{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026page=3706","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026page=3705","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026page=3707","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026page=3711"},"meta":{"pages":{"current_page":3706,"next_page":3707,"prev_page":3705,"total_pages":3711,"limit_value":10,"offset_value":37050,"total_count":37106,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_331_c03_c01_c1457","type":"File","attributes":{"title":"You Never Can Tell About Oil  (4 copies)","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c1457#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eby Rose Carlyn\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c1457#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_331_c03_c01_c1457","ref_ssm":["vifgm_repositories_2_resources_331_c03_c01_c1457"],"id":"vifgm_repositories_2_resources_331_c03_c01_c1457","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331_c03_c01","parent_ssi":"vifgm_repositories_2_resources_331_c03_c01","parent_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c03","vifgm_repositories_2_resources_331_c03_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c03","vifgm_repositories_2_resources_331_c03_c01"],"parent_unittitles_ssm":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts"],"parent_unittitles_tesim":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts"],"text":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts","You Never Can Tell About Oil  (4 copies)","box 279","folder 4","by Rose Carlyn"],"title_filing_ssi":"You Never Can Tell About Oil  (4 copies)","title_ssm":["You Never Can Tell About Oil  (4 copies)"],"title_tesim":["You Never Can Tell About Oil  (4 copies)"],"unitdate_inclusive_ssm":["circa 1936-1939"],"normalized_date_ssm":["1936/1939"],"normalized_title_ssm":["You Never Can Tell About Oil  (4 copies)"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2106,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1936,1937,1938,1939],"containers_ssim":["box 279","folder 4"],"scopecontent_html_tesm":["\u003cp\u003eby Rose Carlyn\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["by Rose Carlyn"],"_nest_path_":"/components#2/components#0/components#1456","timestamp":"2026-05-07T07:19:07.641Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-07T07:19:07.641Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c1457"}},{"id":"vifgm_repositories_2_resources_331_c03_c01_c1458","type":"File","attributes":{"title":"Young American and the Magic Carpenters  (3 copies)","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c1458#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c1458#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_331_c03_c01_c1458","ref_ssm":["vifgm_repositories_2_resources_331_c03_c01_c1458"],"id":"vifgm_repositories_2_resources_331_c03_c01_c1458","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331_c03_c01","parent_ssi":"vifgm_repositories_2_resources_331_c03_c01","parent_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c03","vifgm_repositories_2_resources_331_c03_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c03","vifgm_repositories_2_resources_331_c03_c01"],"parent_unittitles_ssm":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts"],"parent_unittitles_tesim":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts"],"text":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts","Young American and the Magic Carpenters  (3 copies)","box 279","folder 5","by Margaret Knox and Anna M. Lufkenhaus"],"title_filing_ssi":"Young American and the Magic Carpenters  (3 copies)","title_ssm":["Young American and the Magic Carpenters  (3 copies)"],"title_tesim":["Young American and the Magic Carpenters  (3 copies)"],"unitdate_inclusive_ssm":["circa 1936-1939"],"normalized_date_ssm":["1936/1939"],"normalized_title_ssm":["Young American and the Magic Carpenters  (3 copies)"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2107,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1936,1937,1938,1939],"containers_ssim":["box 279","folder 5"],"scopecontent_html_tesm":["\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["by Margaret Knox and Anna M. Lufkenhaus"],"_nest_path_":"/components#2/components#0/components#1457","timestamp":"2026-05-07T07:19:07.641Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-07T07:19:07.641Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c1458"}},{"id":"wvmturhc_repositories_2_resources_5971_c35","type":"File","attributes":{"title":"Young Americans for Freedom","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5971_c35#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5971_c35","ref_ssm":["wvmturhc_repositories_2_resources_5971_c35"],"id":"wvmturhc_repositories_2_resources_5971_c35","ead_ssi":"wvmturhc_repositories_2_resources_5971","_root_":"wvmturhc_repositories_2_resources_5971","_nest_parent_":"wvmturhc_repositories_2_resources_5971","parent_ssi":"wvmturhc_repositories_2_resources_5971","parent_ssim":["wvmturhc_repositories_2_resources_5971"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5971"],"parent_unittitles_ssm":["William P. Davis, Collector, Miscellaneous Political Materials and Prospectuses"],"parent_unittitles_tesim":["William P. Davis, Collector, Miscellaneous Political Materials and Prospectuses"],"text":["William P. Davis, Collector, Miscellaneous Political Materials and Prospectuses","Young Americans for Freedom","Box 2","Folder 20"],"title_filing_ssi":"Young Americans for Freedom","title_ssm":["Young Americans for Freedom"],"title_tesim":["Young Americans for Freedom"],"unitdate_inclusive_ssm":["ca. 1929-1970"],"normalized_date_ssm":["1929/1970"],"normalized_title_ssm":["Young Americans for Freedom"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["William P. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"containers_ssim":["Box 2","Folder 20"],"_nest_path_":"/components#34","timestamp":"2026-04-30T23:24:17.473Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5971","ead_ssi":"wvmturhc_repositories_2_resources_5971","_root_":"wvmturhc_repositories_2_resources_5971","_nest_parent_":"wvmturhc_repositories_2_resources_5971","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5971.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199008","title_ssm":["William P. Davis, Collector, Miscellaneous Political Materials and Prospectuses"],"title_tesim":["William P. 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Davis, Collector, Miscellaneous Political Materials and Prospectuses","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Campaign materials of political parties and literature of controversial organizations, including newspapers, magazines, leaflets, buttons, stickers, cards, and other items. There is material on the Ku Klux Klan of the 1920s, including a tape recording of Klan songs.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Ku Klux Klan (1915- )","Republican Party (U.S. : 1854- )","Davis, William P., Collector","English \n.    "],"unitid_tesim":["A\u0026M 2113","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5971"],"normalized_title_ssm":["William P. Davis, Collector, Miscellaneous Political Materials and Prospectuses"],"collection_title_tesim":["William P. Davis, Collector, Miscellaneous Political Materials and Prospectuses"],"collection_ssim":["William P. 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(4 document cases, 5 in. each); (1 reel of microfilm, 1.75 in.)","0.255 Gigabytes 1 .wav file"],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], William P. Davis, Collector, Miscellaneous Political Materials and Prospectuses, A\u0026amp;M 2113, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], William P. Davis, Collector, Miscellaneous Political Materials and Prospectuses, A\u0026M 2113, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCampaign materials of political parties and literature of controversial organizations, including newspapers, magazines, leaflets, buttons, stickers, cards, and other items. There is material on the Ku Klux Klan of the 1920s, including a tape recording of Klan songs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Campaign materials of political parties and literature of controversial organizations, including newspapers, magazines, leaflets, buttons, stickers, cards, and other items. There is material on the Ku Klux Klan of the 1920s, including a tape recording of Klan songs."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c148c0088ffd2b08545b395a36e4776b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Ku Klux Klan (1915- )","Republican Party (U.S. : 1854- )"],"names_ssim":["West Virginia and Regional History Center","Ku Klux Klan (1915- )","Republican Party (U.S. : 1854- )","Davis, William P., Collector"],"corpname_ssim":["West Virginia and Regional History Center","Ku Klux Klan (1915- )","Republican Party (U.S. : 1854- )"],"persname_ssim":["Davis, William P., Collector"],"language_ssim":["English \n.    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(4 document cases, 5 in. each); (1 reel of microfilm, 1.75 in.)","0.255 Gigabytes 1 .wav file"],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], William P. Davis, Collector, Miscellaneous Political Materials and Prospectuses, A\u0026amp;M 2113, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], William P. Davis, Collector, Miscellaneous Political Materials and Prospectuses, A\u0026M 2113, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCampaign materials of political parties and literature of controversial organizations, including newspapers, magazines, leaflets, buttons, stickers, cards, and other items. There is material on the Ku Klux Klan of the 1920s, including a tape recording of Klan songs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Campaign materials of political parties and literature of controversial organizations, including newspapers, magazines, leaflets, buttons, stickers, cards, and other items. There is material on the Ku Klux Klan of the 1920s, including a tape recording of Klan songs."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c148c0088ffd2b08545b395a36e4776b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Ku Klux Klan (1915- )","Republican Party (U.S. : 1854- )"],"names_ssim":["West Virginia and Regional History Center","Ku Klux Klan (1915- )","Republican Party (U.S. : 1854- )","Davis, William P., Collector"],"corpname_ssim":["West Virginia and Regional History Center","Ku Klux Klan (1915- )","Republican Party (U.S. : 1854- )"],"persname_ssim":["Davis, William P., Collector"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:24:17.473Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5971_c49"}},{"id":"vaallhs_repositories_2_resources_87_c02_c01_c10","type":"File","attributes":{"title":"Young Democrats","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_87_c02_c01_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_87_c02_c01_c10","ref_ssm":["vaallhs_repositories_2_resources_87_c02_c01_c10"],"id":"vaallhs_repositories_2_resources_87_c02_c01_c10","ead_ssi":"vaallhs_repositories_2_resources_87","_root_":"vaallhs_repositories_2_resources_87","_nest_parent_":"vaallhs_repositories_2_resources_87_c02_c01","parent_ssi":"vaallhs_repositories_2_resources_87_c02_c01","parent_ssim":["vaallhs_repositories_2_resources_87","vaallhs_repositories_2_resources_87_c02","vaallhs_repositories_2_resources_87_c02_c01"],"parent_ids_ssim":["vaallhs_repositories_2_resources_87","vaallhs_repositories_2_resources_87_c02","vaallhs_repositories_2_resources_87_c02_c01"],"parent_unittitles_ssm":["Armistead Boothe Papers (MS164)","Series 2: Armistead L. Boothe","2.1: Personal Papers And Ephemera"],"parent_unittitles_tesim":["Armistead Boothe Papers (MS164)","Series 2: Armistead L. Boothe","2.1: Personal Papers And Ephemera"],"text":["Armistead Boothe Papers (MS164)","Series 2: Armistead L. Boothe","2.1: Personal Papers And Ephemera","Young Democrats","box 10","folder 095"],"title_filing_ssi":"Young Democrats","title_ssm":["Young Democrats"],"title_tesim":["Young Democrats"],"unitdate_inclusive_ssm":["1930-1949"],"normalized_date_ssm":["1930/1949"],"normalized_title_ssm":["Young Democrats"],"component_level_isim":[3],"repository_ssim":["Alexandria Library"],"collection_ssim":["Armistead Boothe Papers (MS164)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":102,"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949],"containers_ssim":["box 10","folder 095"],"otherfindaid_html_tesm":["\u003cp\u003e\n  \u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e90be7a8-317b-419f-ab04-d6ed602491c5/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\n\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection"],"_nest_path_":"/components#1/components#0/components#9","timestamp":"2026-05-01T00:09:32.689Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_87","ead_ssi":"vaallhs_repositories_2_resources_87","_root_":"vaallhs_repositories_2_resources_87","_nest_parent_":"vaallhs_repositories_2_resources_87","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_87.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/87","title_ssm":["Armistead Boothe Papers (MS164)"],"title_tesim":["Armistead Boothe Papers (MS164)"],"unitdate_ssm":["1803-1990"],"unitdate_inclusive_ssm":["1803-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS164"],"text":["MS164","Armistead Boothe Papers (MS164)","Alexandria (Va.) -- Genealogy.","School integration -- Virginia","United States. Army. Volunteer Cavalry, 1st.","World War -- 1939-1945","Spanish-American War, 1898","Business records","Business -- Virginia -- Alexandria","Law offices -- Alexandria (Va.)","Ship registers -- Alexandria (Va.)","Genealogy","Politicians -- Virginia -- Alexandria","Correspondence","This collection has been rearranged to increase access and findability. Previously, it was arranged \"Roughly chronologically and thereunder topically.  Oversized items are grouped by size rather than by subject.\"","The collection has been re-arranged into four series, the first focusing on Armistead Boothe's close and extended family, and the second focusing on Boothe's life and work in Alexandria and Virginia politics. The third series is realia, and and the fourth is photos.","The first series is organized by generation, with genealogical information of Boothe's extended family at the end. The second series is organized topically by the phases of Boothe's life. The fourth series, photos, is arranged by family and then topically.","Included in Series 1 and 2 are folders specifically labelled as containing correspondence, however there are additional instances of correspondence in other folders. ","Armistead Boothe (1907-1990) was an Alexandria lawyer and politician. He began practicing law in 1931 at his father's practice. He served as special assistant to the U.S. Attorney General from 1934 to 1936, and then as City Attorney of Alexandria from 1939 through 1943. He was a naval officer in the Pacific Theater from 1943-1945. He was elected to the Virginia House of Delegates in 1948 and served until 1956, when he was elected to Virginia State Senate, where he served until his retirement in 1964. Boothe married Elizabeth Ravenel Peele in 1934 and had three children and six grandchildren.","Armistead's father, Gardner Lloyd Boothe (1872-1964), was an Alexandria attorney, and president of the First National Bank and the First and Citizens National Bank, member of the Virginia Theological Seminary Board of Trustees from 1916 to 1956, and a vestryman of Christ Church from 1895 to 1956. He married Eleanor Harrison Carr (1881-1968) of Petersburg, Virginia, in 1906, and they lived at 711 Prince Street in Alexandria. Together they had two children, Gardner Lloyd Jr. and Armistead.","Armistead Boothe's paternal grandfather, Captain William J. Boothe (1818-1894), went to sea at an early age and worked up to ship captain. He was married to Mary Leadbeater Boothe (1839-1914) of the Leadbeater Apothecary Shop family. Captain Boothe later served as president of the Alexandria Water Company, vice-president of the First National Bank, and General Superintendent of the American Coal Company. ","These are the collected papers of Alexandria politician Armistead Lloyd Boothe (1907-1990). Papers created or collected by Boothe in the course of his career include campaign materials, correspondence with colleagues, and extensive newspaper clippings in addition to other research on political issues such as segregation, education, and transportation.","The collection also includes scrapbooks, journals, albums, memorabilia and other forms of personal papers from various family members. One scrapbook documents Joseph Armistead Carr's career and death as a Rough Rider. Among the highlights of the business, legal, and financial papers in this collection are Captain William Boothe's ship logs. Genealogical papers relate to the Boothe, Carr, Harrison, and other families of Virginia and Alexandria.","Local History and Special Collections Branch, Alexandria Library","Alexandria Water Company","Potomac, Piedmont and Valley Agricultural Society (Alexandria, Va.)","Alexandria Canal Company","Alexandria Hospital (Va.)","Protestant Episcopal Theological Seminary in Virginia (Alexandria, Va.)","Society of the Sons of the American Revolution","Boothe Family","Carr Family","Harrison Family","Baylor Family","Bernard Family","Bowles Family","Hartshorne Family","Painter Family","Peele Family","Randolph Family","Ravenel Family","Stanley Family","Tatum Family","Thoroughgood Family","Trezevant Family","Boothe, Armistead L. (Armistead Lloyd), 1907-1990","Boothe, Eleanor Harrison Carr, 1881-1968","Boothe, Gardner L. (Gardner Lloyd), 1872-1964","Boothe, William J. 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Previously, it was arranged \"Roughly chronologically and thereunder topically.  Oversized items are grouped by size rather than by subject.\"\u003c/p\u003e\n","\u003cp\u003eThe collection has been re-arranged into four series, the first focusing on Armistead Boothe's close and extended family, and the second focusing on Boothe's life and work in Alexandria and Virginia politics. The third series is realia, and and the fourth is photos.\u003c/p\u003e\n","\u003cp\u003eThe first series is organized by generation, with genealogical information of Boothe's extended family at the end. The second series is organized topically by the phases of Boothe's life. The fourth series, photos, is arranged by family and then topically.\u003c/p\u003e\n","\u003cp\u003eIncluded in Series 1 and 2 are folders specifically labelled as containing correspondence, however there are additional instances of correspondence in other folders. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection has been rearranged to increase access and findability. Previously, it was arranged \"Roughly chronologically and thereunder topically.  Oversized items are grouped by size rather than by subject.\"","The collection has been re-arranged into four series, the first focusing on Armistead Boothe's close and extended family, and the second focusing on Boothe's life and work in Alexandria and Virginia politics. The third series is realia, and and the fourth is photos.","The first series is organized by generation, with genealogical information of Boothe's extended family at the end. 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Boothe married Elizabeth Ravenel Peele in 1934 and had three children and six grandchildren.\u003c/p\u003e\n","\u003cp\u003eArmistead's father, Gardner Lloyd Boothe (1872-1964), was an Alexandria attorney, and president of the First National Bank and the First and Citizens National Bank, member of the Virginia Theological Seminary Board of Trustees from 1916 to 1956, and a vestryman of Christ Church from 1895 to 1956. He married Eleanor Harrison Carr (1881-1968) of Petersburg, Virginia, in 1906, and they lived at 711 Prince Street in Alexandria. Together they had two children, Gardner Lloyd Jr. and Armistead.\u003c/p\u003e\n","\u003cp\u003eArmistead Boothe's paternal grandfather, Captain William J. Boothe (1818-1894), went to sea at an early age and worked up to ship captain. He was married to Mary Leadbeater Boothe (1839-1914) of the Leadbeater Apothecary Shop family. Captain Boothe later served as president of the Alexandria Water Company, vice-president of the First National Bank, and General Superintendent of the American Coal Company. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Armistead Boothe (1907-1990) was an Alexandria lawyer and politician. He began practicing law in 1931 at his father's practice. He served as special assistant to the U.S. Attorney General from 1934 to 1936, and then as City Attorney of Alexandria from 1939 through 1943. He was a naval officer in the Pacific Theater from 1943-1945. He was elected to the Virginia House of Delegates in 1948 and served until 1956, when he was elected to Virginia State Senate, where he served until his retirement in 1964. Boothe married Elizabeth Ravenel Peele in 1934 and had three children and six grandchildren.","Armistead's father, Gardner Lloyd Boothe (1872-1964), was an Alexandria attorney, and president of the First National Bank and the First and Citizens National Bank, member of the Virginia Theological Seminary Board of Trustees from 1916 to 1956, and a vestryman of Christ Church from 1895 to 1956. He married Eleanor Harrison Carr (1881-1968) of Petersburg, Virginia, in 1906, and they lived at 711 Prince Street in Alexandria. Together they had two children, Gardner Lloyd Jr. and Armistead.","Armistead Boothe's paternal grandfather, Captain William J. Boothe (1818-1894), went to sea at an early age and worked up to ship captain. He was married to Mary Leadbeater Boothe (1839-1914) of the Leadbeater Apothecary Shop family. Captain Boothe later served as president of the Alexandria Water Company, vice-president of the First National Bank, and General Superintendent of the American Coal Company. "],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|8638a5b6-e449-4ae5-8734-ca2c21ce2d99/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection"],"prefercite_html_tesm":["\u003cp\u003e[Item identification], Armistead Boothe Papers, MS164, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Item identification], Armistead Boothe Papers, MS164, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThese are the collected papers of Alexandria politician Armistead Lloyd Boothe (1907-1990). Papers created or collected by Boothe in the course of his career include campaign materials, correspondence with colleagues, and extensive newspaper clippings in addition to other research on political issues such as segregation, education, and transportation.\u003c/p\u003e\n","\u003cp\u003eThe collection also includes scrapbooks, journals, albums, memorabilia and other forms of personal papers from various family members. One scrapbook documents Joseph Armistead Carr's career and death as a Rough Rider. Among the highlights of the business, legal, and financial papers in this collection are Captain William Boothe's ship logs. Genealogical papers relate to the Boothe, Carr, Harrison, and other families of Virginia and Alexandria.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["These are the collected papers of Alexandria politician Armistead Lloyd Boothe (1907-1990). Papers created or collected by Boothe in the course of his career include campaign materials, correspondence with colleagues, and extensive newspaper clippings in addition to other research on political issues such as segregation, education, and transportation.","The collection also includes scrapbooks, journals, albums, memorabilia and other forms of personal papers from various family members. One scrapbook documents Joseph Armistead Carr's career and death as a Rough Rider. Among the highlights of the business, legal, and financial papers in this collection are Captain William Boothe's ship logs. Genealogical papers relate to the Boothe, Carr, Harrison, and other families of Virginia and Alexandria."],"names_coll_ssim":["Alexandria Water Company","Potomac, Piedmont and Valley Agricultural Society (Alexandria, Va.)","Alexandria Canal Company","Alexandria Hospital (Va.)","Protestant Episcopal Theological Seminary in Virginia (Alexandria, Va.)","Society of the Sons of the American Revolution","Boothe Family","Carr Family","Harrison Family","Baylor Family","Bernard Family","Bowles Family","Hartshorne Family","Painter Family","Peele Family","Randolph Family","Ravenel Family","Stanley Family","Tatum Family","Thoroughgood Family","Trezevant Family","Boothe, William J. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":400,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:09:32.689Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vaallhs_repositories_2_resources_87_c02_c01_c10"}},{"id":"viu_viu01045_c04_c06_c02_c199","type":"Item","attributes":{"title":"Young Democrats Roanoke Convention,\n                        Roanoke, Virginia","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu01045_c04_c06_c02_c199#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu01045_c04_c06_c02_c199","ref_ssm":["viu_viu01045_c04_c06_c02_c199"],"id":"viu_viu01045_c04_c06_c02_c199","ead_ssi":"viu_viu01045","_root_":"viu_viu01045","_nest_parent_":"viu_viu01045_c04_c06_c02","parent_ssi":"viu_viu01045_c04_c06_c02","parent_ssim":["viu_viu01045","viu_viu01045_c04","viu_viu01045_c04_c06","viu_viu01045_c04_c06_c02"],"parent_ids_ssim":["viu_viu01045","viu_viu01045_c04","viu_viu01045_c04_c06","viu_viu01045_c04_c06_c02"],"parent_unittitles_ssm":["Harry Flood Byrd, Sr. Papers \n          1911-1965","Series IV: Miscellaneous Topics","F. Speeches and Statements","2. Harry Flood Byrd's\n                     Speeches"],"parent_unittitles_tesim":["Harry Flood Byrd, Sr. Papers \n          1911-1965","Series IV: Miscellaneous Topics","F. Speeches and Statements","2. Harry Flood Byrd's\n                     Speeches"],"text":["Harry Flood Byrd, Sr. Papers \n          1911-1965","Series IV: Miscellaneous Topics","F. Speeches and Statements","2. Harry Flood Byrd's\n                     Speeches","Young Democrats Roanoke Convention,\n                        Roanoke, Virginia","box Box 362"],"title_filing_ssi":"Young Democrats Roanoke Convention,\n                        Roanoke, Virginia","title_ssm":["Young Democrats Roanoke Convention,\n                        Roanoke, Virginia"],"title_tesim":["Young Democrats Roanoke Convention,\n                        Roanoke, Virginia"],"unitdate_other_ssim":["1939 August 25"],"normalized_date_ssm":["1939"],"normalized_title_ssm":["Young Democrats Roanoke Convention,\n                        Roanoke, Virginia"],"component_level_isim":[4],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Harry Flood Byrd, Sr. Papers \n          1911-1965"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":764,"date_range_isim":[1939],"containers_ssim":["box Box 362"],"_nest_path_":"/components#3/components#5/components#1/components#198","timestamp":"2026-05-01T02:40:10.716Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu01045","ead_ssi":"viu_viu01045","_root_":"viu_viu01045","_nest_parent_":"viu_viu01045","ead_source_url_ssi":"data/uva-sc/viu01045.xml","title_ssm":["Harry Flood Byrd, Sr. Papers \n          1911-1965"],"title_tesim":["Harry Flood Byrd, Sr. Papers \n          1911-1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["9700, 9700-b"],"text":["9700, 9700-b","Harry Flood Byrd, Sr. Papers \n          1911-1965","273 linear feet","The collection arrived at the University of Virginia\n         divided into business, personal, and political groups. There\n         was a great deal of inconsistency and repetition within and\n         between the three divisions. As a result, it was decided that\n         a thorough reorganization was in order. Five series were\n         evolved which are described below.","The arrangement is chronological and varies from series to\n         series. Within each chronology generally topics and\n         correspondents are alphabetized together. Individual folders\n         were made when a person was a voluminous correspondent or was\n         politically prominent. Topics always have separate folders and\n         will be specifically mentioned in the guide. The researcher\n         must be willing to search topical files for information on\n         specific people. For example, there could be Watt Abbitt\n         correspondence in the Alfalfa Club, the Luncheons, and the\n         Senate Campaign of 1964 folders.","Series I: Business, 1914-1965:  \nCorrespondence, memoranda, bills, and receipts comprise\n            this Series. Senator Byrd's various business interests are\n            represented--apple and peach growing, general farming, cold\n            storage, and newspaper publishing. In the pre-1932 years,\n            those papers detail exhaustively Senator Byrd's financial\n            career, especially in the apple business.","There are three subsections to Series I. First, a\n            general business section arranged chronologically and\n            within the year alphabetically by correspondent and topic.\n            There follows a section on the apple sales of specific\n            orchards-- Rosemont, \n            Turkey Knob, and \n            Timberville. Thirdly, a section on\n            general apple sales is arranged chronologically.","The general business material was pulled in many cases\n            from storage boxes marked personal and political from both\n            shipments of material. The files on the apple sales came\n            chiefly from the attic of \n            Rosemont. They are chiefly bills and\n            receipts, and orders for apples.","Series II: Political, 1911-1932:  \nThis series documents Senator Byrd's rise to political\n            prominence and gives a detailed picture of the formation\n            and maintenance of the Byrd Organization. But it must be\n            repeated that there is a gap for the gubernatorial years.\n            We assume material for this part of his official life is to\n            be found in the Executive Papers of the Library of\n            Virginia.","The chronology for Series II is by one year periods,\n            and, of course, alphabetically by topic and correspondent\n            within those time spans.","This material had been stored at Rosemont, and\n            practically every piece was rearranged.","Series III: Political, 1933-1965:  \nSeries III contains material on Byrd's senatorial\n            career. Although there is correspondence with national\n            political figures, both qualitatively and quantitatively,\n            the materials deal with Virginia politics and government\n            rather than national politics and government.","Chronological arrangements for this series is by four\n            year subsections, save for the last which is a 5 year\n            period (1933-1936; 1937-1940; 1945-1948; 1949-1952;\n            1953-1956; 1941-1944; 1957-1960; 1961-1965). Within these\n            sub-series, material is again alphabetically by\n            correspondent and topic.","These papers came to the University from the Victory Van\n            Storage Company. They had evidently been boxed in the\n            Senator's Washington office after his death. As with Series\n            II, it was necessary to go through nearly every folder to\n            assure consistency.","Series IV: Miscellaneous topics:  \nDivided into 8 sub-series, this section contains\n            material which would not easily fit into the first three\n            series or were simply too large to be integrated.","A. Appointment \u0026 engagement books, 1928-29 \u0026\n            1950-1965","B. Magazine articles, 1920-1966. This sub-series is\n            comprised of articles by and about Byrd, and some collected\n            by him. There are some drafts and correspondence re the\n            articles, and their publication. The arrangement is\n            chronological.","C. Newsclippings, 1924-1966. A miscellaneous collection\n            dealing with a wide range of topics-- \n            Harry F. Byrd, \n            Virginia politics, economic, issues,\n            etc. The arrangement is chronological.","D. Constituents' mail, 1957, 1960-1965. Comprised of\n            letters to Byrd from his \"national\" constituency,\n            commending, and, in some instances, condemning Byrd's\n            position on various issues. In addition, this sub- series\n            contains three bound volumes of letters, 1963 April-May,\n            from various chapters of the \n            Virginia Chamber of Commerce.","E. \n            Harry F. ByrdVoting Record, 1933-1965.\n            Consists of seven bound volumes and five boxes of material\n            detailing the Senator's voting record for 1933-1943 and\n            1953-1965. However, in 1957 the first session of the 85th\n            Congress is not represented.","F. Speeches and Statements. This sub-series is divided\n            into several sections. Byrd kept a \"Reference file of other\n            people's speeches.\" This is arranged alphabetically and is\n            indexed. There is also another alphabet of other people's\n            speeches which was pulled together from various locations,\n            and is listed item by item. Secondly, there is a large file\n            of Byrd's speeches, 1920-1965, arranged chronologically,\n            which contains many original drafts with holograph\n            corrections, and mimeograph copies. Thirdly, is a section\n            of Public Statements, 1922-1965, which includes press\n            releases.","G. Scrapbooks, 1906-1965. Consists of 110 loose volumes\n            and two boxes. The first two volumes in this sub-series are\n            scrapbooks of \n            Richard E. Byrd, Sr.The remaining\n            items contain newspapers, photographs and some\n            correspondence pertinent to \n            Harry Byrd's career.","H. Cartoon Collection, Photographs and Awards.\n            Throughout his political life, Byrd collected cartoons\n            about himself. They lined the walls of his Senate office.\n            There is a card index to these 575 framed drawings and a\n            microfilm has been prepared of each for reference use. This\n            sub-series also contains photographs of political figures\n            and friends, and various awards and certificates presented\n            to the Senator.","Series V: Byrd and Flood Families:  \nThis series contains papers relating to Richard Evelyn Byrd, Sr. and Jr., Harry F. Byrd, Jr., Hal D. Flood, Joel W. Floodand various other Byrds and Floods. It is divided into 5 sub-series.","A. \n            Richard E. Byrd, Sr., father of the\n            Senator and prominent member of the Virginia House of\n            Delegates. His papers, 1907-1928, contain political and\n            legal correspondence with Harry F. Byrd and others. The\n            arrangement is generally chronological with some topical\n            breakdown.","B. \n            Richard E. Byrd, Jr., U. S. Navy\n            Admiral and polar explorer. Papers, 1917-1957, consist\n            chiefly of correspondence between the Admiral and the\n            Senator--many of a political nature--and letters from the\n            Senator concerning his brother. There is material relating\n            to the death of Admiral Byrd and the creation of various\n            memorials to him.","C. \n            Harry Flood Byrd, Jr.: The\n            correspondence of Byrd, Jr. with Byrd, Sr. has been pulled\n            together from various locations and placed in this\n            sub-series. In addition, there is material concerning\n            legislation the younger Byrd proposed, and comments by him\n            on the Civil Rights Act of 1965.","D. Various members of the Byrd Family. Chiefly correspondence,\n            1917-1965, of Senator Byrd with various members of the\n            family, and with non-relatives concerning Byrd genealogy.\n            There is a segment of condolence letters, 1957, to the\n            Senator on the death of his mother, \n            Eleanor Bolling (Flood) Byrd. Letters\n            from prominent people have been pulled from this subseries\n            and placed in Series III.","E. \n            Flood Family. This sub-series is\n            composed of 2 sections. First is a topical arrangement of \n            Hal D. Floodpapers, 1896-1922. There\n            is some political correspondence, although the Library of\n            Congress holds the more important pieces of Flood's papers.\n            In addition, there is business \u0026 legal correspondence,\n            and material relating to the settlements of various\n            estates. Of note are the \n            Thomas S. Martinestate and that of \n            Hal Floodhimself.","The second section chiefly contains the estates of other\n            members of the \n            Flood family: \n            Joel W. Flood, \n            Anna Portner Flood, \n            Bolling Byrd Flood, and \n            Eleanor F. Flood, \n            Hal Flood, \n            Richard E. Byrd, Sr., and \n            Harry F. Byrd, Sr.were all executors\n            or guardians to these Floods and their papers are found in\n            the group.","A small group of correspondence, 1941-1965, in this\n            sub-series from the Senator concerns Flood genealogy.","1887 --born Martinsburg, W. Va., son of Richard\n               Evelyn \u0026 Eleanor Bolling (Flood) Byrd, and nephew of\n               Hal D. Flood 1902 --acquired the Winchester Star 1906 --established the Martinsburg Evening Journal\n               and leases his first apple orchard 1908 --appointed to Winchester City Council, first\n               public office 1908-1918 --president of the Valley Turnpike\n               Company 1909 --sold Martinsburg Evening Journal to\n               purchase apple orchards 1913 --married Anne Douglas Beverley 1915-1925 --member of Virginia State Senate:\n               served on the Finance, Roads, and Privileges \u0026\n               Elections Committees 1922-1925 --chairman of the State Democratic\n               Committee 1923 --acquired the Harrisonburg Daily\n               News-Record 1923 --member \u0026 Chairman of Publicity\n               Committee of the \"Pay As You Go\" Roads\n               Association 1926-1930 --governor of Virginia 1928 --his anti-lynch law passed by the Virginia\n               legislature 1928-1940 --member of the Democratic National\n               Committee 1929 --acquired his family home \"Rosemont\" from\n               the Harriman's of New York 1930 --reorganization of Virginia State\n               Constitution and government 1932 --Virginia endorsed Byrd for president 1933-1964 --U. S. Senator from Virginia. Member of\n               the following standing committees: Finance, chair man,\n               1955-1965; Armed Services, Rules; Civil Service. Member\n               of the following special committees: 1. Select committee\n               on Government Reorganization; 2. Joint Committee on\n               Reduction of non-essential Federal Spending; 3.\n               Provision Committee to draft the original Atomic Energy\n               Legislation; 4. Finanance Subcommittee on\n               intergovernmental taxation; 5. Preparedness Subcommittee\n               which investigated the Korean ammunition shortage; 6.\n               Joint Committee on Internal Revenue Taxation 1958 --announced retirement, but was persuaded by\n               friends to run again 1965 --resigned from Senate due to ill\n               health 1966 --died at \"Rosemont\"","The Harry Flood Byrd, Sr. Papers, 1911-1965,\n         consist of 273 linear feet of correspondence, memoranda,\n         records, files of all sorts, photographs, scrapbooks, etc.\n         pertaining largely to the \n         Virginia Senator's political and business\n         careers. Save for his years as governor of \n         Virginia (1925-1929) the collection\n         documents in great detail his activities in politics and\n         business. The bulk of the political papers deal with \n         Virginiastate politics, and present a\n         clear picture of Byrd's leadership of the state Democratic\n         Party. Substantive material from or concerning national\n         figures for the period is not to be found in these papers.","Material of greatest research value is probably to be found\n         in the papers before 1932 when Byrd was elected to the U.S.\n         Senate. The correspondence files are particularly rich and\n         helpful in the 1920's. A cautiousness of statement appears in\n         his correspondence when Byrd arrives in Washington, but the\n         tendency disappears after a few years, and the later\n         correspondence is candid and useful.","The papers of Senator Byrd are invaluable for any study of\n         Virginia's politics and public life during Byrd's lifetime.\n         Because of his great success as an apple grower and farmer,\n         researchers in these fields will find much of value here.\n         There is also some material useful for the study of\n         journalistic history, and other fields of research.","","English"],"unitid_tesim":["9700, 9700-b"],"normalized_title_ssm":["Harry Flood Byrd, Sr. Papers \n          1911-1965"],"collection_title_tesim":["Harry Flood Byrd, Sr. Papers \n          1911-1965"],"collection_ssim":["Harry Flood Byrd, Sr. Papers \n          1911-1965"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Harry F. Byrd, Jr., Richard E.\n         Byrd, and Beverley B. Byrd"],"creator_ssim":["Harry F. Byrd, Jr., Richard E.\n         Byrd, and Beverley B. Byrd"],"acqinfo_ssim":["The sons of Harry F. Byrd--Harry F. Byrd, Jr., Richard E. Byrd, and Beverley B. Byrd--presented their father's papers to the University of Virginia in March 1971. Papers relating to Byrd's Senate career were picked up on March 2 from the Victory Van Corporation, Alexandria, Virginia where they had been stored since 1965. Eight days later a second group which dealt with the years 1911-1932, was collected from the Senator's home, Rosemont."],"has_online_content_ssim":["false"],"physdesc_tesim":["273 linear feet"],"arrangement_html_tesm":["\u003cp\u003eThe collection arrived at the University of Virginia\n         divided into business, personal, and political groups. There\n         was a great deal of inconsistency and repetition within and\n         between the three divisions. As a result, it was decided that\n         a thorough reorganization was in order. Five series were\n         evolved which are described below.\u003c/p\u003e","\u003cp\u003eThe arrangement is chronological and varies from series to\n         series. Within each chronology generally topics and\n         correspondents are alphabetized together. Individual folders\n         were made when a person was a voluminous correspondent or was\n         politically prominent. Topics always have separate folders and\n         will be specifically mentioned in the guide. The researcher\n         must be willing to search topical files for information on\n         specific people. For example, there could be Watt Abbitt\n         correspondence in the Alfalfa Club, the Luncheons, and the\n         Senate Campaign of 1964 folders.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Business, 1914-1965: \u003c/emph\u003e\nCorrespondence, memoranda, bills, and receipts comprise\n            this Series. Senator Byrd's various business interests are\n            represented--apple and peach growing, general farming, cold\n            storage, and newspaper publishing. In the pre-1932 years,\n            those papers detail exhaustively Senator Byrd's financial\n            career, especially in the apple business.\u003c/p\u003e","\u003cp\u003eThere are three subsections to Series I. First, a\n            general business section arranged chronologically and\n            within the year alphabetically by correspondent and topic.\n            There follows a section on the apple sales of specific\n            orchards-- Rosemont, \n            Turkey Knob, and \n            Timberville. Thirdly, a section on\n            general apple sales is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe general business material was pulled in many cases\n            from storage boxes marked personal and political from both\n            shipments of material. The files on the apple sales came\n            chiefly from the attic of \n            Rosemont. They are chiefly bills and\n            receipts, and orders for apples.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: Political, 1911-1932: \u003c/emph\u003e\nThis series documents Senator Byrd's rise to political\n            prominence and gives a detailed picture of the formation\n            and maintenance of the Byrd Organization. But it must be\n            repeated that there is a gap for the gubernatorial years.\n            We assume material for this part of his official life is to\n            be found in the Executive Papers of the Library of\n            Virginia.\u003c/p\u003e","\u003cp\u003eThe chronology for Series II is by one year periods,\n            and, of course, alphabetically by topic and correspondent\n            within those time spans.\u003c/p\u003e","\u003cp\u003eThis material had been stored at Rosemont, and\n            practically every piece was rearranged.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Political, 1933-1965: \u003c/emph\u003e\nSeries III contains material on Byrd's senatorial\n            career. Although there is correspondence with national\n            political figures, both qualitatively and quantitatively,\n            the materials deal with Virginia politics and government\n            rather than national politics and government.\u003c/p\u003e","\u003cp\u003eChronological arrangements for this series is by four\n            year subsections, save for the last which is a 5 year\n            period (1933-1936; 1937-1940; 1945-1948; 1949-1952;\n            1953-1956; 1941-1944; 1957-1960; 1961-1965). Within these\n            sub-series, material is again alphabetically by\n            correspondent and topic.\u003c/p\u003e","\u003cp\u003eThese papers came to the University from the Victory Van\n            Storage Company. They had evidently been boxed in the\n            Senator's Washington office after his death. As with Series\n            II, it was necessary to go through nearly every folder to\n            assure consistency.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Miscellaneous topics: \u003c/emph\u003e\nDivided into 8 sub-series, this section contains\n            material which would not easily fit into the first three\n            series or were simply too large to be integrated.\u003c/p\u003e","\u003cp\u003eA. Appointment \u0026amp; engagement books, 1928-29 \u0026amp;\n            1950-1965\u003c/p\u003e","\u003cp\u003eB. Magazine articles, 1920-1966. This sub-series is\n            comprised of articles by and about Byrd, and some collected\n            by him. There are some drafts and correspondence re the\n            articles, and their publication. The arrangement is\n            chronological.\u003c/p\u003e","\u003cp\u003eC. Newsclippings, 1924-1966. A miscellaneous collection\n            dealing with a wide range of topics-- \n            Harry F. Byrd, \n            Virginia politics, economic, issues,\n            etc. The arrangement is chronological.\u003c/p\u003e","\u003cp\u003eD. Constituents' mail, 1957, 1960-1965. Comprised of\n            letters to Byrd from his \"national\" constituency,\n            commending, and, in some instances, condemning Byrd's\n            position on various issues. In addition, this sub- series\n            contains three bound volumes of letters, 1963 April-May,\n            from various chapters of the \n            Virginia Chamber of Commerce.\u003c/p\u003e","\u003cp\u003eE. \n            Harry F. ByrdVoting Record, 1933-1965.\n            Consists of seven bound volumes and five boxes of material\n            detailing the Senator's voting record for 1933-1943 and\n            1953-1965. However, in 1957 the first session of the 85th\n            Congress is not represented.\u003c/p\u003e","\u003cp\u003eF. Speeches and Statements. This sub-series is divided\n            into several sections. Byrd kept a \"Reference file of other\n            people's speeches.\" This is arranged alphabetically and is\n            indexed. There is also another alphabet of other people's\n            speeches which was pulled together from various locations,\n            and is listed item by item. Secondly, there is a large file\n            of Byrd's speeches, 1920-1965, arranged chronologically,\n            which contains many original drafts with holograph\n            corrections, and mimeograph copies. Thirdly, is a section\n            of Public Statements, 1922-1965, which includes press\n            releases.\u003c/p\u003e","\u003cp\u003eG. Scrapbooks, 1906-1965. Consists of 110 loose volumes\n            and two boxes. The first two volumes in this sub-series are\n            scrapbooks of \n            Richard E. Byrd, Sr.The remaining\n            items contain newspapers, photographs and some\n            correspondence pertinent to \n            Harry Byrd's career.\u003c/p\u003e","\u003cp\u003eH. Cartoon Collection, Photographs and Awards.\n            Throughout his political life, Byrd collected cartoons\n            about himself. They lined the walls of his Senate office.\n            There is a card index to these 575 framed drawings and a\n            microfilm has been prepared of each for reference use. This\n            sub-series also contains photographs of political figures\n            and friends, and various awards and certificates presented\n            to the Senator.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Byrd and Flood Families: \u003c/emph\u003e\nThis series contains papers relating to Richard Evelyn Byrd, Sr. and Jr., Harry F. Byrd, Jr., Hal D. Flood, Joel W. Floodand various other Byrds and Floods. It is divided into 5 sub-series.\u003c/p\u003e","\u003cp\u003eA. \n            Richard E. Byrd, Sr., father of the\n            Senator and prominent member of the Virginia House of\n            Delegates. His papers, 1907-1928, contain political and\n            legal correspondence with Harry F. Byrd and others. The\n            arrangement is generally chronological with some topical\n            breakdown.\u003c/p\u003e","\u003cp\u003eB. \n            Richard E. Byrd, Jr., U. S. Navy\n            Admiral and polar explorer. Papers, 1917-1957, consist\n            chiefly of correspondence between the Admiral and the\n            Senator--many of a political nature--and letters from the\n            Senator concerning his brother. There is material relating\n            to the death of Admiral Byrd and the creation of various\n            memorials to him.\u003c/p\u003e","\u003cp\u003eC. \n            Harry Flood Byrd, Jr.: The\n            correspondence of Byrd, Jr. with Byrd, Sr. has been pulled\n            together from various locations and placed in this\n            sub-series. In addition, there is material concerning\n            legislation the younger Byrd proposed, and comments by him\n            on the Civil Rights Act of 1965.\u003c/p\u003e","\u003cp\u003eD. Various members of the Byrd Family. Chiefly correspondence,\n            1917-1965, of Senator Byrd with various members of the\n            family, and with non-relatives concerning Byrd genealogy.\n            There is a segment of condolence letters, 1957, to the\n            Senator on the death of his mother, \n            Eleanor Bolling (Flood) Byrd. Letters\n            from prominent people have been pulled from this subseries\n            and placed in Series III.\u003c/p\u003e","\u003cp\u003eE. \n            Flood Family. This sub-series is\n            composed of 2 sections. First is a topical arrangement of \n            Hal D. Floodpapers, 1896-1922. There\n            is some political correspondence, although the Library of\n            Congress holds the more important pieces of Flood's papers.\n            In addition, there is business \u0026amp; legal correspondence,\n            and material relating to the settlements of various\n            estates. Of note are the \n            Thomas S. Martinestate and that of \n            Hal Floodhimself.\u003c/p\u003e","\u003cp\u003eThe second section chiefly contains the estates of other\n            members of the \n            Flood family: \n            Joel W. Flood, \n            Anna Portner Flood, \n            Bolling Byrd Flood, and \n            Eleanor F. Flood, \n            Hal Flood, \n            Richard E. Byrd, Sr., and \n            Harry F. Byrd, Sr.were all executors\n            or guardians to these Floods and their papers are found in\n            the group.\u003c/p\u003e","\u003cp\u003eA small group of correspondence, 1941-1965, in this\n            sub-series from the Senator concerns Flood genealogy.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection arrived at the University of Virginia\n         divided into business, personal, and political groups. There\n         was a great deal of inconsistency and repetition within and\n         between the three divisions. As a result, it was decided that\n         a thorough reorganization was in order. Five series were\n         evolved which are described below.","The arrangement is chronological and varies from series to\n         series. Within each chronology generally topics and\n         correspondents are alphabetized together. Individual folders\n         were made when a person was a voluminous correspondent or was\n         politically prominent. Topics always have separate folders and\n         will be specifically mentioned in the guide. The researcher\n         must be willing to search topical files for information on\n         specific people. For example, there could be Watt Abbitt\n         correspondence in the Alfalfa Club, the Luncheons, and the\n         Senate Campaign of 1964 folders.","Series I: Business, 1914-1965:  \nCorrespondence, memoranda, bills, and receipts comprise\n            this Series. Senator Byrd's various business interests are\n            represented--apple and peach growing, general farming, cold\n            storage, and newspaper publishing. In the pre-1932 years,\n            those papers detail exhaustively Senator Byrd's financial\n            career, especially in the apple business.","There are three subsections to Series I. First, a\n            general business section arranged chronologically and\n            within the year alphabetically by correspondent and topic.\n            There follows a section on the apple sales of specific\n            orchards-- Rosemont, \n            Turkey Knob, and \n            Timberville. Thirdly, a section on\n            general apple sales is arranged chronologically.","The general business material was pulled in many cases\n            from storage boxes marked personal and political from both\n            shipments of material. The files on the apple sales came\n            chiefly from the attic of \n            Rosemont. They are chiefly bills and\n            receipts, and orders for apples.","Series II: Political, 1911-1932:  \nThis series documents Senator Byrd's rise to political\n            prominence and gives a detailed picture of the formation\n            and maintenance of the Byrd Organization. But it must be\n            repeated that there is a gap for the gubernatorial years.\n            We assume material for this part of his official life is to\n            be found in the Executive Papers of the Library of\n            Virginia.","The chronology for Series II is by one year periods,\n            and, of course, alphabetically by topic and correspondent\n            within those time spans.","This material had been stored at Rosemont, and\n            practically every piece was rearranged.","Series III: Political, 1933-1965:  \nSeries III contains material on Byrd's senatorial\n            career. Although there is correspondence with national\n            political figures, both qualitatively and quantitatively,\n            the materials deal with Virginia politics and government\n            rather than national politics and government.","Chronological arrangements for this series is by four\n            year subsections, save for the last which is a 5 year\n            period (1933-1936; 1937-1940; 1945-1948; 1949-1952;\n            1953-1956; 1941-1944; 1957-1960; 1961-1965). Within these\n            sub-series, material is again alphabetically by\n            correspondent and topic.","These papers came to the University from the Victory Van\n            Storage Company. They had evidently been boxed in the\n            Senator's Washington office after his death. As with Series\n            II, it was necessary to go through nearly every folder to\n            assure consistency.","Series IV: Miscellaneous topics:  \nDivided into 8 sub-series, this section contains\n            material which would not easily fit into the first three\n            series or were simply too large to be integrated.","A. Appointment \u0026 engagement books, 1928-29 \u0026\n            1950-1965","B. Magazine articles, 1920-1966. This sub-series is\n            comprised of articles by and about Byrd, and some collected\n            by him. There are some drafts and correspondence re the\n            articles, and their publication. The arrangement is\n            chronological.","C. Newsclippings, 1924-1966. A miscellaneous collection\n            dealing with a wide range of topics-- \n            Harry F. Byrd, \n            Virginia politics, economic, issues,\n            etc. The arrangement is chronological.","D. Constituents' mail, 1957, 1960-1965. Comprised of\n            letters to Byrd from his \"national\" constituency,\n            commending, and, in some instances, condemning Byrd's\n            position on various issues. In addition, this sub- series\n            contains three bound volumes of letters, 1963 April-May,\n            from various chapters of the \n            Virginia Chamber of Commerce.","E. \n            Harry F. ByrdVoting Record, 1933-1965.\n            Consists of seven bound volumes and five boxes of material\n            detailing the Senator's voting record for 1933-1943 and\n            1953-1965. However, in 1957 the first session of the 85th\n            Congress is not represented.","F. Speeches and Statements. This sub-series is divided\n            into several sections. Byrd kept a \"Reference file of other\n            people's speeches.\" This is arranged alphabetically and is\n            indexed. There is also another alphabet of other people's\n            speeches which was pulled together from various locations,\n            and is listed item by item. Secondly, there is a large file\n            of Byrd's speeches, 1920-1965, arranged chronologically,\n            which contains many original drafts with holograph\n            corrections, and mimeograph copies. Thirdly, is a section\n            of Public Statements, 1922-1965, which includes press\n            releases.","G. Scrapbooks, 1906-1965. Consists of 110 loose volumes\n            and two boxes. The first two volumes in this sub-series are\n            scrapbooks of \n            Richard E. Byrd, Sr.The remaining\n            items contain newspapers, photographs and some\n            correspondence pertinent to \n            Harry Byrd's career.","H. Cartoon Collection, Photographs and Awards.\n            Throughout his political life, Byrd collected cartoons\n            about himself. They lined the walls of his Senate office.\n            There is a card index to these 575 framed drawings and a\n            microfilm has been prepared of each for reference use. This\n            sub-series also contains photographs of political figures\n            and friends, and various awards and certificates presented\n            to the Senator.","Series V: Byrd and Flood Families:  \nThis series contains papers relating to Richard Evelyn Byrd, Sr. and Jr., Harry F. Byrd, Jr., Hal D. Flood, Joel W. Floodand various other Byrds and Floods. It is divided into 5 sub-series.","A. \n            Richard E. Byrd, Sr., father of the\n            Senator and prominent member of the Virginia House of\n            Delegates. His papers, 1907-1928, contain political and\n            legal correspondence with Harry F. Byrd and others. The\n            arrangement is generally chronological with some topical\n            breakdown.","B. \n            Richard E. Byrd, Jr., U. S. Navy\n            Admiral and polar explorer. Papers, 1917-1957, consist\n            chiefly of correspondence between the Admiral and the\n            Senator--many of a political nature--and letters from the\n            Senator concerning his brother. There is material relating\n            to the death of Admiral Byrd and the creation of various\n            memorials to him.","C. \n            Harry Flood Byrd, Jr.: The\n            correspondence of Byrd, Jr. with Byrd, Sr. has been pulled\n            together from various locations and placed in this\n            sub-series. In addition, there is material concerning\n            legislation the younger Byrd proposed, and comments by him\n            on the Civil Rights Act of 1965.","D. Various members of the Byrd Family. Chiefly correspondence,\n            1917-1965, of Senator Byrd with various members of the\n            family, and with non-relatives concerning Byrd genealogy.\n            There is a segment of condolence letters, 1957, to the\n            Senator on the death of his mother, \n            Eleanor Bolling (Flood) Byrd. Letters\n            from prominent people have been pulled from this subseries\n            and placed in Series III.","E. \n            Flood Family. This sub-series is\n            composed of 2 sections. First is a topical arrangement of \n            Hal D. Floodpapers, 1896-1922. There\n            is some political correspondence, although the Library of\n            Congress holds the more important pieces of Flood's papers.\n            In addition, there is business \u0026 legal correspondence,\n            and material relating to the settlements of various\n            estates. Of note are the \n            Thomas S. Martinestate and that of \n            Hal Floodhimself.","The second section chiefly contains the estates of other\n            members of the \n            Flood family: \n            Joel W. Flood, \n            Anna Portner Flood, \n            Bolling Byrd Flood, and \n            Eleanor F. Flood, \n            Hal Flood, \n            Richard E. Byrd, Sr., and \n            Harry F. Byrd, Sr.were all executors\n            or guardians to these Floods and their papers are found in\n            the group.","A small group of correspondence, 1941-1965, in this\n            sub-series from the Senator concerns Flood genealogy."],"bioghist_html_tesm":["\u003cp\u003e\n        \u003clist type=\"simple\"\u003e\n          \u003citem\u003e1887 --born Martinsburg, W. Va., son of Richard\n               Evelyn \u0026amp; Eleanor Bolling (Flood) Byrd, and nephew of\n               Hal D. Flood\u003c/item\u003e\n          \u003citem\u003e1902 --acquired the Winchester Star\u003c/item\u003e\n          \u003citem\u003e1906 --established the Martinsburg Evening Journal\n               and leases his first apple orchard\u003c/item\u003e\n          \u003citem\u003e1908 --appointed to Winchester City Council, first\n               public office\u003c/item\u003e\n          \u003citem\u003e1908-1918 --president of the Valley Turnpike\n               Company\u003c/item\u003e\n          \u003citem\u003e1909 --sold Martinsburg Evening Journal to\n               purchase apple orchards\u003c/item\u003e\n          \u003citem\u003e1913 --married Anne Douglas Beverley\u003c/item\u003e\n          \u003citem\u003e1915-1925 --member of Virginia State Senate:\n               served on the Finance, Roads, and Privileges \u0026amp;\n               Elections Committees\u003c/item\u003e\n          \u003citem\u003e1922-1925 --chairman of the State Democratic\n               Committee\u003c/item\u003e\n          \u003citem\u003e1923 --acquired the Harrisonburg Daily\n               News-Record\u003c/item\u003e\n          \u003citem\u003e1923 --member \u0026amp; Chairman of Publicity\n               Committee of the \"Pay As You Go\" Roads\n               Association\u003c/item\u003e\n          \u003citem\u003e1926-1930 --governor of Virginia\u003c/item\u003e\n          \u003citem\u003e1928 --his anti-lynch law passed by the Virginia\n               legislature\u003c/item\u003e\n          \u003citem\u003e1928-1940 --member of the Democratic National\n               Committee\u003c/item\u003e\n          \u003citem\u003e1929 --acquired his family home \"Rosemont\" from\n               the Harriman's of New York\u003c/item\u003e\n          \u003citem\u003e1930 --reorganization of Virginia State\n               Constitution and government\u003c/item\u003e\n          \u003citem\u003e1932 --Virginia endorsed Byrd for president\u003c/item\u003e\n          \u003citem\u003e1933-1964 --U. S. Senator from Virginia. Member of\n               the following standing committees: Finance, chair man,\n               1955-1965; Armed Services, Rules; Civil Service. Member\n               of the following special committees: 1. Select committee\n               on Government Reorganization; 2. Joint Committee on\n               Reduction of non-essential Federal Spending; 3.\n               Provision Committee to draft the original Atomic Energy\n               Legislation; 4. Finanance Subcommittee on\n               intergovernmental taxation; 5. Preparedness Subcommittee\n               which investigated the Korean ammunition shortage; 6.\n               Joint Committee on Internal Revenue Taxation\u003c/item\u003e\n          \u003citem\u003e1958 --announced retirement, but was persuaded by\n               friends to run again\u003c/item\u003e\n          \u003citem\u003e1965 --resigned from Senate due to ill\n               health\u003c/item\u003e\n          \u003citem\u003e1966 --died at \"Rosemont\"\u003c/item\u003e\n        \u003c/list\u003e\n      \u003c/p\u003e"],"bioghist_heading_ssm":["Chronology"],"bioghist_tesim":["1887 --born Martinsburg, W. Va., son of Richard\n               Evelyn \u0026 Eleanor Bolling (Flood) Byrd, and nephew of\n               Hal D. Flood 1902 --acquired the Winchester Star 1906 --established the Martinsburg Evening Journal\n               and leases his first apple orchard 1908 --appointed to Winchester City Council, first\n               public office 1908-1918 --president of the Valley Turnpike\n               Company 1909 --sold Martinsburg Evening Journal to\n               purchase apple orchards 1913 --married Anne Douglas Beverley 1915-1925 --member of Virginia State Senate:\n               served on the Finance, Roads, and Privileges \u0026\n               Elections Committees 1922-1925 --chairman of the State Democratic\n               Committee 1923 --acquired the Harrisonburg Daily\n               News-Record 1923 --member \u0026 Chairman of Publicity\n               Committee of the \"Pay As You Go\" Roads\n               Association 1926-1930 --governor of Virginia 1928 --his anti-lynch law passed by the Virginia\n               legislature 1928-1940 --member of the Democratic National\n               Committee 1929 --acquired his family home \"Rosemont\" from\n               the Harriman's of New York 1930 --reorganization of Virginia State\n               Constitution and government 1932 --Virginia endorsed Byrd for president 1933-1964 --U. S. Senator from Virginia. Member of\n               the following standing committees: Finance, chair man,\n               1955-1965; Armed Services, Rules; Civil Service. Member\n               of the following special committees: 1. Select committee\n               on Government Reorganization; 2. Joint Committee on\n               Reduction of non-essential Federal Spending; 3.\n               Provision Committee to draft the original Atomic Energy\n               Legislation; 4. Finanance Subcommittee on\n               intergovernmental taxation; 5. Preparedness Subcommittee\n               which investigated the Korean ammunition shortage; 6.\n               Joint Committee on Internal Revenue Taxation 1958 --announced retirement, but was persuaded by\n               friends to run again 1965 --resigned from Senate due to ill\n               health 1966 --died at \"Rosemont\""],"scopecontent_html_tesm":["\u003cp\u003eThe Harry Flood Byrd, Sr. Papers, 1911-1965,\n         consist of 273 linear feet of correspondence, memoranda,\n         records, files of all sorts, photographs, scrapbooks, etc.\n         pertaining largely to the \n         Virginia Senator's political and business\n         careers. Save for his years as governor of \n         Virginia (1925-1929) the collection\n         documents in great detail his activities in politics and\n         business. The bulk of the political papers deal with \n         Virginiastate politics, and present a\n         clear picture of Byrd's leadership of the state Democratic\n         Party. Substantive material from or concerning national\n         figures for the period is not to be found in these papers.\u003c/p\u003e","\u003cp\u003eMaterial of greatest research value is probably to be found\n         in the papers before 1932 when Byrd was elected to the U.S.\n         Senate. The correspondence files are particularly rich and\n         helpful in the 1920's. A cautiousness of statement appears in\n         his correspondence when Byrd arrives in Washington, but the\n         tendency disappears after a few years, and the later\n         correspondence is candid and useful.\u003c/p\u003e","\u003cp\u003eThe papers of Senator Byrd are invaluable for any study of\n         Virginia's politics and public life during Byrd's lifetime.\n         Because of his great success as an apple grower and farmer,\n         researchers in these fields will find much of value here.\n         There is also some material useful for the study of\n         journalistic history, and other fields of research.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Harry Flood Byrd, Sr. Papers, 1911-1965,\n         consist of 273 linear feet of correspondence, memoranda,\n         records, files of all sorts, photographs, scrapbooks, etc.\n         pertaining largely to the \n         Virginia Senator's political and business\n         careers. Save for his years as governor of \n         Virginia (1925-1929) the collection\n         documents in great detail his activities in politics and\n         business. The bulk of the political papers deal with \n         Virginiastate politics, and present a\n         clear picture of Byrd's leadership of the state Democratic\n         Party. Substantive material from or concerning national\n         figures for the period is not to be found in these papers.","Material of greatest research value is probably to be found\n         in the papers before 1932 when Byrd was elected to the U.S.\n         Senate. The correspondence files are particularly rich and\n         helpful in the 1920's. A cautiousness of statement appears in\n         his correspondence when Byrd arrives in Washington, but the\n         tendency disappears after a few years, and the later\n         correspondence is candid and useful.","The papers of Senator Byrd are invaluable for any study of\n         Virginia's politics and public life during Byrd's lifetime.\n         Because of his great success as an apple grower and farmer,\n         researchers in these fields will find much of value here.\n         There is also some material useful for the study of\n         journalistic history, and other fields of research."],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"language_ssim":["English"],"total_component_count_is":3415,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:40:10.716Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu01045_c04_c06_c02_c199"}},{"id":"viu_repositories_3_resources_1792_c02_c03_c02","type":"File","attributes":{"title":"Youngel (Wolfgang Ader) to Herbert Friedman and Heinz Reiner","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1792_c02_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1792_c02_c03_c02","ref_ssm":["viu_repositories_3_resources_1792_c02_c03_c02"],"id":"viu_repositories_3_resources_1792_c02_c03_c02","ead_ssi":"viu_repositories_3_resources_1792","_root_":"viu_repositories_3_resources_1792","_nest_parent_":"viu_repositories_3_resources_1792_c02_c03","parent_ssi":"viu_repositories_3_resources_1792_c02_c03","parent_ssim":["viu_repositories_3_resources_1792","viu_repositories_3_resources_1792_c02","viu_repositories_3_resources_1792_c02_c03"],"parent_ids_ssim":["viu_repositories_3_resources_1792","viu_repositories_3_resources_1792_c02","viu_repositories_3_resources_1792_c02_c03"],"parent_unittitles_ssm":["Herbert Friedman Holocaust materials","Series 2. Correspondence","Subseries: Friends"],"parent_unittitles_tesim":["Herbert Friedman Holocaust materials","Series 2. Correspondence","Subseries: Friends"],"text":["Herbert Friedman Holocaust materials","Series 2. Correspondence","Subseries: Friends","Youngel (Wolfgang Ader) to Herbert Friedman and Heinz Reiner","German","box 2","folder 70","English translation with the letter"],"title_filing_ssi":"Youngel (Wolfgang Ader) to Herbert Friedman and Heinz Reiner","title_ssm":["Youngel (Wolfgang Ader) to Herbert Friedman and Heinz Reiner"],"title_tesim":["Youngel (Wolfgang Ader) to Herbert Friedman and Heinz Reiner"],"unitdate_other_ssim":["1939 March 7"],"normalized_date_ssm":["1939"],"normalized_title_ssm":["Youngel (Wolfgang Ader) to Herbert Friedman and Heinz Reiner"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Herbert Friedman Holocaust materials"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":163,"parent_access_restrict_tesm":["This collection is open for research."],"digital_objects_ssm":["{\"label\":\"Youngel (Wolfgang Ader) to Herbert Friedman and Heinz Reiner, 1939 March 7\",\"href\":\"https://iiifman.lib.virginia.edu/pid/tsb:109782\"}"],"date_range_isim":[1939],"language_ssim":["German"],"containers_ssim":["box 2","folder 70"],"odd_html_tesm":["\u003cp\u003eEnglish translation with the letter\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["English translation with the letter"],"_nest_path_":"/components#1/components#2/components#1","timestamp":"2026-04-30T22:48:34.494Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1792","ead_ssi":"viu_repositories_3_resources_1792","_root_":"viu_repositories_3_resources_1792","_nest_parent_":"viu_repositories_3_resources_1792","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1792.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/221482","title_filing_ssi":"Friedman, Herbert, Holocaust materials","title_ssm":["Herbert Friedman Holocaust materials"],"title_tesim":["Herbert Friedman Holocaust materials"],"unitdate_ssm":["1924-2006","1896"],"unitdate_inclusive_ssm":["1924-2006"],"unitdate_other_ssim":["1896"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16906","Archival Resource Key","/repositories/3/resources/1792"],"text":["MSS 16906","Archival Resource Key","/repositories/3/resources/1792","Herbert Friedman Holocaust materials","Holocaust, Jewish (1939-1945)","Jews  -- Austria","Kindertransports (Rescue operations)","Jewish children in the Holocaust","Jews  -- Virginia","History of Childhood, Parenting and Family Building (UVA)","This collection is open for research.","Herbert Friedman was born in Vienna on December 11, 1924. He lived with his family in Austria until 1938 when the persecution of Jewish populations in Germany, Austria, and Poland forced the Friedman family's exit from Vienna. ","Before he departed from Austria, Herbert Friedman was involved in the rescue of a woman who was drowning in the Danube Canal. Herbert, then 13 years old, and his friend Ernst Fleischer, then 15, garnered media attention in Jewish newspapers. Months later, Vienna fell to German occupation. Herbert's friend, Ernst, died in a concentration camp in 1942. ","Due to the publicity from saving a woman's life, Herbert secured an appointment with the Rabbi of Austria. The Rabbi named Herbert as one of the one-thousand children slated for the Kultusgemeinde, a negotiation between the Nazis and Austrians for the transportation of children to safer locations. Herbert left on the Kindertransport to England on December 10, 1938. He remained in England for two years, where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe. For these two years he desperately tried to help his mother and younger sister leave Vienna. His father and brother were already in America living in Baltimore, Maryland with relatives. They could barely speak English and were working low paying jobs which did not allow enough money to help the family members escape. They felt despair that his mother and sister might be deported, as other family members had been.","By December 1940, Herbert joined his family in the United States, where they had secured papers the previous year. Herbert attended Forest Park High School in Baltimore, graduating in 1942. He joined the United States Army soon after, serving in the South Pacific until 1945. Herbert attended the University of Maryland School of Pharmacy and was recalled to the Army during the Korean War, in which he served as a First Lieutenant.","Content Warning Note: This collection contains racial imagery typical for the time that contemporary viewers may find offensive.\n The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This collection contains the personal papers of Herbert Friedman  (1924-2006), documenting his survival of the Holocaust from 1938 to 1940 in Vienna, including his two years in England, and his life afterward in the United States Army and as a successful pharmacist in Norfolk, Virginia. ","The Holocaust and its memory influenced his life and inspired him to create and share this archive to teach about his experiences and give courage and empathy to others. Friedman's archive primarily chronicles his efforts to get his mother out of Austria, his travel on the Kindertransport to England where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe, and finally in 1940 his immigration to the United States. ","The collection came in as two binders of correspondence, family transcriptions, photographs, and notes. The first, labeled \"Volume 1\" contained information about the desperation of living and trying to escape the persecution of Jewish people in Germany, Austria, and Poland, which forced the Friedman family's exit from Vienna. \"Volume 2\" contained the correspondence and documents about Herbert Friedman's immigration to England and America. Volumes 3 and 4 contained photographs and writings, materials related to Herbert's later life in the army and his career as a pharmacist, and then his vocation as a speaker and teacher about living through the Holocaust. ","The collection contains biographical pieces written by and about Friedman, correspondence with his friends and family, legal identification (Reisepass), official documents about obtaining affidavits that would allow them to leave Austria for abroad, Palestine, Australia, or America and photographs from his youth and time in the army. ","The collection includes Herbert's numbered tag \"325\" that he wore as he fled with the first group of children out of Germany. The correspondence is also the highlight of the collection as the letters from his mother in particular, reveal the fear and urgency with which she needed his help to leave Vienna immediately as she could be deported any minute. The letters are in German, Hebrew, Yiddish,French, and English. Most of the letters are translated into English. All the letters from family and friends begin \"Lieber Herbert\" or Dear Herbert.","There is also information about daily life, Herbert's Barmitzvah before the invasion, and his swim card which allowed him to go swimming one week before the Nazis took over. There are descriptions about standing in lines at the American Embassy and the intimidation of the Nazis (referred to as \"The Black People\") who kicked people out of line or beat them if they did not stand upright, or worse, arrested them and sent them to death camps. ","There is also genealogical information, research to find out what happened to family members who died at concentration camps, and a framed article honoring Friedman at thirteen years old and his friend Ernst Fleisher (15 years old) for saving a drowning woman in the river in Austria in 1937. There are also letters from officials in the Austrian Government praising Herbert for this act of bravery, as well as letters apologizing for not recognizing his bravery at the time, and for the terrible time for Austrians during the Nazi reign.","The collection also contains four books, some inscribed by friends and family. The books,  Zur Erinnerung an die Barmizwah ,  Altneuland The Old New Land  by Theodor Herzl,  A Book of Jewish Thought , and  Pears Enclyclopaedia   were catalogued separately.","Albert and Shirley Small Special Collections Library","Friedman, Herbert, 1924-2006","English German Hebrew Yiddish French"],"unitid_tesim":["MSS 16906","Archival Resource Key","/repositories/3/resources/1792"],"normalized_title_ssm":["Herbert Friedman Holocaust materials"],"collection_title_tesim":["Herbert Friedman Holocaust materials"],"collection_ssim":["Herbert Friedman Holocaust materials"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Friedman, Herbert, 1924-2006"],"creator_ssim":["Friedman, Herbert, 1924-2006"],"creator_persname_ssim":["Friedman, Herbert, 1924-2006"],"creators_ssim":["Friedman, Herbert, 1924-2006"],"acqinfo_ssim":["This collection was a gift from Mark Friedman and Ron Friedman to the Small Special Collections Library at the University of Virginia Library on 3 December 2025."],"access_subjects_ssim":["Holocaust, Jewish (1939-1945)","Jews  -- Austria","Kindertransports (Rescue operations)","Jewish children in the Holocaust","Jews  -- Virginia","History of Childhood, Parenting and Family Building (UVA)"],"access_subjects_ssm":["Holocaust, Jewish (1939-1945)","Jews  -- Austria","Kindertransports (Rescue operations)","Jewish children in the Holocaust","Jews  -- Virginia","History of Childhood, Parenting and Family Building (UVA)"],"has_online_content_ssim":["true"],"extent_ssm":["1 Cubic Feet 2 legal size document boxes, and 1 half-width legal size document box"],"extent_tesim":["1 Cubic Feet 2 legal size document boxes, and 1 half-width legal size document box"],"date_range_isim":[1896,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eHerbert Friedman was born in Vienna on December 11, 1924. He lived with his family in Austria until 1938 when the persecution of Jewish populations in Germany, Austria, and Poland forced the Friedman family's exit from Vienna. \u003c/p\u003e\n","\u003cp\u003eBefore he departed from Austria, Herbert Friedman was involved in the rescue of a woman who was drowning in the Danube Canal. Herbert, then 13 years old, and his friend Ernst Fleischer, then 15, garnered media attention in Jewish newspapers. Months later, Vienna fell to German occupation. Herbert's friend, Ernst, died in a concentration camp in 1942. \u003c/p\u003e\n","\u003cp\u003eDue to the publicity from saving a woman's life, Herbert secured an appointment with the Rabbi of Austria. The Rabbi named Herbert as one of the one-thousand children slated for the Kultusgemeinde, a negotiation between the Nazis and Austrians for the transportation of children to safer locations. Herbert left on the Kindertransport to England on December 10, 1938. He remained in England for two years, where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe. For these two years he desperately tried to help his mother and younger sister leave Vienna. His father and brother were already in America living in Baltimore, Maryland with relatives. They could barely speak English and were working low paying jobs which did not allow enough money to help the family members escape. They felt despair that his mother and sister might be deported, as other family members had been.\u003c/p\u003e\n","\u003cp\u003eBy December 1940, Herbert joined his family in the United States, where they had secured papers the previous year. Herbert attended Forest Park High School in Baltimore, graduating in 1942. He joined the United States Army soon after, serving in the South Pacific until 1945. Herbert attended the University of Maryland School of Pharmacy and was recalled to the Army during the Korean War, in which he served as a First Lieutenant.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Herbert Friedman was born in Vienna on December 11, 1924. He lived with his family in Austria until 1938 when the persecution of Jewish populations in Germany, Austria, and Poland forced the Friedman family's exit from Vienna. ","Before he departed from Austria, Herbert Friedman was involved in the rescue of a woman who was drowning in the Danube Canal. Herbert, then 13 years old, and his friend Ernst Fleischer, then 15, garnered media attention in Jewish newspapers. Months later, Vienna fell to German occupation. Herbert's friend, Ernst, died in a concentration camp in 1942. ","Due to the publicity from saving a woman's life, Herbert secured an appointment with the Rabbi of Austria. The Rabbi named Herbert as one of the one-thousand children slated for the Kultusgemeinde, a negotiation between the Nazis and Austrians for the transportation of children to safer locations. Herbert left on the Kindertransport to England on December 10, 1938. He remained in England for two years, where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe. For these two years he desperately tried to help his mother and younger sister leave Vienna. His father and brother were already in America living in Baltimore, Maryland with relatives. They could barely speak English and were working low paying jobs which did not allow enough money to help the family members escape. They felt despair that his mother and sister might be deported, as other family members had been.","By December 1940, Herbert joined his family in the United States, where they had secured papers the previous year. Herbert attended Forest Park High School in Baltimore, graduating in 1942. He joined the United States Army soon after, serving in the South Pacific until 1945. Herbert attended the University of Maryland School of Pharmacy and was recalled to the Army during the Korean War, in which he served as a First Lieutenant."],"odd_html_tesm":["\u003cp\u003eContent Warning Note: This collection contains racial imagery typical for the time that contemporary viewers may find offensive.\n The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Content Warning Note: This collection contains racial imagery typical for the time that contemporary viewers may find offensive.\n The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal papers of Herbert Friedman  (1924-2006), documenting his survival of the Holocaust from 1938 to 1940 in Vienna, including his two years in England, and his life afterward in the United States Army and as a successful pharmacist in Norfolk, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe Holocaust and its memory influenced his life and inspired him to create and share this archive to teach about his experiences and give courage and empathy to others. Friedman's archive primarily chronicles his efforts to get his mother out of Austria, his travel on the Kindertransport to England where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe, and finally in 1940 his immigration to the United States. \u003c/p\u003e\n","\u003cp\u003eThe collection came in as two binders of correspondence, family transcriptions, photographs, and notes. The first, labeled \"Volume 1\" contained information about the desperation of living and trying to escape the persecution of Jewish people in Germany, Austria, and Poland, which forced the Friedman family's exit from Vienna. \"Volume 2\" contained the correspondence and documents about Herbert Friedman's immigration to England and America. Volumes 3 and 4 contained photographs and writings, materials related to Herbert's later life in the army and his career as a pharmacist, and then his vocation as a speaker and teacher about living through the Holocaust. \u003c/p\u003e\n","\u003cp\u003eThe collection contains biographical pieces written by and about Friedman, correspondence with his friends and family, legal identification (Reisepass), official documents about obtaining affidavits that would allow them to leave Austria for abroad, Palestine, Australia, or America and photographs from his youth and time in the army. \u003c/p\u003e\n","\u003cp\u003eThe collection includes Herbert's numbered tag \"325\" that he wore as he fled with the first group of children out of Germany. The correspondence is also the highlight of the collection as the letters from his mother in particular, reveal the fear and urgency with which she needed his help to leave Vienna immediately as she could be deported any minute. The letters are in German, Hebrew, Yiddish,French, and English. Most of the letters are translated into English. All the letters from family and friends begin \"Lieber Herbert\" or Dear Herbert.\u003c/p\u003e\n","\u003cp\u003eThere is also information about daily life, Herbert's Barmitzvah before the invasion, and his swim card which allowed him to go swimming one week before the Nazis took over. There are descriptions about standing in lines at the American Embassy and the intimidation of the Nazis (referred to as \"The Black People\") who kicked people out of line or beat them if they did not stand upright, or worse, arrested them and sent them to death camps. \u003c/p\u003e\n","\u003cp\u003eThere is also genealogical information, research to find out what happened to family members who died at concentration camps, and a framed article honoring Friedman at thirteen years old and his friend Ernst Fleisher (15 years old) for saving a drowning woman in the river in Austria in 1937. There are also letters from officials in the Austrian Government praising Herbert for this act of bravery, as well as letters apologizing for not recognizing his bravery at the time, and for the terrible time for Austrians during the Nazi reign.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains four books, some inscribed by friends and family. The books, \u003cemph render=\"italic\"\u003eZur Erinnerung an die Barmizwah\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAltneuland The Old New Land\u003c/emph\u003e by Theodor Herzl, \u003cemph render=\"italic\"\u003eA Book of Jewish Thought\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003ePears Enclyclopaedia \u003c/emph\u003e were catalogued separately.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the personal papers of Herbert Friedman  (1924-2006), documenting his survival of the Holocaust from 1938 to 1940 in Vienna, including his two years in England, and his life afterward in the United States Army and as a successful pharmacist in Norfolk, Virginia. ","The Holocaust and its memory influenced his life and inspired him to create and share this archive to teach about his experiences and give courage and empathy to others. Friedman's archive primarily chronicles his efforts to get his mother out of Austria, his travel on the Kindertransport to England where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe, and finally in 1940 his immigration to the United States. ","The collection came in as two binders of correspondence, family transcriptions, photographs, and notes. The first, labeled \"Volume 1\" contained information about the desperation of living and trying to escape the persecution of Jewish people in Germany, Austria, and Poland, which forced the Friedman family's exit from Vienna. \"Volume 2\" contained the correspondence and documents about Herbert Friedman's immigration to England and America. Volumes 3 and 4 contained photographs and writings, materials related to Herbert's later life in the army and his career as a pharmacist, and then his vocation as a speaker and teacher about living through the Holocaust. ","The collection contains biographical pieces written by and about Friedman, correspondence with his friends and family, legal identification (Reisepass), official documents about obtaining affidavits that would allow them to leave Austria for abroad, Palestine, Australia, or America and photographs from his youth and time in the army. ","The collection includes Herbert's numbered tag \"325\" that he wore as he fled with the first group of children out of Germany. The correspondence is also the highlight of the collection as the letters from his mother in particular, reveal the fear and urgency with which she needed his help to leave Vienna immediately as she could be deported any minute. The letters are in German, Hebrew, Yiddish,French, and English. Most of the letters are translated into English. All the letters from family and friends begin \"Lieber Herbert\" or Dear Herbert.","There is also information about daily life, Herbert's Barmitzvah before the invasion, and his swim card which allowed him to go swimming one week before the Nazis took over. There are descriptions about standing in lines at the American Embassy and the intimidation of the Nazis (referred to as \"The Black People\") who kicked people out of line or beat them if they did not stand upright, or worse, arrested them and sent them to death camps. ","There is also genealogical information, research to find out what happened to family members who died at concentration camps, and a framed article honoring Friedman at thirteen years old and his friend Ernst Fleisher (15 years old) for saving a drowning woman in the river in Austria in 1937. There are also letters from officials in the Austrian Government praising Herbert for this act of bravery, as well as letters apologizing for not recognizing his bravery at the time, and for the terrible time for Austrians during the Nazi reign.","The collection also contains four books, some inscribed by friends and family. The books,  Zur Erinnerung an die Barmizwah ,  Altneuland The Old New Land  by Theodor Herzl,  A Book of Jewish Thought , and  Pears Enclyclopaedia   were catalogued separately."],"names_ssim":["Albert and Shirley Small Special Collections Library","Friedman, Herbert, 1924-2006"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Friedman, Herbert, 1924-2006"],"language_ssim":["English German Hebrew Yiddish French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":236,"online_item_count_is":224,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:48:34.494Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1792_c02_c03_c02"}},{"id":"viblbv_repositories_2_resources_1798_c08_c128","type":"File","attributes":{"title":"Younger, Margaret Chase","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1798_c08_c128#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1798_c08_c128","ref_ssm":["viblbv_repositories_2_resources_1798_c08_c128"],"id":"viblbv_repositories_2_resources_1798_c08_c128","ead_ssi":"viblbv_repositories_2_resources_1798","_root_":"viblbv_repositories_2_resources_1798","_nest_parent_":"viblbv_repositories_2_resources_1798_c08","parent_ssi":"viblbv_repositories_2_resources_1798_c08","parent_ssim":["viblbv_repositories_2_resources_1798","viblbv_repositories_2_resources_1798_c08"],"parent_ids_ssim":["viblbv_repositories_2_resources_1798","viblbv_repositories_2_resources_1798_c08"],"parent_unittitles_ssm":["Inge Horton Architectural Collection","Files of Early Women Architects and A Few Male Architects Who Supported Them"],"parent_unittitles_tesim":["Inge Horton Architectural Collection","Files of Early Women Architects and A Few Male Architects Who Supported Them"],"text":["Inge Horton Architectural Collection","Files of Early Women Architects and A Few Male Architects Who Supported Them","Younger, Margaret Chase","English .","box 5","folder 52"],"title_filing_ssi":"Younger, Margaret Chase ","title_ssm":["Younger, Margaret Chase "],"title_tesim":["Younger, Margaret Chase "],"unitdate_inclusive_ssm":["1902-1994"],"normalized_date_ssm":["1902/1994"],"normalized_title_ssm":["Younger, Margaret Chase"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Inge Horton Architectural Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":136,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"language_ssim":["English ."],"containers_ssim":["box 5","folder 52"],"_nest_path_":"/components#7/components#127","timestamp":"2026-04-30T23:34:08.124Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1798","ead_ssi":"viblbv_repositories_2_resources_1798","_root_":"viblbv_repositories_2_resources_1798","_nest_parent_":"viblbv_repositories_2_resources_1798","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1798.xml","title_filing_ssi":"Horton, Inge, Architectural Collection","title_ssm":["Inge Horton Architectural Collection"],"title_tesim":["Inge Horton Architectural Collection"],"unitdate_ssm":["1964-1999"],"unitdate_inclusive_ssm":["1964-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.065"],"text":["Ms.1990.065","Inge Horton Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","The collection is open for research.","The collection is arranged by material type.","Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016.","The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.","Special Collections and University Archives, Virginia Tech","Horton, Inge S.","The materials in the collection are in English and German."],"unitid_tesim":["Ms.1990.065"],"normalized_title_ssm":["Inge Horton Architectural Collection"],"collection_title_tesim":["Inge Horton Architectural Collection"],"collection_ssim":["Inge Horton Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Horton, Inge S."],"creator_ssim":["Horton, Inge S."],"creator_persname_ssim":["Horton, Inge S."],"creators_ssim":["Horton, Inge S."],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Inge Horton Architectural Collection was donated to Special Collections in 1990."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["9.3 Cubic Feet 8 boxes"],"extent_tesim":["9.3 Cubic Feet 8 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eBorn in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.\u003c/p\u003e\n","\u003cp\u003eShe has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).\u003c/p\u003e\n","\u003cp\u003eHer publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description "],"odd_tesim":["The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_efeedd0489853594ec017840c3f0497f\" label=\"Abstract\"\u003eInge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.\u003c/abstract\u003e"],"abstract_tesim":["Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Horton, Inge S."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Horton, Inge S."],"language_ssim":["The materials in the collection are in English and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":320,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:34:08.124Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1798_c08_c128"}},{"id":"vifgm_repositories_2_resources_331_c02_c02_c487","type":"File","attributes":{"title":"Youngest  -  Your","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c02_c02_c487#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_331_c02_c02_c487","ref_ssm":["vifgm_repositories_2_resources_331_c02_c02_c487"],"id":"vifgm_repositories_2_resources_331_c02_c02_c487","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331_c02_c02","parent_ssi":"vifgm_repositories_2_resources_331_c02_c02","parent_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c02","vifgm_repositories_2_resources_331_c02_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c02","vifgm_repositories_2_resources_331_c02_c02"],"parent_unittitles_ssm":["Federal Theatre Project collection","Series 2: Play Service and Research Records","Subseries 2.2: Play Reader Reports"],"parent_unittitles_tesim":["Federal Theatre Project collection","Series 2: Play Service and Research Records","Subseries 2.2: Play Reader Reports"],"text":["Federal Theatre Project collection","Series 2: Play Service and Research Records","Subseries 2.2: Play Reader Reports","Youngest  -  Your","box 104","folder 4"],"title_filing_ssi":"Youngest  -  Your","title_ssm":["Youngest  -  Your"],"title_tesim":["Youngest  -  Your"],"unitdate_inclusive_ssm":["circa 1935-1939"],"normalized_date_ssm":["1935/1939"],"normalized_title_ssm":["Youngest  -  Your"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":642,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1935,1936,1937,1938,1939],"containers_ssim":["box 104","folder 4"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#1/components#1/components#486","timestamp":"2026-05-07T07:19:07.641Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-07T07:19:07.641Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c02_c02_c487"}},{"id":"wvmturhc_repositories_2_resources_5880_c02_c809","type":"File","attributes":{"title":"Young Farmers Co-Operative Association","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c809#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5880_c02_c809","ref_ssm":["wvmturhc_repositories_2_resources_5880_c02_c809"],"id":"wvmturhc_repositories_2_resources_5880_c02_c809","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880_c02","parent_ssi":"wvmturhc_repositories_2_resources_5880_c02","parent_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"parent_unittitles_ssm":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"parent_unittitles_tesim":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"text":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)","Young Farmers Co-Operative Association","Box S2/Box 47","Folder 14"],"title_filing_ssi":"Young Farmers Co-Operative Association","title_ssm":["Young Farmers Co-Operative Association"],"title_tesim":["Young Farmers Co-Operative Association"],"unitdate_inclusive_ssm":["ca. 1848-1968"],"normalized_date_ssm":["1848/1968"],"normalized_title_ssm":["Young Farmers Co-Operative Association"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Siler Family Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":989,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"containers_ssim":["Box S2/Box 47","Folder 14"],"_nest_path_":"/components#1/components#808","timestamp":"2026-04-30T23:09:50.593Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5880","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5880.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198957","title_ssm":["Siler Family Papers"],"title_tesim":["Siler Family Papers"],"unitdate_ssm":["1848-1968"],"unitdate_inclusive_ssm":["1848-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880"],"text":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880","Siler Family Papers","Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865","Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. Castleman","Church schools -- Episcopal High School (Alexandria, Va.)","Churches  -- Episcopal","Civil War -- Confederate newspapers","Civil War -- Description","Civil War - political factions.","Civil War -- Confederate letters","Confederate States of America - secession crisis.","Diaries and journals.","Episcopal Church - Churches.","Church schools -- Episcopal High School (Alexandria, Va.)","Estates and estate settlements.","Federal Reserve Bank of Richmond - Banks and Banking.","Financial Public Relations Association - Banks and Banking.","First Virginia Corporation - Banks and Banking.","General stores - Hammond and Siler.","Glass Sand Industry - Berkeley Glass Sand Company.","Glass Sand Industry - Pennsylvania Glass Sand Corporation.","Hancock Steel Company - Steel.","Insurance - V. E. Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Poetry --  Nannie S. Castleman","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence","No special access restriction applies.","missing; 2011/04/15; mrr","\nseries 2, box 47, folder 13","\n--","archives and manuscripts; photographs / postcards / prints / etc.","This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses","English"],"unitid_tesim":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880"],"normalized_title_ssm":["Siler Family Papers"],"collection_title_tesim":["Siler Family Papers"],"collection_ssim":["Siler Family Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865"],"creator_ssm":["Seiler family"],"creator_ssim":["Seiler family"],"creator_famname_ssim":["Seiler family"],"creators_ssim":["Seiler family"],"places_ssim":["Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Purchase from (in process), (in process)"],"access_subjects_ssim":["Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. Castleman","Church schools -- Episcopal High School (Alexandria, Va.)","Churches  -- Episcopal","Civil War -- Confederate newspapers","Civil War -- Description","Civil War - political factions.","Civil War -- Confederate letters","Confederate States of America - secession crisis.","Diaries and journals.","Episcopal Church - Churches.","Church schools -- Episcopal High School (Alexandria, Va.)","Estates and estate settlements.","Federal Reserve Bank of Richmond - Banks and Banking.","Financial Public Relations Association - Banks and Banking.","First Virginia Corporation - Banks and Banking.","General stores - Hammond and Siler.","Glass Sand Industry - Berkeley Glass Sand Company.","Glass Sand Industry - Pennsylvania Glass Sand Corporation.","Hancock Steel Company - Steel.","Insurance - V. E. Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Poetry --  Nannie S. Castleman","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence"],"access_subjects_ssm":["Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. Castleman","Church schools -- Episcopal High School (Alexandria, Va.)","Churches  -- Episcopal","Civil War -- Confederate newspapers","Civil War -- Description","Civil War - political factions.","Civil War -- Confederate letters","Confederate States of America - secession crisis.","Diaries and journals.","Episcopal Church - Churches.","Church schools -- Episcopal High School (Alexandria, Va.)","Estates and estate settlements.","Federal Reserve Bank of Richmond - Banks and Banking.","Financial Public Relations Association - Banks and Banking.","First Virginia Corporation - Banks and Banking.","General stores - Hammond and Siler.","Glass Sand Industry - Berkeley Glass Sand Company.","Glass Sand Industry - Pennsylvania Glass Sand Corporation.","Hancock Steel Company - Steel.","Insurance - V. E. Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Poetry --  Nannie S. Castleman","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["66.6 Linear Feet Summary: 66 ft. 7 in. (149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"extent_tesim":["66.6 Linear Feet Summary: 66 ft. 7 in. (149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"genreform_ssim":["Business correspondence"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"odd_html_tesm":["\u003cp\u003emissing; 2011/04/15; mrr\u003c/p\u003e\n","\u003cp\u003e\nseries 2, box 47, folder 13\u003c/p\u003e\n","\u003cp\u003e\n--\u003c/p\u003e","\u003cp\u003earchives and manuscripts; photographs / postcards / prints / etc.\u003c/p\u003e"],"odd_heading_ssm":["Legacy Administrative Notes","Legacy Formats"],"odd_tesim":["missing; 2011/04/15; mrr","\nseries 2, box 47, folder 13","\n--","archives and manuscripts; photographs / postcards / prints / etc."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Siler Family Papers, A\u0026amp;M 2200, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Siler Family Papers, A\u0026M 2200, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. 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