{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026facet.sort=count\u0026page=5","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026facet.sort=count\u0026page=4","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026facet.sort=count\u0026page=6","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026facet.sort=count\u0026page=3432"},"meta":{"pages":{"current_page":5,"next_page":6,"prev_page":4,"total_pages":3432,"limit_value":10,"offset_value":40,"total_count":34314,"first_page?":false,"last_page?":false}},"data":[{"id":"vimtvl_repositories_2_resources_78_c08_c20","type":"Item","attributes":{"title":"(10) Account – \"The Regent's book for finance papers,\" Sales and admission fee revenues","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vimtvl_repositories_2_resources_78_c08_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vimtvl_repositories_2_resources_78_c08_c20","ref_ssm":["vimtvl_repositories_2_resources_78_c08_c20"],"id":"vimtvl_repositories_2_resources_78_c08_c20","ead_ssi":"vimtvl_repositories_2_resources_78","_root_":"vimtvl_repositories_2_resources_78","_nest_parent_":"vimtvl_repositories_2_resources_78_c08","parent_ssi":"vimtvl_repositories_2_resources_78_c08","parent_ssim":["vimtvl_repositories_2_resources_78","vimtvl_repositories_2_resources_78_c08"],"parent_ids_ssim":["vimtvl_repositories_2_resources_78","vimtvl_repositories_2_resources_78_c08"],"parent_unittitles_ssm":["Financial Records of the Mount Vernon Ladies' Association","Series 8. Bound volumes and oversize"],"parent_unittitles_tesim":["Financial Records of the Mount Vernon Ladies' Association","Series 8. Bound volumes and oversize"],"text":["Financial Records of the Mount Vernon Ladies' Association","Series 8. Bound volumes and oversize","(10) Account – \"The Regent's book for finance papers,\" Sales and admission fee revenues","English .","Shelf Oversize"],"title_filing_ssi":"(10) Account – \"The Regent's book for finance papers,\" Sales and admission fee revenues","title_ssm":["(10) Account – \"The Regent's book for finance papers,\" Sales and admission fee revenues"],"title_tesim":["(10) Account – \"The Regent's book for finance papers,\" Sales and admission fee revenues"],"unitdate_inclusive_ssm":["1938-1943"],"normalized_date_ssm":["1938/1943"],"normalized_title_ssm":["(10) Account – \"The Regent's book for finance papers,\" Sales and admission fee revenues"],"component_level_isim":[2],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"collection_ssim":["Financial Records of the Mount Vernon Ladies' Association"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":512,"parent_access_restrict_tesm":["Please contact library staff to request access to this collection. Some series or folders may be restricted due to private or sensitive information contained therein."],"parent_access_terms_tesm":["Please contact library staff to inquire about use of the content in this collection."],"date_range_isim":[1938,1939,1940,1941,1942,1943],"language_ssim":["English ."],"containers_ssim":["Shelf Oversize"],"_nest_path_":"/components#7/components#19","timestamp":"2026-05-01T00:41:25.942Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_2_resources_78","ead_ssi":"vimtvl_repositories_2_resources_78","_root_":"vimtvl_repositories_2_resources_78","_nest_parent_":"vimtvl_repositories_2_resources_78","ead_source_url_ssi":"data/oai/MV/repositories_2_resources_78.xml","title_ssm":["Financial Records of the Mount Vernon Ladies' Association"],"title_tesim":["Financial Records of the Mount Vernon Ladies' Association"],"unitdate_ssm":["1858-2015"],"unitdate_inclusive_ssm":["1858-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A.FR"],"text":["A.FR","Financial Records of the Mount Vernon Ladies' Association","Please contact library staff to request access to this collection. Some series or folders may be restricted due to private or sensitive information contained therein.","The collection is broken down into series based on the type of record. One series, Series 3. General, holds correspondence and subject files relevant to financial matters. Series are mostly organized alphabetically by folder title, then chronologically, but arrangement notes have been added to each for further information. Bound volumes, ledgers, and accounting books are described at the end of the collection in their own series.","List of series:\nSeries 1. Accounting\nSeries 2. Budgets\nSeries 3. General\nSeries 4. Insurance\nSeries 5. Investments\nSeries 6. Reports\nSeries 7. Taxes\nSeries 8. Bound Volumes and Oversize","The Mount Vernon Ladies' Association of the Union has owned and operated George Washington's home at Mount Vernon since purchasing the estate from John Augustine Washington III in 1860. The Association is composed of one Regent and 20-30 Vice Regents who serve as the executive board of this historic home. Each Vice Regent represents a different state and is responsible for fundraising and establishing interest in Mount Vernon within their state. They also make all major decisions concerning preservation, collections, visitor experience, maintenance, and finances at Mount Vernon. The MVLA does not receive any government funding and relies solely on ticket sales and donations to continue operating the site as a tourist destination. ","The Regent and Vice Regents assemble twice a year in April and October for Council, their bi-annual meetings, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations that rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first national organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant. ","-\tPapers of the Superintendent or Resident Director\n-\tPapers of the MVLA\n-\tSuperintendent's Letter Books, Diaries, and Monthly Reports\n-\tPapers of James Rees\n-\tCouncil Minutes and Annual Reports of the MVLA\n-\tPublications and Printed Material of the MVLA\n-\tDevelopment Files","This collection holds the historic financial records of the MVLA including accounting ledgers, tax documents, insurance papers, receipts, invoices, payroll lists, annual and quarterly budgets, financial statements and reports, policies, contracts, correspondence, and other miscellaneous items. Records in this collection contain information on the Association's financial accounting, revenue, expenditures, employees and employee benefits, investments, taxes, and other financial concerns. There is a very limited amount pertaining to fundraising efforts and/or private donations, which can be found in the files of Mount Vernon's development department (currently unprocessed). Bulk date 1870s-2000s.","Please contact library staff to inquire about use of the content in this collection.","Archives of the Mount Vernon Ladies' Association","Mount Vernon Ladies' Association of the Union","Hollingsworth, John McHenry, 1823-1889","Dodge, Harrison Howell, 1852-1937","Wall, Charles Cecil, 1903-1995","English \n.    "],"unitid_tesim":["A.FR"],"normalized_title_ssm":["Financial Records of the Mount Vernon Ladies' Association"],"collection_title_tesim":["Financial Records of the Mount Vernon Ladies' Association"],"collection_ssim":["Financial Records of the Mount Vernon Ladies' Association"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Hollingsworth, John McHenry, 1823-1889","Dodge, Harrison Howell, 1852-1937","Mount Vernon Ladies' Association of the Union","Wall, Charles Cecil, 1903-1995"],"creator_ssim":["Hollingsworth, John McHenry, 1823-1889","Dodge, Harrison Howell, 1852-1937","Mount Vernon Ladies' Association of the Union","Wall, Charles Cecil, 1903-1995"],"creator_persname_ssim":["Hollingsworth, John McHenry, 1823-1889","Dodge, Harrison Howell, 1852-1937","Wall, Charles Cecil, 1903-1995"],"creator_corpname_ssim":["Mount Vernon Ladies' Association of the Union"],"creators_ssim":["Hollingsworth, John McHenry, 1823-1889","Dodge, Harrison Howell, 1852-1937","Wall, Charles Cecil, 1903-1995","Mount Vernon Ladies' Association of the Union"],"access_terms_ssm":["Please contact library staff to inquire about use of the content in this collection."],"has_online_content_ssim":["false"],"extent_ssm":["approx. 33 Linear Feet 20 paige cartons; 4 Hollinger document boxes, 2 manuscript 11x14 boxes, binders and oversize material flat on shelves"],"extent_tesim":["approx. 33 Linear Feet 20 paige cartons; 4 Hollinger document boxes, 2 manuscript 11x14 boxes, binders and oversize material flat on shelves"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003ePlease contact library staff to request access to this collection. Some series or folders may be restricted due to private or sensitive information contained therein.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Please contact library staff to request access to this collection. Some series or folders may be restricted due to private or sensitive information contained therein."],"arrangement_html_tesm":["\u003cp\u003eThe collection is broken down into series based on the type of record. One series, Series 3. General, holds correspondence and subject files relevant to financial matters. Series are mostly organized alphabetically by folder title, then chronologically, but arrangement notes have been added to each for further information. Bound volumes, ledgers, and accounting books are described at the end of the collection in their own series.\u003c/p\u003e\n","\u003cp\u003eList of series:\nSeries 1. Accounting\nSeries 2. Budgets\nSeries 3. General\nSeries 4. Insurance\nSeries 5. Investments\nSeries 6. Reports\nSeries 7. Taxes\nSeries 8. Bound Volumes and Oversize\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is broken down into series based on the type of record. One series, Series 3. General, holds correspondence and subject files relevant to financial matters. Series are mostly organized alphabetically by folder title, then chronologically, but arrangement notes have been added to each for further information. Bound volumes, ledgers, and accounting books are described at the end of the collection in their own series.","List of series:\nSeries 1. Accounting\nSeries 2. Budgets\nSeries 3. General\nSeries 4. Insurance\nSeries 5. Investments\nSeries 6. Reports\nSeries 7. Taxes\nSeries 8. Bound Volumes and Oversize"],"bioghist_html_tesm":["\u003cp\u003eThe Mount Vernon Ladies' Association of the Union has owned and operated George Washington's home at Mount Vernon since purchasing the estate from John Augustine Washington III in 1860. The Association is composed of one Regent and 20-30 Vice Regents who serve as the executive board of this historic home. Each Vice Regent represents a different state and is responsible for fundraising and establishing interest in Mount Vernon within their state. They also make all major decisions concerning preservation, collections, visitor experience, maintenance, and finances at Mount Vernon. The MVLA does not receive any government funding and relies solely on ticket sales and donations to continue operating the site as a tourist destination. \u003c/p\u003e\n","\u003cp\u003eThe Regent and Vice Regents assemble twice a year in April and October for Council, their bi-annual meetings, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations that rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first national organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Mount Vernon Ladies' Association of the Union has owned and operated George Washington's home at Mount Vernon since purchasing the estate from John Augustine Washington III in 1860. The Association is composed of one Regent and 20-30 Vice Regents who serve as the executive board of this historic home. Each Vice Regent represents a different state and is responsible for fundraising and establishing interest in Mount Vernon within their state. They also make all major decisions concerning preservation, collections, visitor experience, maintenance, and finances at Mount Vernon. The MVLA does not receive any government funding and relies solely on ticket sales and donations to continue operating the site as a tourist destination. ","The Regent and Vice Regents assemble twice a year in April and October for Council, their bi-annual meetings, where they hear motions and reports concerning projects or issues at the estate. The Vice Regents also divide into committees focused on different functions and operations that rotate members every few years. Today the Mount Vernon Ladies' Association is remembered as the first national organization dedicated to historic preservation in the United States, and as innovators in the field of preservation. The Association remains loyal to its original goals, the restoration and care of Mount Vernon, and educating people all over the world about George Washington's life and legacy. Mount Vernon is open to visitors 365 days a year. The estate now consists of not only the Mansion and tomb of Washington, but restored gardens, outbuildings, Pioneer Farm, Gristmill, Distillery, museum and orientation center, the National Library for the Study of George Washington, gift shops, food pavilion, and the Mount Vernon Inn restaurant. "],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Financial Records of the MVLA, Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia \u003c/p\u003e","\u003cp\u003eSee the Chicago Manual of Style for additional examples. \u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Financial Records of the MVLA, Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia ","See the Chicago Manual of Style for additional examples. "],"relatedmaterial_html_tesm":["\u003cp\u003e-\tPapers of the Superintendent or Resident Director\n-\tPapers of the MVLA\n-\tSuperintendent's Letter Books, Diaries, and Monthly Reports\n-\tPapers of James Rees\n-\tCouncil Minutes and Annual Reports of the MVLA\n-\tPublications and Printed Material of the MVLA\n-\tDevelopment Files\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["-\tPapers of the Superintendent or Resident Director\n-\tPapers of the MVLA\n-\tSuperintendent's Letter Books, Diaries, and Monthly Reports\n-\tPapers of James Rees\n-\tCouncil Minutes and Annual Reports of the MVLA\n-\tPublications and Printed Material of the MVLA\n-\tDevelopment Files"],"scopecontent_html_tesm":["\u003cp\u003eThis collection holds the historic financial records of the MVLA including accounting ledgers, tax documents, insurance papers, receipts, invoices, payroll lists, annual and quarterly budgets, financial statements and reports, policies, contracts, correspondence, and other miscellaneous items. Records in this collection contain information on the Association's financial accounting, revenue, expenditures, employees and employee benefits, investments, taxes, and other financial concerns. There is a very limited amount pertaining to fundraising efforts and/or private donations, which can be found in the files of Mount Vernon's development department (currently unprocessed). Bulk date 1870s-2000s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection holds the historic financial records of the MVLA including accounting ledgers, tax documents, insurance papers, receipts, invoices, payroll lists, annual and quarterly budgets, financial statements and reports, policies, contracts, correspondence, and other miscellaneous items. Records in this collection contain information on the Association's financial accounting, revenue, expenditures, employees and employee benefits, investments, taxes, and other financial concerns. There is a very limited amount pertaining to fundraising efforts and/or private donations, which can be found in the files of Mount Vernon's development department (currently unprocessed). Bulk date 1870s-2000s."],"userestrict_html_tesm":["\u003cp\u003ePlease contact library staff to inquire about use of the content in this collection.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Please contact library staff to inquire about use of the content in this collection."],"names_ssim":["Archives of the Mount Vernon Ladies' Association","Mount Vernon Ladies' Association of the Union","Hollingsworth, John McHenry, 1823-1889","Dodge, Harrison Howell, 1852-1937","Wall, Charles Cecil, 1903-1995"],"corpname_ssim":["Archives of the Mount Vernon Ladies' Association","Mount Vernon Ladies' Association of the Union"],"persname_ssim":["Hollingsworth, John McHenry, 1823-1889","Dodge, Harrison Howell, 1852-1937","Wall, Charles Cecil, 1903-1995"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":559,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:41:25.942Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vimtvl_repositories_2_resources_78_c08_c20"}},{"id":"wvmturhc_repositories_2_resources_5371_c04_c15","type":"File","attributes":{"title":"10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c04_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c04_c15","ref_ssm":["wvmturhc_repositories_2_resources_5371_c04_c15"],"id":"wvmturhc_repositories_2_resources_5371_c04_c15","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c04","parent_ssi":"wvmturhc_repositories_2_resources_5371_c04","parent_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c04"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c04"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape"],"text":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape","10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)","Box 42","Folder 1"],"title_filing_ssi":"10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)","title_ssm":["10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)"],"title_tesim":["10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)"],"unitdate_inclusive_ssm":["1939-1956"],"normalized_date_ssm":["1939/1956"],"normalized_title_ssm":["10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":182,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"containers_ssim":["Box 42","Folder 1"],"_nest_path_":"/components#3/components#14","timestamp":"2026-04-30T23:14:22.348Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    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(with titles, dates, and artist signature recorded to the reverse of paintings)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c02_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c02_c22","ref_ssm":["wvmturhc_repositories_2_resources_5371_c02_c22"],"id":"wvmturhc_repositories_2_resources_5371_c02_c22","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c02","parent_ssi":"wvmturhc_repositories_2_resources_5371_c02","parent_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c02"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract"],"text":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract","10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)","Box 14","Folder unfoldered"],"title_filing_ssi":"10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)","title_ssm":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"title_tesim":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"unitdate_inclusive_ssm":["1942-1944"],"normalized_date_ssm":["1942/1944"],"normalized_title_ssm":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":102,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1942,1943,1944],"containers_ssim":["Box 14","Folder unfoldered"],"_nest_path_":"/components#1/components#21","timestamp":"2026-04-30T23:14:22.348Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. 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Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:14:22.348Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c02_c22"}},{"id":"viblbv_repositories_2_resources_1974_c04_c66","type":"File","attributes":{"title":"10th Virginia Cavalry","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c66#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c66","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c66"],"id":"viblbv_repositories_2_resources_1974_c04_c66","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","10th Virginia Cavalry","box 41","folder 1"],"title_filing_ssi":"10th Virginia Cavalry","title_ssm":["10th Virginia Cavalry"],"title_tesim":["10th Virginia Cavalry"],"unitdate_inclusive_ssm":["n.d., 1861-1865, 1969"],"normalized_date_ssm":["1861/1969"],"normalized_title_ssm":["10th Virginia Cavalry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":412,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"containers_ssim":["box 41","folder 1"],"_nest_path_":"/components#3/components#65","timestamp":"2026-04-30T23:35:47.968Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:35:47.968Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c66"}},{"id":"viu_repositories_4_resources_612_c01_c79","type":"File","attributes":{"title":"1-10 August 1942 - [Excerpts of documents, documents]","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_612_c01_c79#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_612_c01_c79","ref_ssm":["viu_repositories_4_resources_612_c01_c79"],"id":"viu_repositories_4_resources_612_c01_c79","ead_ssi":"viu_repositories_4_resources_612","_root_":"viu_repositories_4_resources_612","_nest_parent_":"viu_repositories_4_resources_612_c01","parent_ssi":"viu_repositories_4_resources_612_c01","parent_ssim":["viu_repositories_4_resources_612","viu_repositories_4_resources_612_c01"],"parent_ids_ssim":["viu_repositories_4_resources_612","viu_repositories_4_resources_612_c01"],"parent_unittitles_ssm":["Richard J. DeMartino papers","Series 1: Ephemeris Files"],"parent_unittitles_tesim":["Richard J. DeMartino papers","Series 1: Ephemeris Files"],"text":["Richard J. DeMartino papers","Series 1: Ephemeris Files","1-10 August 1942 - [Excerpts of documents, documents]","Box 10"],"title_filing_ssi":"1-10 August 1942 - [Excerpts of documents, documents]","title_ssm":["1-10 August 1942 - [Excerpts of documents, documents]"],"title_tesim":["1-10 August 1942 - [Excerpts of documents, documents]"],"unitdate_inclusive_ssm":["1942-08-01-1942-08-10"],"normalized_date_ssm":["1942"],"normalized_title_ssm":["1-10 August 1942 - [Excerpts of documents, documents]"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Richard J. DeMartino papers"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1736,"date_range_isim":[1942],"containers_ssim":["Box 10"],"_nest_path_":"/components#0/components#78","timestamp":"2026-04-30T22:41:59.842Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_612","ead_ssi":"viu_repositories_4_resources_612","_root_":"viu_repositories_4_resources_612","_nest_parent_":"viu_repositories_4_resources_612","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_612.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/132893","title_ssm":["Richard J. DeMartino papers"],"title_tesim":["Richard J. 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DeMartino papers","France -- Foreign relations -- Japan -- 1940-1945","Japan -- History -- February Incident, 1936 (February 26)","Japan -- Foreign relations -- 1912-1945","Netherlands -- Foreign relations -- 1898-1948","Soviet Union -- Foreign relations -- 1917-1945","Thailand -- Foreign relations -- Japan","Philippines -- History -- Japanese occupation, 1942-1945","Prisoners of war -- Japan","Midway, Battle of, 1942","Bismarck Sea, Battle of, 1943","Pearl Harbor (Hawaii), Attack on, 1941","Thai-Indochinese Conflict, 1940-1941","Tokyo Trial, Tokyo, Japan, 1946-1948","War crime trials -- Japan","World War, 1939-1945 -- Personal narratives, Japanese","World War, 1939-1945 -- Personal narratives, American","World War, 1939-1945 -- Campaigns -- Japan","World War, 1939-1945 -- Campaigns -- Indonesia","World War, 1939-1945 -- Prisoners and prisons, British","diaries","photographs","Mr. DeMartino personal records show the offer that the General Headquarters of the Supreme Commander for the Allied Forces, Office of Civilian Personnel offer Lt. Richard J. DeMartino as Historical Advisor, P-5 in the \"War Department with duty station in the occupation area (Japan and Korea). The date was April 10, 1946.","In the personal statement that DeMartino filled, he certified that he was born on August 28, 1922 in New York, NY. He attended Galvani Junior High School and Benjamin Franklin High School (1932-1938) and The City College of New York (1938-1942) B.S in Social Sciences. He was member of the Phi Beta Kappa and the History Society. He worked for New York State Civil Service (September – December 1942). In 1942 he entered the US Navy. He was honorably discharged from in July 2, 1943. He also states that he has \"fair\" knowledge of the Italian and Japanese languages and that both his parents were immigrants, born in Italy.","Mr. DeMartino contract as historical advisor terminated on April 17, 1947, but he continued working in the same capacity until May 19, 1948. In his memorandum of resignation DeMartino asks: \n\"permission to retain court record and other materials used in connection with the trial is believed forthcoming. This will require a baggage allowance for shipping in excess of the usual allotment.\" [See DeMartino Civilian Personnel Record folder, box 1]","This collection was organized by Richard J. DeMartino during his tenure as one of the \"historian advisors\" to the International Military Tribunal for the Far East between 1946-1948. ","The files contain excerpts of official documents, documents, and DeMartino's handwritten notes. Excerpts from the diary of Marquis Kōichi Kido are present in each file, as if DeMartino was using Kido's notes as a guide to the research he was working on. There are also many excerpts from Papers Relating to the Foreign Relations of the United States Japan: 1931-1941, Washinton: U.S. Govt. Print. 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DeMartino papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["France -- Foreign relations -- Japan -- 1940-1945","Japan -- History -- February Incident, 1936 (February 26)","Japan -- Foreign relations -- 1912-1945","Netherlands -- Foreign relations -- 1898-1948","Soviet Union -- Foreign relations -- 1917-1945","Thailand -- Foreign relations -- Japan"],"geogname_ssim":["France -- Foreign relations -- Japan -- 1940-1945","Japan -- History -- February Incident, 1936 (February 26)","Japan -- Foreign relations -- 1912-1945","Netherlands -- Foreign relations -- 1898-1948","Soviet Union -- Foreign relations -- 1917-1945","Thailand -- Foreign relations -- Japan"],"creator_ssm":["DeMartino, Richard J., 1922-2013"],"creator_ssim":["DeMartino, Richard J., 1922-2013"],"creator_persname_ssim":["DeMartino, Richard J., 1922-2013"],"creators_ssim":["DeMartino, Richard J., 1922-2013"],"places_ssim":["France -- Foreign relations -- Japan -- 1940-1945","Japan -- History -- February Incident, 1936 (February 26)","Japan -- Foreign relations -- 1912-1945","Netherlands -- Foreign relations -- 1898-1948","Soviet Union -- Foreign relations -- 1917-1945","Thailand -- Foreign relations -- Japan"],"acqinfo_ssim":["The collection was donated to the Law Library in the Summer of 2017. Prof. Jamie Sedwick of Acadia University in Nova Scotia contacted the Special Collections Department to alert us of the existence of the papers and asked if we were interested in them.  The library immediately contacted Ms. Kathleen O'Shea, Mr. DeMartino's wife and after some negotiations the papers arrived in Charlottesville in September of 2017."],"access_subjects_ssim":["Philippines -- History -- Japanese occupation, 1942-1945","Prisoners of war -- Japan","Midway, Battle of, 1942","Bismarck Sea, Battle of, 1943","Pearl Harbor (Hawaii), Attack on, 1941","Thai-Indochinese Conflict, 1940-1941","Tokyo Trial, Tokyo, Japan, 1946-1948","War crime trials -- Japan","World War, 1939-1945 -- Personal narratives, Japanese","World War, 1939-1945 -- Personal narratives, American","World War, 1939-1945 -- Campaigns -- Japan","World War, 1939-1945 -- Campaigns -- Indonesia","World War, 1939-1945 -- Prisoners and prisons, British","diaries","photographs"],"access_subjects_ssm":["Philippines -- History -- Japanese occupation, 1942-1945","Prisoners of war -- Japan","Midway, Battle of, 1942","Bismarck Sea, Battle of, 1943","Pearl Harbor (Hawaii), Attack on, 1941","Thai-Indochinese Conflict, 1940-1941","Tokyo Trial, Tokyo, Japan, 1946-1948","War crime trials -- Japan","World War, 1939-1945 -- Personal narratives, Japanese","World War, 1939-1945 -- Personal narratives, American","World War, 1939-1945 -- Campaigns -- Japan","World War, 1939-1945 -- Campaigns -- Indonesia","World War, 1939-1945 -- Prisoners and prisons, British","diaries","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["14 Cubic Feet 34 archival boxes, plus some oversized items."],"extent_tesim":["14 Cubic Feet 34 archival boxes, plus some oversized items."],"genreform_ssim":["diaries","photographs"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"bioghist_html_tesm":["\u003cp\u003eMr. DeMartino personal records show the offer that the General Headquarters of the Supreme Commander for the Allied Forces, Office of Civilian Personnel offer Lt. Richard J. DeMartino as Historical Advisor, P-5 in the \"War Department with duty station in the occupation area (Japan and Korea). The date was April 10, 1946.\u003c/p\u003e\n","\u003cp\u003eIn the personal statement that DeMartino filled, he certified that he was born on August 28, 1922 in New York, NY. He attended Galvani Junior High School and Benjamin Franklin High School (1932-1938) and The City College of New York (1938-1942) B.S in Social Sciences. He was member of the Phi Beta Kappa and the History Society. He worked for New York State Civil Service (September – December 1942). In 1942 he entered the US Navy. He was honorably discharged from in July 2, 1943. He also states that he has \"fair\" knowledge of the Italian and Japanese languages and that both his parents were immigrants, born in Italy.\u003c/p\u003e\n","\u003cp\u003eMr. DeMartino contract as historical advisor terminated on April 17, 1947, but he continued working in the same capacity until May 19, 1948. In his memorandum of resignation DeMartino asks: \n\"permission to retain court record and other materials used in connection with the trial is believed forthcoming. This will require a baggage allowance for shipping in excess of the usual allotment.\" [See DeMartino Civilian Personnel Record folder, box 1]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mr. DeMartino personal records show the offer that the General Headquarters of the Supreme Commander for the Allied Forces, Office of Civilian Personnel offer Lt. Richard J. DeMartino as Historical Advisor, P-5 in the \"War Department with duty station in the occupation area (Japan and Korea). The date was April 10, 1946.","In the personal statement that DeMartino filled, he certified that he was born on August 28, 1922 in New York, NY. He attended Galvani Junior High School and Benjamin Franklin High School (1932-1938) and The City College of New York (1938-1942) B.S in Social Sciences. He was member of the Phi Beta Kappa and the History Society. He worked for New York State Civil Service (September – December 1942). In 1942 he entered the US Navy. He was honorably discharged from in July 2, 1943. He also states that he has \"fair\" knowledge of the Italian and Japanese languages and that both his parents were immigrants, born in Italy.","Mr. DeMartino contract as historical advisor terminated on April 17, 1947, but he continued working in the same capacity until May 19, 1948. In his memorandum of resignation DeMartino asks: \n\"permission to retain court record and other materials used in connection with the trial is believed forthcoming. This will require a baggage allowance for shipping in excess of the usual allotment.\" [See DeMartino Civilian Personnel Record folder, box 1]"],"scopecontent_html_tesm":["\u003cp\u003eThis collection was organized by Richard J. DeMartino during his tenure as one of the \"historian advisors\" to the International Military Tribunal for the Far East between 1946-1948. \u003c/p\u003e\n","\u003cp\u003eThe files contain excerpts of official documents, documents, and DeMartino's handwritten notes. Excerpts from the diary of Marquis Kōichi Kido are present in each file, as if DeMartino was using Kido's notes as a guide to the research he was working on. There are also many excerpts from Papers Relating to the Foreign Relations of the United States Japan: 1931-1941, Washinton: U.S. Govt. Print. Off., 1943, 2 v.\u003c/p\u003e\n","\u003cp\u003eThe collection is divided in 5 series and two files of unrelated materials to the IMTFE:\u003c/p\u003e\n","\u003cp\u003eSeries 1: Ephemeris Files – consist of a detail account of day to day information beginning 1 – 10 January 1936- 10 March; 10 March 1941 to 1948.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Onomastic Files – consist of files of persons related to the IMTFE.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Miscellaneous Files: translations and other related files.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Printed materials\u003c/p\u003e\n","\u003cp\u003eSeries 5: Photographs\u003c/p\u003e\n","\u003cp\u003eOther materials not related to the IMTFE\u003c/p\u003e\n","\u003cp\u003eDeMartino inscribed the documents with two annotations: a last name and a number. Special Collections kept these annotations between brackets [ ]. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was organized by Richard J. DeMartino during his tenure as one of the \"historian advisors\" to the International Military Tribunal for the Far East between 1946-1948. ","The files contain excerpts of official documents, documents, and DeMartino's handwritten notes. Excerpts from the diary of Marquis Kōichi Kido are present in each file, as if DeMartino was using Kido's notes as a guide to the research he was working on. There are also many excerpts from Papers Relating to the Foreign Relations of the United States Japan: 1931-1941, Washinton: U.S. Govt. Print. Off., 1943, 2 v.","The collection is divided in 5 series and two files of unrelated materials to the IMTFE:","Series 1: Ephemeris Files – consist of a detail account of day to day information beginning 1 – 10 January 1936- 10 March; 10 March 1941 to 1948.","Series 2: Onomastic Files – consist of files of persons related to the IMTFE.","Series 3: Miscellaneous Files: translations and other related files.","Series 4: Printed materials","Series 5: Photographs","Other materials not related to the IMTFE","DeMartino inscribed the documents with two annotations: a last name and a number. Special Collections kept these annotations between brackets [ ]. "],"names_coll_ssim":["Asahi Shimbun","International Military Tribunal for the Far East (IMTFE)","Mainichi Shimbun","Osaka Mainichi","The Japan Times","The Nippon Times","The Tokyo Nichi Nichi Shimbun","DeMartino, Richard J., 1922-2013","Araki, Sadao, 1877-1966","Bagge, Widar, 1886-1970","Ballantine, Joseph W., 1888-1973","Ching-wei, Wang, 1883-1944","Churchill, Winston S., 1874-1965","Cumming, William P., 1900-1989","Davis, Norman H., 1878-1944","Dooman, Eugene H., 1890-1969","Goering, Hermann Wilhelm, 1893-1946","Gorgé, Camille, 1893-1978","Grew, Joseph C., 1880-1965","Hashimoto, Kingoro, 1890-1957","Hata, Shunroku, 1879-1962","Hatoyama, Ichiro, 1883-1959","Higashikuni, Naruhiko, 1887-1990","Hiranuma, Kiichiro, 1867-1952","Hirohito, Michinomiya, 1901-1989","Hirota, Koki, 1878-1948","Hoshino, Naoki, 1883-1978","Hull, Cordell, 1871-1955","Ishihara, Kanji, 1889-1949","Ishii, Shiro, 1882-1959","Ishiwata, Sotaro, 1891-1950","Itagaki, Seishiro, 1885-1948 ","Iwabuchi, Tatsuo, 1892-1975 ","Kato, Sotomatsu, 1890-1942 ","Kaya, Okinori, 1889-1977 ","Keenan, Joseph B., 1888-1954 ","Kido, Koichi, 1889-1977","Kimura, Heitaro, 1888-1948","Koiso, Kuniaki, 1880-1950 ","Konoe, Fumimaro, 1891-1945","Kurusu, Saburo, 1886-1954","Matsui, Iwane, 1878-1948","Matsumoto, Shunichi, 1897-1987","Matsuoka, Yosuke, 1880-1946","Minami, Jiro, 1874-1955","Muto, Akira, 1892-1948","Nagano, Osami, 1880-1947","Nomura, Kichisaburo, 1877-1964","Nomura, Naokuni, 1885-1973","Oka, Takazumi, 1890-1973","Okada, Keisuke, 1868-1952","Oshima, Hiroshi, 1886-1975","Ribbentrop, Joachim, 1893-1946","Roosevelt, Franklin D., 1882-1945","Sato, Kenryo, 1895-1975","Sawada, Shigeru, 1887-1980","Shigemitsu, Mamoru, 1887-1957","Shimada, Shigetaro, 1883-1976","Shiratori, Toshio, 1887-1949","Sorge, Richard, 1895-1944","Suzuki, Teiichi, 1888-1989","Tanaka, Ryukichi, 1893-1972","Tanaka, Shinichi, 1893-1976","Tani, Masayuki, 1889-1962","Terasaki, Hidenari (Taro), 1890-1951","Togo, Shigenori, 1882-1950","Tojo, Hideki, 1884-1948","Tomita, Kenji, 1897-1977","Toyoda, Teijiro, 1885-1971","Umezu, Yoshijiro, 1882-1949","Welles, Sumner, 1892-1961","Yamamoto, Isoroku, 1884-1943","Yamamoto, Kumaichi","Yoshida, Shigeru, 1878-1967","Yoshizawa, Kenkichi, 1874-1965"],"names_ssim":["Arthur J. 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Richard J. DeMartino as Historical Advisor, P-5 in the \"War Department with duty station in the occupation area (Japan and Korea). The date was April 10, 1946.","In the personal statement that DeMartino filled, he certified that he was born on August 28, 1922 in New York, NY. He attended Galvani Junior High School and Benjamin Franklin High School (1932-1938) and The City College of New York (1938-1942) B.S in Social Sciences. He was member of the Phi Beta Kappa and the History Society. He worked for New York State Civil Service (September – December 1942). In 1942 he entered the US Navy. He was honorably discharged from in July 2, 1943. He also states that he has \"fair\" knowledge of the Italian and Japanese languages and that both his parents were immigrants, born in Italy.","Mr. DeMartino contract as historical advisor terminated on April 17, 1947, but he continued working in the same capacity until May 19, 1948. In his memorandum of resignation DeMartino asks: \n\"permission to retain court record and other materials used in connection with the trial is believed forthcoming. This will require a baggage allowance for shipping in excess of the usual allotment.\" [See DeMartino Civilian Personnel Record folder, box 1]","This collection was organized by Richard J. DeMartino during his tenure as one of the \"historian advisors\" to the International Military Tribunal for the Far East between 1946-1948. ","The files contain excerpts of official documents, documents, and DeMartino's handwritten notes. Excerpts from the diary of Marquis Kōichi Kido are present in each file, as if DeMartino was using Kido's notes as a guide to the research he was working on. There are also many excerpts from Papers Relating to the Foreign Relations of the United States Japan: 1931-1941, Washinton: U.S. Govt. Print. Off., 1943, 2 v.","The collection is divided in 5 series and two files of unrelated materials to the IMTFE:","Series 1: Ephemeris Files – consist of a detail account of day to day information beginning 1 – 10 January 1936- 10 March; 10 March 1941 to 1948.","Series 2: Onomastic Files – consist of files of persons related to the IMTFE.","Series 3: Miscellaneous Files: translations and other related files.","Series 4: Printed materials","Series 5: Photographs","Other materials not related to the IMTFE","DeMartino inscribed the documents with two annotations: a last name and a number. Special Collections kept these annotations between brackets [ ]. ","Arthur J. Morris Law Library Special Collections","Asahi Shimbun","International Military Tribunal for the Far East (IMTFE)","Mainichi Shimbun","Osaka Mainichi","The Japan Times","The Nippon Times","The Tokyo Nichi Nichi Shimbun","DeMartino, Richard J., 1922-2013","Araki, Sadao, 1877-1966","Bagge, Widar, 1886-1970","Ballantine, Joseph W., 1888-1973","Ching-wei, Wang, 1883-1944","Churchill, Winston S., 1874-1965","Cumming, William P., 1900-1989","Davis, Norman H., 1878-1944","Dooman, Eugene H., 1890-1969","Goering, Hermann Wilhelm, 1893-1946","Gorgé, Camille, 1893-1978","Grew, Joseph C., 1880-1965","Hashimoto, Kingoro, 1890-1957","Hata, Shunroku, 1879-1962","Hatoyama, Ichiro, 1883-1959","Higashikuni, Naruhiko, 1887-1990","Hiranuma, Kiichiro, 1867-1952","Hirohito, Michinomiya, 1901-1989","Hirota, Koki, 1878-1948","Hoshino, Naoki, 1883-1978","Hull, Cordell, 1871-1955","Ishihara, Kanji, 1889-1949","Ishii, Shiro, 1882-1959","Ishiwata, Sotaro, 1891-1950","Itagaki, Seishiro, 1885-1948 ","Iwabuchi, Tatsuo, 1892-1975 ","Kato, Sotomatsu, 1890-1942 ","Kaya, Okinori, 1889-1977 ","Keenan, Joseph B., 1888-1954 ","Kido, Koichi, 1889-1977","Kimura, Heitaro, 1888-1948","Koiso, Kuniaki, 1880-1950 ","Konoe, Fumimaro, 1891-1945","Kurusu, Saburo, 1886-1954","Matsui, Iwane, 1878-1948","Matsumoto, Shunichi, 1897-1987","Matsuoka, Yosuke, 1880-1946","Minami, Jiro, 1874-1955","Muto, Akira, 1892-1948","Nagano, Osami, 1880-1947","Nomura, Kichisaburo, 1877-1964","Nomura, Naokuni, 1885-1973","Oka, Takazumi, 1890-1973","Okada, Keisuke, 1868-1952","Oshima, Hiroshi, 1886-1975","Ribbentrop, Joachim, 1893-1946","Roosevelt, Franklin D., 1882-1945","Sato, Kenryo, 1895-1975","Sawada, Shigeru, 1887-1980","Shigemitsu, Mamoru, 1887-1957","Shimada, Shigetaro, 1883-1976","Shiratori, Toshio, 1887-1949","Sorge, Richard, 1895-1944","Suzuki, Teiichi, 1888-1989","Tanaka, Ryukichi, 1893-1972","Tanaka, Shinichi, 1893-1976","Tani, Masayuki, 1889-1962","Terasaki, Hidenari (Taro), 1890-1951","Togo, Shigenori, 1882-1950","Tojo, Hideki, 1884-1948","Tomita, Kenji, 1897-1977","Toyoda, Teijiro, 1885-1971","Umezu, Yoshijiro, 1882-1949","Welles, Sumner, 1892-1961","Yamamoto, Isoroku, 1884-1943","Yamamoto, Kumaichi","Yoshida, Shigeru, 1878-1967","Yoshizawa, Kenkichi, 1874-1965","English Japanese"],"unitid_tesim":["MSS.2017.02","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/612"],"normalized_title_ssm":["Richard J. DeMartino papers"],"collection_title_tesim":["Richard J. DeMartino papers"],"collection_ssim":["Richard J. DeMartino papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["France -- Foreign relations -- Japan -- 1940-1945","Japan -- History -- February Incident, 1936 (February 26)","Japan -- Foreign relations -- 1912-1945","Netherlands -- Foreign relations -- 1898-1948","Soviet Union -- Foreign relations -- 1917-1945","Thailand -- Foreign relations -- Japan"],"geogname_ssim":["France -- Foreign relations -- Japan -- 1940-1945","Japan -- History -- February Incident, 1936 (February 26)","Japan -- Foreign relations -- 1912-1945","Netherlands -- Foreign relations -- 1898-1948","Soviet Union -- Foreign relations -- 1917-1945","Thailand -- Foreign relations -- Japan"],"creator_ssm":["DeMartino, Richard J., 1922-2013"],"creator_ssim":["DeMartino, Richard J., 1922-2013"],"creator_persname_ssim":["DeMartino, Richard J., 1922-2013"],"creators_ssim":["DeMartino, Richard J., 1922-2013"],"places_ssim":["France -- Foreign relations -- Japan -- 1940-1945","Japan -- History -- February Incident, 1936 (February 26)","Japan -- Foreign relations -- 1912-1945","Netherlands -- Foreign relations -- 1898-1948","Soviet Union -- Foreign relations -- 1917-1945","Thailand -- Foreign relations -- Japan"],"acqinfo_ssim":["The collection was donated to the Law Library in the Summer of 2017. Prof. Jamie Sedwick of Acadia University in Nova Scotia contacted the Special Collections Department to alert us of the existence of the papers and asked if we were interested in them.  The library immediately contacted Ms. Kathleen O'Shea, Mr. DeMartino's wife and after some negotiations the papers arrived in Charlottesville in September of 2017."],"access_subjects_ssim":["Philippines -- History -- Japanese occupation, 1942-1945","Prisoners of war -- Japan","Midway, Battle of, 1942","Bismarck Sea, Battle of, 1943","Pearl Harbor (Hawaii), Attack on, 1941","Thai-Indochinese Conflict, 1940-1941","Tokyo Trial, Tokyo, Japan, 1946-1948","War crime trials -- Japan","World War, 1939-1945 -- Personal narratives, Japanese","World War, 1939-1945 -- Personal narratives, American","World War, 1939-1945 -- Campaigns -- Japan","World War, 1939-1945 -- Campaigns -- Indonesia","World War, 1939-1945 -- Prisoners and prisons, British","diaries","photographs"],"access_subjects_ssm":["Philippines -- History -- Japanese occupation, 1942-1945","Prisoners of war -- Japan","Midway, Battle of, 1942","Bismarck Sea, Battle of, 1943","Pearl Harbor (Hawaii), Attack on, 1941","Thai-Indochinese Conflict, 1940-1941","Tokyo Trial, Tokyo, Japan, 1946-1948","War crime trials -- Japan","World War, 1939-1945 -- Personal narratives, Japanese","World War, 1939-1945 -- Personal narratives, American","World War, 1939-1945 -- Campaigns -- Japan","World War, 1939-1945 -- Campaigns -- Indonesia","World War, 1939-1945 -- Prisoners and prisons, British","diaries","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["14 Cubic Feet 34 archival boxes, plus some oversized items."],"extent_tesim":["14 Cubic Feet 34 archival boxes, plus some oversized items."],"genreform_ssim":["diaries","photographs"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"bioghist_html_tesm":["\u003cp\u003eMr. DeMartino personal records show the offer that the General Headquarters of the Supreme Commander for the Allied Forces, Office of Civilian Personnel offer Lt. Richard J. DeMartino as Historical Advisor, P-5 in the \"War Department with duty station in the occupation area (Japan and Korea). The date was April 10, 1946.\u003c/p\u003e\n","\u003cp\u003eIn the personal statement that DeMartino filled, he certified that he was born on August 28, 1922 in New York, NY. He attended Galvani Junior High School and Benjamin Franklin High School (1932-1938) and The City College of New York (1938-1942) B.S in Social Sciences. He was member of the Phi Beta Kappa and the History Society. He worked for New York State Civil Service (September – December 1942). In 1942 he entered the US Navy. He was honorably discharged from in July 2, 1943. He also states that he has \"fair\" knowledge of the Italian and Japanese languages and that both his parents were immigrants, born in Italy.\u003c/p\u003e\n","\u003cp\u003eMr. DeMartino contract as historical advisor terminated on April 17, 1947, but he continued working in the same capacity until May 19, 1948. In his memorandum of resignation DeMartino asks: \n\"permission to retain court record and other materials used in connection with the trial is believed forthcoming. This will require a baggage allowance for shipping in excess of the usual allotment.\" [See DeMartino Civilian Personnel Record folder, box 1]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mr. DeMartino personal records show the offer that the General Headquarters of the Supreme Commander for the Allied Forces, Office of Civilian Personnel offer Lt. Richard J. DeMartino as Historical Advisor, P-5 in the \"War Department with duty station in the occupation area (Japan and Korea). The date was April 10, 1946.","In the personal statement that DeMartino filled, he certified that he was born on August 28, 1922 in New York, NY. He attended Galvani Junior High School and Benjamin Franklin High School (1932-1938) and The City College of New York (1938-1942) B.S in Social Sciences. He was member of the Phi Beta Kappa and the History Society. He worked for New York State Civil Service (September – December 1942). In 1942 he entered the US Navy. He was honorably discharged from in July 2, 1943. He also states that he has \"fair\" knowledge of the Italian and Japanese languages and that both his parents were immigrants, born in Italy.","Mr. DeMartino contract as historical advisor terminated on April 17, 1947, but he continued working in the same capacity until May 19, 1948. In his memorandum of resignation DeMartino asks: \n\"permission to retain court record and other materials used in connection with the trial is believed forthcoming. This will require a baggage allowance for shipping in excess of the usual allotment.\" [See DeMartino Civilian Personnel Record folder, box 1]"],"scopecontent_html_tesm":["\u003cp\u003eThis collection was organized by Richard J. DeMartino during his tenure as one of the \"historian advisors\" to the International Military Tribunal for the Far East between 1946-1948. \u003c/p\u003e\n","\u003cp\u003eThe files contain excerpts of official documents, documents, and DeMartino's handwritten notes. Excerpts from the diary of Marquis Kōichi Kido are present in each file, as if DeMartino was using Kido's notes as a guide to the research he was working on. There are also many excerpts from Papers Relating to the Foreign Relations of the United States Japan: 1931-1941, Washinton: U.S. Govt. Print. Off., 1943, 2 v.\u003c/p\u003e\n","\u003cp\u003eThe collection is divided in 5 series and two files of unrelated materials to the IMTFE:\u003c/p\u003e\n","\u003cp\u003eSeries 1: Ephemeris Files – consist of a detail account of day to day information beginning 1 – 10 January 1936- 10 March; 10 March 1941 to 1948.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Onomastic Files – consist of files of persons related to the IMTFE.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Miscellaneous Files: translations and other related files.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Printed materials\u003c/p\u003e\n","\u003cp\u003eSeries 5: Photographs\u003c/p\u003e\n","\u003cp\u003eOther materials not related to the IMTFE\u003c/p\u003e\n","\u003cp\u003eDeMartino inscribed the documents with two annotations: a last name and a number. Special Collections kept these annotations between brackets [ ]. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was organized by Richard J. DeMartino during his tenure as one of the \"historian advisors\" to the International Military Tribunal for the Far East between 1946-1948. ","The files contain excerpts of official documents, documents, and DeMartino's handwritten notes. Excerpts from the diary of Marquis Kōichi Kido are present in each file, as if DeMartino was using Kido's notes as a guide to the research he was working on. There are also many excerpts from Papers Relating to the Foreign Relations of the United States Japan: 1931-1941, Washinton: U.S. Govt. Print. Off., 1943, 2 v.","The collection is divided in 5 series and two files of unrelated materials to the IMTFE:","Series 1: Ephemeris Files – consist of a detail account of day to day information beginning 1 – 10 January 1936- 10 March; 10 March 1941 to 1948.","Series 2: Onomastic Files – consist of files of persons related to the IMTFE.","Series 3: Miscellaneous Files: translations and other related files.","Series 4: Printed materials","Series 5: Photographs","Other materials not related to the IMTFE","DeMartino inscribed the documents with two annotations: a last name and a number. Special Collections kept these annotations between brackets [ ]. 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Prof. Jamie Sedwick of Acadia University in Nova Scotia contacted the Special Collections Department to alert us of the existence of the papers and asked if we were interested in them.  The library immediately contacted Ms. Kathleen O'Shea, Mr. DeMartino's wife and after some negotiations the papers arrived in Charlottesville in September of 2017."],"access_subjects_ssim":["Philippines -- History -- Japanese occupation, 1942-1945","Prisoners of war -- Japan","Midway, Battle of, 1942","Bismarck Sea, Battle of, 1943","Pearl Harbor (Hawaii), Attack on, 1941","Thai-Indochinese Conflict, 1940-1941","Tokyo Trial, Tokyo, Japan, 1946-1948","War crime trials -- Japan","World War, 1939-1945 -- Personal narratives, Japanese","World War, 1939-1945 -- Personal narratives, American","World War, 1939-1945 -- Campaigns -- Japan","World War, 1939-1945 -- Campaigns -- Indonesia","World War, 1939-1945 -- Prisoners and prisons, British","diaries","photographs"],"access_subjects_ssm":["Philippines -- History -- Japanese occupation, 1942-1945","Prisoners of war -- Japan","Midway, Battle of, 1942","Bismarck Sea, Battle of, 1943","Pearl Harbor (Hawaii), Attack on, 1941","Thai-Indochinese Conflict, 1940-1941","Tokyo Trial, Tokyo, Japan, 1946-1948","War crime trials -- Japan","World War, 1939-1945 -- Personal narratives, Japanese","World War, 1939-1945 -- Personal narratives, American","World War, 1939-1945 -- Campaigns -- Japan","World War, 1939-1945 -- Campaigns -- Indonesia","World War, 1939-1945 -- Prisoners and prisons, British","diaries","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["14 Cubic Feet 34 archival boxes, plus some oversized items."],"extent_tesim":["14 Cubic Feet 34 archival boxes, plus some oversized items."],"genreform_ssim":["diaries","photographs"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"bioghist_html_tesm":["\u003cp\u003eMr. DeMartino personal records show the offer that the General Headquarters of the Supreme Commander for the Allied Forces, Office of Civilian Personnel offer Lt. Richard J. DeMartino as Historical Advisor, P-5 in the \"War Department with duty station in the occupation area (Japan and Korea). The date was April 10, 1946.\u003c/p\u003e\n","\u003cp\u003eIn the personal statement that DeMartino filled, he certified that he was born on August 28, 1922 in New York, NY. He attended Galvani Junior High School and Benjamin Franklin High School (1932-1938) and The City College of New York (1938-1942) B.S in Social Sciences. He was member of the Phi Beta Kappa and the History Society. He worked for New York State Civil Service (September – December 1942). In 1942 he entered the US Navy. He was honorably discharged from in July 2, 1943. He also states that he has \"fair\" knowledge of the Italian and Japanese languages and that both his parents were immigrants, born in Italy.\u003c/p\u003e\n","\u003cp\u003eMr. DeMartino contract as historical advisor terminated on April 17, 1947, but he continued working in the same capacity until May 19, 1948. In his memorandum of resignation DeMartino asks: \n\"permission to retain court record and other materials used in connection with the trial is believed forthcoming. This will require a baggage allowance for shipping in excess of the usual allotment.\" [See DeMartino Civilian Personnel Record folder, box 1]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mr. DeMartino personal records show the offer that the General Headquarters of the Supreme Commander for the Allied Forces, Office of Civilian Personnel offer Lt. Richard J. DeMartino as Historical Advisor, P-5 in the \"War Department with duty station in the occupation area (Japan and Korea). The date was April 10, 1946.","In the personal statement that DeMartino filled, he certified that he was born on August 28, 1922 in New York, NY. He attended Galvani Junior High School and Benjamin Franklin High School (1932-1938) and The City College of New York (1938-1942) B.S in Social Sciences. He was member of the Phi Beta Kappa and the History Society. He worked for New York State Civil Service (September – December 1942). In 1942 he entered the US Navy. He was honorably discharged from in July 2, 1943. He also states that he has \"fair\" knowledge of the Italian and Japanese languages and that both his parents were immigrants, born in Italy.","Mr. DeMartino contract as historical advisor terminated on April 17, 1947, but he continued working in the same capacity until May 19, 1948. In his memorandum of resignation DeMartino asks: \n\"permission to retain court record and other materials used in connection with the trial is believed forthcoming. This will require a baggage allowance for shipping in excess of the usual allotment.\" [See DeMartino Civilian Personnel Record folder, box 1]"],"scopecontent_html_tesm":["\u003cp\u003eThis collection was organized by Richard J. DeMartino during his tenure as one of the \"historian advisors\" to the International Military Tribunal for the Far East between 1946-1948. \u003c/p\u003e\n","\u003cp\u003eThe files contain excerpts of official documents, documents, and DeMartino's handwritten notes. Excerpts from the diary of Marquis Kōichi Kido are present in each file, as if DeMartino was using Kido's notes as a guide to the research he was working on. There are also many excerpts from Papers Relating to the Foreign Relations of the United States Japan: 1931-1941, Washinton: U.S. Govt. Print. Off., 1943, 2 v.\u003c/p\u003e\n","\u003cp\u003eThe collection is divided in 5 series and two files of unrelated materials to the IMTFE:\u003c/p\u003e\n","\u003cp\u003eSeries 1: Ephemeris Files – consist of a detail account of day to day information beginning 1 – 10 January 1936- 10 March; 10 March 1941 to 1948.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Onomastic Files – consist of files of persons related to the IMTFE.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Miscellaneous Files: translations and other related files.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Printed materials\u003c/p\u003e\n","\u003cp\u003eSeries 5: Photographs\u003c/p\u003e\n","\u003cp\u003eOther materials not related to the IMTFE\u003c/p\u003e\n","\u003cp\u003eDeMartino inscribed the documents with two annotations: a last name and a number. Special Collections kept these annotations between brackets [ ]. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was organized by Richard J. DeMartino during his tenure as one of the \"historian advisors\" to the International Military Tribunal for the Far East between 1946-1948. ","The files contain excerpts of official documents, documents, and DeMartino's handwritten notes. Excerpts from the diary of Marquis Kōichi Kido are present in each file, as if DeMartino was using Kido's notes as a guide to the research he was working on. There are also many excerpts from Papers Relating to the Foreign Relations of the United States Japan: 1931-1941, Washinton: U.S. Govt. Print. Off., 1943, 2 v.","The collection is divided in 5 series and two files of unrelated materials to the IMTFE:","Series 1: Ephemeris Files – consist of a detail account of day to day information beginning 1 – 10 January 1936- 10 March; 10 March 1941 to 1948.","Series 2: Onomastic Files – consist of files of persons related to the IMTFE.","Series 3: Miscellaneous Files: translations and other related files.","Series 4: Printed materials","Series 5: Photographs","Other materials not related to the IMTFE","DeMartino inscribed the documents with two annotations: a last name and a number. Special Collections kept these annotations between brackets [ ]. 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,","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c11","ref_ssm":["viu_repositories_7_resources_157_c01_c11"],"id":"viu_repositories_7_resources_157_c01_c11","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,","1-11 Outer surface of the right cerebral hemisphere ,","box 1","folder 11"],"title_filing_ssi":"1-11 Outer surface of the right cerebral hemisphere ,","title_ssm":["1-11 Outer surface of the right cerebral hemisphere ,"],"title_tesim":["1-11 Outer surface of the right cerebral hemisphere ,"],"unitdate_inclusive_ssm":["circa 1920-1950"],"normalized_date_ssm":["1920/1950"],"normalized_title_ssm":["1-11 Outer surface of the right cerebral hemisphere ,"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":12,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. 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Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. 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The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. 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All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. 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The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:51:13.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c11"}},{"id":"viu_repositories_7_resources_157_c01_c12","type":"Item","attributes":{"title":"1-12 Basal aspect of the brain ,","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c12","ref_ssm":["viu_repositories_7_resources_157_c01_c12"],"id":"viu_repositories_7_resources_157_c01_c12","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,","1-12 Basal aspect of the brain ,","box 1","folder 12"],"title_filing_ssi":"1-12 Basal aspect of the brain ,","title_ssm":["1-12 Basal aspect of the brain ,"],"title_tesim":["1-12 Basal aspect of the brain ,"],"unitdate_inclusive_ssm":["circa 1920-1950"],"normalized_date_ssm":["1920/1950"],"normalized_title_ssm":["1-12 Basal aspect of the brain ,"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":13,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). 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During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:51:13.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c12"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":268},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and 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