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Abraham Anson passed away May 29, 2005."],"prefercite_html_tesm":["\u003cp\u003eAbraham Anson papers, C0069, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Abraham Anson papers, C0069, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in January 2018. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_rice#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_rice","ead_ssi":"vifgm_rice","_root_":"vifgm_rice","_nest_parent_":"vifgm_rice","ead_source_url_ssi":"data/gmu/rice.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/rice.html","title_ssm":["Adams T. Rice papers"],"title_tesim":["Adams T. Rice papers"],"unitdate_ssm":["1922-1960"],"unitdate_other_ssim":["1922-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0238"],"text":["C0238","Adams T. Rice papers","Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks.","There are no access restrictions.","The collection is arranged alphabetically by folder title.","Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-","English\n\t\t"],"unitid_tesim":["C0238"],"normalized_title_ssm":["Adams T. Rice papers"],"collection_title_tesim":["Adams T. 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Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.\u003c/p\u003e","\u003cp\u003eIn the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. 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Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays."],"prefercite_html_tesm":["\u003cp\u003eThe Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Adams T. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Adams T. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_359#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_359","ead_ssi":"vifgm_repositories_2_resources_359","_root_":"vifgm_repositories_2_resources_359","_nest_parent_":"vifgm_repositories_2_resources_359","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_359.xml","title_ssm":["Adams T. Rice papers"],"title_tesim":["Adams T. 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He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. 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Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_efd0b3341aecb07369dde0fb21a7a439\" label=\"Summary\"\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Rice, Adams T., 1892-","Bonstelle, Jessie"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:26:58.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_359","ead_ssi":"vifgm_repositories_2_resources_359","_root_":"vifgm_repositories_2_resources_359","_nest_parent_":"vifgm_repositories_2_resources_359","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_359.xml","title_ssm":["Adams T. Rice papers"],"title_tesim":["Adams T. Rice papers"],"unitdate_ssm":["1922-1960"],"unitdate_inclusive_ssm":["1922-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0238","/repositories/2/resources/359"],"text":["C0238","/repositories/2/resources/359","Adams T. Rice papers","Actors -- United States","Children's theater","New Deal, 1933-1939","Performing arts","Theater -- United States","Scrapbooks","There are no access restrictions.","The collection is arranged alphabetically by folder title.","Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie","English \n.    "],"unitid_tesim":["C0238","/repositories/2/resources/359"],"normalized_title_ssm":["Adams T. Rice papers"],"collection_title_tesim":["Adams T. Rice papers"],"collection_ssim":["Adams T. Rice papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rice, Adams T., 1892-"],"creator_ssim":["Rice, Adams T., 1892-"],"creator_persname_ssim":["Rice, Adams T., 1892-"],"creators_ssim":["Rice, Adams T., 1892-"],"access_terms_ssm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Adams T. Rice's daughter Olivia Hudson on October 11, 1979."],"access_subjects_ssim":["Actors -- United States","Children's theater","New Deal, 1933-1939","Performing arts","Theater -- United States","Scrapbooks"],"access_subjects_ssm":["Actors -- United States","Children's theater","New Deal, 1933-1939","Performing arts","Theater -- United States","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet (3 boxes)"],"extent_tesim":["2 Linear Feet (3 boxes)"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eAdams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.\u003c/p\u003e\n","\u003cp\u003eIn the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays."],"prefercite_html_tesm":["\u003cp\u003eThe Adams T. Rice papers, C0238, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Adams T. Rice papers, C0238, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/p\u003e\n","\u003cp\u003eMaterial related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n","\u003cp\u003ePermission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_efd0b3341aecb07369dde0fb21a7a439\" label=\"Summary\"\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Rice, Adams T., 1892-","Bonstelle, Jessie"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:26:58.476Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_359"}},{"id":"vifgm_haight","type":"collection","attributes":{"title":"Alexander Haight family collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#creator","type":"document_value","attributes":{"value":"Alexander Haight\n","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_haight#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_haight","ead_ssi":"vifgm_haight","_root_":"vifgm_haight","_nest_parent_":"vifgm_haight","ead_source_url_ssi":"data/gmu/haight.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/haight.html","title_ssm":["Alexander Haight family collection\n"],"title_tesim":["Alexander Haight family collection\n"],"unitdate_ssm":["1764-1977\n"],"unitdate_inclusive_ssm":["1764-1977\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159\n"],"text":["C0159\n","Alexander Haight family collection","Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes.","Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n","Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","George Mason University.  Special Collections and Archives.\n","Alexander Haight\n","English\n"],"unitid_tesim":["C0159\n"],"normalized_title_ssm":["Alexander Haight family collection"],"collection_title_tesim":["Alexander Haight family collection"],"collection_ssim":["Alexander Haight family collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Alexander Haight\n"],"creator_ssim":["Alexander Haight\n"],"creator_persname_ssim":["Alexander Haight\n"],"creators_ssim":["Alexander Haight\n"],"acqinfo_ssim":["Collection donated by Alexander Levi Haight in 1978.\n"],"access_subjects_ssim":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"access_subjects_ssm":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet (19 boxes and 12 unboxed objects)"],"extent_tesim":["13 linear feet (19 boxes and 12 unboxed objects)"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series by subject with each series organized alphabetically by title.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1863-1920 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printed Material, 1884-1900 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Oversize, 1863-1966 (Box 9)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n"],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.\u003c/p\u003e","\u003cp\u003eThe effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.\u003c/p\u003e","\u003cp\u003eMany of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n\u003c/p\u003e","\u003cp\u003eAlexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n\u003c/p\u003e","\u003cp\u003eSeries 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n\u003c/p\u003e","\u003cp\u003eSeries 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n\u003c/p\u003e","\u003cp\u003eSeries 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n\u003c/p\u003e","\u003cp\u003eSeries 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n\u003c/p\u003e","\u003cp\u003eSeries 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n\u003c/p\u003e","\u003cp\u003eSeries 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n\u003c/p\u003e","\u003cp\u003eSeries 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Alexander Haight\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Alexander Haight\n"],"language_ssim":["English\n"],"total_component_count_is":531,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_haight","ead_ssi":"vifgm_haight","_root_":"vifgm_haight","_nest_parent_":"vifgm_haight","ead_source_url_ssi":"data/gmu/haight.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/haight.html","title_ssm":["Alexander Haight family collection\n"],"title_tesim":["Alexander Haight family collection\n"],"unitdate_ssm":["1764-1977\n"],"unitdate_inclusive_ssm":["1764-1977\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159\n"],"text":["C0159\n","Alexander Haight family collection","Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes.","Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n","Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n","This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","George Mason University.  Special Collections and Archives.\n","Alexander Haight\n","English\n"],"unitid_tesim":["C0159\n"],"normalized_title_ssm":["Alexander Haight family collection"],"collection_title_tesim":["Alexander Haight family collection"],"collection_ssim":["Alexander Haight family collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Alexander Haight\n"],"creator_ssim":["Alexander Haight\n"],"creator_persname_ssim":["Alexander Haight\n"],"creators_ssim":["Alexander Haight\n"],"acqinfo_ssim":["Collection donated by Alexander Levi Haight in 1978.\n"],"access_subjects_ssim":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"access_subjects_ssm":["Daguerreotypes.","Negatives.","Photographic prints.","Reproductions.","Tintypes."],"has_online_content_ssim":["false"],"extent_ssm":["13 linear feet (19 boxes and 12 unboxed objects)"],"extent_tesim":["13 linear feet (19 boxes and 12 unboxed objects)"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series by subject with each series organized alphabetically by title.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1863-1920 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printed Material, 1884-1900 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Oversize, 1863-1966 (Box 9)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into eight series by subject with each series organized alphabetically by title.\n","Series 1: Correspondence, 1838-1901; 1918-1920; 1974 (Box 1)\n Series 2: Legal and Financial Documents, 1813; 1843-1918 (Box 2)\n Series 3: Photographs, circa 1863-1920 (Box 3)\n Series 4: Civil War Documents and Currency, 1861-1865 (Box 4)\n Series 5: Printed Material, 1884-1900 (Box 5)\n Series 6: Miscellaneous Documents, 1764-1976 (Boxes 6-8)\n Series 7: Oversize, 1863-1966 (Box 9)\n Series 8: Objects, 1860s (Boxes 10-19 and Unboxed Objects)\n"],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.\u003c/p\u003e","\u003cp\u003eThe effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.\u003c/p\u003e","\u003cp\u003eMany of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n\u003c/p\u003e","\u003cp\u003eAlexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Alexander Haight (1822-1880), son of Amy C. Haight (1787-1863) and Jacob Haight (1782-1862), lived at Sully Plantation from 1842-1874. Quaker farmers from Dutchess County, New York, the Haights moved to Sully at the urging of Jacob, who delighted in the milder climate and extensive farm land, which they enhanced with lime and guano fertilizers. In 1845, Alexander married Phebe Sweet (1824-1898), and in 1851 they finished building their new home, \"Little Sully,\" on Haight property just south of the main Sully house.","The effects of the Civil War on daily life in Northern Virginia are evident from the personal letters and military documents that have been preserved. Phebe and her sister-in-law, Maria Haight Barlow, were left to defend their homes when Jacob and Alexander were forced to flee to Alexandria and Washington to avoid incoming Confederate troops who suspected the Haights of being Union sympathizers. The Haights did, in fact, support the Union, and toward the end of the war Alexander Haight joined the Union Army.","Many of the documents in this collection indicate something of the precarious position in which the Haights were caught during the Civil War. These include receipts for provisions supplied by the Haight farm to both the Union and Confederate armies; a letter from Union Major General Julius Stahel attesting to the good standing of Alexander Haight and ordering the protection of his property by Union troops; and a court memorandum offering the transport of Alexander Haight to and from his trial over the confiscation of property during the war.\n","Alexander Levi Haight (1891-1981), the eponymous donor of this collection, was the son of Henry Clement Haight (1859-1936) and Emma Jane Young (1858-1939) and grandson of Alexander and Phebe Haight of the Civil War period."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n\u003c/p\u003e","\u003cp\u003eSeries 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n\u003c/p\u003e","\u003cp\u003eSeries 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n\u003c/p\u003e","\u003cp\u003eSeries 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n\u003c/p\u003e","\u003cp\u003eSeries 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n\u003c/p\u003e","\u003cp\u003eSeries 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n\u003c/p\u003e","\u003cp\u003eSeries 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n\u003c/p\u003e","\u003cp\u003eSeries 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n","Series 1, Correspondence, contains letters to and from members of the Haight family and their friends. Haight family members represented in this series include George, Helen, Henry, Margaret, and Phebe. Some of the letters refer to the California Gold Rush in which Alexander Haight's brother-in-law, George Sweet (1821-1898), participated as a \"49er\". Other letters refer to the Civil War in which Henry C. Haight's father-in-law, John M. Young (1831-1864), fought under the Union Army.\n","Series 2, Legal and Financial Documents, contains personal legal and financial records of the Haight family, including deeds, receipts, contracts, and documents from the Fairfax County Court House. Specific items include court orders from 1852-1853 appointing Alexander Haight as \"surveyor of the county road\"; an 1864 letter from Virginia District Judge John C. Underwood on a forthcoming war-time property-confiscation trial of Alexander Haight; bank receipts of Elizabeth Haight from 1914-1919; deeds of gift from George Haight, 1895-1903; correspondence from March of 1884 regarding damage claims by Phebe Haight from the West and Sisson railroad company for damaged packages of butter; and a  financial accounting record of farm land sold to Samuel Titus and Nehemiah Sweet, dated January 16, 1843.\n","Series 3, Photographs, contains around twenty original photographs and reproductions belonging to the Haight family. Subjects include Alexander, Phebe, Elizabeth, George, and Helen Haight; Fairfax County Court House; Sully Plantation; Fairfax Station during the Civil War; Alexander Haight's prize horse; and Clio, a slave girl whom Phebe Haight kept at the Sully Plantation until 1862.\n","Series 4, Civil War Documents, contains various materials pertaining to the Civil War such as civilian passes, diary excerpts, and Confederate currency. Specific items include Civil War maps and photographs; an official order from General Jackson on the day of the Battle of Chantilly (Ox Hill) prohibiting the theft or destruction of private property; documents granting passage of Alexander Haight and company into and out of Virginia; a hand-written note from the Union Major General Julius Stahel to the Union Army, attesting to the good standing of Alexander Haight; receipts of Alexander Haight for Union and Confederate supplies given out during the war; and a typed manuscript detailing the Civil War experiences of the Sutton family in Fairfax, excerpted from the diaries of Charles and Phebe Sutton.\n","Series 5, Publications and Serials, contains seven illustrated monthly magazines and a book titled War Reminiscences by the Surgeon of Mosby's Command (1890). The magazines include issues of The Century, The Cosmopolitan, and McClure's.\n","Series 6, Miscellaneous, contains miscellaneous printed materials, notes, and facsimiles. Materials include old business cards; brochures on local history; a newspaper facsimile (circa 1975) on old Fairfax families, the Haights and Milans; a scrap book of old newsclippings; and a ledger full of accounting records dating from before the Revolutionary War.\n","Series 7, Oversize, includes Confederate bonds; a centennial print of the Declaration of Independence; and newspapers chronicling the sinking of the Titanic, the election of Franklin Roosevelt, and other historical events.\n","Series 8, Objects, contains Civil War Artifacts as well as ancient American Indian arrowheads and tools. The Civil War artifacts include three muskets, ammunition, a sword with scabbard, two bayonets, a cavalry bridle, and a hand-made crutch.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials of the Haight family, who have lived in Northern Virginia since the 1840s, and who owned Sully Plantation during the Civil War. Materials include correspondence, household financial records, photographs, Civil War documents, and artifacts. The artifacts in the collection consist of American Indian arrowheads and Civil War relics. Most of the materials date from the mid to late 19th century and the early 20th century, but the collection also includes a ledger dating from before the American Revolution and a few items dating from after the First World War. \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Alexander Haight\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["Alexander Haight\n"],"language_ssim":["English\n"],"total_component_count_is":531,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:50:06.728Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_haight"}},{"id":"vifgm_repositories_2_resources_92","type":"collection","attributes":{"title":"Alexander Haight family collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92#creator","type":"document_value","attributes":{"value":"Haight, Alexander Levi, 1891-1981","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92#abstract_or_scope","type":"document_value","attributes":{"value":"The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_92","ead_ssi":"vifgm_repositories_2_resources_92","_root_":"vifgm_repositories_2_resources_92","_nest_parent_":"vifgm_repositories_2_resources_92","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_92.xml","title_filing_ssi":"Alexander Haight family collection","title_ssm":["Alexander Haight family collection"],"title_tesim":["Alexander Haight family collection"],"unitdate_ssm":["circa 1764-1976"],"unitdate_inclusive_ssm":["circa 1764-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159","/repositories/2/resources/92"],"text":["C0159","/repositories/2/resources/92","Alexander Haight family collection","United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America","Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers","There are no access restrictions.","Digitized selections from this collection appear in the   Sesquicentennial Civil War Documents Project   hosted on Mason Archival Repository Service (MARS).","The collection is arranged into three series.","Series Series 1: Correspondence Series 2: Legal and financial documents Series 3: Photographs and ephemera","Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia . 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership.","Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.","The Special Collections Research Center holds other collections related to the history of  Fairfax County  and  Northern Virginia , such as the  Randolph H. Lytton historical Virginia collection .","The Special Collections Research Center also holds other collections related to the  Civil War , such as the  William Darke Briscoe Civil War diaries collection , and  World War I , including the  Diary of World War I Red Cross Canteen worker Florence Bishop .","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","All materials created up to 1928 are in the public domain.","The following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.","R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2","George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","English"],"unitid_tesim":["C0159","/repositories/2/resources/92"],"normalized_title_ssm":["Alexander Haight family collection"],"collection_title_tesim":["Alexander Haight family collection"],"collection_ssim":["Alexander Haight family collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"creator_ssm":["Haight, Alexander Levi, 1891-1981"],"creator_ssim":["Haight, Alexander Levi, 1891-1981"],"creator_persname_ssim":["Haight, Alexander Levi, 1891-1981"],"creators_ssim":["Haight, Alexander Levi, 1891-1981"],"places_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"access_terms_ssm":["All materials created up to 1928 are in the public domain.","The following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Alexander Levi Haight in 1978."],"access_subjects_ssim":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"access_subjects_ssm":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 7 boxes, 1 map case"],"extent_tesim":["7 Linear Feet 7 boxes, 1 map case"],"genreform_ssim":["Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized selections from this collection appear in the \u003ca href=\"http://mars.gmu.edu/handle/1920/6210\"\u003e Sesquicentennial Civil War Documents Project \u003c/a\u003e hosted on Mason Archival Repository Service (MARS).\u003c/p\u003e"],"altformavail_heading_ssm":["Alternate Form Available"],"altformavail_tesim":["Digitized selections from this collection appear in the   Sesquicentennial Civil War Documents Project   hosted on Mason Archival Repository Service (MARS)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Legal and financial documents\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs and ephemera\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series.","Series Series 1: Correspondence Series 2: Legal and financial documents Series 3: Photographs and ephemera"],"bibliography_html_tesm":["\u003cp\u003eFairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026amp;oldid=1301635745#Chain_of_ownership.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia . 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership."],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.\u003c/p\u003e\n","\u003cp\u003eDespite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.\u003c/p\u003e\n","\u003cp\u003eIn 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Alexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e","\u003cp\u003eCollection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to the history of \u003ca href=\"https://aspace.gmu.edu/subjects/n79043615\"\u003eFairfax County\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/1619\"\u003eNorthern Virginia\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0311\"\u003eRandolph H. Lytton historical Virginia collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Special Collections Research Center also holds other collections related to the \u003ca href=\"https://aspace.gmu.edu/subjects/sh85140205\"\u003eCivil War\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0239\"\u003eWilliam Darke Briscoe Civil War diaries collection\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148236\"\u003eWorld War I\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0393\"\u003eDiary of World War I Red Cross Canteen worker Florence Bishop\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to the history of  Fairfax County  and  Northern Virginia , such as the  Randolph H. Lytton historical Virginia collection .","The Special Collections Research Center also holds other collections related to the  Civil War , such as the  William Darke Briscoe Civil War diaries collection , and  World War I , including the  Diary of World War I Red Cross Canteen worker Florence Bishop ."],"scopecontent_html_tesm":["\u003cp\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function."],"userestrict_html_tesm":["\u003cp\u003eAll materials created up to 1928 are in the public domain.\u003c/p\u003e\n","\u003cp\u003eThe following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["All materials created up to 1928 are in the public domain.","The following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_1a9c21db7465505ff5fd6fb4dd32382c\"\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.\u003c/abstract\u003e"],"abstract_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cca8c73795be2609e42bfc24f7715bf9\"\u003eR 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2\u003c/physloc\u003e"],"physloc_tesim":["R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:24:24.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_92","ead_ssi":"vifgm_repositories_2_resources_92","_root_":"vifgm_repositories_2_resources_92","_nest_parent_":"vifgm_repositories_2_resources_92","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_92.xml","title_filing_ssi":"Alexander Haight family collection","title_ssm":["Alexander Haight family collection"],"title_tesim":["Alexander Haight family collection"],"unitdate_ssm":["circa 1764-1976"],"unitdate_inclusive_ssm":["circa 1764-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0159","/repositories/2/resources/92"],"text":["C0159","/repositories/2/resources/92","Alexander Haight family collection","United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America","Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers","There are no access restrictions.","Digitized selections from this collection appear in the   Sesquicentennial Civil War Documents Project   hosted on Mason Archival Repository Service (MARS).","The collection is arranged into three series.","Series Series 1: Correspondence Series 2: Legal and financial documents Series 3: Photographs and ephemera","Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia . 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership.","Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.","The Special Collections Research Center holds other collections related to the history of  Fairfax County  and  Northern Virginia , such as the  Randolph H. Lytton historical Virginia collection .","The Special Collections Research Center also holds other collections related to the  Civil War , such as the  William Darke Briscoe Civil War diaries collection , and  World War I , including the  Diary of World War I Red Cross Canteen worker Florence Bishop .","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.","All materials created up to 1928 are in the public domain.","The following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.","R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2","George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864","English"],"unitid_tesim":["C0159","/repositories/2/resources/92"],"normalized_title_ssm":["Alexander Haight family collection"],"collection_title_tesim":["Alexander Haight family collection"],"collection_ssim":["Alexander Haight family collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"creator_ssm":["Haight, Alexander Levi, 1891-1981"],"creator_ssim":["Haight, Alexander Levi, 1891-1981"],"creator_persname_ssim":["Haight, Alexander Levi, 1891-1981"],"creators_ssim":["Haight, Alexander Levi, 1891-1981"],"places_ssim":["United States -- History -- Civil War, 1861-1865","Sully Plantation","Northern Virginia","Virginia, Northern -- History","Fairfax County (Va.)","Fairfax County (Va.) -- History","Confederate States of America"],"access_terms_ssm":["All materials created up to 1928 are in the public domain.","The following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Alexander Levi Haight in 1978."],"access_subjects_ssim":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"access_subjects_ssm":["Daguerreotype","Photography -- Negatives","World War, 1914-1918","Paper money","Account books","Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 7 boxes, 1 map case"],"extent_tesim":["7 Linear Feet 7 boxes, 1 map case"],"genreform_ssim":["Photographic prints","Reproductions","Tintypes","Correspondence","Photographs","Newspapers"],"date_range_isim":[1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized selections from this collection appear in the \u003ca href=\"http://mars.gmu.edu/handle/1920/6210\"\u003e Sesquicentennial Civil War Documents Project \u003c/a\u003e hosted on Mason Archival Repository Service (MARS).\u003c/p\u003e"],"altformavail_heading_ssm":["Alternate Form Available"],"altformavail_tesim":["Digitized selections from this collection appear in the   Sesquicentennial Civil War Documents Project   hosted on Mason Archival Repository Service (MARS)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Legal and financial documents\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs and ephemera\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series.","Series Series 1: Correspondence Series 2: Legal and financial documents Series 3: Photographs and ephemera"],"bibliography_html_tesm":["\u003cp\u003eFairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.\u003c/p\u003e\n","\u003cp\u003eFind a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026amp;oldid=1301635745#Chain_of_ownership.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Fairfax County: Park Authority. n.d. \"Sully Historic Site History.\" Accessed November 12, 2025. https://www.fairfaxcounty.gov/parks/sully-historic-site/site-history.","Find a Grave. n.d.-a. \"Alexander Haight (1822-1880).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313800/alexander-haight.","Find a Grave. n.d.-b. \"Alexander Levi Haight (1891-1981).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313806/alexander_levi-haight.","Find a Grave. n.d.-c. \"Emma Jane Young Haight (1858-1939).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313803/emma_jane-haight.","Find a Grave. n.d.-d. \"Henry Clement Haight (1859-1936).\" Accessed November 12, 2025. https://www.findagrave.com/memorial/29313802/henry_clement-haight.","Wikipedia . 2025. \"Sully Historic Site.\" July 20. https://en.wikipedia.org/w/index.php?title=Sully_Historic_Site\u0026oldid=1301635745#Chain_of_ownership."],"bioghist_html_tesm":["\u003cp\u003eAlexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.\u003c/p\u003e\n","\u003cp\u003eDespite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.\u003c/p\u003e\n","\u003cp\u003eIn 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alexander Haight was born on February 8, 1822 in Dutchess County, New York to Quaker farmers Jacob (1782-1862) and Amy Clement Haight (1787-1863). In 1842, Jacob and Amy purchased the property known as Sully Plantation in Chantilly, Virginia, which was built by Richard Bland Lee between 1787-1794, and soon after invited Alexander to leave New York and help with the running of the property in Virginia. After moving to Sully, Alexander married Pheobe (also spelled \"Phebe\") Sweet (1824-1898) in 1845 and finished construction of their new home, known as \"Little Sully,\" in 1851. The couple would go on to have four children. Eldest daughter Margaret Amy (also known as Maggie) was born in 1848 and married Thomas W. Lee in 1873, Stephen Sweet was born in 1857 and married Henrietta Lucas in 1891, Henry Clement was born in 1859, and youngest George Alexander was born in 1867.","Despite belonging to the Quaker faith (also known as The Religious Society of Friends), whose members actively fought for abolition, records indicate that the Haight family used enslaved labor during their time at Sully. Ownership of the property remained in the Haight family, although transferring formally to Alexander's sister Maria and her husband James Barlow in 1852, and remained so throughout the Civil War, during which both Union and Confederate soldiers crossed the property. In 1869, the family sold Sully to Stephen Shear, but most members of Alexander and Phoebe's branch of the Haight family remained in and around Fairfax County.","In 1886, Jacob and Amy's son Henry Clement married Emma Jane Young, daughter of Union Soldier John M. Young (1831-1865), and the couple would go on to have four children of their own: Helen Hill (1887-1977), Elizabeth Barlow [later Hamill] (1889-1974), Mary [later Millan] (1890–1964), and Alexander Levi (1891-1981)."],"prefercite_html_tesm":["\u003cp\u003eAlexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Alexander Haight family collection, C0159, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e","\u003cp\u003eCollection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. Finding aid updated by Amanda Brent in April 2022.","Collection reprocessed by Meghan Glasbrenner from February-October 2025. Finding aid updated by Meghan Glasbrenner from October-November 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to the history of \u003ca href=\"https://aspace.gmu.edu/subjects/n79043615\"\u003eFairfax County\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/1619\"\u003eNorthern Virginia\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0311\"\u003eRandolph H. Lytton historical Virginia collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Special Collections Research Center also holds other collections related to the \u003ca href=\"https://aspace.gmu.edu/subjects/sh85140205\"\u003eCivil War\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0239\"\u003eWilliam Darke Briscoe Civil War diaries collection\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148236\"\u003eWorld War I\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0393\"\u003eDiary of World War I Red Cross Canteen worker Florence Bishop\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to the history of  Fairfax County  and  Northern Virginia , such as the  Randolph H. Lytton historical Virginia collection .","The Special Collections Research Center also holds other collections related to the  Civil War , such as the  William Darke Briscoe Civil War diaries collection , and  World War I , including the  Diary of World War I Red Cross Canteen worker Florence Bishop ."],"scopecontent_html_tesm":["\u003cp\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I. The collection contains 3 series.","Series 1: Correspondence (1838-1920) includes sent and received personal and professional correspondence, including letters, cards, and postcards. The bulk of the correspondence represents personal communications between members of the Haight family, both with each other and with family friends, including a number of letters sent by Helen Hill Haight during her time volunteering with the American Red Cross during World War I. Additional correspondence includes communications concerning business matters, such as correspondence to and from legal representatives, and a mix of original and reproduction copy letters sent by Union soldier John M. Young during the Civil War. This series is arranged alphabetically by non-Haight correspondent last name. In cases where a member of the Haight family sent a letter to another Haight, and both are already represented elsewhere in the series, letters are arranged alphabetically by the name of the recipient.","Series 2: Legal and financial documents (circa 1764-1948) includes personal and professional legal and financial records, most connected to members of the Haight family, including account ledgers, bank, registered letter, and tax receipts, formal and informal contracts and agreements, and other legal documents created by organizations within Fairfax County. Additional documents include Union Army passes issued to Alexander Haight during the Civil War, Alexander Levi Haight's Fairfax County draft classification card issued during World War I, a New York court summons for Stephen Sweet Haight, a California gold dig payment issued to George Sweet (brother of Phoebe Haight), currency notes, including Confederate paper money, and military orders issued during the Civil War. This series is arranged alphabetically either by last name of the subject or creator of the document or by title of the document.","Series 3: Photographs and ephemera (circa 1850s-1976) includes photographs, personal records, mementoes, and general ephemera created or collected by members of the Haight family. It is further divided into two subseries. Sub-series 1: Photographs (circa 1850s-1960s) includes original and reproduction photographic prints, including daguerreotypes and tintypes, with subjects including Sully Plantation, formal and informal portraits of members of the Haight family, Alexander Haight's prize horse, a portrait of a girl enslaved on Sully Plantation identified as Clio, and various locations and individuals in and around Fairfax County. Items are arranged chronologically by year of creation. Sub-series 2: Records and ephemera (circa 1862-1976) includes personal records and mementoes including programs, booklets, newspapers and clippings, poems, manuscripts, postcards, scrapbooks, and general ephemera items. Items are arranged chronologically by year of creation and grouped by material type or function."],"userestrict_html_tesm":["\u003cp\u003eAll materials created up to 1928 are in the public domain.\u003c/p\u003e\n","\u003cp\u003eThe following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["All materials created up to 1928 are in the public domain.","The following statement applies to materials created from 1929 onward: The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_1a9c21db7465505ff5fd6fb4dd32382c\"\u003eThe Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I.\u003c/abstract\u003e"],"abstract_tesim":["The Alexander Haight family collection contains correspondence, legal and financial documents, account ledgers, photographs, and other materials created and collected by members of the Haight family of Fairfax County, Virginia, including during their time living and working on Sully Plantation, during and after the Civil War, and into the mid-20th century, including during World War I."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cca8c73795be2609e42bfc24f7715bf9\"\u003eR 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2\u003c/physloc\u003e"],"physloc_tesim":["R 42, C 3, S 1-2\n\nR 42, C 4, S 1\n\nMap Case 27.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"persname_ssim":["Haight, Alexander Levi, 1891-1981","Haight, Alexander, 1822-1880","Haight, Elizabeth Barlow, 1889-1974","Haight, Emma Jane, 1858-1939","Haight, George Alexander, 1867-1920","Haight, Helen Hill, 1887-1977","Haight, Henry Clement, 1859-1936","Haight, Phoebe, 1824-1898","Haight, Stephen Sweet","Sweet, George, 1821-1898","Young, John M., 1832-1864"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:24:24.955Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_92"}},{"id":"vifgm_apic","type":"collection","attributes":{"title":"American Political Items Collectors collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_apic#creator","type":"document_value","attributes":{"value":"American Political Items Collectors","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_apic#abstract_or_scope","type":"document_value","attributes":{"value":"The American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988. This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots. Not only is it an extensive collection of presidential campaigns but it also houses historical magazines, newspapers, and many other manuscripts and books. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_apic#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_apic","ead_ssi":"vifgm_apic","_root_":"vifgm_apic","_nest_parent_":"vifgm_apic","ead_source_url_ssi":"data/gmu/apic.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/apic.html","title_ssm":["American Political Items Collectors collection\n"],"title_tesim":["American Political Items Collectors collection\n"],"unitdate_ssm":["1895-1988\n"],"unitdate_inclusive_ssm":["1895-1988\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0023\n"],"text":["C0023\n","American Political Items Collectors collection","Political campaigns--United States.","Watergate Affair, 1972-1974.","Organized into three series:","Series 1: Subject Files, 1895-1982 (Boxes 1-3) Series 2: Printed Material, 1932-1982 (Boxes 3-6) Series 3: Oversize Material, 1940-1988 (Boxes 7-8)","The American Political Items Collectors (APIC) is a non-profit membership organization that seeks to encourage and support the collection, study and preservation of original materials relating to political campaigns of the United States of America.  The APIC was founded in 1945 with the hope of promoting the heritage of the United States through the study of materials that cover political campaigns and the presidency.  \n","The American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it  also houses historical magazines, newspapers, and many other manuscripts and books.  The APIC collection is divided into three series for easy research and use.  The three series are: Subject Files, arranged alphabetically; Printed Material, arranged alphabetically; and Oversize Materials, separated into posters and newspapers arranged chronologically.  \n","The first series, Subject Files, ranges from 1895 to 1982.  It is composed of campaigning materials from presidential candidates such as Jimmy Carter, Hubert Humphrey,George McGovern, Richard Nixon and many more.  Included in this campaigning material are informational pamphlets, stickers and stamps.  The inaugural events and invitations to John F. Kennedy and Lyndon B. Johnson's inaugural celebration are included here as well as a copy of the Watergate Transcript.  The historic voting ballots of 1936 which elected Franklin D. Roosevelt president are in this collection as well.  Also in the Subject Files is a collection of magazines such as \"Time\" and \"Life\" from 1960-1967 that cover the life and death of President John F. Kennedy.  Lyndon B. Johnson's photography book entitled \"This America\" is also included here.\n","The second series, Printed Material, is composed of magazines, newsletters and books dating from 1932 to 1982.  Included in this collection is the APIC newsletter, \"Keynoter,\" dating from 1967 to 1982, as well as the 1965 APIC \"Brummagem.\"  Also included are special 1976 magazine issues covering the 200-year anniversary of America.  Magazines included for these special anniversary issues are \"McCall's,\" \"Time,\" and \"Newsweek.\"  Also provided in the Printed Materials series are handbooks, pamphlets, admission tickets and official proceeding booklets of the Democratic National Convention from the years 1964 to 1976.  Other printed material included in this collection are copies of  \"Political Intelligence\" newsletter, \"The Capitol,\" and \"The Standard.\"  \n","The third series in the APIC collection, Oversize Material, is composed of posters, newspapers, photographs, political buttons and a Presidential Fact Finder Wheel artifact.  Posters date from as early as 1940 up to as late as 1980.  Some highlights in the poster collection include posters of Ronald Reagan and George Bush, Jimmy Carter and Walter Mondale, Richard Nixon, Andrew Pulley and Matilde Zimmerman of the Socialist Workers Party, and Henry Wallace.  The newspaper collection contains articles from 1961 to 1981 and is composed of the \"Washington Post,\" \"Washington Star,\" \"Washington Daily News,\" and the \"New York Times.\"  Important subjects of these newspapers range from President John F. Kennedy's assassination and internment as well as the marriage of Chuck Robb and Lynda Bird Johnson.  Other highlights are the 100 year anniversary of the Battle of Gettysburg and the inauguration coverage of Jimmy Carter and Ronald Reagan. There are also three large format photographs from the 1988 Democratic National Convention and the 1988 Republican National Convention.  The photographs are of Michael Dukakis' acceptance speech, Beryl Ann Bentson, Lloyd Bentson, Michael Dukakis, and Kitty Dukakis together on the stage, Senator Paul Simon speaking to reporters, Jesse Jackson, Pat Robertson, and Jerry Falwell.  The three political buttons feature \"Vote Communist for a free, happy, prosperous America\", \"Ollie for President!\", and \"Bush, Quayle '88\".\n","The American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it also houses historical magazines, newspapers, and many other manuscripts and books.\n","George Mason University.  Special Collections and Archives\n","American Political Items Collectors","Kennedy, John F. (John Fitzgerald), 1917-1963.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973.","English\n"],"unitid_tesim":["C0023\n"],"normalized_title_ssm":["American Political Items Collectors collection"],"collection_title_tesim":["American Political Items Collectors collection"],"collection_ssim":["American Political Items Collectors collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["American Political Items Collectors"],"creator_ssim":["American Political Items Collectors"],"creator_corpname_ssim":["American Political Items Collectors"],"creators_ssim":["American Political Items Collectors"],"acqinfo_ssim":["This collection was donated by Richard Lyon and Robert Fratkin of APIC in 1981 and donated by Theodore Hake in 1982. Additional photographs donated by Mills Kelly in 2009.\n"],"access_subjects_ssim":["Political campaigns--United States.","Watergate Affair, 1972-1974."],"access_subjects_ssm":["Political campaigns--United States.","Watergate Affair, 1972-1974."],"has_online_content_ssim":["false"],"extent_ssm":["6 linear feet (8 boxes)"],"extent_tesim":["6 linear feet (8 boxes)"],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"arrangement_html_tesm":["\u003cp\u003eOrganized into three series:\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Subject Files, 1895-1982 (Boxes 1-3)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Printed Material, 1932-1982 (Boxes 3-6)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Oversize Material, 1940-1988 (Boxes 7-8)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into three series:","Series 1: Subject Files, 1895-1982 (Boxes 1-3) Series 2: Printed Material, 1932-1982 (Boxes 3-6) Series 3: Oversize Material, 1940-1988 (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eThe American Political Items Collectors (APIC) is a non-profit membership organization that seeks to encourage and support the collection, study and preservation of original materials relating to political campaigns of the United States of America.  The APIC was founded in 1945 with the hope of promoting the heritage of the United States through the study of materials that cover political campaigns and the presidency.  \n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["The American Political Items Collectors (APIC) is a non-profit membership organization that seeks to encourage and support the collection, study and preservation of original materials relating to political campaigns of the United States of America.  The APIC was founded in 1945 with the hope of promoting the heritage of the United States through the study of materials that cover political campaigns and the presidency.  \n"],"scopecontent_html_tesm":["\u003cp\u003eThe American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it  also houses historical magazines, newspapers, and many other manuscripts and books.  The APIC collection is divided into three series for easy research and use.  The three series are: Subject Files, arranged alphabetically; Printed Material, arranged alphabetically; and Oversize Materials, separated into posters and newspapers arranged chronologically.  \n\u003c/p\u003e","\u003cp\u003eThe first series, Subject Files, ranges from 1895 to 1982.  It is composed of campaigning materials from presidential candidates such as Jimmy Carter, Hubert Humphrey,George McGovern, Richard Nixon and many more.  Included in this campaigning material are informational pamphlets, stickers and stamps.  The inaugural events and invitations to John F. Kennedy and Lyndon B. Johnson's inaugural celebration are included here as well as a copy of the Watergate Transcript.  The historic voting ballots of 1936 which elected Franklin D. Roosevelt president are in this collection as well.  Also in the Subject Files is a collection of magazines such as \"Time\" and \"Life\" from 1960-1967 that cover the life and death of President John F. Kennedy.  Lyndon B. Johnson's photography book entitled \"This America\" is also included here.\n\u003c/p\u003e","\u003cp\u003eThe second series, Printed Material, is composed of magazines, newsletters and books dating from 1932 to 1982.  Included in this collection is the APIC newsletter, \"Keynoter,\" dating from 1967 to 1982, as well as the 1965 APIC \"Brummagem.\"  Also included are special 1976 magazine issues covering the 200-year anniversary of America.  Magazines included for these special anniversary issues are \"McCall's,\" \"Time,\" and \"Newsweek.\"  Also provided in the Printed Materials series are handbooks, pamphlets, admission tickets and official proceeding booklets of the Democratic National Convention from the years 1964 to 1976.  Other printed material included in this collection are copies of  \"Political Intelligence\" newsletter, \"The Capitol,\" and \"The Standard.\"  \n\u003c/p\u003e","\u003cp\u003eThe third series in the APIC collection, Oversize Material, is composed of posters, newspapers, photographs, political buttons and a Presidential Fact Finder Wheel artifact.  Posters date from as early as 1940 up to as late as 1980.  Some highlights in the poster collection include posters of Ronald Reagan and George Bush, Jimmy Carter and Walter Mondale, Richard Nixon, Andrew Pulley and Matilde Zimmerman of the Socialist Workers Party, and Henry Wallace.  The newspaper collection contains articles from 1961 to 1981 and is composed of the \"Washington Post,\" \"Washington Star,\" \"Washington Daily News,\" and the \"New York Times.\"  Important subjects of these newspapers range from President John F. Kennedy's assassination and internment as well as the marriage of Chuck Robb and Lynda Bird Johnson.  Other highlights are the 100 year anniversary of the Battle of Gettysburg and the inauguration coverage of Jimmy Carter and Ronald Reagan. There are also three large format photographs from the 1988 Democratic National Convention and the 1988 Republican National Convention.  The photographs are of Michael Dukakis' acceptance speech, Beryl Ann Bentson, Lloyd Bentson, Michael Dukakis, and Kitty Dukakis together on the stage, Senator Paul Simon speaking to reporters, Jesse Jackson, Pat Robertson, and Jerry Falwell.  The three political buttons feature \"Vote Communist for a free, happy, prosperous America\", \"Ollie for President!\", and \"Bush, Quayle '88\".\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it  also houses historical magazines, newspapers, and many other manuscripts and books.  The APIC collection is divided into three series for easy research and use.  The three series are: Subject Files, arranged alphabetically; Printed Material, arranged alphabetically; and Oversize Materials, separated into posters and newspapers arranged chronologically.  \n","The first series, Subject Files, ranges from 1895 to 1982.  It is composed of campaigning materials from presidential candidates such as Jimmy Carter, Hubert Humphrey,George McGovern, Richard Nixon and many more.  Included in this campaigning material are informational pamphlets, stickers and stamps.  The inaugural events and invitations to John F. Kennedy and Lyndon B. Johnson's inaugural celebration are included here as well as a copy of the Watergate Transcript.  The historic voting ballots of 1936 which elected Franklin D. Roosevelt president are in this collection as well.  Also in the Subject Files is a collection of magazines such as \"Time\" and \"Life\" from 1960-1967 that cover the life and death of President John F. Kennedy.  Lyndon B. Johnson's photography book entitled \"This America\" is also included here.\n","The second series, Printed Material, is composed of magazines, newsletters and books dating from 1932 to 1982.  Included in this collection is the APIC newsletter, \"Keynoter,\" dating from 1967 to 1982, as well as the 1965 APIC \"Brummagem.\"  Also included are special 1976 magazine issues covering the 200-year anniversary of America.  Magazines included for these special anniversary issues are \"McCall's,\" \"Time,\" and \"Newsweek.\"  Also provided in the Printed Materials series are handbooks, pamphlets, admission tickets and official proceeding booklets of the Democratic National Convention from the years 1964 to 1976.  Other printed material included in this collection are copies of  \"Political Intelligence\" newsletter, \"The Capitol,\" and \"The Standard.\"  \n","The third series in the APIC collection, Oversize Material, is composed of posters, newspapers, photographs, political buttons and a Presidential Fact Finder Wheel artifact.  Posters date from as early as 1940 up to as late as 1980.  Some highlights in the poster collection include posters of Ronald Reagan and George Bush, Jimmy Carter and Walter Mondale, Richard Nixon, Andrew Pulley and Matilde Zimmerman of the Socialist Workers Party, and Henry Wallace.  The newspaper collection contains articles from 1961 to 1981 and is composed of the \"Washington Post,\" \"Washington Star,\" \"Washington Daily News,\" and the \"New York Times.\"  Important subjects of these newspapers range from President John F. Kennedy's assassination and internment as well as the marriage of Chuck Robb and Lynda Bird Johnson.  Other highlights are the 100 year anniversary of the Battle of Gettysburg and the inauguration coverage of Jimmy Carter and Ronald Reagan. There are also three large format photographs from the 1988 Democratic National Convention and the 1988 Republican National Convention.  The photographs are of Michael Dukakis' acceptance speech, Beryl Ann Bentson, Lloyd Bentson, Michael Dukakis, and Kitty Dukakis together on the stage, Senator Paul Simon speaking to reporters, Jesse Jackson, Pat Robertson, and Jerry Falwell.  The three political buttons feature \"Vote Communist for a free, happy, prosperous America\", \"Ollie for President!\", and \"Bush, Quayle '88\".\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it also houses historical magazines, newspapers, and many other manuscripts and books.\n\u003c/abstract\u003e"],"abstract_tesim":["The American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it also houses historical magazines, newspapers, and many other manuscripts and books.\n"],"names_ssim":["George Mason University.  Special Collections and Archives\n","American Political Items Collectors","Kennedy, John F. (John Fitzgerald), 1917-1963.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973."],"corpname_ssim":["George Mason University.  Special Collections and Archives\n","American Political Items Collectors"],"persname_ssim":["Kennedy, John F. (John Fitzgerald), 1917-1963.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973."],"language_ssim":["English\n"],"total_component_count_is":100,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:49:04.653Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_apic","ead_ssi":"vifgm_apic","_root_":"vifgm_apic","_nest_parent_":"vifgm_apic","ead_source_url_ssi":"data/gmu/apic.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/apic.html","title_ssm":["American Political Items Collectors collection\n"],"title_tesim":["American Political Items Collectors collection\n"],"unitdate_ssm":["1895-1988\n"],"unitdate_inclusive_ssm":["1895-1988\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0023\n"],"text":["C0023\n","American Political Items Collectors collection","Political campaigns--United States.","Watergate Affair, 1972-1974.","Organized into three series:","Series 1: Subject Files, 1895-1982 (Boxes 1-3) Series 2: Printed Material, 1932-1982 (Boxes 3-6) Series 3: Oversize Material, 1940-1988 (Boxes 7-8)","The American Political Items Collectors (APIC) is a non-profit membership organization that seeks to encourage and support the collection, study and preservation of original materials relating to political campaigns of the United States of America.  The APIC was founded in 1945 with the hope of promoting the heritage of the United States through the study of materials that cover political campaigns and the presidency.  \n","The American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it  also houses historical magazines, newspapers, and many other manuscripts and books.  The APIC collection is divided into three series for easy research and use.  The three series are: Subject Files, arranged alphabetically; Printed Material, arranged alphabetically; and Oversize Materials, separated into posters and newspapers arranged chronologically.  \n","The first series, Subject Files, ranges from 1895 to 1982.  It is composed of campaigning materials from presidential candidates such as Jimmy Carter, Hubert Humphrey,George McGovern, Richard Nixon and many more.  Included in this campaigning material are informational pamphlets, stickers and stamps.  The inaugural events and invitations to John F. Kennedy and Lyndon B. Johnson's inaugural celebration are included here as well as a copy of the Watergate Transcript.  The historic voting ballots of 1936 which elected Franklin D. Roosevelt president are in this collection as well.  Also in the Subject Files is a collection of magazines such as \"Time\" and \"Life\" from 1960-1967 that cover the life and death of President John F. Kennedy.  Lyndon B. Johnson's photography book entitled \"This America\" is also included here.\n","The second series, Printed Material, is composed of magazines, newsletters and books dating from 1932 to 1982.  Included in this collection is the APIC newsletter, \"Keynoter,\" dating from 1967 to 1982, as well as the 1965 APIC \"Brummagem.\"  Also included are special 1976 magazine issues covering the 200-year anniversary of America.  Magazines included for these special anniversary issues are \"McCall's,\" \"Time,\" and \"Newsweek.\"  Also provided in the Printed Materials series are handbooks, pamphlets, admission tickets and official proceeding booklets of the Democratic National Convention from the years 1964 to 1976.  Other printed material included in this collection are copies of  \"Political Intelligence\" newsletter, \"The Capitol,\" and \"The Standard.\"  \n","The third series in the APIC collection, Oversize Material, is composed of posters, newspapers, photographs, political buttons and a Presidential Fact Finder Wheel artifact.  Posters date from as early as 1940 up to as late as 1980.  Some highlights in the poster collection include posters of Ronald Reagan and George Bush, Jimmy Carter and Walter Mondale, Richard Nixon, Andrew Pulley and Matilde Zimmerman of the Socialist Workers Party, and Henry Wallace.  The newspaper collection contains articles from 1961 to 1981 and is composed of the \"Washington Post,\" \"Washington Star,\" \"Washington Daily News,\" and the \"New York Times.\"  Important subjects of these newspapers range from President John F. Kennedy's assassination and internment as well as the marriage of Chuck Robb and Lynda Bird Johnson.  Other highlights are the 100 year anniversary of the Battle of Gettysburg and the inauguration coverage of Jimmy Carter and Ronald Reagan. There are also three large format photographs from the 1988 Democratic National Convention and the 1988 Republican National Convention.  The photographs are of Michael Dukakis' acceptance speech, Beryl Ann Bentson, Lloyd Bentson, Michael Dukakis, and Kitty Dukakis together on the stage, Senator Paul Simon speaking to reporters, Jesse Jackson, Pat Robertson, and Jerry Falwell.  The three political buttons feature \"Vote Communist for a free, happy, prosperous America\", \"Ollie for President!\", and \"Bush, Quayle '88\".\n","The American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it also houses historical magazines, newspapers, and many other manuscripts and books.\n","George Mason University.  Special Collections and Archives\n","American Political Items Collectors","Kennedy, John F. (John Fitzgerald), 1917-1963.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973.","English\n"],"unitid_tesim":["C0023\n"],"normalized_title_ssm":["American Political Items Collectors collection"],"collection_title_tesim":["American Political Items Collectors collection"],"collection_ssim":["American Political Items Collectors collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["American Political Items Collectors"],"creator_ssim":["American Political Items Collectors"],"creator_corpname_ssim":["American Political Items Collectors"],"creators_ssim":["American Political Items Collectors"],"acqinfo_ssim":["This collection was donated by Richard Lyon and Robert Fratkin of APIC in 1981 and donated by Theodore Hake in 1982. Additional photographs donated by Mills Kelly in 2009.\n"],"access_subjects_ssim":["Political campaigns--United States.","Watergate Affair, 1972-1974."],"access_subjects_ssm":["Political campaigns--United States.","Watergate Affair, 1972-1974."],"has_online_content_ssim":["false"],"extent_ssm":["6 linear feet (8 boxes)"],"extent_tesim":["6 linear feet (8 boxes)"],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"arrangement_html_tesm":["\u003cp\u003eOrganized into three series:\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Subject Files, 1895-1982 (Boxes 1-3)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Printed Material, 1932-1982 (Boxes 3-6)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Oversize Material, 1940-1988 (Boxes 7-8)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into three series:","Series 1: Subject Files, 1895-1982 (Boxes 1-3) Series 2: Printed Material, 1932-1982 (Boxes 3-6) Series 3: Oversize Material, 1940-1988 (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eThe American Political Items Collectors (APIC) is a non-profit membership organization that seeks to encourage and support the collection, study and preservation of original materials relating to political campaigns of the United States of America.  The APIC was founded in 1945 with the hope of promoting the heritage of the United States through the study of materials that cover political campaigns and the presidency.  \n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["The American Political Items Collectors (APIC) is a non-profit membership organization that seeks to encourage and support the collection, study and preservation of original materials relating to political campaigns of the United States of America.  The APIC was founded in 1945 with the hope of promoting the heritage of the United States through the study of materials that cover political campaigns and the presidency.  \n"],"scopecontent_html_tesm":["\u003cp\u003eThe American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it  also houses historical magazines, newspapers, and many other manuscripts and books.  The APIC collection is divided into three series for easy research and use.  The three series are: Subject Files, arranged alphabetically; Printed Material, arranged alphabetically; and Oversize Materials, separated into posters and newspapers arranged chronologically.  \n\u003c/p\u003e","\u003cp\u003eThe first series, Subject Files, ranges from 1895 to 1982.  It is composed of campaigning materials from presidential candidates such as Jimmy Carter, Hubert Humphrey,George McGovern, Richard Nixon and many more.  Included in this campaigning material are informational pamphlets, stickers and stamps.  The inaugural events and invitations to John F. Kennedy and Lyndon B. Johnson's inaugural celebration are included here as well as a copy of the Watergate Transcript.  The historic voting ballots of 1936 which elected Franklin D. Roosevelt president are in this collection as well.  Also in the Subject Files is a collection of magazines such as \"Time\" and \"Life\" from 1960-1967 that cover the life and death of President John F. Kennedy.  Lyndon B. Johnson's photography book entitled \"This America\" is also included here.\n\u003c/p\u003e","\u003cp\u003eThe second series, Printed Material, is composed of magazines, newsletters and books dating from 1932 to 1982.  Included in this collection is the APIC newsletter, \"Keynoter,\" dating from 1967 to 1982, as well as the 1965 APIC \"Brummagem.\"  Also included are special 1976 magazine issues covering the 200-year anniversary of America.  Magazines included for these special anniversary issues are \"McCall's,\" \"Time,\" and \"Newsweek.\"  Also provided in the Printed Materials series are handbooks, pamphlets, admission tickets and official proceeding booklets of the Democratic National Convention from the years 1964 to 1976.  Other printed material included in this collection are copies of  \"Political Intelligence\" newsletter, \"The Capitol,\" and \"The Standard.\"  \n\u003c/p\u003e","\u003cp\u003eThe third series in the APIC collection, Oversize Material, is composed of posters, newspapers, photographs, political buttons and a Presidential Fact Finder Wheel artifact.  Posters date from as early as 1940 up to as late as 1980.  Some highlights in the poster collection include posters of Ronald Reagan and George Bush, Jimmy Carter and Walter Mondale, Richard Nixon, Andrew Pulley and Matilde Zimmerman of the Socialist Workers Party, and Henry Wallace.  The newspaper collection contains articles from 1961 to 1981 and is composed of the \"Washington Post,\" \"Washington Star,\" \"Washington Daily News,\" and the \"New York Times.\"  Important subjects of these newspapers range from President John F. Kennedy's assassination and internment as well as the marriage of Chuck Robb and Lynda Bird Johnson.  Other highlights are the 100 year anniversary of the Battle of Gettysburg and the inauguration coverage of Jimmy Carter and Ronald Reagan. There are also three large format photographs from the 1988 Democratic National Convention and the 1988 Republican National Convention.  The photographs are of Michael Dukakis' acceptance speech, Beryl Ann Bentson, Lloyd Bentson, Michael Dukakis, and Kitty Dukakis together on the stage, Senator Paul Simon speaking to reporters, Jesse Jackson, Pat Robertson, and Jerry Falwell.  The three political buttons feature \"Vote Communist for a free, happy, prosperous America\", \"Ollie for President!\", and \"Bush, Quayle '88\".\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it  also houses historical magazines, newspapers, and many other manuscripts and books.  The APIC collection is divided into three series for easy research and use.  The three series are: Subject Files, arranged alphabetically; Printed Material, arranged alphabetically; and Oversize Materials, separated into posters and newspapers arranged chronologically.  \n","The first series, Subject Files, ranges from 1895 to 1982.  It is composed of campaigning materials from presidential candidates such as Jimmy Carter, Hubert Humphrey,George McGovern, Richard Nixon and many more.  Included in this campaigning material are informational pamphlets, stickers and stamps.  The inaugural events and invitations to John F. Kennedy and Lyndon B. Johnson's inaugural celebration are included here as well as a copy of the Watergate Transcript.  The historic voting ballots of 1936 which elected Franklin D. Roosevelt president are in this collection as well.  Also in the Subject Files is a collection of magazines such as \"Time\" and \"Life\" from 1960-1967 that cover the life and death of President John F. Kennedy.  Lyndon B. Johnson's photography book entitled \"This America\" is also included here.\n","The second series, Printed Material, is composed of magazines, newsletters and books dating from 1932 to 1982.  Included in this collection is the APIC newsletter, \"Keynoter,\" dating from 1967 to 1982, as well as the 1965 APIC \"Brummagem.\"  Also included are special 1976 magazine issues covering the 200-year anniversary of America.  Magazines included for these special anniversary issues are \"McCall's,\" \"Time,\" and \"Newsweek.\"  Also provided in the Printed Materials series are handbooks, pamphlets, admission tickets and official proceeding booklets of the Democratic National Convention from the years 1964 to 1976.  Other printed material included in this collection are copies of  \"Political Intelligence\" newsletter, \"The Capitol,\" and \"The Standard.\"  \n","The third series in the APIC collection, Oversize Material, is composed of posters, newspapers, photographs, political buttons and a Presidential Fact Finder Wheel artifact.  Posters date from as early as 1940 up to as late as 1980.  Some highlights in the poster collection include posters of Ronald Reagan and George Bush, Jimmy Carter and Walter Mondale, Richard Nixon, Andrew Pulley and Matilde Zimmerman of the Socialist Workers Party, and Henry Wallace.  The newspaper collection contains articles from 1961 to 1981 and is composed of the \"Washington Post,\" \"Washington Star,\" \"Washington Daily News,\" and the \"New York Times.\"  Important subjects of these newspapers range from President John F. Kennedy's assassination and internment as well as the marriage of Chuck Robb and Lynda Bird Johnson.  Other highlights are the 100 year anniversary of the Battle of Gettysburg and the inauguration coverage of Jimmy Carter and Ronald Reagan. There are also three large format photographs from the 1988 Democratic National Convention and the 1988 Republican National Convention.  The photographs are of Michael Dukakis' acceptance speech, Beryl Ann Bentson, Lloyd Bentson, Michael Dukakis, and Kitty Dukakis together on the stage, Senator Paul Simon speaking to reporters, Jesse Jackson, Pat Robertson, and Jerry Falwell.  The three political buttons feature \"Vote Communist for a free, happy, prosperous America\", \"Ollie for President!\", and \"Bush, Quayle '88\".\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it also houses historical magazines, newspapers, and many other manuscripts and books.\n\u003c/abstract\u003e"],"abstract_tesim":["The American Political Items Collectors Collection (APIC) contains donations of scholarly material that relates to national political campaigns as well as American history dating from 1895 to 1988.  This collection is comprised of presidential campaigning materials that stem from bumper stickers to voting ballots.  Not only is it an extensive collection of presidential campaigns but it also houses historical magazines, newspapers, and many other manuscripts and books.\n"],"names_ssim":["George Mason University.  Special Collections and Archives\n","American Political Items Collectors","Kennedy, John F. (John Fitzgerald), 1917-1963.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973."],"corpname_ssim":["George Mason University.  Special Collections and Archives\n","American Political Items Collectors"],"persname_ssim":["Kennedy, John F. (John Fitzgerald), 1917-1963.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973."],"language_ssim":["English\n"],"total_component_count_is":100,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:49:04.653Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_apic"}},{"id":"vifgm_repositories_2_resources_14","type":"collection","attributes":{"title":"American Public Transportation Association records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_14#creator","type":"document_value","attributes":{"value":"American Public Transportation Association","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_14#abstract_or_scope","type":"document_value","attributes":{"value":"The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_14#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_14","ead_ssi":"vifgm_repositories_2_resources_14","_root_":"vifgm_repositories_2_resources_14","_nest_parent_":"vifgm_repositories_2_resources_14","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_14.xml","title_filing_ssi":"American Public Transportation Association records","title_ssm":["American Public Transportation Association records"],"title_tesim":["American Public Transportation Association records"],"unitdate_ssm":["1898-1999"],"unitdate_inclusive_ssm":["1898-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0051","/repositories/2/resources/14"],"text":["C0051","/repositories/2/resources/14","American Public Transportation Association records","Transportation -- United States","Transportation -- United States -- Planning","Local transit -- United States","Federal aid to transportation -- United States","Transportation -- United States","Maps","Transportation","Urban transportation","Photographs","Correspondence","There are no access restrictions.","A selection of documents from the collection are available through the  .","Arranged into seven series.","Series Series 1: Committees, 1908-1987 Series 2: Meetings and Publications, 1928-1997 Series 3: Equipment, Finances, and Statistics, 1927-1992 Series 4: Legislation, 1918-1977 Series 5: Labor, 1933-1978 Series 6: Local Transit, 1898-1992 Series 7: Oversize, 1946-1999","The organization that would eventually become APTA first organized as the American Street Railway Association on December 12, 1882, in Boston, Massachusetts.  The initial meetings focused on the price of oats for the horses that pulled transit vehicles, but that focus evolved as more transit companies built electric systems.  In 1905, the group met in New York and reorganized as the American Street and Interurban Railway Transportation and Traffic Association.  To encompass even more modes of electric transit, the group changed its name once again to the American Electric Railway Transportation and Traffic Association in 1910.  By 1932, many of the transit systems relied on motor coaches and trolleys in addition to electric streetcars, so the organization executives chose to be known as the American Transit Association (ATA).  In 1966 the ATA relocated from New York City to Washington, D.C., as a result of increasing reliance on federal funding, especially with the passage of the Urban Mass Transportation Act in 1964 and the creation of the Urban Mass Transportation Administration (now the Federal Transit Administration).  The American Public Transit Association (APTA) was created in 1974 when the American Transit Association and the Institute for Rapid Transit (IRT) merged.  The IRT dated back to 1929 and formally organized on June 7, 1961.  In 1976, the Transit Development Corporation also merged with APTA.  In January 2000 the name of the organization was changed to the American Public Transportation Association.  Despite the various name changes, the mission of the organization has more or less remained the same.  The organization specializes in issues dealing with transit equipment, transit management, and labor issues.  In the 1970s, the organization developed a closer working relationship with the federal government as more and more transit systems became publicly financed.  Today APTA is a leading participant in research and legislation regarding the North American transportation industry and issues relating to it.","Processing completed by Jordan Patty in 2013. EAD markup completed in January 2013 by Jordan Patty.","The Special Collections Research Center holds numerous collections on transportation and planning.","The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.","Series 1: Committees includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.  The composition of the committees typically included association staff and transit system managers.  The committees largely worked on issues related to equipment and finances with a smaller number devoted to legislation, marketing, and labor issues.  The committees and subcommittees overlap to some extent due to changes in the structure of the association and as a result of changes in transit priorities.  The folders date back to the 1908 and the American Electric Railway Transportation and Traffic Association, a precursor to ATA, but many of the folders consist of committee work from the 1970s.            ","Series 2: Meetings and Publications includes organizational documents such as the constitution, by-laws, annual reports, and press releases.  There is also correspondence and information on industry group meetings attended by APTA officials.  Officials attended local, national, and international conferences on planning, equipment, and management.  There are also files on meetings held by groups with APTA, such as the Rail Transit Group.  The organizational documents date from the 1920s, but many of the meeting files are from the 1960s and 1970s.             ","Series 3: Equipment, Finances, and Statistics is the largest series and consists of a wide range of topics on technical and financial issues.  The documents on equipment cover the various vehicles used by transit systems including streetcars, trolley coaches, motor buses, and trains.  In particular there are a large number of files on the testing and technical specifications about the Urban Rapid Rail Vehicle and Systems Program Advanced Concept Train, a joint project undertaken in the late 1970s by both APTA and the U.S. Department of Transportation.  The financial and statistical files overlap to some extent since there are many files on subjects such as fares and accident claims.  Other statistical files consist of data on route configurations and responses to questionnaires on a variety of topics, such as the use of tires.  Also found in this series are files on specific advisory and technology and advisory boards that existed within APTA.  The files in this series largely date from the 1940s through the 1980s.  ","Series 4: Legislation contains files on legislation, primarily federal, that impacted the transit industry.  Many of files focus on the attempts by Congress to pass legislation in the 1970s to provide large-scale funding for transit by using revenue from the Highway Trust Fund, which was established in 1956 to finance the construction of the national interstate system. Documents include correspondence, congressional testimonies, drafts of bills, and reports.  There are also several folders that document efforts to fund transit at the state level.            ","Series 5: Labor consists of reports, correspondence, and legislation on various labor and employment subjects.  In particular there are a large number of files on 13(c), a section of the Urban Mass Transportation Act that allowed unions to dispute federal funding for transit systems if they believed that workers would be adversely affected.  Another large group of documents found in this series are annual reports on wages and working conditions compiled from information sent in by transit system managers.  There are also some files on hiring practices and training.  The files largely date from the 1940s to the 1970s.         ","Series 6: Local Transit consists of files on transit systems in cities and states in the U.S. as well as some files on international cities.  The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.  There is some overlap between the folders with city titles and the folders with state titles.  For instance, there may be some files on Boston found in the \"Massachusetts\" folder, but in general the folders with the city titles contain the bulk of the information on the transit systems in those particular cities.  For the most part, the clippings document the problems faced by the private transit companies following World War II, and some of the folders contain charts and tables on the transit company failures all across the United States.               ","Series 7: Oversize contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.","George Mason University. Libraries. Special Collections Research Center","American Public Transportation Association","American Electric Railway Association","American Transit Association","English"],"unitid_tesim":["C0051","/repositories/2/resources/14"],"normalized_title_ssm":["American Public Transportation Association records"],"collection_title_tesim":["American Public Transportation Association records"],"collection_ssim":["American Public Transportation Association records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["American Public Transportation Association"],"creator_ssim":["American Public Transportation Association"],"creator_corpname_ssim":["American Public Transportation Association"],"creators_ssim":["American Public Transportation Association"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Jim Olivetti, Information Center Manager, Department of Transportation, 2000."],"access_subjects_ssim":["Transportation -- United States","Transportation -- United States -- Planning","Local transit -- United States","Federal aid to transportation -- United States","Transportation -- United States","Maps","Transportation","Urban transportation","Photographs","Correspondence"],"access_subjects_ssm":["Transportation -- United States","Transportation -- United States -- Planning","Local transit -- United States","Federal aid to transportation -- United States","Transportation -- United States","Maps","Transportation","Urban transportation","Photographs","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["94 Linear Feet 189 boxes"],"extent_tesim":["94 Linear Feet 189 boxes"],"genreform_ssim":["Photographs","Correspondence"],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eA selection of documents from the collection are available through the \u003cextptr title=\"American Public Transportation records online collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/s/xd3dpv\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["A selection of documents from the collection are available through the  ."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Committees, 1908-1987\u003c/item\u003e\n      \u003citem\u003eSeries 2: Meetings and Publications, 1928-1997\u003c/item\u003e\n      \u003citem\u003eSeries 3: Equipment, Finances, and Statistics, 1927-1992\u003c/item\u003e\n      \u003citem\u003eSeries 4: Legislation, 1918-1977\u003c/item\u003e\n      \u003citem\u003eSeries 5: Labor, 1933-1978\u003c/item\u003e\n      \u003citem\u003eSeries 6: Local Transit, 1898-1992\u003c/item\u003e\n      \u003citem\u003eSeries 7: Oversize, 1946-1999\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series.","Series Series 1: Committees, 1908-1987 Series 2: Meetings and Publications, 1928-1997 Series 3: Equipment, Finances, and Statistics, 1927-1992 Series 4: Legislation, 1918-1977 Series 5: Labor, 1933-1978 Series 6: Local Transit, 1898-1992 Series 7: Oversize, 1946-1999"],"bioghist_html_tesm":["\u003cp\u003eThe organization that would eventually become APTA first organized as the American Street Railway Association on December 12, 1882, in Boston, Massachusetts.  The initial meetings focused on the price of oats for the horses that pulled transit vehicles, but that focus evolved as more transit companies built electric systems.  In 1905, the group met in New York and reorganized as the American Street and Interurban Railway Transportation and Traffic Association.  To encompass even more modes of electric transit, the group changed its name once again to the American Electric Railway Transportation and Traffic Association in 1910.  By 1932, many of the transit systems relied on motor coaches and trolleys in addition to electric streetcars, so the organization executives chose to be known as the American Transit Association (ATA).  In 1966 the ATA relocated from New York City to Washington, D.C., as a result of increasing reliance on federal funding, especially with the passage of the Urban Mass Transportation Act in 1964 and the creation of the Urban Mass Transportation Administration (now the Federal Transit Administration).  The American Public Transit Association (APTA) was created in 1974 when the American Transit Association and the Institute for Rapid Transit (IRT) merged.  The IRT dated back to 1929 and formally organized on June 7, 1961.  In 1976, the Transit Development Corporation also merged with APTA.  In January 2000 the name of the organization was changed to the American Public Transportation Association.  Despite the various name changes, the mission of the organization has more or less remained the same.  The organization specializes in issues dealing with transit equipment, transit management, and labor issues.  In the 1970s, the organization developed a closer working relationship with the federal government as more and more transit systems became publicly financed.  Today APTA is a leading participant in research and legislation regarding the North American transportation industry and issues relating to it.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The organization that would eventually become APTA first organized as the American Street Railway Association on December 12, 1882, in Boston, Massachusetts.  The initial meetings focused on the price of oats for the horses that pulled transit vehicles, but that focus evolved as more transit companies built electric systems.  In 1905, the group met in New York and reorganized as the American Street and Interurban Railway Transportation and Traffic Association.  To encompass even more modes of electric transit, the group changed its name once again to the American Electric Railway Transportation and Traffic Association in 1910.  By 1932, many of the transit systems relied on motor coaches and trolleys in addition to electric streetcars, so the organization executives chose to be known as the American Transit Association (ATA).  In 1966 the ATA relocated from New York City to Washington, D.C., as a result of increasing reliance on federal funding, especially with the passage of the Urban Mass Transportation Act in 1964 and the creation of the Urban Mass Transportation Administration (now the Federal Transit Administration).  The American Public Transit Association (APTA) was created in 1974 when the American Transit Association and the Institute for Rapid Transit (IRT) merged.  The IRT dated back to 1929 and formally organized on June 7, 1961.  In 1976, the Transit Development Corporation also merged with APTA.  In January 2000 the name of the organization was changed to the American Public Transportation Association.  Despite the various name changes, the mission of the organization has more or less remained the same.  The organization specializes in issues dealing with transit equipment, transit management, and labor issues.  In the 1970s, the organization developed a closer working relationship with the federal government as more and more transit systems became publicly financed.  Today APTA is a leading participant in research and legislation regarding the North American transportation industry and issues relating to it."],"prefercite_html_tesm":["\u003cp\u003eAmerican Public Transportation Association records, C0051, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["American Public Transportation Association records, C0051, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Jordan Patty in 2013. EAD markup completed in January 2013 by Jordan Patty.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Jordan Patty in 2013. EAD markup completed in January 2013 by Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds numerous collections on transportation and planning.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds numerous collections on transportation and planning."],"scopecontent_html_tesm":["\u003cp\u003eThe American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Committees includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.  The composition of the committees typically included association staff and transit system managers.  The committees largely worked on issues related to equipment and finances with a smaller number devoted to legislation, marketing, and labor issues.  The committees and subcommittees overlap to some extent due to changes in the structure of the association and as a result of changes in transit priorities.  The folders date back to the 1908 and the American Electric Railway Transportation and Traffic Association, a precursor to ATA, but many of the folders consist of committee work from the 1970s.            \u003c/p\u003e\n","\u003cp\u003eSeries 2: Meetings and Publications includes organizational documents such as the constitution, by-laws, annual reports, and press releases.  There is also correspondence and information on industry group meetings attended by APTA officials.  Officials attended local, national, and international conferences on planning, equipment, and management.  There are also files on meetings held by groups with APTA, such as the Rail Transit Group.  The organizational documents date from the 1920s, but many of the meeting files are from the 1960s and 1970s.             \u003c/p\u003e\n","\u003cp\u003eSeries 3: Equipment, Finances, and Statistics is the largest series and consists of a wide range of topics on technical and financial issues.  The documents on equipment cover the various vehicles used by transit systems including streetcars, trolley coaches, motor buses, and trains.  In particular there are a large number of files on the testing and technical specifications about the Urban Rapid Rail Vehicle and Systems Program Advanced Concept Train, a joint project undertaken in the late 1970s by both APTA and the U.S. Department of Transportation.  The financial and statistical files overlap to some extent since there are many files on subjects such as fares and accident claims.  Other statistical files consist of data on route configurations and responses to questionnaires on a variety of topics, such as the use of tires.  Also found in this series are files on specific advisory and technology and advisory boards that existed within APTA.  The files in this series largely date from the 1940s through the 1980s.  \u003c/p\u003e\n","\u003cp\u003eSeries 4: Legislation contains files on legislation, primarily federal, that impacted the transit industry.  Many of files focus on the attempts by Congress to pass legislation in the 1970s to provide large-scale funding for transit by using revenue from the Highway Trust Fund, which was established in 1956 to finance the construction of the national interstate system. Documents include correspondence, congressional testimonies, drafts of bills, and reports.  There are also several folders that document efforts to fund transit at the state level.            \u003c/p\u003e\n","\u003cp\u003eSeries 5: Labor consists of reports, correspondence, and legislation on various labor and employment subjects.  In particular there are a large number of files on 13(c), a section of the Urban Mass Transportation Act that allowed unions to dispute federal funding for transit systems if they believed that workers would be adversely affected.  Another large group of documents found in this series are annual reports on wages and working conditions compiled from information sent in by transit system managers.  There are also some files on hiring practices and training.  The files largely date from the 1940s to the 1970s.         \u003c/p\u003e\n","\u003cp\u003eSeries 6: Local Transit consists of files on transit systems in cities and states in the U.S. as well as some files on international cities.  The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.  There is some overlap between the folders with city titles and the folders with state titles.  For instance, there may be some files on Boston found in the \"Massachusetts\" folder, but in general the folders with the city titles contain the bulk of the information on the transit systems in those particular cities.  For the most part, the clippings document the problems faced by the private transit companies following World War II, and some of the folders contain charts and tables on the transit company failures all across the United States.               \u003c/p\u003e\n","\u003cp\u003eSeries 7: Oversize contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.","Series 1: Committees includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.  The composition of the committees typically included association staff and transit system managers.  The committees largely worked on issues related to equipment and finances with a smaller number devoted to legislation, marketing, and labor issues.  The committees and subcommittees overlap to some extent due to changes in the structure of the association and as a result of changes in transit priorities.  The folders date back to the 1908 and the American Electric Railway Transportation and Traffic Association, a precursor to ATA, but many of the folders consist of committee work from the 1970s.            ","Series 2: Meetings and Publications includes organizational documents such as the constitution, by-laws, annual reports, and press releases.  There is also correspondence and information on industry group meetings attended by APTA officials.  Officials attended local, national, and international conferences on planning, equipment, and management.  There are also files on meetings held by groups with APTA, such as the Rail Transit Group.  The organizational documents date from the 1920s, but many of the meeting files are from the 1960s and 1970s.             ","Series 3: Equipment, Finances, and Statistics is the largest series and consists of a wide range of topics on technical and financial issues.  The documents on equipment cover the various vehicles used by transit systems including streetcars, trolley coaches, motor buses, and trains.  In particular there are a large number of files on the testing and technical specifications about the Urban Rapid Rail Vehicle and Systems Program Advanced Concept Train, a joint project undertaken in the late 1970s by both APTA and the U.S. Department of Transportation.  The financial and statistical files overlap to some extent since there are many files on subjects such as fares and accident claims.  Other statistical files consist of data on route configurations and responses to questionnaires on a variety of topics, such as the use of tires.  Also found in this series are files on specific advisory and technology and advisory boards that existed within APTA.  The files in this series largely date from the 1940s through the 1980s.  ","Series 4: Legislation contains files on legislation, primarily federal, that impacted the transit industry.  Many of files focus on the attempts by Congress to pass legislation in the 1970s to provide large-scale funding for transit by using revenue from the Highway Trust Fund, which was established in 1956 to finance the construction of the national interstate system. Documents include correspondence, congressional testimonies, drafts of bills, and reports.  There are also several folders that document efforts to fund transit at the state level.            ","Series 5: Labor consists of reports, correspondence, and legislation on various labor and employment subjects.  In particular there are a large number of files on 13(c), a section of the Urban Mass Transportation Act that allowed unions to dispute federal funding for transit systems if they believed that workers would be adversely affected.  Another large group of documents found in this series are annual reports on wages and working conditions compiled from information sent in by transit system managers.  There are also some files on hiring practices and training.  The files largely date from the 1940s to the 1970s.         ","Series 6: Local Transit consists of files on transit systems in cities and states in the U.S. as well as some files on international cities.  The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.  There is some overlap between the folders with city titles and the folders with state titles.  For instance, there may be some files on Boston found in the \"Massachusetts\" folder, but in general the folders with the city titles contain the bulk of the information on the transit systems in those particular cities.  For the most part, the clippings document the problems faced by the private transit companies following World War II, and some of the folders contain charts and tables on the transit company failures all across the United States.               ","Series 7: Oversize contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_faa1e60c83c8659f77ecdee0a39c2732\" label=\"Abstract\"\u003eThe American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.\u003c/abstract\u003e"],"abstract_tesim":["The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information."],"names_coll_ssim":["American Electric Railway Association","American Transit Association"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Public Transportation Association","American Electric Railway Association","American Transit Association"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Public Transportation Association","American Electric Railway Association","American Transit Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1799,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-08T07:16:03.204Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_14","ead_ssi":"vifgm_repositories_2_resources_14","_root_":"vifgm_repositories_2_resources_14","_nest_parent_":"vifgm_repositories_2_resources_14","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_14.xml","title_filing_ssi":"American Public Transportation Association records","title_ssm":["American Public Transportation Association records"],"title_tesim":["American Public Transportation Association records"],"unitdate_ssm":["1898-1999"],"unitdate_inclusive_ssm":["1898-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0051","/repositories/2/resources/14"],"text":["C0051","/repositories/2/resources/14","American Public Transportation Association records","Transportation -- United States","Transportation -- United States -- Planning","Local transit -- United States","Federal aid to transportation -- United States","Transportation -- United States","Maps","Transportation","Urban transportation","Photographs","Correspondence","There are no access restrictions.","A selection of documents from the collection are available through the  .","Arranged into seven series.","Series Series 1: Committees, 1908-1987 Series 2: Meetings and Publications, 1928-1997 Series 3: Equipment, Finances, and Statistics, 1927-1992 Series 4: Legislation, 1918-1977 Series 5: Labor, 1933-1978 Series 6: Local Transit, 1898-1992 Series 7: Oversize, 1946-1999","The organization that would eventually become APTA first organized as the American Street Railway Association on December 12, 1882, in Boston, Massachusetts.  The initial meetings focused on the price of oats for the horses that pulled transit vehicles, but that focus evolved as more transit companies built electric systems.  In 1905, the group met in New York and reorganized as the American Street and Interurban Railway Transportation and Traffic Association.  To encompass even more modes of electric transit, the group changed its name once again to the American Electric Railway Transportation and Traffic Association in 1910.  By 1932, many of the transit systems relied on motor coaches and trolleys in addition to electric streetcars, so the organization executives chose to be known as the American Transit Association (ATA).  In 1966 the ATA relocated from New York City to Washington, D.C., as a result of increasing reliance on federal funding, especially with the passage of the Urban Mass Transportation Act in 1964 and the creation of the Urban Mass Transportation Administration (now the Federal Transit Administration).  The American Public Transit Association (APTA) was created in 1974 when the American Transit Association and the Institute for Rapid Transit (IRT) merged.  The IRT dated back to 1929 and formally organized on June 7, 1961.  In 1976, the Transit Development Corporation also merged with APTA.  In January 2000 the name of the organization was changed to the American Public Transportation Association.  Despite the various name changes, the mission of the organization has more or less remained the same.  The organization specializes in issues dealing with transit equipment, transit management, and labor issues.  In the 1970s, the organization developed a closer working relationship with the federal government as more and more transit systems became publicly financed.  Today APTA is a leading participant in research and legislation regarding the North American transportation industry and issues relating to it.","Processing completed by Jordan Patty in 2013. EAD markup completed in January 2013 by Jordan Patty.","The Special Collections Research Center holds numerous collections on transportation and planning.","The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.","Series 1: Committees includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.  The composition of the committees typically included association staff and transit system managers.  The committees largely worked on issues related to equipment and finances with a smaller number devoted to legislation, marketing, and labor issues.  The committees and subcommittees overlap to some extent due to changes in the structure of the association and as a result of changes in transit priorities.  The folders date back to the 1908 and the American Electric Railway Transportation and Traffic Association, a precursor to ATA, but many of the folders consist of committee work from the 1970s.            ","Series 2: Meetings and Publications includes organizational documents such as the constitution, by-laws, annual reports, and press releases.  There is also correspondence and information on industry group meetings attended by APTA officials.  Officials attended local, national, and international conferences on planning, equipment, and management.  There are also files on meetings held by groups with APTA, such as the Rail Transit Group.  The organizational documents date from the 1920s, but many of the meeting files are from the 1960s and 1970s.             ","Series 3: Equipment, Finances, and Statistics is the largest series and consists of a wide range of topics on technical and financial issues.  The documents on equipment cover the various vehicles used by transit systems including streetcars, trolley coaches, motor buses, and trains.  In particular there are a large number of files on the testing and technical specifications about the Urban Rapid Rail Vehicle and Systems Program Advanced Concept Train, a joint project undertaken in the late 1970s by both APTA and the U.S. Department of Transportation.  The financial and statistical files overlap to some extent since there are many files on subjects such as fares and accident claims.  Other statistical files consist of data on route configurations and responses to questionnaires on a variety of topics, such as the use of tires.  Also found in this series are files on specific advisory and technology and advisory boards that existed within APTA.  The files in this series largely date from the 1940s through the 1980s.  ","Series 4: Legislation contains files on legislation, primarily federal, that impacted the transit industry.  Many of files focus on the attempts by Congress to pass legislation in the 1970s to provide large-scale funding for transit by using revenue from the Highway Trust Fund, which was established in 1956 to finance the construction of the national interstate system. Documents include correspondence, congressional testimonies, drafts of bills, and reports.  There are also several folders that document efforts to fund transit at the state level.            ","Series 5: Labor consists of reports, correspondence, and legislation on various labor and employment subjects.  In particular there are a large number of files on 13(c), a section of the Urban Mass Transportation Act that allowed unions to dispute federal funding for transit systems if they believed that workers would be adversely affected.  Another large group of documents found in this series are annual reports on wages and working conditions compiled from information sent in by transit system managers.  There are also some files on hiring practices and training.  The files largely date from the 1940s to the 1970s.         ","Series 6: Local Transit consists of files on transit systems in cities and states in the U.S. as well as some files on international cities.  The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.  There is some overlap between the folders with city titles and the folders with state titles.  For instance, there may be some files on Boston found in the \"Massachusetts\" folder, but in general the folders with the city titles contain the bulk of the information on the transit systems in those particular cities.  For the most part, the clippings document the problems faced by the private transit companies following World War II, and some of the folders contain charts and tables on the transit company failures all across the United States.               ","Series 7: Oversize contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.","George Mason University. Libraries. Special Collections Research Center","American Public Transportation Association","American Electric Railway Association","American Transit Association","English"],"unitid_tesim":["C0051","/repositories/2/resources/14"],"normalized_title_ssm":["American Public Transportation Association records"],"collection_title_tesim":["American Public Transportation Association records"],"collection_ssim":["American Public Transportation Association records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["American Public Transportation Association"],"creator_ssim":["American Public Transportation Association"],"creator_corpname_ssim":["American Public Transportation Association"],"creators_ssim":["American Public Transportation Association"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Jim Olivetti, Information Center Manager, Department of Transportation, 2000."],"access_subjects_ssim":["Transportation -- United States","Transportation -- United States -- Planning","Local transit -- United States","Federal aid to transportation -- United States","Transportation -- United States","Maps","Transportation","Urban transportation","Photographs","Correspondence"],"access_subjects_ssm":["Transportation -- United States","Transportation -- United States -- Planning","Local transit -- United States","Federal aid to transportation -- United States","Transportation -- United States","Maps","Transportation","Urban transportation","Photographs","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["94 Linear Feet 189 boxes"],"extent_tesim":["94 Linear Feet 189 boxes"],"genreform_ssim":["Photographs","Correspondence"],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eA selection of documents from the collection are available through the \u003cextptr title=\"American Public Transportation records online collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/s/xd3dpv\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["A selection of documents from the collection are available through the  ."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Committees, 1908-1987\u003c/item\u003e\n      \u003citem\u003eSeries 2: Meetings and Publications, 1928-1997\u003c/item\u003e\n      \u003citem\u003eSeries 3: Equipment, Finances, and Statistics, 1927-1992\u003c/item\u003e\n      \u003citem\u003eSeries 4: Legislation, 1918-1977\u003c/item\u003e\n      \u003citem\u003eSeries 5: Labor, 1933-1978\u003c/item\u003e\n      \u003citem\u003eSeries 6: Local Transit, 1898-1992\u003c/item\u003e\n      \u003citem\u003eSeries 7: Oversize, 1946-1999\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series.","Series Series 1: Committees, 1908-1987 Series 2: Meetings and Publications, 1928-1997 Series 3: Equipment, Finances, and Statistics, 1927-1992 Series 4: Legislation, 1918-1977 Series 5: Labor, 1933-1978 Series 6: Local Transit, 1898-1992 Series 7: Oversize, 1946-1999"],"bioghist_html_tesm":["\u003cp\u003eThe organization that would eventually become APTA first organized as the American Street Railway Association on December 12, 1882, in Boston, Massachusetts.  The initial meetings focused on the price of oats for the horses that pulled transit vehicles, but that focus evolved as more transit companies built electric systems.  In 1905, the group met in New York and reorganized as the American Street and Interurban Railway Transportation and Traffic Association.  To encompass even more modes of electric transit, the group changed its name once again to the American Electric Railway Transportation and Traffic Association in 1910.  By 1932, many of the transit systems relied on motor coaches and trolleys in addition to electric streetcars, so the organization executives chose to be known as the American Transit Association (ATA).  In 1966 the ATA relocated from New York City to Washington, D.C., as a result of increasing reliance on federal funding, especially with the passage of the Urban Mass Transportation Act in 1964 and the creation of the Urban Mass Transportation Administration (now the Federal Transit Administration).  The American Public Transit Association (APTA) was created in 1974 when the American Transit Association and the Institute for Rapid Transit (IRT) merged.  The IRT dated back to 1929 and formally organized on June 7, 1961.  In 1976, the Transit Development Corporation also merged with APTA.  In January 2000 the name of the organization was changed to the American Public Transportation Association.  Despite the various name changes, the mission of the organization has more or less remained the same.  The organization specializes in issues dealing with transit equipment, transit management, and labor issues.  In the 1970s, the organization developed a closer working relationship with the federal government as more and more transit systems became publicly financed.  Today APTA is a leading participant in research and legislation regarding the North American transportation industry and issues relating to it.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The organization that would eventually become APTA first organized as the American Street Railway Association on December 12, 1882, in Boston, Massachusetts.  The initial meetings focused on the price of oats for the horses that pulled transit vehicles, but that focus evolved as more transit companies built electric systems.  In 1905, the group met in New York and reorganized as the American Street and Interurban Railway Transportation and Traffic Association.  To encompass even more modes of electric transit, the group changed its name once again to the American Electric Railway Transportation and Traffic Association in 1910.  By 1932, many of the transit systems relied on motor coaches and trolleys in addition to electric streetcars, so the organization executives chose to be known as the American Transit Association (ATA).  In 1966 the ATA relocated from New York City to Washington, D.C., as a result of increasing reliance on federal funding, especially with the passage of the Urban Mass Transportation Act in 1964 and the creation of the Urban Mass Transportation Administration (now the Federal Transit Administration).  The American Public Transit Association (APTA) was created in 1974 when the American Transit Association and the Institute for Rapid Transit (IRT) merged.  The IRT dated back to 1929 and formally organized on June 7, 1961.  In 1976, the Transit Development Corporation also merged with APTA.  In January 2000 the name of the organization was changed to the American Public Transportation Association.  Despite the various name changes, the mission of the organization has more or less remained the same.  The organization specializes in issues dealing with transit equipment, transit management, and labor issues.  In the 1970s, the organization developed a closer working relationship with the federal government as more and more transit systems became publicly financed.  Today APTA is a leading participant in research and legislation regarding the North American transportation industry and issues relating to it."],"prefercite_html_tesm":["\u003cp\u003eAmerican Public Transportation Association records, C0051, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["American Public Transportation Association records, C0051, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Jordan Patty in 2013. EAD markup completed in January 2013 by Jordan Patty.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Jordan Patty in 2013. EAD markup completed in January 2013 by Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds numerous collections on transportation and planning.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds numerous collections on transportation and planning."],"scopecontent_html_tesm":["\u003cp\u003eThe American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Committees includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.  The composition of the committees typically included association staff and transit system managers.  The committees largely worked on issues related to equipment and finances with a smaller number devoted to legislation, marketing, and labor issues.  The committees and subcommittees overlap to some extent due to changes in the structure of the association and as a result of changes in transit priorities.  The folders date back to the 1908 and the American Electric Railway Transportation and Traffic Association, a precursor to ATA, but many of the folders consist of committee work from the 1970s.            \u003c/p\u003e\n","\u003cp\u003eSeries 2: Meetings and Publications includes organizational documents such as the constitution, by-laws, annual reports, and press releases.  There is also correspondence and information on industry group meetings attended by APTA officials.  Officials attended local, national, and international conferences on planning, equipment, and management.  There are also files on meetings held by groups with APTA, such as the Rail Transit Group.  The organizational documents date from the 1920s, but many of the meeting files are from the 1960s and 1970s.             \u003c/p\u003e\n","\u003cp\u003eSeries 3: Equipment, Finances, and Statistics is the largest series and consists of a wide range of topics on technical and financial issues.  The documents on equipment cover the various vehicles used by transit systems including streetcars, trolley coaches, motor buses, and trains.  In particular there are a large number of files on the testing and technical specifications about the Urban Rapid Rail Vehicle and Systems Program Advanced Concept Train, a joint project undertaken in the late 1970s by both APTA and the U.S. Department of Transportation.  The financial and statistical files overlap to some extent since there are many files on subjects such as fares and accident claims.  Other statistical files consist of data on route configurations and responses to questionnaires on a variety of topics, such as the use of tires.  Also found in this series are files on specific advisory and technology and advisory boards that existed within APTA.  The files in this series largely date from the 1940s through the 1980s.  \u003c/p\u003e\n","\u003cp\u003eSeries 4: Legislation contains files on legislation, primarily federal, that impacted the transit industry.  Many of files focus on the attempts by Congress to pass legislation in the 1970s to provide large-scale funding for transit by using revenue from the Highway Trust Fund, which was established in 1956 to finance the construction of the national interstate system. Documents include correspondence, congressional testimonies, drafts of bills, and reports.  There are also several folders that document efforts to fund transit at the state level.            \u003c/p\u003e\n","\u003cp\u003eSeries 5: Labor consists of reports, correspondence, and legislation on various labor and employment subjects.  In particular there are a large number of files on 13(c), a section of the Urban Mass Transportation Act that allowed unions to dispute federal funding for transit systems if they believed that workers would be adversely affected.  Another large group of documents found in this series are annual reports on wages and working conditions compiled from information sent in by transit system managers.  There are also some files on hiring practices and training.  The files largely date from the 1940s to the 1970s.         \u003c/p\u003e\n","\u003cp\u003eSeries 6: Local Transit consists of files on transit systems in cities and states in the U.S. as well as some files on international cities.  The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.  There is some overlap between the folders with city titles and the folders with state titles.  For instance, there may be some files on Boston found in the \"Massachusetts\" folder, but in general the folders with the city titles contain the bulk of the information on the transit systems in those particular cities.  For the most part, the clippings document the problems faced by the private transit companies following World War II, and some of the folders contain charts and tables on the transit company failures all across the United States.               \u003c/p\u003e\n","\u003cp\u003eSeries 7: Oversize contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.","Series 1: Committees includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.  The composition of the committees typically included association staff and transit system managers.  The committees largely worked on issues related to equipment and finances with a smaller number devoted to legislation, marketing, and labor issues.  The committees and subcommittees overlap to some extent due to changes in the structure of the association and as a result of changes in transit priorities.  The folders date back to the 1908 and the American Electric Railway Transportation and Traffic Association, a precursor to ATA, but many of the folders consist of committee work from the 1970s.            ","Series 2: Meetings and Publications includes organizational documents such as the constitution, by-laws, annual reports, and press releases.  There is also correspondence and information on industry group meetings attended by APTA officials.  Officials attended local, national, and international conferences on planning, equipment, and management.  There are also files on meetings held by groups with APTA, such as the Rail Transit Group.  The organizational documents date from the 1920s, but many of the meeting files are from the 1960s and 1970s.             ","Series 3: Equipment, Finances, and Statistics is the largest series and consists of a wide range of topics on technical and financial issues.  The documents on equipment cover the various vehicles used by transit systems including streetcars, trolley coaches, motor buses, and trains.  In particular there are a large number of files on the testing and technical specifications about the Urban Rapid Rail Vehicle and Systems Program Advanced Concept Train, a joint project undertaken in the late 1970s by both APTA and the U.S. Department of Transportation.  The financial and statistical files overlap to some extent since there are many files on subjects such as fares and accident claims.  Other statistical files consist of data on route configurations and responses to questionnaires on a variety of topics, such as the use of tires.  Also found in this series are files on specific advisory and technology and advisory boards that existed within APTA.  The files in this series largely date from the 1940s through the 1980s.  ","Series 4: Legislation contains files on legislation, primarily federal, that impacted the transit industry.  Many of files focus on the attempts by Congress to pass legislation in the 1970s to provide large-scale funding for transit by using revenue from the Highway Trust Fund, which was established in 1956 to finance the construction of the national interstate system. Documents include correspondence, congressional testimonies, drafts of bills, and reports.  There are also several folders that document efforts to fund transit at the state level.            ","Series 5: Labor consists of reports, correspondence, and legislation on various labor and employment subjects.  In particular there are a large number of files on 13(c), a section of the Urban Mass Transportation Act that allowed unions to dispute federal funding for transit systems if they believed that workers would be adversely affected.  Another large group of documents found in this series are annual reports on wages and working conditions compiled from information sent in by transit system managers.  There are also some files on hiring practices and training.  The files largely date from the 1940s to the 1970s.         ","Series 6: Local Transit consists of files on transit systems in cities and states in the U.S. as well as some files on international cities.  The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.  There is some overlap between the folders with city titles and the folders with state titles.  For instance, there may be some files on Boston found in the \"Massachusetts\" folder, but in general the folders with the city titles contain the bulk of the information on the transit systems in those particular cities.  For the most part, the clippings document the problems faced by the private transit companies following World War II, and some of the folders contain charts and tables on the transit company failures all across the United States.               ","Series 7: Oversize contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_faa1e60c83c8659f77ecdee0a39c2732\" label=\"Abstract\"\u003eThe American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.\u003c/abstract\u003e"],"abstract_tesim":["The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information."],"names_coll_ssim":["American Electric Railway Association","American Transit Association"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Public Transportation Association","American Electric Railway Association","American Transit Association"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Public Transportation Association","American Electric Railway Association","American Transit Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1799,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-08T07:16:03.204Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_14"}},{"id":"vifgm_arenastage","type":"collection","attributes":{"title":"Arena Stage records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage#creator","type":"document_value","attributes":{"value":"Arena Stage","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  "],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English\n            "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:52:17.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  "],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English\n            "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:52:17.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_arenastage"}},{"id":"vifgm_repositories_2_resources_416","type":"collection","attributes":{"title":"Arena Stage records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#creator","type":"document_value","attributes":{"value":"Arena Stage (Organization : Washington, D.C.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. 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