summary: 57 ft. 8 in. (130 document cases, 5 in.); (4 small flat storage boxes, 3 in.); (8 large flat storage boxes, 3 in.); (4 scrapbooks, 6 in. total)"],"extent_tesim":["57.7 Linear Feet Summary: 57 ft. 8 in. (130 document cases, 5 in.); (4 small flat storage boxes, 3 in.); (8 large flat storage boxes, 3 in.); (4 scrapbooks, 6 in. total)"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eHarley Martin Kilgore (January 11, 1893 - February 28, 1956) was born in Brown, West Virginia, to Quimby and Laura Martin Kilgore. He received his LL.B. from West Virginia University in 1914 and was admitted to the bar the same year.\u003c/p\u003e","\u003cp\u003eHe taught school in Hancock, West Virginia in 1914 and 1915. Also in 1915, he organized the first high school in Raleigh County, WV, and served as principal. He established his law practice in Beckley, WV in 1916. During World War I, he served in the infantry from 1917 and was discharged as a captain in 1920. Kilgore married Lois Elaine Lilly in Huntington, WV on May 10, 1921. That same year, he helped organize the West Virginia National Guard, and was promoted to major and appointed commander of 2nd Battalion the following year. He also served as Beckley city recorder in 1922. His son, Robert Martin Kilgore, was born in 1924. His daughter, Elinor Stuart Kilgore, was born in 1926. \u003c/p\u003e","\u003cp\u003eIn 1932, Kilgore was assigned to the state headquarters of the National Guard. He was elected judge of the Raleigh County criminal court from 1933 to 1940 on the Democratic ticket. In 1940, he was elected to the U.S. Senate with support from the Neely faction of the Democratic Party, and won reelection in 1946 and 1952. Also in 1940, he was placed on active military duty as judge advocate for West Virginia's Selective Service system until he entered the Senate. A member of the U.S. Senate from 1941 until his death, Kilgore served as chairman of the Judiciary Committee and the Committee to Investigate the National Defense Program. In October 1942, he became chair of the Subcommittee on War Mobilization of the Military Affairs Committee (also known as the Kilgore Committee).\u003c/p\u003e","\u003cp\u003eIn 1948, Kilgore served as a delegate at the Democratic National Convention, where he was an outspoken supporter of Harry S. Truman. He retired from the West Virginia National Guard as a lieutenant colonel in 1953. He died in 1956 at age 63 at Bethesda Naval Hospital, and was buried at Arlington National Cemetery.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Harley Martin Kilgore (January 11, 1893 - February 28, 1956) was born in Brown, West Virginia, to Quimby and Laura Martin Kilgore. He received his LL.B. from West Virginia University in 1914 and was admitted to the bar the same year.","He taught school in Hancock, West Virginia in 1914 and 1915. Also in 1915, he organized the first high school in Raleigh County, WV, and served as principal. He established his law practice in Beckley, WV in 1916. During World War I, he served in the infantry from 1917 and was discharged as a captain in 1920. Kilgore married Lois Elaine Lilly in Huntington, WV on May 10, 1921. That same year, he helped organize the West Virginia National Guard, and was promoted to major and appointed commander of 2nd Battalion the following year. He also served as Beckley city recorder in 1922. His son, Robert Martin Kilgore, was born in 1924. His daughter, Elinor Stuart Kilgore, was born in 1926.","In 1932, Kilgore was assigned to the state headquarters of the National Guard. He was elected judge of the Raleigh County criminal court from 1933 to 1940 on the Democratic ticket. In 1940, he was elected to the U.S. Senate with support from the Neely faction of the Democratic Party, and won reelection in 1946 and 1952. Also in 1940, he was placed on active military duty as judge advocate for West Virginia's Selective Service system until he entered the Senate. A member of the U.S. Senate from 1941 until his death, Kilgore served as chairman of the Judiciary Committee and the Committee to Investigate the National Defense Program. In October 1942, he became chair of the Subcommittee on War Mobilization of the Military Affairs Committee (also known as the Kilgore Committee).","In 1948, Kilgore served as a delegate at the Democratic National Convention, where he was an outspoken supporter of Harry S. Truman. He retired from the West Virginia National Guard as a lieutenant colonel in 1953. He died in 1956 at age 63 at Bethesda Naval Hospital, and was buried at Arlington National Cemetery."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Harley Martin Kilgore (1893-1956), Senator, Papers, A\u0026amp;M 3143, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Harley Martin Kilgore (1893-1956), Senator, Papers, A\u0026M 3143, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e491, 967, 1068, 1108, 1500, 3143, 3335\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["491, 967, 1068, 1108, 1500, 3143, 3335"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics.\u003c/p\u003e","\u003cp\u003eSeries include:\u003c/p\u003e","\u003cp\u003eSeries 1. Political File [boxes 1-6], 1946-1952, undated\u003clb\u003e\u003c/lb\u003e\nSeries 2. Senate Judiciary Committee Papers and Other Senate Committees [boxes 7-9], 1949-1954, undated\u003clb\u003e\u003c/lb\u003e\nSeries 3. Correspondence with Federal Government Agencies [boxes 10-17], 1954–1956\u003clb\u003e\u003c/lb\u003e\nSeries 4. Legislative Files (Topical) [boxes 18-60], 1944–1955\u003clb\u003e\u003c/lb\u003e\nSeries 5. Legislative Files (Numerical) [boxes 61-69], 1949, 1953-1956\u003clb\u003e\u003c/lb\u003e\nSeries 6. General Correspondence [boxes 70-80], ca. 1927-1953\u003clb\u003e\u003c/lb\u003e\nSeries 7. General Correspondence with West Virginia State Agencies [boxes 81-82], undated\u003clb\u003e\u003c/lb\u003e\nSeries 8. West Virginia Matters (Topical) [boxes 83-87], 1948-1949, undated\u003clb\u003e\u003c/lb\u003e\nSeries 9. West Virginia Matters (Name File) [boxes 88-91], undated\u003clb\u003e\u003c/lb\u003e\nSeries 10. Speech File and Other Writings, Releases, etc. [boxes 92-107], 1941–1956\u003clb\u003e\u003c/lb\u003e\nSeries 11. Democratic Party Campaign Materials [boxes 108-109], 1952\u003clb\u003e\u003c/lb\u003e\nSeries 12. Coal Mine Problems [boxes 110-111], undated\u003clb\u003e\u003c/lb\u003e\nSeries 13. Post-War German Problems [boxes 112-116], 1944-1945, undated\u003clb\u003e\u003c/lb\u003e\nSeries 14. Department of Justice Patent Policy Survey [box 117], undated\u003clb\u003e\u003c/lb\u003e\nSeries 15. Miscellaneous Printed Materials [boxes 118-120], 1945, undated\u003clb\u003e\u003c/lb\u003e\nSeries 16. Clippings [boxes 121-123], 1946-1956, undated\u003clb\u003e\u003c/lb\u003e\nSeries 17. Senator's Constituent Lists, 1952 Campaign [boxes 124-129], 1952\u003clb\u003e\u003c/lb\u003e\nSeries 18. Senator's Voting Record, 80th-84th Congresses [boxes 130-132], 1947–1956\u003clb\u003e\u003c/lb\u003e\nSeries 19. Senator's Committee Work Books [box 133], undated\u003clb\u003e\u003c/lb\u003e\nSeries 20. Scrapbooks [boxes 134-145], 1941-1954, undated\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics.","Series include:","Series 1. Political File [boxes 1-6], 1946-1952, undated\nSeries 2. Senate Judiciary Committee Papers and Other Senate Committees [boxes 7-9], 1949-1954, undated\nSeries 3. Correspondence with Federal Government Agencies [boxes 10-17], 1954–1956\nSeries 4. Legislative Files (Topical) [boxes 18-60], 1944–1955\nSeries 5. Legislative Files (Numerical) [boxes 61-69], 1949, 1953-1956\nSeries 6. General Correspondence [boxes 70-80], ca. 1927-1953\nSeries 7. General Correspondence with West Virginia State Agencies [boxes 81-82], undated\nSeries 8. West Virginia Matters (Topical) [boxes 83-87], 1948-1949, undated\nSeries 9. West Virginia Matters (Name File) [boxes 88-91], undated\nSeries 10. Speech File and Other Writings, Releases, etc. [boxes 92-107], 1941–1956\nSeries 11. Democratic Party Campaign Materials [boxes 108-109], 1952\nSeries 12. Coal Mine Problems [boxes 110-111], undated\nSeries 13. Post-War German Problems [boxes 112-116], 1944-1945, undated\nSeries 14. Department of Justice Patent Policy Survey [box 117], undated\nSeries 15. Miscellaneous Printed Materials [boxes 118-120], 1945, undated\nSeries 16. Clippings [boxes 121-123], 1946-1956, undated\nSeries 17. Senator's Constituent Lists, 1952 Campaign [boxes 124-129], 1952\nSeries 18. Senator's Voting Record, 80th-84th Congresses [boxes 130-132], 1947–1956\nSeries 19. Senator's Committee Work Books [box 133], undated\nSeries 20. Scrapbooks [boxes 134-145], 1941-1954, undated"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_886b4a58f862e507078c24be2093ced1\"\u003ePapers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics. See Historical Note for more information on Senator Kilgore. See Scope and Content Note for more details.\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, clippings, printed materials, and correspondence regarding U.S. Senate voting and campaigning; the Senate Judiciary Committee; correspondence with Federal government agencies, various individuals, and West Virginia state agencies; Senate legislation on a variety of topics, including appropriation, education, health, and housing; various West Virginia subjects and individuals; Kilgore's speeches, press releases, and radio broadcasts; and other topics. See Historical Note for more information on Senator Kilgore. See Scope and Content Note for more details."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_af7ff639e8f1b4949d6cd79fa6633e27\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary"],"names_coll_ssim":["Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Kilgore, Harley Martin, 1893-1956","Revercomb, Chapman, 1895-"],"persname_ssim":["Kilgore, Harley Martin, 1893-1956","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Revercomb, Chapman, 1895-"],"names_ssim":["West Virginia and Regional History Center","Democratic Party (U.S.)","United States. Congress. Senate. Committee on Appropriations","United States. Congress. Senate. Committee on the Judiciary","Kilgore, Harley Martin, 1893-1956","Holt, Rush Dew, 1905-1955","Huie, William Bradford, 1910-1986","Revercomb, Chapman, 1895-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":916,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-01T16:09:24.514Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1383_c01_c06_c06"}},{"id":"viw_repositories_2_resources_8527_c14_c03_c10_c20","type":"Item","attributes":{"title":"1952 Christmas Concert (2 CDs), 1952","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c10_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8527_c14_c03_c10_c20","ref_ssm":["viw_repositories_2_resources_8527_c14_c03_c10_c20"],"id":"viw_repositories_2_resources_8527_c14_c03_c10_c20","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssi":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"parent_ids_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c14","viw_repositories_2_resources_8527_c14_c03","viw_repositories_2_resources_8527_c14_c03_c10"],"title_filing_ssi":"1952 Christmas Concert (2 CDs)","title_ssm":["1952 Christmas Concert (2 CDs)"],"title_tesim":["1952 Christmas Concert (2 CDs)"],"normalized_title_ssm":["1952 Christmas Concert (2 CDs), 1952"],"text":["1952 Christmas Concert (2 CDs), 1952","Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs","Box Series 14, Subseries 3, Box 10"],"parent_unittitles_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"parent_unittitles_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"normalized_date_ssm":["1952"],"unitdate_inclusive_ssm":["1952"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":2014,"repository_ssim":["College of William and Mary"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"containers_ssim":["Box Series 14, Subseries 3, Box 10"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1952],"_nest_path_":"/components#13/components#2/components#9/components#19","timestamp":"2026-08-14T23:04:06.265Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"unitdate_bulk_ssim":["1945-1974"],"normalized_date_ssm":["1907/2012, bulk 1945/1974"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"text":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","UA 6.017","/repositories/2/resources/8527","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:06.265Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c10_c20"}},{"id":"viw_repositories_2_resources_8527_c14_c03_c10_c21","type":"Item","attributes":{"title":"1952 Christmas Concert Girls Chorus (2 CDs), 1952","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c10_c21#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8527_c14_c03_c10_c21","ref_ssm":["viw_repositories_2_resources_8527_c14_c03_c10_c21"],"id":"viw_repositories_2_resources_8527_c14_c03_c10_c21","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssi":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"parent_ids_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c14","viw_repositories_2_resources_8527_c14_c03","viw_repositories_2_resources_8527_c14_c03_c10"],"title_filing_ssi":"1952 Christmas Concert Girls Chorus (2 CDs)","title_ssm":["1952 Christmas Concert Girls Chorus (2 CDs)"],"title_tesim":["1952 Christmas Concert Girls Chorus (2 CDs)"],"normalized_title_ssm":["1952 Christmas Concert Girls Chorus (2 CDs), 1952"],"text":["1952 Christmas Concert Girls Chorus (2 CDs), 1952","Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs","Box Series 14, Subseries 3, Box 10"],"parent_unittitles_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"parent_unittitles_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","Series 14: Audio Recordings, 1946/1983","Compact Discs, 1947/1983","Data Discs/Compact Discs"],"normalized_date_ssm":["1952"],"unitdate_inclusive_ssm":["1952"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":2015,"repository_ssim":["College of William and Mary"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"containers_ssim":["Box Series 14, Subseries 3, Box 10"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1952],"_nest_path_":"/components#13/components#2/components#9/components#20","timestamp":"2026-08-14T23:04:06.265Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"unitdate_bulk_ssim":["1945-1974"],"normalized_date_ssm":["1907/2012, bulk 1945/1974"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"text":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974","UA 6.017","/repositories/2/resources/8527","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers, 1907/2012, bulk 1945/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. 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Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.","Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:04:06.265Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c10_c21"}},{"id":"vifgm_repositories_2_resources_52_c03_c04_c04","type":"File","attributes":{"title":"1952 election, Cherrydale, VA, 1952","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_52_c03_c04_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e4 negatives\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_52_c03_c04_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_52_c03_c04_c04","ref_ssm":["vifgm_repositories_2_resources_52_c03_c04_c04"],"id":"vifgm_repositories_2_resources_52_c03_c04_c04","ead_ssi":"vifgm_repositories_2_resources_52","_root_":"vifgm_repositories_2_resources_52","_nest_parent_":"vifgm_repositories_2_resources_52_c03_c04","parent_ssi":"vifgm_repositories_2_resources_52_c03_c04","parent_ssim":["Arthur E. Scott photograph collection","Series 3: Events, 1921/1976","Subseries 3.4: Campaigns and Conventions, 1952/1974"],"parent_ids_ssim":["vifgm_repositories_2_resources_52","vifgm_repositories_2_resources_52_c03","vifgm_repositories_2_resources_52_c03_c04"],"title_filing_ssi":"1952 election, Cherrydale, VA","title_ssm":["1952 election, Cherrydale, VA"],"title_tesim":["1952 election, Cherrydale, VA"],"normalized_title_ssm":["1952 election, Cherrydale, VA, 1952"],"text":["1952 election, Cherrydale, VA, 1952","Arthur E. Scott photograph collection","Series 3: Events, 1921/1976","Subseries 3.4: Campaigns and Conventions, 1952/1974","box 23","4 negatives"],"parent_unittitles_ssm":["Arthur E. Scott photograph collection","Series 3: Events, 1921/1976","Subseries 3.4: Campaigns and Conventions, 1952/1974"],"parent_unittitles_tesim":["Arthur E. Scott photograph collection","Series 3: Events, 1921/1976","Subseries 3.4: Campaigns and Conventions, 1952/1974"],"normalized_date_ssm":["1952"],"unitdate_other_ssim":["1952"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":690,"repository_ssim":["George Mason University"],"collection_ssim":["Arthur E. Scott photograph collection"],"containers_ssim":["box 23"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions."],"date_range_isim":[1952],"scopecontent_html_tesm":["\u003cp\u003e4 negatives\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["4 negatives"],"_nest_path_":"/components#2/components#3/components#3","timestamp":"2026-08-14T22:34:54.802Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_52","ead_ssi":"vifgm_repositories_2_resources_52","_root_":"vifgm_repositories_2_resources_52","_nest_parent_":"vifgm_repositories_2_resources_52","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_52.xml","title_filing_ssi":"Arthur E. Scott photograph collection","title_ssm":["Arthur E. Scott photograph collection"],"title_tesim":["Arthur E. Scott photograph collection"],"unitdate_ssm":["1910-1976"],"unitdate_inclusive_ssm":["1910-1976"],"normalized_title_ssm":["Arthur E. Scott photograph collection"],"text":["Arthur E. Scott photograph collection","C0096","/repositories/2/resources/52","Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)","Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints","Collection is open to research.","Selected images from the Scott collection are available online through the .","Arranged into six series.","Series\n      Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n      Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n      Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n      Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n      Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n      Series 6: Realia, 1950s-1960s (Box 28)","Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976.","Processed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.","Staff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant.","The Special Collections Research Center holds many other photograph collections. The  contains many similar subjects, as does the .","The Senate Historical Office holds the .","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted.","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.","Series 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.","Series 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.","Series 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.","Series 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.","Series 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\".","Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions.","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers.","R 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5","George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House","Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982","English"],"collection_title_tesim":["Arthur E. Scott photograph collection"],"collection_ssim":["Arthur E. Scott photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0096","/repositories/2/resources/52"],"unitid_tesim":["C0096","/repositories/2/resources/52"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"geogname_ssim":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"places_ssim":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"creator_ssm":["Scott, Arthur E., 1917-1976"],"creator_ssim":["Scott, Arthur E., 1917-1976"],"creator_persname_ssim":["Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"creators_ssim":["Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982","George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"access_terms_ssm":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions."],"acqinfo_ssim":["Collection donated by Grace L. Scott in 1981. Scrapbooks donated by Barbara Thaler in 2006."],"access_subjects_ssim":["Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints"],"access_subjects_ssm":["Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["32 Linear Feet 43 boxes; 27 scrapbooks"],"extent_tesim":["32 Linear Feet 43 boxes; 27 scrapbooks"],"genreform_ssim":["Photographic prints"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSelected images from the Scott collection are available online through the \u003cextptr show=\"new\" title=\"Arthur E. Scott Photograph Collection\" href=\"http://images.gmu.edu/luna/servlet/s/5gh8ep\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selected images from the Scott collection are available online through the ."],"arrangement_html_tesm":["\u003cp\u003eArranged into six series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Realia, 1950s-1960s (Box 28)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into six series.","Series\n      Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n      Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n      Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n      Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n      Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n      Series 6: Realia, 1950s-1960s (Box 28)"],"bioghist_html_tesm":["\u003cp\u003eArthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976."],"prefercite_html_tesm":["\u003cp\u003eArthur E. Scott photograph collection, C0096, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arthur E. Scott photograph collection, C0096, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.\u003c/p\u003e","\u003cp\u003eStaff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record. \u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.","Staff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other photograph collections. The \u003cextptr show=\"new\" title=\"Charles Baptie photograph collection\" href=\"https://aspace.gmu.edu/resources/c0032\"\u003e\u003c/extptr\u003e contains many similar subjects, as does the \u003cextptr show=\"new\" title=\"Oliver F. Atkins photograph collection\" href=\"https://aspace.gmu.edu/resources/c0036\"\u003e\u003c/extptr\u003e. \u003c/p\u003e","\u003cp\u003eThe Senate Historical Office holds the \u003cextptr show=\"new\" title=\"Arthur E. Scott Collection\" href=\"http://www.senate.gov/pagelayout/history/h_multi_sections_and_teasers/Photo_Exhibit_Scott.htm\"\u003e\u003c/extptr\u003e. \u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other photograph collections. The  contains many similar subjects, as does the .","The Senate Historical Office holds the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted. \u003c/p\u003e","\u003cp\u003eSeries 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard. \u003c/p\u003e","\u003cp\u003eSeries 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama. \u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars. \u003c/p\u003e","\u003cp\u003eSeries 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott. \u003c/p\u003e","\u003cp\u003eSeries 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities. \u003c/p\u003e","\u003cp\u003eSeries 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\". \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted.","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.","Series 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.","Series 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.","Series 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.","Series 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.","Series 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.\u003c/p\u003e","\u003cp\u003eMaterials created prior to 1928 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dde473ebedda2d712c9f5f297abf733b\" label=\"Abstract\"\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b8196d3f5852893db38a87a1dd92c1f5\"\u003e\nR 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"names_coll_ssim":["Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. 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