{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1940\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=22","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1940\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=21","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1940\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=23","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1940\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=100"},"meta":{"pages":{"current_page":22,"next_page":23,"prev_page":21,"total_pages":100,"limit_value":10,"offset_value":210,"total_count":1000,"first_page?":false,"last_page?":false}},"data":[{"id":"vircu_repositories_3_resources_575_c01","type":"File","attributes":{"title":"Correspondence and Personal Materials","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_575_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_3_resources_575_c01","ref_ssm":["vircu_repositories_3_resources_575_c01"],"id":"vircu_repositories_3_resources_575_c01","ead_ssi":"vircu_repositories_3_resources_575","_root_":"vircu_repositories_3_resources_575","_nest_parent_":"vircu_repositories_3_resources_575","parent_ssi":"vircu_repositories_3_resources_575","parent_ssim":["vircu_repositories_3_resources_575"],"parent_ids_ssim":["vircu_repositories_3_resources_575"],"parent_unittitles_ssm":["William Lee Cosby papers"],"parent_unittitles_tesim":["William Lee Cosby papers"],"text":["William Lee Cosby papers","Correspondence and Personal Materials","English","box 1","folder 1"],"title_filing_ssi":"Correspondence and Personal Materials","title_ssm":["Correspondence and Personal Materials"],"title_tesim":["Correspondence and Personal Materials"],"unitdate_inclusive_ssm":["1904-1962"],"normalized_date_ssm":["1904/1962"],"normalized_title_ssm":["Correspondence and Personal Materials"],"component_level_isim":[1],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["William Lee Cosby papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"language_ssim":["English"],"containers_ssim":["box 1","folder 1"],"_nest_path_":"/components#0","timestamp":"2026-05-01T00:17:28.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_575","ead_ssi":"vircu_repositories_3_resources_575","_root_":"vircu_repositories_3_resources_575","_nest_parent_":"vircu_repositories_3_resources_575","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_575.xml","title_filing_ssi":"Cosby, William Lee, papers","title_ssm":["William Lee Cosby papers"],"title_tesim":["William Lee Cosby papers"],"unitdate_ssm":["1904-1980"],"unitdate_inclusive_ssm":["1904-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["1984.02.04","/repositories/3/resources/575"],"text":["1984.02.04","/repositories/3/resources/575","William Lee Cosby papers","Physicians -- Virginia.","Ambulance service","Photographs","The collection is open to research.","The materials had no discernable order when acquired. The materials have been grouped together to easily facilitate research, consisting of correspondence, photographs, commencement materials, and newspaper clippings.","William Lee Cosby was born September 14, 1885 in Powhatan County, VA. He attended Liberty Hall School in Lodi, Virginia, and graduated from the Medical College of Virginia (MCV) in Richmond, VA in 1909. After graduating from MCV, he was part of Richmond's first ambulance service, and also practiced in Gloucester County for a short time. In 1910 he moved to Painter, VA on the Eastern Shore to be the town's doctor. He married Amine Cobb in 1914, and together they had 5 children. He was well-loved in Painter for his work and kindness, and worked until his retirement in 1955. After a long illness, Cosby died November 13, 1965 in Accomack County, VA.","The collection consists of correspondence to and about Dr. Cosby, photographs of time in the Richmond Ambulance Corps and at the Medical College of Virginia, photographs of his family, a 1909 MCV commencement program and diploma seal, and newspaper clippings detailing Dr. Cosby's life on the Eastern Shore.","See also the Diploma and Certificate collection (2015.02.03) which contains Dr. Cosby's 1909 diploma from the Medical College of Virginia","There are no restrictions.","VCU Health Sciences Library","Kellam, E. 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The materials have been grouped together to easily facilitate research, consisting of correspondence, photographs, commencement materials, and newspaper clippings.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials had no discernable order when acquired. The materials have been grouped together to easily facilitate research, consisting of correspondence, photographs, commencement materials, and newspaper clippings."],"bioghist_html_tesm":["\u003cp\u003eWilliam Lee Cosby was born September 14, 1885 in Powhatan County, VA. He attended Liberty Hall School in Lodi, Virginia, and graduated from the Medical College of Virginia (MCV) in Richmond, VA in 1909. After graduating from MCV, he was part of Richmond's first ambulance service, and also practiced in Gloucester County for a short time. In 1910 he moved to Painter, VA on the Eastern Shore to be the town's doctor. He married Amine Cobb in 1914, and together they had 5 children. He was well-loved in Painter for his work and kindness, and worked until his retirement in 1955. After a long illness, Cosby died November 13, 1965 in Accomack County, VA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William Lee Cosby was born September 14, 1885 in Powhatan County, VA. He attended Liberty Hall School in Lodi, Virginia, and graduated from the Medical College of Virginia (MCV) in Richmond, VA in 1909. After graduating from MCV, he was part of Richmond's first ambulance service, and also practiced in Gloucester County for a short time. In 1910 he moved to Painter, VA on the Eastern Shore to be the town's doctor. He married Amine Cobb in 1914, and together they had 5 children. He was well-loved in Painter for his work and kindness, and worked until his retirement in 1955. After a long illness, Cosby died November 13, 1965 in Accomack County, VA."],"prefercite_html_tesm":["\u003cp\u003eWilliam Lee Cosby papers, 1904-1980, Accession number 1984.02.04, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["William Lee Cosby papers, 1904-1980, Accession number 1984.02.04, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of correspondence to and about Dr. Cosby, photographs of time in the Richmond Ambulance Corps and at the Medical College of Virginia, photographs of his family, a 1909 MCV commencement program and diploma seal, and newspaper clippings detailing Dr. Cosby's life on the Eastern Shore.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The collection consists of correspondence to and about Dr. Cosby, photographs of time in the Richmond Ambulance Corps and at the Medical College of Virginia, photographs of his family, a 1909 MCV commencement program and diploma seal, and newspaper clippings detailing Dr. Cosby's life on the Eastern Shore."],"separatedmaterial_html_tesm":["\u003cp\u003eSee also the Diploma and Certificate collection (2015.02.03) which contains Dr. Cosby's 1909 diploma from the Medical College of Virginia\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["See also the Diploma and Certificate collection (2015.02.03) which contains Dr. Cosby's 1909 diploma from the Medical College of Virginia"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU Health Sciences Library","Kellam, E. Polk, Mrs., 1916-2014","Cosby, William Lee, 1885-1965"],"corpname_ssim":["VCU Health Sciences Library"],"names_coll_ssim":["Kellam, E. Polk, Mrs., 1916-2014","Cosby, William Lee, 1885-1965"],"persname_ssim":["Kellam, E. Polk, Mrs., 1916-2014","Cosby, William Lee, 1885-1965"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:17:28.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_575_c01"}},{"id":"vircu_repositories_5_resources_101_c18","type":"File","attributes":{"title":"Correspondence: B","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_101_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_101_c18","ref_ssm":["vircu_repositories_5_resources_101_c18"],"id":"vircu_repositories_5_resources_101_c18","ead_ssi":"vircu_repositories_5_resources_101","_root_":"vircu_repositories_5_resources_101","_nest_parent_":"vircu_repositories_5_resources_101","parent_ssi":"vircu_repositories_5_resources_101","parent_ssim":["vircu_repositories_5_resources_101"],"parent_ids_ssim":["vircu_repositories_5_resources_101"],"parent_unittitles_ssm":["Frederick Otto Seibel papers"],"parent_unittitles_tesim":["Frederick Otto Seibel papers"],"text":["Frederick Otto Seibel papers","Correspondence: B","box 1","folder 18"],"title_filing_ssi":"Correspondence: B","title_ssm":["Correspondence: B"],"title_tesim":["Correspondence: B"],"unitdate_inclusive_ssm":["1916-1955"],"normalized_date_ssm":["1916/1955"],"normalized_title_ssm":["Correspondence: B"],"component_level_isim":[1],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Frederick Otto Seibel papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":18,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955],"containers_ssim":["box 1","folder 18"],"_nest_path_":"/components#17","timestamp":"2026-05-01T00:15:37.796Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_101","ead_ssi":"vircu_repositories_5_resources_101","_root_":"vircu_repositories_5_resources_101","_nest_parent_":"vircu_repositories_5_resources_101","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_101.xml","title_filing_ssi":"Seibel, Frederick Otto, papers","title_ssm":["Frederick Otto Seibel papers"],"title_tesim":["Frederick Otto Seibel papers"],"unitdate_ssm":["1882-1968"],"unitdate_inclusive_ssm":["1882-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 23","/repositories/5/resources/101"],"text":["M 23","/repositories/5/resources/101","Frederick Otto Seibel papers","Editorial cartoonists -- Virginia -- Richmond","Cartoonists -- United States","Collection is open to research.","Collection is arranged alphabetically. The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved.","Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.","The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the  Knickerbocker Press  and the  Richmond Times-Dispatch . Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.","There are no restrictions.","VCU James Branch Cabell Library","Seibel, Fred O. (Fred Otto), 1886-1969","English \n.    "],"unitid_tesim":["M 23","/repositories/5/resources/101"],"normalized_title_ssm":["Frederick Otto Seibel papers"],"collection_title_tesim":["Frederick Otto Seibel papers"],"collection_ssim":["Frederick Otto Seibel papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creator_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creator_persname_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creators_ssim":["Seibel, Fred O. 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The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved."],"bioghist_html_tesm":["\u003cp\u003eFrederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936."],"prefercite_html_tesm":["\u003cp\u003eFrederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Frederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the \u003ctitle\u003eKnickerbocker Press\u003c/title\u003e and the \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e. Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the  Knickerbocker Press  and the  Richmond Times-Dispatch . Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Seibel, Fred O. (Fred Otto), 1886-1969"],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"language_ssim":["English \n.    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Ambler Johnston."],"parent_unittitles_tesim":["MCV Foundation/Monumental Church records","Correspondence, J. Ambler Johnston."],"text":["MCV Foundation/Monumental Church records","Correspondence, J. Ambler Johnston.","Correspondence between Johnston and MCV Officials","box 3","\"Sundry Papers Incident to Transfer to Medical College Foundation.\""],"title_filing_ssi":"Correspondence between Johnston and MCV Officials","title_ssm":["Correspondence between Johnston and MCV Officials"],"title_tesim":["Correspondence between Johnston and MCV Officials"],"unitdate_inclusive_ssm":["1926-1970"],"normalized_date_ssm":["1926/1970"],"normalized_title_ssm":["Correspondence between Johnston and MCV Officials"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["MCV Foundation/Monumental Church records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":22,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"containers_ssim":["box 3"],"scopecontent_html_tesm":["\u003cp\u003e\"Sundry Papers Incident to Transfer to Medical College Foundation.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["\"Sundry Papers Incident to Transfer to Medical College Foundation.\""],"_nest_path_":"/components#2/components#5","timestamp":"2026-05-01T00:13:33.324Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_19","ead_ssi":"vircu_repositories_3_resources_19","_root_":"vircu_repositories_3_resources_19","_nest_parent_":"vircu_repositories_3_resources_19","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_19.xml","title_ssm":["MCV Foundation/Monumental Church records"],"title_tesim":["MCV Foundation/Monumental Church records"],"unitdate_ssm":["1957-1965"],"unitdate_inclusive_ssm":["1957-1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2005.Jun.13","/repositories/3/resources/19"],"text":["2005.Jun.13","/repositories/3/resources/19","MCV Foundation/Monumental Church records","Church architecture -- Conservation and restoration -- Virginia -- Richmond.","Collection is open to research.","The collection is arranged in chronological order.","The Monumental Church stands on historic ground. The land was first used in 1786 by the Chevalier Quesnay de Beau Repaire as the location of his Academy of Arts and Sciences. The school only lasted a few years and Quesnay returned to France. One of the buildings that survived was the assembly hall that was quickly converted into the Academy Theatre. It was there that Virginia ratified the Constitution of the United States in 1788. In 1802, the wooden theater caught fire and burned to the ground, but another was erected on its foundation.","This new theater was very popular and often drew large crowds. On December 26, 1811 the theatre was full. During a scene change, a lantern caught the stage backdrop on fire and soon the entire stage was ablaze. In the aftermath of the fire 73 people, mostly women, were killed including Governor George William Smith. The next day a town commission met and resolved to create a memorial to those who died on the theaters grounds. Monumental Church became this memorial.","Two heroes who emerged from the inferno were Gilbert Hunt, an enslaved blacksmith and Dr. James McCaw, a Richmond physician (and grandfather of Dr. James B. McCaw).","Opened in 1814 the Church was built on land \"for ever kept sacred\". In a vault under the church lay the bodies of those who perished that night, and several plaques and memorials line the churches walls. Chief Justice John Marshall was instrumental in the initial phases in creating this Greek revival church. And after it opened, Marshall was a congregation member. Designed by Roberts Mills, Monumental is the only surviving Church Mills designed with its dome intact. The church was known as Monumental Episcopal Church.","As the City of Richmond grew so did the Medical College of Virginia, taking up most of the city plots around the Church. Under an agreement with Virginia Commonwealth University the Church became a religious center for the student body supplementing its own congregation in 1958. After a major renovation phase of the Church that began in 1960, the Episcopal diocese found the cost too high and moved the congregation to a newer building in 1965. Ownership transferred to the University who attempted to continue the renovations. The Church was listed on National Registry of Historic Places in 1971. The University gave Monumental Church to the Historic Richmond Foundation in 1983, and they began a series of restorative projects that are ongoing.","The collection includes minutes of the Monumental Church Endowment, correspondence with J. Ambler Johnston who oversaw the early renovation. Also included are clippings and articles relating to the Church and its members. The Collection focuses on the time of its first renovation from 1960-1965. It does not cover activity of the congregation or of the years of University ownership.","There are no restrictions.","VCU Health Sciences Library","MCV Foundation","Glave Newman Anderson and Associates, Inc","Monumental Episcopal Church (Richmond, Va.)","Medical College of Virginia","Johnston, J. Ambler (James Ambler), 1885-1974","English"],"unitid_tesim":["2005.Jun.13","/repositories/3/resources/19"],"normalized_title_ssm":["MCV Foundation/Monumental Church records"],"collection_title_tesim":["MCV Foundation/Monumental Church records"],"collection_ssim":["MCV Foundation/Monumental Church records"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["MCV Foundation","Glave Newman Anderson and Associates, Inc","Johnston, J. Ambler (James Ambler), 1885-1974"],"creator_ssim":["MCV Foundation","Glave Newman Anderson and Associates, Inc","Johnston, J. Ambler (James Ambler), 1885-1974"],"creator_persname_ssim":["Johnston, J. Ambler (James Ambler), 1885-1974"],"creator_corpname_ssim":["MCV Foundation","Glave Newman Anderson and Associates, Inc"],"creators_ssim":["Johnston, J. Ambler (James Ambler), 1885-1974","MCV Foundation","Glave Newman Anderson and Associates, Inc"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Received from David Bagby, Executive Director of the MCV Foundation ca. 1980."],"access_subjects_ssim":["Church architecture -- Conservation and restoration -- Virginia -- Richmond."],"access_subjects_ssm":["Church architecture -- Conservation and restoration -- Virginia -- Richmond."],"has_online_content_ssim":["false"],"extent_ssm":["2.6 Linear Feet"],"extent_tesim":["2.6 Linear Feet"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eThe Monumental Church stands on historic ground. The land was first used in 1786 by the Chevalier Quesnay de Beau Repaire as the location of his Academy of Arts and Sciences. The school only lasted a few years and Quesnay returned to France. One of the buildings that survived was the assembly hall that was quickly converted into the Academy Theatre. It was there that Virginia ratified the Constitution of the United States in 1788. In 1802, the wooden theater caught fire and burned to the ground, but another was erected on its foundation.\u003c/p\u003e\n","\u003cp\u003eThis new theater was very popular and often drew large crowds. On December 26, 1811 the theatre was full. During a scene change, a lantern caught the stage backdrop on fire and soon the entire stage was ablaze. In the aftermath of the fire 73 people, mostly women, were killed including Governor George William Smith. The next day a town commission met and resolved to create a memorial to those who died on the theaters grounds. Monumental Church became this memorial.\u003c/p\u003e\n","\u003cp\u003eTwo heroes who emerged from the inferno were Gilbert Hunt, an enslaved blacksmith and Dr. James McCaw, a Richmond physician (and grandfather of Dr. James B. McCaw).\u003c/p\u003e\n","\u003cp\u003eOpened in 1814 the Church was built on land \"for ever kept sacred\". In a vault under the church lay the bodies of those who perished that night, and several plaques and memorials line the churches walls. Chief Justice John Marshall was instrumental in the initial phases in creating this Greek revival church. And after it opened, Marshall was a congregation member. Designed by Roberts Mills, Monumental is the only surviving Church Mills designed with its dome intact. The church was known as Monumental Episcopal Church.\u003c/p\u003e\n","\u003cp\u003eAs the City of Richmond grew so did the Medical College of Virginia, taking up most of the city plots around the Church. Under an agreement with Virginia Commonwealth University the Church became a religious center for the student body supplementing its own congregation in 1958. After a major renovation phase of the Church that began in 1960, the Episcopal diocese found the cost too high and moved the congregation to a newer building in 1965. Ownership transferred to the University who attempted to continue the renovations. The Church was listed on National Registry of Historic Places in 1971. The University gave Monumental Church to the Historic Richmond Foundation in 1983, and they began a series of restorative projects that are ongoing.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Monumental Church stands on historic ground. The land was first used in 1786 by the Chevalier Quesnay de Beau Repaire as the location of his Academy of Arts and Sciences. The school only lasted a few years and Quesnay returned to France. One of the buildings that survived was the assembly hall that was quickly converted into the Academy Theatre. It was there that Virginia ratified the Constitution of the United States in 1788. In 1802, the wooden theater caught fire and burned to the ground, but another was erected on its foundation.","This new theater was very popular and often drew large crowds. On December 26, 1811 the theatre was full. During a scene change, a lantern caught the stage backdrop on fire and soon the entire stage was ablaze. In the aftermath of the fire 73 people, mostly women, were killed including Governor George William Smith. The next day a town commission met and resolved to create a memorial to those who died on the theaters grounds. Monumental Church became this memorial.","Two heroes who emerged from the inferno were Gilbert Hunt, an enslaved blacksmith and Dr. James McCaw, a Richmond physician (and grandfather of Dr. James B. McCaw).","Opened in 1814 the Church was built on land \"for ever kept sacred\". In a vault under the church lay the bodies of those who perished that night, and several plaques and memorials line the churches walls. Chief Justice John Marshall was instrumental in the initial phases in creating this Greek revival church. And after it opened, Marshall was a congregation member. Designed by Roberts Mills, Monumental is the only surviving Church Mills designed with its dome intact. The church was known as Monumental Episcopal Church.","As the City of Richmond grew so did the Medical College of Virginia, taking up most of the city plots around the Church. Under an agreement with Virginia Commonwealth University the Church became a religious center for the student body supplementing its own congregation in 1958. After a major renovation phase of the Church that began in 1960, the Episcopal diocese found the cost too high and moved the congregation to a newer building in 1965. Ownership transferred to the University who attempted to continue the renovations. The Church was listed on National Registry of Historic Places in 1971. The University gave Monumental Church to the Historic Richmond Foundation in 1983, and they began a series of restorative projects that are ongoing."],"prefercite_html_tesm":["\u003cp\u003eRecords of the MCV Foundation/Monumental Church, Accession #2005/Jun/13, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e"],"prefercite_tesim":["Records of the MCV Foundation/Monumental Church, Accession #2005/Jun/13, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes minutes of the Monumental Church Endowment, correspondence with J. Ambler Johnston who oversaw the early renovation. Also included are clippings and articles relating to the Church and its members. The Collection focuses on the time of its first renovation from 1960-1965. It does not cover activity of the congregation or of the years of University ownership.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes minutes of the Monumental Church Endowment, correspondence with J. Ambler Johnston who oversaw the early renovation. Also included are clippings and articles relating to the Church and its members. The Collection focuses on the time of its first renovation from 1960-1965. It does not cover activity of the congregation or of the years of University ownership."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Monumental Episcopal Church (Richmond, Va.)","Medical College of Virginia"],"names_ssim":["VCU Health Sciences Library","MCV Foundation","Glave Newman Anderson and Associates, Inc","Monumental Episcopal Church (Richmond, Va.)","Medical College of Virginia","Johnston, J. Ambler (James Ambler), 1885-1974"],"corpname_ssim":["VCU Health Sciences Library","MCV Foundation","Glave Newman Anderson and Associates, Inc","Monumental Episcopal Church (Richmond, Va.)","Medical College of Virginia"],"persname_ssim":["Johnston, J. Ambler (James Ambler), 1885-1974"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:13:33.324Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_19_c03_c06"}},{"id":"vircu_repositories_5_resources_101_c15","type":"File","attributes":{"title":"Correspondence: Byrd, Harry F., Sr.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_101_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_101_c15","ref_ssm":["vircu_repositories_5_resources_101_c15"],"id":"vircu_repositories_5_resources_101_c15","ead_ssi":"vircu_repositories_5_resources_101","_root_":"vircu_repositories_5_resources_101","_nest_parent_":"vircu_repositories_5_resources_101","parent_ssi":"vircu_repositories_5_resources_101","parent_ssim":["vircu_repositories_5_resources_101"],"parent_ids_ssim":["vircu_repositories_5_resources_101"],"parent_unittitles_ssm":["Frederick Otto Seibel papers"],"parent_unittitles_tesim":["Frederick Otto Seibel papers"],"text":["Frederick Otto Seibel papers","Correspondence: Byrd, Harry F., Sr.","box 1","folder 15"],"title_filing_ssi":"Correspondence: Byrd, Harry F., Sr.","title_ssm":["Correspondence: Byrd, Harry F., Sr."],"title_tesim":["Correspondence: Byrd, Harry F., Sr."],"unitdate_inclusive_ssm":["1926-1949"],"normalized_date_ssm":["1926/1949"],"normalized_title_ssm":["Correspondence: Byrd, Harry F., Sr."],"component_level_isim":[1],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Frederick Otto Seibel papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":15,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949],"containers_ssim":["box 1","folder 15"],"_nest_path_":"/components#14","timestamp":"2026-05-01T00:15:37.796Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_101","ead_ssi":"vircu_repositories_5_resources_101","_root_":"vircu_repositories_5_resources_101","_nest_parent_":"vircu_repositories_5_resources_101","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_101.xml","title_filing_ssi":"Seibel, Frederick Otto, papers","title_ssm":["Frederick Otto Seibel papers"],"title_tesim":["Frederick Otto Seibel papers"],"unitdate_ssm":["1882-1968"],"unitdate_inclusive_ssm":["1882-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 23","/repositories/5/resources/101"],"text":["M 23","/repositories/5/resources/101","Frederick Otto Seibel papers","Editorial cartoonists -- Virginia -- Richmond","Cartoonists -- United States","Collection is open to research.","Collection is arranged alphabetically. The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved.","Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.","The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the  Knickerbocker Press  and the  Richmond Times-Dispatch . Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.","There are no restrictions.","VCU James Branch Cabell Library","Seibel, Fred O. (Fred Otto), 1886-1969","English \n.    "],"unitid_tesim":["M 23","/repositories/5/resources/101"],"normalized_title_ssm":["Frederick Otto Seibel papers"],"collection_title_tesim":["Frederick Otto Seibel papers"],"collection_ssim":["Frederick Otto Seibel papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creator_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creator_persname_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"creators_ssim":["Seibel, Fred O. (Fred Otto), 1886-1969"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Editorial cartoonists -- Virginia -- Richmond","Cartoonists -- United States"],"access_subjects_ssm":["Editorial cartoonists -- Virginia -- Richmond","Cartoonists -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["16.9 Linear Feet (contains oversize material)"],"extent_tesim":["16.9 Linear Feet (contains oversize material)"],"date_range_isim":[1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically. The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically. The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved."],"bioghist_html_tesm":["\u003cp\u003eFrederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936."],"prefercite_html_tesm":["\u003cp\u003eFrederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Frederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the \u003ctitle\u003eKnickerbocker Press\u003c/title\u003e and the \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e. Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. 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The Special Collections and Archives Department has 34 original cartoons, some inscribed, Seibel's own clipping file, early drawings, oils and watercolors and some correspondence. The collection is divided into two groups: Seibel's oil paintings, folios, and oversized cartoons are stored separately; the newspaper copies of his cartoons and boxed in groups of fifty and are arranged, with few exceptions, chronologically. The cartoons were cut and numbered by Seibel in the order in which they were published, and that numerical order has been preserved.","Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.","The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the  Knickerbocker Press  and the  Richmond Times-Dispatch . Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.","There are no restrictions.","VCU James Branch Cabell Library","Seibel, Fred O. (Fred Otto), 1886-1969","English \n.    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Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick Otto Seibel was born in Durhamville, New York, on 8 October 1886 and died in Richmond, Virginia on 19 June 1968. Siebel spent his childhood drawing sketches of the Erie Canal. He was married with no children. After attending classes at the Art Students League in New York City for a short time. Seibel started his own commercial art business in the early years of the twentieth century. His first cartoon was printed in the Oneida Dispatch in 1908. He began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. Seibel moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over thirty years. He did several shows at the Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. A biography is contained in the Spring 1977 issue of the Virginia Cavalcade (included in Box 1). Fred O. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was \"Retreat from Moscow\" (11-5-1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936."],"prefercite_html_tesm":["\u003cp\u003eFrederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Frederick Otto Seibel papers, Collection # M 23, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the \u003ctitle\u003eKnickerbocker Press\u003c/title\u003e and the \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e. Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Seibel Collection is comprised of two major sections: letters which Seibel received relating to his newspaper cartoons (including correspondence from Harry Truman, Franklin D. Roosevelt, Robert Kennedy, Barry Goldwater, Harry F. Byrd, John L. Lewis, J. Edgar Hoover and numerous members of the federal and state government), and a complete set of his published cartoons from both the  Knickerbocker Press  and the  Richmond Times-Dispatch . Other items in the collection include drawing notebooks and early art school sketches, seven oil paintings thought to have been painted by Seibel, folios containing copies of sketches by Charles Dana Gibson and Frederic Remington, as well as folios containing newspaper clippings of major world events in Seibel's lifetime. There are also thirty-four original cartoons, some of which were autographed by Seibel."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Seibel, Fred O. (Fred Otto), 1886-1969"],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Seibel, Fred O. 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Archer","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_265_c06_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eRestricted\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_265_c06_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_265_c06_c03","ref_ssm":["vircu_repositories_5_resources_265_c06_c03"],"id":"vircu_repositories_5_resources_265_c06_c03","ead_ssi":"vircu_repositories_5_resources_265","_root_":"vircu_repositories_5_resources_265","_nest_parent_":"vircu_repositories_5_resources_265_c06","parent_ssi":"vircu_repositories_5_resources_265_c06","parent_ssim":["vircu_repositories_5_resources_265","vircu_repositories_5_resources_265_c06"],"parent_ids_ssim":["vircu_repositories_5_resources_265","vircu_repositories_5_resources_265_c06"],"parent_unittitles_ssm":["Theresa Pollak papers","Series 6: Years Books"],"parent_unittitles_tesim":["Theresa Pollak papers","Series 6: Years Books"],"text":["Theresa Pollak papers","Series 6: Years Books","Correspondence: Edumund M. Archer","box 19","Restricted"],"title_filing_ssi":"Correspondence: Edumund M. Archer","title_ssm":["Correspondence: Edumund M. Archer"],"title_tesim":["Correspondence: Edumund M. Archer"],"unitdate_inclusive_ssm":["1932-1969"],"normalized_date_ssm":["1932/1969"],"normalized_title_ssm":["Correspondence: Edumund M. Archer"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Theresa Pollak papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":282,"parent_access_restrict_tesm":["Collection is available for research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"containers_ssim":["box 19"],"scopecontent_html_tesm":["\u003cp\u003eRestricted\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Restricted"],"_nest_path_":"/components#5/components#2","timestamp":"2026-05-01T00:16:11.514Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_265","ead_ssi":"vircu_repositories_5_resources_265","_root_":"vircu_repositories_5_resources_265","_nest_parent_":"vircu_repositories_5_resources_265","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_265.xml","title_filing_ssi":"Pollak, Theresa, papers","title_ssm":["Theresa Pollak papers"],"title_tesim":["Theresa Pollak papers"],"unitdate_ssm":["1917-1996"],"unitdate_inclusive_ssm":["1917-1996"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 5","/repositories/5/resources/265"],"text":["M 5","/repositories/5/resources/265","Theresa Pollak papers","Women artists -- Virginia -- Richmond","Women painters -- Virginia -- Richmond","Collection is available for research.","Collection is arranged by series and alphabetically therein. Organized into the following seven series: 1. Personal Materials, 1931-1986; Series 2 Correspondence, 1938-1987; Series 3 Richmond Professional Institute and Virginia Commonwealth University, 1946-1975; Series 4 Artistic Career, 1928-1976; Series 5 Photographs; Series 6 Year Books, 1917-1921; Series 7 Oversize Materials; and Series 8 Additional Materials.","Theresa Pollak (1899-2002) was one of Virginia's most well-known artists and art educators. She was instrumental in the founding of Virginia Commonwealth University's School of the Arts. A native of Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.","Born 13 August 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.","In 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.","A noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on 18 September 2002.","The Theresa Pollak Papers consists of materials covering Miss Pollak's academic and artistic career from 1917 to 1988 (primarily 1940s-1980s). Of particular note are the materials and correspondence Miss Pollak gathered about her major instructors influencing her artistic work, Allen Tucker and Hans Hoffmann. Also included in the collection are Christmas cards designed by Miss Pollak's former students and fellow faculty members and photographs of Miss Pollak's work and from her 1986 exhibit at the Anderson Gallery. A collection of slides of T. Pollak's works are available in box 20.","There are no restrictions.","VCU James Branch Cabell Library","Virginia Commonwealth University. School of the Arts -- Archives -- Faculty","Richmond Professional Institute -- Archives -- Faculty","Pollak, Theresa, 1899-2002","Pollak, Theresa, 1899-2002 -- Archives","Lang Leback, Chloe","English"],"unitid_tesim":["M 5","/repositories/5/resources/265"],"normalized_title_ssm":["Theresa Pollak papers"],"collection_title_tesim":["Theresa Pollak papers"],"collection_ssim":["Theresa Pollak papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Pollak, Theresa, 1899-2002"],"creator_ssim":["Pollak, Theresa, 1899-2002"],"creator_persname_ssim":["Pollak, Theresa, 1899-2002"],"creators_ssim":["Pollak, Theresa, 1899-2002"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Women artists -- Virginia -- Richmond","Women painters -- Virginia -- Richmond"],"access_subjects_ssm":["Women artists -- Virginia -- Richmond","Women painters -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eCollection is available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is available for research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by series and alphabetically therein. Organized into the following seven series: 1. Personal Materials, 1931-1986; Series 2 Correspondence, 1938-1987; Series 3 Richmond Professional Institute and Virginia Commonwealth University, 1946-1975; Series 4 Artistic Career, 1928-1976; Series 5 Photographs; Series 6 Year Books, 1917-1921; Series 7 Oversize Materials; and Series 8 Additional Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by series and alphabetically therein. Organized into the following seven series: 1. Personal Materials, 1931-1986; Series 2 Correspondence, 1938-1987; Series 3 Richmond Professional Institute and Virginia Commonwealth University, 1946-1975; Series 4 Artistic Career, 1928-1976; Series 5 Photographs; Series 6 Year Books, 1917-1921; Series 7 Oversize Materials; and Series 8 Additional Materials."],"bioghist_html_tesm":["\u003cp\u003eTheresa Pollak (1899-2002) was one of Virginia's most well-known artists and art educators. She was instrumental in the founding of Virginia Commonwealth University's School of the Arts. A native of Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.\u003c/p\u003e\n","\u003cp\u003eBorn 13 August 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.\u003c/p\u003e\n","\u003cp\u003eIn 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.\u003c/p\u003e\n","\u003cp\u003eA noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on 18 September 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Theresa Pollak (1899-2002) was one of Virginia's most well-known artists and art educators. She was instrumental in the founding of Virginia Commonwealth University's School of the Arts. A native of Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.","Born 13 August 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.","In 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.","A noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on 18 September 2002."],"prefercite_html_tesm":["\u003cp\u003eTheresa Pollak papers, Collection # M 5, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Theresa Pollak papers, Collection # M 5, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Theresa Pollak Papers consists of materials covering Miss Pollak's academic and artistic career from 1917 to 1988 (primarily 1940s-1980s). Of particular note are the materials and correspondence Miss Pollak gathered about her major instructors influencing her artistic work, Allen Tucker and Hans Hoffmann. Also included in the collection are Christmas cards designed by Miss Pollak's former students and fellow faculty members and photographs of Miss Pollak's work and from her 1986 exhibit at the Anderson Gallery. A collection of slides of T. Pollak's works are available in box 20.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Theresa Pollak Papers consists of materials covering Miss Pollak's academic and artistic career from 1917 to 1988 (primarily 1940s-1980s). Of particular note are the materials and correspondence Miss Pollak gathered about her major instructors influencing her artistic work, Allen Tucker and Hans Hoffmann. Also included in the collection are Christmas cards designed by Miss Pollak's former students and fellow faculty members and photographs of Miss Pollak's work and from her 1986 exhibit at the Anderson Gallery. A collection of slides of T. Pollak's works are available in box 20."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Virginia Commonwealth University. School of the Arts -- Archives -- Faculty","Richmond Professional Institute -- Archives -- Faculty","Pollak, Theresa, 1899-2002 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","Virginia Commonwealth University. School of the Arts -- Archives -- Faculty","Richmond Professional Institute -- Archives -- Faculty","Pollak, Theresa, 1899-2002","Pollak, Theresa, 1899-2002 -- Archives","Lang Leback, Chloe"],"corpname_ssim":["VCU James Branch Cabell Library","Virginia Commonwealth University. School of the Arts -- Archives -- Faculty","Richmond Professional Institute -- Archives -- Faculty"],"persname_ssim":["Pollak, Theresa, 1899-2002","Pollak, Theresa, 1899-2002 -- Archives","Lang Leback, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":298,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:16:11.514Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_265_c06_c03"}},{"id":"vircu_repositories_5_resources_279_c15_c03_c95","type":"Item","attributes":{"title":"Correspondence- Envelopes,","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279_c15_c03_c95#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_279_c15_c03_c95","ref_ssm":["vircu_repositories_5_resources_279_c15_c03_c95"],"id":"vircu_repositories_5_resources_279_c15_c03_c95","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279_c15_c03","parent_ssi":"vircu_repositories_5_resources_279_c15_c03","parent_ssim":["vircu_repositories_5_resources_279","vircu_repositories_5_resources_279_c15","vircu_repositories_5_resources_279_c15_c03"],"parent_ids_ssim":["vircu_repositories_5_resources_279","vircu_repositories_5_resources_279_c15","vircu_repositories_5_resources_279_c15_c03"],"parent_unittitles_ssm":["Adele Goodman Clark papers","Series XV: Ephemera and Photographs","Subseries C: Photographs"],"parent_unittitles_tesim":["Adele Goodman Clark papers","Series XV: Ephemera and Photographs","Subseries C: Photographs"],"text":["Adele Goodman Clark papers","Series XV: Ephemera and Photographs","Subseries C: Photographs","Correspondence- Envelopes,","box 243"],"title_filing_ssi":"Correspondence- Envelopes,","title_ssm":["Correspondence- Envelopes,"],"title_tesim":["Correspondence- Envelopes,"],"unitdate_other_ssim":["1921-1968"],"normalized_date_ssm":["1921/1968"],"normalized_title_ssm":["Correspondence- Envelopes,"],"component_level_isim":[3],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Adele Goodman Clark papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3056,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"containers_ssim":["box 243"],"_nest_path_":"/components#14/components#2/components#94","timestamp":"2026-05-01T00:15:37.796Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_279","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_279.xml","title_filing_ssi":"Clark, Adele Goodman, papers","title_ssm":["Adele Goodman Clark papers"],"title_tesim":["Adele Goodman Clark papers"],"unitdate_ssm":["1849-1978"],"unitdate_inclusive_ssm":["1849-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 9","/repositories/5/resources/279"],"text":["M 9","/repositories/5/resources/279","Adele Goodman Clark papers","Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond","Collection is open to research.","Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)","A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]","The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.","There are no restrictions.","VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives","English"],"unitid_tesim":["M 9","/repositories/5/resources/279"],"normalized_title_ssm":["Adele Goodman Clark papers"],"collection_title_tesim":["Adele Goodman Clark papers"],"collection_ssim":["Adele Goodman Clark papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Clark, Adèle, 1882-1983"],"creator_ssim":["Clark, Adèle, 1882-1983"],"creator_persname_ssim":["Clark, Adèle, 1882-1983"],"creators_ssim":["Clark, Adèle, 1882-1983"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"access_subjects_ssm":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["128 Linear Feet"],"extent_tesim":["128 Linear Feet"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Restrictions on Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eSeries I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)"],"bioghist_html_tesm":["\u003cp\u003eA founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.\u003c/p\u003e\n","\u003cp\u003eThe second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*\u003c/p\u003e\n","\u003cp\u003eClark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.\u003c/p\u003e\n","\u003cp\u003eAfter passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.\u003c/p\u003e\n","\u003cp\u003eSelected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.\u003c/p\u003e\n","\u003cp\u003eIn addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.\u003c/p\u003e\n","\u003cp\u003eClark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.\u003c/p\u003e\n","\u003cp\u003eDuring the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.\u003c/p\u003e\n","\u003cp\u003eIn the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.\u003c/p\u003e\n","\u003cp\u003eClark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.\u003c/p\u003e\n","\u003cp\u003eClark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"\u003c/p\u003e\n","\u003cp\u003eAdèle Clark died at the age of 100 on June 5, 1983.\u003c/p\u003e\n","\u003cp\u003e[Information from newspaper accounts and the Adèle Goodman Clark Papers.]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]"],"prefercite_html_tesm":["\u003cp\u003eAdele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Adele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.\u003c/p\u003e\n","\u003cp\u003eThe collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman\u003c/p\u003e\n","\u003cp\u003eWilloughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).\u003c/p\u003e\n","\u003cp\u003eThe collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.\u003c/p\u003e\n","\u003cp\u003eWhile the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.\u003c/p\u003e\n","\u003cp\u003eThe suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.\u003c/p\u003e\n","\u003cp\u003eThe records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.\u003c/p\u003e\n","\u003cp\u003eDocumentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.\u003c/p\u003e\n","\u003cp\u003eClark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.\u003c/p\u003e\n","\u003cp\u003eThe collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.\u003c/p\u003e\n","\u003cp\u003eThe fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.\u003c/p\u003e\n","\u003cp\u003eThe final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.\u003c/p\u003e\n","\u003cp\u003eSignificant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.\u003c/p\u003e\n","\u003cp\u003eSpecial Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"corpname_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives"],"persname_ssim":["Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3079,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:15:37.796Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_279_c15_c03_c95"}},{"id":"vircu_repositories_5_resources_265_c04_c06","type":"File","attributes":{"title":"Correspondence: exhibitions","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_265_c04_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_265_c04_c06","ref_ssm":["vircu_repositories_5_resources_265_c04_c06"],"id":"vircu_repositories_5_resources_265_c04_c06","ead_ssi":"vircu_repositories_5_resources_265","_root_":"vircu_repositories_5_resources_265","_nest_parent_":"vircu_repositories_5_resources_265_c04","parent_ssi":"vircu_repositories_5_resources_265_c04","parent_ssim":["vircu_repositories_5_resources_265","vircu_repositories_5_resources_265_c04"],"parent_ids_ssim":["vircu_repositories_5_resources_265","vircu_repositories_5_resources_265_c04"],"parent_unittitles_ssm":["Theresa Pollak papers","Series 4: Artistic Career"],"parent_unittitles_tesim":["Theresa Pollak papers","Series 4: Artistic Career"],"text":["Theresa Pollak papers","Series 4: Artistic Career","Correspondence: exhibitions","box 13"],"title_filing_ssi":"Correspondence: exhibitions","title_ssm":["Correspondence: exhibitions"],"title_tesim":["Correspondence: exhibitions"],"unitdate_inclusive_ssm":["1928-1959"],"normalized_date_ssm":["1928/1959"],"normalized_title_ssm":["Correspondence: exhibitions"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Theresa Pollak papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":178,"parent_access_restrict_tesm":["Collection is available for research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"containers_ssim":["box 13"],"_nest_path_":"/components#3/components#5","timestamp":"2026-05-01T00:16:11.514Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_265","ead_ssi":"vircu_repositories_5_resources_265","_root_":"vircu_repositories_5_resources_265","_nest_parent_":"vircu_repositories_5_resources_265","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_265.xml","title_filing_ssi":"Pollak, Theresa, papers","title_ssm":["Theresa Pollak papers"],"title_tesim":["Theresa Pollak papers"],"unitdate_ssm":["1917-1996"],"unitdate_inclusive_ssm":["1917-1996"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 5","/repositories/5/resources/265"],"text":["M 5","/repositories/5/resources/265","Theresa Pollak papers","Women artists -- Virginia -- Richmond","Women painters -- Virginia -- Richmond","Collection is available for research.","Collection is arranged by series and alphabetically therein. Organized into the following seven series: 1. Personal Materials, 1931-1986; Series 2 Correspondence, 1938-1987; Series 3 Richmond Professional Institute and Virginia Commonwealth University, 1946-1975; Series 4 Artistic Career, 1928-1976; Series 5 Photographs; Series 6 Year Books, 1917-1921; Series 7 Oversize Materials; and Series 8 Additional Materials.","Theresa Pollak (1899-2002) was one of Virginia's most well-known artists and art educators. She was instrumental in the founding of Virginia Commonwealth University's School of the Arts. A native of Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.","Born 13 August 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.","In 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.","A noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on 18 September 2002.","The Theresa Pollak Papers consists of materials covering Miss Pollak's academic and artistic career from 1917 to 1988 (primarily 1940s-1980s). Of particular note are the materials and correspondence Miss Pollak gathered about her major instructors influencing her artistic work, Allen Tucker and Hans Hoffmann. Also included in the collection are Christmas cards designed by Miss Pollak's former students and fellow faculty members and photographs of Miss Pollak's work and from her 1986 exhibit at the Anderson Gallery. A collection of slides of T. Pollak's works are available in box 20.","There are no restrictions.","VCU James Branch Cabell Library","Virginia Commonwealth University. School of the Arts -- Archives -- Faculty","Richmond Professional Institute -- Archives -- Faculty","Pollak, Theresa, 1899-2002","Pollak, Theresa, 1899-2002 -- Archives","Lang Leback, Chloe","English"],"unitid_tesim":["M 5","/repositories/5/resources/265"],"normalized_title_ssm":["Theresa Pollak papers"],"collection_title_tesim":["Theresa Pollak papers"],"collection_ssim":["Theresa Pollak papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Pollak, Theresa, 1899-2002"],"creator_ssim":["Pollak, Theresa, 1899-2002"],"creator_persname_ssim":["Pollak, Theresa, 1899-2002"],"creators_ssim":["Pollak, Theresa, 1899-2002"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Women artists -- Virginia -- Richmond","Women painters -- Virginia -- Richmond"],"access_subjects_ssm":["Women artists -- Virginia -- Richmond","Women painters -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eCollection is available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is available for research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by series and alphabetically therein. Organized into the following seven series: 1. Personal Materials, 1931-1986; Series 2 Correspondence, 1938-1987; Series 3 Richmond Professional Institute and Virginia Commonwealth University, 1946-1975; Series 4 Artistic Career, 1928-1976; Series 5 Photographs; Series 6 Year Books, 1917-1921; Series 7 Oversize Materials; and Series 8 Additional Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by series and alphabetically therein. Organized into the following seven series: 1. Personal Materials, 1931-1986; Series 2 Correspondence, 1938-1987; Series 3 Richmond Professional Institute and Virginia Commonwealth University, 1946-1975; Series 4 Artistic Career, 1928-1976; Series 5 Photographs; Series 6 Year Books, 1917-1921; Series 7 Oversize Materials; and Series 8 Additional Materials."],"bioghist_html_tesm":["\u003cp\u003eTheresa Pollak (1899-2002) was one of Virginia's most well-known artists and art educators. She was instrumental in the founding of Virginia Commonwealth University's School of the Arts. A native of Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.\u003c/p\u003e\n","\u003cp\u003eBorn 13 August 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.\u003c/p\u003e\n","\u003cp\u003eIn 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.\u003c/p\u003e\n","\u003cp\u003eA noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on 18 September 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Theresa Pollak (1899-2002) was one of Virginia's most well-known artists and art educators. She was instrumental in the founding of Virginia Commonwealth University's School of the Arts. A native of Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.","Born 13 August 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.","In 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.","A noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on 18 September 2002."],"prefercite_html_tesm":["\u003cp\u003eTheresa Pollak papers, Collection # M 5, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Theresa Pollak papers, Collection # M 5, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Theresa Pollak Papers consists of materials covering Miss Pollak's academic and artistic career from 1917 to 1988 (primarily 1940s-1980s). Of particular note are the materials and correspondence Miss Pollak gathered about her major instructors influencing her artistic work, Allen Tucker and Hans Hoffmann. Also included in the collection are Christmas cards designed by Miss Pollak's former students and fellow faculty members and photographs of Miss Pollak's work and from her 1986 exhibit at the Anderson Gallery. A collection of slides of T. Pollak's works are available in box 20.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Theresa Pollak Papers consists of materials covering Miss Pollak's academic and artistic career from 1917 to 1988 (primarily 1940s-1980s). Of particular note are the materials and correspondence Miss Pollak gathered about her major instructors influencing her artistic work, Allen Tucker and Hans Hoffmann. Also included in the collection are Christmas cards designed by Miss Pollak's former students and fellow faculty members and photographs of Miss Pollak's work and from her 1986 exhibit at the Anderson Gallery. A collection of slides of T. Pollak's works are available in box 20."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Virginia Commonwealth University. 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