{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=5\u0026view=list","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=4\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=6\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026page=3601\u0026view=list"},"meta":{"pages":{"current_page":5,"next_page":6,"prev_page":4,"total_pages":3601,"limit_value":10,"offset_value":40,"total_count":36004,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_7_resources_157_c01_c296","type":"Item","attributes":{"title":"10-9 Temporal bone. Abnormality large tip cell. Inferior view,","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c296#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c296","ref_ssm":["viu_repositories_7_resources_157_c01_c296"],"id":"viu_repositories_7_resources_157_c01_c296","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,","10-9 Temporal bone. Abnormality large tip cell. Inferior view,","box 6","folder 45"],"title_filing_ssi":"10-9 Temporal bone. Abnormality large tip cell. Inferior view,","title_ssm":["10-9 Temporal bone. Abnormality large tip cell. Inferior view,"],"title_tesim":["10-9 Temporal bone. Abnormality large tip cell. Inferior view,"],"unitdate_inclusive_ssm":["circa 1920-1950"],"normalized_date_ssm":["1920/1950"],"normalized_title_ssm":["10-9 Temporal bone. Abnormality large tip cell. Inferior view,"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":297,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"containers_ssim":["box 6","folder 45"],"_nest_path_":"/components#0/components#295","timestamp":"2026-04-30T22:51:13.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_157","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_157.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/128880","title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"unitdate_ssm":["1920-1965"],"unitdate_inclusive_ssm":["1920-1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"text":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157","The University of Virginia Anatomy Laboratory Lantern Slides collection","7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches","Collection is open to research.","Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n","Processed by: Historical Collections Staff","This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library."],"bioghist_html_tesm":["\u003cp\u003eSince its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.\u003c/p\u003e","\u003cp\u003e\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n\u003c/p\u003e","\u003cp\u003e\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n\u003c/p\u003e","\u003cp\u003e\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n\u003c/p\u003e","\u003cp\u003e\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:51:13.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c296"}},{"id":"wvmturhc_repositories_2_resources_5371_c21_c02","type":"File","attributes":{"title":"10 letters","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c21_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c21_c02","ref_ssm":["wvmturhc_repositories_2_resources_5371_c21_c02"],"id":"wvmturhc_repositories_2_resources_5371_c21_c02","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c21","parent_ssi":"wvmturhc_repositories_2_resources_5371_c21","parent_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c21"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c21"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence"],"text":["James E. Davis, Artist, Papers and Artworks","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence","10 letters","Box 1995/01/30 8","Folder 2"],"title_filing_ssi":"10 letters","title_ssm":["10 letters"],"title_tesim":["10 letters"],"unitdate_inclusive_ssm":["1944-1949"],"normalized_date_ssm":["1944/1949"],"normalized_title_ssm":["10 letters"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":820,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1944,1945,1946,1947,1948,1949],"containers_ssim":["Box 1995/01/30 8","Folder 2"],"_nest_path_":"/components#20/components#1","timestamp":"2026-04-30T23:14:22.348Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:14:22.348Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c21_c02"}},{"id":"viu_repositories_7_resources_120_c46","type":"File","attributes":{"title":"10 of 10 figures from \"Correlated Studies III\"","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_120_c46#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_120_c46","ref_ssm":["viu_repositories_7_resources_120_c46"],"id":"viu_repositories_7_resources_120_c46","ead_ssi":"viu_repositories_7_resources_120","_root_":"viu_repositories_7_resources_120","_nest_parent_":"viu_repositories_7_resources_120","parent_ssi":"viu_repositories_7_resources_120","parent_ssim":["viu_repositories_7_resources_120"],"parent_ids_ssim":["viu_repositories_7_resources_120"],"parent_unittitles_ssm":["Carl Caskey Speidel papers"],"parent_unittitles_tesim":["Carl Caskey Speidel papers"],"text":["Carl Caskey Speidel papers","10 of 10 figures from \"Correlated Studies III\"","box 02","folder 05"],"title_filing_ssi":"10 of 10 figures from \"Correlated Studies III\"","title_ssm":["10 of 10 figures from \"Correlated Studies III\""],"title_tesim":["10 of 10 figures from \"Correlated Studies III\""],"unitdate_inclusive_ssm":["1949 July"],"normalized_date_ssm":["1949"],"normalized_title_ssm":["10 of 10 figures from \"Correlated Studies III\""],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Carl Caskey Speidel papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":46,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1949],"containers_ssim":["box 02","folder 05"],"_nest_path_":"/components#45","timestamp":"2026-04-30T22:47:40.503Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_120","ead_ssi":"viu_repositories_7_resources_120","_root_":"viu_repositories_7_resources_120","_nest_parent_":"viu_repositories_7_resources_120","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_120.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/135556","title_ssm":["Carl Caskey Speidel papers"],"title_tesim":["Carl Caskey Speidel papers"],"unitdate_ssm":["1923-1982"],"unitdate_inclusive_ssm":["1923-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.15","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/120"],"text":["MS.15","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/120","Carl Caskey Speidel papers","The collection consists of 2 Hollinger boxes of processed materials, 1 folio box containing large figure plates, 1 Hollinger box containing small films, and 4 record boxes containing large 16-mm reels of film and their containers.","Collection is open to research.","The collection is arranged chronologically by type of document, starting with journal reprints, followed by figure plates, class materials, press clippings, and films.","\nCarl Caskey Speidel was born in Washington, D.C. on October 26, 1893. He received his Ph.B from Lafayette College 1914, and received his Ph.D. from Princeton University in 1918. He married Margaret Knowles on June 17, 1920, and began as an assistant professor of anatomy at the University of Virginia Medical School later that year.\n","\nIn 1927, he won the Virginia Academy of Science's J. Shelton Horsley Research award, and in 1932 he received attention from the press when he took the $1000 prize from the American Association for the Advancement of Science for his research on nerve growth in living tadpoles. He continued to receive press attention throughout his career for his research films, which showed \"living cells in action\".\n","\nHe was a trustee of the Marine Biology Laboratory in Woods Hole, Massachusetts, and a member of many professional science organizations. He retired from teaching at the Medical School in 1964, and died on September 19, 1982.\n","Processed by: Historical Collections Staff","The Carl Caskey Speidel Collection includes journal reprints and hand-drawn plates and figures used in journal articles. It also includes Speidel's press clippings, and materials from the classes he taught at the UVA Medical School. Also included in the collection are 74 reels of 16-mm film ranging in length from 100-450 feet of film documenting his research, with still photographs from the films, title lists and summaries of his films. The total length of the films is over 23,000 feet.","There are no restrictions.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.15","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/120"],"normalized_title_ssm":["Carl Caskey Speidel papers"],"collection_title_tesim":["Carl Caskey Speidel papers"],"collection_ssim":["Carl Caskey Speidel papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Not known"],"has_online_content_ssim":["false"],"physdesc_tesim":["The collection consists of 2 Hollinger boxes of processed materials, 1 folio box containing large figure plates, 1 Hollinger box containing small films, and 4 record boxes containing large 16-mm reels of film and their containers."],"extent_ssm":["2.25 Linear Feet"],"extent_tesim":["2.25 Linear Feet"],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by type of document, starting with journal reprints, followed by figure plates, class materials, press clippings, and films.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically by type of document, starting with journal reprints, followed by figure plates, class materials, press clippings, and films."],"bioghist_html_tesm":["\u003cp\u003e\nCarl Caskey Speidel was born in Washington, D.C. on October 26, 1893. He received his Ph.B from Lafayette College 1914, and received his Ph.D. from Princeton University in 1918. He married Margaret Knowles on June 17, 1920, and began as an assistant professor of anatomy at the University of Virginia Medical School later that year.\n\u003c/p\u003e","\u003cp\u003e\nIn 1927, he won the Virginia Academy of Science's J. Shelton Horsley Research award, and in 1932 he received attention from the press when he took the $1000 prize from the American Association for the Advancement of Science for his research on nerve growth in living tadpoles. He continued to receive press attention throughout his career for his research films, which showed \"living cells in action\".\n\u003c/p\u003e","\u003cp\u003e\nHe was a trustee of the Marine Biology Laboratory in Woods Hole, Massachusetts, and a member of many professional science organizations. He retired from teaching at the Medical School in 1964, and died on September 19, 1982.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["\nCarl Caskey Speidel was born in Washington, D.C. on October 26, 1893. He received his Ph.B from Lafayette College 1914, and received his Ph.D. from Princeton University in 1918. He married Margaret Knowles on June 17, 1920, and began as an assistant professor of anatomy at the University of Virginia Medical School later that year.\n","\nIn 1927, he won the Virginia Academy of Science's J. Shelton Horsley Research award, and in 1932 he received attention from the press when he took the $1000 prize from the American Association for the Advancement of Science for his research on nerve growth in living tadpoles. He continued to receive press attention throughout his career for his research films, which showed \"living cells in action\".\n","\nHe was a trustee of the Marine Biology Laboratory in Woods Hole, Massachusetts, and a member of many professional science organizations. He retired from teaching at the Medical School in 1964, and died on September 19, 1982.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eThe Carl Caskey Speidel Papers, Accession #MS-15, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["The Carl Caskey Speidel Papers, Accession #MS-15, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Carl Caskey Speidel Collection includes journal reprints and hand-drawn plates and figures used in journal articles. It also includes Speidel's press clippings, and materials from the classes he taught at the UVA Medical School. Also included in the collection are 74 reels of 16-mm film ranging in length from 100-450 feet of film documenting his research, with still photographs from the films, title lists and summaries of his films. The total length of the films is over 23,000 feet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Carl Caskey Speidel Collection includes journal reprints and hand-drawn plates and figures used in journal articles. It also includes Speidel's press clippings, and materials from the classes he taught at the UVA Medical School. Also included in the collection are 74 reels of 16-mm film ranging in length from 100-450 feet of film documenting his research, with still photographs from the films, title lists and summaries of his films. The total length of the films is over 23,000 feet."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":166,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:47:40.503Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_120_c46"}},{"id":"wvmturhc_repositories_2_resources_5371_c04_c15","type":"File","attributes":{"title":"10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c04_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c04_c15","ref_ssm":["wvmturhc_repositories_2_resources_5371_c04_c15"],"id":"wvmturhc_repositories_2_resources_5371_c04_c15","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c04","parent_ssi":"wvmturhc_repositories_2_resources_5371_c04","parent_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c04"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c04"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape"],"text":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape","10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)","Box 42","Folder 1"],"title_filing_ssi":"10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)","title_ssm":["10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)"],"title_tesim":["10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)"],"unitdate_inclusive_ssm":["1939-1956"],"normalized_date_ssm":["1939/1956"],"normalized_title_ssm":["10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":182,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"containers_ssim":["Box 42","Folder 1"],"_nest_path_":"/components#3/components#14","timestamp":"2026-04-30T23:14:22.348Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:14:22.348Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c04_c15"}},{"id":"viblbv_repositories_2_resources_1857_c01_c09_c01_c02","type":"Item","attributes":{"title":"10 sheets of plans, site plans, and elevations","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1857_c01_c09_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1857_c01_c09_c01_c02","ref_ssm":["viblbv_repositories_2_resources_1857_c01_c09_c01_c02"],"id":"viblbv_repositories_2_resources_1857_c01_c09_c01_c02","ead_ssi":"viblbv_repositories_2_resources_1857","_root_":"viblbv_repositories_2_resources_1857","_nest_parent_":"viblbv_repositories_2_resources_1857_c01_c09_c01","parent_ssi":"viblbv_repositories_2_resources_1857_c01_c09_c01","parent_ssim":["viblbv_repositories_2_resources_1857","viblbv_repositories_2_resources_1857_c01","viblbv_repositories_2_resources_1857_c01_c09","viblbv_repositories_2_resources_1857_c01_c09_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_1857","viblbv_repositories_2_resources_1857_c01","viblbv_repositories_2_resources_1857_c01_c09","viblbv_repositories_2_resources_1857_c01_c09_c01"],"parent_unittitles_ssm":["Charles Burchard Collection","Series I: Professional Papers","Subseries I: Architectural Plans \u0026 Drawings","Agoo, Mr. and Mrs. H. M., Weekend House (East Andover, NH)"],"parent_unittitles_tesim":["Charles Burchard Collection","Series I: Professional Papers","Subseries I: Architectural Plans \u0026 Drawings","Agoo, Mr. and Mrs. H. M., Weekend House (East Andover, NH)"],"text":["Charles Burchard Collection","Series I: Professional Papers","Subseries I: Architectural Plans \u0026 Drawings","Agoo, Mr. and Mrs. H. M., Weekend House (East Andover, NH)","10 sheets of plans, site plans, and elevations","folder 3"],"title_filing_ssi":"10 sheets of plans, site plans, and elevations","title_ssm":["10 sheets of plans, site plans, and elevations"],"title_tesim":["10 sheets of plans, site plans, and elevations"],"unitdate_inclusive_ssm":["1949-1950"],"normalized_date_ssm":["1949/1950"],"normalized_title_ssm":["10 sheets of plans, site plans, and elevations"],"component_level_isim":[4],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Charles Burchard Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":256,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1949,1950],"containers_ssim":["folder 3"],"_nest_path_":"/components#0/components#8/components#0/components#1","timestamp":"2026-04-30T23:35:58.200Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1857","ead_ssi":"viblbv_repositories_2_resources_1857","_root_":"viblbv_repositories_2_resources_1857","_nest_parent_":"viblbv_repositories_2_resources_1857","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1857.xml","title_filing_ssi":"Burchard, Charles, Collection","title_ssm":["Charles Burchard Collection"],"title_tesim":["Charles Burchard Collection"],"unitdate_ssm":["1935-1989, n.d."],"unitdate_inclusive_ssm":["1935-1989, n.d."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.048"],"text":["Ms.1991.048","Charles Burchard Collection","Architecture -- Study and teaching","Faculty and staff","University History","Architecture (discipline)","The collection is open for research.","This collection is organized into seven series. Each series contain one or more subseries, with the exception of the artifacts, which are listed at the item level. Wherever possible, Special Collections and University Archives staff retained the folder titles created by Charles Burchard. ","Please note : there is some overlap between series and sub-series, so there may be materials on a topic/subject/person/event/etc. in more than one location in the collection. ","Series I: Professional Papers, 1935-1989, n.d. , contains ten subseries. Subseries A: Undergraduate \u0026 Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order. ","Subseries B: Burchard Trail, Fulbright Fellowship, \u0026 Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.","Subseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.","Subseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end. ","Subseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order. ","Subseries F: Papers \u0026 Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title. ","Subseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026 Reports, Subseries I: Newspapers, Clippings, \u0026 Tear Sheets for similar materials). This subseries is in chronological order. ","Subseries H: Professional Memberships \u0026 Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.","Subseries I: Architectural Plans \u0026 Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name). ","Subseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026 promotions. Within each sub-group, materials are in chronological order. ","Series II: College of Architecture, Program \u0026 Curriculum, 1959-1987, n.d. , consists of five subseries. Subseries A: Proposals \u0026 Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.","Subseries B: VPI College of Architecture Self Studies \u0026 NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.","Subseries C: Brochures, Booklets, \u0026 Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall. ","Subseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject). ","Subseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.","Series III: Studies \u0026 Proposals, 1967-1984, n.d. , includes three subseries. Subseries A: Student \u0026 Faculty Studies \u0026 Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title. ","Subseries B: Pre-Planning \u0026 Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.","Subseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.","Series IV: Publications \u0026 Reports, 1938-1987, n.d. , contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title. ","Subseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.","Subseries C: Reports \u0026 Design, Education \u0026 the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order. ","Subseries D: Building Design \u0026 City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.","Subseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order. ","Subseries F: Conferences \u0026 Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order. ","Subseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order. ","Subseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end. ","Subseries I: Newspapers, Clippings, \u0026 Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.","Series V: Personal Papers, 1935-1989, n.d. , contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.","Subseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order. ","Subseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.","Subseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.","Series VI: Multimedia \u0026 Audio/Visual, 1941-1985, n.d. , consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format. ","Subseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type. ","Subseries C: Videotapes \u0026 Audio Cassettes, 1977, 1980, n.d., consists of a ½\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type. ","Series VII: Artifacts, 1971-1985, n.d. , contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.","Charles H. Burchard (1913-1990) was the founding dean of Virginia Tech's College of Architecture and Urban Studies. During Charles Burchard's 14-year tenure as dean from 1965 to 1979, he transformed the Department of Architecture into one of the nation's top colleges. When a new addition was added to the existing architecture building it was called the Charles Burchard Hall.","In 1965, then-President T. Marshall Hahn recruited Burchard to come to Virginia Tech as part of Hahn's sweeping initiative to transform Virginia Tech from a technical institute to a major comprehensive university. As dean of architecture, Burchard enlisted an imaginative and innovative faculty, installed a new five-year undergraduate program and restructured the master of architecture program. He complemented those programs with bachelor's and master's programs in urban affairs and landscape architecture, a doctoral program in environmental design and planning, and a study-abroad program in Switzerland. \n \nFor building what became a model for architectural schools around the country, he was designated a University Distinguished Professor in 1966 and later received the University Distinguished Achievement Award in 1985. Upon his retirement, he was bestowed the honored title of dean emeritus. \n \nAfter gaining national prominence as an innovative leader in architectural education, Burchard was elected a Fellow in the American Institute of Architects (AIA) in 1970. In 1983, he was presented the Award for Excellence in Architectural Education, the joint award of the AIA and the Association of Collegiate Schools of Architecture (ACSA). \n \nBurchard, a prolific writer, outlined his concepts of architectural education in numerous professional journal articles, monologues, and in papers delivered in many professional conferences throughout the world. \n \nHe became active nationally as a director of the National Architectural Accrediting Board (NAAB), president of the ACSA, and chairman of NAAB evaluation teams visiting various campuses across the country. \n \nBurchard earned his bachelor's in architecture from the Massachusetts Institute of Technology. At the Harvard School of Design, he studied under world-renowned architect Walter Gropius and received his master's degree in 1940. \n \nBurchard was 75 when he died in 1990.","This note was written by Julie Kane for the College of Architecture and Urban Studies.","The guide to the Charles Burchard Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Some description of the collection was completed in 1991 and in the early 2000s. The majority of the arrangement and description took place between 2015 and 2017.","See also the  Named/Individual Photograph Collections, Photographs.002 , and  Faculty/Staff Photograph Collection, Photographs.003 , both of which contain several photographs of Charles Burchard and are maintained by VT Special Collections and University Archives.","The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989. \n \nThe collection is organized into seven series, based on the type and format of materials: Professional Papers; College of Architecture, Program \u0026 Curriculum; Studies \u0026 Proposals; Publications \u0026 Reports; Personal Papers; Multimedia \u0026 Audio/Visual; and Artifacts. Most series contain multiple sub-series and in some cases, there is overlap between series or sub-series, but during processing, Special Collections and University Archives staff attempted to retain the original organization of the creator wherever possible.","The following books were removed and cataloged for the Special Collections and University Archives Rare Book Collection:","Architectural Registration Handbook: A Test Guide for Professional Exam Candidates . Washington, DC: National Council of Architectural Registration Boards, 1973. Bacon, Edmond N.  Design of Cities . Rev. ed. New York: Penguin Books, 1976. Le Musee Picasso de Barcelone . Leon, Spain: Editorial Everest, 1975. Patracos, Basil Chr.  Delphi . Athens, Greece: 1971. Prigogine, I.  Order Out of Chaos: Man's New Dialogue with Nature . Boulder, CO : New Science Library : Distributed by Random House, 1984. Sharp. Thomas.  The Anatomy of the Village . Harmondsworth, Middlesex [Eng.] Penguin Books, 1946. A Tribute to William Emerson . Meriden, CT: Meriden Gravurte Company, 1958?","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969","The materials in the collection are in English."],"unitid_tesim":["Ms.1991.048"],"normalized_title_ssm":["Charles Burchard Collection"],"collection_title_tesim":["Charles Burchard Collection"],"collection_ssim":["Charles Burchard Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Burchard, Charles, 1913-1990"],"creator_ssim":["Burchard, Charles, 1913-1990"],"creator_persname_ssim":["Burchard, Charles, 1913-1990"],"creators_ssim":["Burchard, Charles, 1913-1990"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The first group of materials in the Charles Burchard Collection were donated in 1991. The bulk of the collection was received in 2002, with additional materials transferred from the Art \u0026 Architecture Library in 2007, 2016, and 2017."],"access_subjects_ssim":["Architecture -- Study and teaching","Faculty and staff","University History","Architecture (discipline)"],"access_subjects_ssm":["Architecture -- Study and teaching","Faculty and staff","University History","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["36.9 Cubic Feet 37 boxes; 9 folders"],"extent_tesim":["36.9 Cubic Feet 37 boxes; 9 folders"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into seven series. Each series contain one or more subseries, with the exception of the artifacts, which are listed at the item level. Wherever possible, Special Collections and University Archives staff retained the folder titles created by Charles Burchard. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003ePlease note\u003c/emph\u003e: there is some overlap between series and sub-series, so there may be materials on a topic/subject/person/event/etc. in more than one location in the collection. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Professional Papers, 1935-1989, n.d.\u003c/emph\u003e, contains ten subseries. Subseries A: Undergraduate \u0026amp; Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order. \u003c/p\u003e\n","\u003cp\u003eSubseries B: Burchard Trail, Fulbright Fellowship, \u0026amp; Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.\u003c/p\u003e\n","\u003cp\u003eSubseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.\u003c/p\u003e\n","\u003cp\u003eSubseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eSubseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order. \u003c/p\u003e\n","\u003cp\u003eSubseries F: Papers \u0026amp; Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title. \u003c/p\u003e\n","\u003cp\u003eSubseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026amp; Reports, Subseries I: Newspapers, Clippings, \u0026amp; Tear Sheets for similar materials). This subseries is in chronological order. \u003c/p\u003e\n","\u003cp\u003eSubseries H: Professional Memberships \u0026amp; Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries I: Architectural Plans \u0026amp; Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name). \u003c/p\u003e\n","\u003cp\u003eSubseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026amp; promotions. Within each sub-group, materials are in chronological order. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: College of Architecture, Program \u0026amp; Curriculum, 1959-1987, n.d.\u003c/emph\u003e, consists of five subseries. Subseries A: Proposals \u0026amp; Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.\u003c/p\u003e\n","\u003cp\u003eSubseries B: VPI College of Architecture Self Studies \u0026amp; NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Brochures, Booklets, \u0026amp; Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall. \u003c/p\u003e\n","\u003cp\u003eSubseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject). \u003c/p\u003e\n","\u003cp\u003eSubseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Studies \u0026amp; Proposals, 1967-1984, n.d.\u003c/emph\u003e, includes three subseries. Subseries A: Student \u0026amp; Faculty Studies \u0026amp; Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title. \u003c/p\u003e\n","\u003cp\u003eSubseries B: Pre-Planning \u0026amp; Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Publications \u0026amp; Reports, 1938-1987, n.d.\u003c/emph\u003e, contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title. \u003c/p\u003e\n","\u003cp\u003eSubseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Reports \u0026amp; Design, Education \u0026amp; the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order. \u003c/p\u003e\n","\u003cp\u003eSubseries D: Building Design \u0026amp; City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.\u003c/p\u003e\n","\u003cp\u003eSubseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order. \u003c/p\u003e\n","\u003cp\u003eSubseries F: Conferences \u0026amp; Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order. \u003c/p\u003e\n","\u003cp\u003eSubseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order. \u003c/p\u003e\n","\u003cp\u003eSubseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eSubseries I: Newspapers, Clippings, \u0026amp; Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries V: Personal Papers, 1935-1989, n.d.\u003c/emph\u003e, contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.\u003c/p\u003e\n","\u003cp\u003eSubseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order. \u003c/p\u003e\n","\u003cp\u003eSubseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.\u003c/p\u003e\n","\u003cp\u003eSubseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries VI: Multimedia \u0026amp; Audio/Visual, 1941-1985, n.d.\u003c/emph\u003e, consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format. \u003c/p\u003e\n","\u003cp\u003eSubseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type. \u003c/p\u003e\n","\u003cp\u003eSubseries C: Videotapes \u0026amp; Audio Cassettes, 1977, 1980, n.d., consists of a ½\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries VII: Artifacts, 1971-1985, n.d.\u003c/emph\u003e, contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into seven series. Each series contain one or more subseries, with the exception of the artifacts, which are listed at the item level. Wherever possible, Special Collections and University Archives staff retained the folder titles created by Charles Burchard. ","Please note : there is some overlap between series and sub-series, so there may be materials on a topic/subject/person/event/etc. in more than one location in the collection. ","Series I: Professional Papers, 1935-1989, n.d. , contains ten subseries. Subseries A: Undergraduate \u0026 Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order. ","Subseries B: Burchard Trail, Fulbright Fellowship, \u0026 Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.","Subseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.","Subseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end. ","Subseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order. ","Subseries F: Papers \u0026 Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title. ","Subseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026 Reports, Subseries I: Newspapers, Clippings, \u0026 Tear Sheets for similar materials). This subseries is in chronological order. ","Subseries H: Professional Memberships \u0026 Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.","Subseries I: Architectural Plans \u0026 Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name). ","Subseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026 promotions. Within each sub-group, materials are in chronological order. ","Series II: College of Architecture, Program \u0026 Curriculum, 1959-1987, n.d. , consists of five subseries. Subseries A: Proposals \u0026 Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.","Subseries B: VPI College of Architecture Self Studies \u0026 NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.","Subseries C: Brochures, Booklets, \u0026 Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall. ","Subseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject). ","Subseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.","Series III: Studies \u0026 Proposals, 1967-1984, n.d. , includes three subseries. Subseries A: Student \u0026 Faculty Studies \u0026 Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title. ","Subseries B: Pre-Planning \u0026 Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.","Subseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.","Series IV: Publications \u0026 Reports, 1938-1987, n.d. , contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title. ","Subseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.","Subseries C: Reports \u0026 Design, Education \u0026 the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order. ","Subseries D: Building Design \u0026 City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.","Subseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order. ","Subseries F: Conferences \u0026 Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order. ","Subseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order. ","Subseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end. ","Subseries I: Newspapers, Clippings, \u0026 Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.","Series V: Personal Papers, 1935-1989, n.d. , contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.","Subseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order. ","Subseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.","Subseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.","Series VI: Multimedia \u0026 Audio/Visual, 1941-1985, n.d. , consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format. ","Subseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type. ","Subseries C: Videotapes \u0026 Audio Cassettes, 1977, 1980, n.d., consists of a ½\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type. ","Series VII: Artifacts, 1971-1985, n.d. , contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description."],"bioghist_html_tesm":["\u003cp\u003eCharles H. Burchard (1913-1990) was the founding dean of Virginia Tech's College of Architecture and Urban Studies. During Charles Burchard's 14-year tenure as dean from 1965 to 1979, he transformed the Department of Architecture into one of the nation's top colleges. When a new addition was added to the existing architecture building it was called the Charles Burchard Hall.\u003c/p\u003e\n","\u003cp\u003eIn 1965, then-President T. Marshall Hahn recruited Burchard to come to Virginia Tech as part of Hahn's sweeping initiative to transform Virginia Tech from a technical institute to a major comprehensive university. As dean of architecture, Burchard enlisted an imaginative and innovative faculty, installed a new five-year undergraduate program and restructured the master of architecture program. He complemented those programs with bachelor's and master's programs in urban affairs and landscape architecture, a doctoral program in environmental design and planning, and a study-abroad program in Switzerland. \n \nFor building what became a model for architectural schools around the country, he was designated a University Distinguished Professor in 1966 and later received the University Distinguished Achievement Award in 1985. Upon his retirement, he was bestowed the honored title of dean emeritus. \n \nAfter gaining national prominence as an innovative leader in architectural education, Burchard was elected a Fellow in the American Institute of Architects (AIA) in 1970. In 1983, he was presented the Award for Excellence in Architectural Education, the joint award of the AIA and the Association of Collegiate Schools of Architecture (ACSA). \n \nBurchard, a prolific writer, outlined his concepts of architectural education in numerous professional journal articles, monologues, and in papers delivered in many professional conferences throughout the world. \n \nHe became active nationally as a director of the National Architectural Accrediting Board (NAAB), president of the ACSA, and chairman of NAAB evaluation teams visiting various campuses across the country. \n \nBurchard earned his bachelor's in architecture from the Massachusetts Institute of Technology. At the Harvard School of Design, he studied under world-renowned architect Walter Gropius and received his master's degree in 1940. \n \nBurchard was 75 when he died in 1990.\u003c/p\u003e\n","\u003cp\u003eThis note was written by Julie Kane for the College of Architecture and Urban Studies.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Charles H. Burchard (1913-1990) was the founding dean of Virginia Tech's College of Architecture and Urban Studies. During Charles Burchard's 14-year tenure as dean from 1965 to 1979, he transformed the Department of Architecture into one of the nation's top colleges. When a new addition was added to the existing architecture building it was called the Charles Burchard Hall.","In 1965, then-President T. Marshall Hahn recruited Burchard to come to Virginia Tech as part of Hahn's sweeping initiative to transform Virginia Tech from a technical institute to a major comprehensive university. As dean of architecture, Burchard enlisted an imaginative and innovative faculty, installed a new five-year undergraduate program and restructured the master of architecture program. He complemented those programs with bachelor's and master's programs in urban affairs and landscape architecture, a doctoral program in environmental design and planning, and a study-abroad program in Switzerland. \n \nFor building what became a model for architectural schools around the country, he was designated a University Distinguished Professor in 1966 and later received the University Distinguished Achievement Award in 1985. Upon his retirement, he was bestowed the honored title of dean emeritus. \n \nAfter gaining national prominence as an innovative leader in architectural education, Burchard was elected a Fellow in the American Institute of Architects (AIA) in 1970. In 1983, he was presented the Award for Excellence in Architectural Education, the joint award of the AIA and the Association of Collegiate Schools of Architecture (ACSA). \n \nBurchard, a prolific writer, outlined his concepts of architectural education in numerous professional journal articles, monologues, and in papers delivered in many professional conferences throughout the world. \n \nHe became active nationally as a director of the National Architectural Accrediting Board (NAAB), president of the ACSA, and chairman of NAAB evaluation teams visiting various campuses across the country. \n \nBurchard earned his bachelor's in architecture from the Massachusetts Institute of Technology. At the Harvard School of Design, he studied under world-renowned architect Walter Gropius and received his master's degree in 1940. \n \nBurchard was 75 when he died in 1990.","This note was written by Julie Kane for the College of Architecture and Urban Studies."],"odd_html_tesm":["\u003cp\u003eThe guide to the Charles Burchard Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Charles Burchard Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Charles Burchard Collection, Ms1991-048, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Charles Burchard Collection, Ms1991-048, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome description of the collection was completed in 1991 and in the early 2000s. The majority of the arrangement and description took place between 2015 and 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some description of the collection was completed in 1991 and in the early 2000s. The majority of the arrangement and description took place between 2015 and 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/3024.oai_ead.xml\" target=\"_blank\"\u003eNamed/Individual Photograph Collections, Photographs.002\u003c/a\u003e, and \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/3025.oai_ead.xml\" target=\"_blank\"\u003eFaculty/Staff Photograph Collection, Photographs.003\u003c/a\u003e, both of which contain several photographs of Charles Burchard and are maintained by VT Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the  Named/Individual Photograph Collections, Photographs.002 , and  Faculty/Staff Photograph Collection, Photographs.003 , both of which contain several photographs of Charles Burchard and are maintained by VT Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989. \n \nThe collection is organized into seven series, based on the type and format of materials: Professional Papers; College of Architecture, Program \u0026amp; Curriculum; Studies \u0026amp; Proposals; Publications \u0026amp; Reports; Personal Papers; Multimedia \u0026amp; Audio/Visual; and Artifacts. Most series contain multiple sub-series and in some cases, there is overlap between series or sub-series, but during processing, Special Collections and University Archives staff attempted to retain the original organization of the creator wherever possible.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989. \n \nThe collection is organized into seven series, based on the type and format of materials: Professional Papers; College of Architecture, Program \u0026 Curriculum; Studies \u0026 Proposals; Publications \u0026 Reports; Personal Papers; Multimedia \u0026 Audio/Visual; and Artifacts. Most series contain multiple sub-series and in some cases, there is overlap between series or sub-series, but during processing, Special Collections and University Archives staff attempted to retain the original organization of the creator wherever possible."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books were removed and cataloged for the Special Collections and University Archives Rare Book Collection:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eArchitectural Registration Handbook: A Test Guide for Professional Exam Candidates\u003c/title\u003e. Washington, DC: National Council of Architectural Registration Boards, 1973.\u003c/item\u003e\n      \u003citem\u003eBacon, Edmond N. \u003ctitle render=\"italic\"\u003eDesign of Cities\u003c/title\u003e. Rev. ed. New York: Penguin Books, 1976.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eLe Musee Picasso de Barcelone\u003c/title\u003e. Leon, Spain: Editorial Everest, 1975.\u003c/item\u003e\n      \u003citem\u003ePatracos, Basil Chr. \u003ctitle render=\"italic\"\u003eDelphi\u003c/title\u003e. Athens, Greece: 1971.\u003c/item\u003e\n      \u003citem\u003ePrigogine, I. \u003ctitle render=\"italic\"\u003eOrder Out of Chaos: Man's New Dialogue with Nature\u003c/title\u003e. Boulder, CO : New Science Library : Distributed by Random House, 1984.\u003c/item\u003e\n      \u003citem\u003eSharp. Thomas. \u003ctitle render=\"italic\"\u003eThe Anatomy of the Village\u003c/title\u003e. Harmondsworth, Middlesex [Eng.] Penguin Books, 1946.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eA Tribute to William Emerson\u003c/title\u003e. Meriden, CT: Meriden Gravurte Company, 1958?\u003c/item\u003e\n    \u003c/list\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books were removed and cataloged for the Special Collections and University Archives Rare Book Collection:","Architectural Registration Handbook: A Test Guide for Professional Exam Candidates . Washington, DC: National Council of Architectural Registration Boards, 1973. Bacon, Edmond N.  Design of Cities . Rev. ed. New York: Penguin Books, 1976. Le Musee Picasso de Barcelone . Leon, Spain: Editorial Everest, 1975. Patracos, Basil Chr.  Delphi . Athens, Greece: 1971. Prigogine, I.  Order Out of Chaos: Man's New Dialogue with Nature . Boulder, CO : New Science Library : Distributed by Random House, 1984. Sharp. Thomas.  The Anatomy of the Village . Harmondsworth, Middlesex [Eng.] Penguin Books, 1946. A Tribute to William Emerson . Meriden, CT: Meriden Gravurte Company, 1958?"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4687b142ddd9d28784565a3e8c713bc6\" label=\"Abstract\"\u003eThe Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989.\u003c/abstract\u003e"],"abstract_tesim":["The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989."],"names_coll_ssim":["Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":659,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:35:58.200Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1857_c01_c09_c01_c02"}},{"id":"viblbv_repositories_2_resources_1974_c04_c66","type":"File","attributes":{"title":"10th Virginia Cavalry","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c66#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c66","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c66"],"id":"viblbv_repositories_2_resources_1974_c04_c66","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","10th Virginia Cavalry","box 41","folder 1"],"title_filing_ssi":"10th Virginia Cavalry","title_ssm":["10th Virginia Cavalry"],"title_tesim":["10th Virginia Cavalry"],"unitdate_inclusive_ssm":["n.d., 1861-1865, 1969"],"normalized_date_ssm":["1861/1969"],"normalized_title_ssm":["10th Virginia Cavalry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":412,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"containers_ssim":["box 41","folder 1"],"_nest_path_":"/components#3/components#65","timestamp":"2026-04-30T23:35:47.968Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:35:47.968Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c66"}},{"id":"viblbv_repositories_2_resources_1459_c05_c02_c71","type":"File","attributes":{"title":"[11,000 Ton Press]","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1459_c05_c02_c71#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1459_c05_c02_c71","ref_ssm":["viblbv_repositories_2_resources_1459_c05_c02_c71"],"id":"viblbv_repositories_2_resources_1459_c05_c02_c71","ead_ssi":"viblbv_repositories_2_resources_1459","_root_":"viblbv_repositories_2_resources_1459","_nest_parent_":"viblbv_repositories_2_resources_1459_c05_c02","parent_ssi":"viblbv_repositories_2_resources_1459_c05_c02","parent_ssim":["viblbv_repositories_2_resources_1459","viblbv_repositories_2_resources_1459_c05","viblbv_repositories_2_resources_1459_c05_c02"],"parent_ids_ssim":["viblbv_repositories_2_resources_1459","viblbv_repositories_2_resources_1459_c05","viblbv_repositories_2_resources_1459_c05_c02"],"parent_unittitles_ssm":["John T. Parsons Papers","Series V. Division 5: Aircraft Division","Subseries B. General"],"parent_unittitles_tesim":["John T. Parsons Papers","Series V. Division 5: Aircraft Division","Subseries B. General"],"text":["John T. Parsons Papers","Series V. Division 5: Aircraft Division","Subseries B. General","[11,000 Ton Press]","box 33","folder 3"],"title_filing_ssi":"[11,000 Ton Press]","title_ssm":["[11,000 Ton Press]"],"title_tesim":["[11,000 Ton Press]"],"unitdate_inclusive_ssm":["1948-1949"],"normalized_date_ssm":["1948/1949"],"normalized_title_ssm":["[11,000 Ton Press]"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["John T. Parsons Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2253,"parent_access_restrict_tesm":["The collection is open for research, except box 190 marked \"Personal\" in Division 10, which needs to be reviewed before access. Please contact Special Collections and University Archives for more information."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1948,1949],"containers_ssim":["box 33","folder 3"],"_nest_path_":"/components#4/components#1/components#70","timestamp":"2026-04-30T23:30:11.262Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1459","ead_ssi":"viblbv_repositories_2_resources_1459","_root_":"viblbv_repositories_2_resources_1459","_nest_parent_":"viblbv_repositories_2_resources_1459","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1459.xml","title_filing_ssi":"Parsons, John T., Papers","title_ssm":["John T. Parsons Papers"],"title_tesim":["John T. Parsons Papers"],"unitdate_ssm":["1910-2000"],"unitdate_inclusive_ssm":["1910-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1987.016"],"text":["Ms.1987.016","John T. Parsons Papers","Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aeronautics","Machine-tools -- Numerical control","John T. Parsons Company","Businesspeople","Inventors","The collection is open for research, except box 190 marked \"Personal\" in Division 10, which needs to be reviewed before access. Please contact Special Collections and University Archives for more information.","Some of this collection has been digitized for a digital exhibit,  The Products of John T. Parsons .","The collection is divided into the ten series and some with subseries. These series and subseries have been imposed by archivists but are based on Parson's original order and description. Materials have been kept in original order where possible. Arrangement is chronological, then alphabetical where applicable.","Series I. Division 1: Corporate Office, 1940-1992, n.d.\n \nSubseries A. Corporate Office General, 1943-1992, n.d. \nSubseries B. ParCor Financial Records, 1945-1969, n.d. \nSubseries C. Personnel, 1942-1972, n.d. \nSubseries D. Labor, 1952-1972 \nSubseries E. Board of Directors Minutes, 1956-1968 \nSubseries F. Corporate History, 1916-1960, n.d. \nSubseries G. Operations Control Systems, 1954-1968 \nSubseries H. Corporate Office Master Files, 1948-1967, n.d. \nSubseries I. Corporate Office New Construction, 1942-1968, n.d.\t \nSubseries J. Patents and Legal Documents, 1940-1960\t \nSubseries K. MIT, 1951-1956, 1991-1992\n \nSeries II. Division 2: Automotive Division, 1937-1971, n.d.","Series III. Division 3: Appliance Division, 1924-1962, n.d.\n \nSubseries A. General Correspondence, 1924-1951, n.d. \nSubseries B. Products, 1941-1962, n.d.\n \nSeries IV. Division 4: Ordnance Division, 1933-1967, n.d.","Series V. Division 5: Aircraft Division, 1923, 1941-1992, n.d.\n \nSubseries A. Foreign Activities, 1953-1968, n.d. \nSubseries B. General, 1923, 1942-1978, n.d. \nSubseries C. Helicopter Rotor Blades, 1943-1971, n.d. \nSubseries D. Numerical Control, 1941-1992, n.d. \nSubseries E. Special Products, 1943-1982, n.d. \nSubseries F. North America Rockwell, 1955-1956, 1964-1976, n.d.\n \nSeries VI. Division 6: Subsidiaries Division, 1957-1977, n.d.","Series VII. Division 7: Minor Products Division, 1943-1966, n.d.","Series VIII. Division 8: John T. Parsons Company, 1944-2000, n.d.\n \nSubseries A. Financial/Legal, 1944-1994, n.d. \nSubseries B. Correspondence, 1948-1998, n.d. \nSubseries C. Controllable Pitch Propeller, 1946-1980, 1993, n.d. \nSubseries D. Computer Bilt, 1949-1989, n.d. \nSubseries E. Wind Energy Systems, 1964-1990, n.d. \nSubseries F. ParJon Master Files, 1968-1984 \nSubseries G. Consulting, 1956-2000, n.d. \nSubseries H. Punch Presses, 1959-1984, n.d. \nSubseries I. HITCO and Whittaker, 1960-1982 \nSubseries J. Ariel Files, 1989-1990 \nSubseries K. Marathon Files, 1974-1977, 1980-1990, n.d. \nSubseries L. Nimble Keyboard, 1962-1989, n.d. \nSubseries M. Michigan Reports, 1970-1991, n.d. \nSubseries N. Pallet Manufacturing, 1969-1991, n.d. \nSubseries O. Motor Coach, 1968-1973, n.d. \nSubseries P. Newspaper Articles, 1981-1991, n.d. \nSubseries Q. Digitron, 1948-1993, n.d. \nSubseries R. General, 1965-1996, n.d.\n \nSeries IX.  Division 9: Personal, 1910-1997, n.d.\n \nSubseries A. Industrial Brochures, 1951-1994, n.d. \nSubseries B. Trade Journals and Magazines, 1958-1990, n.d. \nSubseries C. Civic Ombudsman, 1967-1978, n.d. \nSubseries D. Environment, 1966-1985 \nSubseries E. Filed Clippings, 1963-1991 \nSubseries F. Community Involvement, 1927-1990, n.d. \nSubseries G. Parsons Reading Files, 1961-1969, n.d. \nSubseries H. Financial Reports of Other Companies, 1950-1985 \nSubseries I. Traverse City, 1943-1995, n.d. \nSubseries J. John T. Parsons Personal Records, 1931-1996, n.d. \nSubseries K. Correspondence, 1930-1997, n.d. \nSubseries L. Swedish Affairs, 1916, 1938-1983, 1996 \nSubseries M. Music, 1950, 1964, 1971-1982 \nSubseries N. General, 1910-1994, n.d. \nSubseries O. Society of Manufacturing Engineers, 1972-1996 \nSubseries P. Ferris and State Jobs, 1961-1990, n.d.\n \nSeries X.  Division 10: Posters, Drawings, and Artifacts, 1947-1948, 1958-1978, 1984, 1990-1992, n.d.","John T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes. ","Parsons produced bombs and land mines for U.S. government during World War II. He conceived a machine tool for automatically producing aircraft structural shapes from punch card/tape input (1946); executed a contract to produce the world's first numerical control milling machine (1949) and monitored design and completion of the machine (1950-1952). Parsons also originated an aircraft operation that became the world's largest designer, producer, and overhauler of helicopter rotor blades and built the first all-composite airplane for the Office of Naval Research. He created many other processes involving computer applications to manufacturing and received approximately fifty U.S. patents in the fields of numerical control, marine propellers, foundry systems, and data acquisition manufacturing methods. ","Parsons served as president and owner of the Parsons Corporation of Traverse City, Michigan, Detroit, Michigan, and Stockton, California (1954-1968). He was then president and owner of the John T. Parsons Company, Traverse City, Michigan (1968-1986). ","Among his numerous awards, Parsons was the first recipient of the Numerical Control Society's Joseph Marie Jacquard Award as the Father of Numerical Control (1968), a recipient of the Society of Manufacturing Engineers Engineering Citation as the person whose brilliant conceptualization of numerical control marked the beginning of the second industrial revolution (1975), recipient of the National Medal of Technology (1985), and recipient of the National Tooling and Machining Association's Distinguished Service Award (1987). ","He died in Traverse City, Michigan at the age of 93.","The guide to the John T. Parsons Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the John T. Parsons Papers was completed in September 2023, as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the  National Historical Publications and Records Commission (NHPRC) .","The John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials.","The following publications have been separated to the Rare Book Collection:","Spur, Günter.  Produktionstechnisches Zentrum Berlin : Institut für Werkzeugmaschinen und Fertigungstechnik der TU Berlin (IWF) : Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik (IPK) . Berlin:  Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik, Berlin, 1989. (Includes inscription in German to John T. Parsons.)","Transactions of the North American Manufacturing Research Institution of SME 1990.  Dearborn, Mich.:  Society of Manufacturing Engineers, North American Manufacturing Research Institute of SME, 1990. (Inscribed \"John T. Parsons\".)","Interlochen Center for the Arts.  Alumni directory 1995.  Produced for Interlochen Center for the Arts by Publishing Concepts Incorporated, The Clancy Way. (John T. Parsons's wife Elizabeth is listed as an alumni.)","Design, control and analysis of manufacturing systems : proceedings of the 27th CIRP International Seminar on Manufacturing Systems, May 21-23, 1995, Ann Arbor, Michigan, USA.  (Inscribed \"]John T. Parsons] was keynote speaker\".)"," Metalworking : yesterday and tomorrow : the 100th anniversary issue of American machinist / by the editors of American machinist.  New York : American machinist, [1978]. (Includes profile on John T. Parsons.) (Call number: TS205 .M469 Spec Large Copy 2)","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","John T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes. The John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and Universtiy Archives for more information.","Special Collections and University Archives, Virginia Tech","Parsons, John T., 1913-2007","The materials in the collection are in English."],"unitid_tesim":["Ms.1987.016"],"normalized_title_ssm":["John T. Parsons Papers"],"collection_title_tesim":["John T. Parsons Papers"],"collection_ssim":["John T. Parsons Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Parsons, John T., 1913-2007"],"creator_ssim":["Parsons, John T., 1913-2007"],"creator_persname_ssim":["Parsons, John T., 1913-2007"],"creators_ssim":["Parsons, John T., 1913-2007"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was acquired by Special Collections and University Archives in 1988 and 1999."],"access_subjects_ssim":["Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aeronautics","Machine-tools -- Numerical control","John T. Parsons Company","Businesspeople","Inventors"],"access_subjects_ssm":["Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aeronautics","Machine-tools -- Numerical control","John T. Parsons Company","Businesspeople","Inventors"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 258 Cubic Feet 204 boxes, 8 oversize folders, one artifact."],"extent_tesim":["ca. 258 Cubic Feet 204 boxes, 8 oversize folders, one artifact."],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, except box 190 marked \"Personal\" in Division 10, which needs to be reviewed before access. Please contact Special Collections and University Archives for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, except box 190 marked \"Personal\" in Division 10, which needs to be reviewed before access. Please contact Special Collections and University Archives for more information."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized for a digital exhibit, \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/exhibits/show/the-products-of-john-t--parson\"\u003eThe Products of John T. Parsons\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized for a digital exhibit,  The Products of John T. Parsons ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into the ten series and some with subseries. These series and subseries have been imposed by archivists but are based on Parson's original order and description. Materials have been kept in original order where possible. Arrangement is chronological, then alphabetical where applicable.\u003c/p\u003e\n","\u003cp\u003eSeries I. Division 1: Corporate Office, 1940-1992, n.d.\n\u003clist\u003e\u003citem\u003e\nSubseries A. Corporate Office General, 1943-1992, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries B. ParCor Financial Records, 1945-1969, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries C. Personnel, 1942-1972, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries D. Labor, 1952-1972\u003c/item\u003e\u003citem\u003e\nSubseries E. Board of Directors Minutes, 1956-1968\u003c/item\u003e\u003citem\u003e\nSubseries F. Corporate History, 1916-1960, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries G. Operations Control Systems, 1954-1968\u003c/item\u003e\u003citem\u003e\nSubseries H. Corporate Office Master Files, 1948-1967, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries I. Corporate Office New Construction, 1942-1968, n.d.\t\u003c/item\u003e\u003citem\u003e\nSubseries J. Patents and Legal Documents, 1940-1960\t\u003c/item\u003e\u003citem\u003e\nSubseries K. MIT, 1951-1956, 1991-1992\n\u003c/item\u003e\u003c/list\u003e\nSeries II. Division 2: Automotive Division, 1937-1971, n.d.\u003c/p\u003e\n","\u003cp\u003eSeries III. Division 3: Appliance Division, 1924-1962, n.d.\n\u003clist\u003e\u003citem\u003e\nSubseries A. General Correspondence, 1924-1951, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries B. Products, 1941-1962, n.d.\n\u003c/item\u003e\u003c/list\u003e\nSeries IV. Division 4: Ordnance Division, 1933-1967, n.d.\u003c/p\u003e\n","\u003cp\u003eSeries V. Division 5: Aircraft Division, 1923, 1941-1992, n.d.\n\u003clist\u003e\u003citem\u003e\nSubseries A. Foreign Activities, 1953-1968, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries B. General, 1923, 1942-1978, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries C. Helicopter Rotor Blades, 1943-1971, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries D. Numerical Control, 1941-1992, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries E. Special Products, 1943-1982, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries F. North America Rockwell, 1955-1956, 1964-1976, n.d.\n\u003c/item\u003e\u003c/list\u003e\nSeries VI. Division 6: Subsidiaries Division, 1957-1977, n.d.\u003c/p\u003e\n","\u003cp\u003eSeries VII. Division 7: Minor Products Division, 1943-1966, n.d.\u003c/p\u003e\n","\u003cp\u003eSeries VIII. Division 8: John T. Parsons Company, 1944-2000, n.d.\n\u003clist\u003e\u003citem\u003e\nSubseries A. Financial/Legal, 1944-1994, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries B. Correspondence, 1948-1998, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries C. Controllable Pitch Propeller, 1946-1980, 1993, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries D. Computer Bilt, 1949-1989, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries E. Wind Energy Systems, 1964-1990, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries F. ParJon Master Files, 1968-1984\u003c/item\u003e\u003citem\u003e\nSubseries G. Consulting, 1956-2000, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries H. Punch Presses, 1959-1984, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries I. HITCO and Whittaker, 1960-1982\u003c/item\u003e\u003citem\u003e\nSubseries J. Ariel Files, 1989-1990\u003c/item\u003e\u003citem\u003e\nSubseries K. Marathon Files, 1974-1977, 1980-1990, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries L. Nimble Keyboard, 1962-1989, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries M. Michigan Reports, 1970-1991, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries N. Pallet Manufacturing, 1969-1991, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries O. Motor Coach, 1968-1973, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries P. Newspaper Articles, 1981-1991, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries Q. Digitron, 1948-1993, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries R. General, 1965-1996, n.d.\n\u003c/item\u003e\u003c/list\u003e\nSeries IX.  Division 9: Personal, 1910-1997, n.d.\n\u003clist\u003e\u003citem\u003e\nSubseries A. Industrial Brochures, 1951-1994, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries B. Trade Journals and Magazines, 1958-1990, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries C. Civic Ombudsman, 1967-1978, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries D. Environment, 1966-1985\u003c/item\u003e\u003citem\u003e\nSubseries E. Filed Clippings, 1963-1991\u003c/item\u003e\u003citem\u003e\nSubseries F. Community Involvement, 1927-1990, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries G. Parsons Reading Files, 1961-1969, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries H. Financial Reports of Other Companies, 1950-1985\u003c/item\u003e\u003citem\u003e\nSubseries I. Traverse City, 1943-1995, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries J. John T. Parsons Personal Records, 1931-1996, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries K. Correspondence, 1930-1997, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries L. Swedish Affairs, 1916, 1938-1983, 1996\u003c/item\u003e\u003citem\u003e\nSubseries M. Music, 1950, 1964, 1971-1982\u003c/item\u003e\u003citem\u003e\nSubseries N. General, 1910-1994, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries O. Society of Manufacturing Engineers, 1972-1996\u003c/item\u003e\u003citem\u003e\nSubseries P. Ferris and State Jobs, 1961-1990, n.d.\n\u003c/item\u003e\u003c/list\u003e\nSeries X.  Division 10: Posters, Drawings, and Artifacts, 1947-1948, 1958-1978, 1984, 1990-1992, n.d.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into the ten series and some with subseries. These series and subseries have been imposed by archivists but are based on Parson's original order and description. Materials have been kept in original order where possible. Arrangement is chronological, then alphabetical where applicable.","Series I. Division 1: Corporate Office, 1940-1992, n.d.\n \nSubseries A. Corporate Office General, 1943-1992, n.d. \nSubseries B. ParCor Financial Records, 1945-1969, n.d. \nSubseries C. Personnel, 1942-1972, n.d. \nSubseries D. Labor, 1952-1972 \nSubseries E. Board of Directors Minutes, 1956-1968 \nSubseries F. Corporate History, 1916-1960, n.d. \nSubseries G. Operations Control Systems, 1954-1968 \nSubseries H. Corporate Office Master Files, 1948-1967, n.d. \nSubseries I. Corporate Office New Construction, 1942-1968, n.d.\t \nSubseries J. Patents and Legal Documents, 1940-1960\t \nSubseries K. MIT, 1951-1956, 1991-1992\n \nSeries II. Division 2: Automotive Division, 1937-1971, n.d.","Series III. Division 3: Appliance Division, 1924-1962, n.d.\n \nSubseries A. General Correspondence, 1924-1951, n.d. \nSubseries B. Products, 1941-1962, n.d.\n \nSeries IV. Division 4: Ordnance Division, 1933-1967, n.d.","Series V. Division 5: Aircraft Division, 1923, 1941-1992, n.d.\n \nSubseries A. Foreign Activities, 1953-1968, n.d. \nSubseries B. General, 1923, 1942-1978, n.d. \nSubseries C. Helicopter Rotor Blades, 1943-1971, n.d. \nSubseries D. Numerical Control, 1941-1992, n.d. \nSubseries E. Special Products, 1943-1982, n.d. \nSubseries F. North America Rockwell, 1955-1956, 1964-1976, n.d.\n \nSeries VI. Division 6: Subsidiaries Division, 1957-1977, n.d.","Series VII. Division 7: Minor Products Division, 1943-1966, n.d.","Series VIII. Division 8: John T. Parsons Company, 1944-2000, n.d.\n \nSubseries A. Financial/Legal, 1944-1994, n.d. \nSubseries B. Correspondence, 1948-1998, n.d. \nSubseries C. Controllable Pitch Propeller, 1946-1980, 1993, n.d. \nSubseries D. Computer Bilt, 1949-1989, n.d. \nSubseries E. Wind Energy Systems, 1964-1990, n.d. \nSubseries F. ParJon Master Files, 1968-1984 \nSubseries G. Consulting, 1956-2000, n.d. \nSubseries H. Punch Presses, 1959-1984, n.d. \nSubseries I. HITCO and Whittaker, 1960-1982 \nSubseries J. Ariel Files, 1989-1990 \nSubseries K. Marathon Files, 1974-1977, 1980-1990, n.d. \nSubseries L. Nimble Keyboard, 1962-1989, n.d. \nSubseries M. Michigan Reports, 1970-1991, n.d. \nSubseries N. Pallet Manufacturing, 1969-1991, n.d. \nSubseries O. Motor Coach, 1968-1973, n.d. \nSubseries P. Newspaper Articles, 1981-1991, n.d. \nSubseries Q. Digitron, 1948-1993, n.d. \nSubseries R. General, 1965-1996, n.d.\n \nSeries IX.  Division 9: Personal, 1910-1997, n.d.\n \nSubseries A. Industrial Brochures, 1951-1994, n.d. \nSubseries B. Trade Journals and Magazines, 1958-1990, n.d. \nSubseries C. Civic Ombudsman, 1967-1978, n.d. \nSubseries D. Environment, 1966-1985 \nSubseries E. Filed Clippings, 1963-1991 \nSubseries F. Community Involvement, 1927-1990, n.d. \nSubseries G. Parsons Reading Files, 1961-1969, n.d. \nSubseries H. Financial Reports of Other Companies, 1950-1985 \nSubseries I. Traverse City, 1943-1995, n.d. \nSubseries J. John T. Parsons Personal Records, 1931-1996, n.d. \nSubseries K. Correspondence, 1930-1997, n.d. \nSubseries L. Swedish Affairs, 1916, 1938-1983, 1996 \nSubseries M. Music, 1950, 1964, 1971-1982 \nSubseries N. General, 1910-1994, n.d. \nSubseries O. Society of Manufacturing Engineers, 1972-1996 \nSubseries P. Ferris and State Jobs, 1961-1990, n.d.\n \nSeries X.  Division 10: Posters, Drawings, and Artifacts, 1947-1948, 1958-1978, 1984, 1990-1992, n.d."],"bioghist_html_tesm":["\u003cp\u003eJohn T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes. \u003c/p\u003e\n","\u003cp\u003eParsons produced bombs and land mines for U.S. government during World War II. He conceived a machine tool for automatically producing aircraft structural shapes from punch card/tape input (1946); executed a contract to produce the world's first numerical control milling machine (1949) and monitored design and completion of the machine (1950-1952). Parsons also originated an aircraft operation that became the world's largest designer, producer, and overhauler of helicopter rotor blades and built the first all-composite airplane for the Office of Naval Research. He created many other processes involving computer applications to manufacturing and received approximately fifty U.S. patents in the fields of numerical control, marine propellers, foundry systems, and data acquisition manufacturing methods. \u003c/p\u003e\n","\u003cp\u003eParsons served as president and owner of the Parsons Corporation of Traverse City, Michigan, Detroit, Michigan, and Stockton, California (1954-1968). He was then president and owner of the John T. Parsons Company, Traverse City, Michigan (1968-1986). \u003c/p\u003e\n","\u003cp\u003eAmong his numerous awards, Parsons was the first recipient of the Numerical Control Society's Joseph Marie Jacquard Award as the Father of Numerical Control (1968), a recipient of the Society of Manufacturing Engineers Engineering Citation as the person whose brilliant conceptualization of numerical control marked the beginning of the second industrial revolution (1975), recipient of the National Medal of Technology (1985), and recipient of the National Tooling and Machining Association's Distinguished Service Award (1987). \u003c/p\u003e\n","\u003cp\u003eHe died in Traverse City, Michigan at the age of 93.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["John T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes. ","Parsons produced bombs and land mines for U.S. government during World War II. He conceived a machine tool for automatically producing aircraft structural shapes from punch card/tape input (1946); executed a contract to produce the world's first numerical control milling machine (1949) and monitored design and completion of the machine (1950-1952). Parsons also originated an aircraft operation that became the world's largest designer, producer, and overhauler of helicopter rotor blades and built the first all-composite airplane for the Office of Naval Research. He created many other processes involving computer applications to manufacturing and received approximately fifty U.S. patents in the fields of numerical control, marine propellers, foundry systems, and data acquisition manufacturing methods. ","Parsons served as president and owner of the Parsons Corporation of Traverse City, Michigan, Detroit, Michigan, and Stockton, California (1954-1968). He was then president and owner of the John T. Parsons Company, Traverse City, Michigan (1968-1986). ","Among his numerous awards, Parsons was the first recipient of the Numerical Control Society's Joseph Marie Jacquard Award as the Father of Numerical Control (1968), a recipient of the Society of Manufacturing Engineers Engineering Citation as the person whose brilliant conceptualization of numerical control marked the beginning of the second industrial revolution (1975), recipient of the National Medal of Technology (1985), and recipient of the National Tooling and Machining Association's Distinguished Service Award (1987). ","He died in Traverse City, Michigan at the age of 93."],"odd_html_tesm":["\u003cp\u003eThe guide to the John T. Parsons Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the John T. Parsons Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], John T. Parsons Papers, Ms1987-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], John T. Parsons Papers, Ms1987-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John T. Parsons Papers was completed in September 2023, as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003eNational Historical Publications and Records Commission (NHPRC)\u003c/a\u003e.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John T. Parsons Papers was completed in September 2023, as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the  National Historical Publications and Records Commission (NHPRC) ."],"scopecontent_html_tesm":["\u003cp\u003eThe John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003eSpur, Günter. \u003ctitle render=\"italic\"\u003eProduktionstechnisches Zentrum Berlin : Institut für Werkzeugmaschinen und Fertigungstechnik der TU Berlin (IWF) : Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik (IPK)\u003c/title\u003e. Berlin:  Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik, Berlin, 1989. (Includes inscription in German to John T. Parsons.)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTransactions of the North American Manufacturing Research Institution of SME 1990.\u003c/title\u003e Dearborn, Mich.:  Society of Manufacturing Engineers, North American Manufacturing Research Institute of SME, 1990. (Inscribed \"John T. Parsons\".)\u003c/p\u003e\n","\u003cp\u003eInterlochen Center for the Arts. \u003ctitle render=\"italic\"\u003eAlumni directory 1995.\u003c/title\u003e Produced for Interlochen Center for the Arts by Publishing Concepts Incorporated, The Clancy Way. (John T. Parsons's wife Elizabeth is listed as an alumni.)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eDesign, control and analysis of manufacturing systems : proceedings of the 27th CIRP International Seminar on Manufacturing Systems, May 21-23, 1995, Ann Arbor, Michigan, USA.\u003c/title\u003e (Inscribed \"]John T. Parsons] was keynote speaker\".)\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003e Metalworking : yesterday and tomorrow : the 100th anniversary issue of American machinist / by the editors of American machinist.\u003c/title\u003e New York : American machinist, [1978]. (Includes profile on John T. Parsons.) (Call number: TS205 .M469 Spec Large Copy 2)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Book Collection:","Spur, Günter.  Produktionstechnisches Zentrum Berlin : Institut für Werkzeugmaschinen und Fertigungstechnik der TU Berlin (IWF) : Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik (IPK) . Berlin:  Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik, Berlin, 1989. (Includes inscription in German to John T. Parsons.)","Transactions of the North American Manufacturing Research Institution of SME 1990.  Dearborn, Mich.:  Society of Manufacturing Engineers, North American Manufacturing Research Institute of SME, 1990. (Inscribed \"John T. Parsons\".)","Interlochen Center for the Arts.  Alumni directory 1995.  Produced for Interlochen Center for the Arts by Publishing Concepts Incorporated, The Clancy Way. (John T. Parsons's wife Elizabeth is listed as an alumni.)","Design, control and analysis of manufacturing systems : proceedings of the 27th CIRP International Seminar on Manufacturing Systems, May 21-23, 1995, Ann Arbor, Michigan, USA.  (Inscribed \"]John T. Parsons] was keynote speaker\".)"," Metalworking : yesterday and tomorrow : the 100th anniversary issue of American machinist / by the editors of American machinist.  New York : American machinist, [1978]. (Includes profile on John T. Parsons.) (Call number: TS205 .M469 Spec Large Copy 2)"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9cf888f6d300eb29a4387b120cb9e3d4\" label=\"Abstract\"\u003eJohn T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes. The John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials.\u003c/abstract\u003e"],"abstract_tesim":["John T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes. The John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_99912e8d0360aebe60f12758e0b420e4\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and Universtiy Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and Universtiy Archives for more information."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Parsons, John T., 1913-2007"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Parsons, John T., 1913-2007"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11294,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:30:11.262Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1459_c05_c02_c71"}},{"id":"viu_repositories_7_resources_157_c01_c10","type":"Item","attributes":{"title":"1-10 Brain shown in relation to the surface lines on the scalp,","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c10","ref_ssm":["viu_repositories_7_resources_157_c01_c10"],"id":"viu_repositories_7_resources_157_c01_c10","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,","1-10 Brain shown in relation to the surface lines on the scalp,","box 1","folder 10"],"title_filing_ssi":"1-10 Brain shown in relation to the surface lines on the scalp,","title_ssm":["1-10 Brain shown in relation to the surface lines on the scalp,"],"title_tesim":["1-10 Brain shown in relation to the surface lines on the scalp,"],"unitdate_inclusive_ssm":["circa 1920-1950"],"normalized_date_ssm":["1920/1950"],"normalized_title_ssm":["1-10 Brain shown in relation to the surface lines on the scalp,"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":11,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. 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Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. 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The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. 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Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. 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The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). 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Lankes Collection","Box 10 (Printing Blocks)","1111 - OLD HOUSE, NORFOLK, cut on end grain maple","box 10","Item 1111","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition"],"title_filing_ssi":"1111 - OLD HOUSE, NORFOLK, cut on end grain maple","title_ssm":["1111 - OLD HOUSE, NORFOLK, cut on end grain maple"],"title_tesim":["1111 - OLD HOUSE, NORFOLK, cut on end grain maple"],"unitdate_inclusive_ssm":["March 1, 1949"],"normalized_date_ssm":["1949"],"normalized_title_ssm":["1111 - OLD HOUSE, NORFOLK, cut on end grain maple"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":319,"parent_access_restrict_tesm":["Collection is open to all researchers. 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