{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=6","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=5","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=7","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026page=152"},"meta":{"pages":{"current_page":6,"next_page":7,"prev_page":5,"total_pages":152,"limit_value":10,"offset_value":50,"total_count":1519,"first_page?":false,"last_page?":false}},"data":[{"id":"viur_repositories_4_resources_36_c03_c03","type":"Sub-Series","attributes":{"title":"Articles About Gertrude Stein, 1928/1966","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c03_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c03_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c03_c03","ref_ssm":["viur_repositories_4_resources_36_c03_c03"],"id":"viur_repositories_4_resources_36_c03_c03","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c03","parent_ssi":"viur_repositories_4_resources_36_c03","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c03"],"title_filing_ssi":"Articles About Gertrude Stein","title_ssm":["Articles About Gertrude Stein"],"title_tesim":["Articles About Gertrude Stein"],"normalized_title_ssm":["Articles About Gertrude Stein, 1928/1966"],"text":["Articles About Gertrude Stein, 1928/1966","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups."],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974"],"normalized_date_ssm":["1928/1966"],"unitdate_inclusive_ssm":["1928-1966"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":236,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"has_online_content_ssim":["false"],"child_component_count_isi":22,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"scopecontent_html_tesm":["\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups."],"_nest_path_":"/components#2/components#2","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  ","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  ","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  ","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c03_c03"}},{"id":"viblbv_repositories_2_resources_2314_c01_c02","type":"Sub-Series","attributes":{"title":"Articles featuring de Blois, 1950/1977","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_2314_c01_c02","ref_ssm":["viblbv_repositories_2_resources_2314_c01_c02"],"id":"viblbv_repositories_2_resources_2314_c01_c02","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314_c01","parent_ssi":"viblbv_repositories_2_resources_2314_c01","parent_ssim":["Natalie de Blois Architectural Collection, 1941/2013","Series I: Professional Papers"],"parent_ids_ssim":["viblbv_repositories_2_resources_2314","viblbv_repositories_2_resources_2314_c01"],"title_filing_ssi":"Articles featuring de Blois","title_ssm":["Articles featuring de Blois"],"title_tesim":["Articles featuring de Blois"],"normalized_title_ssm":["Articles featuring de Blois, 1950/1977"],"text":["Articles featuring de Blois, 1950/1977","Natalie de Blois Architectural Collection, 1941/2013","Series I: Professional Papers"],"parent_unittitles_ssm":["Natalie de Blois Architectural Collection, 1941/2013","Series I: Professional Papers"],"parent_unittitles_tesim":["Natalie de Blois Architectural Collection, 1941/2013","Series I: Professional Papers"],"normalized_date_ssm":["1950/1977"],"unitdate_inclusive_ssm":["1950, 1959, 1977"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":3,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Natalie de Blois Architectural Collection, 1941/2013"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"_nest_path_":"/components#0/components#1","timestamp":"2026-06-23T06:47:23.643Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"normalized_date_ssm":["1941/2013"],"normalized_title_ssm":["Natalie de Blois Architectural Collection, 1941/2013"],"text":["Natalie de Blois Architectural Collection, 1941/2013","Ms.2007.017","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"collection_title_tesim":["Natalie de Blois Architectural Collection, 1941/2013"],"collection_ssim":["Natalie de Blois Architectural Collection, 1941/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017"],"unitid_tesim":["Ms.2007.017"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["De Blois, Natalie, 1921-2013","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005."],"bioghist_html_tesm":["\u003cp\u003eNatalie de Blois was born in Paterson, New Jersey on April 2, 1921.   \u003c/p\u003e","\u003cp\u003eIn 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026amp; Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026amp; Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:23.643Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314_c01_c02"}},{"id":"viw_repositories_2_resources_9853_c01_c02_c02","type":"Sub-Series","attributes":{"title":"Articles \u0026 Summaries, 1800/2012","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c02_c02","ref_ssm":["viw_repositories_2_resources_9853_c01_c02_c02"],"id":"viw_repositories_2_resources_9853_c01_c02_c02","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c02","parent_ssi":"viw_repositories_2_resources_9853_c01_c02","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c02"],"title_filing_ssi":"Articles \u0026 Summaries","title_ssm":["Articles \u0026 Summaries"],"title_tesim":["Articles \u0026 Summaries"],"normalized_title_ssm":["Articles \u0026 Summaries, 1800/2012"],"text":["Articles \u0026 Summaries, 1800/2012","Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"normalized_date_ssm":["1800/2012"],"unitdate_inclusive_ssm":["1800s-2012"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":127,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"_nest_path_":"/components#0/components#1/components#1","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c02"}},{"id":"viw_repositories_2_resources_9853_c01_c02_c03","type":"Sub-Series","attributes":{"title":"\"Articles, Summaries on Magazines + Newspapers + Animation\", 1870/1993","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c02_c03","ref_ssm":["viw_repositories_2_resources_9853_c01_c02_c03"],"id":"viw_repositories_2_resources_9853_c01_c02_c03","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c02","parent_ssi":"viw_repositories_2_resources_9853_c01_c02","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c02"],"title_filing_ssi":"\"Articles, Summaries on Magazines + Newspapers + Animation\"","title_ssm":["\"Articles, Summaries on Magazines + Newspapers + Animation\""],"title_tesim":["\"Articles, Summaries on Magazines + Newspapers + Animation\""],"normalized_title_ssm":["\"Articles, Summaries on Magazines + Newspapers + Animation\", 1870/1993"],"text":["\"Articles, Summaries on Magazines + Newspapers + Animation\", 1870/1993","Richard Wright collection, 1806/2017","Series 1: Research files","Research notes","Arrangement and titles of folders are retained from Wright."],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"normalized_date_ssm":["1870/1993"],"unitdate_inclusive_ssm":["1870-1993"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":138,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"scopecontent_html_tesm":["\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Arrangement and titles of folders are retained from Wright."],"_nest_path_":"/components#0/components#1/components#2","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c03"}},{"id":"viw_repositories_2_resources_9853_c01_c02_c04","type":"Sub-Series","attributes":{"title":"\"Articles, Summaries on Prints\", 1933/1991","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c02_c04","ref_ssm":["viw_repositories_2_resources_9853_c01_c02_c04"],"id":"viw_repositories_2_resources_9853_c01_c02_c04","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c02","parent_ssi":"viw_repositories_2_resources_9853_c01_c02","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c02"],"title_filing_ssi":"\"Articles, Summaries on Prints\"","title_ssm":["\"Articles, Summaries on Prints\""],"title_tesim":["\"Articles, Summaries on Prints\""],"normalized_title_ssm":["\"Articles, Summaries on Prints\", 1933/1991"],"text":["\"Articles, Summaries on Prints\", 1933/1991","Richard Wright collection, 1806/2017","Series 1: Research files","Research notes","Arrangement and titles of folders are retained from Wright."],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"normalized_date_ssm":["1933/1991"],"unitdate_inclusive_ssm":["1933-1991"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":150,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"scopecontent_html_tesm":["\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Arrangement and titles of folders are retained from Wright."],"_nest_path_":"/components#0/components#1/components#3","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c04"}},{"id":"viblbv_repositories_2_resources_3151_c27_c37","type":"Sub-Series","attributes":{"title":"Association for the Advancement of Engineering, 1949/1959","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3151_c27_c37#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMo 37 may include Engineers and Engineering Exposition.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3151_c27_c37#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3151_c27_c37","ref_ssm":["viblbv_repositories_2_resources_3151_c27_c37"],"id":"viblbv_repositories_2_resources_3151_c27_c37","ead_ssi":"viblbv_repositories_2_resources_3151","_root_":"viblbv_repositories_2_resources_3151","_nest_parent_":"viblbv_repositories_2_resources_3151_c27","parent_ssi":"viblbv_repositories_2_resources_3151_c27","parent_ssim":["Virginia Tech and Local History Mounted Clippings","Organizations"],"parent_ids_ssim":["viblbv_repositories_2_resources_3151","viblbv_repositories_2_resources_3151_c27"],"title_filing_ssi":"Association for the Advancement of Engineering","title_ssm":["Association for the Advancement of Engineering"],"title_tesim":["Association for the Advancement of Engineering"],"normalized_title_ssm":["Association for the Advancement of Engineering, 1949/1959"],"text":["Association for the Advancement of Engineering, 1949/1959","Virginia Tech and Local History Mounted Clippings","Organizations","Mo 37 may include Engineers and Engineering Exposition."],"parent_unittitles_ssm":["Virginia Tech and Local History Mounted Clippings","Organizations"],"parent_unittitles_tesim":["Virginia Tech and Local History Mounted Clippings","Organizations"],"normalized_date_ssm":["1949/1959"],"unitdate_other_ssim":["1949-1959"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":269,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Virginia Tech and Local History Mounted Clippings"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"scopecontent_html_tesm":["\u003cp\u003eMo 37 may include Engineers and Engineering Exposition.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Mo 37 may include Engineers and Engineering Exposition."],"_nest_path_":"/components#26/components#36","timestamp":"2026-06-23T06:48:32.624Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3151","ead_ssi":"viblbv_repositories_2_resources_3151","_root_":"viblbv_repositories_2_resources_3151","_nest_parent_":"viblbv_repositories_2_resources_3151","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3151.xml","title_filing_ssi":"Virginia Tech and Local History Mounted Clippings","title_ssm":["Virginia Tech and Local History Mounted Clippings"],"title_tesim":["Virginia Tech and Local History Mounted Clippings"],"unitdate_ssm":["c. 1870s-c. 1960s"],"unitdate_inclusive_ssm":["c. 1870s-c. 1960s"],"normalized_title_ssm":["Virginia Tech and Local History Mounted Clippings"],"text":["Virginia Tech and Local History Mounted Clippings","VerticalFile.006","Blacksburg (Va.)","Local/Regional History and Appalachian South","Montgomery County (Va.)","University History","The collection is open for research.","Mounted Clippings are arranged by subject, primarily alphabetically.","The guide to the Virginia Tech and Local History Mounted Clippings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/).","The processing, arrangement, and description was completed by Special Collections staff prior to 2015. The finding aid was completed in August 2015. The re-integration of Mo56a-i, Association of Married Students was completed in October 2019.","See also Vertical Files (successors to the mounted clippings):\nBiographical Vertical Files\nBlacksburg Vertical Files\nMontgomery County/Christiansburg Vertical Files\nRecord Group Vertical Files\nSouthwest Virginia Vertical Files","In general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university.","Ma may include Agricultural Conference Board and Institute Of Rural Affairs.","Ma 1 may include Agricultural Experiment Station \u0026 Field Research Stations.\nMa 1, 5, 6, 10, 11, 15, 16 may include Farmers' Institute.\nMa 3 may include Corn Day Short Course.\nMa 5, 18, 19, 29 may include Farmer'S Winter Short Course.\nMa 11, 24 may include Dairy Cattle At V.P.I.\nMa 18 may include Planters Club.\nMa 19 may include Pure-Bred Sire Campaign.\nMa 22 may include Agriculture \u0026 Life Sciences, College Of - Poultry Science.\nMa 22 may include Boys \u0026 Girls Short Course.\nMa 23 may include Virginia Aberdeen Angus Breeders' Association.\nMa 23, 24, 59, 61 may include Horticulture Club.\nMa 25, 28 may include Corn Score Card.\nMa 28 may include Dairy Science Club (American Dairy Science Association; Incl. Dairy Clubs).\nMa 30, 65 may include Hoof \u0026 Horn Club.\nMa 61 may include American Society Of Agricultural Engineers.\nMa 65 may include Little International Livestock Show.","Ma 221, 223-233, 239 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nMa 222, 224, 226-228, 259, 262, 264 may include Institute Of Rural Affairs.\nM 309 may include Alumni Gate.","MAAg 355 may include Jamestown Centennial Festival (VPI Horticulturists Plant Indian Tobacco).","MAEc 8, 264 may include Virginia Summer School For Town \u0026 Country Ministers.","MAHr 223 may include Weather.","MAIn 85, 86 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).","MAM 177, 177a, 835, 208, 230a may include Institute Of Rural Affairs.\nMAM 198, 199, 203-206, 212, 215, 251, 254-260 may include Mccormick, Cyrus Hall.\nMAM 203, 207, 211, 1957 may include Motion Picture Unit At VPI.","MAM 264 may include Atoms (Film By VPI \"Infant Giant\").","Mar O1 may include \"Pot Pourri\".","Masb 22 may include High School Science Teachers Summer Institute.\nMasb 23 may include Conservation Short Course.","MAV may include Future Farmers Of America.","Mbl may include Community Concert Association and Earthquakes.\nMbl 1a, 2, 4, 417, 472, 473, 1438, 1441, 1445, 1564, 1592, 1603 may include \"Huckleberry\".\nMbl 5, 1206-1207 may include Norfolk \u0026 Western Railroad.\nMbl 1052, 1054, 1189 may include Future Farmers Of America.","Mbl 4 may include Sham Battle.\nMbl 5 may include American Red Cross.\nMbl 9 may include \"Solitude\".","Mbl 77 may include Lakes \u0026 Ponds.","Mbl 1206 may include Lybrook Row.","Mcv may include Mall and President's Home.","Mcv 96 may include Doorways - V.P.I. Buildings.\nMcv 99 may include Lakes \u0026 Ponds.","Mcv 130 may include Buildings - R.O.T.C Building (Building 364).","Mfi 18 may include Sham Battle.\nMfi 23 may include Athletic Department (Formerly Athletic Association);  Hoof \u0026 Horn Club; and Masons.","Mfi 74 may include Freshmen.\nMfi 120, 149, 151, 157 may include Kohler Trophy.","Mcon may include Community Concert Association.","Mco 4, 7 may include Agriculture \u0026 Life Sciences, College Of - Poultry Science.","Mco 57 may include Russian Language Course.","Mda 2 may include Lynchburg Club.\nMda 29 may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.","Mde may include Accidents And Deaths.","Mde 6 may include Highty-Tighties.","Mde 28 may include Engineering, Metallurgical.","Mdev may include Agriculture \u0026 Life Sciences, College Of - Horticulture; Campus Development Plan; and \"Pre-Centennial Development Program\".","Mdev 7 may include Arboretum (Sculpture).","Med 8-12, 17 may include Mccormick, Cyrus Hall.","Me may include Engineering, College Of, and Geology.","Me 9 may include Buildings - Davidson Hall (Chemical Engineering).\nMe 12 may include Airport (Officially Opened In 1939).\nMe 72 may include Mall.","Menr may include Freshmen and Orientation.","Mext may include Branch Colleges Of VPI.","Mf 29 may include Wine Faculty Achievement Award.","Mf 360, 416 may include Buildings - Seitz Hall (Agricultural Engineering Building).","ML 1 may include Loans To Students.\nML 2, 3, 4, 5 may include Rison Bill.\nML 4 may include Engineering Experiment Station.\nML 7, 8, 9, 10 may include Bonds, V.P.I. (To Finance Building Of War Memorial Hall).","Mm may include Uniforms, Military, Armistice Day, Corps Of Cadets, and  Military Organizations.\nMm 3, 7, 7c, 15, 135 may include Highty-Tighties.\nMm 42, 43, 63, 72, 94, 105, 116, 124, 130, 132, 159, 164 may include Kohler Trophy.","Mm 14, 16 may include Inspection, Military.","Mm 21, 22, 23, 24 may include Foch Celebration.\nMM 78 may include Air R.O.T.C.\nMm 92 may include World War I and World War Ii.","M may include Armistice Day; Art, Dept. Of; Arts \u0026 Sciences, College Of [Obsolete]; Class Of (Different Years); Concerts \u0026 Plays (Not VPI); Conferences, Seminars, Workshops (Off-Campus); Conferences, Seminars, Workshops (On-Campus); Engineering Exposition; Engineering, College Of; Enrollment \u0026 Registration; Highty-Tighties; Horse Show; and Snow Battle.\nM 10, 119, 802 may include Faculty.\nM 10, 123, 171 may include Engineering Experiment Station.\nM 22, 54, 103, 104, 236, 245 may include Fires--On Campus.\nM 23, 24, 26a, 103, 104 may include Buildings - Field House (1914) (Burned).\nM 23, 31, 785, 804, 810 may include Buildings - Mcbryde Building Of Mechanic Arts (The Shops).\nM 23, 245, 805, 862 may include Trees--V.P.I. Campus.\nM 24, 26, 29, 115, 166, 170a, 195, 214, 218, 222 may include Science Club Obsolete.\nM 25, 31, 112, 118, 120 may include Maury Literary Society.\nM 26, 28, 73 may include Farmer's Winter Short Course.\nM 26, 85, 120, 511 may include Inspection, Military.\nM 29, 30, 134, 135 may include Grounds (Buildings \u0026).\nM 31, 40, 95, 99, 113, 115, 132, 215, 236, 240, 241, 242 may include Rat System.\nM 31, 46, 263 may include Gitt, William G. (\"Uncle Bill\").\nM 54, 113 may include World War I.\nM 66, 69, 70, 534 may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.\nM 71, 738, 759 may include Masons.\nM 74, 233, 234 may include Student Volunteer Movement.\nM 77, 134, 139, 275, 369, 371 may include Course Of Study.\nM 82, 87-89, 134, 157, 226 may include Norfolk \u0026 Western Railroad.\nM 82, 125, 129, 153, 517 may include American Society Of Mechanical Engineers (Asme).\nM 93, 224, 489 may include American Society Of Agricultural Engineers.\nM 97, 107a, 113, 120, 121, 123, 131, 773, 774 may include Buildings - War Memorial Gymnasium.\nM 102, 167, 203 may include Chemical Club / Chemistry Club.\nM 109, 116, 276 may include Home Demonstration.\nM 111, 113, 133, 134, 148, 718, 722, 723, 807 may include Buildings - Miles Stadium, 1926-1964.\nM 115, 116, 135, 138, 148, 139, 785, 804, 810 may include Buildings - Patton Hall.\nM 115, 168 may include Shenandoah Valley Club.\nM 122, 182 may include Fertilizer Short Course School M 122, 182.\nM 125, 178, 240, 193 may include Athletic Department (Formerly Athletic Association).\nM 127, 138, 176, 194a, 214, 236 may include American Chemical Society (Student Affiliate).\nM 128, 222, 339, 340, 442 may include Virginia Social Science Association.\nM 130, 394, 495, 513, 514 may include American Red Cross.\nM 131, 210, 786, 810, 837 may include Buildings - Academic Buildings 1 \u0026 2.\nM 134, 148, 149, 160, 182, 184, 185, 195, 238, 273, 276, 278, 318, 331, 438, 447, 464, 465, 470, 471, 481, 498, 849 may include Airport (Officially Opened In 1939).\nM 135, 293 may include Stroubles Creek (Strubbles Creek).\nM 135, 330, 356, 398 may include Educators' Conference.\nM 136, 726, 11/1, 18, 31, 152 may include Dining Halls.\nM 138, 148, 738, 739, 755, 757, 763, 802 may include Buildings - Henderson Hall (Infirmary).\nM 140, 141, 147-149, 225, 326, 329, 508 may include Geology.\nM 140, 149, 835 may include Buildings - Power Plant.\nM 140, 312, 460 may include Rural Electrification Short Course.\nM 150, 223, 350, 382, 462, 464 may include Freshmen.\nM 151, 171, 380, 811 may include Quarries.\nM 151, 176 may include Lynchburg Club.\nM 151, 314, 516 may include Lakes \u0026 Ponds.\nM 154-1930 to M 347-1937 may include Rural Minister's Short Course.\nM 155, 455, 504, 153 may include Virginia Associated Plumbing, Heating, Contractors.\nM 157, 160, 738, 739, 802, 804, 810 may include Buildings - Saunders Hall (Dairy Science).\nM 160, 165 may include Engineering, Ceramic.\nM 161, 163, 173, 179, 189, 203, 337 (Civilian Students Union) may include Student Government Association.\nM 161, 170, 174 may include Soil Survey (Virginia).\nM 164, 165, 191, 324 may include Thanksgiving Game.\nM 173, 267, 309, 390, 433, 436, 610 may include Weather.\nM 174, 186, 187, 275, 448 may include Engineering, College Of.\nM 179a, 416 may include Noell Act.\nM 209, 709, 785, 804, 810, 825, 826, 126, 208 may include Buildings - Davidson Hall (Chemical Engineering).\nM 220, 223, 397 may include Future Farmers Of America.\nM 225, 239, 351, 458, 467 may include Home Economics, College Of (Human Resources).\nM 232, 517, 220, 224 may include Engineering, Metallurgical.\nM 235, 389 may include Engineering, Chemical.\nM 271, 886 may include Biology, Dept. Of.\nM 282a, 312 may include Out-Of-School Youth.\nM 295, 352 may include Graham Plan (Re: Athletic Aid).\nM 376, 390, 393, 394, 413, 417, 424, 714, 727, 785, 786, 804, 810, 887, 890, 891 may include Buildings - Owens Dining Hall.\nM 393, 785, 786 may include Buildings - Eggleston Hall (East Stone Dorm).\nM 397, 835a may include Institute Of Rural Affairs.\nM 407, 481 may include Sigma Xi (Honorary Faculty Research Society).\nM 443, 693 may include Treasury, V.P.I.\nM 452, 738, 739, 804, 810 may include Buildings - Holden Hall.\nM 458, 463, 468, 469, 810 may include Buildings - Hillcrest (\"Skirt Barn\").\nM 467, 483, 487, 488, 854, 223 may include Boycotts.\nM 548, 568 may include Cave Club.\nM 637, 835, 836, 837, 844 may include Buildings - Dormitories.\nM 660, 772, 773, 776, 781, 785, 786, 792, 794, 796, 796a, 804, 810, 878 may include Buildings - Williams Hall.\nM 690, 714, 731, 745, 746 may include Rad-Tech.\nM 755, 756, 763, 882, 883, 890 may include Buildings - Greenhouse (Dept. Of Horticulture).\nM 760, 761, 781, 782, 785, 791, 794, 796, 796a, 804, 810, 835, 882, 883, 886, 878, 881 may include Buildings - Randolph Hall.\nM 760, 772, 774, 835 may include Buildings - Meat \u0026 Processing Lab.\nM 780, 792, 805, 807, 824, 835 may include Buildings - Livestock \u0026 Poultry Disease Lab.\nM 785, 802, 835, 837 may include Buildings - Rasche Hall.\nM 785, 802, 879 may include Buildings - Brodie Hall and Shanks Hall (No. 4 \u0026 No. 7 Barracks United).\nM 787, 788, 794, 796, 797, 799-801, 804, 806, 810, 811, 819, 820, 823, 824, 827, 830, 832-834, 834a, 835-836 may include Buildings - Library - Carol M. Newman Library.\nM 810, 815, 868 may include Buildings - Commencement Hall (Old Commerce Hall).\nM 810, 835 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 880-887, 890, 893, 738, 739, 804, 810 may include Buildings - Robeson Hall.","M 12 may include Christmas Card V.P.I. and Class Ticket.\nM 17a may include Virginia Agricultural \u0026 Mechanical College (Vamc).\nM 20 may include Pulaski Club.\nM 22, 37 may include Buildings - Preston \u0026 Olin Buildings.\nM 23, 24 may include Septic Tank.\nM 30 may include Little International Livestock Show.\nM 55, 76 may include Hikes - Corps.","M 68, 69, 78, 109, 123, 137, 139 may include Farmers' Institute.\nM 73 may include Buildings - Alumni Building.\nM 80, 137 may include Dismissal.\nM 81, 82, 92, 129 may include American Society Of Civil Engineers.\nM 88 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).\nM 94 may include Techgram.\nM 95 may include Mail Service (Campus).\nM 95, 96, 97, 108 may include Fires--Fought Off Campus.\nM 108, 155 may include May Day.\nM 115, 117 may include Buildings - University Club Building (Residence).\nM 116 may include Agriculture \u0026 Life Sciences, College Of - Horticulture.\nM 116, 117, 120 may include University Club.\nM 117-118 may include Agriculture \u0026 Life Sciences, College Of - Dairy Short Course.\nM 118 may include State Crop Pest Commission.\nM 122, 137, 154 may include Electric Meterman's Short Course.\nM 123 may include Hunt House.\nM 125 may include Agricultural Students' Honorary Council.\nM 130 may include United Daughters Of The Confederacy, 1927 Meeting At VPI.\nM 132 may include Coal.\nM 138, 139 may include Male Chorus At VPI.\nM 153 may include Publications, V.P.I.; Sham Battle; and Wine Scholarship.\nM 153, 154, 155 may include Engineer's Day.\nM 157 may include Buildings - Print Shop (Old M. E. Laboratory).","M 166, 196, 201, 218, 224 may include \"Technical Topics\" (1931-1941).\nM 167, 168, 171, 175, 188, 192, 215, 218, 231 may include Demolay Club.\nM 169 may include Industrial Surveys.\nM 170a may include Southern Collegian Magazine (1931).\nM 171 may include The Tin Horn (Co-Ed Yearbook, 1929-1931).\nM 176 may include VPI Skipper (Student Humor Magazine).\nM 179a, 180, 181 may include Landscape Design School (Short Course).\nM 180, 205 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nM 186, 225 may include American Country Life Association.\nM 188, 203 may include Chemistry, Dept. Of.\nM 189 may include Southern Colonels (Dance Orchestra).\nM 190 may include Roadside Landscaping.\nM 191 may include Lutheran Students' Association (Of America).\nM 195 may include Scorpions Club.\nM 196, 198, 219 may include Rifle Team.\nM 199 may include Prohibition Poll.\nM 203 may include Church Attendance.\nM 205 may include Lonesome Pine Club, Northern Neck Club, and Richmond Club.\nM 208 may include Pittsylvania Club.\nM 212 may include Rappahannock Valley Club and Roanoke Club.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 220 may include Athletic Department (Formerly Athletic Association).\nM 222, 231, 270 may include Depression \u0026 Recovery.\nM 223 may include Bachelor's Club.\nM 228, 239 may include Beer Licenses.\nM 230 may include American Legion.\nM 230, 231 may include Civil Works Project.\nM 230, 232, 240, 242, 285 may include Rescue Squad.\nM 231, 237, 239, 262, 276 may include Buildings - Utilities Building.\nM 234 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nM 234, 236, 236a may include Virginia Association Of International Relations.\nM 237 may include Cancer Research.\nM 241 may include Buildings - Faculty Center.\nM 241, 244, 245 may include Virginia Library Association.\nM 241, 258, 262 may include Federal Emergency Relief Administration.\nM 245 may include Fire Brigade.\nM 258, 262 may include Merchant Marine Officers Training School.\nM 262 may include Reflecting Pool.\nM 268, 275 may include Birds (Study).\nM 275 may include Aeronautical Course.\nM 278 may include Guidon.\nM 295 may include Evening Classes.","M 323 may include American Institute Of Chemical Engineers.\nM 338 may include Street Lighting.\nM 352 may include Southern Conference.\nM 356 may include Cooking For Boys.\nM 363, 365 may include Nautical Training School.\nM 363, 387 may include Virginia Educational Association.\nM 382 may include Student Identification Cards.\nM 388 may include Post-Graduate Club.\nM 390 may include Building Layouts.\nM 404 may include Cooperatives.\nM 412, 414 may include League Of Virginia Counties.\nM 417 may include Quadrangle.","M 433, 434 may include Mining Bureau.\nM 433, 449, 453, 456, 457, 458, 459, 460, 461, 465, 466, 467, 481, 488, 489, 523 may include World War Ii.\nM 438, 439, 441 may include Training Plane.\nM 438, 443, 452, 459, 470, 483, 485 may include Works Progress Administration (Wpa).\nM 443 may include Association Of College Libraries Of Southwest Virginia.\nM 452 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 481 may include Keramos and Rankine, William J. M.\nM 490 may include William \u0026 Mary, College Of.\nM 493 may include Recruiting (Military).\nM 513, 519 may include Water Shortage.\nM 520 may include American Institute Of Architects.","M 579, 585 may include Nursery School-VPI.\nM 641 may include Napoleonana Collection.\nM 658, 660, 677, 691, 693 may include Sewage Disposal Plant.","M 709 may include Buildings - R.O.T.C Building (Building 364).\nM 710, 757-760, 763, 771-772 may include Mall.\nM 723 may include Buildings - Mining Engineering Building.\nM 726, 727, 734, 735, 745, 746, 746a, 804 may include Buildings - Femoyer Hall, Monteith Hall, and Thomas Hall.\nM 735, 738, 739, 742, 755, 756, 804, 810 may include Buildings - Smyth Hall (Formerly Known As Natural Science Building).\nM 737, 741 may include Piedmont Research Laboratory (Charlottesville).\nM 738 may include Tomato Clubs.\nM 738, 739, 802, 804, 810 may include Buildings - Agnew Hall.\nM 738, 739, 804, 810 may include Buildings - Price Hall (\"Old Aggie\").\nM 746 may include Winchester Research Laboratory.\nM 752, 786, 794, 780, 781, 785 may include Buildings - Library (Old Chapel Building) (Burned).\nM 755, 756, 757 may include Buildings - Dairy Barn.\nM 757 may include Bear (Wanders Through Campus).\nM 758 may include War Memorial Chapel.\nM 773, 774 may include Radio Station - WUVT.\nM 785, 802 may include Buildings - Lane Hall.\nM 785, 804 may include Buildings - Campbell Hall (West Stone Dorm).\nM 807, 812 may include Buildings - Athletic Plant.\nM 810 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall) and Performing Arts \u0026 Communications Building (Ymca Building, 1899-1936; Old Military Building, 1937-1966; Student Personnel Building, 1966-1972).\nM 815 may include Motion Picture Unit At VPI.","M 829 may include Racial \u0026 Ethnic Minorities (Campus).\nM 835-837, 870 may include Buildings - Pamplin Hall (Commerce Hall 2).\nM 862 may include Buildings - Barns.\nM 868 no. 8 may include Cornerstone Markers (Old Commerce Hall).\nM 881 may include Computing Center.\nM 882, 883 may include Buildings - Swine Center.\nM 886 may include Agriculture \u0026 Life Sciences, College Of - Veterinary Science.\nM 890 may include Mccormick, Cyrus Hall.\nM 890, 892 may include Buildings - Norris Hall.\nM 894, 895 may include Name Change.","Mla 31 may include Colors, V.P.I. (Orange \u0026 Maroon).\nMla 88 may include \"GOBBLERS\" (nickname).","Mla 367 may include Yells-VPI.","Mo 13, 17z may include Rankine, William J. M.\nMo 15, 16 may include Student Government Association.\nMo 20z73, 23 may include Sigma Mu Sigma (National College Masonic Service Fraternity).","Mo 1 may include Lee Literary Society.","Mo 1a, 1b, 1c, 1c1, 1c2, 1d may include Maury Literary Society.","Mo 2 may include Christian Science Organization.","Mo 3 may include Fraternities \u0026 Sororities--Social.\nMo 3a may include Kappa Sigma.\nMo 3b may include Sigma Alpha.\nMo 3b, 3d may include Pi Kappa Alpha (Social Fraternity).\nMo 3c may include Alpha Phi.\nMo 3c no. 2 may include Beta Theta Pi (Social Fraternity).","Mo 4 may include Music Groups and Tech Minstrels.","Mo 4m may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.","Mo 6 may include Apple Club; Black Diamond Club; City, County \u0026 Sectional Clubs; Lonesome Pine Club; Lynchburg Club; Northern Neck Club; Peanut Club; Pittsylvania Club; Richmond Club; Roanoke Club; and Shenandoah Valley Club.","Mo 7 may include Tech Players and Thespian Club.","Mo 8 may include Virgnia Polytechnic Societies.","Mo 11 may include Student Publications.","Mo 16 may include Honor System.","Mo 16m, 16r may include Highty-Tighties.\nMo 16p may include Kohler Trophy.\nMo 16s may include Company B, Corps Of Cadets.","Mo 17z, 31-33, 55, 56, 57, 62, 65, 66, 68, 71, 72 may include War Memorial Chapel.","Mo 17g, 17m, 17L may include Buildings - War Memorial Gymnasium.\nMo 17h, 17g may include Buildings - Alumni Building.\nMo 17s3, 17s5, 17s7 may include Buildings - Miles Stadium, 1926-1964.\nMo 17t may include V.P.I. Alumnus.\nMo 17z29 may include Campus Development Plan.\nMo 17z31 may include Victory Reunion (1946).","Mo 17z101 may include Carillon.","Mo 20 may include Fraternities--Honorary.\nMo 20c, 20f, 20t, 20v, 20w, 20x, 20z, 20z12, 20z40, 20z76, 20z96 may include Sigma Xi (Honorary Faculty Research Society).\nMo 20g, 20o, 20w, 20y, 20z, 20z40 may include Pi Delta Epsilon (Journalism Honorary).\nMo 20j, 20m, 20o, 20t, 20w, 20x, 20z, 20zl, 20z3, 20z5, 20z95, 20z19, 20z94 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nMo 20q, 20s, 20z5, 20z71 may include Alpha Kappa Psi (Professional Business Fraternity).\nMo 20z22, 20z23, 20z32, 20z9, 20z70 may include Gregory Guard.","Mo 20, 20d, 20g2, 20h, 20p, 20r, 20w, 20y, 20zl, 20z2, 20z5, 20z6 may include Phi Kappa Phi (Scholarship Honorary).\nMo 20d, 20e, 20f, 20m, 20s may include Alpha Zeta (National Agriculture Society).\nMo 20e may include Scorpions Club.\nMo 20f, 20g may include Beta Tau Epsilon (Engineering).\nMo 20f, 20p, 20z, 20zl, 20z3 may include Phi Lambda Upsilon (Chemistry Honorary).\nMo 20g, 20h, 20j, 20p, 20q, 20r, 20u, 20x, 20z, 20z2, 20z11 may include Tau Beta Pi (Engineering Honorary).\nMo 20g2 may include Theta Epsilon Theta (Research Honorary Society).\nMo 20h may include Phi Gamma Nu.\nMo 20h, 20w, 20z2, 20z6, 20z7 may include Sigma Delta Psi (Athletic Honorary).\nMo 20m, 20n, 20t, 20z, 20z3, 20z6, 20z8 may include Scabbard \u0026 Blade (Honorary Military Society).\nMo 20w, 20x, 20z1, 20z3 may include Pi Tau Sigma (National Honorary, Mechanical Engineering).\nMo 20w, 20z, 20z1 may include Eta Kappa Nu (Ee Honorary).\nMo 20z may include Keramos.\nMo 20z, z2, z3 may include Chi Epsilon (Civil Engineering Honorary).\nMo 20z1 may include Alpha Sigma Mu (Metallurgical Engineering Fraternity).","Mo 20z28, 20z29 may include Sigma Pi Sigma.\nMo 20z27 may include Phi Sigma Society (Biological Sciences Honorary).\nMo 20z48 may include Pi Omega Pi (Business Education Honorary).\nMo 20z60 may include Alpha Phi Omega (National Service Fraternity).","Mo 22 may include American Society Of Agricultural Engineers and Four-H Alumni Club.\nMo 22b, 22c, 22d, 22e, 22g may include Agronomy Club.","Mo 24 may include \"Skippers\".","Mo27 may include Dairy Science Club (American Dairy Science Association).","Mo 33 may include Chemical Club.","Mo 34 may include Industrial Arts Education Club.","Mo 35 may include Baptist Student Union, Religious Activities, and Wesley Foundation.","Mo 37 may include Engineers and Engineering Exposition.","Mo 42 may include Blacksburg Naval Reserve Research Unit.","Mo 49 may include Circle K (Student Organizatons - Service).","Mo 50 may include Apollo Club (Weightlifting Club, 1954).","Mo 52 may include Aeronautical Clubs - American Institute Of Aeronautics; American Institute Aeronautical Science; American Institute Of Aeronautics \u0026 Astronautics.","Mo 54 may include Burkhart Mining Society.","Mo 60 may include Holden Society (Student Geological Organization).","Mo 61 may include Amateur Radio Association.","Mo 64 may include Chinese Student Association.","Mo 65 may include Distributive Education, Curriculum In.","Mo 67 may include Virginia Educational Association.","Mp 7 may include Rison Bill.\nMp 54 may include Buildings - Burruss Hall.","Mp 164 may include Name Change.","Mra may include Radford University.","Mst may include Cadet Scandal and Student Unrest / Troubles / Protests.","AB may include Athletics - Track \u0026 Field.","ABB may include Athletics - Wrestling.","AF may include Scrub Football Team.\nAF 1914c may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.\nAF 1919s may include Silent Drill Company.\nAF 1922L may include Maury Literary Society.\nAF 1923z3 may include Monogram Club and Buildings - Field House (1914) (Burned).\nAF 1922z11 may include Dope Book (VPI - Vmi History).\nAF 1924 may include Athletic Department (Formerly Athletic Association).\nAF 1955 may include Sword (Ceremonial; VPI-VMI Game).\nAF 1959z10 may include Television (1959 Homecoming Game - A \"First\").","AG may include Athletics - Intra-Murals; Athletics - Women'S Sports; Athletics, Miscellaneous (Including \"Minor\", Unlisted Sports); and Miscellaneous Sports.","AG 1, 5 may include Athletic Department (Formerly Athletic Association).\nAG 5, 6 may include Southern Conference.\nAG 5, 6 may include Southern Intercollegiate Athletic Association.\nAG 11 may include Buildings - Miles Stadium, 1926-1964.","AT may include Athletics - Track \u0026 Field.\nAT 1900, 1903, 1920c may include Field Day.","Mu may include Buildings - University Club Building (Residence).","MW 14, 23, 34, 27, 37, 53 may include Lakes \u0026 Ponds.","W la, 7a, 7c may include American Red Cross.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","In general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university. The collection was primarily collected by library staff through the 1960s.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","The materials in the collection are in English."],"collection_title_tesim":["Virginia Tech and Local History Mounted Clippings"],"collection_ssim":["Virginia Tech and Local History Mounted Clippings"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VerticalFile.006"],"unitid_tesim":["VerticalFile.006"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"creators_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Newman Library staff collected materials for mounted clippings through the 1960s."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Montgomery County (Va.)","University History"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Montgomery County (Va.)","University History"],"has_online_content_ssim":["false"],"extent_ssm":["64 Cubic Feet 147 boxes"],"extent_tesim":["64 Cubic Feet 147 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eMounted Clippings are arranged by subject, primarily alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Mounted Clippings are arranged by subject, primarily alphabetically."],"odd_html_tesm":["\u003cp\u003eThe guide to the Virginia Tech and Local History Mounted Clippings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Virginia Tech and Local History Mounted Clippings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [number of card], Virginia Tech and Local History Mounted Clippings, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [number of card], Virginia Tech and Local History Mounted Clippings, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description was completed by Special Collections staff prior to 2015. The finding aid was completed in August 2015. The re-integration of Mo56a-i, Association of Married Students was completed in October 2019.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description was completed by Special Collections staff prior to 2015. The finding aid was completed in August 2015. The re-integration of Mo56a-i, Association of Married Students was completed in October 2019."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003clist\u003e\n\u003chead\u003eSee also Vertical Files (successors to the mounted clippings):\u003c/head\u003e\n\u003citem\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01185.xml\" target=\"_blank\"\u003eBiographical Vertical Files\u003c/a\u003e\u003c/item\u003e\n\u003citem\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01042.xml\" target=\"_blank\"\u003eBlacksburg Vertical Files\u003c/a\u003e\u003c/item\u003e\n\u003citem\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01043.xml\" target=\"_blank\"\u003eMontgomery County/Christiansburg Vertical Files\u003c/a\u003e\u003c/item\u003e\n\u003citem\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01186.xml\" target=\"_blank\"\u003eRecord Group Vertical Files\u003c/a\u003e\u003c/item\u003e\n\u003citem\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01044.xml\" target=\"_blank\"\u003eSouthwest Virginia Vertical Files\u003c/a\u003e\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also Vertical Files (successors to the mounted clippings):\nBiographical Vertical Files\nBlacksburg Vertical Files\nMontgomery County/Christiansburg Vertical Files\nRecord Group Vertical Files\nSouthwest Virginia Vertical Files"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["In general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university.","Ma may include Agricultural Conference Board and Institute Of Rural Affairs.","Ma 1 may include Agricultural Experiment Station \u0026 Field Research Stations.\nMa 1, 5, 6, 10, 11, 15, 16 may include Farmers' Institute.\nMa 3 may include Corn Day Short Course.\nMa 5, 18, 19, 29 may include Farmer'S Winter Short Course.\nMa 11, 24 may include Dairy Cattle At V.P.I.\nMa 18 may include Planters Club.\nMa 19 may include Pure-Bred Sire Campaign.\nMa 22 may include Agriculture \u0026 Life Sciences, College Of - Poultry Science.\nMa 22 may include Boys \u0026 Girls Short Course.\nMa 23 may include Virginia Aberdeen Angus Breeders' Association.\nMa 23, 24, 59, 61 may include Horticulture Club.\nMa 25, 28 may include Corn Score Card.\nMa 28 may include Dairy Science Club (American Dairy Science Association; Incl. Dairy Clubs).\nMa 30, 65 may include Hoof \u0026 Horn Club.\nMa 61 may include American Society Of Agricultural Engineers.\nMa 65 may include Little International Livestock Show.","Ma 221, 223-233, 239 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nMa 222, 224, 226-228, 259, 262, 264 may include Institute Of Rural Affairs.\nM 309 may include Alumni Gate.","MAAg 355 may include Jamestown Centennial Festival (VPI Horticulturists Plant Indian Tobacco).","MAEc 8, 264 may include Virginia Summer School For Town \u0026 Country Ministers.","MAHr 223 may include Weather.","MAIn 85, 86 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).","MAM 177, 177a, 835, 208, 230a may include Institute Of Rural Affairs.\nMAM 198, 199, 203-206, 212, 215, 251, 254-260 may include Mccormick, Cyrus Hall.\nMAM 203, 207, 211, 1957 may include Motion Picture Unit At VPI.","MAM 264 may include Atoms (Film By VPI \"Infant Giant\").","Mar O1 may include \"Pot Pourri\".","Masb 22 may include High School Science Teachers Summer Institute.\nMasb 23 may include Conservation Short Course.","MAV may include Future Farmers Of America.","Mbl may include Community Concert Association and Earthquakes.\nMbl 1a, 2, 4, 417, 472, 473, 1438, 1441, 1445, 1564, 1592, 1603 may include \"Huckleberry\".\nMbl 5, 1206-1207 may include Norfolk \u0026 Western Railroad.\nMbl 1052, 1054, 1189 may include Future Farmers Of America.","Mbl 4 may include Sham Battle.\nMbl 5 may include American Red Cross.\nMbl 9 may include \"Solitude\".","Mbl 77 may include Lakes \u0026 Ponds.","Mbl 1206 may include Lybrook Row.","Mcv may include Mall and President's Home.","Mcv 96 may include Doorways - V.P.I. Buildings.\nMcv 99 may include Lakes \u0026 Ponds.","Mcv 130 may include Buildings - R.O.T.C Building (Building 364).","Mfi 18 may include Sham Battle.\nMfi 23 may include Athletic Department (Formerly Athletic Association);  Hoof \u0026 Horn Club; and Masons.","Mfi 74 may include Freshmen.\nMfi 120, 149, 151, 157 may include Kohler Trophy.","Mcon may include Community Concert Association.","Mco 4, 7 may include Agriculture \u0026 Life Sciences, College Of - Poultry Science.","Mco 57 may include Russian Language Course.","Mda 2 may include Lynchburg Club.\nMda 29 may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.","Mde may include Accidents And Deaths.","Mde 6 may include Highty-Tighties.","Mde 28 may include Engineering, Metallurgical.","Mdev may include Agriculture \u0026 Life Sciences, College Of - Horticulture; Campus Development Plan; and \"Pre-Centennial Development Program\".","Mdev 7 may include Arboretum (Sculpture).","Med 8-12, 17 may include Mccormick, Cyrus Hall.","Me may include Engineering, College Of, and Geology.","Me 9 may include Buildings - Davidson Hall (Chemical Engineering).\nMe 12 may include Airport (Officially Opened In 1939).\nMe 72 may include Mall.","Menr may include Freshmen and Orientation.","Mext may include Branch Colleges Of VPI.","Mf 29 may include Wine Faculty Achievement Award.","Mf 360, 416 may include Buildings - Seitz Hall (Agricultural Engineering Building).","ML 1 may include Loans To Students.\nML 2, 3, 4, 5 may include Rison Bill.\nML 4 may include Engineering Experiment Station.\nML 7, 8, 9, 10 may include Bonds, V.P.I. (To Finance Building Of War Memorial Hall).","Mm may include Uniforms, Military, Armistice Day, Corps Of Cadets, and  Military Organizations.\nMm 3, 7, 7c, 15, 135 may include Highty-Tighties.\nMm 42, 43, 63, 72, 94, 105, 116, 124, 130, 132, 159, 164 may include Kohler Trophy.","Mm 14, 16 may include Inspection, Military.","Mm 21, 22, 23, 24 may include Foch Celebration.\nMM 78 may include Air R.O.T.C.\nMm 92 may include World War I and World War Ii.","M may include Armistice Day; Art, Dept. Of; Arts \u0026 Sciences, College Of [Obsolete]; Class Of (Different Years); Concerts \u0026 Plays (Not VPI); Conferences, Seminars, Workshops (Off-Campus); Conferences, Seminars, Workshops (On-Campus); Engineering Exposition; Engineering, College Of; Enrollment \u0026 Registration; Highty-Tighties; Horse Show; and Snow Battle.\nM 10, 119, 802 may include Faculty.\nM 10, 123, 171 may include Engineering Experiment Station.\nM 22, 54, 103, 104, 236, 245 may include Fires--On Campus.\nM 23, 24, 26a, 103, 104 may include Buildings - Field House (1914) (Burned).\nM 23, 31, 785, 804, 810 may include Buildings - Mcbryde Building Of Mechanic Arts (The Shops).\nM 23, 245, 805, 862 may include Trees--V.P.I. Campus.\nM 24, 26, 29, 115, 166, 170a, 195, 214, 218, 222 may include Science Club Obsolete.\nM 25, 31, 112, 118, 120 may include Maury Literary Society.\nM 26, 28, 73 may include Farmer's Winter Short Course.\nM 26, 85, 120, 511 may include Inspection, Military.\nM 29, 30, 134, 135 may include Grounds (Buildings \u0026).\nM 31, 40, 95, 99, 113, 115, 132, 215, 236, 240, 241, 242 may include Rat System.\nM 31, 46, 263 may include Gitt, William G. (\"Uncle Bill\").\nM 54, 113 may include World War I.\nM 66, 69, 70, 534 may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.\nM 71, 738, 759 may include Masons.\nM 74, 233, 234 may include Student Volunteer Movement.\nM 77, 134, 139, 275, 369, 371 may include Course Of Study.\nM 82, 87-89, 134, 157, 226 may include Norfolk \u0026 Western Railroad.\nM 82, 125, 129, 153, 517 may include American Society Of Mechanical Engineers (Asme).\nM 93, 224, 489 may include American Society Of Agricultural Engineers.\nM 97, 107a, 113, 120, 121, 123, 131, 773, 774 may include Buildings - War Memorial Gymnasium.\nM 102, 167, 203 may include Chemical Club / Chemistry Club.\nM 109, 116, 276 may include Home Demonstration.\nM 111, 113, 133, 134, 148, 718, 722, 723, 807 may include Buildings - Miles Stadium, 1926-1964.\nM 115, 116, 135, 138, 148, 139, 785, 804, 810 may include Buildings - Patton Hall.\nM 115, 168 may include Shenandoah Valley Club.\nM 122, 182 may include Fertilizer Short Course School M 122, 182.\nM 125, 178, 240, 193 may include Athletic Department (Formerly Athletic Association).\nM 127, 138, 176, 194a, 214, 236 may include American Chemical Society (Student Affiliate).\nM 128, 222, 339, 340, 442 may include Virginia Social Science Association.\nM 130, 394, 495, 513, 514 may include American Red Cross.\nM 131, 210, 786, 810, 837 may include Buildings - Academic Buildings 1 \u0026 2.\nM 134, 148, 149, 160, 182, 184, 185, 195, 238, 273, 276, 278, 318, 331, 438, 447, 464, 465, 470, 471, 481, 498, 849 may include Airport (Officially Opened In 1939).\nM 135, 293 may include Stroubles Creek (Strubbles Creek).\nM 135, 330, 356, 398 may include Educators' Conference.\nM 136, 726, 11/1, 18, 31, 152 may include Dining Halls.\nM 138, 148, 738, 739, 755, 757, 763, 802 may include Buildings - Henderson Hall (Infirmary).\nM 140, 141, 147-149, 225, 326, 329, 508 may include Geology.\nM 140, 149, 835 may include Buildings - Power Plant.\nM 140, 312, 460 may include Rural Electrification Short Course.\nM 150, 223, 350, 382, 462, 464 may include Freshmen.\nM 151, 171, 380, 811 may include Quarries.\nM 151, 176 may include Lynchburg Club.\nM 151, 314, 516 may include Lakes \u0026 Ponds.\nM 154-1930 to M 347-1937 may include Rural Minister's Short Course.\nM 155, 455, 504, 153 may include Virginia Associated Plumbing, Heating, Contractors.\nM 157, 160, 738, 739, 802, 804, 810 may include Buildings - Saunders Hall (Dairy Science).\nM 160, 165 may include Engineering, Ceramic.\nM 161, 163, 173, 179, 189, 203, 337 (Civilian Students Union) may include Student Government Association.\nM 161, 170, 174 may include Soil Survey (Virginia).\nM 164, 165, 191, 324 may include Thanksgiving Game.\nM 173, 267, 309, 390, 433, 436, 610 may include Weather.\nM 174, 186, 187, 275, 448 may include Engineering, College Of.\nM 179a, 416 may include Noell Act.\nM 209, 709, 785, 804, 810, 825, 826, 126, 208 may include Buildings - Davidson Hall (Chemical Engineering).\nM 220, 223, 397 may include Future Farmers Of America.\nM 225, 239, 351, 458, 467 may include Home Economics, College Of (Human Resources).\nM 232, 517, 220, 224 may include Engineering, Metallurgical.\nM 235, 389 may include Engineering, Chemical.\nM 271, 886 may include Biology, Dept. Of.\nM 282a, 312 may include Out-Of-School Youth.\nM 295, 352 may include Graham Plan (Re: Athletic Aid).\nM 376, 390, 393, 394, 413, 417, 424, 714, 727, 785, 786, 804, 810, 887, 890, 891 may include Buildings - Owens Dining Hall.\nM 393, 785, 786 may include Buildings - Eggleston Hall (East Stone Dorm).\nM 397, 835a may include Institute Of Rural Affairs.\nM 407, 481 may include Sigma Xi (Honorary Faculty Research Society).\nM 443, 693 may include Treasury, V.P.I.\nM 452, 738, 739, 804, 810 may include Buildings - Holden Hall.\nM 458, 463, 468, 469, 810 may include Buildings - Hillcrest (\"Skirt Barn\").\nM 467, 483, 487, 488, 854, 223 may include Boycotts.\nM 548, 568 may include Cave Club.\nM 637, 835, 836, 837, 844 may include Buildings - Dormitories.\nM 660, 772, 773, 776, 781, 785, 786, 792, 794, 796, 796a, 804, 810, 878 may include Buildings - Williams Hall.\nM 690, 714, 731, 745, 746 may include Rad-Tech.\nM 755, 756, 763, 882, 883, 890 may include Buildings - Greenhouse (Dept. Of Horticulture).\nM 760, 761, 781, 782, 785, 791, 794, 796, 796a, 804, 810, 835, 882, 883, 886, 878, 881 may include Buildings - Randolph Hall.\nM 760, 772, 774, 835 may include Buildings - Meat \u0026 Processing Lab.\nM 780, 792, 805, 807, 824, 835 may include Buildings - Livestock \u0026 Poultry Disease Lab.\nM 785, 802, 835, 837 may include Buildings - Rasche Hall.\nM 785, 802, 879 may include Buildings - Brodie Hall and Shanks Hall (No. 4 \u0026 No. 7 Barracks United).\nM 787, 788, 794, 796, 797, 799-801, 804, 806, 810, 811, 819, 820, 823, 824, 827, 830, 832-834, 834a, 835-836 may include Buildings - Library - Carol M. Newman Library.\nM 810, 815, 868 may include Buildings - Commencement Hall (Old Commerce Hall).\nM 810, 835 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 880-887, 890, 893, 738, 739, 804, 810 may include Buildings - Robeson Hall.","M 12 may include Christmas Card V.P.I. and Class Ticket.\nM 17a may include Virginia Agricultural \u0026 Mechanical College (Vamc).\nM 20 may include Pulaski Club.\nM 22, 37 may include Buildings - Preston \u0026 Olin Buildings.\nM 23, 24 may include Septic Tank.\nM 30 may include Little International Livestock Show.\nM 55, 76 may include Hikes - Corps.","M 68, 69, 78, 109, 123, 137, 139 may include Farmers' Institute.\nM 73 may include Buildings - Alumni Building.\nM 80, 137 may include Dismissal.\nM 81, 82, 92, 129 may include American Society Of Civil Engineers.\nM 88 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).\nM 94 may include Techgram.\nM 95 may include Mail Service (Campus).\nM 95, 96, 97, 108 may include Fires--Fought Off Campus.\nM 108, 155 may include May Day.\nM 115, 117 may include Buildings - University Club Building (Residence).\nM 116 may include Agriculture \u0026 Life Sciences, College Of - Horticulture.\nM 116, 117, 120 may include University Club.\nM 117-118 may include Agriculture \u0026 Life Sciences, College Of - Dairy Short Course.\nM 118 may include State Crop Pest Commission.\nM 122, 137, 154 may include Electric Meterman's Short Course.\nM 123 may include Hunt House.\nM 125 may include Agricultural Students' Honorary Council.\nM 130 may include United Daughters Of The Confederacy, 1927 Meeting At VPI.\nM 132 may include Coal.\nM 138, 139 may include Male Chorus At VPI.\nM 153 may include Publications, V.P.I.; Sham Battle; and Wine Scholarship.\nM 153, 154, 155 may include Engineer's Day.\nM 157 may include Buildings - Print Shop (Old M. E. Laboratory).","M 166, 196, 201, 218, 224 may include \"Technical Topics\" (1931-1941).\nM 167, 168, 171, 175, 188, 192, 215, 218, 231 may include Demolay Club.\nM 169 may include Industrial Surveys.\nM 170a may include Southern Collegian Magazine (1931).\nM 171 may include The Tin Horn (Co-Ed Yearbook, 1929-1931).\nM 176 may include VPI Skipper (Student Humor Magazine).\nM 179a, 180, 181 may include Landscape Design School (Short Course).\nM 180, 205 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nM 186, 225 may include American Country Life Association.\nM 188, 203 may include Chemistry, Dept. Of.\nM 189 may include Southern Colonels (Dance Orchestra).\nM 190 may include Roadside Landscaping.\nM 191 may include Lutheran Students' Association (Of America).\nM 195 may include Scorpions Club.\nM 196, 198, 219 may include Rifle Team.\nM 199 may include Prohibition Poll.\nM 203 may include Church Attendance.\nM 205 may include Lonesome Pine Club, Northern Neck Club, and Richmond Club.\nM 208 may include Pittsylvania Club.\nM 212 may include Rappahannock Valley Club and Roanoke Club.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 220 may include Athletic Department (Formerly Athletic Association).\nM 222, 231, 270 may include Depression \u0026 Recovery.\nM 223 may include Bachelor's Club.\nM 228, 239 may include Beer Licenses.\nM 230 may include American Legion.\nM 230, 231 may include Civil Works Project.\nM 230, 232, 240, 242, 285 may include Rescue Squad.\nM 231, 237, 239, 262, 276 may include Buildings - Utilities Building.\nM 234 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nM 234, 236, 236a may include Virginia Association Of International Relations.\nM 237 may include Cancer Research.\nM 241 may include Buildings - Faculty Center.\nM 241, 244, 245 may include Virginia Library Association.\nM 241, 258, 262 may include Federal Emergency Relief Administration.\nM 245 may include Fire Brigade.\nM 258, 262 may include Merchant Marine Officers Training School.\nM 262 may include Reflecting Pool.\nM 268, 275 may include Birds (Study).\nM 275 may include Aeronautical Course.\nM 278 may include Guidon.\nM 295 may include Evening Classes.","M 323 may include American Institute Of Chemical Engineers.\nM 338 may include Street Lighting.\nM 352 may include Southern Conference.\nM 356 may include Cooking For Boys.\nM 363, 365 may include Nautical Training School.\nM 363, 387 may include Virginia Educational Association.\nM 382 may include Student Identification Cards.\nM 388 may include Post-Graduate Club.\nM 390 may include Building Layouts.\nM 404 may include Cooperatives.\nM 412, 414 may include League Of Virginia Counties.\nM 417 may include Quadrangle.","M 433, 434 may include Mining Bureau.\nM 433, 449, 453, 456, 457, 458, 459, 460, 461, 465, 466, 467, 481, 488, 489, 523 may include World War Ii.\nM 438, 439, 441 may include Training Plane.\nM 438, 443, 452, 459, 470, 483, 485 may include Works Progress Administration (Wpa).\nM 443 may include Association Of College Libraries Of Southwest Virginia.\nM 452 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 481 may include Keramos and Rankine, William J. M.\nM 490 may include William \u0026 Mary, College Of.\nM 493 may include Recruiting (Military).\nM 513, 519 may include Water Shortage.\nM 520 may include American Institute Of Architects.","M 579, 585 may include Nursery School-VPI.\nM 641 may include Napoleonana Collection.\nM 658, 660, 677, 691, 693 may include Sewage Disposal Plant.","M 709 may include Buildings - R.O.T.C Building (Building 364).\nM 710, 757-760, 763, 771-772 may include Mall.\nM 723 may include Buildings - Mining Engineering Building.\nM 726, 727, 734, 735, 745, 746, 746a, 804 may include Buildings - Femoyer Hall, Monteith Hall, and Thomas Hall.\nM 735, 738, 739, 742, 755, 756, 804, 810 may include Buildings - Smyth Hall (Formerly Known As Natural Science Building).\nM 737, 741 may include Piedmont Research Laboratory (Charlottesville).\nM 738 may include Tomato Clubs.\nM 738, 739, 802, 804, 810 may include Buildings - Agnew Hall.\nM 738, 739, 804, 810 may include Buildings - Price Hall (\"Old Aggie\").\nM 746 may include Winchester Research Laboratory.\nM 752, 786, 794, 780, 781, 785 may include Buildings - Library (Old Chapel Building) (Burned).\nM 755, 756, 757 may include Buildings - Dairy Barn.\nM 757 may include Bear (Wanders Through Campus).\nM 758 may include War Memorial Chapel.\nM 773, 774 may include Radio Station - WUVT.\nM 785, 802 may include Buildings - Lane Hall.\nM 785, 804 may include Buildings - Campbell Hall (West Stone Dorm).\nM 807, 812 may include Buildings - Athletic Plant.\nM 810 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall) and Performing Arts \u0026 Communications Building (Ymca Building, 1899-1936; Old Military Building, 1937-1966; Student Personnel Building, 1966-1972).\nM 815 may include Motion Picture Unit At VPI.","M 829 may include Racial \u0026 Ethnic Minorities (Campus).\nM 835-837, 870 may include Buildings - Pamplin Hall (Commerce Hall 2).\nM 862 may include Buildings - Barns.\nM 868 no. 8 may include Cornerstone Markers (Old Commerce Hall).\nM 881 may include Computing Center.\nM 882, 883 may include Buildings - Swine Center.\nM 886 may include Agriculture \u0026 Life Sciences, College Of - Veterinary Science.\nM 890 may include Mccormick, Cyrus Hall.\nM 890, 892 may include Buildings - Norris Hall.\nM 894, 895 may include Name Change.","Mla 31 may include Colors, V.P.I. (Orange \u0026 Maroon).\nMla 88 may include \"GOBBLERS\" (nickname).","Mla 367 may include Yells-VPI.","Mo 13, 17z may include Rankine, William J. M.\nMo 15, 16 may include Student Government Association.\nMo 20z73, 23 may include Sigma Mu Sigma (National College Masonic Service Fraternity).","Mo 1 may include Lee Literary Society.","Mo 1a, 1b, 1c, 1c1, 1c2, 1d may include Maury Literary Society.","Mo 2 may include Christian Science Organization.","Mo 3 may include Fraternities \u0026 Sororities--Social.\nMo 3a may include Kappa Sigma.\nMo 3b may include Sigma Alpha.\nMo 3b, 3d may include Pi Kappa Alpha (Social Fraternity).\nMo 3c may include Alpha Phi.\nMo 3c no. 2 may include Beta Theta Pi (Social Fraternity).","Mo 4 may include Music Groups and Tech Minstrels.","Mo 4m may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.","Mo 6 may include Apple Club; Black Diamond Club; City, County \u0026 Sectional Clubs; Lonesome Pine Club; Lynchburg Club; Northern Neck Club; Peanut Club; Pittsylvania Club; Richmond Club; Roanoke Club; and Shenandoah Valley Club.","Mo 7 may include Tech Players and Thespian Club.","Mo 8 may include Virgnia Polytechnic Societies.","Mo 11 may include Student Publications.","Mo 16 may include Honor System.","Mo 16m, 16r may include Highty-Tighties.\nMo 16p may include Kohler Trophy.\nMo 16s may include Company B, Corps Of Cadets.","Mo 17z, 31-33, 55, 56, 57, 62, 65, 66, 68, 71, 72 may include War Memorial Chapel.","Mo 17g, 17m, 17L may include Buildings - War Memorial Gymnasium.\nMo 17h, 17g may include Buildings - Alumni Building.\nMo 17s3, 17s5, 17s7 may include Buildings - Miles Stadium, 1926-1964.\nMo 17t may include V.P.I. Alumnus.\nMo 17z29 may include Campus Development Plan.\nMo 17z31 may include Victory Reunion (1946).","Mo 17z101 may include Carillon.","Mo 20 may include Fraternities--Honorary.\nMo 20c, 20f, 20t, 20v, 20w, 20x, 20z, 20z12, 20z40, 20z76, 20z96 may include Sigma Xi (Honorary Faculty Research Society).\nMo 20g, 20o, 20w, 20y, 20z, 20z40 may include Pi Delta Epsilon (Journalism Honorary).\nMo 20j, 20m, 20o, 20t, 20w, 20x, 20z, 20zl, 20z3, 20z5, 20z95, 20z19, 20z94 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nMo 20q, 20s, 20z5, 20z71 may include Alpha Kappa Psi (Professional Business Fraternity).\nMo 20z22, 20z23, 20z32, 20z9, 20z70 may include Gregory Guard.","Mo 20, 20d, 20g2, 20h, 20p, 20r, 20w, 20y, 20zl, 20z2, 20z5, 20z6 may include Phi Kappa Phi (Scholarship Honorary).\nMo 20d, 20e, 20f, 20m, 20s may include Alpha Zeta (National Agriculture Society).\nMo 20e may include Scorpions Club.\nMo 20f, 20g may include Beta Tau Epsilon (Engineering).\nMo 20f, 20p, 20z, 20zl, 20z3 may include Phi Lambda Upsilon (Chemistry Honorary).\nMo 20g, 20h, 20j, 20p, 20q, 20r, 20u, 20x, 20z, 20z2, 20z11 may include Tau Beta Pi (Engineering Honorary).\nMo 20g2 may include Theta Epsilon Theta (Research Honorary Society).\nMo 20h may include Phi Gamma Nu.\nMo 20h, 20w, 20z2, 20z6, 20z7 may include Sigma Delta Psi (Athletic Honorary).\nMo 20m, 20n, 20t, 20z, 20z3, 20z6, 20z8 may include Scabbard \u0026 Blade (Honorary Military Society).\nMo 20w, 20x, 20z1, 20z3 may include Pi Tau Sigma (National Honorary, Mechanical Engineering).\nMo 20w, 20z, 20z1 may include Eta Kappa Nu (Ee Honorary).\nMo 20z may include Keramos.\nMo 20z, z2, z3 may include Chi Epsilon (Civil Engineering Honorary).\nMo 20z1 may include Alpha Sigma Mu (Metallurgical Engineering Fraternity).","Mo 20z28, 20z29 may include Sigma Pi Sigma.\nMo 20z27 may include Phi Sigma Society (Biological Sciences Honorary).\nMo 20z48 may include Pi Omega Pi (Business Education Honorary).\nMo 20z60 may include Alpha Phi Omega (National Service Fraternity).","Mo 22 may include American Society Of Agricultural Engineers and Four-H Alumni Club.\nMo 22b, 22c, 22d, 22e, 22g may include Agronomy Club.","Mo 24 may include \"Skippers\".","Mo27 may include Dairy Science Club (American Dairy Science Association).","Mo 33 may include Chemical Club.","Mo 34 may include Industrial Arts Education Club.","Mo 35 may include Baptist Student Union, Religious Activities, and Wesley Foundation.","Mo 37 may include Engineers and Engineering Exposition.","Mo 42 may include Blacksburg Naval Reserve Research Unit.","Mo 49 may include Circle K (Student Organizatons - Service).","Mo 50 may include Apollo Club (Weightlifting Club, 1954).","Mo 52 may include Aeronautical Clubs - American Institute Of Aeronautics; American Institute Aeronautical Science; American Institute Of Aeronautics \u0026 Astronautics.","Mo 54 may include Burkhart Mining Society.","Mo 60 may include Holden Society (Student Geological Organization).","Mo 61 may include Amateur Radio Association.","Mo 64 may include Chinese Student Association.","Mo 65 may include Distributive Education, Curriculum In.","Mo 67 may include Virginia Educational Association.","Mp 7 may include Rison Bill.\nMp 54 may include Buildings - Burruss Hall.","Mp 164 may include Name Change.","Mra may include Radford University.","Mst may include Cadet Scandal and Student Unrest / Troubles / Protests.","AB may include Athletics - Track \u0026 Field.","ABB may include Athletics - Wrestling.","AF may include Scrub Football Team.\nAF 1914c may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.\nAF 1919s may include Silent Drill Company.\nAF 1922L may include Maury Literary Society.\nAF 1923z3 may include Monogram Club and Buildings - Field House (1914) (Burned).\nAF 1922z11 may include Dope Book (VPI - Vmi History).\nAF 1924 may include Athletic Department (Formerly Athletic Association).\nAF 1955 may include Sword (Ceremonial; VPI-VMI Game).\nAF 1959z10 may include Television (1959 Homecoming Game - A \"First\").","AG may include Athletics - Intra-Murals; Athletics - Women'S Sports; Athletics, Miscellaneous (Including \"Minor\", Unlisted Sports); and Miscellaneous Sports.","AG 1, 5 may include Athletic Department (Formerly Athletic Association).\nAG 5, 6 may include Southern Conference.\nAG 5, 6 may include Southern Intercollegiate Athletic Association.\nAG 11 may include Buildings - Miles Stadium, 1926-1964.","AT may include Athletics - Track \u0026 Field.\nAT 1900, 1903, 1920c may include Field Day.","Mu may include Buildings - University Club Building (Residence).","MW 14, 23, 34, 27, 37, 53 may include Lakes \u0026 Ponds.","W la, 7a, 7c may include American Red Cross."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2bfd88fb1d82a46fb92b3adac8eb3bf1\" label=\"Abstract\"\u003eIn general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university. The collection was primarily collected by library staff through the 1960s.\u003c/abstract\u003e\n    "],"abstract_tesim":["In general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university. The collection was primarily collected by library staff through the 1960s."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"names_coll_ssim":["Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:48:32.624Z","scopecontent_html_tesm":["\u003cp\u003eIn general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university.\u003c/p\u003e  ","\u003cp\u003eMa may include Agricultural Conference Board and Institute Of Rural Affairs.\u003c/p\u003e","\u003cp\u003eMa 1 may include Agricultural Experiment Station \u0026amp; Field Research Stations.\nMa 1, 5, 6, 10, 11, 15, 16 may include Farmers' Institute.\nMa 3 may include Corn Day Short Course.\nMa 5, 18, 19, 29 may include Farmer'S Winter Short Course.\nMa 11, 24 may include Dairy Cattle At V.P.I.\nMa 18 may include Planters Club.\nMa 19 may include Pure-Bred Sire Campaign.\nMa 22 may include Agriculture \u0026amp; Life Sciences, College Of - Poultry Science.\nMa 22 may include Boys \u0026amp; Girls Short Course.\nMa 23 may include Virginia Aberdeen Angus Breeders' Association.\nMa 23, 24, 59, 61 may include Horticulture Club.\nMa 25, 28 may include Corn Score Card.\nMa 28 may include Dairy Science Club (American Dairy Science Association; Incl. Dairy Clubs).\nMa 30, 65 may include Hoof \u0026amp; Horn Club.\nMa 61 may include American Society Of Agricultural Engineers.\nMa 65 may include Little International Livestock Show.\u003c/p\u003e","\u003cp\u003eMa 221, 223-233, 239 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nMa 222, 224, 226-228, 259, 262, 264 may include Institute Of Rural Affairs.\nM 309 may include Alumni Gate.\u003c/p\u003e","\u003cp\u003eMAAg 355 may include Jamestown Centennial Festival (VPI Horticulturists Plant Indian Tobacco).\u003c/p\u003e","\u003cp\u003eMAEc 8, 264 may include Virginia Summer School For Town \u0026amp; Country Ministers.\u003c/p\u003e","\u003cp\u003eMAHr 223 may include Weather.\u003c/p\u003e","\u003cp\u003eMAIn 85, 86 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).\u003c/p\u003e","\u003cp\u003eMAM 177, 177a, 835, 208, 230a may include Institute Of Rural Affairs.\nMAM 198, 199, 203-206, 212, 215, 251, 254-260 may include Mccormick, Cyrus Hall.\nMAM 203, 207, 211, 1957 may include Motion Picture Unit At VPI.\u003c/p\u003e","\u003cp\u003eMAM 264 may include Atoms (Film By VPI \"Infant Giant\").\u003c/p\u003e","\u003cp\u003eMar O1 may include \"Pot Pourri\".\u003c/p\u003e","\u003cp\u003eMasb 22 may include High School Science Teachers Summer Institute.\nMasb 23 may include Conservation Short Course.\u003c/p\u003e","\u003cp\u003eMAV may include Future Farmers Of America.\u003c/p\u003e","\u003cp\u003eMbl may include Community Concert Association and Earthquakes.\nMbl 1a, 2, 4, 417, 472, 473, 1438, 1441, 1445, 1564, 1592, 1603 may include \"Huckleberry\".\nMbl 5, 1206-1207 may include Norfolk \u0026amp; Western Railroad.\nMbl 1052, 1054, 1189 may include Future Farmers Of America.\u003c/p\u003e","\u003cp\u003eMbl 4 may include Sham Battle.\nMbl 5 may include American Red Cross.\nMbl 9 may include \"Solitude\".\u003c/p\u003e","\u003cp\u003eMbl 77 may include Lakes \u0026amp; Ponds.\u003c/p\u003e","\u003cp\u003eMbl 1206 may include Lybrook Row.\u003c/p\u003e","\u003cp\u003eMcv may include Mall and President's Home.\u003c/p\u003e","\u003cp\u003eMcv 96 may include Doorways - V.P.I. Buildings.\nMcv 99 may include Lakes \u0026amp; Ponds.\u003c/p\u003e","\u003cp\u003eMcv 130 may include Buildings - R.O.T.C Building (Building 364).\u003c/p\u003e","\u003cp\u003eMfi 18 may include Sham Battle.\nMfi 23 may include Athletic Department (Formerly Athletic Association);  Hoof \u0026amp; Horn Club; and Masons.\u003c/p\u003e","\u003cp\u003eMfi 74 may include Freshmen.\nMfi 120, 149, 151, 157 may include Kohler Trophy.\u003c/p\u003e","\u003cp\u003eMcon may include Community Concert Association.\u003c/p\u003e","\u003cp\u003eMco 4, 7 may include Agriculture \u0026amp; Life Sciences, College Of - Poultry Science.\u003c/p\u003e","\u003cp\u003eMco 57 may include Russian Language Course.\u003c/p\u003e","\u003cp\u003eMda 2 may include Lynchburg Club.\nMda 29 may include Songs Of VPI Incl. Moonlight \u0026amp; VPI, Tech Triumph, Ut Prosim.\u003c/p\u003e","\u003cp\u003eMde may include Accidents And Deaths.\u003c/p\u003e","\u003cp\u003eMde 6 may include Highty-Tighties.\u003c/p\u003e","\u003cp\u003eMde 28 may include Engineering, Metallurgical.\u003c/p\u003e","\u003cp\u003eMdev may include Agriculture \u0026amp; Life Sciences, College Of - Horticulture; Campus Development Plan; and \"Pre-Centennial Development Program\".\u003c/p\u003e","\u003cp\u003eMdev 7 may include Arboretum (Sculpture).\u003c/p\u003e","\u003cp\u003eMed 8-12, 17 may include Mccormick, Cyrus Hall.\u003c/p\u003e","\u003cp\u003eMe may include Engineering, College Of, and Geology.\u003c/p\u003e","\u003cp\u003eMe 9 may include Buildings - Davidson Hall (Chemical Engineering).\nMe 12 may include Airport (Officially Opened In 1939).\nMe 72 may include Mall.\u003c/p\u003e","\u003cp\u003eMenr may include Freshmen and Orientation.\u003c/p\u003e","\u003cp\u003eMext may include Branch Colleges Of VPI.\u003c/p\u003e","\u003cp\u003eMf 29 may include Wine Faculty Achievement Award.\u003c/p\u003e","\u003cp\u003eMf 360, 416 may include Buildings - Seitz Hall (Agricultural Engineering Building).\u003c/p\u003e","\u003cp\u003eML 1 may include Loans To Students.\nML 2, 3, 4, 5 may include Rison Bill.\nML 4 may include Engineering Experiment Station.\nML 7, 8, 9, 10 may include Bonds, V.P.I. (To Finance Building Of War Memorial Hall).\u003c/p\u003e","\u003cp\u003eMm may include Uniforms, Military, Armistice Day, Corps Of Cadets, and  Military Organizations.\nMm 3, 7, 7c, 15, 135 may include Highty-Tighties.\nMm 42, 43, 63, 72, 94, 105, 116, 124, 130, 132, 159, 164 may include Kohler Trophy.\u003c/p\u003e","\u003cp\u003eMm 14, 16 may include Inspection, Military.\u003c/p\u003e","\u003cp\u003eMm 21, 22, 23, 24 may include Foch Celebration.\nMM 78 may include Air R.O.T.C.\nMm 92 may include World War I and World War Ii.\u003c/p\u003e","\u003cp\u003eM may include Armistice Day; Art, Dept. Of; Arts \u0026amp; Sciences, College Of [Obsolete]; Class Of (Different Years); Concerts \u0026amp; Plays (Not VPI); Conferences, Seminars, Workshops (Off-Campus); Conferences, Seminars, Workshops (On-Campus); Engineering Exposition; Engineering, College Of; Enrollment \u0026amp; Registration; Highty-Tighties; Horse Show; and Snow Battle.\nM 10, 119, 802 may include Faculty.\nM 10, 123, 171 may include Engineering Experiment Station.\nM 22, 54, 103, 104, 236, 245 may include Fires--On Campus.\nM 23, 24, 26a, 103, 104 may include Buildings - Field House (1914) (Burned).\nM 23, 31, 785, 804, 810 may include Buildings - Mcbryde Building Of Mechanic Arts (The Shops).\nM 23, 245, 805, 862 may include Trees--V.P.I. Campus.\nM 24, 26, 29, 115, 166, 170a, 195, 214, 218, 222 may include Science Club Obsolete.\nM 25, 31, 112, 118, 120 may include Maury Literary Society.\nM 26, 28, 73 may include Farmer's Winter Short Course.\nM 26, 85, 120, 511 may include Inspection, Military.\nM 29, 30, 134, 135 may include Grounds (Buildings \u0026amp;).\nM 31, 40, 95, 99, 113, 115, 132, 215, 236, 240, 241, 242 may include Rat System.\nM 31, 46, 263 may include Gitt, William G. (\"Uncle Bill\").\nM 54, 113 may include World War I.\nM 66, 69, 70, 534 may include Songs Of VPI Incl. Moonlight \u0026amp; VPI, Tech Triumph, Ut Prosim.\nM 71, 738, 759 may include Masons.\nM 74, 233, 234 may include Student Volunteer Movement.\nM 77, 134, 139, 275, 369, 371 may include Course Of Study.\nM 82, 87-89, 134, 157, 226 may include Norfolk \u0026amp; Western Railroad.\nM 82, 125, 129, 153, 517 may include American Society Of Mechanical Engineers (Asme).\nM 93, 224, 489 may include American Society Of Agricultural Engineers.\nM 97, 107a, 113, 120, 121, 123, 131, 773, 774 may include Buildings - War Memorial Gymnasium.\nM 102, 167, 203 may include Chemical Club / Chemistry Club.\nM 109, 116, 276 may include Home Demonstration.\nM 111, 113, 133, 134, 148, 718, 722, 723, 807 may include Buildings - Miles Stadium, 1926-1964.\nM 115, 116, 135, 138, 148, 139, 785, 804, 810 may include Buildings - Patton Hall.\nM 115, 168 may include Shenandoah Valley Club.\nM 122, 182 may include Fertilizer Short Course School M 122, 182.\nM 125, 178, 240, 193 may include Athletic Department (Formerly Athletic Association).\nM 127, 138, 176, 194a, 214, 236 may include American Chemical Society (Student Affiliate).\nM 128, 222, 339, 340, 442 may include Virginia Social Science Association.\nM 130, 394, 495, 513, 514 may include American Red Cross.\nM 131, 210, 786, 810, 837 may include Buildings - Academic Buildings 1 \u0026amp; 2.\nM 134, 148, 149, 160, 182, 184, 185, 195, 238, 273, 276, 278, 318, 331, 438, 447, 464, 465, 470, 471, 481, 498, 849 may include Airport (Officially Opened In 1939).\nM 135, 293 may include Stroubles Creek (Strubbles Creek).\nM 135, 330, 356, 398 may include Educators' Conference.\nM 136, 726, 11/1, 18, 31, 152 may include Dining Halls.\nM 138, 148, 738, 739, 755, 757, 763, 802 may include Buildings - Henderson Hall (Infirmary).\nM 140, 141, 147-149, 225, 326, 329, 508 may include Geology.\nM 140, 149, 835 may include Buildings - Power Plant.\nM 140, 312, 460 may include Rural Electrification Short Course.\nM 150, 223, 350, 382, 462, 464 may include Freshmen.\nM 151, 171, 380, 811 may include Quarries.\nM 151, 176 may include Lynchburg Club.\nM 151, 314, 516 may include Lakes \u0026amp; Ponds.\nM 154-1930 to M 347-1937 may include Rural Minister's Short Course.\nM 155, 455, 504, 153 may include Virginia Associated Plumbing, Heating, Contractors.\nM 157, 160, 738, 739, 802, 804, 810 may include Buildings - Saunders Hall (Dairy Science).\nM 160, 165 may include Engineering, Ceramic.\nM 161, 163, 173, 179, 189, 203, 337 (Civilian Students Union) may include Student Government Association.\nM 161, 170, 174 may include Soil Survey (Virginia).\nM 164, 165, 191, 324 may include Thanksgiving Game.\nM 173, 267, 309, 390, 433, 436, 610 may include Weather.\nM 174, 186, 187, 275, 448 may include Engineering, College Of.\nM 179a, 416 may include Noell Act.\nM 209, 709, 785, 804, 810, 825, 826, 126, 208 may include Buildings - Davidson Hall (Chemical Engineering).\nM 220, 223, 397 may include Future Farmers Of America.\nM 225, 239, 351, 458, 467 may include Home Economics, College Of (Human Resources).\nM 232, 517, 220, 224 may include Engineering, Metallurgical.\nM 235, 389 may include Engineering, Chemical.\nM 271, 886 may include Biology, Dept. Of.\nM 282a, 312 may include Out-Of-School Youth.\nM 295, 352 may include Graham Plan (Re: Athletic Aid).\nM 376, 390, 393, 394, 413, 417, 424, 714, 727, 785, 786, 804, 810, 887, 890, 891 may include Buildings - Owens Dining Hall.\nM 393, 785, 786 may include Buildings - Eggleston Hall (East Stone Dorm).\nM 397, 835a may include Institute Of Rural Affairs.\nM 407, 481 may include Sigma Xi (Honorary Faculty Research Society).\nM 443, 693 may include Treasury, V.P.I.\nM 452, 738, 739, 804, 810 may include Buildings - Holden Hall.\nM 458, 463, 468, 469, 810 may include Buildings - Hillcrest (\"Skirt Barn\").\nM 467, 483, 487, 488, 854, 223 may include Boycotts.\nM 548, 568 may include Cave Club.\nM 637, 835, 836, 837, 844 may include Buildings - Dormitories.\nM 660, 772, 773, 776, 781, 785, 786, 792, 794, 796, 796a, 804, 810, 878 may include Buildings - Williams Hall.\nM 690, 714, 731, 745, 746 may include Rad-Tech.\nM 755, 756, 763, 882, 883, 890 may include Buildings - Greenhouse (Dept. Of Horticulture).\nM 760, 761, 781, 782, 785, 791, 794, 796, 796a, 804, 810, 835, 882, 883, 886, 878, 881 may include Buildings - Randolph Hall.\nM 760, 772, 774, 835 may include Buildings - Meat \u0026amp; Processing Lab.\nM 780, 792, 805, 807, 824, 835 may include Buildings - Livestock \u0026amp; Poultry Disease Lab.\nM 785, 802, 835, 837 may include Buildings - Rasche Hall.\nM 785, 802, 879 may include Buildings - Brodie Hall and Shanks Hall (No. 4 \u0026amp; No. 7 Barracks United).\nM 787, 788, 794, 796, 797, 799-801, 804, 806, 810, 811, 819, 820, 823, 824, 827, 830, 832-834, 834a, 835-836 may include Buildings - Library - Carol M. Newman Library.\nM 810, 815, 868 may include Buildings - Commencement Hall (Old Commerce Hall).\nM 810, 835 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 880-887, 890, 893, 738, 739, 804, 810 may include Buildings - Robeson Hall.\u003c/p\u003e","\u003cp\u003eM 12 may include Christmas Card V.P.I. and Class Ticket.\nM 17a may include Virginia Agricultural \u0026amp; Mechanical College (Vamc).\nM 20 may include Pulaski Club.\nM 22, 37 may include Buildings - Preston \u0026amp; Olin Buildings.\nM 23, 24 may include Septic Tank.\nM 30 may include Little International Livestock Show.\nM 55, 76 may include Hikes - Corps.\u003c/p\u003e","\u003cp\u003eM 68, 69, 78, 109, 123, 137, 139 may include Farmers' Institute.\nM 73 may include Buildings - Alumni Building.\nM 80, 137 may include Dismissal.\nM 81, 82, 92, 129 may include American Society Of Civil Engineers.\nM 88 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).\nM 94 may include Techgram.\nM 95 may include Mail Service (Campus).\nM 95, 96, 97, 108 may include Fires--Fought Off Campus.\nM 108, 155 may include May Day.\nM 115, 117 may include Buildings - University Club Building (Residence).\nM 116 may include Agriculture \u0026amp; Life Sciences, College Of - Horticulture.\nM 116, 117, 120 may include University Club.\nM 117-118 may include Agriculture \u0026amp; Life Sciences, College Of - Dairy Short Course.\nM 118 may include State Crop Pest Commission.\nM 122, 137, 154 may include Electric Meterman's Short Course.\nM 123 may include Hunt House.\nM 125 may include Agricultural Students' Honorary Council.\nM 130 may include United Daughters Of The Confederacy, 1927 Meeting At VPI.\nM 132 may include Coal.\nM 138, 139 may include Male Chorus At VPI.\nM 153 may include Publications, V.P.I.; Sham Battle; and Wine Scholarship.\nM 153, 154, 155 may include Engineer's Day.\nM 157 may include Buildings - Print Shop (Old M. E. Laboratory).\u003c/p\u003e","\u003cp\u003eM 166, 196, 201, 218, 224 may include \"Technical Topics\" (1931-1941).\nM 167, 168, 171, 175, 188, 192, 215, 218, 231 may include Demolay Club.\nM 169 may include Industrial Surveys.\nM 170a may include Southern Collegian Magazine (1931).\nM 171 may include The Tin Horn (Co-Ed Yearbook, 1929-1931).\nM 176 may include VPI Skipper (Student Humor Magazine).\nM 179a, 180, 181 may include Landscape Design School (Short Course).\nM 180, 205 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nM 186, 225 may include American Country Life Association.\nM 188, 203 may include Chemistry, Dept. Of.\nM 189 may include Southern Colonels (Dance Orchestra).\nM 190 may include Roadside Landscaping.\nM 191 may include Lutheran Students' Association (Of America).\nM 195 may include Scorpions Club.\nM 196, 198, 219 may include Rifle Team.\nM 199 may include Prohibition Poll.\nM 203 may include Church Attendance.\nM 205 may include Lonesome Pine Club, Northern Neck Club, and Richmond Club.\nM 208 may include Pittsylvania Club.\nM 212 may include Rappahannock Valley Club and Roanoke Club.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 220 may include Athletic Department (Formerly Athletic Association).\nM 222, 231, 270 may include Depression \u0026amp; Recovery.\nM 223 may include Bachelor's Club.\nM 228, 239 may include Beer Licenses.\nM 230 may include American Legion.\nM 230, 231 may include Civil Works Project.\nM 230, 232, 240, 242, 285 may include Rescue Squad.\nM 231, 237, 239, 262, 276 may include Buildings - Utilities Building.\nM 234 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nM 234, 236, 236a may include Virginia Association Of International Relations.\nM 237 may include Cancer Research.\nM 241 may include Buildings - Faculty Center.\nM 241, 244, 245 may include Virginia Library Association.\nM 241, 258, 262 may include Federal Emergency Relief Administration.\nM 245 may include Fire Brigade.\nM 258, 262 may include Merchant Marine Officers Training School.\nM 262 may include Reflecting Pool.\nM 268, 275 may include Birds (Study).\nM 275 may include Aeronautical Course.\nM 278 may include Guidon.\nM 295 may include Evening Classes.\u003c/p\u003e","\u003cp\u003eM 323 may include American Institute Of Chemical Engineers.\nM 338 may include Street Lighting.\nM 352 may include Southern Conference.\nM 356 may include Cooking For Boys.\nM 363, 365 may include Nautical Training School.\nM 363, 387 may include Virginia Educational Association.\nM 382 may include Student Identification Cards.\nM 388 may include Post-Graduate Club.\nM 390 may include Building Layouts.\nM 404 may include Cooperatives.\nM 412, 414 may include League Of Virginia Counties.\nM 417 may include Quadrangle.\u003c/p\u003e","\u003cp\u003eM 433, 434 may include Mining Bureau.\nM 433, 449, 453, 456, 457, 458, 459, 460, 461, 465, 466, 467, 481, 488, 489, 523 may include World War Ii.\nM 438, 439, 441 may include Training Plane.\nM 438, 443, 452, 459, 470, 483, 485 may include Works Progress Administration (Wpa).\nM 443 may include Association Of College Libraries Of Southwest Virginia.\nM 452 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 481 may include Keramos and Rankine, William J. M.\nM 490 may include William \u0026amp; Mary, College Of.\nM 493 may include Recruiting (Military).\nM 513, 519 may include Water Shortage.\nM 520 may include American Institute Of Architects.\u003c/p\u003e","\u003cp\u003eM 579, 585 may include Nursery School-VPI.\nM 641 may include Napoleonana Collection.\nM 658, 660, 677, 691, 693 may include Sewage Disposal Plant.\u003c/p\u003e","\u003cp\u003eM 709 may include Buildings - R.O.T.C Building (Building 364).\nM 710, 757-760, 763, 771-772 may include Mall.\nM 723 may include Buildings - Mining Engineering Building.\nM 726, 727, 734, 735, 745, 746, 746a, 804 may include Buildings - Femoyer Hall, Monteith Hall, and Thomas Hall.\nM 735, 738, 739, 742, 755, 756, 804, 810 may include Buildings - Smyth Hall (Formerly Known As Natural Science Building).\nM 737, 741 may include Piedmont Research Laboratory (Charlottesville).\nM 738 may include Tomato Clubs.\nM 738, 739, 802, 804, 810 may include Buildings - Agnew Hall.\nM 738, 739, 804, 810 may include Buildings - Price Hall (\"Old Aggie\").\nM 746 may include Winchester Research Laboratory.\nM 752, 786, 794, 780, 781, 785 may include Buildings - Library (Old Chapel Building) (Burned).\nM 755, 756, 757 may include Buildings - Dairy Barn.\nM 757 may include Bear (Wanders Through Campus).\nM 758 may include War Memorial Chapel.\nM 773, 774 may include Radio Station - WUVT.\nM 785, 802 may include Buildings - Lane Hall.\nM 785, 804 may include Buildings - Campbell Hall (West Stone Dorm).\nM 807, 812 may include Buildings - Athletic Plant.\nM 810 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall) and Performing Arts \u0026amp; Communications Building (Ymca Building, 1899-1936; Old Military Building, 1937-1966; Student Personnel Building, 1966-1972).\nM 815 may include Motion Picture Unit At VPI.\u003c/p\u003e","\u003cp\u003eM 829 may include Racial \u0026amp; Ethnic Minorities (Campus).\nM 835-837, 870 may include Buildings - Pamplin Hall (Commerce Hall 2).\nM 862 may include Buildings - Barns.\nM 868 no. 8 may include Cornerstone Markers (Old Commerce Hall).\nM 881 may include Computing Center.\nM 882, 883 may include Buildings - Swine Center.\nM 886 may include Agriculture \u0026amp; Life Sciences, College Of - Veterinary Science.\nM 890 may include Mccormick, Cyrus Hall.\nM 890, 892 may include Buildings - Norris Hall.\nM 894, 895 may include Name Change.\u003c/p\u003e","\u003cp\u003eMla 31 may include Colors, V.P.I. (Orange \u0026amp; Maroon).\nMla 88 may include \"GOBBLERS\" (nickname).\u003c/p\u003e","\u003cp\u003eMla 367 may include Yells-VPI.\u003c/p\u003e","\u003cp\u003eMo 13, 17z may include Rankine, William J. M.\nMo 15, 16 may include Student Government Association.\nMo 20z73, 23 may include Sigma Mu Sigma (National College Masonic Service Fraternity).\u003c/p\u003e","\u003cp\u003eMo 1 may include Lee Literary Society.\u003c/p\u003e","\u003cp\u003eMo 1a, 1b, 1c, 1c1, 1c2, 1d may include Maury Literary Society.\u003c/p\u003e","\u003cp\u003eMo 2 may include Christian Science Organization.\u003c/p\u003e","\u003cp\u003eMo 3 may include Fraternities \u0026amp; Sororities--Social.\nMo 3a may include Kappa Sigma.\nMo 3b may include Sigma Alpha.\nMo 3b, 3d may include Pi Kappa Alpha (Social Fraternity).\nMo 3c may include Alpha Phi.\nMo 3c no. 2 may include Beta Theta Pi (Social Fraternity).\u003c/p\u003e","\u003cp\u003eMo 4 may include Music Groups and Tech Minstrels.\u003c/p\u003e","\u003cp\u003eMo 4m may include Songs Of VPI Incl. Moonlight \u0026amp; VPI, Tech Triumph, Ut Prosim.\u003c/p\u003e","\u003cp\u003eMo 6 may include Apple Club; Black Diamond Club; City, County \u0026amp; Sectional Clubs; Lonesome Pine Club; Lynchburg Club; Northern Neck Club; Peanut Club; Pittsylvania Club; Richmond Club; Roanoke Club; and Shenandoah Valley Club.\u003c/p\u003e","\u003cp\u003eMo 7 may include Tech Players and Thespian Club.\u003c/p\u003e","\u003cp\u003eMo 8 may include Virgnia Polytechnic Societies.\u003c/p\u003e","\u003cp\u003eMo 11 may include Student Publications.\u003c/p\u003e","\u003cp\u003eMo 16 may include Honor System.\u003c/p\u003e","\u003cp\u003eMo 16m, 16r may include Highty-Tighties.\nMo 16p may include Kohler Trophy.\nMo 16s may include Company B, Corps Of Cadets.\u003c/p\u003e","\u003cp\u003eMo 17z, 31-33, 55, 56, 57, 62, 65, 66, 68, 71, 72 may include War Memorial Chapel.\u003c/p\u003e","\u003cp\u003eMo 17g, 17m, 17L may include Buildings - War Memorial Gymnasium.\nMo 17h, 17g may include Buildings - Alumni Building.\nMo 17s3, 17s5, 17s7 may include Buildings - Miles Stadium, 1926-1964.\nMo 17t may include V.P.I. Alumnus.\nMo 17z29 may include Campus Development Plan.\nMo 17z31 may include Victory Reunion (1946).\u003c/p\u003e","\u003cp\u003eMo 17z101 may include Carillon.\u003c/p\u003e","\u003cp\u003eMo 20 may include Fraternities--Honorary.\nMo 20c, 20f, 20t, 20v, 20w, 20x, 20z, 20z12, 20z40, 20z76, 20z96 may include Sigma Xi (Honorary Faculty Research Society).\nMo 20g, 20o, 20w, 20y, 20z, 20z40 may include Pi Delta Epsilon (Journalism Honorary).\nMo 20j, 20m, 20o, 20t, 20w, 20x, 20z, 20zl, 20z3, 20z5, 20z95, 20z19, 20z94 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nMo 20q, 20s, 20z5, 20z71 may include Alpha Kappa Psi (Professional Business Fraternity).\nMo 20z22, 20z23, 20z32, 20z9, 20z70 may include Gregory Guard.\u003c/p\u003e","\u003cp\u003eMo 20, 20d, 20g2, 20h, 20p, 20r, 20w, 20y, 20zl, 20z2, 20z5, 20z6 may include Phi Kappa Phi (Scholarship Honorary).\nMo 20d, 20e, 20f, 20m, 20s may include Alpha Zeta (National Agriculture Society).\nMo 20e may include Scorpions Club.\nMo 20f, 20g may include Beta Tau Epsilon (Engineering).\nMo 20f, 20p, 20z, 20zl, 20z3 may include Phi Lambda Upsilon (Chemistry Honorary).\nMo 20g, 20h, 20j, 20p, 20q, 20r, 20u, 20x, 20z, 20z2, 20z11 may include Tau Beta Pi (Engineering Honorary).\nMo 20g2 may include Theta Epsilon Theta (Research Honorary Society).\nMo 20h may include Phi Gamma Nu.\nMo 20h, 20w, 20z2, 20z6, 20z7 may include Sigma Delta Psi (Athletic Honorary).\nMo 20m, 20n, 20t, 20z, 20z3, 20z6, 20z8 may include Scabbard \u0026amp; Blade (Honorary Military Society).\nMo 20w, 20x, 20z1, 20z3 may include Pi Tau Sigma (National Honorary, Mechanical Engineering).\nMo 20w, 20z, 20z1 may include Eta Kappa Nu (Ee Honorary).\nMo 20z may include Keramos.\nMo 20z, z2, z3 may include Chi Epsilon (Civil Engineering Honorary).\nMo 20z1 may include Alpha Sigma Mu (Metallurgical Engineering Fraternity).\u003c/p\u003e","\u003cp\u003eMo 20z28, 20z29 may include Sigma Pi Sigma.\nMo 20z27 may include Phi Sigma Society (Biological Sciences Honorary).\nMo 20z48 may include Pi Omega Pi (Business Education Honorary).\nMo 20z60 may include Alpha Phi Omega (National Service Fraternity).\u003c/p\u003e","\u003cp\u003eMo 22 may include American Society Of Agricultural Engineers and Four-H Alumni Club.\nMo 22b, 22c, 22d, 22e, 22g may include Agronomy Club.\u003c/p\u003e","\u003cp\u003eMo 24 may include \"Skippers\".\u003c/p\u003e","\u003cp\u003eMo27 may include Dairy Science Club (American Dairy Science Association).\u003c/p\u003e","\u003cp\u003eMo 33 may include Chemical Club.\u003c/p\u003e","\u003cp\u003eMo 34 may include Industrial Arts Education Club.\u003c/p\u003e","\u003cp\u003eMo 35 may include Baptist Student Union, Religious Activities, and Wesley Foundation.\u003c/p\u003e","\u003cp\u003eMo 37 may include Engineers and Engineering Exposition.\u003c/p\u003e","\u003cp\u003eMo 42 may include Blacksburg Naval Reserve Research Unit.\u003c/p\u003e","\u003cp\u003eMo 49 may include Circle K (Student Organizatons - Service).\u003c/p\u003e","\u003cp\u003eMo 50 may include Apollo Club (Weightlifting Club, 1954).\u003c/p\u003e","\u003cp\u003eMo 52 may include Aeronautical Clubs - American Institute Of Aeronautics; American Institute Aeronautical Science; American Institute Of Aeronautics \u0026amp; Astronautics.\u003c/p\u003e","\u003cp\u003eMo 54 may include Burkhart Mining Society.\u003c/p\u003e","\u003cp\u003eMo 60 may include Holden Society (Student Geological Organization).\u003c/p\u003e","\u003cp\u003eMo 61 may include Amateur Radio Association.\u003c/p\u003e","\u003cp\u003eMo 64 may include Chinese Student Association.\u003c/p\u003e","\u003cp\u003eMo 65 may include Distributive Education, Curriculum In.\u003c/p\u003e","\u003cp\u003eMo 67 may include Virginia Educational Association.\u003c/p\u003e","\u003cp\u003eMp 7 may include Rison Bill.\nMp 54 may include Buildings - Burruss Hall.\u003c/p\u003e","\u003cp\u003eMp 164 may include Name Change.\u003c/p\u003e","\u003cp\u003eMra may include Radford University.\u003c/p\u003e","\u003cp\u003eMst may include Cadet Scandal and Student Unrest / Troubles / Protests.\u003c/p\u003e","\u003cp\u003eAB may include Athletics - Track \u0026amp; Field.\u003c/p\u003e","\u003cp\u003eABB may include Athletics - Wrestling.\u003c/p\u003e","\u003cp\u003eAF may include Scrub Football Team.\nAF 1914c may include Songs Of VPI Incl. Moonlight \u0026amp; VPI, Tech Triumph, Ut Prosim.\nAF 1919s may include Silent Drill Company.\nAF 1922L may include Maury Literary Society.\nAF 1923z3 may include Monogram Club and Buildings - Field House (1914) (Burned).\nAF 1922z11 may include Dope Book (VPI - Vmi History).\nAF 1924 may include Athletic Department (Formerly Athletic Association).\nAF 1955 may include Sword (Ceremonial; VPI-VMI Game).\nAF 1959z10 may include Television (1959 Homecoming Game - A \"First\").\u003c/p\u003e","\u003cp\u003eAG may include Athletics - Intra-Murals; Athletics - Women'S Sports; Athletics, Miscellaneous (Including \"Minor\", Unlisted Sports); and Miscellaneous Sports.\u003c/p\u003e","\u003cp\u003eAG 1, 5 may include Athletic Department (Formerly Athletic Association).\nAG 5, 6 may include Southern Conference.\nAG 5, 6 may include Southern Intercollegiate Athletic Association.\nAG 11 may include Buildings - Miles Stadium, 1926-1964.\u003c/p\u003e","\u003cp\u003eAT may include Athletics - Track \u0026amp; Field.\nAT 1900, 1903, 1920c may include Field Day.\u003c/p\u003e","\u003cp\u003eMu may include Buildings - University Club Building (Residence).\u003c/p\u003e","\u003cp\u003eMW 14, 23, 34, 27, 37, 53 may include Lakes \u0026amp; Ponds.\u003c/p\u003e","\u003cp\u003eW la, 7a, 7c may include American Red Cross.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3151_c27_c37"}},{"id":"vimtvl_repositories_2_resources_53_c01_c01","type":"Sub-Series","attributes":{"title":"Audio cassette tapes, 1948/2006","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vimtvl_repositories_2_resources_53_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vimtvl_repositories_2_resources_53_c01_c01","ref_ssm":["vimtvl_repositories_2_resources_53_c01_c01"],"id":"vimtvl_repositories_2_resources_53_c01_c01","ead_ssi":"vimtvl_repositories_2_resources_53","_root_":"vimtvl_repositories_2_resources_53","_nest_parent_":"vimtvl_repositories_2_resources_53_c01","parent_ssi":"vimtvl_repositories_2_resources_53_c01","parent_ssim":["Audio Visual Collection, 1928/2015","Audio, 1948/2010"],"parent_ids_ssim":["vimtvl_repositories_2_resources_53","vimtvl_repositories_2_resources_53_c01"],"title_filing_ssi":"Audio cassette tapes","title_ssm":["Audio cassette tapes"],"title_tesim":["Audio cassette tapes"],"normalized_title_ssm":["Audio cassette tapes, 1948/2006"],"text":["Audio cassette tapes, 1948/2006","Audio Visual Collection, 1928/2015","Audio, 1948/2010","Norton, Dean","English.","Alphabetical by item title.","This sub-series includes all audio recordings in cassette formats."],"parent_unittitles_ssm":["Audio Visual Collection, 1928/2015","Audio, 1948/2010"],"parent_unittitles_tesim":["Audio Visual Collection, 1928/2015","Audio, 1948/2010"],"normalized_date_ssm":["1948/2006"],"unitdate_inclusive_ssm":["1948-2006"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"collection_ssim":["Audio Visual Collection, 1928/2015"],"has_online_content_ssim":["false"],"child_component_count_isi":60,"parent_access_terms_tesm":["Mount Vernon and the MVLA do not own copyright for every item in this collection. We provide access to these materials, however the researcher is responsible for discerning proper use according to copyright laws."],"persname_ssim":["Norton, Dean"],"names_ssim":["Norton, Dean"],"language_ssim":["English."],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by item title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Alphabetical by item title."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_8ed75c02bc7010be0790c93df8cd6ad0\"\u003eThis sub-series includes all audio recordings in cassette formats.\u003c/materialspec\u003e"],"materialspec_tesim":["This sub-series includes all audio recordings in cassette formats."],"_nest_path_":"/components#0/components#0","timestamp":"2026-06-23T07:03:07.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_2_resources_53","ead_ssi":"vimtvl_repositories_2_resources_53","_root_":"vimtvl_repositories_2_resources_53","_nest_parent_":"vimtvl_repositories_2_resources_53","ead_source_url_ssi":"data/oai/MV/repositories_2_resources_53.xml","title_ssm":["Audio Visual Collection"],"title_tesim":["Audio Visual Collection"],"unitdate_ssm":["1928-2015"],"unitdate_bulk_ssim":["1928-2015"],"normalized_date_ssm":["1928/2015"],"normalized_title_ssm":["Audio Visual Collection, 1928/2015"],"text":["Audio Visual Collection, 1928/2015","A.AVC","/repositories/2/resources/53","The Audio Visual Collection is divided into two series, Audio and Video. These are further broken down into multiple sub-series according to physical format. Each sub-series lists items alphabetically by title. The series and subseries are arranged as follows:","Audio\n-Audio Cassette Tapes\n-Compact Discs\n-LP Records\n-Magnetic Tape Audio Reels","Video\n-Betamax\n-DVD\n-Film Reels\n-Laserdisc\n-Umatic\n-VHS\n-Videotape","This series is broken down into sub-series based on format of the audio recording, including audio cassette, compact disc, LP records, and magnetic tape reels.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","This series is broken down into sub-series based on format including Betamax, DVD, film reels, Laserdisc, Umatic, VHS, and Videotape (other)","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","The Mount Vernon Ladies' Association of the Union was founded in 1853 by Ann Pamela Cunningham. The purpose of the Association was to purchase Mount Vernon, the home of George Washington, in order to restore the property and open the grounds to visitors and admirers who desired to see Washington's house and tomb. Ann Pamela Cunningham became interested in the preservation of Mount Vernon when her mother, traveling down the Potomac River in 1853, saw the house in its neglected and dilapidated state and wrote to her daughter of its condition. Both women thought it shameful to allow the first President's home to fall into ruin. A determined Ann Pamela Cunningham assembled twenty-two women of like mind together to raise money to purchase the property, pay off all debt, and return the gardens and grounds to the condition in which they were left by Washington himself. John Augustine Washington III, George Washington's great-grandnephew and the owner of Mount Vernon at the time, delayed several years in selling the home to the Ladies' Association. He preferred a sale to the State of Virginia or the federal government, both of which declined purchase. In 1858 he finally agreed to sell Mount Vernon to Ann Pamela Cunningham and the MVLA for $200,000.","The MVLA is the owner and executive board of Mount Vernon. Membership is made up of one Regent and 20-30 Vice Regents, each from a different state. All MVLA members assemble twice a year in April and October for Council, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations, and rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant.","CD Rom recording of a reenactment of the Supreme Court case Ware vs. Hylton. Second part of a collaboration between the MVLA and the SCHS. Introduced by Ralph Lancaster and hosted by Justice Alito. Memorex, CD-R. Audio dated 10-21-10.","- Publications and printed material of the MVLA\n- Oral history collection of the MVLA\n- Papers of the MVLA\n- Early Records of the MVLA\n- Papers of the Superintendent and Resident Director\n- Restoration Files","This collection includes audio and video resources related to Mount Vernon, the Mount Vernon Ladies' Association, and George Washington. Many audio and video recordings in the collection were either produced by, or made in cooperation with, the Mount Vernon Ladies' Association. However, there are also AV productions made by other institutions, corporations, and media companies. Content includes footage and recordings of events, interviews, lectures, VIP visitors, and views of the estate. Several documentaries, news broadcasts, and syndicated radio or television programs are also included as they pertain to the history of Mount Vernon. Highlights of the collection include: Pictorial Reports of the estate during the years 1955-1970 which feature footage of several famous visitors such as President Eisenhower, Princess Margaret and Lord Snowdon, and Fidel Castro; a feature film with B-Roll footage by travelogue filmmaker Andre de la Varre; video and audio recordings of Vice Regents and Mount Vernon staff. Most film reels have been digitized and are available by links within individual catalog records or via written/email request.","Cassette tape titled Dr. Douglass Southall Freeman Address at U.D.C Meeting in Alexandria, 1948. Tape marked: Washington-Lee Comparison. Inside note reads Address at United Daughters of the Confederacy meeting, 1948. Comparison - Washington and Lee. Recorded from phonograph record in MVLA collection RP 70; MISC 4036. Presented by George Washington Custis Lee Chapter of the UDC.\" TDK tape and case.","Audio cassett tape labeled: Dr. Southall Freeman. Speech given in Alexandria. Case marked: approx 30 min- 3 3/4- Track A Mono 1, Copy from Records. 1st copy.  5\" reel. Contributor: Dr. Southall Freeman.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 1 includes speeches from Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer. Dated 11/8/93. 1 tape, Lanier case. Contributors: Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 2 includes the speech from Dr. J. Worth Estes. Dated 11/8/93. 1 tape, Lanier case. Contributor: Dr. J. Worth Estes.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 3 dated Mon, 8/11/93. 1 tape, Lanier case.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 4 dated Mon, 11/8/93. 1 tape, Lanier case.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 5 includes the speeches by Dr. Richard L. Willham and Dr. Alan Fusonie. 1 tape, Lanier case. Contributors: Dr. Richard L. Willham and Dr. Alan Fusonie.","Cassette tape containing the speeches from the seminar, \"Agriculture in the Age of Washington.\" Tape 6 is thought to include the speech by Dr. Donald E. Bixby. 1 tape, Lanier case. Contributor: Dr. Donald E. Bixby.","Cassette tape titled All Things Considered, NPR Interview. Case marked: J. Rhodehamel, CBS, April 1984. Contributor: John Rhodehamel","Cassette tape America's Favorite Places, Ride With Me: Williamsburg. Narrated by: Grover Gardner, tells the history of Williamsburg. 1990. Cassette. Creator/Producer: RWM Associates.","Cassette tape America's Favorite Places, Ride With Me: The Mount Vernon Story. Narrated by John MacDonald, Kimberly Schraf and Michael Russotto. Tells the history of Mount Vernon and it's historic owner. 1993, Cassette.","Cassette tape labeled Audio Demo Noble Creek Prod.S. 1 tape, Scotch case.","Cassette tape titled Beds, Beddings, and Bed Hangings. Author Jane C. Nylander. Tape marked: AASLH. Contributor: Jane C. Nylander.","Cassette tape titled Capital Conversation Ellen McCallister Clark. Tape marked: 6/14/87. Supertape.","Part of a series of cassette tapes all labeled Capital Conversation. This recording is with Ellen McCallister Clark, 6/14/1987.","Cassette tape titled Capital Conversation Ellen McCallister Clark, John Riley, Ann Rausher. Tape marked: 9/6/87, Hour 4, Supertape.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #1 with Mrs. Robert E. Lee IV and Christine Meadows, dated 9/6/1987.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #2 with Christine Meadows, Herb Prevost, Jim Simms, and Dean Norton, dated 9/6/1987.","One of a series of cassette tapes labeled: Capital Conversation. This is Hour #3. Dated 9/6/1987.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This is Hr. #4 with Ellen McCallister Clark, John Riley, and Ann Rauscher, date 9/6/87.","Cassette tape titled CC Wall's Talk to Interpreters C. Taped 1984. Certron tape.","Cassette tape titled Side 1 and Side 2. Tapes relating to The Character of George Washington Seminar on April 23, 1995. Radio Shack tape.","Cassette tape titled Side 3 and Side 4. Tapes relating to the Character of George Washington Seminar on April 23, 1995. Radio Shack tape.","Cassette tape titled Does He Take Sugar? American Edition. Tape marked: Marlene Pease, BBC. Century Magnetics tape. 60 minute tape.","Cassette tape labeled: Mrs. de Forest, Gordon Talk. Nov 1, 1981. TDK tape.","Cassette tape labeled: First Patriot: The Life and Legacy of George Washington. Tape marked: Produced by Radio America with the Mount Vernon Ladies' Association. Dolby B.","Cassette tape titled Four Narrators-Finley Holiday Films. TDK tape and case.","Cassette tape titled G.W. PSA's. Case marked: (8 60's, 8 30's) Master Copy, Radio America Public Service Announcements, February 1989. TDK tape and case.","Cassette tape titled Hail Columbia by Philip Phylo and Joseph Hopkins. Tape marked: The New American Brass Band from the Soundtrack of the War by Ken Burns. TDK tape and case.","Cassette tape labeled: Historical Sites Mountt. Vernon. Tape marked: DMC, 8/4/87, House Market Research Inc. Maxell tape.","Cassette tape titled \"Holiday\" - Washington - Lincoln. Memorex tape.","Cassette and Slide set of a Mount Vernon tour, produced by Finley Holiday Film Corp. Purchased from Museum Shop. 1 Cassette Tape, 40 Slides. Creator/Publisher: Finley Holiday Film Corp.","John RhodehamelJohn RhodehamelJohn RhodehamelJohn Rhodehamel USI tape.","Casette tape of a lecture by Chris Matthews, dated 5/17 no year. 1 tape, Maxell case. Contributor: Chris Matthews.","Cassette tape titled Dr. James R. Soles. Tape marked: Side A: Lecture at First Annual meeting of the George Washington Club. June 3, 1983. Side B: Question and Answers Following Lecture. Maxell tape and case. Contributor: James R. Soles.","Cassette tape of a lecture by Marc Leepson. Dated 6/6/06. 1 tape, Maxell case. Contributor: Marc Leepson.","Cassette tape recording of a lecture by Michael Novak, thought to be in relation to his book \"Washington's God,\" published in 2006. Tape dated 4/11/06. 1 tape, Maxell case. Contributor: Michael Novak","Cassette tape of a lecture by Peter Henriques. Dated 5/2/06. 1 tape, Maxell case. Contributor, Peter Henriques","Cassette tape of a lecture by Richard Brookhiser thought to be in relation to one of his books on George Washington. Dated 5/22/06. 1 tape, Maxell case. \nContributor: Richard Brookhiser.","Cassette tape of a lecture by Thomas Fleming. Dated 3/28/06/ 1 tape, Maxell case. Contributor: Thomas Fleming.","Cassette tape titled Martial Musick of Yorktown. Includes marches, quicksteps, dances, and songs. Titles include: The World Turned Upside Down, Royal Deux Ponts March, and many others of historical significance. Case marked: George Carroll. Stereo, Dolby, Cassette.","Cassette taped titled The Monticello Music Collection. Includes songs from Mozart, Beethoven, and Vivaldi amongst others. Dolby System. 1986.","Cassette tape of the Mount Vernon Audio Tour, dated 6/16/95. 1 tape, Maxell case. (TRT) 41:09","Cassette tape labeled: Mount Vernon Audio Tour, submitted for final approval. Dated 6-30-95. 1 tape, no case.","Cassette tape titled Mount Vernon Capital Campaign 3:25.","Cassette tape recording of the Grand Opening of the Education Center. Dated Oct. 22, 2006. 1 tape, Maxell case.","Cassette tape titled This Side is MTV Finance. Tape marked: Buildings, Rose Strachan (Vice Regent),Chair. Sony tape.","Cassette tape labeled: Mount Vernon Capital Campaign. Tape marked: Recorded Script - Audio-Visual Show. (2 Copies)","Cassette tape labeled: English: Mount Vernon Ladies Association Magazine Show. Tape marked: 1/21/86, For: Farmer general Programs. USIA, Voice of America.","Cassette tape labeled: Mount Vernon Music Selection Sample. Tape marked: Finley Holiday Film Corp. Whittier, CA. Creator/Publisher: Finley Holiday Film Corp.","Cassette tape labeled: NEWSMARK: George Herman's Washington. Tape marked: CBS Inc. All Rights Reserved. Note marked: MV-237-262. Ampex tape. Creator/Publisher: CBS Inc.","Cassette tape labeled: Mount Vernon Audio Tour. Tape case label reads \"Outbuildings Tour- Not Final Copy. Tape marked: Only a couple minor changes made after this tape.\" Note attached addressed to John Riley detailing the process of creating the tape. Letter dated June 16, 1994. Maxell tape and case. TRT 41:09","Cassette tape labeled: SOG House on the Potomac. Other side of tape marked: Received from the VR for Michigan, 1975. Creator/Publisher: Mike Whorf, Inc.","Cassette tape labeled: The Sounds of Glory - Part 7, Washington, a Man to Remember. Other side of tape marked: Gift of the VR for Michigan, 1975. Creator/Publisher: Mike Whorf Inc.","Cassette tape labeled: Still First in the Hearts of His Countrymen: A Celebration of George Washington PSA's. Tape marked: Dolby B, Presented by the Mount Vernon Ladies' Association. (7 Copies)","Cassette tape titled Chuck Rich-Voice of America \"Mount Vernon.\" Tape marked: 4:38.","Cassette tape labeled: Washington Birthday Program 1975. Case marked: Received from the VR for Michigan 1975, Feb. Karl Haas, WTR Detroit. Ampex case, 42.","Cassette tape labeled: WETA radio interview April 12, 1985. Robert Aubry Davis. Tape marked: C35 even.","Cassette tape labeled With Good Reason, Vol. VI, No. XXVII, Made to Order: The Rise of General Washington, Zagarri (GMU) Chase (UVA). Maxell tape, C60. undated.","CD Rom containing lecture from historian Harlow Unger from the Beneath the Surface lecture series. Imation, Music CD-R, 700MB. Contributor: Harlow Unger.","CD Rom labeled Beneath the Surface Lecture 1, dated 7/19/06. Memorex, CD-R, 700MB.","CD Rom labeled D Palmer 8/3/06, CD-R, Memorex, 700MB. RP 2295, CD 6752","CD Rom labeled GW Symposium Nov 3-4, 2006. CD-R, Memorex, 700MB.","CD Rom labeled Chernow Lecture, CD-R, Memorex, 700 MB. Contributor: Ron Chernow","CD Rom labeled Lectures, Papers, Gingrich, GWS, dated 11-7-09, Memorex CD-R. Contributor: Newt Gingrich.","CD Rom containing a lecture by historian Scott Berg from the Michelle Smith Lecture Series at Mount Vernon. Imation, Music CD-R, 700MB. Contributor: Scott Berg.","CD Rom labeled Mrs. Thompson Religion in the Life of George Washington. Imation Music CD-R, 700Mb. Contributor: Mary Thompson.","CD Rom labeled Richard Brookhiser Smith Aud. Dated May 30, 2008. Imation, Music CD-R, 700MB. Contributor: Richard Brookhiser.","CD Rom recording of the morning session of the Sweet Briar College Seminar, dated 3/9/09. Imation, Music CD-R, 700MB.","CD Rom recording of the afternoon session of the Sweet Briar College Seminar dated 3/9/09. Imation, Music CD-R, 700MB.","CD Rom recording of a  a talk by Mary Thompson, dated 10-2008. Staples CD-R, 700MB. Contributor: Mary Thompson.","CD Rom, case labeled Wojie Design, Disk #000918.1755, Audio - Music CD Mt. Vernon Interview, 1A and 1B are Side A of Cassette, 2 is Side B of Cassette, September 2000. Physical disk labeled: Imation Disk, CD-R 700MB, Wojie, Music: @ Mt. Vernon Interview, Sept. 2000 Windows Audio CD. Publisher/Contributor: Wojie Design.","LP Record Charles Ives Symphony No.3: Music of the American Revolution. Arranged by Richard Bales, National Gallery Orchestra, Conducted by Richard Bales. 12\" Record. Creator: Richard Bales. Publisher: WCFM Recording Corp.","LP Record labeled: Dr. Douglas Southall Freeman address at U.D.C meeting in Alexandria in 1948. Made from tape recording in MVLA possession, 1966. Presented by George Washington Custis Lee Chapter of the United Daughters of the Confederacy. 12\" Record. Contributor: Dr. Douglas Southall Freeman. RP-70, MISC-4036.","LP Record of a Douglas Southall Freeman speech. Part 1 and Part 3 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 2 and Part 4 are included. Case marked: Running time overall allowing for record changing, about 36 minutes. 12\" record. Contributor: Dr. Douthall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 5 and Part 7 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 6 and Part 8 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record labeled: Easter Sunday at Mt. Vernon. 2 parts. Dated April 10, 1955. An interview by the radio station with employees Vicki (Victoria) Kasperski, floral arrangement, and briefly with Frank Morse. Discusses spring, flowers, and plants at Mount Vernon and how the Washingtons celebrated the holiday. 33 1/2 speed. 12\" record. Publisher/Creator: WCNR Station","LP Record labeled: Mount Vernon 100th Anniversary and introduction by Gov Battle. Case marked: The Regents greeting and Governor Battle's response. Reception, Saturday, P.M, 3-5 o'clock. Oct. 24, 1953. 78 RPM. 12\" record. Contributor: John Battle. R3.","LP Record labeled: Tour of Mount Vernon. Includes Part 1 and Part 2. 16 2/3 RPM. 7\" record. Creator/Publisher: The Solocast Company. 2 copies including RP-44, MISC-3246 A-B","LP Record labeled: Will Holland at the tomb. Gift of Edward Darlington, Radio Station WCNR, Bloomsburg, Pennsylvania, December 1958. 10\" Record. Creator/Publisher: WCNR Station. Contibutors: Will Holland, Edward Darlington. MISC-743","Magnetic reel-to-reel tape recording of Dr. Douglas Southall Freeman's talk comparing George Washington and Robert E. Lee, delivered January 19, 1949 at the George Mason Hotel under the auspices of the Alexandria Chapter of the United Daughters of the Confederacy. Master tape from the original recording in the collection of the Mount Vernon Ladies' Association of the Union. 5\"  3 3/4 ips, made from 4 records, 78 rpm, approx 34 min. BASF casing.","Magnetic reel-to-reel tape recording: East Lawn air traffic over Mount Vernon. The recording is 915 feet, approx. one hour and 45 minutes of play time. Reel case includes an MVLA memo detailing minutes and aircrafts uses. 7\" reel. RP-39, TAPE-3102.","Magnetic reel-to-reel tape recording of Essex Kent Scottish Regiment of Windsor Canada, dated Saturday - Octover 23, 1965. Guests of the Naval Air Reserve Training Unit at Andrews Air Force Base. Recorded approximately 100 feet at 3 1/4 ips. 7\" reel, Scotch brand case. RP-59, Tape-3393.","Magnetic reel-to-reel tape recording of Mr. Wall and Mr. Fritz Gutheim at graduate seminar on historic preseravtion at George Washington University. Dated Sept. 10, 1975. 7\" reel, Sears Silvertone Sound Recording Tape. Contributors: Mr. Wall, Mr. Fritz Gutheim","Scotch recording tape. Label reads \"June '64 III?\" Contents unknown. 7\" reel. (TRT) unknown.","Scotch recording tape. Labeled \"June '64 IV.\" Unknown content. (TRT) unknown. 7\" reel.","Magnetic tape. Labeled \"Jun '64 IV p. 33 Harr.\" and \"June 4 retaped p. 33 Harr. (?) Johnson '66\" Unknown content. (TRT) unknown. 7\" reel.","Audiotape magnetic recording tape. Labeled \"June V 1865-71?\" and \"June '64 V\" with note inside \"V with side 2 blank for Oct. - Nov. 1865 trouse (?) up to Dec. 3 which is on small reel.\" Unknown content. (TRT) uknown. 7\" reel.","Scotch magnetic tape. Label reads \"June '64 - 7\" with note that reads \"Reel 7 - '66-'69 beginning cards.\" Unknown contenct. (TRT) unknown. 7\" reel.","Magnetic tape reel. Label reads \"June '64 IX\" and \"Cont. on Morse half reel, 9 IX.\" Uknown content. (TRT) unknown. 7\" reel.","Magnetic reel-to-reel tape recording of the Longfellow papers by Elswyth Thane Beebe, March 1966. Plays at 3 3/4 ips, 5 3/4 audio reel, Irish Brand High Fidelity recording tape. RP-59, Tape-3392","Magnetic reel-to-reel tape recording labeled: Mount Vernon, March of 1964. 31 minutes in length. 5 3/4\" tape, Irish brand box.","Magnetic reel-to-reel tape recording. Used for a presentation for the Mount Vernon Capital Funds Campaign in 1979. Script for presentation inside box with tape recording (dated 10/10/1979) Tape includes Voice Outs, Voice Master, Music Tracks, Mix + Pulse Master. Box reads: \"DO NOT USE - See 11/28/79 for approved mix.\" 15 ips. 9\" reel. Creator/Publisher: Charles Webb and Co.","Magnetic reel-to-reel tape recording. Used for a presentation on the Mount Vernon Capital Funds Campaign in 1979. Tape includes Voice Master, Mix Master, Pulse Master. Box reads: \"See 10/15/79 for music used.\" 15 ips, 9\" reel. Creator/Publisher: Charles Webb and Co.","Magnetic reel-to-reel tape recording of Christine Meadows' presentation \"Mount Vernon: Creation and Recreation\" at the Antique Forum. Dated 1/26/78. 7\" reel, 3 3/4 speed, Full Mono, One Only Tape Direction, Crown Recorder, Neumann Microphone. Concertone Magnetic Recording Tape. Contributor: Christine Meadows.","Magnetic reel-to-reel tape recording of the Pageant of Patriots, a costume and military pageant on the bowling green, July 4, 1962. 7\" reel, 7 1/1 ips, Scotch brand IPS. RP-42, Tape-3245.","Magnetic reel-to-reel tape recording of a talk by Sir George Trevelyan made in the \"Banquet Hall,\" probably the New Room, during Council Oct. 24, 1959. The minutes describe the event as a \"lecture on English architecture from the medieval manor to the Industrial Revolution.\" Tape and script. 7\" reel, Audiotape brand box. Contributor: Sir George Trevelyan. RP-224, Misc-1010 a/b.","Magnetic reel-to-reel tape recording labeled: Slimbridge England Wildfowl trees up to 110, Native Bird calls of Southeast up to 347 presented by Mrs. Platt during Council in October 1965. 7\" reel, Scotch recording case. Contributor: Mrs. Platt, Vice Regent for Pennsylvania. RP-49, Tape-3380.","Magnetic reel-to-reel tape recording of the Sound and Light show, \"Father of Liberty,\" performed at Mount Vernon during the Bicentennial year, 1976.  7\" reel, 3 3/4 ips. BASF (Badische Anilin- \u0026 Soda-Fabrik AG). Label notes: (Side 1) Monot. 0-879","Magnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel I, Scotch Brand Case. Creater/Contributor: Walter Gutman. Publisher: Hawk Serpent Productions. RP-280 Tape-5460.","Magnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel 2, Scotch Brand Case. Creator/Contributor: Walter Gutman. Publisher:Hawk Serpent Productions. RP-280 Tape-5460.","Magnetic reel-to-reel tape recording of a tribute to Martha Washington by Guy Aelwood (or Aylwood), dated May 1962. Includes transcription of speech inside box. 5\" 7 1/2 ips - full track. Scotch Magnetic Tape case. \nContributors: Guy Aelwood. RP-36, Tape-3099","Magnetic reel-to-reel tape labeled: White House Tour, dated 2/18/62. Probably an audio copy of First Lady Jackie Kennedy's White House Tour in 1962. Note included with specific highlights of the tour including the Gilbert Stuart portrait, Washington Bust, an MVLA Gift, the President, and Music. 7\" reel, RCA case. RP-40, TAPE-310.","Magnetic reel to reel tape recording with Will Holland, Mount Vernon Tomb Guard. Recording by Edward Darlington and Radio Station WCNR in Bloomsbury, PA. Dated Dec. 1958, possibly spliced in 1980. 4\" reel. 33 1/3 speed. Creator: WCNR Station, Columbia-Montour Broadcasting Corp. Contributors: Will Holland, Edward Darlington. RP-42, Tape 32--","Betamax video cassette - no label but note inside case reads \"Credit VRDC\" (could be abbreviation for Vice Regent District of Columbia?) 1 tape Je Frand. Betamax, Maxell brand.","Betamax video cassette tape labeled: DUB \"Crowds-Gone\" L 750. No case.","Betamax video cassette tape labeled: 8pm Call-In From Mount Vernon. Large C-Span rights label placed over tape. Recorded 9/27/87. Creator/Publisher: C-Span.","Betamax video cassette tape labeled: Monticello Interview Show. Note marked: May 17, 1987. Bad tape - tape of a tape of an original. Creator/Producer: C-Span.","Betamax video cassette tape labeled: Demo Reel, Rudisill, Inc. Please Return. Case marked: Carol Rudisill, Rudisill, Inc. Creator/Publisher: Rudisill, Inc.","Betamax video cassette tape labeled: The Frugal Gourmet at Mount Vernon (30 mins) recorded 4/10/88. Maxell brand. Creator/Publisher: unknown.","Betamax video cassette tape labeled: George Washington II: Forging of a Nation, September 21-22, 1986. (2 copies) Both copies have label for Ventures in Video, McLean, Virginia. Scotch brand case.","Betamax video cassette tape labeled: GWII-1-2-3-4 hrs. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Jacques Cousteau. Case marked: Love to Remember Red River (?) Probably related to Cousteau's 75th birthday celebration at Mount Vernon in 1985.","Betamax video cassette tape labeled: Jacques Cousteau 75th Birthday Party, Mt. Vernon, June 9, 1985. Scotch brand tape and case. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Mount Vernon Conference: Tree Planting. Maxell case. Creator/Publisher: unknown.","Betamax video cassette tape with only one small label that reads: PM MAG. Possibly a recording from the syndicated TV broadcast PM Magazine, or PM/Evening Magazine. Maxell case. Creator/Publisher: unknown.","Betamax video cassette tape with only a note that reads: JR- This is the 30 sec. version of what I believe may be a 60 sec. spot. Smithsonian on PSA. Radio Shack case. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Smithsonian World - PBS. Tape also marked: C-Span Interview with Christine Meadows and W.W. Abbot. Creator/Producer: C-Span.","Betamax video cassette tape labeled: Today Show? No case and undated. Creator/Publisher: unknown.","DVD labeled: Video of The Ballad of Billy Lee starring Henry Brown. Selected Scenes. Written and directd by Len Lamensdorf. Forward by Prof. Joseph J. Ellis. DVD. (TRT) unknown.","DVD recording:  Billy Lee's Washington: A Musical by Evelyn Swensson \"World Premiere.\" DVD, (TRT) 60:00. Copyright 2006-2009. Creator/Publisher: Evelyn Swensson","DVD labeled: The John Marshall Foundation presents Conviction of Duty, George Washington and John Marshall Make a Pivotal Decision for America's Future. William A. Sommerfield as Washington, Mark K. Greenough as Marshall. Filmed at Mount Vernon. (TRT) unknown. c. 2005","\"Discover the Real George Washington\" Grand Opening TV Clips. DVD. (TRT) unknown.","DVD recording: Exploring Mount Vernon. (TRT) 56:42 (2 copies) Publisher/Creator: Alabama Public Television, c. 2011. Contributor: MVLA.","DVD recording: The General's Brother. Biographical film on Samuel Washington and his Harewood home, by Bob Asbury. (TRT) unknown. (2 copies) acc. 2015-A-040. Publisher/Creator: Sun West Productions. Contributor: Bob Asbury.","DVD recording: George Washington Papers Video, July 2010. (TRT) 3:50. Creator/Publisher: Siddall, Inc.","History Channel video program 150 Years of Saving Mount Vernon. DVD. (TRT) 10 mins. Creator/Publisher: A\u0026E Television Networks, c. 2010","DVD recording labeled: Bringing Them Home, Encoded Master File, Revised 3-15-10. Video: MPEG-2 Transport Stream, 30 Mpbs, Audio: MPEG 1, layer 2, 48K, 128kpbs. History Channel, Mount Vernon: Discover the Real George Washington. Disc 1/1 DVD. (TRT) unknown. Creator/Publisher: A\u0026E Television Networks, c. 2010","DVD recording labeled: Mount Vernon Exhibit Videos Compilation Reel, 8/8/06, The History Channel. Creator/Publisher: A\u0026E Television Networks.","DVD recording: \"Leader of Character\" Award Presentation and Interview J.W. Marriott, Jr. at Mount Vernon. 2006066 Marriott International Media Productions Department 52/935.25, 301-380-1024. acc. RP-3112, DVD-7088 (TRT) 56:27","DVD recording: Mister Chief Justice, undated. Creator/Publisher: The John Marshall Foundation.","DVD recording: Potomac by Air: Our Nation's River. Creator/Publisher: Maryland Public Televsion, MPT. (TRT) 56:52.","DVD recording: Reaching Out for Liberty and Light: The Life of Frances Payne Bolton. Copyright 2000. Creator/Publisher: TELOS Productions in association with History Enterprises. (TRT) 86:00","DVD recording: Real George Washington. Copyright 2008. Creator/Publisher: Fairfax County School Board, MVLA.","DVD video: Saving Mount Vernon: The Birth of Preservation in America. (TRT) 25 mins. Publisher/Creator: Madisonfilm, Mount Vernon Ladies' Association.","DVD recording: The Winter Patriots: Trenton and Princeton Campaign, 1776-1777. (TRT) 27:00. Creator/Publisher: MVLA, Wide Awake Films","Film reel labeled: George Washington's Mt. Vernon \"The American Institute of Architects\" LOGO. Public Service Announcement or commercial produced by the American Institute of Architects with audio. Actor portraying George Washington as a surveyor and highlighting \"proper land management.\" Case marked: #71247, CR# 6, Color Print DBVT, \"B\" Wind, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:38. Copy and paste this link for online access to the video: https://vimeo.com/288567283/fa3658b6d4","Film reel Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Bastille sketch, drafting tools, mirror, window, spyglass, library bookcase, Nellie portrait, Lawrence portrait. Case marked: 1 roll, B\u0026W/Color Print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281337809/00f11616b7","Film reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes. (Can 5) 1 roll, COL/B\u0026W Print Silent, Academy 35 mm. 7 1/2\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951515/a029733dee","Film reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Nellie's room, window, blue room, guest room, Lafayette room, third floor guest room. 1 roll. Color print. 35 mm Academy Aperture. 7 1/4\" reel.  (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281335387/20b8865888","Film reel labeled: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of G.W. apt. Martha dresser, Martha dressing table, fan, window, mantle clock, bible, GW bedroom. 1 roll, Color/B\u0026W Print, 35 mm Academy Aperture. 7 3/8\" reel (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281336523/75f64f1de6","Film reel of Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Little parlor, pantry, dishes, G.W. washroom, family dining room, linen closet, hall closet, washroom - shaving. Case marked: 1 roll, Color print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Verre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338268/8d6970d6dc","Film reel titled N/D \"7 Trims \u0026 Outs: Parlor, Dining Room: Formal Parlor, Pantry, Family Dining Room\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 250 feet. Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator/Publisher: Andre de la Varre. Copy and paste this link for online access to this video: https://vimeo.com/281650012/133a4578b3","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, out-takes of loom, shingles, sprintime, chairs on Piazza. Case marked: (Can 6) 1 roll, COL/B\u0026W Print Silent, Academy 35 mm. (TRT) unknown. 5 3/4\" reel.  (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951071/1d9bb3af88","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includees B-roll, trim, and out-takes of Kitchen garden, kitchen, kitchen entrance, New Tomb, Old Tomb, etc. Case marked: 1 roll, B\u0026W/Color Print, 35 mm Academy Aperture. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281339802/991fff79e6","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Manuscript letter, farm account ledger 1793, Five Farm map. Thomas ryan account, etc. (Can 7) 1 roll. B\u0026W Print Silent. 35 mm Academy Aperture. 7\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951196/865f2bfe11","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Storehouse A\u0026B, Powel coach, linen, horse, barn, etc. Case marked: (Can 5) \"Assorted Titles; Can#5A\" 1 roll, Color/B\u0026W Print Silent, Academy 35 mm. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280952076/de49a56af0","Film reel titled N/D \"9 Trims \u0026 Outs: Library - Bookplates, Bookcase, Drafting Tools, Lawrence Portrait, Main Hall, Doorknocker, Banquet Hall\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 335 feet, Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Copy and paste this link for online access to this video: https://vimeo.com/281657169/c8eb4f5ea8","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of formal garden, green house, school house, etc. Case marked: 1 roll, B\u0026W/Color Print,  35 mm Academy Aperture. 7\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338676/dd336a54e0","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of MV drawing, Vaughn plan, family portrais, decorative arts, Lafayette, and chairs on Piazza. Case marked: (Can 8) 1 roll, COL/B\u0026W Print, Academy 35 mm. 6 1/8\" reel.  (TRT) 03:17. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951857/738766c44a","Film reel \"The Face on the Dollar Bill\" by Samuel E. Friedman, Leonid Kipnis, and Lamont Moore with cooperation by the Mount Vernon Ladies' Association. Funded by Judge Friedman, Westport, Connecticut. Case marked: 1 roll, COL/B\u0026W w/sound DBVT, reg 16mm. 6 3/4\" reel. (TRT) 10:25. creator/Publisher: Samuel E. Friedman, Leonid Kipnis, Lamont Moore. RP-415, FILM-3728.External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281467532/4f0ac99ae5","Film reel labeled: Gift of Mrs. Holdsworth from her family collection. \"No Title\" Case marked: 1 roll, Kodachrome Orig. Silent \"B\" Wind. Reg. 8mm film. (TRT) 2:50. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949303/db1ed083ac","Film reel labeled: Lawson Whitesides Gift of Mrs. Betsy Holdworth (2015 gift) \"No Title\" Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. (TRT) 01:37. 3 15/16\" reel. Digitized 2015. (Faint vinegar smell) Contributer: Elizabeth Holdsworth. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949490/81056fc553","Film reel titled N/C \"Mrs. Johnson Garden.\" Depicts First Lady, Mrs. Johnson visiting Mount Vernon's gardens, undated. Case marked: 16 mm/ Color Reversal/ A Wind/ Acetate/ Silent, 200 feet, Digitized Sept. 2014. 5 1/4\" reel.  (TRT) 04:33. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/257965973/b5f5ff7577","Film reel labeled: George Washington's Mt. Vernon \"The Farming Father.\" Public Service Announcement or commercial by the National Cotton Council highlighting how \"founding farmers\" like George Washington and Thomas Jefferson influenced today's farming industry. Case marked: #71247 CR# 8, Color Print DBVT, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/4\" reel.  (TRT) 01:08. Copy and paste this link for online access to this video: https://vimeo.com/288560193/98511d0e43","Film by the National Cotton Council of America titled \"The Founding Farmers.\" Public Service Announcement or commercial, probably similar to AV_00252, but not digitized. Case marked: S.O.F Color. PSA 422. 16 mm. 2 7/8\" reel. (TRT) 00:59. Creator/Publisher: National Cotton Council of America.","Reel titled George Washington, Mt. Vernon. Case marked: WTOP-TV, Color, Acme film and videotape Laboratories. 16 mm, 15\" reel, (TRT) unknown. (Slight vinegar smell)","George Washington's Mount Vernon, a film by famous travelogue filmmaker Andre de la Varre. The Library has approximately 40 copies of the film in several formats including 16 mm and 35 mm film. These copies previously belonged to schools, former vice regents and other institutions. Digitized 7/20/2015, External hard drive Toshiba 71247. Includes AV_00285 - AV_00291 and AV_00297 - AV_00338. Copy and paste this link for online access to this video: https://vimeo.com/288569473/cbb7304432","Film reel of George Washington's Mt. Vernon No Title. Case marked: #71247, CR# 7, Color Reversal, MOS, \"A\" Wind, Reg 16mm. Digitized 7/20/15. 4\" reel. (TRT) unknown.","Film reel \"Ike Makes Surprise Visit to George Washington's Mount Vernon- Telenews Daily News Film\" Includes news footage of President Dwight. D. Eisenhower in 1958 on a surprise visit to Mount Vernon. Case marked: 16mm/B\u0026W Positive Print/ \"A\" Wind/ Silent/Acetate/ 44 feet/ Digitized Sept. 2014. 4\" reel.  (TRT) 1:30. Contributor: President Dwight. D. Eisenhower. Creator/Publisher: Telenews Daily News Film. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281672724/23d9140ef0","Film reel titled \"King George and Queen Elizabeth at Mount Vernon\" Case marked: 16 mm B\u0026W Reversal/ AGFA/ \"B\" Wind/Silent/Acetate/ 30 feet. Digitized September 2014. 3 3/4\" reel. (TRT) 1:01. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281673145/13cb070a82","Film reel labeled: George Washington's Mt. Vernon \"Maryland Shore 1962.\" Opening caption on film reads \"Maryland Shore: A Major Issue.\" Shows views of the Maryland shore of the Potomac River from Mount Vernon and the George Washington Memorial Parkway. Case marked: #71247 CR#4 Color reversal, silent film, MOS \"B\" Wind REG-16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 6 3/4\" reel. (TRT) 11:14. Copy and paste this link for online access to this video: https://vimeo.com/288427394/9b659cb584","Film created by the Mount Vernon Ladies' Association and Affiliated Film Producers, copyright 1951. Released by McGraw Hill Book Co. The AV Collection holds multiple copies of this film including AV numbers: AV_00277, AV_00278, AV_00280, AV_00283, AV_00321. 16mm and 35 mm copies. Creator/Publisher: Mount Vernon Ladies' Association and Affiliated Film Producers. Copy and paste this link for online access to this video: https://vimeo.com/291511198/386fe3c311","Reel marked Item 12, 71247. 9 1/4\" reel. No case. Possibly related to other films marked with Item numbers and 71247, Andre de la Varre film components. In De Luxe Laboratories bag. Unknown content. (Strong vinegar smell)","Film reel labeled: Mount Vernon Pictorial Reports 1956-1957-1958. Shows events and work done at Mount Vernon, 1956-1958. Case marked: 1,400 feet; 60 minutes at 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:02:57. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281282015/487b2cdfde","Title: Pictorial Reports, 1956: .21","1)\t.35 – 4.11:  The School Groups Commence their Tours\n2)\t4.21-4.36:  A nine O'Clock Opening in April\n3)\t4.46-8.27:  A Warm Sunday Afternoon in April\n4)\t8.40-10.39:  The Annual Pilgrimage of the School Boy Patrols, sponsored by the American Automobile Association\n5)\t10.50-12.50:  The Boat Signals Departure\n6)\t13.02-15.55:  The Grounds Approach Saturation after the Patrol Boys' Parade\n7)\t16.03-17.59:  A typical school group arrives\n8)\t18.08-19.37:  A Busy Garden Gate","Title: Pictorial Report for 1957:   19.48","1)\t19.55-28.43:  Mount Vernon 1957: Some of the colorful events: The friendly sons of St. Patrick place a floral tribute on March 16, escorted by Mr. Barclay\n2)\t28.45-30.09:  On May 1st a helicopter of French design is landed on the circle by the French pilots bearing a floral tribute\n3)\t30.19-31.03:  May 8th the President of the Republic of Viet-Nam escorted by Mr. Densmore\n4)\t31.13-32.19:  June 21st: The 27th National 4-H conference delegates place a floral tribute\n5)\t32.24-33.00:  June 22nd the Prime Minister of Japan escorted by Mr. Densmore\n6)\t33.07 – 34.56:  The Mansion at 8 a.m. during early July\n7)\t35.05 – 36.07:  And later during the Summer drought","Title: Pictorial Report for 1958:  36.19","1)\t36.30 – 38.01 :  Elizabeth II visits Washington October, 1957\n2)\t38.08 - 42.54:  The tulip poplar tree no. 57 planted by General Washington at the Flower Garden Gate received surgical treatment, November 1957\n3)\t43.00 – 44.47: The horsechestnut tree no.116 in the South Grove receives surgical treatment\n4)\t44.55 – 45.24:  The prominent growth on the stem of the large honeylocust tree no.101 is recorded before removal, November, 1957 \n5)\t45.28 – 45.59:  Our tree feeding technique is illustrated\n6)\t46.05 – 46.43:  Mohamed V King of Morocco escorted by the Director, November 26, 1957\n7)\t46.50 – 49.50:  A wet snow prostrates the dry boxwood stems north of the museum on December 4, 1957\n8)\t49.55 -  51.50 :  Dry limbs of redcedar trees are broken and bent under the weight\n9)\t 51.54 – 55.14:  The children of the American Revolution plant a memorial tree and install officers in ceremony April 20, 1958\n10)\t 55.18 – 55.34:  A crowd on the portico greets President Heuss of West Germany May, 1958\n11)\t55.40 – 57.18:  Our new hay baler in operation\n12)\t57.22 – 59.00 :  Handbook vending at the main gate Miss Felicity Cragg \n13)\t59.01 – 1.02.57: No Title : Horticulture: Greenhouse (b\u0026w)\n---END---","Film reel labeled: Mount Vernon Pictorial Reports 1959-1963. Shows events and work done at Mount Vernon, 1959-1962. Case marked: 1,400 feet; 60 minutes @ 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:15:18. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281271792/7f3ca7f821","Film reel labeled: Pictorial Reports: 1964, 1965, 1966. Shows events and work done at Mount Vernon 1964-1966. Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. 12 1/2\" reel (TRT) 46:54. Digitized 2015. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280946247/cd20327929","Film reel labeled: Pictorial Reports: 1967, 1968, 1969, 1970. Shows events and work at Mount Vernon 1967-1970. Case marked: Original Color/ B\u0026W Reversal, 16 mm, 1 roll. 11\" reel (TRT) 52:24. Digitized 2015. Copy and paste this link for online access to video: https://vimeo.com/280952774/7ef4b57f27","Film reel labeled: George Washington's Mount Vernon \"Mount Vernon, Virginia.\" Brief silent film, opening caption reads \"Mount Vernon Virginia,\" shows footage of the Mansion and grounds. Briefly shows visitors lining up for the Mansion tour and walking by the outbuildings. Case marked: CR#11, Color Positive MOS \"B\" Wind REG-8mm film. (TRT) 03:19. Creator/Publisher: Landmark Pictures, Inc. Digitized 7-20-2015, External hard drive Toshiba 71247. Copy and paste this link for online access to this video: https://vimeo.com/288597485/f953bc0045","Film reel: The New Universal Presents \"George Washington Country Gentleman\" Case marked: Variety View 1941, POS, B\u0026W print, DBVT, \"A\" Wind. Digitized April 2016. 7\" reel. (TRT) 9:43. Creator/Publisher: The New Universal. Copy and paste this link for online access to this video: https://vimeo.com/281461632/da7ec4a0d5","Film reel: Paramount News Release \"Year of Dark Contrasts\" by William C. Park, produced by Albert J. Richard in 1939. 1 Roll, B\u0026W Print VDT, Reg 16mm. 7 3/4\" reel. (TRT) 14:32. Creator: William C. Park and Albert J. Richard. Publisher: Paramount Pictures. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281465047/e77c583cf7","Film reel labeled: George Washington's Mount Vernon \"Paramount Pictorial.\" Opening caption reads \"Pictures obtained through the cooperation of the United States George Washington Bicentennial Commission and the courtesy of the Mount Vernon Ladies' Association.\" Footage of the exterior of the Mansion, gardens with workers, the summer house, and the New Tomb. Case marked: # 71247, CR# 5, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/2\" reel. (TRT) 02:59. Creator/Publisher: Paramount Pictures. Copy and paste this link for online access to this video: https://vimeo.com/288564898/3bb5f596a5","Film reel \"MVLA: Visit-President of Mexico 1 May 1947.\" Movietone News footage of the President of Mexico's visit to Mount Vernon. Case marked: 16mm/AGFA/b\u0026W Positive Print/ \"A\" Wind/DBVT Opt, S,T/ Acetate, 30 ft. Digitized Sept. 2014. 4\" reel. (TRT) 01:14. Creator/Publisher: Movietone News. External hard drive GW_MV_WIN_NT (G Drive mini 68569)Copy and paste this link for online access to this video: https://vimeo.com/281672967/8aa3b89131","Film reel labeled: \"Reconstruction of Wharf Causeway at Mount Vernon\" 16mm, Color reversal/b\u0026w Reversal Print, B wind, Silent, Acetate 800 ft. Digitized Sept. 2014. 9 1/4\" reel.  (TRT) 24:59.  External hard drive GW_MV_WIN_NT (G Drive mini 68569) Copy and paste this link for online access to this video: https://vimeo.com/281676320/c9af459251","Film reel including Re-enactment of 1789 departure for NY World's Fair promotion and the Visit of King George and Queen Elizabeth of Britain to Washington and Mount Vernon (1939). This film appears to have been made from splicing film of Paramount News footage of the reenactment of Washington leaving Mount Vernon, 1939 and Movietone News footage of the King and Queen's visit to Washington, D.C. and Mount Vernon, 1939. Color film showing the King and Queen's visit is also spliced in (unknown creator), along with captions describing the contents of the video. See also AV_00256 for duplicate footage of \"Washington is Re-elected.\" 16 mm, b/w Reversal, b/w Positive Print, AGFA, B wind, Silent, Acetate, DBVT, VDT, 700 feet, Digitized Sept. 2014. 8\" reel. (TRT) 16:20. (Slight vinegar smell). Copy and paste this link for online version: https://vimeo.com/281681633/9b0c9cc630","Film reel: R-K-O Pictures Presents \"Mount Vernon\" (Copyright 1937) produced by The Van Beuren Corp. World on Parade Series, narration by Alois Harilla, text By Harold Mckracken, released by R-K-O Pictures, a Van Beuren Production. Run at Silent Speed, 16 fps, with sound. Digitized April 2016. (TRT) 10:02. 7 \" reel. (Faint vinegar smell) Creator: RKO Pictures. Producer: The Van Beuren Corp. External hard drive, My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281463277/9637fa94a3","Film reel labeled: \"Springtime at Mount Vernon\" MVLA, 1956. Case marked: MV \"Home\" Movie, Original color reversal 16mm, silent film. 1 roll, Original color reversal, regular 16 mm. 11\" reel. (TRT) 51:55. (Slight vinegar smell) Creator/Publisher: MVLA. Copy and paste this link for online access: https://vimeo.com/280956677/263be04c18","Film reel labeled: Snow Wall-Shingles for Mount Vernon. Case marked: P50-E\u0026V. 1 roll. Color Rev. Orig. \"B\" Wind Silent. Reg. 8mm film. (TRT) 04:45. Copy and paste this link for online access to this video: https://vimeo.com/280956358/84ea72dcf8","Film reel titled \"Vice Regents\" Case marked: gift of Mrs. Carpenter, Vice Regent for Illinois. May 1939. 16 mm, b\u0026w Reversal/ \"B\" Wind/ Silent/ Diacetate/ 400 feet/ Digitized Sept. 2014. 6\" reel.  (TRT) 10:05. (Faint vinegar smell) External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281657739/530ac57f14","Film reel labeled: George Washington's Mt. Vernon \"VA United Press\" Footage of Soviet Agricultural Delegates laying a wreath at Washington's Tomb with Resident Director, Charles Wall, August 1955. Case marked: #71247, CR# 9, BW Print MOS, \"A\" Wind, silent film, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel. (TRT) 00:58. (Faint vinegar smell) Creator/Publisher: Virginia United Press. Copy and paste this link for online access to this video: https://vimeo.com/288563795/ed041f0f0b","Film reel labeled: George Washington's Mt. Vernon \"Leaving Office.\" Character actors re-enacting Washington's departure from Mount Vernon. See also AV_00250 for duplicate and extended footage and more filming information. Case marked: #71247, CR# 10, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Creator/Publisher: Paramount News. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:56. Copy and paste this link for online access to this video: https://vimeo.com/288568166/7f0c8902df","Reel titled The Washington Trail 2C. Film released in July of 1979 that \"reveals for the first time, the full ancestry of George Washington, based on the genealogical evidence, much of which had only recently been discovered\" Focused on the English ancestry of George Washington. Copy 2, 870 ft. 16 mm, 12 1/2\" reel, color film. Orange case. (TRT) 24 mins. Creator/Publisher: British Tourist Authority, Washington Development Corporation.","Film reel of video program: \"You Are There:\" December 4, 1783, Washington's Farewell to his Officers.\" Distributed by Young America Films, 1953. 1 Roll, B\u0026W Print w/Sound. Regular 16 mm. 9 1/8\" reel. (TRT) 25:09. Creator/Publisher: Young America Films. Digitized version available. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281470273/78f5c8869f","Laserdisc titled: George Washington: Pioneer Farmer 18th Century Brickmaking at Historic Mount Vernon, undated. One part of a two part program - the other portion is on woodworking and recreating the 16-sided barn. See AV_00169. Alpha 3M. Creator/Publisher: Horizons Television, Inc.","Laserdisc titled: Mount Vernon, GW:PF Barn Promo, Evolution of a Mansion, undated. Label on cover read \"#77114 Mt. Vernon Item #1.\" Laser Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: The Life of George Washington - Side 1. Dated 1997.  Alpha 3M. (TRT) unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Life of George Washington - Closed Captioned. Label on the original cover read \"#77114 Mt. Vernon Item #4.\" Laser Disc Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon Brickmaking and Woodworking - Side 1. Undated. Most likely part of the program George Washington: Pioneer Farmer with two parts on brickmaking and woodworking. Alpha 3M. (TRT) unknown. Creator/Publisher: Horizons Television, Inc. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon Long. Undated. Label on the cover read \"#7714 Mt. Vernon Item #2\" Laserdisc Recording Center, Inc. (TRT) unknown. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon - Long Version. Label on cover originally read \"#77114 Mt. Vernon Item #3\" with note that read \"Does not work per Sue (?) 11/10/1998 - Voice distorted, removed from service.\" Laser Disc Recording Center, Inc. TRT unknown.","Video recording related to the Bicentennial of George Washington's inauguration in 1989. Label on tape reads \"Mount Vernon 1.\" Label on case reads \"Mt. Vernon 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon April 16th 89 2.\" Label on cassette reads \"Day 1 Tape #2 Mount Vernon.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon/Old Towne 3.\" Label on cassette reads \"Mt. Vernon/Day 1 Old Towne #3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Gadsby Tavern inside speeches 4.\" Label on cassette reads \"Day 1 Tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Day 1 Tape 5 Merrbury [sic] House/outside.\" Label on cassette reads \"Day 1 Tape 5 Merrbury [sic] House inside/outside.\" Probably is a recording of events at the Marbury House in Washington, DC. Umatic (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Rectory Day #10.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 11.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 12.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton Mansion Omni Hotel.\" Label on cassette reads \"Hampton Mansion presentation one. Thru First 1/2 Wash.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton House.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Hampton House Mikes open.\" Label on cassette reads \"Hampton - interview inside (?)\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Perryville/Tavern.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Stand ups.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 Tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 tape 4,\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 Tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 5 tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 5.\" Umatic. (TRT)","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Geo. Wash to Presidency Philadelphia Tavern Day 5 tape 6.\" Umatic. (TRT) unknown","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 2 house/tavern.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads Day 6 tape 4.\" Umatic. (TRT) unknown","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 4.\" Umatic. (TRT) unknown","Video recording related to the  Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 8 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 5.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 6.\"","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Geo. Washington 200th Aniv. of his Presidency Tape 1A TO 12:42.\" Label on case reads \"Tape 1 Geo. Wash Bicentennial of the Presidency.\" Umatic. (TRT) may be 12:42.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaugural NY - Tape 2, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Washington Inaugural NY - Tape 3, 4/30/89.\" (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Tape 4, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Stand-ups - Parade Tape 5, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Parade, Tape 6, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. NY Parade, Tape 7, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. - NY Shots of Church, Tape 8, 4/30/89.\" Umatic. (TRT) unknown.","Video labeled: \"Front and Center Mt. Vernon Ladies.\" Case marked: \"This video tape is of me being interviewed by Hank Boudard on WPRI Channel 12.\" - Hope Alexander, Vice Regent. Umatic. (TRT) unknown.","Video recording labeled \"President Reagan at Mt. Vernon Laying Wreath and Remarks Part 2.\" Dated 22, Feb 1982. Umatic. (TRT) unknown. See also VHS tape AV_00229","Video recording labeled \"Mt. Vernon Speeches\" for George Washington's Bicentennial Inauguration Reenactment in 1989. Includes speech by Warren Burger. Umatic. (TRT) unknown.","Video recording with label \"Dub Willard at Mt. Vernon Air 2/22/85 - TODAY\". Weatherman Willard Scott filming at Mount Vernon for the Today Show on Washington's birthday, NBC News production. Umatic. (TRT) unknown.","Video titled Almanac of Travel W/Neil Horstman. VHS. (TRT) unknown. Contributor: Neil Horstman.","Video titled ASC-MVLA Conf. Tape #1 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #2 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #3 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #4 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #5 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video program featuring lecture by author Henry Wiencek titled \"An Imperfect God\" Tape marked: C-Span2 Booktv 9/20/03. VHS. (TRT) 29 minutes. Contributor: Henry Wiencek. RP 3070, VIDEO 7047.","Video program ' And Die By Inches: George Washington and the Encounter of Cultures on the Southern Colonial Frontier, lecture by Warren Hofstra. Shenendoah University. VHS. (TRT) unknown. Contributor: Warren Hofstra.","Video program \"Behind the Hero's Mask\" Ducat Segal Productions for the History Channel and Mount Vernon. Note: low res. Video, music and credits to be added. VHS. (TRT) 8:39. Creator/Publisher: Ducat Segal Productions.","Video titled A Ceremony Commemorating The Slave Memorial of Mount Vernon. Dated: Saturday, Spetember 21, 1990. (TRT) unknown.","Video titled Colonial Days. BASF brand. VHS. (TRT) unknown.","Video program of Colonial Days- March 1991. Footage of Colonial Days from Channel 8 News. VHS. (TRT) unknown.","Video titled \"Colonial Day At Mount Vernon\" VHS (TRT) unknown.","Video titled \"Colonial Days at Mt. Vernon\" Raw Footage. VHS. (TRT) unknown.","Video program The Creeks and the Americans in the Age of Washington, a lecture by Robbie Eheridge at the University of Mississippi. VHS. (TRT) unknown. Contributor: Robbie Eheridge.","George Washington: Founding Father. Documentary on the life of George Washington, part of the \"Biography\" series produced by A\u0026E Network. Color.  VHS. (TRT) 50 minutes.","Video titled Finley Films-Rough MV Footage-Interiors + People Summer 1988. VHS. (TRT) unknown. Creator/Publisher: Finley Films.","Video program George Washington, Dragging Canoe, and Southeastern Indian Resistance, lecture by Peter Wood. Duke University. VHS. (TRT) unknown. Contributor: Peter Wood.","Video program George Washington: Founding Father. Epic Biography, Show #3001. VHS. (TRT) unknown.\nCreator/Publisher: Perpetual Motion Films","Video program George Washington: Pioneer Farmer The Wood for Washington's Barn. One part of a two part program. VHS. (TRT) Loop tape. 60 min. See also AV_00390. Creator/Publisher: Horizons Televison, Inc. circa 1996-1997","Video program George Washington, the South, and the Petics of National Memory, lecture by Carla Mulford, Pennsylvania State University. VHS. (TRT) unknown. Contributor: Carla Mulford.","Video labeled: George Washington's Bi-Centennial \"Thank You\" VHS. (TRT) 23 minutes.","Video titled George Washington's Indian Policy: Civilizing Southeast Indians. Includes lecture by Theda Perdue at the University of North Carolina. VHS. (TRT) unknown. Contributor: Theda Perdue.","Video program The Great Experiment: George Washington and the Old South, lecture by Garrett Wendell, Sotheyby's. VHS. (TRT) unknown. Contributor: Garrett Wendell.","Video labeled: George Washington Project/Title: TBA. Version 08/18/2006. VHS. Video would later be titled \"We Fight to Be Free\" and was shown in the new Orientation Center. (TRT) 19:18 mins. (2 copies) Creator/Publisher: Greystone Films","Video program The Ground Beneath Our Feet: Virginia Fights WWII. Film highlighting the changes in Virginia during and after World War II. VHS. (TRT) 58:29. RP 3071, VIDEO 7048.","Video titled The \"Hell Hole\" 1993. EHG case. VHS. (TRT) unknown.","Video titled Home, ABC-TV, Nov. 8, 1991. VHS. (TRT) 90 minutes.","Video labeled:  In Search of America Live from Mount Vernon. Dated July 4th, 2002. Part of the TV series production \"In Search of America\" with Peter Jennings, ABC News. VHS. (TRT) 9 minutes. (2 copies)","Video titled Lawrence Washington at Sulgrave Manor. JVC case. VHS. (TRT) unknown.","Video titled Jim Lehrer-GW. SONY case. VHS. (TRT) unknown.","Video program The Life of George Washington: A Video Biography of America's Greatest Hero. Written by Robert B. Gibby. Introduction by Senator Bill Bradley. VHS. (2 copies) (TRT) 30 mins. Creator/Publisher: Finley Holiday Films, MVLA.","Video labeled:  Mansion Staircase Jan. 1992. Supertape case. VHS. (TRT) unknown.","Video labeled: Mansion Staircase 3/92. Tape marked: (John Clobas) Supertape case. VHS. (TRT) unknown.","Video titled Mapping the South: Image, Archive, and the Construction of Regional Identity in the Age of Washington. Includes lecture by Martin Brueckner at the University of Delaware. VHS. (TRT) unknown. Contributor: Martin Brueckner.","Video of the Masonic Dedication of the Ann Pamela Cunningham Library and Research Center. Video by: E Coffey. VHS. Kodak case. (TRT) unknown. Creator/Contributor: E. Coffey.","Video titled Mt. Vernon 26 Oct 1985. VHS. (TRT) unknown.","Video labeled: Mount Vernon 3 Minute Introduction, March 3, 1989. (5 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.","Video program \"Mount Vernon\" Tape marked: Bill Webster. VHS (TRT) 23:00. Creator/Publisher: Illustrated Man Productions. Contributor: Bill Webster.","Video labeled: Mount Vernon Cupola/Pier Restoration 1992. Scotch case. VHS. (TRT) unknown.","Video titled Mount Vernon Cupola Complete. Case marked: Edited, 1992-1993. BASF case. VHS. (TRT) unknown.","Video titled Mount Vernon In Virginia. Tape marked: 1950, approx 30 mins, black and white. Gift from Joseph Fields. VHS. (TRT) 30 min. Contributor: Joseph Fields.","Video titled MVLS-1989 Spring Trip. VHS. (TRT) 46 minutes.","Video labeled: Mount Vernon Ladies' Assn. France-Rochefort, Chateau Chavaniac, Lafayette, Boat trip to Maryland farm from M.V. Tape marked: Stewart Gamill III, (husband of Vice Regent Lynn Gammill)  1-6/01. VHS. (TRT) unknown. RP 986.","Video labeled: Mount Vernon Selected Scenes. Photography by Russ Finley, Holiday film Corp. VHS (although label says Betacam) (TRT) unknown. Creator/Publisher: Russ Finley, Holiday Films.","Video labeled: Mt. Vernon Small Dining Room. Note marked: Cupola interior 28 July 93. VHS. (TRT) unknown.","Video program Mount Vernon Tour Guide Cuts. 1988. (2 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.","Video labeled: Nelly Custis Bedroom Repair. EHG Case. VHS. (TRT) unknown.","Video labeled: Nellie Custis Room 1992-93, Complete. Scotch case. VHS. (TRT) unknown.","Video labeled: Reagan at Mt. Vernon Laying Wreath Part 2. Dated 22 Feb. 1982. Tape marked: GW 250 Anniversary of his death. See also Umatic tape AV_00220. VHS. (TRT) unknown.","Video labeled: Project Enlightenment I. Case marked: For project Enlightenment, 2/28 (no year), funeral procession. Polaroid case. VHS. (TRT) unknown.","Video program Memorial Service for General George Washington, Reenacted on this historical date Wednesday, December 29, 1999. Case marked: The Old Presbyterian Meeting House in the City of Alexandria formerly in The District of Columbia Five O'Clock in the Afternoon. VHS. (TRT) unknown. Creator/Publisher: Unknown.","Video production of the Reenactment of George Washington's Funeral at Mount Vernon. VHS. (TRT) 3:10:00 Creator/Publisher: C-Span.","Video production of the Reenactment of George Washington's Funeral. VHS. (TRT) 84 mins. Creator/Publisher: C-Span.","Video labeled: June 2, 1990 Military Re-enactment at Mount Vernon. Footage of Virginia and Maryland Encampment at Mount Vernon. VHS. (TRT) unknown. Creator/Publisher: unknown","Video program Re-mapping Boundaries in the Old Southwest, 1783-1795, lecture by Dan Usner. Cornell University. VHS. (TRT) unknown. Contributor: Dan Usner.","Video labeled: The Role of Race in the Making of the American Revolution, lecture by Sylvia Frey. Tulane. VHS. (TRT) unknown. Contributor: Sylvia Frey.","Video labeled: The Roof (May 93), Brick Laying 93, Shingle Splitting, Interior Plastering 94. Highlights renovations of the mansion and estate. VHS. (TRT) unknown.","Video program Save Our History: George Washington's Workshop. VHS. (TRT) unknown (2 copies) Creator/Publisher: A\u0026E Television Network.","Video program Save Our History: George Washington's Workshop. VHS. (TRT) 1:00:00. Ch 1/2 Fullmx. Creator/Publisher: A\u0026E Television Network","Video labeled: Small Dining Room Ceiling 6/92. VHS. (TRT) unknown.","Video program featuring lecture by Carol Berkin titled \"Southern Women in the Revolutionary War.\" Women of the South in the era of Martha Washingotn. University of Southern Mississippi. VHS. (TRT) unknown. Contributor: Carol Berkin. RP 3072, VIDEO 7049a","Video titled Highlights from Our Ladies and Their Hero, February 21, 1992 Spartanburg Day School, 1701 Skyln Drive Spartanburg, S.C. 29302. VHS. (TRT) unknown. RP 987, VIDEO 5417.","Video titled Our Ladies and Their Hero. Case marked: Ann Dobbs. VHS. (TRT) unknown.","Video program \"Our Ladies and their Hero or (What the Women Were Doing While the Men Forged a War) Case marked: Spartanburg Day School 1701 Skyln Drive Spartanburg, SC 29302. Contact: Ann Hemperley Dobbs. VHS. (TRT) 38 minutes.","Video program Sulgrave Manor: The British Heritage of George Washington. Highlights the home of Lawerence Washington, Sulgrave Manor, located in England. VHS. (TRT) unknown.","Video program This Gown… Was Much Admired and Caused Much Jealousy: Fashion and the Forging of Identities in French Colonial New Orleans, a lecture by Sophie White. Courtlaud Institute of Art, Univerosy of London. VHS. (TRT) unknown. Contributor: Sophie White.","Video program Today Show. Features Willard Scott Promo for Mount Vernon. Dated 22 February 1993, 7:33am. VHS. (TRT) unknown. Creator/Publisher: Today Show, NBC News.","Video recording of several news stations coverage of Queen Elizabeth's visit to Mount Vernon. Tape includes: CBS This Morning, WUSA (Channel 9), ABC World News Tonight, CBS Evening News, Fairfax County News (Channel 8), WRC (Channel 4), Fox News (Channel 5) VHS. (TRT) unknown.","Video program Washington and Three Women, lecture by Donald Higgenbotham,  University of North Carolina. VHS. (TRT) unknown. Contributor: Donald Higgenbotham.","Video titled Wharf/Cupola/Roof Exploration. Includes footage of restoration. VHS. (TRT) unknown.","Video labeled: Women of the South in the Era of Martha Washington University of Southern Mississippi. Tape marked: Library of Hattiesburg, Petal, and Forrestt County, Bellswood (Sylvia Frey) Catherine Allgor, Patricia Brady. VHS. (TRT) unknown.","VHS labeled: W \u0026 L (Washington and Lee University) 250th Anniversary celebration, Mount Vernon, October 17, 1998. Maxell VHS tape","Video recording labeled: Father of our Country. GWP long version. Tape marked: S.L.O HORS D'OEUVRES. Dated: 9/22/06. Digital Betacam SP. (TRT) unknown. Creator/Producer: Paramount Pictures.","Video recording labeled: Father of our Country. GWP short version. Dated: 9/22/06. Betacam SP. (TRT) unknown. Creator/Publisher: Paramount Pictures.","Video recording labeled: Father of our Country. Confidence Check. NTSC format.Dated: November 16, 2006. Betacam SP. (TRT) 24:58. Creator/Producer: Paramount Pictures.","Digital Betacam video cassette tape labeled: George Washington Funeral Reenactment for Mount Vernon exhibit, 2/22/2007. Silent version. (TRT) 1:30. Creator/Publisher: Henninger Media Services.","Video labeled: George Washington Output. Tape Marked: NDF. Dated: 9/12/06. Betacam SP. (TRT) unknown.","Video titled Mount Vernon: Evolution of the Mansion, Long Version. Dated: May 22, 1995. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Large Betacam. (TRT) unknown.","Video labeled: Mount Vernon Evolution of the Mansion Long Version. Dated: 06-07-1995. Betacam. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Betacam. (TRT) unknown. Creator/Publisher: Townhouse Post-Production.","Mini DV videocassette recording labeled: Mount Vernon Piano Recital Tape 1.","Mini DV videocassette recording labeled: Mount Vernon Piano Recital, Tape 2.","Large Digital Betacam videocassette labeled: Saving Mount Vernon DVD. (TRT) 62:00. 35mm, dated 1/15/03. DBCT Color Enhanced to D9 Clone. Creator: Madisonfilm. Producer: Mount Vernon Ladies' Association.","Hi8 MP 8mm videocassette tape labeled: Washington is No More. Tape marked: Trial Run, Full Footage. Dated 3/6/2000.","Video labeled: George Washington: We Fight To Be Free. Locked. Ford Orientation Center film. Betacam SP. DIA only, Avid Output. (TRT) 22:24. Creator/Publisher: Greystone Films.","Video recording labeled: George Washington: We Fight To Be Free. Tape marked: Short Versiokn, Final Opening Title, Wrong End Titles. Betacam SP. (TRT) unknown. Creator/Publisher: Greystone Films.","Video labeled: George Washington: We Fight To Be Free. Tape Marked: Picture Only, Ref Tape. Betacam SP. 29.97 fps. (TRT) unknown. Creator/Publisher: Greystone Films.","Videocassette recording labeled: We the People and the Mount Vernon Visitor Center.  . Digital Betacam. 24 fps. (TRT) 12:15. Creator/Publisher: Inland Sea Productions.","Video recording labeled: We the People and the Mount Vernon Visitors Center. Digital Betacam. 24 fps. (TRT) 26:46. Creator/Publisher: Inland Sea Productions.","Video recording labeled: We the People and the Mount Vernon Visitor Center. Tape marked: Original Transfer Master. Digital Betacam. 24 fps. (TRT) 27:36. Creator/Producer: Inland Sea Productions.","Mount Vernon and the MVLA do not own copyright for every item in this collection. We provide access to these materials, however the researcher is responsible for discerning proper use according to copyright laws.","Archives of the Mount Vernon Ladies' Association","Norton, Dean","English\n."],"collection_title_tesim":["Audio Visual Collection, 1928/2015"],"collection_ssim":["Audio Visual Collection, 1928/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A.AVC","/repositories/2/resources/53"],"unitid_tesim":["A.AVC","/repositories/2/resources/53"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_persname_ssim":["Norton, Dean"],"creator_corpname_ssim":["Archives of the Mount Vernon Ladies' Association"],"creators_ssim":["Norton, Dean","Archives of the Mount Vernon Ladies' Association"],"access_terms_ssm":["Mount Vernon and the MVLA do not own copyright for every item in this collection. We provide access to these materials, however the researcher is responsible for discerning proper use according to copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["approx. 35 Linear Feet 14 boxes (various sizes), and approximately 100 film reels in film cans on shelves"],"extent_tesim":["approx. 35 Linear Feet 14 boxes (various sizes), and approximately 100 film reels in film cans on shelves"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"arrangement_html_tesm":["\u003cp\u003e\nThe Audio Visual Collection is divided into two series, Audio and Video. These are further broken down into multiple sub-series according to physical format. Each sub-series lists items alphabetically by title. The series and subseries are arranged as follows: \u003c/p\u003e","\u003cp\u003eAudio\n-Audio Cassette Tapes\n-Compact Discs\n-LP Records\n-Magnetic Tape Audio Reels\u003c/p\u003e","\u003cp\u003eVideo\n-Betamax\n-DVD\n-Film Reels\n-Laserdisc\n-Umatic\n-VHS\n-Videotape\u003c/p\u003e  ","\u003cp\u003eThis series is broken down into sub-series based on format of the audio recording, including audio cassette, compact disc, LP records, and magnetic tape reels.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eThis series is broken down into sub-series based on format including Betamax, DVD, film reels, Laserdisc, Umatic, VHS, and Videotape (other)\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e","\u003cp\u003eAlphabetical by item title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Audio Visual Collection is divided into two series, Audio and Video. These are further broken down into multiple sub-series according to physical format. Each sub-series lists items alphabetically by title. The series and subseries are arranged as follows:","Audio\n-Audio Cassette Tapes\n-Compact Discs\n-LP Records\n-Magnetic Tape Audio Reels","Video\n-Betamax\n-DVD\n-Film Reels\n-Laserdisc\n-Umatic\n-VHS\n-Videotape","This series is broken down into sub-series based on format of the audio recording, including audio cassette, compact disc, LP records, and magnetic tape reels.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","This series is broken down into sub-series based on format including Betamax, DVD, film reels, Laserdisc, Umatic, VHS, and Videotape (other)","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title.","Alphabetical by item title."],"bioghist_html_tesm":["\u003cp\u003eThe Mount Vernon Ladies' Association of the Union was founded in 1853 by Ann Pamela Cunningham. The purpose of the Association was to purchase Mount Vernon, the home of George Washington, in order to restore the property and open the grounds to visitors and admirers who desired to see Washington's house and tomb. Ann Pamela Cunningham became interested in the preservation of Mount Vernon when her mother, traveling down the Potomac River in 1853, saw the house in its neglected and dilapidated state and wrote to her daughter of its condition. Both women thought it shameful to allow the first President's home to fall into ruin. A determined Ann Pamela Cunningham assembled twenty-two women of like mind together to raise money to purchase the property, pay off all debt, and return the gardens and grounds to the condition in which they were left by Washington himself. John Augustine Washington III, George Washington's great-grandnephew and the owner of Mount Vernon at the time, delayed several years in selling the home to the Ladies' Association. He preferred a sale to the State of Virginia or the federal government, both of which declined purchase. In 1858 he finally agreed to sell Mount Vernon to Ann Pamela Cunningham and the MVLA for $200,000. \u003c/p\u003e","\u003cp\u003eThe MVLA is the owner and executive board of Mount Vernon. Membership is made up of one Regent and 20-30 Vice Regents, each from a different state. All MVLA members assemble twice a year in April and October for Council, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations, and rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Mount Vernon Ladies' Association of the Union was founded in 1853 by Ann Pamela Cunningham. The purpose of the Association was to purchase Mount Vernon, the home of George Washington, in order to restore the property and open the grounds to visitors and admirers who desired to see Washington's house and tomb. Ann Pamela Cunningham became interested in the preservation of Mount Vernon when her mother, traveling down the Potomac River in 1853, saw the house in its neglected and dilapidated state and wrote to her daughter of its condition. Both women thought it shameful to allow the first President's home to fall into ruin. A determined Ann Pamela Cunningham assembled twenty-two women of like mind together to raise money to purchase the property, pay off all debt, and return the gardens and grounds to the condition in which they were left by Washington himself. John Augustine Washington III, George Washington's great-grandnephew and the owner of Mount Vernon at the time, delayed several years in selling the home to the Ladies' Association. He preferred a sale to the State of Virginia or the federal government, both of which declined purchase. In 1858 he finally agreed to sell Mount Vernon to Ann Pamela Cunningham and the MVLA for $200,000.","The MVLA is the owner and executive board of Mount Vernon. Membership is made up of one Regent and 20-30 Vice Regents, each from a different state. All MVLA members assemble twice a year in April and October for Council, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations, and rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant."],"odd_html_tesm":["\u003cp\u003eCD Rom recording of a reenactment of the Supreme Court case Ware vs. Hylton. Second part of a collaboration between the MVLA and the SCHS. Introduced by Ralph Lancaster and hosted by Justice Alito. Memorex, CD-R. Audio dated 10-21-10.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["CD Rom recording of a reenactment of the Supreme Court case Ware vs. Hylton. Second part of a collaboration between the MVLA and the SCHS. Introduced by Ralph Lancaster and hosted by Justice Alito. Memorex, CD-R. Audio dated 10-21-10."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Audio Visual Collection, Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia \u003c/p\u003e","\u003cp\u003eSee the Chicago Manual of Style for additional examples. \u003c/p\u003e  "],"prefercite_tesim":["[Name and date of item], Audio Visual Collection, Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia","See the Chicago Manual of Style for additional examples."],"relatedmaterial_html_tesm":["\u003cp\u003e- Publications and printed material of the MVLA\n- Oral history collection of the MVLA\n- Papers of the MVLA\n- Early Records of the MVLA\n- Papers of the Superintendent and Resident Director\n- Restoration Files\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["- Publications and printed material of the MVLA\n- Oral history collection of the MVLA\n- Papers of the MVLA\n- Early Records of the MVLA\n- Papers of the Superintendent and Resident Director\n- Restoration Files"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes audio and video resources related to Mount Vernon, the Mount Vernon Ladies' Association, and George Washington. Many audio and video recordings in the collection were either produced by, or made in cooperation with, the Mount Vernon Ladies' Association. However, there are also AV productions made by other institutions, corporations, and media companies. Content includes footage and recordings of events, interviews, lectures, VIP visitors, and views of the estate. Several documentaries, news broadcasts, and syndicated radio or television programs are also included as they pertain to the history of Mount Vernon. Highlights of the collection include: Pictorial Reports of the estate during the years 1955-1970 which feature footage of several famous visitors such as President Eisenhower, Princess Margaret and Lord Snowdon, and Fidel Castro; a feature film with B-Roll footage by travelogue filmmaker Andre de la Varre; video and audio recordings of Vice Regents and Mount Vernon staff. Most film reels have been digitized and are available by links within individual catalog records or via written/email request.\u003c/p\u003e  ","\u003cp\u003eCassette tape titled Dr. Douglass Southall Freeman Address at U.D.C Meeting in Alexandria, 1948. Tape marked: Washington-Lee Comparison. Inside note reads Address at United Daughters of the Confederacy meeting, 1948. Comparison - Washington and Lee. Recorded from phonograph record in MVLA collection RP 70; MISC 4036. Presented by George Washington Custis Lee Chapter of the UDC.\" TDK tape and case.\u003c/p\u003e","\u003cp\u003eAudio cassett tape labeled: Dr. Southall Freeman. Speech given in Alexandria. Case marked: approx 30 min- 3 3/4- Track A Mono 1, Copy from Records. 1st copy.  5\" reel. Contributor: Dr. Southall Freeman.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 1 includes speeches from Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer. Dated 11/8/93. 1 tape, Lanier case. Contributors: Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 2 includes the speech from Dr. J. Worth Estes. Dated 11/8/93. 1 tape, Lanier case. Contributor: Dr. J. Worth Estes.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 3 dated Mon, 8/11/93. 1 tape, Lanier case.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 4 dated Mon, 11/8/93. 1 tape, Lanier case.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 5 includes the speeches by Dr. Richard L. Willham and Dr. Alan Fusonie. 1 tape, Lanier case. Contributors: Dr. Richard L. Willham and Dr. Alan Fusonie.\u003c/p\u003e","\u003cp\u003eCassette tape containing the speeches from the seminar, \"Agriculture in the Age of Washington.\" Tape 6 is thought to include the speech by Dr. Donald E. Bixby. 1 tape, Lanier case. Contributor: Dr. Donald E. Bixby.\u003c/p\u003e","\u003cp\u003eCassette tape titled All Things Considered, NPR Interview. Case marked: J. Rhodehamel, CBS, April 1984. Contributor: John Rhodehamel\u003c/p\u003e","\u003cp\u003eCassette tape America's Favorite Places, Ride With Me: Williamsburg. Narrated by: Grover Gardner, tells the history of Williamsburg. 1990. Cassette. Creator/Producer: RWM Associates.\u003c/p\u003e","\u003cp\u003eCassette tape America's Favorite Places, Ride With Me: The Mount Vernon Story. Narrated by John MacDonald, Kimberly Schraf and Michael Russotto. Tells the history of Mount Vernon and it's historic owner. 1993, Cassette.\u003c/p\u003e","\u003cp\u003eCassette tape labeled Audio Demo Noble Creek Prod.S. 1 tape, Scotch case.\u003c/p\u003e","\u003cp\u003eCassette tape titled Beds, Beddings, and Bed Hangings. Author Jane C. Nylander. Tape marked: AASLH. Contributor: Jane C. Nylander.\u003c/p\u003e","\u003cp\u003eCassette tape titled Capital Conversation Ellen McCallister Clark. Tape marked: 6/14/87. Supertape.\u003c/p\u003e","\u003cp\u003ePart of a series of cassette tapes all labeled Capital Conversation. This recording is with Ellen McCallister Clark, 6/14/1987.\u003c/p\u003e","\u003cp\u003eCassette tape titled Capital Conversation Ellen McCallister Clark, John Riley, Ann Rausher. Tape marked: 9/6/87, Hour 4, Supertape.\u003c/p\u003e","\u003cp\u003eOne in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #1 with Mrs. Robert E. Lee IV and Christine Meadows, dated 9/6/1987.\u003c/p\u003e","\u003cp\u003eOne in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #2 with Christine Meadows, Herb Prevost, Jim Simms, and Dean Norton, dated 9/6/1987.\u003c/p\u003e","\u003cp\u003eOne of a series of cassette tapes labeled: Capital Conversation. This is Hour #3. Dated 9/6/1987.\u003c/p\u003e","\u003cp\u003eOne in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This is Hr. #4 with Ellen McCallister Clark, John Riley, and Ann Rauscher, date 9/6/87.\u003c/p\u003e","\u003cp\u003eCassette tape titled CC Wall's Talk to Interpreters C. Taped 1984. Certron tape.\u003c/p\u003e","\u003cp\u003eCassette tape titled Side 1 and Side 2. Tapes relating to The Character of George Washington Seminar on April 23, 1995. Radio Shack tape.\u003c/p\u003e","\u003cp\u003eCassette tape titled Side 3 and Side 4. Tapes relating to the Character of George Washington Seminar on April 23, 1995. Radio Shack tape.\u003c/p\u003e","\u003cp\u003eCassette tape titled Does He Take Sugar? American Edition. Tape marked: Marlene Pease, BBC. Century Magnetics tape. 60 minute tape.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Mrs. de Forest, Gordon Talk. Nov 1, 1981. TDK tape.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: First Patriot: The Life and Legacy of George Washington. Tape marked: Produced by Radio America with the Mount Vernon Ladies' Association. Dolby B.\u003c/p\u003e","\u003cp\u003eCassette tape titled Four Narrators-Finley Holiday Films. TDK tape and case.\u003c/p\u003e","\u003cp\u003eCassette tape titled G.W. PSA's. Case marked: (8 60's, 8 30's) Master Copy, Radio America Public Service Announcements, February 1989. TDK tape and case.\u003c/p\u003e","\u003cp\u003eCassette tape titled Hail Columbia by Philip Phylo and Joseph Hopkins. Tape marked: The New American Brass Band from the Soundtrack of the War by Ken Burns. TDK tape and case.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Historical Sites Mountt. Vernon. Tape marked: DMC, 8/4/87, House Market Research Inc. Maxell tape.\u003c/p\u003e","\u003cp\u003eCassette tape titled \"Holiday\" - Washington - Lincoln. Memorex tape.\u003c/p\u003e","\u003cp\u003eCassette and Slide set of a Mount Vernon tour, produced by Finley Holiday Film Corp. Purchased from Museum Shop. 1 Cassette Tape, 40 Slides. Creator/Publisher: Finley Holiday Film Corp.\u003c/p\u003e","\u003cp\u003eJohn RhodehamelJohn RhodehamelJohn RhodehamelJohn Rhodehamel USI tape.\u003c/p\u003e","\u003cp\u003eCasette tape of a lecture by Chris Matthews, dated 5/17 no year. 1 tape, Maxell case. Contributor: Chris Matthews.\u003c/p\u003e","\u003cp\u003eCassette tape titled Dr. James R. Soles. Tape marked: Side A: Lecture at First Annual meeting of the George Washington Club. June 3, 1983. Side B: Question and Answers Following Lecture. Maxell tape and case. Contributor: James R. Soles.\u003c/p\u003e","\u003cp\u003eCassette tape of a lecture by Marc Leepson. Dated 6/6/06. 1 tape, Maxell case. Contributor: Marc Leepson.\u003c/p\u003e","\u003cp\u003eCassette tape recording of a lecture by Michael Novak, thought to be in relation to his book \"Washington's God,\" published in 2006. Tape dated 4/11/06. 1 tape, Maxell case. Contributor: Michael Novak\u003c/p\u003e","\u003cp\u003eCassette tape of a lecture by Peter Henriques. Dated 5/2/06. 1 tape, Maxell case. Contributor, Peter Henriques\u003c/p\u003e","\u003cp\u003eCassette tape of a lecture by Richard Brookhiser thought to be in relation to one of his books on George Washington. Dated 5/22/06. 1 tape, Maxell case. \nContributor: Richard Brookhiser.\u003c/p\u003e","\u003cp\u003eCassette tape of a lecture by Thomas Fleming. Dated 3/28/06/ 1 tape, Maxell case. Contributor: Thomas Fleming.\u003c/p\u003e","\u003cp\u003eCassette tape titled Martial Musick of Yorktown. Includes marches, quicksteps, dances, and songs. Titles include: The World Turned Upside Down, Royal Deux Ponts March, and many others of historical significance. Case marked: George Carroll. Stereo, Dolby, Cassette.\u003c/p\u003e","\u003cp\u003eCassette taped titled The Monticello Music Collection. Includes songs from Mozart, Beethoven, and Vivaldi amongst others. Dolby System. 1986.\u003c/p\u003e","\u003cp\u003eCassette tape of the Mount Vernon Audio Tour, dated 6/16/95. 1 tape, Maxell case. (TRT) 41:09\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Mount Vernon Audio Tour, submitted for final approval. Dated 6-30-95. 1 tape, no case.\u003c/p\u003e","\u003cp\u003eCassette tape titled Mount Vernon Capital Campaign 3:25.\u003c/p\u003e","\u003cp\u003eCassette tape recording of the Grand Opening of the Education Center. Dated Oct. 22, 2006. 1 tape, Maxell case.\u003c/p\u003e","\u003cp\u003eCassette tape titled This Side is MTV Finance. Tape marked: Buildings, Rose Strachan (Vice Regent),Chair. Sony tape.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Mount Vernon Capital Campaign. Tape marked: Recorded Script - Audio-Visual Show. (2 Copies)\u003c/p\u003e","\u003cp\u003eCassette tape labeled: English: Mount Vernon Ladies Association Magazine Show. Tape marked: 1/21/86, For: Farmer general Programs. USIA, Voice of America.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Mount Vernon Music Selection Sample. Tape marked: Finley Holiday Film Corp. Whittier, CA. Creator/Publisher: Finley Holiday Film Corp.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: NEWSMARK: George Herman's Washington. Tape marked: CBS Inc. All Rights Reserved. Note marked: MV-237-262. Ampex tape. Creator/Publisher: CBS Inc.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Mount Vernon Audio Tour. Tape case label reads \"Outbuildings Tour- Not Final Copy. Tape marked: Only a couple minor changes made after this tape.\" Note attached addressed to John Riley detailing the process of creating the tape. Letter dated June 16, 1994. Maxell tape and case. TRT 41:09\u003c/p\u003e","\u003cp\u003eCassette tape labeled: SOG House on the Potomac. Other side of tape marked: Received from the VR for Michigan, 1975. Creator/Publisher: Mike Whorf, Inc.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: The Sounds of Glory - Part 7, Washington, a Man to Remember. Other side of tape marked: Gift of the VR for Michigan, 1975. Creator/Publisher: Mike Whorf Inc.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Still First in the Hearts of His Countrymen: A Celebration of George Washington PSA's. Tape marked: Dolby B, Presented by the Mount Vernon Ladies' Association. (7 Copies)\u003c/p\u003e","\u003cp\u003eCassette tape titled Chuck Rich-Voice of America \"Mount Vernon.\" Tape marked: 4:38.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: Washington Birthday Program 1975. Case marked: Received from the VR for Michigan 1975, Feb. Karl Haas, WTR Detroit. Ampex case, 42.\u003c/p\u003e","\u003cp\u003eCassette tape labeled: WETA radio interview April 12, 1985. Robert Aubry Davis. Tape marked: C35 even.\u003c/p\u003e","\u003cp\u003eCassette tape labeled With Good Reason, Vol. VI, No. XXVII, Made to Order: The Rise of General Washington, Zagarri (GMU) Chase (UVA). Maxell tape, C60. undated.\u003c/p\u003e","\u003cp\u003eCD Rom containing lecture from historian Harlow Unger from the Beneath the Surface lecture series. Imation, Music CD-R, 700MB. Contributor: Harlow Unger.\u003c/p\u003e","\u003cp\u003eCD Rom labeled Beneath the Surface Lecture 1, dated 7/19/06. Memorex, CD-R, 700MB.\u003c/p\u003e","\u003cp\u003eCD Rom labeled D Palmer 8/3/06, CD-R, Memorex, 700MB. RP 2295, CD 6752\u003c/p\u003e","\u003cp\u003eCD Rom labeled GW Symposium Nov 3-4, 2006. CD-R, Memorex, 700MB.\u003c/p\u003e","\u003cp\u003eCD Rom labeled Chernow Lecture, CD-R, Memorex, 700 MB. Contributor: Ron Chernow\u003c/p\u003e","\u003cp\u003eCD Rom labeled Lectures, Papers, Gingrich, GWS, dated 11-7-09, Memorex CD-R. Contributor: Newt Gingrich.\u003c/p\u003e","\u003cp\u003eCD Rom containing a lecture by historian Scott Berg from the Michelle Smith Lecture Series at Mount Vernon. Imation, Music CD-R, 700MB. Contributor: Scott Berg.\u003c/p\u003e","\u003cp\u003eCD Rom labeled Mrs. Thompson Religion in the Life of George Washington. Imation Music CD-R, 700Mb. Contributor: Mary Thompson.\u003c/p\u003e","\u003cp\u003eCD Rom labeled Richard Brookhiser Smith Aud. Dated May 30, 2008. Imation, Music CD-R, 700MB. Contributor: Richard Brookhiser.\u003c/p\u003e","\u003cp\u003eCD Rom recording of the morning session of the Sweet Briar College Seminar, dated 3/9/09. Imation, Music CD-R, 700MB.\u003c/p\u003e","\u003cp\u003eCD Rom recording of the afternoon session of the Sweet Briar College Seminar dated 3/9/09. Imation, Music CD-R, 700MB.\u003c/p\u003e","\u003cp\u003eCD Rom recording of a  a talk by Mary Thompson, dated 10-2008. Staples CD-R, 700MB. Contributor: Mary Thompson.\u003c/p\u003e","\u003cp\u003eCD Rom, case labeled Wojie Design, Disk #000918.1755, Audio - Music CD Mt. Vernon Interview, 1A and 1B are Side A of Cassette, 2 is Side B of Cassette, September 2000. Physical disk labeled: Imation Disk, CD-R 700MB, Wojie, Music: @ Mt. Vernon Interview, Sept. 2000 Windows Audio CD. Publisher/Contributor: Wojie Design.\u003c/p\u003e","\u003cp\u003eLP Record Charles Ives Symphony No.3: Music of the American Revolution. Arranged by Richard Bales, National Gallery Orchestra, Conducted by Richard Bales. 12\" Record. Creator: Richard Bales. Publisher: WCFM Recording Corp.\u003c/p\u003e","\u003cp\u003eLP Record labeled: Dr. Douglas Southall Freeman address at U.D.C meeting in Alexandria in 1948. Made from tape recording in MVLA possession, 1966. Presented by George Washington Custis Lee Chapter of the United Daughters of the Confederacy. 12\" Record. Contributor: Dr. Douglas Southall Freeman. RP-70, MISC-4036.\u003c/p\u003e","\u003cp\u003eLP Record of a Douglas Southall Freeman speech. Part 1 and Part 3 are included. 12\" record. Contributor: Dr. Southall Freeman.\u003c/p\u003e","\u003cp\u003eLP Record of a Dr. Douglas Southall Freeman speech. Part 2 and Part 4 are included. Case marked: Running time overall allowing for record changing, about 36 minutes. 12\" record. Contributor: Dr. Douthall Freeman.\u003c/p\u003e","\u003cp\u003eLP Record of a Dr. Douglas Southall Freeman speech. Part 5 and Part 7 are included. 12\" record. Contributor: Dr. Southall Freeman.\u003c/p\u003e","\u003cp\u003eLP Record of a Dr. Douglas Southall Freeman speech. Part 6 and Part 8 are included. 12\" record. Contributor: Dr. Southall Freeman.\u003c/p\u003e","\u003cp\u003eLP Record labeled: Easter Sunday at Mt. Vernon. 2 parts. Dated April 10, 1955. An interview by the radio station with employees Vicki (Victoria) Kasperski, floral arrangement, and briefly with Frank Morse. Discusses spring, flowers, and plants at Mount Vernon and how the Washingtons celebrated the holiday. 33 1/2 speed. 12\" record. Publisher/Creator: WCNR Station\u003c/p\u003e","\u003cp\u003eLP Record labeled: Mount Vernon 100th Anniversary and introduction by Gov Battle. Case marked: The Regents greeting and Governor Battle's response. Reception, Saturday, P.M, 3-5 o'clock. Oct. 24, 1953. 78 RPM. 12\" record. Contributor: John Battle. R3.\u003c/p\u003e","\u003cp\u003eLP Record labeled: Tour of Mount Vernon. Includes Part 1 and Part 2. 16 2/3 RPM. 7\" record. Creator/Publisher: The Solocast Company. 2 copies including RP-44, MISC-3246 A-B\u003c/p\u003e","\u003cp\u003eLP Record labeled: Will Holland at the tomb. Gift of Edward Darlington, Radio Station WCNR, Bloomsburg, Pennsylvania, December 1958. 10\" Record. Creator/Publisher: WCNR Station. Contibutors: Will Holland, Edward Darlington. MISC-743\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of Dr. Douglas Southall Freeman's talk comparing George Washington and Robert E. Lee, delivered January 19, 1949 at the George Mason Hotel under the auspices of the Alexandria Chapter of the United Daughters of the Confederacy. Master tape from the original recording in the collection of the Mount Vernon Ladies' Association of the Union. 5\"  3 3/4 ips, made from 4 records, 78 rpm, approx 34 min. BASF casing.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording: East Lawn air traffic over Mount Vernon. The recording is 915 feet, approx. one hour and 45 minutes of play time. Reel case includes an MVLA memo detailing minutes and aircrafts uses. 7\" reel. RP-39, TAPE-3102.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of Essex Kent Scottish Regiment of Windsor Canada, dated Saturday - Octover 23, 1965. Guests of the Naval Air Reserve Training Unit at Andrews Air Force Base. Recorded approximately 100 feet at 3 1/4 ips. 7\" reel, Scotch brand case. RP-59, Tape-3393.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of Mr. Wall and Mr. Fritz Gutheim at graduate seminar on historic preseravtion at George Washington University. Dated Sept. 10, 1975. 7\" reel, Sears Silvertone Sound Recording Tape. Contributors: Mr. Wall, Mr. Fritz Gutheim\u003c/p\u003e","\u003cp\u003eScotch recording tape. Label reads \"June '64 III?\" Contents unknown. 7\" reel. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eScotch recording tape. Labeled \"June '64 IV.\" Unknown content. (TRT) unknown. 7\" reel.\u003c/p\u003e","\u003cp\u003eMagnetic tape. Labeled \"Jun '64 IV p. 33 Harr.\" and \"June 4 retaped p. 33 Harr. (?) Johnson '66\" Unknown content. (TRT) unknown. 7\" reel.\u003c/p\u003e","\u003cp\u003eAudiotape magnetic recording tape. Labeled \"June V 1865-71?\" and \"June '64 V\" with note inside \"V with side 2 blank for Oct. - Nov. 1865 trouse (?) up to Dec. 3 which is on small reel.\" Unknown content. (TRT) uknown. 7\" reel.\u003c/p\u003e","\u003cp\u003eScotch magnetic tape. Label reads \"June '64 - 7\" with note that reads \"Reel 7 - '66-'69 beginning cards.\" Unknown contenct. (TRT) unknown. 7\" reel.\u003c/p\u003e","\u003cp\u003eMagnetic tape reel. Label reads \"June '64 IX\" and \"Cont. on Morse half reel, 9 IX.\" Uknown content. (TRT) unknown. 7\" reel.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of the Longfellow papers by Elswyth Thane Beebe, March 1966. Plays at 3 3/4 ips, 5 3/4 audio reel, Irish Brand High Fidelity recording tape. RP-59, Tape-3392\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording labeled: Mount Vernon, March of 1964. 31 minutes in length. 5 3/4\" tape, Irish brand box.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording. Used for a presentation for the Mount Vernon Capital Funds Campaign in 1979. Script for presentation inside box with tape recording (dated 10/10/1979) Tape includes Voice Outs, Voice Master, Music Tracks, Mix + Pulse Master. Box reads: \"DO NOT USE - See 11/28/79 for approved mix.\" 15 ips. 9\" reel. Creator/Publisher: Charles Webb and Co.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording. Used for a presentation on the Mount Vernon Capital Funds Campaign in 1979. Tape includes Voice Master, Mix Master, Pulse Master. Box reads: \"See 10/15/79 for music used.\" 15 ips, 9\" reel. Creator/Publisher: Charles Webb and Co.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of Christine Meadows' presentation \"Mount Vernon: Creation and Recreation\" at the Antique Forum. Dated 1/26/78. 7\" reel, 3 3/4 speed, Full Mono, One Only Tape Direction, Crown Recorder, Neumann Microphone. Concertone Magnetic Recording Tape. Contributor: Christine Meadows.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of the Pageant of Patriots, a costume and military pageant on the bowling green, July 4, 1962. 7\" reel, 7 1/1 ips, Scotch brand IPS. RP-42, Tape-3245.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of a talk by Sir George Trevelyan made in the \"Banquet Hall,\" probably the New Room, during Council Oct. 24, 1959. The minutes describe the event as a \"lecture on English architecture from the medieval manor to the Industrial Revolution.\" Tape and script. 7\" reel, Audiotape brand box. Contributor: Sir George Trevelyan. RP-224, Misc-1010 a/b.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording labeled: Slimbridge England Wildfowl trees up to 110, Native Bird calls of Southeast up to 347 presented by Mrs. Platt during Council in October 1965. 7\" reel, Scotch recording case. Contributor: Mrs. Platt, Vice Regent for Pennsylvania. RP-49, Tape-3380.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of the Sound and Light show, \"Father of Liberty,\" performed at Mount Vernon during the Bicentennial year, 1976.  7\" reel, 3 3/4 ips. BASF (Badische Anilin- \u0026amp; Soda-Fabrik AG). Label notes: (Side 1) Monot. 0-879\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel I, Scotch Brand Case. Creater/Contributor: Walter Gutman. Publisher: Hawk Serpent Productions. RP-280 Tape-5460.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel 2, Scotch Brand Case. Creator/Contributor: Walter Gutman. Publisher:Hawk Serpent Productions. RP-280 Tape-5460.\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape recording of a tribute to Martha Washington by Guy Aelwood (or Aylwood), dated May 1962. Includes transcription of speech inside box. 5\" 7 1/2 ips - full track. Scotch Magnetic Tape case. \nContributors: Guy Aelwood. RP-36, Tape-3099\u003c/p\u003e","\u003cp\u003eMagnetic reel-to-reel tape labeled: White House Tour, dated 2/18/62. Probably an audio copy of First Lady Jackie Kennedy's White House Tour in 1962. Note included with specific highlights of the tour including the Gilbert Stuart portrait, Washington Bust, an MVLA Gift, the President, and Music. 7\" reel, RCA case. RP-40, TAPE-310.\u003c/p\u003e","\u003cp\u003eMagnetic reel to reel tape recording with Will Holland, Mount Vernon Tomb Guard. Recording by Edward Darlington and Radio Station WCNR in Bloomsbury, PA. Dated Dec. 1958, possibly spliced in 1980. 4\" reel. 33 1/3 speed. Creator: WCNR Station, Columbia-Montour Broadcasting Corp. Contributors: Will Holland, Edward Darlington. RP-42, Tape 32--\u003c/p\u003e","\u003cp\u003eBetamax video cassette - no label but note inside case reads \"Credit VRDC\" (could be abbreviation for Vice Regent District of Columbia?) 1 tape Je Frand. Betamax, Maxell brand.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: DUB \"Crowds-Gone\" L 750. No case.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: 8pm Call-In From Mount Vernon. Large C-Span rights label placed over tape. Recorded 9/27/87. Creator/Publisher: C-Span.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Monticello Interview Show. Note marked: May 17, 1987. Bad tape - tape of a tape of an original. Creator/Producer: C-Span.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Demo Reel, Rudisill, Inc. Please Return. Case marked: Carol Rudisill, Rudisill, Inc. Creator/Publisher: Rudisill, Inc.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: The Frugal Gourmet at Mount Vernon (30 mins) recorded 4/10/88. Maxell brand. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: George Washington II: Forging of a Nation, September 21-22, 1986. (2 copies) Both copies have label for Ventures in Video, McLean, Virginia. Scotch brand case.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: GWII-1-2-3-4 hrs. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Jacques Cousteau. Case marked: Love to Remember Red River (?) Probably related to Cousteau's 75th birthday celebration at Mount Vernon in 1985.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Jacques Cousteau 75th Birthday Party, Mt. Vernon, June 9, 1985. Scotch brand tape and case. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Mount Vernon Conference: Tree Planting. Maxell case. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape with only one small label that reads: PM MAG. Possibly a recording from the syndicated TV broadcast PM Magazine, or PM/Evening Magazine. Maxell case. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape with only a note that reads: JR- This is the 30 sec. version of what I believe may be a 60 sec. spot. Smithsonian on PSA. Radio Shack case. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Smithsonian World - PBS. Tape also marked: C-Span Interview with Christine Meadows and W.W. Abbot. Creator/Producer: C-Span.\u003c/p\u003e","\u003cp\u003eBetamax video cassette tape labeled: Today Show? No case and undated. Creator/Publisher: unknown.\u003c/p\u003e","\u003cp\u003eDVD labeled: Video of The Ballad of Billy Lee starring Henry Brown. Selected Scenes. Written and directd by Len Lamensdorf. Forward by Prof. Joseph J. Ellis. DVD. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eDVD recording:  Billy Lee's Washington: A Musical by Evelyn Swensson \"World Premiere.\" DVD, (TRT) 60:00. Copyright 2006-2009. Creator/Publisher: Evelyn Swensson\u003c/p\u003e","\u003cp\u003eDVD labeled: The John Marshall Foundation presents Conviction of Duty, George Washington and John Marshall Make a Pivotal Decision for America's Future. William A. Sommerfield as Washington, Mark K. Greenough as Marshall. Filmed at Mount Vernon. (TRT) unknown. c. 2005\u003c/p\u003e","\u003cp\u003e\"Discover the Real George Washington\" Grand Opening TV Clips. DVD. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eDVD recording: Exploring Mount Vernon. (TRT) 56:42 (2 copies) Publisher/Creator: Alabama Public Television, c. 2011. Contributor: MVLA.\u003c/p\u003e","\u003cp\u003eDVD recording: The General's Brother. Biographical film on Samuel Washington and his Harewood home, by Bob Asbury. (TRT) unknown. (2 copies) acc. 2015-A-040. Publisher/Creator: Sun West Productions. Contributor: Bob Asbury.\u003c/p\u003e","\u003cp\u003eDVD recording: George Washington Papers Video, July 2010. (TRT) 3:50. Creator/Publisher: Siddall, Inc.\u003c/p\u003e","\u003cp\u003eHistory Channel video program 150 Years of Saving Mount Vernon. DVD. (TRT) 10 mins. Creator/Publisher: A\u0026amp;E Television Networks, c. 2010\u003c/p\u003e","\u003cp\u003eDVD recording labeled: Bringing Them Home, Encoded Master File, Revised 3-15-10. Video: MPEG-2 Transport Stream, 30 Mpbs, Audio: MPEG 1, layer 2, 48K, 128kpbs. History Channel, Mount Vernon: Discover the Real George Washington. Disc 1/1 DVD. (TRT) unknown. Creator/Publisher: A\u0026amp;E Television Networks, c. 2010\u003c/p\u003e","\u003cp\u003eDVD recording labeled: Mount Vernon Exhibit Videos Compilation Reel, 8/8/06, The History Channel. Creator/Publisher: A\u0026amp;E Television Networks.\u003c/p\u003e","\u003cp\u003eDVD recording: \"Leader of Character\" Award Presentation and Interview J.W. Marriott, Jr. at Mount Vernon. 2006066 Marriott International Media Productions Department 52/935.25, 301-380-1024. acc. RP-3112, DVD-7088 (TRT) 56:27\u003c/p\u003e","\u003cp\u003eDVD recording: Mister Chief Justice, undated. Creator/Publisher: The John Marshall Foundation.\u003c/p\u003e","\u003cp\u003eDVD recording: Potomac by Air: Our Nation's River. Creator/Publisher: Maryland Public Televsion, MPT. (TRT) 56:52.\u003c/p\u003e","\u003cp\u003eDVD recording: Reaching Out for Liberty and Light: The Life of Frances Payne Bolton. Copyright 2000. Creator/Publisher: TELOS Productions in association with History Enterprises. (TRT) 86:00\u003c/p\u003e","\u003cp\u003eDVD recording: Real George Washington. Copyright 2008. Creator/Publisher: Fairfax County School Board, MVLA.\u003c/p\u003e","\u003cp\u003eDVD video: Saving Mount Vernon: The Birth of Preservation in America. (TRT) 25 mins. Publisher/Creator: Madisonfilm, Mount Vernon Ladies' Association.\u003c/p\u003e","\u003cp\u003eDVD recording: The Winter Patriots: Trenton and Princeton Campaign, 1776-1777. (TRT) 27:00. Creator/Publisher: MVLA, Wide Awake Films\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mt. Vernon \"The American Institute of Architects\" LOGO. Public Service Announcement or commercial produced by the American Institute of Architects with audio. Actor portraying George Washington as a surveyor and highlighting \"proper land management.\" Case marked: #71247, CR# 6, Color Print DBVT, \"B\" Wind, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:38. Copy and paste this link for online access to the video: https://vimeo.com/288567283/fa3658b6d4\u003c/p\u003e","\u003cp\u003eFilm reel Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Bastille sketch, drafting tools, mirror, window, spyglass, library bookcase, Nellie portrait, Lawrence portrait. Case marked: 1 roll, B\u0026amp;W/Color Print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281337809/00f11616b7\u003c/p\u003e","\u003cp\u003eFilm reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes. (Can 5) 1 roll, COL/B\u0026amp;W Print Silent, Academy 35 mm. 7 1/2\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951515/a029733dee\u003c/p\u003e","\u003cp\u003eFilm reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Nellie's room, window, blue room, guest room, Lafayette room, third floor guest room. 1 roll. Color print. 35 mm Academy Aperture. 7 1/4\" reel.  (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281335387/20b8865888\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of G.W. apt. Martha dresser, Martha dressing table, fan, window, mantle clock, bible, GW bedroom. 1 roll, Color/B\u0026amp;W Print, 35 mm Academy Aperture. 7 3/8\" reel (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281336523/75f64f1de6\u003c/p\u003e","\u003cp\u003eFilm reel of Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Little parlor, pantry, dishes, G.W. washroom, family dining room, linen closet, hall closet, washroom - shaving. Case marked: 1 roll, Color print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Verre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338268/8d6970d6dc\u003c/p\u003e","\u003cp\u003eFilm reel titled N/D \"7 Trims \u0026amp; Outs: Parlor, Dining Room: Formal Parlor, Pantry, Family Dining Room\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 250 feet. Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator/Publisher: Andre de la Varre. Copy and paste this link for online access to this video: https://vimeo.com/281650012/133a4578b3\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, out-takes of loom, shingles, sprintime, chairs on Piazza. Case marked: (Can 6) 1 roll, COL/B\u0026amp;W Print Silent, Academy 35 mm. (TRT) unknown. 5 3/4\" reel.  (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951071/1d9bb3af88\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includees B-roll, trim, and out-takes of Kitchen garden, kitchen, kitchen entrance, New Tomb, Old Tomb, etc. Case marked: 1 roll, B\u0026amp;W/Color Print, 35 mm Academy Aperture. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281339802/991fff79e6\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Manuscript letter, farm account ledger 1793, Five Farm map. Thomas ryan account, etc. (Can 7) 1 roll. B\u0026amp;W Print Silent. 35 mm Academy Aperture. 7\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951196/865f2bfe11\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Storehouse A\u0026amp;B, Powel coach, linen, horse, barn, etc. Case marked: (Can 5) \"Assorted Titles; Can#5A\" 1 roll, Color/B\u0026amp;W Print Silent, Academy 35 mm. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280952076/de49a56af0\u003c/p\u003e","\u003cp\u003eFilm reel titled N/D \"9 Trims \u0026amp; Outs: Library - Bookplates, Bookcase, Drafting Tools, Lawrence Portrait, Main Hall, Doorknocker, Banquet Hall\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 335 feet, Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Copy and paste this link for online access to this video: https://vimeo.com/281657169/c8eb4f5ea8\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of formal garden, green house, school house, etc. Case marked: 1 roll, B\u0026amp;W/Color Print,  35 mm Academy Aperture. 7\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338676/dd336a54e0\u003c/p\u003e","\u003cp\u003eFilm reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of MV drawing, Vaughn plan, family portrais, decorative arts, Lafayette, and chairs on Piazza. Case marked: (Can 8) 1 roll, COL/B\u0026amp;W Print, Academy 35 mm. 6 1/8\" reel.  (TRT) 03:17. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951857/738766c44a\u003c/p\u003e","\u003cp\u003eFilm reel \"The Face on the Dollar Bill\" by Samuel E. Friedman, Leonid Kipnis, and Lamont Moore with cooperation by the Mount Vernon Ladies' Association. Funded by Judge Friedman, Westport, Connecticut. Case marked: 1 roll, COL/B\u0026amp;W w/sound DBVT, reg 16mm. 6 3/4\" reel. (TRT) 10:25. creator/Publisher: Samuel E. Friedman, Leonid Kipnis, Lamont Moore. RP-415, FILM-3728.External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281467532/4f0ac99ae5\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Gift of Mrs. Holdsworth from her family collection. \"No Title\" Case marked: 1 roll, Kodachrome Orig. Silent \"B\" Wind. Reg. 8mm film. (TRT) 2:50. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949303/db1ed083ac\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Lawson Whitesides Gift of Mrs. Betsy Holdworth (2015 gift) \"No Title\" Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. (TRT) 01:37. 3 15/16\" reel. Digitized 2015. (Faint vinegar smell) Contributer: Elizabeth Holdsworth. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949490/81056fc553\u003c/p\u003e","\u003cp\u003eFilm reel titled N/C \"Mrs. Johnson Garden.\" Depicts First Lady, Mrs. Johnson visiting Mount Vernon's gardens, undated. Case marked: 16 mm/ Color Reversal/ A Wind/ Acetate/ Silent, 200 feet, Digitized Sept. 2014. 5 1/4\" reel.  (TRT) 04:33. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/257965973/b5f5ff7577\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mt. Vernon \"The Farming Father.\" Public Service Announcement or commercial by the National Cotton Council highlighting how \"founding farmers\" like George Washington and Thomas Jefferson influenced today's farming industry. Case marked: #71247 CR# 8, Color Print DBVT, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/4\" reel.  (TRT) 01:08. Copy and paste this link for online access to this video: https://vimeo.com/288560193/98511d0e43\u003c/p\u003e","\u003cp\u003eFilm by the National Cotton Council of America titled \"The Founding Farmers.\" Public Service Announcement or commercial, probably similar to AV_00252, but not digitized. Case marked: S.O.F Color. PSA 422. 16 mm. 2 7/8\" reel. (TRT) 00:59. Creator/Publisher: National Cotton Council of America.\u003c/p\u003e","\u003cp\u003eReel titled George Washington, Mt. Vernon. Case marked: WTOP-TV, Color, Acme film and videotape Laboratories. 16 mm, 15\" reel, (TRT) unknown. (Slight vinegar smell)\u003c/p\u003e","\u003cp\u003eGeorge Washington's Mount Vernon, a film by famous travelogue filmmaker Andre de la Varre. The Library has approximately 40 copies of the film in several formats including 16 mm and 35 mm film. These copies previously belonged to schools, former vice regents and other institutions. Digitized 7/20/2015, External hard drive Toshiba 71247. Includes AV_00285 - AV_00291 and AV_00297 - AV_00338. Copy and paste this link for online access to this video: https://vimeo.com/288569473/cbb7304432\u003c/p\u003e","\u003cp\u003eFilm reel of George Washington's Mt. Vernon No Title. Case marked: #71247, CR# 7, Color Reversal, MOS, \"A\" Wind, Reg 16mm. Digitized 7/20/15. 4\" reel. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eFilm reel \"Ike Makes Surprise Visit to George Washington's Mount Vernon- Telenews Daily News Film\" Includes news footage of President Dwight. D. Eisenhower in 1958 on a surprise visit to Mount Vernon. Case marked: 16mm/B\u0026amp;W Positive Print/ \"A\" Wind/ Silent/Acetate/ 44 feet/ Digitized Sept. 2014. 4\" reel.  (TRT) 1:30. Contributor: President Dwight. D. Eisenhower. Creator/Publisher: Telenews Daily News Film. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281672724/23d9140ef0\u003c/p\u003e","\u003cp\u003eFilm reel titled \"King George and Queen Elizabeth at Mount Vernon\" Case marked: 16 mm B\u0026amp;W Reversal/ AGFA/ \"B\" Wind/Silent/Acetate/ 30 feet. Digitized September 2014. 3 3/4\" reel. (TRT) 1:01. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281673145/13cb070a82\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mt. Vernon \"Maryland Shore 1962.\" Opening caption on film reads \"Maryland Shore: A Major Issue.\" Shows views of the Maryland shore of the Potomac River from Mount Vernon and the George Washington Memorial Parkway. Case marked: #71247 CR#4 Color reversal, silent film, MOS \"B\" Wind REG-16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 6 3/4\" reel. (TRT) 11:14. Copy and paste this link for online access to this video: https://vimeo.com/288427394/9b659cb584\u003c/p\u003e","\u003cp\u003eFilm created by the Mount Vernon Ladies' Association and Affiliated Film Producers, copyright 1951. Released by McGraw Hill Book Co. The AV Collection holds multiple copies of this film including AV numbers: AV_00277, AV_00278, AV_00280, AV_00283, AV_00321. 16mm and 35 mm copies. Creator/Publisher: Mount Vernon Ladies' Association and Affiliated Film Producers. Copy and paste this link for online access to this video: https://vimeo.com/291511198/386fe3c311\u003c/p\u003e","\u003cp\u003eReel marked Item 12, 71247. 9 1/4\" reel. No case. Possibly related to other films marked with Item numbers and 71247, Andre de la Varre film components. In De Luxe Laboratories bag. Unknown content. (Strong vinegar smell)\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Mount Vernon Pictorial Reports 1956-1957-1958. Shows events and work done at Mount Vernon, 1956-1958. Case marked: 1,400 feet; 60 minutes at 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:02:57. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281282015/487b2cdfde\u003c/p\u003e","\u003cp\u003eTitle: Pictorial Reports, 1956: .21\u003c/p\u003e","\u003cp\u003e1)\t.35 – 4.11:  The School Groups Commence their Tours\n2)\t4.21-4.36:  A nine O'Clock Opening in April\n3)\t4.46-8.27:  A Warm Sunday Afternoon in April\n4)\t8.40-10.39:  The Annual Pilgrimage of the School Boy Patrols, sponsored by the American Automobile Association\n5)\t10.50-12.50:  The Boat Signals Departure\n6)\t13.02-15.55:  The Grounds Approach Saturation after the Patrol Boys' Parade\n7)\t16.03-17.59:  A typical school group arrives\n8)\t18.08-19.37:  A Busy Garden Gate\u003c/p\u003e","\u003cp\u003eTitle: Pictorial Report for 1957:   19.48\u003c/p\u003e","\u003cp\u003e1)\t19.55-28.43:  Mount Vernon 1957: Some of the colorful events: The friendly sons of St. Patrick place a floral tribute on March 16, escorted by Mr. Barclay\n2)\t28.45-30.09:  On May 1st a helicopter of French design is landed on the circle by the French pilots bearing a floral tribute\n3)\t30.19-31.03:  May 8th the President of the Republic of Viet-Nam escorted by Mr. Densmore\n4)\t31.13-32.19:  June 21st: The 27th National 4-H conference delegates place a floral tribute\n5)\t32.24-33.00:  June 22nd the Prime Minister of Japan escorted by Mr. Densmore\n6)\t33.07 – 34.56:  The Mansion at 8 a.m. during early July\n7)\t35.05 – 36.07:  And later during the Summer drought\u003c/p\u003e","\u003cp\u003eTitle: Pictorial Report for 1958:  36.19\u003c/p\u003e","\u003cp\u003e1)\t36.30 – 38.01 :  Elizabeth II visits Washington October, 1957\n2)\t38.08 - 42.54:  The tulip poplar tree no. 57 planted by General Washington at the Flower Garden Gate received surgical treatment, November 1957\n3)\t43.00 – 44.47: The horsechestnut tree no.116 in the South Grove receives surgical treatment\n4)\t44.55 – 45.24:  The prominent growth on the stem of the large honeylocust tree no.101 is recorded before removal, November, 1957 \n5)\t45.28 – 45.59:  Our tree feeding technique is illustrated\n6)\t46.05 – 46.43:  Mohamed V King of Morocco escorted by the Director, November 26, 1957\n7)\t46.50 – 49.50:  A wet snow prostrates the dry boxwood stems north of the museum on December 4, 1957\n8)\t49.55 -  51.50 :  Dry limbs of redcedar trees are broken and bent under the weight\n9)\t 51.54 – 55.14:  The children of the American Revolution plant a memorial tree and install officers in ceremony April 20, 1958\n10)\t 55.18 – 55.34:  A crowd on the portico greets President Heuss of West Germany May, 1958\n11)\t55.40 – 57.18:  Our new hay baler in operation\n12)\t57.22 – 59.00 :  Handbook vending at the main gate Miss Felicity Cragg \n13)\t59.01 – 1.02.57: No Title : Horticulture: Greenhouse (b\u0026amp;w)\n---END---\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Mount Vernon Pictorial Reports 1959-1963. Shows events and work done at Mount Vernon, 1959-1962. Case marked: 1,400 feet; 60 minutes @ 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:15:18. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281271792/7f3ca7f821\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Pictorial Reports: 1964, 1965, 1966. Shows events and work done at Mount Vernon 1964-1966. Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. 12 1/2\" reel (TRT) 46:54. Digitized 2015. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280946247/cd20327929\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Pictorial Reports: 1967, 1968, 1969, 1970. Shows events and work at Mount Vernon 1967-1970. Case marked: Original Color/ B\u0026amp;W Reversal, 16 mm, 1 roll. 11\" reel (TRT) 52:24. Digitized 2015. Copy and paste this link for online access to video: https://vimeo.com/280952774/7ef4b57f27\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mount Vernon \"Mount Vernon, Virginia.\" Brief silent film, opening caption reads \"Mount Vernon Virginia,\" shows footage of the Mansion and grounds. Briefly shows visitors lining up for the Mansion tour and walking by the outbuildings. Case marked: CR#11, Color Positive MOS \"B\" Wind REG-8mm film. (TRT) 03:19. Creator/Publisher: Landmark Pictures, Inc. Digitized 7-20-2015, External hard drive Toshiba 71247. Copy and paste this link for online access to this video: https://vimeo.com/288597485/f953bc0045\u003c/p\u003e","\u003cp\u003eFilm reel: The New Universal Presents \"George Washington Country Gentleman\" Case marked: Variety View 1941, POS, B\u0026amp;W print, DBVT, \"A\" Wind. Digitized April 2016. 7\" reel. (TRT) 9:43. Creator/Publisher: The New Universal. Copy and paste this link for online access to this video: https://vimeo.com/281461632/da7ec4a0d5\u003c/p\u003e","\u003cp\u003eFilm reel: Paramount News Release \"Year of Dark Contrasts\" by William C. Park, produced by Albert J. Richard in 1939. 1 Roll, B\u0026amp;W Print VDT, Reg 16mm. 7 3/4\" reel. (TRT) 14:32. Creator: William C. Park and Albert J. Richard. Publisher: Paramount Pictures. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281465047/e77c583cf7\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mount Vernon \"Paramount Pictorial.\" Opening caption reads \"Pictures obtained through the cooperation of the United States George Washington Bicentennial Commission and the courtesy of the Mount Vernon Ladies' Association.\" Footage of the exterior of the Mansion, gardens with workers, the summer house, and the New Tomb. Case marked: # 71247, CR# 5, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/2\" reel. (TRT) 02:59. Creator/Publisher: Paramount Pictures. Copy and paste this link for online access to this video: https://vimeo.com/288564898/3bb5f596a5\u003c/p\u003e","\u003cp\u003eFilm reel \"MVLA: Visit-President of Mexico 1 May 1947.\" Movietone News footage of the President of Mexico's visit to Mount Vernon. Case marked: 16mm/AGFA/b\u0026amp;W Positive Print/ \"A\" Wind/DBVT Opt, S,T/ Acetate, 30 ft. Digitized Sept. 2014. 4\" reel. (TRT) 01:14. Creator/Publisher: Movietone News. External hard drive GW_MV_WIN_NT (G Drive mini 68569)Copy and paste this link for online access to this video: https://vimeo.com/281672967/8aa3b89131\u003c/p\u003e","\u003cp\u003eFilm reel labeled: \"Reconstruction of Wharf Causeway at Mount Vernon\" 16mm, Color reversal/b\u0026amp;w Reversal Print, B wind, Silent, Acetate 800 ft. Digitized Sept. 2014. 9 1/4\" reel.  (TRT) 24:59.  External hard drive GW_MV_WIN_NT (G Drive mini 68569) Copy and paste this link for online access to this video: https://vimeo.com/281676320/c9af459251\u003c/p\u003e","\u003cp\u003eFilm reel including Re-enactment of 1789 departure for NY World's Fair promotion and the Visit of King George and Queen Elizabeth of Britain to Washington and Mount Vernon (1939). This film appears to have been made from splicing film of Paramount News footage of the reenactment of Washington leaving Mount Vernon, 1939 and Movietone News footage of the King and Queen's visit to Washington, D.C. and Mount Vernon, 1939. Color film showing the King and Queen's visit is also spliced in (unknown creator), along with captions describing the contents of the video. See also AV_00256 for duplicate footage of \"Washington is Re-elected.\" 16 mm, b/w Reversal, b/w Positive Print, AGFA, B wind, Silent, Acetate, DBVT, VDT, 700 feet, Digitized Sept. 2014. 8\" reel. (TRT) 16:20. (Slight vinegar smell). Copy and paste this link for online version: https://vimeo.com/281681633/9b0c9cc630\u003c/p\u003e","\u003cp\u003eFilm reel: R-K-O Pictures Presents \"Mount Vernon\" (Copyright 1937) produced by The Van Beuren Corp. World on Parade Series, narration by Alois Harilla, text By Harold Mckracken, released by R-K-O Pictures, a Van Beuren Production. Run at Silent Speed, 16 fps, with sound. Digitized April 2016. (TRT) 10:02. 7 \" reel. (Faint vinegar smell) Creator: RKO Pictures. Producer: The Van Beuren Corp. External hard drive, My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281463277/9637fa94a3\u003c/p\u003e","\u003cp\u003eFilm reel labeled: \"Springtime at Mount Vernon\" MVLA, 1956. Case marked: MV \"Home\" Movie, Original color reversal 16mm, silent film. 1 roll, Original color reversal, regular 16 mm. 11\" reel. (TRT) 51:55. (Slight vinegar smell) Creator/Publisher: MVLA. Copy and paste this link for online access: https://vimeo.com/280956677/263be04c18\u003c/p\u003e","\u003cp\u003eFilm reel labeled: Snow Wall-Shingles for Mount Vernon. Case marked: P50-E\u0026amp;V. 1 roll. Color Rev. Orig. \"B\" Wind Silent. Reg. 8mm film. (TRT) 04:45. Copy and paste this link for online access to this video: https://vimeo.com/280956358/84ea72dcf8\u003c/p\u003e","\u003cp\u003eFilm reel titled \"Vice Regents\" Case marked: gift of Mrs. Carpenter, Vice Regent for Illinois. May 1939. 16 mm, b\u0026amp;w Reversal/ \"B\" Wind/ Silent/ Diacetate/ 400 feet/ Digitized Sept. 2014. 6\" reel.  (TRT) 10:05. (Faint vinegar smell) External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281657739/530ac57f14\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mt. Vernon \"VA United Press\" Footage of Soviet Agricultural Delegates laying a wreath at Washington's Tomb with Resident Director, Charles Wall, August 1955. Case marked: #71247, CR# 9, BW Print MOS, \"A\" Wind, silent film, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel. (TRT) 00:58. (Faint vinegar smell) Creator/Publisher: Virginia United Press. Copy and paste this link for online access to this video: https://vimeo.com/288563795/ed041f0f0b\u003c/p\u003e","\u003cp\u003eFilm reel labeled: George Washington's Mt. Vernon \"Leaving Office.\" Character actors re-enacting Washington's departure from Mount Vernon. See also AV_00250 for duplicate and extended footage and more filming information. Case marked: #71247, CR# 10, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Creator/Publisher: Paramount News. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:56. Copy and paste this link for online access to this video: https://vimeo.com/288568166/7f0c8902df\u003c/p\u003e","\u003cp\u003eReel titled The Washington Trail 2C. Film released in July of 1979 that \"reveals for the first time, the full ancestry of George Washington, based on the genealogical evidence, much of which had only recently been discovered\" Focused on the English ancestry of George Washington. Copy 2, 870 ft. 16 mm, 12 1/2\" reel, color film. Orange case. (TRT) 24 mins. Creator/Publisher: British Tourist Authority, Washington Development Corporation.\u003c/p\u003e","\u003cp\u003eFilm reel of video program: \"You Are There:\" December 4, 1783, Washington's Farewell to his Officers.\" Distributed by Young America Films, 1953. 1 Roll, B\u0026amp;W Print w/Sound. Regular 16 mm. 9 1/8\" reel. (TRT) 25:09. Creator/Publisher: Young America Films. Digitized version available. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281470273/78f5c8869f\u003c/p\u003e","\u003cp\u003eLaserdisc titled: George Washington: Pioneer Farmer 18th Century Brickmaking at Historic Mount Vernon, undated. One part of a two part program - the other portion is on woodworking and recreating the 16-sided barn. See AV_00169. Alpha 3M. Creator/Publisher: Horizons Television, Inc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: Mount Vernon, GW:PF Barn Promo, Evolution of a Mansion, undated. Label on cover read \"#77114 Mt. Vernon Item #1.\" Laser Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: The Life of George Washington - Side 1. Dated 1997.  Alpha 3M. (TRT) unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: Life of George Washington - Closed Captioned. Label on the original cover read \"#77114 Mt. Vernon Item #4.\" Laser Disc Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: Mount Vernon Brickmaking and Woodworking - Side 1. Undated. Most likely part of the program George Washington: Pioneer Farmer with two parts on brickmaking and woodworking. Alpha 3M. (TRT) unknown. Creator/Publisher: Horizons Television, Inc. External hard drive 77114 Mount Vernon_Laserdisc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: Mount Vernon Long. Undated. Label on the cover read \"#7714 Mt. Vernon Item #2\" Laserdisc Recording Center, Inc. (TRT) unknown. External hard drive 77114 Mount Vernon_Laserdisc.\u003c/p\u003e","\u003cp\u003eLaserdisc titled: Mount Vernon - Long Version. Label on cover originally read \"#77114 Mt. Vernon Item #3\" with note that read \"Does not work per Sue (?) 11/10/1998 - Voice distorted, removed from service.\" Laser Disc Recording Center, Inc. TRT unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's inauguration in 1989. Label on tape reads \"Mount Vernon 1.\" Label on case reads \"Mt. Vernon 1.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon April 16th 89 2.\" Label on cassette reads \"Day 1 Tape #2 Mount Vernon.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon/Old Towne 3.\" Label on cassette reads \"Mt. Vernon/Day 1 Old Towne #3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Gadsby Tavern inside speeches 4.\" Label on cassette reads \"Day 1 Tape 4.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Day 1 Tape 5 Merrbury [sic] House/outside.\" Label on cassette reads \"Day 1 Tape 5 Merrbury [sic] House inside/outside.\" Probably is a recording of events at the Marbury House in Washington, DC. Umatic (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Rectory Day #10.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 11.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 12.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton Mansion Omni Hotel.\" Label on cassette reads \"Hampton Mansion presentation one. Thru First 1/2 Wash.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton House.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Hampton House Mikes open.\" Label on cassette reads \"Hampton - interview inside (?)\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Perryville/Tavern.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Stand ups.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 Tape 3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 tape 4,\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 Tape 1.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 2.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 5 tape 4.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 5.\" Umatic. (TRT)\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Geo. Wash to Presidency Philadelphia Tavern Day 5 tape 6.\" Umatic. (TRT) unknown\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 1.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 2 house/tavern.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads Day 6 tape 4.\" Umatic. (TRT) unknown\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 1.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 2.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 4.\" Umatic. (TRT) unknown\u003c/p\u003e","\u003cp\u003eVideo recording related to the  Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 1.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 8 tape 2.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 3.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 4.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 5.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 6.\"\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Geo. Washington 200th Aniv. of his Presidency Tape 1A TO 12:42.\" Label on case reads \"Tape 1 Geo. Wash Bicentennial of the Presidency.\" Umatic. (TRT) may be 12:42.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaugural NY - Tape 2, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Washington Inaugural NY - Tape 3, 4/30/89.\" (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Tape 4, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Stand-ups - Parade Tape 5, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Parade, Tape 6, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. NY Parade, Tape 7, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. - NY Shots of Church, Tape 8, 4/30/89.\" Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: \"Front and Center Mt. Vernon Ladies.\" Case marked: \"This video tape is of me being interviewed by Hank Boudard on WPRI Channel 12.\" - Hope Alexander, Vice Regent. Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording labeled \"President Reagan at Mt. Vernon Laying Wreath and Remarks Part 2.\" Dated 22, Feb 1982. Umatic. (TRT) unknown. See also VHS tape AV_00229\u003c/p\u003e","\u003cp\u003eVideo recording labeled \"Mt. Vernon Speeches\" for George Washington's Bicentennial Inauguration Reenactment in 1989. Includes speech by Warren Burger. Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo recording with label \"Dub Willard at Mt. Vernon Air 2/22/85 - TODAY\". Weatherman Willard Scott filming at Mount Vernon for the Today Show on Washington's birthday, NBC News production. Umatic. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Almanac of Travel W/Neil Horstman. VHS. (TRT) unknown. Contributor: Neil Horstman.\u003c/p\u003e","\u003cp\u003eVideo titled ASC-MVLA Conf. Tape #1 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled ASC-MVLA Conf. Tape #2 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled ASC-MVLA Conf. Tape #3 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled ASC-MVLA Conf. Tape #4 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled ASC-MVLA Conf. Tape #5 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program featuring lecture by author Henry Wiencek titled \"An Imperfect God\" Tape marked: C-Span2 Booktv 9/20/03. VHS. (TRT) 29 minutes. Contributor: Henry Wiencek. RP 3070, VIDEO 7047.\u003c/p\u003e","\u003cp\u003eVideo program ' And Die By Inches: George Washington and the Encounter of Cultures on the Southern Colonial Frontier, lecture by Warren Hofstra. Shenendoah University. VHS. (TRT) unknown. Contributor: Warren Hofstra.\u003c/p\u003e","\u003cp\u003eVideo program \"Behind the Hero's Mask\" Ducat Segal Productions for the History Channel and Mount Vernon. Note: low res. Video, music and credits to be added. VHS. (TRT) 8:39. Creator/Publisher: Ducat Segal Productions.\u003c/p\u003e","\u003cp\u003eVideo titled A Ceremony Commemorating The Slave Memorial of Mount Vernon. Dated: Saturday, Spetember 21, 1990. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Colonial Days. BASF brand. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program of Colonial Days- March 1991. Footage of Colonial Days from Channel 8 News. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled \"Colonial Day At Mount Vernon\" VHS (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled \"Colonial Days at Mt. Vernon\" Raw Footage. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program The Creeks and the Americans in the Age of Washington, a lecture by Robbie Eheridge at the University of Mississippi. VHS. (TRT) unknown. Contributor: Robbie Eheridge.\u003c/p\u003e","\u003cp\u003eGeorge Washington: Founding Father. Documentary on the life of George Washington, part of the \"Biography\" series produced by A\u0026amp;E Network. Color.  VHS. (TRT) 50 minutes.\u003c/p\u003e","\u003cp\u003eVideo titled Finley Films-Rough MV Footage-Interiors + People Summer 1988. VHS. (TRT) unknown. Creator/Publisher: Finley Films.\u003c/p\u003e","\u003cp\u003eVideo program George Washington, Dragging Canoe, and Southeastern Indian Resistance, lecture by Peter Wood. Duke University. VHS. (TRT) unknown. Contributor: Peter Wood.\u003c/p\u003e","\u003cp\u003eVideo program George Washington: Founding Father. Epic Biography, Show #3001. VHS. (TRT) unknown.\nCreator/Publisher: Perpetual Motion Films\u003c/p\u003e","\u003cp\u003eVideo program George Washington: Pioneer Farmer The Wood for Washington's Barn. One part of a two part program. VHS. (TRT) Loop tape. 60 min. See also AV_00390. Creator/Publisher: Horizons Televison, Inc. circa 1996-1997\u003c/p\u003e","\u003cp\u003eVideo program George Washington, the South, and the Petics of National Memory, lecture by Carla Mulford, Pennsylvania State University. VHS. (TRT) unknown. Contributor: Carla Mulford.\u003c/p\u003e","\u003cp\u003eVideo labeled: George Washington's Bi-Centennial \"Thank You\" VHS. (TRT) 23 minutes.\u003c/p\u003e","\u003cp\u003eVideo titled George Washington's Indian Policy: Civilizing Southeast Indians. Includes lecture by Theda Perdue at the University of North Carolina. VHS. (TRT) unknown. Contributor: Theda Perdue.\u003c/p\u003e","\u003cp\u003eVideo program The Great Experiment: George Washington and the Old South, lecture by Garrett Wendell, Sotheyby's. VHS. (TRT) unknown. Contributor: Garrett Wendell.\u003c/p\u003e","\u003cp\u003eVideo labeled: George Washington Project/Title: TBA. Version 08/18/2006. VHS. Video would later be titled \"We Fight to Be Free\" and was shown in the new Orientation Center. (TRT) 19:18 mins. (2 copies) Creator/Publisher: Greystone Films\u003c/p\u003e","\u003cp\u003eVideo program The Ground Beneath Our Feet: Virginia Fights WWII. Film highlighting the changes in Virginia during and after World War II. VHS. (TRT) 58:29. RP 3071, VIDEO 7048.\u003c/p\u003e","\u003cp\u003eVideo titled The \"Hell Hole\" 1993. EHG case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Home, ABC-TV, Nov. 8, 1991. VHS. (TRT) 90 minutes.\u003c/p\u003e","\u003cp\u003eVideo labeled:  In Search of America Live from Mount Vernon. Dated July 4th, 2002. Part of the TV series production \"In Search of America\" with Peter Jennings, ABC News. VHS. (TRT) 9 minutes. (2 copies)\u003c/p\u003e","\u003cp\u003eVideo titled Lawrence Washington at Sulgrave Manor. JVC case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Jim Lehrer-GW. SONY case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program The Life of George Washington: A Video Biography of America's Greatest Hero. Written by Robert B. Gibby. Introduction by Senator Bill Bradley. VHS. (2 copies) (TRT) 30 mins. Creator/Publisher: Finley Holiday Films, MVLA.\u003c/p\u003e","\u003cp\u003eVideo labeled:  Mansion Staircase Jan. 1992. Supertape case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mansion Staircase 3/92. Tape marked: (John Clobas) Supertape case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Mapping the South: Image, Archive, and the Construction of Regional Identity in the Age of Washington. Includes lecture by Martin Brueckner at the University of Delaware. VHS. (TRT) unknown. Contributor: Martin Brueckner.\u003c/p\u003e","\u003cp\u003eVideo of the Masonic Dedication of the Ann Pamela Cunningham Library and Research Center. Video by: E Coffey. VHS. Kodak case. (TRT) unknown. Creator/Contributor: E. Coffey.\u003c/p\u003e","\u003cp\u003eVideo titled Mt. Vernon 26 Oct 1985. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mount Vernon 3 Minute Introduction, March 3, 1989. (5 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.\u003c/p\u003e","\u003cp\u003eVideo program \"Mount Vernon\" Tape marked: Bill Webster. VHS (TRT) 23:00. Creator/Publisher: Illustrated Man Productions. Contributor: Bill Webster.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mount Vernon Cupola/Pier Restoration 1992. Scotch case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Mount Vernon Cupola Complete. Case marked: Edited, 1992-1993. BASF case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Mount Vernon In Virginia. Tape marked: 1950, approx 30 mins, black and white. Gift from Joseph Fields. VHS. (TRT) 30 min. Contributor: Joseph Fields.\u003c/p\u003e","\u003cp\u003eVideo titled MVLS-1989 Spring Trip. VHS. (TRT) 46 minutes.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mount Vernon Ladies' Assn. France-Rochefort, Chateau Chavaniac, Lafayette, Boat trip to Maryland farm from M.V. Tape marked: Stewart Gamill III, (husband of Vice Regent Lynn Gammill)  1-6/01. VHS. (TRT) unknown. RP 986.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mount Vernon Selected Scenes. Photography by Russ Finley, Holiday film Corp. VHS (although label says Betacam) (TRT) unknown. Creator/Publisher: Russ Finley, Holiday Films.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mt. Vernon Small Dining Room. Note marked: Cupola interior 28 July 93. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program Mount Vernon Tour Guide Cuts. 1988. (2 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.\u003c/p\u003e","\u003cp\u003eVideo labeled: Nelly Custis Bedroom Repair. EHG Case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Nellie Custis Room 1992-93, Complete. Scotch case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Reagan at Mt. Vernon Laying Wreath Part 2. Dated 22 Feb. 1982. Tape marked: GW 250 Anniversary of his death. See also Umatic tape AV_00220. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Project Enlightenment I. Case marked: For project Enlightenment, 2/28 (no year), funeral procession. Polaroid case. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program Memorial Service for General George Washington, Reenacted on this historical date Wednesday, December 29, 1999. Case marked: The Old Presbyterian Meeting House in the City of Alexandria formerly in The District of Columbia Five O'Clock in the Afternoon. VHS. (TRT) unknown. Creator/Publisher: Unknown.\u003c/p\u003e","\u003cp\u003eVideo production of the Reenactment of George Washington's Funeral at Mount Vernon. VHS. (TRT) 3:10:00 Creator/Publisher: C-Span.\u003c/p\u003e","\u003cp\u003eVideo production of the Reenactment of George Washington's Funeral. VHS. (TRT) 84 mins. Creator/Publisher: C-Span.\u003c/p\u003e","\u003cp\u003eVideo labeled: June 2, 1990 Military Re-enactment at Mount Vernon. Footage of Virginia and Maryland Encampment at Mount Vernon. VHS. (TRT) unknown. Creator/Publisher: unknown\u003c/p\u003e","\u003cp\u003eVideo program Re-mapping Boundaries in the Old Southwest, 1783-1795, lecture by Dan Usner. Cornell University. VHS. (TRT) unknown. Contributor: Dan Usner.\u003c/p\u003e","\u003cp\u003eVideo labeled: The Role of Race in the Making of the American Revolution, lecture by Sylvia Frey. Tulane. VHS. (TRT) unknown. Contributor: Sylvia Frey.\u003c/p\u003e","\u003cp\u003eVideo labeled: The Roof (May 93), Brick Laying 93, Shingle Splitting, Interior Plastering 94. Highlights renovations of the mansion and estate. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program Save Our History: George Washington's Workshop. VHS. (TRT) unknown (2 copies) Creator/Publisher: A\u0026amp;E Television Network.\u003c/p\u003e","\u003cp\u003eVideo program Save Our History: George Washington's Workshop. VHS. (TRT) 1:00:00. Ch 1/2 Fullmx. Creator/Publisher: A\u0026amp;E Television Network\u003c/p\u003e","\u003cp\u003eVideo labeled: Small Dining Room Ceiling 6/92. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program featuring lecture by Carol Berkin titled \"Southern Women in the Revolutionary War.\" Women of the South in the era of Martha Washingotn. University of Southern Mississippi. VHS. (TRT) unknown. Contributor: Carol Berkin. RP 3072, VIDEO 7049a\u003c/p\u003e","\u003cp\u003eVideo titled Highlights from Our Ladies and Their Hero, February 21, 1992 Spartanburg Day School, 1701 Skyln Drive Spartanburg, S.C. 29302. VHS. (TRT) unknown. RP 987, VIDEO 5417.\u003c/p\u003e","\u003cp\u003eVideo titled Our Ladies and Their Hero. Case marked: Ann Dobbs. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program \"Our Ladies and their Hero or (What the Women Were Doing While the Men Forged a War) Case marked: Spartanburg Day School 1701 Skyln Drive Spartanburg, SC 29302. Contact: Ann Hemperley Dobbs. VHS. (TRT) 38 minutes.\u003c/p\u003e","\u003cp\u003eVideo program Sulgrave Manor: The British Heritage of George Washington. Highlights the home of Lawerence Washington, Sulgrave Manor, located in England. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program This Gown… Was Much Admired and Caused Much Jealousy: Fashion and the Forging of Identities in French Colonial New Orleans, a lecture by Sophie White. Courtlaud Institute of Art, Univerosy of London. VHS. (TRT) unknown. Contributor: Sophie White.\u003c/p\u003e","\u003cp\u003eVideo program Today Show. Features Willard Scott Promo for Mount Vernon. Dated 22 February 1993, 7:33am. VHS. (TRT) unknown. Creator/Publisher: Today Show, NBC News.\u003c/p\u003e","\u003cp\u003eVideo recording of several news stations coverage of Queen Elizabeth's visit to Mount Vernon. Tape includes: CBS This Morning, WUSA (Channel 9), ABC World News Tonight, CBS Evening News, Fairfax County News (Channel 8), WRC (Channel 4), Fox News (Channel 5) VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo program Washington and Three Women, lecture by Donald Higgenbotham,  University of North Carolina. VHS. (TRT) unknown. Contributor: Donald Higgenbotham.\u003c/p\u003e","\u003cp\u003eVideo titled Wharf/Cupola/Roof Exploration. Includes footage of restoration. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Women of the South in the Era of Martha Washington University of Southern Mississippi. Tape marked: Library of Hattiesburg, Petal, and Forrestt County, Bellswood (Sylvia Frey) Catherine Allgor, Patricia Brady. VHS. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVHS labeled: W \u0026amp; L (Washington and Lee University) 250th Anniversary celebration, Mount Vernon, October 17, 1998. Maxell VHS tape\u003c/p\u003e","\u003cp\u003eVideo recording labeled: Father of our Country. GWP long version. Tape marked: S.L.O HORS D'OEUVRES. Dated: 9/22/06. Digital Betacam SP. (TRT) unknown. Creator/Producer: Paramount Pictures.\u003c/p\u003e","\u003cp\u003eVideo recording labeled: Father of our Country. GWP short version. Dated: 9/22/06. Betacam SP. (TRT) unknown. Creator/Publisher: Paramount Pictures.\u003c/p\u003e","\u003cp\u003eVideo recording labeled: Father of our Country. Confidence Check. NTSC format.Dated: November 16, 2006. Betacam SP. (TRT) 24:58. Creator/Producer: Paramount Pictures.\u003c/p\u003e","\u003cp\u003eDigital Betacam video cassette tape labeled: George Washington Funeral Reenactment for Mount Vernon exhibit, 2/22/2007. Silent version. (TRT) 1:30. Creator/Publisher: Henninger Media Services.\u003c/p\u003e","\u003cp\u003eVideo labeled: George Washington Output. Tape Marked: NDF. Dated: 9/12/06. Betacam SP. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo titled Mount Vernon: Evolution of the Mansion, Long Version. Dated: May 22, 1995. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Large Betacam. (TRT) unknown.\u003c/p\u003e","\u003cp\u003eVideo labeled: Mount Vernon Evolution of the Mansion Long Version. Dated: 06-07-1995. Betacam. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Betacam. (TRT) unknown. Creator/Publisher: Townhouse Post-Production.\u003c/p\u003e","\u003cp\u003eMini DV videocassette recording labeled: Mount Vernon Piano Recital Tape 1.\u003c/p\u003e","\u003cp\u003eMini DV videocassette recording labeled: Mount Vernon Piano Recital, Tape 2.\u003c/p\u003e","\u003cp\u003eLarge Digital Betacam videocassette labeled: Saving Mount Vernon DVD. (TRT) 62:00. 35mm, dated 1/15/03. DBCT Color Enhanced to D9 Clone. Creator: Madisonfilm. Producer: Mount Vernon Ladies' Association.\u003c/p\u003e","\u003cp\u003eHi8 MP 8mm videocassette tape labeled: Washington is No More. Tape marked: Trial Run, Full Footage. Dated 3/6/2000.\u003c/p\u003e","\u003cp\u003eVideo labeled: George Washington: We Fight To Be Free. Locked. Ford Orientation Center film. Betacam SP. DIA only, Avid Output. (TRT) 22:24. Creator/Publisher: Greystone Films.\u003c/p\u003e","\u003cp\u003eVideo recording labeled: George Washington: We Fight To Be Free. Tape marked: Short Versiokn, Final Opening Title, Wrong End Titles. Betacam SP. (TRT) unknown. Creator/Publisher: Greystone Films.\u003c/p\u003e","\u003cp\u003eVideo labeled: George Washington: We Fight To Be Free. Tape Marked: Picture Only, Ref Tape. Betacam SP. 29.97 fps. (TRT) unknown. Creator/Publisher: Greystone Films.\u003c/p\u003e","\u003cp\u003eVideocassette recording labeled: We the People and the Mount Vernon Visitor Center.  . Digital Betacam. 24 fps. (TRT) 12:15. Creator/Publisher: Inland Sea Productions.\u003c/p\u003e","\u003cp\u003eVideo recording labeled: We the People and the Mount Vernon Visitors Center. Digital Betacam. 24 fps. (TRT) 26:46. Creator/Publisher: Inland Sea Productions.\u003c/p\u003e","\u003cp\u003eVideo recording labeled: We the People and the Mount Vernon Visitor Center. Tape marked: Original Transfer Master. Digital Betacam. 24 fps. (TRT) 27:36. Creator/Producer: Inland Sea Productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes audio and video resources related to Mount Vernon, the Mount Vernon Ladies' Association, and George Washington. Many audio and video recordings in the collection were either produced by, or made in cooperation with, the Mount Vernon Ladies' Association. However, there are also AV productions made by other institutions, corporations, and media companies. Content includes footage and recordings of events, interviews, lectures, VIP visitors, and views of the estate. Several documentaries, news broadcasts, and syndicated radio or television programs are also included as they pertain to the history of Mount Vernon. Highlights of the collection include: Pictorial Reports of the estate during the years 1955-1970 which feature footage of several famous visitors such as President Eisenhower, Princess Margaret and Lord Snowdon, and Fidel Castro; a feature film with B-Roll footage by travelogue filmmaker Andre de la Varre; video and audio recordings of Vice Regents and Mount Vernon staff. Most film reels have been digitized and are available by links within individual catalog records or via written/email request.","Cassette tape titled Dr. Douglass Southall Freeman Address at U.D.C Meeting in Alexandria, 1948. Tape marked: Washington-Lee Comparison. Inside note reads Address at United Daughters of the Confederacy meeting, 1948. Comparison - Washington and Lee. Recorded from phonograph record in MVLA collection RP 70; MISC 4036. Presented by George Washington Custis Lee Chapter of the UDC.\" TDK tape and case.","Audio cassett tape labeled: Dr. Southall Freeman. Speech given in Alexandria. Case marked: approx 30 min- 3 3/4- Track A Mono 1, Copy from Records. 1st copy.  5\" reel. Contributor: Dr. Southall Freeman.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 1 includes speeches from Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer. Dated 11/8/93. 1 tape, Lanier case. Contributors: Neil W. Horstman, James C. Rees, and Dr. G. Terry Sharrer.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 2 includes the speech from Dr. J. Worth Estes. Dated 11/8/93. 1 tape, Lanier case. Contributor: Dr. J. Worth Estes.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 3 dated Mon, 8/11/93. 1 tape, Lanier case.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 4 dated Mon, 11/8/93. 1 tape, Lanier case.","Cassette tape containing the speeches from the seminar \"Agriculture in the Age of Washington.\" Tape 5 includes the speeches by Dr. Richard L. Willham and Dr. Alan Fusonie. 1 tape, Lanier case. Contributors: Dr. Richard L. Willham and Dr. Alan Fusonie.","Cassette tape containing the speeches from the seminar, \"Agriculture in the Age of Washington.\" Tape 6 is thought to include the speech by Dr. Donald E. Bixby. 1 tape, Lanier case. Contributor: Dr. Donald E. Bixby.","Cassette tape titled All Things Considered, NPR Interview. Case marked: J. Rhodehamel, CBS, April 1984. Contributor: John Rhodehamel","Cassette tape America's Favorite Places, Ride With Me: Williamsburg. Narrated by: Grover Gardner, tells the history of Williamsburg. 1990. Cassette. Creator/Producer: RWM Associates.","Cassette tape America's Favorite Places, Ride With Me: The Mount Vernon Story. Narrated by John MacDonald, Kimberly Schraf and Michael Russotto. Tells the history of Mount Vernon and it's historic owner. 1993, Cassette.","Cassette tape labeled Audio Demo Noble Creek Prod.S. 1 tape, Scotch case.","Cassette tape titled Beds, Beddings, and Bed Hangings. Author Jane C. Nylander. Tape marked: AASLH. Contributor: Jane C. Nylander.","Cassette tape titled Capital Conversation Ellen McCallister Clark. Tape marked: 6/14/87. Supertape.","Part of a series of cassette tapes all labeled Capital Conversation. This recording is with Ellen McCallister Clark, 6/14/1987.","Cassette tape titled Capital Conversation Ellen McCallister Clark, John Riley, Ann Rausher. Tape marked: 9/6/87, Hour 4, Supertape.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #1 with Mrs. Robert E. Lee IV and Christine Meadows, dated 9/6/1987.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This tape is Hr. #2 with Christine Meadows, Herb Prevost, Jim Simms, and Dean Norton, dated 9/6/1987.","One of a series of cassette tapes labeled: Capital Conversation. This is Hour #3. Dated 9/6/1987.","One in a series of cassette tapes labeled: Capital Conversation/Mount Vernon. This is Hr. #4 with Ellen McCallister Clark, John Riley, and Ann Rauscher, date 9/6/87.","Cassette tape titled CC Wall's Talk to Interpreters C. Taped 1984. Certron tape.","Cassette tape titled Side 1 and Side 2. Tapes relating to The Character of George Washington Seminar on April 23, 1995. Radio Shack tape.","Cassette tape titled Side 3 and Side 4. Tapes relating to the Character of George Washington Seminar on April 23, 1995. Radio Shack tape.","Cassette tape titled Does He Take Sugar? American Edition. Tape marked: Marlene Pease, BBC. Century Magnetics tape. 60 minute tape.","Cassette tape labeled: Mrs. de Forest, Gordon Talk. Nov 1, 1981. TDK tape.","Cassette tape labeled: First Patriot: The Life and Legacy of George Washington. Tape marked: Produced by Radio America with the Mount Vernon Ladies' Association. Dolby B.","Cassette tape titled Four Narrators-Finley Holiday Films. TDK tape and case.","Cassette tape titled G.W. PSA's. Case marked: (8 60's, 8 30's) Master Copy, Radio America Public Service Announcements, February 1989. TDK tape and case.","Cassette tape titled Hail Columbia by Philip Phylo and Joseph Hopkins. Tape marked: The New American Brass Band from the Soundtrack of the War by Ken Burns. TDK tape and case.","Cassette tape labeled: Historical Sites Mountt. Vernon. Tape marked: DMC, 8/4/87, House Market Research Inc. Maxell tape.","Cassette tape titled \"Holiday\" - Washington - Lincoln. Memorex tape.","Cassette and Slide set of a Mount Vernon tour, produced by Finley Holiday Film Corp. Purchased from Museum Shop. 1 Cassette Tape, 40 Slides. Creator/Publisher: Finley Holiday Film Corp.","John RhodehamelJohn RhodehamelJohn RhodehamelJohn Rhodehamel USI tape.","Casette tape of a lecture by Chris Matthews, dated 5/17 no year. 1 tape, Maxell case. Contributor: Chris Matthews.","Cassette tape titled Dr. James R. Soles. Tape marked: Side A: Lecture at First Annual meeting of the George Washington Club. June 3, 1983. Side B: Question and Answers Following Lecture. Maxell tape and case. Contributor: James R. Soles.","Cassette tape of a lecture by Marc Leepson. Dated 6/6/06. 1 tape, Maxell case. Contributor: Marc Leepson.","Cassette tape recording of a lecture by Michael Novak, thought to be in relation to his book \"Washington's God,\" published in 2006. Tape dated 4/11/06. 1 tape, Maxell case. Contributor: Michael Novak","Cassette tape of a lecture by Peter Henriques. Dated 5/2/06. 1 tape, Maxell case. Contributor, Peter Henriques","Cassette tape of a lecture by Richard Brookhiser thought to be in relation to one of his books on George Washington. Dated 5/22/06. 1 tape, Maxell case. \nContributor: Richard Brookhiser.","Cassette tape of a lecture by Thomas Fleming. Dated 3/28/06/ 1 tape, Maxell case. Contributor: Thomas Fleming.","Cassette tape titled Martial Musick of Yorktown. Includes marches, quicksteps, dances, and songs. Titles include: The World Turned Upside Down, Royal Deux Ponts March, and many others of historical significance. Case marked: George Carroll. Stereo, Dolby, Cassette.","Cassette taped titled The Monticello Music Collection. Includes songs from Mozart, Beethoven, and Vivaldi amongst others. Dolby System. 1986.","Cassette tape of the Mount Vernon Audio Tour, dated 6/16/95. 1 tape, Maxell case. (TRT) 41:09","Cassette tape labeled: Mount Vernon Audio Tour, submitted for final approval. Dated 6-30-95. 1 tape, no case.","Cassette tape titled Mount Vernon Capital Campaign 3:25.","Cassette tape recording of the Grand Opening of the Education Center. Dated Oct. 22, 2006. 1 tape, Maxell case.","Cassette tape titled This Side is MTV Finance. Tape marked: Buildings, Rose Strachan (Vice Regent),Chair. Sony tape.","Cassette tape labeled: Mount Vernon Capital Campaign. Tape marked: Recorded Script - Audio-Visual Show. (2 Copies)","Cassette tape labeled: English: Mount Vernon Ladies Association Magazine Show. Tape marked: 1/21/86, For: Farmer general Programs. USIA, Voice of America.","Cassette tape labeled: Mount Vernon Music Selection Sample. Tape marked: Finley Holiday Film Corp. Whittier, CA. Creator/Publisher: Finley Holiday Film Corp.","Cassette tape labeled: NEWSMARK: George Herman's Washington. Tape marked: CBS Inc. All Rights Reserved. Note marked: MV-237-262. Ampex tape. Creator/Publisher: CBS Inc.","Cassette tape labeled: Mount Vernon Audio Tour. Tape case label reads \"Outbuildings Tour- Not Final Copy. Tape marked: Only a couple minor changes made after this tape.\" Note attached addressed to John Riley detailing the process of creating the tape. Letter dated June 16, 1994. Maxell tape and case. TRT 41:09","Cassette tape labeled: SOG House on the Potomac. Other side of tape marked: Received from the VR for Michigan, 1975. Creator/Publisher: Mike Whorf, Inc.","Cassette tape labeled: The Sounds of Glory - Part 7, Washington, a Man to Remember. Other side of tape marked: Gift of the VR for Michigan, 1975. Creator/Publisher: Mike Whorf Inc.","Cassette tape labeled: Still First in the Hearts of His Countrymen: A Celebration of George Washington PSA's. Tape marked: Dolby B, Presented by the Mount Vernon Ladies' Association. (7 Copies)","Cassette tape titled Chuck Rich-Voice of America \"Mount Vernon.\" Tape marked: 4:38.","Cassette tape labeled: Washington Birthday Program 1975. Case marked: Received from the VR for Michigan 1975, Feb. Karl Haas, WTR Detroit. Ampex case, 42.","Cassette tape labeled: WETA radio interview April 12, 1985. Robert Aubry Davis. Tape marked: C35 even.","Cassette tape labeled With Good Reason, Vol. VI, No. XXVII, Made to Order: The Rise of General Washington, Zagarri (GMU) Chase (UVA). Maxell tape, C60. undated.","CD Rom containing lecture from historian Harlow Unger from the Beneath the Surface lecture series. Imation, Music CD-R, 700MB. Contributor: Harlow Unger.","CD Rom labeled Beneath the Surface Lecture 1, dated 7/19/06. Memorex, CD-R, 700MB.","CD Rom labeled D Palmer 8/3/06, CD-R, Memorex, 700MB. RP 2295, CD 6752","CD Rom labeled GW Symposium Nov 3-4, 2006. CD-R, Memorex, 700MB.","CD Rom labeled Chernow Lecture, CD-R, Memorex, 700 MB. Contributor: Ron Chernow","CD Rom labeled Lectures, Papers, Gingrich, GWS, dated 11-7-09, Memorex CD-R. Contributor: Newt Gingrich.","CD Rom containing a lecture by historian Scott Berg from the Michelle Smith Lecture Series at Mount Vernon. Imation, Music CD-R, 700MB. Contributor: Scott Berg.","CD Rom labeled Mrs. Thompson Religion in the Life of George Washington. Imation Music CD-R, 700Mb. Contributor: Mary Thompson.","CD Rom labeled Richard Brookhiser Smith Aud. Dated May 30, 2008. Imation, Music CD-R, 700MB. Contributor: Richard Brookhiser.","CD Rom recording of the morning session of the Sweet Briar College Seminar, dated 3/9/09. Imation, Music CD-R, 700MB.","CD Rom recording of the afternoon session of the Sweet Briar College Seminar dated 3/9/09. Imation, Music CD-R, 700MB.","CD Rom recording of a  a talk by Mary Thompson, dated 10-2008. Staples CD-R, 700MB. Contributor: Mary Thompson.","CD Rom, case labeled Wojie Design, Disk #000918.1755, Audio - Music CD Mt. Vernon Interview, 1A and 1B are Side A of Cassette, 2 is Side B of Cassette, September 2000. Physical disk labeled: Imation Disk, CD-R 700MB, Wojie, Music: @ Mt. Vernon Interview, Sept. 2000 Windows Audio CD. Publisher/Contributor: Wojie Design.","LP Record Charles Ives Symphony No.3: Music of the American Revolution. Arranged by Richard Bales, National Gallery Orchestra, Conducted by Richard Bales. 12\" Record. Creator: Richard Bales. Publisher: WCFM Recording Corp.","LP Record labeled: Dr. Douglas Southall Freeman address at U.D.C meeting in Alexandria in 1948. Made from tape recording in MVLA possession, 1966. Presented by George Washington Custis Lee Chapter of the United Daughters of the Confederacy. 12\" Record. Contributor: Dr. Douglas Southall Freeman. RP-70, MISC-4036.","LP Record of a Douglas Southall Freeman speech. Part 1 and Part 3 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 2 and Part 4 are included. Case marked: Running time overall allowing for record changing, about 36 minutes. 12\" record. Contributor: Dr. Douthall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 5 and Part 7 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record of a Dr. Douglas Southall Freeman speech. Part 6 and Part 8 are included. 12\" record. Contributor: Dr. Southall Freeman.","LP Record labeled: Easter Sunday at Mt. Vernon. 2 parts. Dated April 10, 1955. An interview by the radio station with employees Vicki (Victoria) Kasperski, floral arrangement, and briefly with Frank Morse. Discusses spring, flowers, and plants at Mount Vernon and how the Washingtons celebrated the holiday. 33 1/2 speed. 12\" record. Publisher/Creator: WCNR Station","LP Record labeled: Mount Vernon 100th Anniversary and introduction by Gov Battle. Case marked: The Regents greeting and Governor Battle's response. Reception, Saturday, P.M, 3-5 o'clock. Oct. 24, 1953. 78 RPM. 12\" record. Contributor: John Battle. R3.","LP Record labeled: Tour of Mount Vernon. Includes Part 1 and Part 2. 16 2/3 RPM. 7\" record. Creator/Publisher: The Solocast Company. 2 copies including RP-44, MISC-3246 A-B","LP Record labeled: Will Holland at the tomb. Gift of Edward Darlington, Radio Station WCNR, Bloomsburg, Pennsylvania, December 1958. 10\" Record. Creator/Publisher: WCNR Station. Contibutors: Will Holland, Edward Darlington. MISC-743","Magnetic reel-to-reel tape recording of Dr. Douglas Southall Freeman's talk comparing George Washington and Robert E. Lee, delivered January 19, 1949 at the George Mason Hotel under the auspices of the Alexandria Chapter of the United Daughters of the Confederacy. Master tape from the original recording in the collection of the Mount Vernon Ladies' Association of the Union. 5\"  3 3/4 ips, made from 4 records, 78 rpm, approx 34 min. BASF casing.","Magnetic reel-to-reel tape recording: East Lawn air traffic over Mount Vernon. The recording is 915 feet, approx. one hour and 45 minutes of play time. Reel case includes an MVLA memo detailing minutes and aircrafts uses. 7\" reel. RP-39, TAPE-3102.","Magnetic reel-to-reel tape recording of Essex Kent Scottish Regiment of Windsor Canada, dated Saturday - Octover 23, 1965. Guests of the Naval Air Reserve Training Unit at Andrews Air Force Base. Recorded approximately 100 feet at 3 1/4 ips. 7\" reel, Scotch brand case. RP-59, Tape-3393.","Magnetic reel-to-reel tape recording of Mr. Wall and Mr. Fritz Gutheim at graduate seminar on historic preseravtion at George Washington University. Dated Sept. 10, 1975. 7\" reel, Sears Silvertone Sound Recording Tape. Contributors: Mr. Wall, Mr. Fritz Gutheim","Scotch recording tape. Label reads \"June '64 III?\" Contents unknown. 7\" reel. (TRT) unknown.","Scotch recording tape. Labeled \"June '64 IV.\" Unknown content. (TRT) unknown. 7\" reel.","Magnetic tape. Labeled \"Jun '64 IV p. 33 Harr.\" and \"June 4 retaped p. 33 Harr. (?) Johnson '66\" Unknown content. (TRT) unknown. 7\" reel.","Audiotape magnetic recording tape. Labeled \"June V 1865-71?\" and \"June '64 V\" with note inside \"V with side 2 blank for Oct. - Nov. 1865 trouse (?) up to Dec. 3 which is on small reel.\" Unknown content. (TRT) uknown. 7\" reel.","Scotch magnetic tape. Label reads \"June '64 - 7\" with note that reads \"Reel 7 - '66-'69 beginning cards.\" Unknown contenct. (TRT) unknown. 7\" reel.","Magnetic tape reel. Label reads \"June '64 IX\" and \"Cont. on Morse half reel, 9 IX.\" Uknown content. (TRT) unknown. 7\" reel.","Magnetic reel-to-reel tape recording of the Longfellow papers by Elswyth Thane Beebe, March 1966. Plays at 3 3/4 ips, 5 3/4 audio reel, Irish Brand High Fidelity recording tape. RP-59, Tape-3392","Magnetic reel-to-reel tape recording labeled: Mount Vernon, March of 1964. 31 minutes in length. 5 3/4\" tape, Irish brand box.","Magnetic reel-to-reel tape recording. Used for a presentation for the Mount Vernon Capital Funds Campaign in 1979. Script for presentation inside box with tape recording (dated 10/10/1979) Tape includes Voice Outs, Voice Master, Music Tracks, Mix + Pulse Master. Box reads: \"DO NOT USE - See 11/28/79 for approved mix.\" 15 ips. 9\" reel. Creator/Publisher: Charles Webb and Co.","Magnetic reel-to-reel tape recording. Used for a presentation on the Mount Vernon Capital Funds Campaign in 1979. Tape includes Voice Master, Mix Master, Pulse Master. Box reads: \"See 10/15/79 for music used.\" 15 ips, 9\" reel. Creator/Publisher: Charles Webb and Co.","Magnetic reel-to-reel tape recording of Christine Meadows' presentation \"Mount Vernon: Creation and Recreation\" at the Antique Forum. Dated 1/26/78. 7\" reel, 3 3/4 speed, Full Mono, One Only Tape Direction, Crown Recorder, Neumann Microphone. Concertone Magnetic Recording Tape. Contributor: Christine Meadows.","Magnetic reel-to-reel tape recording of the Pageant of Patriots, a costume and military pageant on the bowling green, July 4, 1962. 7\" reel, 7 1/1 ips, Scotch brand IPS. RP-42, Tape-3245.","Magnetic reel-to-reel tape recording of a talk by Sir George Trevelyan made in the \"Banquet Hall,\" probably the New Room, during Council Oct. 24, 1959. The minutes describe the event as a \"lecture on English architecture from the medieval manor to the Industrial Revolution.\" Tape and script. 7\" reel, Audiotape brand box. Contributor: Sir George Trevelyan. RP-224, Misc-1010 a/b.","Magnetic reel-to-reel tape recording labeled: Slimbridge England Wildfowl trees up to 110, Native Bird calls of Southeast up to 347 presented by Mrs. Platt during Council in October 1965. 7\" reel, Scotch recording case. Contributor: Mrs. Platt, Vice Regent for Pennsylvania. RP-49, Tape-3380.","Magnetic reel-to-reel tape recording of the Sound and Light show, \"Father of Liberty,\" performed at Mount Vernon during the Bicentennial year, 1976.  7\" reel, 3 3/4 ips. BASF (Badische Anilin- \u0026 Soda-Fabrik AG). Label notes: (Side 1) Monot. 0-879","Magnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel I, Scotch Brand Case. Creater/Contributor: Walter Gutman. Publisher: Hawk Serpent Productions. RP-280 Tape-5460.","Magnetic reel-to-reel tape recording of the soundtrack for a film on Martha Washington produced by Hawk Serpent Productions and Walter Gutman. Dated 1976, 7\" reel, 1/4 tape, Reel 2, Scotch Brand Case. Creator/Contributor: Walter Gutman. Publisher:Hawk Serpent Productions. RP-280 Tape-5460.","Magnetic reel-to-reel tape recording of a tribute to Martha Washington by Guy Aelwood (or Aylwood), dated May 1962. Includes transcription of speech inside box. 5\" 7 1/2 ips - full track. Scotch Magnetic Tape case. \nContributors: Guy Aelwood. RP-36, Tape-3099","Magnetic reel-to-reel tape labeled: White House Tour, dated 2/18/62. Probably an audio copy of First Lady Jackie Kennedy's White House Tour in 1962. Note included with specific highlights of the tour including the Gilbert Stuart portrait, Washington Bust, an MVLA Gift, the President, and Music. 7\" reel, RCA case. RP-40, TAPE-310.","Magnetic reel to reel tape recording with Will Holland, Mount Vernon Tomb Guard. Recording by Edward Darlington and Radio Station WCNR in Bloomsbury, PA. Dated Dec. 1958, possibly spliced in 1980. 4\" reel. 33 1/3 speed. Creator: WCNR Station, Columbia-Montour Broadcasting Corp. Contributors: Will Holland, Edward Darlington. RP-42, Tape 32--","Betamax video cassette - no label but note inside case reads \"Credit VRDC\" (could be abbreviation for Vice Regent District of Columbia?) 1 tape Je Frand. Betamax, Maxell brand.","Betamax video cassette tape labeled: DUB \"Crowds-Gone\" L 750. No case.","Betamax video cassette tape labeled: 8pm Call-In From Mount Vernon. Large C-Span rights label placed over tape. Recorded 9/27/87. Creator/Publisher: C-Span.","Betamax video cassette tape labeled: Monticello Interview Show. Note marked: May 17, 1987. Bad tape - tape of a tape of an original. Creator/Producer: C-Span.","Betamax video cassette tape labeled: Demo Reel, Rudisill, Inc. Please Return. Case marked: Carol Rudisill, Rudisill, Inc. Creator/Publisher: Rudisill, Inc.","Betamax video cassette tape labeled: The Frugal Gourmet at Mount Vernon (30 mins) recorded 4/10/88. Maxell brand. Creator/Publisher: unknown.","Betamax video cassette tape labeled: George Washington II: Forging of a Nation, September 21-22, 1986. (2 copies) Both copies have label for Ventures in Video, McLean, Virginia. Scotch brand case.","Betamax video cassette tape labeled: GWII-1-2-3-4 hrs. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Jacques Cousteau. Case marked: Love to Remember Red River (?) Probably related to Cousteau's 75th birthday celebration at Mount Vernon in 1985.","Betamax video cassette tape labeled: Jacques Cousteau 75th Birthday Party, Mt. Vernon, June 9, 1985. Scotch brand tape and case. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Mount Vernon Conference: Tree Planting. Maxell case. Creator/Publisher: unknown.","Betamax video cassette tape with only one small label that reads: PM MAG. Possibly a recording from the syndicated TV broadcast PM Magazine, or PM/Evening Magazine. Maxell case. Creator/Publisher: unknown.","Betamax video cassette tape with only a note that reads: JR- This is the 30 sec. version of what I believe may be a 60 sec. spot. Smithsonian on PSA. Radio Shack case. Creator/Publisher: unknown.","Betamax video cassette tape labeled: Smithsonian World - PBS. Tape also marked: C-Span Interview with Christine Meadows and W.W. Abbot. Creator/Producer: C-Span.","Betamax video cassette tape labeled: Today Show? No case and undated. Creator/Publisher: unknown.","DVD labeled: Video of The Ballad of Billy Lee starring Henry Brown. Selected Scenes. Written and directd by Len Lamensdorf. Forward by Prof. Joseph J. Ellis. DVD. (TRT) unknown.","DVD recording:  Billy Lee's Washington: A Musical by Evelyn Swensson \"World Premiere.\" DVD, (TRT) 60:00. Copyright 2006-2009. Creator/Publisher: Evelyn Swensson","DVD labeled: The John Marshall Foundation presents Conviction of Duty, George Washington and John Marshall Make a Pivotal Decision for America's Future. William A. Sommerfield as Washington, Mark K. Greenough as Marshall. Filmed at Mount Vernon. (TRT) unknown. c. 2005","\"Discover the Real George Washington\" Grand Opening TV Clips. DVD. (TRT) unknown.","DVD recording: Exploring Mount Vernon. (TRT) 56:42 (2 copies) Publisher/Creator: Alabama Public Television, c. 2011. Contributor: MVLA.","DVD recording: The General's Brother. Biographical film on Samuel Washington and his Harewood home, by Bob Asbury. (TRT) unknown. (2 copies) acc. 2015-A-040. Publisher/Creator: Sun West Productions. Contributor: Bob Asbury.","DVD recording: George Washington Papers Video, July 2010. (TRT) 3:50. Creator/Publisher: Siddall, Inc.","History Channel video program 150 Years of Saving Mount Vernon. DVD. (TRT) 10 mins. Creator/Publisher: A\u0026E Television Networks, c. 2010","DVD recording labeled: Bringing Them Home, Encoded Master File, Revised 3-15-10. Video: MPEG-2 Transport Stream, 30 Mpbs, Audio: MPEG 1, layer 2, 48K, 128kpbs. History Channel, Mount Vernon: Discover the Real George Washington. Disc 1/1 DVD. (TRT) unknown. Creator/Publisher: A\u0026E Television Networks, c. 2010","DVD recording labeled: Mount Vernon Exhibit Videos Compilation Reel, 8/8/06, The History Channel. Creator/Publisher: A\u0026E Television Networks.","DVD recording: \"Leader of Character\" Award Presentation and Interview J.W. Marriott, Jr. at Mount Vernon. 2006066 Marriott International Media Productions Department 52/935.25, 301-380-1024. acc. RP-3112, DVD-7088 (TRT) 56:27","DVD recording: Mister Chief Justice, undated. Creator/Publisher: The John Marshall Foundation.","DVD recording: Potomac by Air: Our Nation's River. Creator/Publisher: Maryland Public Televsion, MPT. (TRT) 56:52.","DVD recording: Reaching Out for Liberty and Light: The Life of Frances Payne Bolton. Copyright 2000. Creator/Publisher: TELOS Productions in association with History Enterprises. (TRT) 86:00","DVD recording: Real George Washington. Copyright 2008. Creator/Publisher: Fairfax County School Board, MVLA.","DVD video: Saving Mount Vernon: The Birth of Preservation in America. (TRT) 25 mins. Publisher/Creator: Madisonfilm, Mount Vernon Ladies' Association.","DVD recording: The Winter Patriots: Trenton and Princeton Campaign, 1776-1777. (TRT) 27:00. Creator/Publisher: MVLA, Wide Awake Films","Film reel labeled: George Washington's Mt. Vernon \"The American Institute of Architects\" LOGO. Public Service Announcement or commercial produced by the American Institute of Architects with audio. Actor portraying George Washington as a surveyor and highlighting \"proper land management.\" Case marked: #71247, CR# 6, Color Print DBVT, \"B\" Wind, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:38. Copy and paste this link for online access to the video: https://vimeo.com/288567283/fa3658b6d4","Film reel Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Bastille sketch, drafting tools, mirror, window, spyglass, library bookcase, Nellie portrait, Lawrence portrait. Case marked: 1 roll, B\u0026W/Color Print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281337809/00f11616b7","Film reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes. (Can 5) 1 roll, COL/B\u0026W Print Silent, Academy 35 mm. 7 1/2\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951515/a029733dee","Film reel: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Nellie's room, window, blue room, guest room, Lafayette room, third floor guest room. 1 roll. Color print. 35 mm Academy Aperture. 7 1/4\" reel.  (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281335387/20b8865888","Film reel labeled: Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of G.W. apt. Martha dresser, Martha dressing table, fan, window, mantle clock, bible, GW bedroom. 1 roll, Color/B\u0026W Print, 35 mm Academy Aperture. 7 3/8\" reel (TRT) unknown. Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281336523/75f64f1de6","Film reel of Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Little parlor, pantry, dishes, G.W. washroom, family dining room, linen closet, hall closet, washroom - shaving. Case marked: 1 roll, Color print, 35 mm Academy Aperture. 5 1/4\" reel. (TRT) unknown. Creator: Andre de la Verre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338268/8d6970d6dc","Film reel titled N/D \"7 Trims \u0026 Outs: Parlor, Dining Room: Formal Parlor, Pantry, Family Dining Room\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 250 feet. Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator/Publisher: Andre de la Varre. Copy and paste this link for online access to this video: https://vimeo.com/281650012/133a4578b3","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, out-takes of loom, shingles, sprintime, chairs on Piazza. Case marked: (Can 6) 1 roll, COL/B\u0026W Print Silent, Academy 35 mm. (TRT) unknown. 5 3/4\" reel.  (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951071/1d9bb3af88","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includees B-roll, trim, and out-takes of Kitchen garden, kitchen, kitchen entrance, New Tomb, Old Tomb, etc. Case marked: 1 roll, B\u0026W/Color Print, 35 mm Academy Aperture. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281339802/991fff79e6","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of Manuscript letter, farm account ledger 1793, Five Farm map. Thomas ryan account, etc. (Can 7) 1 roll. B\u0026W Print Silent. 35 mm Academy Aperture. 7\" reel. (TRT) unknown. Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951196/865f2bfe11","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, Trim, and Out-takes of Storehouse A\u0026B, Powel coach, linen, horse, barn, etc. Case marked: (Can 5) \"Assorted Titles; Can#5A\" 1 roll, Color/B\u0026W Print Silent, Academy 35 mm. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280952076/de49a56af0","Film reel titled N/D \"9 Trims \u0026 Outs: Library - Bookplates, Bookcase, Drafting Tools, Lawrence Portrait, Main Hall, Doorknocker, Banquet Hall\" Reel marked: \"George Washington's Mount Vernon\" Case marked: 35 mm full frame/ Color Positive/ A Wind/ Silent/ Acetate/ 335 feet, Digitized Sept. 2014. 6 1/4\" reel. (TRT) unknown. (Faint vinegar smell) Copy and paste this link for online access to this video: https://vimeo.com/281657169/c8eb4f5ea8","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of formal garden, green house, school house, etc. Case marked: 1 roll, B\u0026W/Color Print,  35 mm Academy Aperture. 7\" reel. (TRT) unknown. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281338676/dd336a54e0","Film reel, Andre de la Varre: George Washington's Mount Vernon 1972. Includes B-roll, trim, and out-takes of MV drawing, Vaughn plan, family portrais, decorative arts, Lafayette, and chairs on Piazza. Case marked: (Can 8) 1 roll, COL/B\u0026W Print, Academy 35 mm. 6 1/8\" reel.  (TRT) 03:17. (Faint vinegar smell) Creator: Andre de la Varre. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280951857/738766c44a","Film reel \"The Face on the Dollar Bill\" by Samuel E. Friedman, Leonid Kipnis, and Lamont Moore with cooperation by the Mount Vernon Ladies' Association. Funded by Judge Friedman, Westport, Connecticut. Case marked: 1 roll, COL/B\u0026W w/sound DBVT, reg 16mm. 6 3/4\" reel. (TRT) 10:25. creator/Publisher: Samuel E. Friedman, Leonid Kipnis, Lamont Moore. RP-415, FILM-3728.External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281467532/4f0ac99ae5","Film reel labeled: Gift of Mrs. Holdsworth from her family collection. \"No Title\" Case marked: 1 roll, Kodachrome Orig. Silent \"B\" Wind. Reg. 8mm film. (TRT) 2:50. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949303/db1ed083ac","Film reel labeled: Lawson Whitesides Gift of Mrs. Betsy Holdworth (2015 gift) \"No Title\" Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. (TRT) 01:37. 3 15/16\" reel. Digitized 2015. (Faint vinegar smell) Contributer: Elizabeth Holdsworth. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280949490/81056fc553","Film reel titled N/C \"Mrs. Johnson Garden.\" Depicts First Lady, Mrs. Johnson visiting Mount Vernon's gardens, undated. Case marked: 16 mm/ Color Reversal/ A Wind/ Acetate/ Silent, 200 feet, Digitized Sept. 2014. 5 1/4\" reel.  (TRT) 04:33. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/257965973/b5f5ff7577","Film reel labeled: George Washington's Mt. Vernon \"The Farming Father.\" Public Service Announcement or commercial by the National Cotton Council highlighting how \"founding farmers\" like George Washington and Thomas Jefferson influenced today's farming industry. Case marked: #71247 CR# 8, Color Print DBVT, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/4\" reel.  (TRT) 01:08. Copy and paste this link for online access to this video: https://vimeo.com/288560193/98511d0e43","Film by the National Cotton Council of America titled \"The Founding Farmers.\" Public Service Announcement or commercial, probably similar to AV_00252, but not digitized. Case marked: S.O.F Color. PSA 422. 16 mm. 2 7/8\" reel. (TRT) 00:59. Creator/Publisher: National Cotton Council of America.","Reel titled George Washington, Mt. Vernon. Case marked: WTOP-TV, Color, Acme film and videotape Laboratories. 16 mm, 15\" reel, (TRT) unknown. (Slight vinegar smell)","George Washington's Mount Vernon, a film by famous travelogue filmmaker Andre de la Varre. The Library has approximately 40 copies of the film in several formats including 16 mm and 35 mm film. These copies previously belonged to schools, former vice regents and other institutions. Digitized 7/20/2015, External hard drive Toshiba 71247. Includes AV_00285 - AV_00291 and AV_00297 - AV_00338. Copy and paste this link for online access to this video: https://vimeo.com/288569473/cbb7304432","Film reel of George Washington's Mt. Vernon No Title. Case marked: #71247, CR# 7, Color Reversal, MOS, \"A\" Wind, Reg 16mm. Digitized 7/20/15. 4\" reel. (TRT) unknown.","Film reel \"Ike Makes Surprise Visit to George Washington's Mount Vernon- Telenews Daily News Film\" Includes news footage of President Dwight. D. Eisenhower in 1958 on a surprise visit to Mount Vernon. Case marked: 16mm/B\u0026W Positive Print/ \"A\" Wind/ Silent/Acetate/ 44 feet/ Digitized Sept. 2014. 4\" reel.  (TRT) 1:30. Contributor: President Dwight. D. Eisenhower. Creator/Publisher: Telenews Daily News Film. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281672724/23d9140ef0","Film reel titled \"King George and Queen Elizabeth at Mount Vernon\" Case marked: 16 mm B\u0026W Reversal/ AGFA/ \"B\" Wind/Silent/Acetate/ 30 feet. Digitized September 2014. 3 3/4\" reel. (TRT) 1:01. External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281673145/13cb070a82","Film reel labeled: George Washington's Mt. Vernon \"Maryland Shore 1962.\" Opening caption on film reads \"Maryland Shore: A Major Issue.\" Shows views of the Maryland shore of the Potomac River from Mount Vernon and the George Washington Memorial Parkway. Case marked: #71247 CR#4 Color reversal, silent film, MOS \"B\" Wind REG-16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 6 3/4\" reel. (TRT) 11:14. Copy and paste this link for online access to this video: https://vimeo.com/288427394/9b659cb584","Film created by the Mount Vernon Ladies' Association and Affiliated Film Producers, copyright 1951. Released by McGraw Hill Book Co. The AV Collection holds multiple copies of this film including AV numbers: AV_00277, AV_00278, AV_00280, AV_00283, AV_00321. 16mm and 35 mm copies. Creator/Publisher: Mount Vernon Ladies' Association and Affiliated Film Producers. Copy and paste this link for online access to this video: https://vimeo.com/291511198/386fe3c311","Reel marked Item 12, 71247. 9 1/4\" reel. No case. Possibly related to other films marked with Item numbers and 71247, Andre de la Varre film components. In De Luxe Laboratories bag. Unknown content. (Strong vinegar smell)","Film reel labeled: Mount Vernon Pictorial Reports 1956-1957-1958. Shows events and work done at Mount Vernon, 1956-1958. Case marked: 1,400 feet; 60 minutes at 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:02:57. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281282015/487b2cdfde","Title: Pictorial Reports, 1956: .21","1)\t.35 – 4.11:  The School Groups Commence their Tours\n2)\t4.21-4.36:  A nine O'Clock Opening in April\n3)\t4.46-8.27:  A Warm Sunday Afternoon in April\n4)\t8.40-10.39:  The Annual Pilgrimage of the School Boy Patrols, sponsored by the American Automobile Association\n5)\t10.50-12.50:  The Boat Signals Departure\n6)\t13.02-15.55:  The Grounds Approach Saturation after the Patrol Boys' Parade\n7)\t16.03-17.59:  A typical school group arrives\n8)\t18.08-19.37:  A Busy Garden Gate","Title: Pictorial Report for 1957:   19.48","1)\t19.55-28.43:  Mount Vernon 1957: Some of the colorful events: The friendly sons of St. Patrick place a floral tribute on March 16, escorted by Mr. Barclay\n2)\t28.45-30.09:  On May 1st a helicopter of French design is landed on the circle by the French pilots bearing a floral tribute\n3)\t30.19-31.03:  May 8th the President of the Republic of Viet-Nam escorted by Mr. Densmore\n4)\t31.13-32.19:  June 21st: The 27th National 4-H conference delegates place a floral tribute\n5)\t32.24-33.00:  June 22nd the Prime Minister of Japan escorted by Mr. Densmore\n6)\t33.07 – 34.56:  The Mansion at 8 a.m. during early July\n7)\t35.05 – 36.07:  And later during the Summer drought","Title: Pictorial Report for 1958:  36.19","1)\t36.30 – 38.01 :  Elizabeth II visits Washington October, 1957\n2)\t38.08 - 42.54:  The tulip poplar tree no. 57 planted by General Washington at the Flower Garden Gate received surgical treatment, November 1957\n3)\t43.00 – 44.47: The horsechestnut tree no.116 in the South Grove receives surgical treatment\n4)\t44.55 – 45.24:  The prominent growth on the stem of the large honeylocust tree no.101 is recorded before removal, November, 1957 \n5)\t45.28 – 45.59:  Our tree feeding technique is illustrated\n6)\t46.05 – 46.43:  Mohamed V King of Morocco escorted by the Director, November 26, 1957\n7)\t46.50 – 49.50:  A wet snow prostrates the dry boxwood stems north of the museum on December 4, 1957\n8)\t49.55 -  51.50 :  Dry limbs of redcedar trees are broken and bent under the weight\n9)\t 51.54 – 55.14:  The children of the American Revolution plant a memorial tree and install officers in ceremony April 20, 1958\n10)\t 55.18 – 55.34:  A crowd on the portico greets President Heuss of West Germany May, 1958\n11)\t55.40 – 57.18:  Our new hay baler in operation\n12)\t57.22 – 59.00 :  Handbook vending at the main gate Miss Felicity Cragg \n13)\t59.01 – 1.02.57: No Title : Horticulture: Greenhouse (b\u0026w)\n---END---","Film reel labeled: Mount Vernon Pictorial Reports 1959-1963. Shows events and work done at Mount Vernon, 1959-1962. Case marked: 1,400 feet; 60 minutes @ 16 fps, silent. Digitized April 2016. 16 mm, 13 3/4\" reel, (TRT) 1:15:18. External hard drive My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281271792/7f3ca7f821","Film reel labeled: Pictorial Reports: 1964, 1965, 1966. Shows events and work done at Mount Vernon 1964-1966. Case marked: 1 roll, COL REV ORIG Silent, REG 16mm. 12 1/2\" reel (TRT) 46:54. Digitized 2015. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/280946247/cd20327929","Film reel labeled: Pictorial Reports: 1967, 1968, 1969, 1970. Shows events and work at Mount Vernon 1967-1970. Case marked: Original Color/ B\u0026W Reversal, 16 mm, 1 roll. 11\" reel (TRT) 52:24. Digitized 2015. Copy and paste this link for online access to video: https://vimeo.com/280952774/7ef4b57f27","Film reel labeled: George Washington's Mount Vernon \"Mount Vernon, Virginia.\" Brief silent film, opening caption reads \"Mount Vernon Virginia,\" shows footage of the Mansion and grounds. Briefly shows visitors lining up for the Mansion tour and walking by the outbuildings. Case marked: CR#11, Color Positive MOS \"B\" Wind REG-8mm film. (TRT) 03:19. Creator/Publisher: Landmark Pictures, Inc. Digitized 7-20-2015, External hard drive Toshiba 71247. Copy and paste this link for online access to this video: https://vimeo.com/288597485/f953bc0045","Film reel: The New Universal Presents \"George Washington Country Gentleman\" Case marked: Variety View 1941, POS, B\u0026W print, DBVT, \"A\" Wind. Digitized April 2016. 7\" reel. (TRT) 9:43. Creator/Publisher: The New Universal. Copy and paste this link for online access to this video: https://vimeo.com/281461632/da7ec4a0d5","Film reel: Paramount News Release \"Year of Dark Contrasts\" by William C. Park, produced by Albert J. Richard in 1939. 1 Roll, B\u0026W Print VDT, Reg 16mm. 7 3/4\" reel. (TRT) 14:32. Creator: William C. Park and Albert J. Richard. Publisher: Paramount Pictures. External hard drive My Passport 75149. Copy and paste this link for online access to this video: https://vimeo.com/281465047/e77c583cf7","Film reel labeled: George Washington's Mount Vernon \"Paramount Pictorial.\" Opening caption reads \"Pictures obtained through the cooperation of the United States George Washington Bicentennial Commission and the courtesy of the Mount Vernon Ladies' Association.\" Footage of the exterior of the Mansion, gardens with workers, the summer house, and the New Tomb. Case marked: # 71247, CR# 5, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Digitized 7/20/15, External hard drive Toshiba 71247. 4 1/2\" reel. (TRT) 02:59. Creator/Publisher: Paramount Pictures. Copy and paste this link for online access to this video: https://vimeo.com/288564898/3bb5f596a5","Film reel \"MVLA: Visit-President of Mexico 1 May 1947.\" Movietone News footage of the President of Mexico's visit to Mount Vernon. Case marked: 16mm/AGFA/b\u0026W Positive Print/ \"A\" Wind/DBVT Opt, S,T/ Acetate, 30 ft. Digitized Sept. 2014. 4\" reel. (TRT) 01:14. Creator/Publisher: Movietone News. External hard drive GW_MV_WIN_NT (G Drive mini 68569)Copy and paste this link for online access to this video: https://vimeo.com/281672967/8aa3b89131","Film reel labeled: \"Reconstruction of Wharf Causeway at Mount Vernon\" 16mm, Color reversal/b\u0026w Reversal Print, B wind, Silent, Acetate 800 ft. Digitized Sept. 2014. 9 1/4\" reel.  (TRT) 24:59.  External hard drive GW_MV_WIN_NT (G Drive mini 68569) Copy and paste this link for online access to this video: https://vimeo.com/281676320/c9af459251","Film reel including Re-enactment of 1789 departure for NY World's Fair promotion and the Visit of King George and Queen Elizabeth of Britain to Washington and Mount Vernon (1939). This film appears to have been made from splicing film of Paramount News footage of the reenactment of Washington leaving Mount Vernon, 1939 and Movietone News footage of the King and Queen's visit to Washington, D.C. and Mount Vernon, 1939. Color film showing the King and Queen's visit is also spliced in (unknown creator), along with captions describing the contents of the video. See also AV_00256 for duplicate footage of \"Washington is Re-elected.\" 16 mm, b/w Reversal, b/w Positive Print, AGFA, B wind, Silent, Acetate, DBVT, VDT, 700 feet, Digitized Sept. 2014. 8\" reel. (TRT) 16:20. (Slight vinegar smell). Copy and paste this link for online version: https://vimeo.com/281681633/9b0c9cc630","Film reel: R-K-O Pictures Presents \"Mount Vernon\" (Copyright 1937) produced by The Van Beuren Corp. World on Parade Series, narration by Alois Harilla, text By Harold Mckracken, released by R-K-O Pictures, a Van Beuren Production. Run at Silent Speed, 16 fps, with sound. Digitized April 2016. (TRT) 10:02. 7 \" reel. (Faint vinegar smell) Creator: RKO Pictures. Producer: The Van Beuren Corp. External hard drive, My Passport 72232. Copy and paste this link for online access to this video: https://vimeo.com/281463277/9637fa94a3","Film reel labeled: \"Springtime at Mount Vernon\" MVLA, 1956. Case marked: MV \"Home\" Movie, Original color reversal 16mm, silent film. 1 roll, Original color reversal, regular 16 mm. 11\" reel. (TRT) 51:55. (Slight vinegar smell) Creator/Publisher: MVLA. Copy and paste this link for online access: https://vimeo.com/280956677/263be04c18","Film reel labeled: Snow Wall-Shingles for Mount Vernon. Case marked: P50-E\u0026V. 1 roll. Color Rev. Orig. \"B\" Wind Silent. Reg. 8mm film. (TRT) 04:45. Copy and paste this link for online access to this video: https://vimeo.com/280956358/84ea72dcf8","Film reel titled \"Vice Regents\" Case marked: gift of Mrs. Carpenter, Vice Regent for Illinois. May 1939. 16 mm, b\u0026w Reversal/ \"B\" Wind/ Silent/ Diacetate/ 400 feet/ Digitized Sept. 2014. 6\" reel.  (TRT) 10:05. (Faint vinegar smell) External hard drive GW_MV_WIN_NT (G Drive mini 68569). Copy and paste this link for online access to this video: https://vimeo.com/281657739/530ac57f14","Film reel labeled: George Washington's Mt. Vernon \"VA United Press\" Footage of Soviet Agricultural Delegates laying a wreath at Washington's Tomb with Resident Director, Charles Wall, August 1955. Case marked: #71247, CR# 9, BW Print MOS, \"A\" Wind, silent film, Reg 16 mm. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel. (TRT) 00:58. (Faint vinegar smell) Creator/Publisher: Virginia United Press. Copy and paste this link for online access to this video: https://vimeo.com/288563795/ed041f0f0b","Film reel labeled: George Washington's Mt. Vernon \"Leaving Office.\" Character actors re-enacting Washington's departure from Mount Vernon. See also AV_00250 for duplicate and extended footage and more filming information. Case marked: #71247, CR# 10, BW Reversal, silent film, MOS, \"B\" Wind, Reg 16mm. Creator/Publisher: Paramount News. Digitized 7/20/15, External hard drive Toshiba 71247. 3 3/4\" reel.  (TRT) 00:56. Copy and paste this link for online access to this video: https://vimeo.com/288568166/7f0c8902df","Reel titled The Washington Trail 2C. Film released in July of 1979 that \"reveals for the first time, the full ancestry of George Washington, based on the genealogical evidence, much of which had only recently been discovered\" Focused on the English ancestry of George Washington. Copy 2, 870 ft. 16 mm, 12 1/2\" reel, color film. Orange case. (TRT) 24 mins. Creator/Publisher: British Tourist Authority, Washington Development Corporation.","Film reel of video program: \"You Are There:\" December 4, 1783, Washington's Farewell to his Officers.\" Distributed by Young America Films, 1953. 1 Roll, B\u0026W Print w/Sound. Regular 16 mm. 9 1/8\" reel. (TRT) 25:09. Creator/Publisher: Young America Films. Digitized version available. External hard drive Seagate 76324. Copy and paste this link for online access to this video: https://vimeo.com/281470273/78f5c8869f","Laserdisc titled: George Washington: Pioneer Farmer 18th Century Brickmaking at Historic Mount Vernon, undated. One part of a two part program - the other portion is on woodworking and recreating the 16-sided barn. See AV_00169. Alpha 3M. Creator/Publisher: Horizons Television, Inc.","Laserdisc titled: Mount Vernon, GW:PF Barn Promo, Evolution of a Mansion, undated. Label on cover read \"#77114 Mt. Vernon Item #1.\" Laser Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: The Life of George Washington - Side 1. Dated 1997.  Alpha 3M. (TRT) unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Life of George Washington - Closed Captioned. Label on the original cover read \"#77114 Mt. Vernon Item #4.\" Laser Disc Recording Center, Inc. TRT unknown. Digitized version available. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon Brickmaking and Woodworking - Side 1. Undated. Most likely part of the program George Washington: Pioneer Farmer with two parts on brickmaking and woodworking. Alpha 3M. (TRT) unknown. Creator/Publisher: Horizons Television, Inc. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon Long. Undated. Label on the cover read \"#7714 Mt. Vernon Item #2\" Laserdisc Recording Center, Inc. (TRT) unknown. External hard drive 77114 Mount Vernon_Laserdisc.","Laserdisc titled: Mount Vernon - Long Version. Label on cover originally read \"#77114 Mt. Vernon Item #3\" with note that read \"Does not work per Sue (?) 11/10/1998 - Voice distorted, removed from service.\" Laser Disc Recording Center, Inc. TRT unknown.","Video recording related to the Bicentennial of George Washington's inauguration in 1989. Label on tape reads \"Mount Vernon 1.\" Label on case reads \"Mt. Vernon 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon April 16th 89 2.\" Label on cassette reads \"Day 1 Tape #2 Mount Vernon.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Mt. Vernon/Old Towne 3.\" Label on cassette reads \"Mt. Vernon/Day 1 Old Towne #3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Gadsby Tavern inside speeches 4.\" Label on cassette reads \"Day 1 Tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Day 1 Tape 5 Merrbury [sic] House/outside.\" Label on cassette reads \"Day 1 Tape 5 Merrbury [sic] House inside/outside.\" Probably is a recording of events at the Marbury House in Washington, DC. Umatic (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Rectory Day #10.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 11.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 1 Tape 12.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton Mansion Omni Hotel.\" Label on cassette reads \"Hampton Mansion presentation one. Thru First 1/2 Wash.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Hampton House.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on case reads \"Hampton House Mikes open.\" Label on cassette reads \"Hampton - interview inside (?)\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Perryville/Tavern.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Stand ups.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 Tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads only \"Day 4 tape 4,\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 Tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 5 tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 5 tape 5.\" Umatic. (TRT)","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Geo. Wash to Presidency Philadelphia Tavern Day 5 tape 6.\" Umatic. (TRT) unknown","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 2 house/tavern.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 6 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads Day 6 tape 4.\" Umatic. (TRT) unknown","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 7 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 7 tape 4.\" Umatic. (TRT) unknown","Video recording related to the  Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 1.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads  \"Day 8 tape 2.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 3.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 4.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 5.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Day 8 tape 6.\"","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label on cassette reads \"Geo. Washington 200th Aniv. of his Presidency Tape 1A TO 12:42.\" Label on case reads \"Tape 1 Geo. Wash Bicentennial of the Presidency.\" Umatic. (TRT) may be 12:42.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaugural NY - Tape 2, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Washington Inaugural NY - Tape 3, 4/30/89.\" (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Tape 4, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Stand-ups - Parade Tape 5, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash Inaug - NY Parade, Tape 6, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. NY Parade, Tape 7, 4/30/89.\" Umatic. (TRT) unknown.","Video recording related to the Bicentennial of George Washington's Inauguration in 1989. Label reads \"Wash. Inaug. - NY Shots of Church, Tape 8, 4/30/89.\" Umatic. (TRT) unknown.","Video labeled: \"Front and Center Mt. Vernon Ladies.\" Case marked: \"This video tape is of me being interviewed by Hank Boudard on WPRI Channel 12.\" - Hope Alexander, Vice Regent. Umatic. (TRT) unknown.","Video recording labeled \"President Reagan at Mt. Vernon Laying Wreath and Remarks Part 2.\" Dated 22, Feb 1982. Umatic. (TRT) unknown. See also VHS tape AV_00229","Video recording labeled \"Mt. Vernon Speeches\" for George Washington's Bicentennial Inauguration Reenactment in 1989. Includes speech by Warren Burger. Umatic. (TRT) unknown.","Video recording with label \"Dub Willard at Mt. Vernon Air 2/22/85 - TODAY\". Weatherman Willard Scott filming at Mount Vernon for the Today Show on Washington's birthday, NBC News production. Umatic. (TRT) unknown.","Video titled Almanac of Travel W/Neil Horstman. VHS. (TRT) unknown. Contributor: Neil Horstman.","Video titled ASC-MVLA Conf. Tape #1 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #2 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #3 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #4 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video titled ASC-MVLA Conf. Tape #5 George Washington and the American Presidency. Dated 9/89. VHS. (TRT) unknown.","Video program featuring lecture by author Henry Wiencek titled \"An Imperfect God\" Tape marked: C-Span2 Booktv 9/20/03. VHS. (TRT) 29 minutes. Contributor: Henry Wiencek. RP 3070, VIDEO 7047.","Video program ' And Die By Inches: George Washington and the Encounter of Cultures on the Southern Colonial Frontier, lecture by Warren Hofstra. Shenendoah University. VHS. (TRT) unknown. Contributor: Warren Hofstra.","Video program \"Behind the Hero's Mask\" Ducat Segal Productions for the History Channel and Mount Vernon. Note: low res. Video, music and credits to be added. VHS. (TRT) 8:39. Creator/Publisher: Ducat Segal Productions.","Video titled A Ceremony Commemorating The Slave Memorial of Mount Vernon. Dated: Saturday, Spetember 21, 1990. (TRT) unknown.","Video titled Colonial Days. BASF brand. VHS. (TRT) unknown.","Video program of Colonial Days- March 1991. Footage of Colonial Days from Channel 8 News. VHS. (TRT) unknown.","Video titled \"Colonial Day At Mount Vernon\" VHS (TRT) unknown.","Video titled \"Colonial Days at Mt. Vernon\" Raw Footage. VHS. (TRT) unknown.","Video program The Creeks and the Americans in the Age of Washington, a lecture by Robbie Eheridge at the University of Mississippi. VHS. (TRT) unknown. Contributor: Robbie Eheridge.","George Washington: Founding Father. Documentary on the life of George Washington, part of the \"Biography\" series produced by A\u0026E Network. Color.  VHS. (TRT) 50 minutes.","Video titled Finley Films-Rough MV Footage-Interiors + People Summer 1988. VHS. (TRT) unknown. Creator/Publisher: Finley Films.","Video program George Washington, Dragging Canoe, and Southeastern Indian Resistance, lecture by Peter Wood. Duke University. VHS. (TRT) unknown. Contributor: Peter Wood.","Video program George Washington: Founding Father. Epic Biography, Show #3001. VHS. (TRT) unknown.\nCreator/Publisher: Perpetual Motion Films","Video program George Washington: Pioneer Farmer The Wood for Washington's Barn. One part of a two part program. VHS. (TRT) Loop tape. 60 min. See also AV_00390. Creator/Publisher: Horizons Televison, Inc. circa 1996-1997","Video program George Washington, the South, and the Petics of National Memory, lecture by Carla Mulford, Pennsylvania State University. VHS. (TRT) unknown. Contributor: Carla Mulford.","Video labeled: George Washington's Bi-Centennial \"Thank You\" VHS. (TRT) 23 minutes.","Video titled George Washington's Indian Policy: Civilizing Southeast Indians. Includes lecture by Theda Perdue at the University of North Carolina. VHS. (TRT) unknown. Contributor: Theda Perdue.","Video program The Great Experiment: George Washington and the Old South, lecture by Garrett Wendell, Sotheyby's. VHS. (TRT) unknown. Contributor: Garrett Wendell.","Video labeled: George Washington Project/Title: TBA. Version 08/18/2006. VHS. Video would later be titled \"We Fight to Be Free\" and was shown in the new Orientation Center. (TRT) 19:18 mins. (2 copies) Creator/Publisher: Greystone Films","Video program The Ground Beneath Our Feet: Virginia Fights WWII. Film highlighting the changes in Virginia during and after World War II. VHS. (TRT) 58:29. RP 3071, VIDEO 7048.","Video titled The \"Hell Hole\" 1993. EHG case. VHS. (TRT) unknown.","Video titled Home, ABC-TV, Nov. 8, 1991. VHS. (TRT) 90 minutes.","Video labeled:  In Search of America Live from Mount Vernon. Dated July 4th, 2002. Part of the TV series production \"In Search of America\" with Peter Jennings, ABC News. VHS. (TRT) 9 minutes. (2 copies)","Video titled Lawrence Washington at Sulgrave Manor. JVC case. VHS. (TRT) unknown.","Video titled Jim Lehrer-GW. SONY case. VHS. (TRT) unknown.","Video program The Life of George Washington: A Video Biography of America's Greatest Hero. Written by Robert B. Gibby. Introduction by Senator Bill Bradley. VHS. (2 copies) (TRT) 30 mins. Creator/Publisher: Finley Holiday Films, MVLA.","Video labeled:  Mansion Staircase Jan. 1992. Supertape case. VHS. (TRT) unknown.","Video labeled: Mansion Staircase 3/92. Tape marked: (John Clobas) Supertape case. VHS. (TRT) unknown.","Video titled Mapping the South: Image, Archive, and the Construction of Regional Identity in the Age of Washington. Includes lecture by Martin Brueckner at the University of Delaware. VHS. (TRT) unknown. Contributor: Martin Brueckner.","Video of the Masonic Dedication of the Ann Pamela Cunningham Library and Research Center. Video by: E Coffey. VHS. Kodak case. (TRT) unknown. Creator/Contributor: E. Coffey.","Video titled Mt. Vernon 26 Oct 1985. VHS. (TRT) unknown.","Video labeled: Mount Vernon 3 Minute Introduction, March 3, 1989. (5 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.","Video program \"Mount Vernon\" Tape marked: Bill Webster. VHS (TRT) 23:00. Creator/Publisher: Illustrated Man Productions. Contributor: Bill Webster.","Video labeled: Mount Vernon Cupola/Pier Restoration 1992. Scotch case. VHS. (TRT) unknown.","Video titled Mount Vernon Cupola Complete. Case marked: Edited, 1992-1993. BASF case. VHS. (TRT) unknown.","Video titled Mount Vernon In Virginia. Tape marked: 1950, approx 30 mins, black and white. Gift from Joseph Fields. VHS. (TRT) 30 min. Contributor: Joseph Fields.","Video titled MVLS-1989 Spring Trip. VHS. (TRT) 46 minutes.","Video labeled: Mount Vernon Ladies' Assn. France-Rochefort, Chateau Chavaniac, Lafayette, Boat trip to Maryland farm from M.V. Tape marked: Stewart Gamill III, (husband of Vice Regent Lynn Gammill)  1-6/01. VHS. (TRT) unknown. RP 986.","Video labeled: Mount Vernon Selected Scenes. Photography by Russ Finley, Holiday film Corp. VHS (although label says Betacam) (TRT) unknown. Creator/Publisher: Russ Finley, Holiday Films.","Video labeled: Mt. Vernon Small Dining Room. Note marked: Cupola interior 28 July 93. VHS. (TRT) unknown.","Video program Mount Vernon Tour Guide Cuts. 1988. (2 Copies) VHS. (TRT) unknown. Creator/Publisher: Finley Holiday Corporation.","Video labeled: Nelly Custis Bedroom Repair. EHG Case. VHS. (TRT) unknown.","Video labeled: Nellie Custis Room 1992-93, Complete. Scotch case. VHS. (TRT) unknown.","Video labeled: Reagan at Mt. Vernon Laying Wreath Part 2. Dated 22 Feb. 1982. Tape marked: GW 250 Anniversary of his death. See also Umatic tape AV_00220. VHS. (TRT) unknown.","Video labeled: Project Enlightenment I. Case marked: For project Enlightenment, 2/28 (no year), funeral procession. Polaroid case. VHS. (TRT) unknown.","Video program Memorial Service for General George Washington, Reenacted on this historical date Wednesday, December 29, 1999. Case marked: The Old Presbyterian Meeting House in the City of Alexandria formerly in The District of Columbia Five O'Clock in the Afternoon. VHS. (TRT) unknown. Creator/Publisher: Unknown.","Video production of the Reenactment of George Washington's Funeral at Mount Vernon. VHS. (TRT) 3:10:00 Creator/Publisher: C-Span.","Video production of the Reenactment of George Washington's Funeral. VHS. (TRT) 84 mins. Creator/Publisher: C-Span.","Video labeled: June 2, 1990 Military Re-enactment at Mount Vernon. Footage of Virginia and Maryland Encampment at Mount Vernon. VHS. (TRT) unknown. Creator/Publisher: unknown","Video program Re-mapping Boundaries in the Old Southwest, 1783-1795, lecture by Dan Usner. Cornell University. VHS. (TRT) unknown. Contributor: Dan Usner.","Video labeled: The Role of Race in the Making of the American Revolution, lecture by Sylvia Frey. Tulane. VHS. (TRT) unknown. Contributor: Sylvia Frey.","Video labeled: The Roof (May 93), Brick Laying 93, Shingle Splitting, Interior Plastering 94. Highlights renovations of the mansion and estate. VHS. (TRT) unknown.","Video program Save Our History: George Washington's Workshop. VHS. (TRT) unknown (2 copies) Creator/Publisher: A\u0026E Television Network.","Video program Save Our History: George Washington's Workshop. VHS. (TRT) 1:00:00. Ch 1/2 Fullmx. Creator/Publisher: A\u0026E Television Network","Video labeled: Small Dining Room Ceiling 6/92. VHS. (TRT) unknown.","Video program featuring lecture by Carol Berkin titled \"Southern Women in the Revolutionary War.\" Women of the South in the era of Martha Washingotn. University of Southern Mississippi. VHS. (TRT) unknown. Contributor: Carol Berkin. RP 3072, VIDEO 7049a","Video titled Highlights from Our Ladies and Their Hero, February 21, 1992 Spartanburg Day School, 1701 Skyln Drive Spartanburg, S.C. 29302. VHS. (TRT) unknown. RP 987, VIDEO 5417.","Video titled Our Ladies and Their Hero. Case marked: Ann Dobbs. VHS. (TRT) unknown.","Video program \"Our Ladies and their Hero or (What the Women Were Doing While the Men Forged a War) Case marked: Spartanburg Day School 1701 Skyln Drive Spartanburg, SC 29302. Contact: Ann Hemperley Dobbs. VHS. (TRT) 38 minutes.","Video program Sulgrave Manor: The British Heritage of George Washington. Highlights the home of Lawerence Washington, Sulgrave Manor, located in England. VHS. (TRT) unknown.","Video program This Gown… Was Much Admired and Caused Much Jealousy: Fashion and the Forging of Identities in French Colonial New Orleans, a lecture by Sophie White. Courtlaud Institute of Art, Univerosy of London. VHS. (TRT) unknown. Contributor: Sophie White.","Video program Today Show. Features Willard Scott Promo for Mount Vernon. Dated 22 February 1993, 7:33am. VHS. (TRT) unknown. Creator/Publisher: Today Show, NBC News.","Video recording of several news stations coverage of Queen Elizabeth's visit to Mount Vernon. Tape includes: CBS This Morning, WUSA (Channel 9), ABC World News Tonight, CBS Evening News, Fairfax County News (Channel 8), WRC (Channel 4), Fox News (Channel 5) VHS. (TRT) unknown.","Video program Washington and Three Women, lecture by Donald Higgenbotham,  University of North Carolina. VHS. (TRT) unknown. Contributor: Donald Higgenbotham.","Video titled Wharf/Cupola/Roof Exploration. Includes footage of restoration. VHS. (TRT) unknown.","Video labeled: Women of the South in the Era of Martha Washington University of Southern Mississippi. Tape marked: Library of Hattiesburg, Petal, and Forrestt County, Bellswood (Sylvia Frey) Catherine Allgor, Patricia Brady. VHS. (TRT) unknown.","VHS labeled: W \u0026 L (Washington and Lee University) 250th Anniversary celebration, Mount Vernon, October 17, 1998. Maxell VHS tape","Video recording labeled: Father of our Country. GWP long version. Tape marked: S.L.O HORS D'OEUVRES. Dated: 9/22/06. Digital Betacam SP. (TRT) unknown. Creator/Producer: Paramount Pictures.","Video recording labeled: Father of our Country. GWP short version. Dated: 9/22/06. Betacam SP. (TRT) unknown. Creator/Publisher: Paramount Pictures.","Video recording labeled: Father of our Country. Confidence Check. NTSC format.Dated: November 16, 2006. Betacam SP. (TRT) 24:58. Creator/Producer: Paramount Pictures.","Digital Betacam video cassette tape labeled: George Washington Funeral Reenactment for Mount Vernon exhibit, 2/22/2007. Silent version. (TRT) 1:30. Creator/Publisher: Henninger Media Services.","Video labeled: George Washington Output. Tape Marked: NDF. Dated: 9/12/06. Betacam SP. (TRT) unknown.","Video titled Mount Vernon: Evolution of the Mansion, Long Version. Dated: May 22, 1995. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Large Betacam. (TRT) unknown.","Video labeled: Mount Vernon Evolution of the Mansion Long Version. Dated: 06-07-1995. Betacam. Case marked: CADD Microsystems and Mt. Vernon. Master copy. Betacam. (TRT) unknown. Creator/Publisher: Townhouse Post-Production.","Mini DV videocassette recording labeled: Mount Vernon Piano Recital Tape 1.","Mini DV videocassette recording labeled: Mount Vernon Piano Recital, Tape 2.","Large Digital Betacam videocassette labeled: Saving Mount Vernon DVD. (TRT) 62:00. 35mm, dated 1/15/03. DBCT Color Enhanced to D9 Clone. Creator: Madisonfilm. Producer: Mount Vernon Ladies' Association.","Hi8 MP 8mm videocassette tape labeled: Washington is No More. Tape marked: Trial Run, Full Footage. Dated 3/6/2000.","Video labeled: George Washington: We Fight To Be Free. Locked. Ford Orientation Center film. Betacam SP. DIA only, Avid Output. (TRT) 22:24. Creator/Publisher: Greystone Films.","Video recording labeled: George Washington: We Fight To Be Free. Tape marked: Short Versiokn, Final Opening Title, Wrong End Titles. Betacam SP. (TRT) unknown. Creator/Publisher: Greystone Films.","Video labeled: George Washington: We Fight To Be Free. Tape Marked: Picture Only, Ref Tape. Betacam SP. 29.97 fps. (TRT) unknown. Creator/Publisher: Greystone Films.","Videocassette recording labeled: We the People and the Mount Vernon Visitor Center.  . Digital Betacam. 24 fps. (TRT) 12:15. Creator/Publisher: Inland Sea Productions.","Video recording labeled: We the People and the Mount Vernon Visitors Center. Digital Betacam. 24 fps. (TRT) 26:46. Creator/Publisher: Inland Sea Productions.","Video recording labeled: We the People and the Mount Vernon Visitor Center. Tape marked: Original Transfer Master. Digital Betacam. 24 fps. (TRT) 27:36. Creator/Producer: Inland Sea Productions."],"userestrict_html_tesm":["\u003cp\u003eMount Vernon and the MVLA do not own copyright for every item in this collection. We provide access to these materials, however the researcher is responsible for discerning proper use according to copyright laws.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Mount Vernon and the MVLA do not own copyright for every item in this collection. We provide access to these materials, however the researcher is responsible for discerning proper use according to copyright laws."],"corpname_ssim":["Archives of the Mount Vernon Ladies' Association"],"persname_ssim":["Norton, Dean"],"names_ssim":["Archives of the Mount Vernon Ladies' Association","Norton, Dean"],"language_ssim":["English\n."],"total_component_count_is":344,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:03:07.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vimtvl_repositories_2_resources_53_c01_c01"}},{"id":"vilxw_repositories_5_resources_231_c11_c01","type":"Sub-Series","attributes":{"title":"Awards, 1937/1968","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c11_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ethis subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c11_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c11_c01","ref_ssm":["vilxw_repositories_5_resources_231_c11_c01"],"id":"vilxw_repositories_5_resources_231_c11_c01","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c11","parent_ssi":"vilxw_repositories_5_resources_231_c11","parent_ssim":["O.W. Riegel Papers, 1900/1992","Southern Interscholastic Press Association (SIPA), 1937/1991"],"parent_ids_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c11"],"title_filing_ssi":"Awards","title_ssm":["Awards"],"title_tesim":["Awards"],"normalized_title_ssm":["Awards, 1937/1968"],"text":["Awards, 1937/1968","O.W. Riegel Papers, 1900/1992","Southern Interscholastic Press Association (SIPA), 1937/1991","box 1","folder 1-4","English","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases."],"parent_unittitles_ssm":["O.W. Riegel Papers, 1900/1992","Southern Interscholastic Press Association (SIPA), 1937/1991"],"parent_unittitles_tesim":["O.W. Riegel Papers, 1900/1992","Southern Interscholastic Press Association (SIPA), 1937/1991"],"normalized_date_ssm":["1937/1968"],"unitdate_inclusive_ssm":["1937-1968"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":2421,"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"containers_ssim":["box 1","folder 1-4"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"language_ssim":["English"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"scopecontent_html_tesm":["\u003cp\u003ethis subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases."],"_nest_path_":"/components#10/components#0","timestamp":"2026-06-23T07:01:08.296Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"normalized_date_ssm":["1900/1992"],"normalized_title_ssm":["O.W. Riegel Papers, 1900/1992"],"text":["O.W. Riegel Papers, 1900/1992","WLU.Coll.0387","/repositories/5/resources/231","Propaganda","Journalism","This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, The Jeffster, and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.","There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English"],"collection_title_tesim":["O.W. Riegel Papers, 1900/1992"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creators_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda","Journalism"],"access_subjects_ssm":["Propaganda","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e  ","\u003cp\u003eThis part of the collection is not yet processed. 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Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"arrangement_html_tesm":["\u003cp\u003eSome items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e  ","\u003cp\u003eItems in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's\u003c/p\u003e","\u003cp\u003eRiegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.\u003c/p\u003e","\u003cp\u003eThe items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.\u003c/p\u003e","\u003cp\u003eThis subseries contains the most up-to-date version of Riegel's unpublished autobiography.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel took on various subjects related to his autobiography.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.\u003c/p\u003e","\u003cp\u003eItems in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.\u003c/p\u003e","\u003cp\u003eAs the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.\u003c/p\u003e","\u003cp\u003eThe Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.\u003c/p\u003e","\u003cp\u003eJournalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.\u003c/p\u003e","\u003cp\u003eRiegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.\u003c/p\u003e","\u003cp\u003eRiegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThis advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.\u003c/p\u003e","\u003cp\u003ethe Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.\u003c/p\u003e","\u003cp\u003eThe Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.\u003c/p\u003e","\u003cp\u003eDuring Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.\u003c/p\u003e","\u003cp\u003eMass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.\u003c/p\u003e","\u003cp\u003ePublicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.\u003c/p\u003e","\u003cp\u003eThis subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.\u003c/p\u003e","\u003cp\u003eMaterials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.\u003c/p\u003e","\u003cp\u003eThis subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.\u003c/p\u003e","\u003cp\u003eThis subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.\u003c/p\u003e","\u003cp\u003eThis subseries consists of maps of various european countries that Riegel traveled through.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eThe items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.\u003c/p\u003e","\u003cp\u003eRiegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.\u003c/p\u003e","\u003cp\u003eCorrespondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.\u003c/p\u003e","\u003cp\u003ePublications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.\u003c/p\u003e","\u003cp\u003eRiegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.\u003c/p\u003e","\u003cp\u003eTh inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.\u003c/p\u003e","\u003cp\u003eGoverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.\u003c/p\u003e","\u003cp\u003eGovernment reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.\u003c/p\u003e","\u003cp\u003eNewspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.\u003c/p\u003e","\u003cp\u003eRiegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.\u003c/p\u003e","\u003cp\u003eThe publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.\u003c/p\u003e","\u003cp\u003eItems in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.\u003c/p\u003e","\u003cp\u003eItems in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.\u003c/p\u003e","\u003cp\u003eRiegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.\u003c/p\u003e","\u003cp\u003eRiegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.\u003c/p\u003e","\u003cp\u003eEuropean propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.\u003c/p\u003e","\u003cp\u003eO.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.\u003c/p\u003e","\u003cp\u003eThese newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.\u003c/p\u003e","\u003cp\u003eRiegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.\u003c/p\u003e","\u003cp\u003eReports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.\u003c/p\u003e","\u003cp\u003eThe Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.\u003c/p\u003e","\u003cp\u003eThe Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.\u003c/p\u003e","\u003cp\u003eSegments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.\u003c/p\u003e","\u003cp\u003eRiegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.\u003c/p\u003e","\u003cp\u003eRiegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.\u003c/p\u003e","\u003cp\u003eRiegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.\u003c/p\u003e","\u003cp\u003eThe Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.\u003c/p\u003e","\u003cp\u003eRiegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.\u003c/p\u003e","\u003cp\u003eThe Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.\u003c/p\u003e","\u003cp\u003eItems from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.\u003c/p\u003e","\u003cp\u003eRiegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.\u003c/p\u003e","\u003cp\u003eThe two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.\u003c/p\u003e","\u003cp\u003eDocuments in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.\u003c/p\u003e","\u003cp\u003eIncludes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.\u003c/p\u003e","\u003cp\u003eRiegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.\u003c/p\u003e","\u003cp\u003eThis folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"\u003c/p\u003e","\u003cp\u003eThis volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.\u003c/p\u003e","\u003cp\u003eRiegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.\u003c/p\u003e","\u003cp\u003ePublications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.\u003c/p\u003e","\u003cp\u003eThis subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.\u003c/p\u003e","\u003cp\u003eMaterials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.\u003c/p\u003e","\u003cp\u003eThis subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.\u003c/p\u003e","\u003cp\u003eThis subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.\u003c/p\u003e","\u003cp\u003eThis subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.\u003c/p\u003e","\u003cp\u003eThis subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.\u003c/p\u003e","\u003cp\u003eThese radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".\u003c/p\u003e","\u003cp\u003eThe U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.\u003c/p\u003e","\u003cp\u003eItems in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.\u003c/p\u003e","\u003cp\u003eThis folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"\u003c/p\u003e","\u003cp\u003eA 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.\u003c/p\u003e","\u003cp\u003eThe Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.\u003c/p\u003e","\u003cp\u003eThe government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.\u003c/p\u003e","\u003cp\u003eItems in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.\u003c/p\u003e","\u003cp\u003eItems in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.\u003c/p\u003e","\u003cp\u003eThis series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.\u003c/p\u003e","\u003cp\u003eThis subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.\u003c/p\u003e","\u003cp\u003ethis subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons\u003c/p\u003e","\u003cp\u003eItems in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.\u003c/p\u003e","\u003cp\u003eThis box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.\u003c/p\u003e","\u003cp\u003eRiegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.\u003c/p\u003e","\u003cp\u003eThe contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, \u003ci\u003eThe Jeffster\u003c/i\u003e, and photographs of the SIPA Awards banquet from 1953 and 1955.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.\u003c/p\u003e","\u003cp\u003eThe contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.\u003c/p\u003e","\u003cp\u003eAlice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.\u003c/p\u003e","\u003cp\u003eCongressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.\u003c/p\u003e","\u003cp\u003eRiegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.\u003c/p\u003e","\u003cp\u003eJim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.\u003c/p\u003e","\u003cp\u003eThis subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eAfter World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.\u003c/p\u003e","\u003cp\u003eRiegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, The Jeffster, and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey."],"separatedmaterial_html_tesm":["\u003cp\u003eThere is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.\u003c/p\u003e","\u003cp\u003eSome items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.\u003c/p\u003e","\u003cp\u003eThe leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"names_coll_ssim":["Riegel, Hunt"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2584,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:08.296Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c11_c01"}},{"id":"vilxw_repositories_5_resources_231_c02_c07","type":"Sub-Series","attributes":{"title":"Awards Dinner, 1951/1966","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c02_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eItems in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c02_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c02_c07","ref_ssm":["vilxw_repositories_5_resources_231_c02_c07"],"id":"vilxw_repositories_5_resources_231_c02_c07","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c02","parent_ssi":"vilxw_repositories_5_resources_231_c02","parent_ssim":["O.W. Riegel Papers, 1900/1992","Dupont Awards, 1943/1982"],"parent_ids_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c02"],"title_filing_ssi":"Awards Dinner","title_ssm":["Awards Dinner"],"title_tesim":["Awards Dinner"],"normalized_title_ssm":["Awards Dinner, 1951/1966"],"text":["Awards Dinner, 1951/1966","O.W. Riegel Papers, 1900/1992","Dupont Awards, 1943/1982","box 2-5","folder 43-129","English","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's."],"parent_unittitles_ssm":["O.W. Riegel Papers, 1900/1992","Dupont Awards, 1943/1982"],"parent_unittitles_tesim":["O.W. Riegel Papers, 1900/1992","Dupont Awards, 1943/1982"],"normalized_date_ssm":["1951/1966"],"unitdate_inclusive_ssm":["1951-1966"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":122,"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"containers_ssim":["box 2-5","folder 43-129"],"has_online_content_ssim":["false"],"child_component_count_isi":87,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"language_ssim":["English"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"scopecontent_html_tesm":["\u003cp\u003eItems in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's."],"_nest_path_":"/components#1/components#6","timestamp":"2026-06-23T07:01:08.296Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"normalized_date_ssm":["1900/1992"],"normalized_title_ssm":["O.W. Riegel Papers, 1900/1992"],"text":["O.W. Riegel Papers, 1900/1992","WLU.Coll.0387","/repositories/5/resources/231","Propaganda","Journalism","This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, The Jeffster, and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.","There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English"],"collection_title_tesim":["O.W. Riegel Papers, 1900/1992"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creators_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda","Journalism"],"access_subjects_ssm":["Propaganda","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e  ","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"arrangement_html_tesm":["\u003cp\u003eSome items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e  ","\u003cp\u003eItems in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's\u003c/p\u003e","\u003cp\u003eRiegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.\u003c/p\u003e","\u003cp\u003eThe items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.\u003c/p\u003e","\u003cp\u003eThis subseries contains the most up-to-date version of Riegel's unpublished autobiography.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel took on various subjects related to his autobiography.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.\u003c/p\u003e","\u003cp\u003eItems in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.\u003c/p\u003e","\u003cp\u003eAs the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.\u003c/p\u003e","\u003cp\u003eThe Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.\u003c/p\u003e","\u003cp\u003eJournalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.\u003c/p\u003e","\u003cp\u003eRiegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.\u003c/p\u003e","\u003cp\u003eRiegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThis advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.\u003c/p\u003e","\u003cp\u003ethe Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.\u003c/p\u003e","\u003cp\u003eThe Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.\u003c/p\u003e","\u003cp\u003eDuring Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.\u003c/p\u003e","\u003cp\u003eMass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.\u003c/p\u003e","\u003cp\u003ePublicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.\u003c/p\u003e","\u003cp\u003eThis subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.\u003c/p\u003e","\u003cp\u003eMaterials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.\u003c/p\u003e","\u003cp\u003eThis subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.\u003c/p\u003e","\u003cp\u003eThis subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.\u003c/p\u003e","\u003cp\u003eThis subseries consists of maps of various european countries that Riegel traveled through.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eThe items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.\u003c/p\u003e","\u003cp\u003eRiegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.\u003c/p\u003e","\u003cp\u003eCorrespondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.\u003c/p\u003e","\u003cp\u003ePublications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.\u003c/p\u003e","\u003cp\u003eRiegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.\u003c/p\u003e","\u003cp\u003eTh inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.\u003c/p\u003e","\u003cp\u003eGoverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.\u003c/p\u003e","\u003cp\u003eGovernment reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.\u003c/p\u003e","\u003cp\u003eNewspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.\u003c/p\u003e","\u003cp\u003eRiegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.\u003c/p\u003e","\u003cp\u003eThe publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.\u003c/p\u003e","\u003cp\u003eItems in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.\u003c/p\u003e","\u003cp\u003eItems in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.\u003c/p\u003e","\u003cp\u003eRiegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.\u003c/p\u003e","\u003cp\u003eRiegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.\u003c/p\u003e","\u003cp\u003eEuropean propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.\u003c/p\u003e","\u003cp\u003eO.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.\u003c/p\u003e","\u003cp\u003eThese newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.\u003c/p\u003e","\u003cp\u003eRiegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.\u003c/p\u003e","\u003cp\u003eReports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.\u003c/p\u003e","\u003cp\u003eThe Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.\u003c/p\u003e","\u003cp\u003eThe Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.\u003c/p\u003e","\u003cp\u003eSegments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.\u003c/p\u003e","\u003cp\u003eRiegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.\u003c/p\u003e","\u003cp\u003eRiegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.\u003c/p\u003e","\u003cp\u003eRiegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.\u003c/p\u003e","\u003cp\u003eThe Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.\u003c/p\u003e","\u003cp\u003eRiegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.\u003c/p\u003e","\u003cp\u003eThe Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.\u003c/p\u003e","\u003cp\u003eItems from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.\u003c/p\u003e","\u003cp\u003eRiegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.\u003c/p\u003e","\u003cp\u003eThe two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.\u003c/p\u003e","\u003cp\u003eDocuments in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.\u003c/p\u003e","\u003cp\u003eIncludes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.\u003c/p\u003e","\u003cp\u003eRiegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.\u003c/p\u003e","\u003cp\u003eThis folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"\u003c/p\u003e","\u003cp\u003eThis volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.\u003c/p\u003e","\u003cp\u003eRiegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.\u003c/p\u003e","\u003cp\u003ePublications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.\u003c/p\u003e","\u003cp\u003eThis subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.\u003c/p\u003e","\u003cp\u003eMaterials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.\u003c/p\u003e","\u003cp\u003eThis subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.\u003c/p\u003e","\u003cp\u003eThis subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.\u003c/p\u003e","\u003cp\u003eThis subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.\u003c/p\u003e","\u003cp\u003eThis subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.\u003c/p\u003e","\u003cp\u003eThese radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".\u003c/p\u003e","\u003cp\u003eThe U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.\u003c/p\u003e","\u003cp\u003eItems in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.\u003c/p\u003e","\u003cp\u003eThis folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"\u003c/p\u003e","\u003cp\u003eA 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.\u003c/p\u003e","\u003cp\u003eThe Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.\u003c/p\u003e","\u003cp\u003eThe government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.\u003c/p\u003e","\u003cp\u003eItems in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.\u003c/p\u003e","\u003cp\u003eItems in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.\u003c/p\u003e","\u003cp\u003eThis series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.\u003c/p\u003e","\u003cp\u003eThis subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.\u003c/p\u003e","\u003cp\u003ethis subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons\u003c/p\u003e","\u003cp\u003eItems in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.\u003c/p\u003e","\u003cp\u003eThis box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.\u003c/p\u003e","\u003cp\u003eRiegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.\u003c/p\u003e","\u003cp\u003eThe contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, \u003ci\u003eThe Jeffster\u003c/i\u003e, and photographs of the SIPA Awards banquet from 1953 and 1955.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.\u003c/p\u003e","\u003cp\u003eThe contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.\u003c/p\u003e","\u003cp\u003eAlice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.\u003c/p\u003e","\u003cp\u003eCongressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.\u003c/p\u003e","\u003cp\u003eRiegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.\u003c/p\u003e","\u003cp\u003eJim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.\u003c/p\u003e","\u003cp\u003eThis subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eAfter World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.\u003c/p\u003e","\u003cp\u003eRiegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, The Jeffster, and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey."],"separatedmaterial_html_tesm":["\u003cp\u003eThere is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.\u003c/p\u003e","\u003cp\u003eSome items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.\u003c/p\u003e","\u003cp\u003eThe leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"names_coll_ssim":["Riegel, Hunt"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2584,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:08.296Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c02_c07"}},{"id":"vilxw_repositories_5_resources_231_c02_c28","type":"Sub-Series","attributes":{"title":"Award Winners, 1951/1965","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c02_c28#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eItems in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c02_c28#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c02_c28","ref_ssm":["vilxw_repositories_5_resources_231_c02_c28"],"id":"vilxw_repositories_5_resources_231_c02_c28","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c02","parent_ssi":"vilxw_repositories_5_resources_231_c02","parent_ssim":["O.W. Riegel Papers, 1900/1992","Dupont Awards, 1943/1982"],"parent_ids_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c02"],"title_filing_ssi":"Award Winners","title_ssm":["Award Winners"],"title_tesim":["Award Winners"],"normalized_title_ssm":["Award Winners, 1951/1965"],"text":["Award Winners, 1951/1965","O.W. Riegel Papers, 1900/1992","Dupont Awards, 1943/1982","box 16-17","folder 470-528","English","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content."],"parent_unittitles_ssm":["O.W. Riegel Papers, 1900/1992","Dupont Awards, 1943/1982"],"parent_unittitles_tesim":["O.W. Riegel Papers, 1900/1992","Dupont Awards, 1943/1982"],"normalized_date_ssm":["1951/1965"],"unitdate_inclusive_ssm":["1951-1965"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":572,"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"containers_ssim":["box 16-17","folder 470-528"],"has_online_content_ssim":["false"],"child_component_count_isi":53,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"language_ssim":["English"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"scopecontent_html_tesm":["\u003cp\u003eItems in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content."],"_nest_path_":"/components#1/components#27","timestamp":"2026-06-23T07:01:08.296Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"normalized_date_ssm":["1900/1992"],"normalized_title_ssm":["O.W. Riegel Papers, 1900/1992"],"text":["O.W. Riegel Papers, 1900/1992","WLU.Coll.0387","/repositories/5/resources/231","Propaganda","Journalism","This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, The Jeffster, and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.","There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English"],"collection_title_tesim":["O.W. Riegel Papers, 1900/1992"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creators_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda","Journalism"],"access_subjects_ssm":["Propaganda","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e  ","\u003cp\u003eThis part of the collection is not yet processed. 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Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"arrangement_html_tesm":["\u003cp\u003eSome items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e  ","\u003cp\u003eItems in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's\u003c/p\u003e","\u003cp\u003eRiegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.\u003c/p\u003e","\u003cp\u003eThe items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.\u003c/p\u003e","\u003cp\u003eThis subseries contains the most up-to-date version of Riegel's unpublished autobiography.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel took on various subjects related to his autobiography.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.\u003c/p\u003e","\u003cp\u003eItems in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.\u003c/p\u003e","\u003cp\u003eAs the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.\u003c/p\u003e","\u003cp\u003eThe Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.\u003c/p\u003e","\u003cp\u003eJournalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.\u003c/p\u003e","\u003cp\u003eRiegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.\u003c/p\u003e","\u003cp\u003eRiegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThis advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.\u003c/p\u003e","\u003cp\u003ethe Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.\u003c/p\u003e","\u003cp\u003eThe Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.\u003c/p\u003e","\u003cp\u003eDuring Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.\u003c/p\u003e","\u003cp\u003eMass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.\u003c/p\u003e","\u003cp\u003ePublicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.\u003c/p\u003e","\u003cp\u003eThis subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.\u003c/p\u003e","\u003cp\u003eMaterials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.\u003c/p\u003e","\u003cp\u003eThis subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.\u003c/p\u003e","\u003cp\u003eThis subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.\u003c/p\u003e","\u003cp\u003eThis subseries consists of maps of various european countries that Riegel traveled through.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eThe items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.\u003c/p\u003e","\u003cp\u003eRiegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.\u003c/p\u003e","\u003cp\u003eCorrespondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.\u003c/p\u003e","\u003cp\u003ePublications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.\u003c/p\u003e","\u003cp\u003eRiegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.\u003c/p\u003e","\u003cp\u003eTh inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.\u003c/p\u003e","\u003cp\u003eGoverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.\u003c/p\u003e","\u003cp\u003eGovernment reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.\u003c/p\u003e","\u003cp\u003eNewspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.\u003c/p\u003e","\u003cp\u003eRiegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.\u003c/p\u003e","\u003cp\u003eThe publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.\u003c/p\u003e","\u003cp\u003eItems in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.\u003c/p\u003e","\u003cp\u003eItems in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.\u003c/p\u003e","\u003cp\u003eRiegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.\u003c/p\u003e","\u003cp\u003eRiegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.\u003c/p\u003e","\u003cp\u003eEuropean propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.\u003c/p\u003e","\u003cp\u003eO.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.\u003c/p\u003e","\u003cp\u003eThese newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.\u003c/p\u003e","\u003cp\u003eRiegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.\u003c/p\u003e","\u003cp\u003eReports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.\u003c/p\u003e","\u003cp\u003eThe Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.\u003c/p\u003e","\u003cp\u003eThe Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.\u003c/p\u003e","\u003cp\u003eSegments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.\u003c/p\u003e","\u003cp\u003eRiegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.\u003c/p\u003e","\u003cp\u003eRiegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.\u003c/p\u003e","\u003cp\u003eRiegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.\u003c/p\u003e","\u003cp\u003eThe Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.\u003c/p\u003e","\u003cp\u003eRiegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.\u003c/p\u003e","\u003cp\u003eThe Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.\u003c/p\u003e","\u003cp\u003eItems from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.\u003c/p\u003e","\u003cp\u003eRiegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.\u003c/p\u003e","\u003cp\u003eThe two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.\u003c/p\u003e","\u003cp\u003eDocuments in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.\u003c/p\u003e","\u003cp\u003eIncludes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.\u003c/p\u003e","\u003cp\u003eRiegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.\u003c/p\u003e","\u003cp\u003eThis folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"\u003c/p\u003e","\u003cp\u003eThis volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.\u003c/p\u003e","\u003cp\u003eRiegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.\u003c/p\u003e","\u003cp\u003ePublications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.\u003c/p\u003e","\u003cp\u003eThis subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.\u003c/p\u003e","\u003cp\u003eMaterials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.\u003c/p\u003e","\u003cp\u003eThis subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.\u003c/p\u003e","\u003cp\u003eThis subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.\u003c/p\u003e","\u003cp\u003eThis subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.\u003c/p\u003e","\u003cp\u003eThis subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.\u003c/p\u003e","\u003cp\u003eThese radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".\u003c/p\u003e","\u003cp\u003eThe U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.\u003c/p\u003e","\u003cp\u003eItems in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.\u003c/p\u003e","\u003cp\u003eThis folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"\u003c/p\u003e","\u003cp\u003eA 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.\u003c/p\u003e","\u003cp\u003eThe Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.\u003c/p\u003e","\u003cp\u003eThe government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.\u003c/p\u003e","\u003cp\u003eItems in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.\u003c/p\u003e","\u003cp\u003eItems in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.\u003c/p\u003e","\u003cp\u003eThis series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.\u003c/p\u003e","\u003cp\u003eThis subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.\u003c/p\u003e","\u003cp\u003ethis subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons\u003c/p\u003e","\u003cp\u003eItems in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.\u003c/p\u003e","\u003cp\u003eThis box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.\u003c/p\u003e","\u003cp\u003eRiegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.\u003c/p\u003e","\u003cp\u003eThe contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, \u003ci\u003eThe Jeffster\u003c/i\u003e, and photographs of the SIPA Awards banquet from 1953 and 1955.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.\u003c/p\u003e","\u003cp\u003eThe contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.\u003c/p\u003e","\u003cp\u003eAlice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.\u003c/p\u003e","\u003cp\u003eCongressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.\u003c/p\u003e","\u003cp\u003eRiegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.\u003c/p\u003e","\u003cp\u003eJim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.\u003c/p\u003e","\u003cp\u003eThis subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eAfter World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.\u003c/p\u003e","\u003cp\u003eRiegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, The Jeffster, and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey."],"separatedmaterial_html_tesm":["\u003cp\u003eThere is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.\u003c/p\u003e","\u003cp\u003eSome items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.\u003c/p\u003e","\u003cp\u003eThe leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"names_coll_ssim":["Riegel, Hunt"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2584,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:08.296Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c02_c28"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":12},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":153},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":96},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":14},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":21},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":321},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":17},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon"}},{"attributes":{"label":"University of Mary Washington","value":"University of Mary Washington","hits":14},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=University+of+Mary+Washington"}},{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":20},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":65},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"Virginia Commonwealth University, Cabell Library","value":"Virginia Commonwealth University, Cabell Library","hits":34},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Adele Blow Chatfield-Taylor family papers, 1899/1977","value":"Adele Blow Chatfield-Taylor family papers, 1899/1977","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Adele+Blow+Chatfield-Taylor+family+papers%2C+1899%2F1977\u0026f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series"}},{"attributes":{"label":"Adele Goodman Clark papers, 1849/1978","value":"Adele Goodman Clark papers, 1849/1978","hits":7},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Adele+Goodman+Clark+papers%2C+1849%2F1978\u0026f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series"}},{"attributes":{"label":"Albert L. Sturm Papers, 1904/1988","value":"Albert L. Sturm Papers, 1904/1988","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Albert+L.+Sturm+Papers%2C+1904%2F1988\u0026f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series"}},{"attributes":{"label":"Alexander Haight family collection, 1764/1976","value":"Alexander Haight family collection, 1764/1976","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alexander+Haight+family+collection%2C+1764%2F1976\u0026f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series"}},{"attributes":{"label":"Alexandria Library Records (MS098), 1937/2013","value":"Alexandria Library Records (MS098), 1937/2013","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alexandria+Library+Records+%28MS098%29%2C+1937%2F2013\u0026f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=Sub-series"}},{"attributes":{"label":"Alfred C. Payne Collection, 1917/2003","value":"Alfred C. 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