{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=2","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=1","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=3","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=15"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":15,"limit_value":10,"offset_value":10,"total_count":149,"first_page?":false,"last_page?":false}},"data":[{"id":"viur_repositories_4_resources_36_c01_c73","type":"File","attributes":{"title":"Carl Van Vechten, \"Mamba's Daughters: A Review\", 1939","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c01_c73#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c01_c73","ref_ssm":["viur_repositories_4_resources_36_c01_c73"],"id":"viur_repositories_4_resources_36_c01_c73","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c01","parent_ssi":"viur_repositories_4_resources_36_c01","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c01"],"title_filing_ssi":"Carl Van Vechten, \"Mamba's Daughters: A Review\"","title_ssm":["Carl Van Vechten, \"Mamba's Daughters: A Review\""],"title_tesim":["Carl Van Vechten, \"Mamba's Daughters: A Review\""],"normalized_title_ssm":["Carl Van Vechten, \"Mamba's Daughters: A Review\", 1939"],"text":["Carl Van Vechten, \"Mamba's Daughters: A Review\", 1939","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980","box 2 MS-1","folder 12","English","In Opportunity: Journal of Negro Life, Vol. XVII, No. 2, pp. 46-47"],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"normalized_date_ssm":["1939"],"unitdate_other_ssim":["February 1939"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":74,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"containers_ssim":["box 2 MS-1","folder 12"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"language_ssim":["English"],"date_range_isim":[1939],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_8cbd03dec8ab919fd5d7872de12ffaaf\"\u003eIn \u003cemph render=\"italics\"\u003eOpportunity: Journal of Negro Life\u003c/emph\u003e, Vol. XVII, No. 2, pp. 46-47\u003c/materialspec\u003e"],"materialspec_tesim":["In Opportunity: Journal of Negro Life, Vol. XVII, No. 2, pp. 46-47"],"_nest_path_":"/components#0/components#72","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  ","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  ","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  ","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c01_c73"}},{"id":"viur_repositories_4_resources_36","type":"collection","attributes":{"title":"Carl Van Vechten - Mark Lutz Collection, 1881/1980","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36#creator","type":"document_value","attributes":{"value":"Van Vechten, Carl, 1880-1964","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  ","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  ","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  ","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  ","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  ","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  ","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36"}},{"id":"viur_repositories_4_resources_36_c04_c01","type":"Sub-Series","attributes":{"title":"Carl Van Vechten, Personal, 1881/1958","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c04_c01","ref_ssm":["viur_repositories_4_resources_36_c04_c01"],"id":"viur_repositories_4_resources_36_c04_c01","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c04","parent_ssi":"viur_repositories_4_resources_36_c04","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c04"],"title_filing_ssi":"Carl Van Vechten, Personal","title_ssm":["Carl Van Vechten, Personal"],"title_tesim":["Carl Van Vechten, Personal"],"normalized_title_ssm":["Carl Van Vechten, Personal, 1881/1958"],"text":["Carl Van Vechten, Personal, 1881/1958","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms."],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963"],"normalized_date_ssm":["1881/1958"],"unitdate_inclusive_ssm":["1881-1958"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":301,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"has_online_content_ssim":["false"],"child_component_count_isi":15,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"scopecontent_html_tesm":["\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms."],"_nest_path_":"/components#3/components#0","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  ","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  ","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  ","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01"}},{"id":"viur_repositories_4_resources_13_c37","type":"File","attributes":{"title":"Celastraceae, 1939","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_13_c37#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_13_c37","ref_ssm":["viur_repositories_4_resources_13_c37"],"id":"viur_repositories_4_resources_13_c37","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","parent_ssi":"viur_repositories_4_resources_13","parent_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_ids_ssim":["viur_repositories_4_resources_13"],"title_filing_ssi":"Celastraceae","title_ssm":["Celastraceae"],"title_tesim":["Celastraceae"],"normalized_title_ssm":["Celastraceae, 1939"],"text":["Celastraceae, 1939","W. H. Brown Botanical Drawings Collection, 1930/1939","Box 4","folder 2","Chris Mikolaitis","The only named artist is Chris Mikolaitis"],"parent_unittitles_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_unittitles_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"normalized_date_ssm":["1939"],"unitdate_other_ssim":["1939"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":177,"repository_ssim":["University of Richmond"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"extent_ssm":["29 Items"],"extent_tesim":["29 Items"],"containers_ssim":["Box 4","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"famname_ssim":["Chris Mikolaitis"],"names_ssim":["Chris Mikolaitis"],"date_range_isim":[1939],"odd_html_tesm":["\u003cp\u003eThe only named artist is \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The only named artist is Chris Mikolaitis"],"_nest_path_":"/components#36","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_13","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_13.xml","title_ssm":["W. H. Brown Botanical Drawings Collection"],"title_tesim":["W. H. Brown Botanical Drawings Collection"],"unitdate_ssm":["1930-1939"],"unitdate_inclusive_ssm":["1930-1939"],"normalized_date_ssm":["1930/1939"],"normalized_title_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"text":["W. H. Brown Botanical Drawings Collection, 1930/1939","MS-23","/repositories/4/resources/13","Plants in art","Botanical illustration","There are no restrictions on accessing material in this collection.","This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.","These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.","The dates mentioned are 1937; the artists and  other names are R. Graham, J Galvante; one drawing labeled on the back as dill looks like fennel","The only named artists are RIT, J Galvante, Yatco","The only named artist is Stella Dernoga","The only named artist is CZ","\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"","The only named artist is Stella Dernoga","The only named artist is Santiago","Notes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea","Named artists are J Galvante, Chris Mikolaitis, H Vasquez, RIT","these are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae","Named artists are Cruz, R. ICO, Galvante, Santiago","Named artists are Santiago, Cruz, Galvante\nNote some of the Plumeria names are invalid","note: \"Los Banos Target range\"","One tiny illustration unidentified, partial label on back says \"thopana\"","Named artists are Dernoga, Santiago, Cruz","The only named artist is Galvante","Named artists are RIT, Vasquez, Yatco\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"","The only named artist is RIT\nnotes: Baguio City, Philippines mentioned \"from Baguio\"","The only named artist is Galvante","Named artists are Grace Parker, Chris Mikolautis, Stella Dernoga","labeled \"from Phillippines\"","The only named artist is Vasquez","\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"","also labeled \"Kapok\"","some of these glued down to a sheet of paper, not ready to pop off","\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"","four pieces glued together","The only named artist is Stella Dergona","Named artists are Vasquez, Galvante, CZ\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"","The only named artist is Santiago","Notes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder","The only named artist is Chris Mikolaitis","Although widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae","The only named artist is Vasquez","names: Santiago, RIT, Vasquez, Galvante","Baguinio- Mt. Prov., one goldenrod drawing is very creased","Named artists are Galvante, Iananaco, Cruz, Vasquez","Brassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage","Named artists are Galvante, RIT","most labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant","The only named artist is Vasquez","The only named artist is Vasquez","one drawing says \"from Miyazaki\" a city in Japan","The only named artist is Galavante","The only named artist is Chris Mikolaitis","Names: Chris Mikolaitis","Named artists are Galvanteand Santiago","The only named artist is Yacto/Hatco","Named artists are M.T. Cruz, Chris Mikolaitis, Stella Dervoga","new name Rhododendron japonicum (A. Gray) Sur.","this plant is now  sometimes classified as part of the Saxifragacea family","Named artists are Galvante, Yateo, Vasquez, Santiago","The only named artist is Stella Dernoga","The only named artist is Santiago","New family Salicaeae","new family Salicaeae","New family Salicaeae","New family Achariaceae","New family Salicaeae?","The only named artists are Cruz, Santiago, Vasquez","interesting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium","Named artists are Cruz, Vasquez\nnotes: Allopectus should actually be Alloplectus?","accepted name Agalmyla chorisepala","one oversize","2 Ink by Yatco, Aug 1937","1 ink/sketch by Galavante, Aug 27-28/1937\n1 ink by Yatco, Aug 27/1937","Plus one info sheet, not counted","The only named artist is Chris Mikolaitis","Named artists are RIT, Vasquez","dates: 8/10/37, 8/3/37","The only named artist is Galvante","The only named artist is Chris Mikolaitis","Named artists are Stella Dernoga, Chris Mikolaitis, Parker, Larkspur, Grace Parker","The only named artist is Cruz","These files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold.","Indexed and moved to Vault with rest of the collection, labeled as Box 14","Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.","This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.","University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur","English\n      Latin"],"collection_title_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-23","/repositories/4/resources/13"],"unitid_tesim":["MS-23","/repositories/4/resources/13"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_corpname_ssim":["University of Richmond"],"creator_famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"creators_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated to the library by Dr. John Hayden, Professor of Biology, University of Richmond"],"access_subjects_ssim":["Plants in art","Botanical illustration"],"access_subjects_ssm":["Plants in art","Botanical illustration"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet"],"extent_tesim":["13 Linear Feet"],"genreform_ssim":["Botanical illustration"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThese drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics."],"odd_html_tesm":["\u003cp\u003eThe dates mentioned are 1937; the artists and  other names are \u003cfamname\u003eR. Graham\u003c/famname\u003e, \u003cfamname\u003eJ Galvante\u003c/famname\u003e; one drawing labeled on the back as dill looks like fennel\u003c/p\u003e","\u003cp\u003eThe only named artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eJ Galvante\u003c/famname\u003e, \u003cfamname\u003eYatco\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eCZ\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003e\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNotes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eJ Galvante\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eH Vasquez\u003c/famname\u003e, \u003cfamname\u003eRIT\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003ethese are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eCruz\u003c/famname\u003e, R. \u003cfamname\u003eICO\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e\nNote some of the Plumeria names are invalid\u003c/p\u003e","\u003cp\u003enote: \"Los Banos Target range\"\u003c/p\u003e","\u003cp\u003eOne tiny illustration unidentified, partial label on back says \"thopana\"\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eDernoga\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eYatco\u003c/famname\u003e\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eRIT\u003c/famname\u003e\nnotes: Baguio City, Philippines mentioned \"from Baguio\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are\u003cfamname\u003e Grace Parker\u003c/famname\u003e, \u003cfamname\u003eChris Mikolautis\u003c/famname\u003e, \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003elabeled \"from Phillippines\"\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003e\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"\u003c/p\u003e","\u003cp\u003ealso labeled \"Kapok\"\u003c/p\u003e","\u003cp\u003esome of these glued down to a sheet of paper, not ready to pop off\u003c/p\u003e","\u003cp\u003e\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"\u003c/p\u003e","\u003cp\u003efour pieces glued together\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dergona\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eCZ\u003c/famname\u003e\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNotes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eAlthough widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003enames: Santiago, RIT, Vasquez, Galvante\u003c/p\u003e","\u003cp\u003eBaguinio- Mt. Prov., one goldenrod drawing is very creased\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eIananaco\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eBrassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eRIT\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003emost labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003eone drawing says \"from Miyazaki\" a city in Japan\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalavante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNames: Chris Mikolaitis\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003eand \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is Yacto/Hatco\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eM.T.\u003c/famname\u003e \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eStella Dervoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003enew name Rhododendron japonicum (A. Gray) Sur.\u003c/p\u003e","\u003cp\u003ethis plant is now  sometimes classified as part of the Saxifragacea family\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eYateo\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNew family Salicaeae\u003c/p\u003e","\u003cp\u003enew family Salicaeae\u003c/p\u003e","\u003cp\u003eNew family Salicaeae\u003c/p\u003e","\u003cp\u003eNew family Achariaceae\u003c/p\u003e","\u003cp\u003eNew family Salicaeae?\u003c/p\u003e","\u003cp\u003eThe only named artists are \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003einteresting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\nnotes: Allopectus should actually be Alloplectus?\u003c/p\u003e","\u003cp\u003eaccepted name Agalmyla chorisepala\u003c/p\u003e","\u003cp\u003eone oversize\u003c/p\u003e","\u003cp\u003e2 Ink by \u003cfamname\u003eYatco\u003c/famname\u003e, Aug 1937\u003c/p\u003e","\u003cp\u003e1 ink/sketch by \u003cfamname\u003eGalavante\u003c/famname\u003e, Aug 27-28/1937\n1 ink by \u003cfamname\u003eYatco\u003c/famname\u003e, Aug 27/1937\u003c/p\u003e","\u003cp\u003ePlus one info sheet, not counted\u003c/p\u003e","\u003cp\u003eThe only named artist is Chris \u003cfamname\u003eMikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003edates: 8/10/37, 8/3/37\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is Chris \u003cfamname\u003eMikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eStella Dernoga\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eParker\u003c/famname\u003e, \u003cfamname\u003eLarkspur\u003c/famname\u003e, \u003cfamname\u003eGrace Parker\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eCruz\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThese files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold. \u003c/p\u003e","\u003cp\u003eIndexed and moved to Vault with rest of the collection, labeled as Box 14\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The dates mentioned are 1937; the artists and  other names are R. Graham, J Galvante; one drawing labeled on the back as dill looks like fennel","The only named artists are RIT, J Galvante, Yatco","The only named artist is Stella Dernoga","The only named artist is CZ","\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"","The only named artist is Stella Dernoga","The only named artist is Santiago","Notes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea","Named artists are J Galvante, Chris Mikolaitis, H Vasquez, RIT","these are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae","Named artists are Cruz, R. ICO, Galvante, Santiago","Named artists are Santiago, Cruz, Galvante\nNote some of the Plumeria names are invalid","note: \"Los Banos Target range\"","One tiny illustration unidentified, partial label on back says \"thopana\"","Named artists are Dernoga, Santiago, Cruz","The only named artist is Galvante","Named artists are RIT, Vasquez, Yatco\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"","The only named artist is RIT\nnotes: Baguio City, Philippines mentioned \"from Baguio\"","The only named artist is Galvante","Named artists are Grace Parker, Chris Mikolautis, Stella Dernoga","labeled \"from Phillippines\"","The only named artist is Vasquez","\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"","also labeled \"Kapok\"","some of these glued down to a sheet of paper, not ready to pop off","\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"","four pieces glued together","The only named artist is Stella Dergona","Named artists are Vasquez, Galvante, CZ\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"","The only named artist is Santiago","Notes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder","The only named artist is Chris Mikolaitis","Although widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae","The only named artist is Vasquez","names: Santiago, RIT, Vasquez, Galvante","Baguinio- Mt. Prov., one goldenrod drawing is very creased","Named artists are Galvante, Iananaco, Cruz, Vasquez","Brassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage","Named artists are Galvante, RIT","most labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant","The only named artist is Vasquez","The only named artist is Vasquez","one drawing says \"from Miyazaki\" a city in Japan","The only named artist is Galavante","The only named artist is Chris Mikolaitis","Names: Chris Mikolaitis","Named artists are Galvanteand Santiago","The only named artist is Yacto/Hatco","Named artists are M.T. Cruz, Chris Mikolaitis, Stella Dervoga","new name Rhododendron japonicum (A. Gray) Sur.","this plant is now  sometimes classified as part of the Saxifragacea family","Named artists are Galvante, Yateo, Vasquez, Santiago","The only named artist is Stella Dernoga","The only named artist is Santiago","New family Salicaeae","new family Salicaeae","New family Salicaeae","New family Achariaceae","New family Salicaeae?","The only named artists are Cruz, Santiago, Vasquez","interesting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium","Named artists are Cruz, Vasquez\nnotes: Allopectus should actually be Alloplectus?","accepted name Agalmyla chorisepala","one oversize","2 Ink by Yatco, Aug 1937","1 ink/sketch by Galavante, Aug 27-28/1937\n1 ink by Yatco, Aug 27/1937","Plus one info sheet, not counted","The only named artist is Chris Mikolaitis","Named artists are RIT, Vasquez","dates: 8/10/37, 8/3/37","The only named artist is Galvante","The only named artist is Chris Mikolaitis","Named artists are Stella Dernoga, Chris Mikolaitis, Parker, Larkspur, Grace Parker","The only named artist is Cruz","These files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold.","Indexed and moved to Vault with rest of the collection, labeled as Box 14"],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eMuch of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_292b1d89c62a3ee6826c4ddfb3eb795a\"\u003eThis collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names."],"corpname_ssim":["University of Richmond"],"famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"names_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"language_ssim":["English\n      Latin"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_13_c37"}},{"id":"viur_repositories_4_resources_18","type":"collection","attributes":{"title":"Civil War Collection, 1860/2012","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_18#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_18#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_18","ead_ssi":"viur_repositories_4_resources_18","_root_":"viur_repositories_4_resources_18","_nest_parent_":"viur_repositories_4_resources_18","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_18.xml","title_ssm":["Civil War Collection"],"title_tesim":["Civil War Collection"],"unitdate_ssm":["1860-2012"],"unitdate_inclusive_ssm":["1860-2012"],"normalized_date_ssm":["1860/2012"],"normalized_title_ssm":["Civil War Collection, 1860/2012"],"text":["Civil War Collection, 1860/2012","MS-13","/repositories/4/resources/18","Virginia","United States -- History -- Civil War, 1861-1865","Research","Communications, Military","Personal correspondence","Additional items may be added to this collection.","Transcriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included.","This collection is arranged in 8 series:","Series I: Battle of Gaines' Mill\nSeries II: William W. Bentley\nSeries III: Carte de Visites\nSeries IV: Albert M. Hayward\nSeries V: William McKinnon\nSeries VI: William C. and Amanda Morgan\nSeries VII: Thomas M. Walker\nSeries VIII: John C. Barns","Also known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.","Born in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.","Trained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.","William McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.","A printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.","Born in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.","A young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862.","Items in this collection were collected by and purchased from a private collector.","Items in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included.","The collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.","Processed by Erica Johnson.","MS-4 Lt. Henry L. Kinsey Collection\n\nMS-26 Civil War Era Naval Correspondence Collection","Series I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.","Series II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.","Series III, Carte de Visites, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"","Series IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.","Series V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.","Series VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.","Series VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.","Series VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry.","One oversize photograph is stored in Oversize Drawer #1.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design.","University of Richmond","English"],"collection_title_tesim":["Civil War Collection, 1860/2012"],"collection_ssim":["Civil War Collection, 1860/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-13","/repositories/4/resources/18"],"unitid_tesim":["MS-13","/repositories/4/resources/18"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Virginia","United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Virginia","United States -- History -- Civil War, 1861-1865"],"places_ssim":["Virginia","United States -- History -- Civil War, 1861-1865"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was purchased from a private collector in 2012."],"access_subjects_ssim":["Research","Communications, Military","Personal correspondence"],"access_subjects_ssm":["Research","Communications, Military","Personal correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accruals_html_tesm":["\u003cp\u003eAdditional items may be added to this collection.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Additional items may be added to this collection."],"altformavail_html_tesm":["\u003cp\u003eTranscriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Transcriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in 8 series:\u003c/p\u003e","\u003cp\u003eSeries I: Battle of Gaines' Mill\u003cbr\u003e\nSeries II: William W. Bentley\u003cbr\u003e\nSeries III: \u003cemph render=\"italics\"\u003eCarte de Visites\u003c/emph\u003e\u003cbr\u003e\nSeries IV: Albert M. Hayward\u003cbr\u003e\nSeries V: William McKinnon\u003cbr\u003e\nSeries VI: William C. and Amanda Morgan\u003cbr\u003e\nSeries VII: Thomas M. Walker\u003cbr\u003e\nSeries VIII: John C. Barns\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in 8 series:","Series I: Battle of Gaines' Mill\nSeries II: William W. Bentley\nSeries III: Carte de Visites\nSeries IV: Albert M. Hayward\nSeries V: William McKinnon\nSeries VI: William C. and Amanda Morgan\nSeries VII: Thomas M. Walker\nSeries VIII: John C. Barns"],"bioghist_html_tesm":["\u003cp\u003eAlso known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.\u003c/p\u003e","\u003cp\u003eBorn in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eTrained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.\u003c/p\u003e","\u003cp\u003eWilliam McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.\u003c/p\u003e","\u003cp\u003eA printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.\u003c/p\u003e","\u003cp\u003eBorn in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.\u003c/p\u003e","\u003cp\u003eA young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Also known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.","Born in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.","Trained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.","William McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.","A printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.","Born in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.","A young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862."],"custodhist_html_tesm":["\u003cp\u003eItems in this collection were collected by and purchased from a private collector.\u003c/p\u003e  ","\u003cp\u003eItems in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["Items in this collection were collected by and purchased from a private collector.","Items in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-13, Civil War Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-13, Civil War Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.\u003c/p\u003e","\u003cp\u003eProcessed by Erica Johnson.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.","Processed by Erica Johnson."],"relatedmaterial_html_tesm":["\u003cul\u003e\n\n\u003cli\u003eMS-4 \u003ca href=\"https://archives.richmond.edu/repositories/4/resources/3\"\u003eLt. Henry L. Kinsey Collection\u003c/a\u003e\u003c/li\u003e\n\n\u003cli\u003eMS-26 \u003ca href=\"https://archives.richmond.edu/repositories/4/resources/15\"\u003eCivil War Era Naval Correspondence Collection\u003c/a\u003e\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-4 Lt. Henry L. Kinsey Collection\n\nMS-26 Civil War Era Naval Correspondence Collection"],"scopecontent_html_tesm":["\u003cp\u003eSeries I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.\u003c/p\u003e","\u003cp\u003eSeries II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.\u003c/p\u003e","\u003cp\u003eSeries III, \u003cemph render=\"italics\"\u003eCarte de Visites\u003c/emph\u003e, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"\u003c/p\u003e","\u003cp\u003eSeries IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.\u003c/p\u003e","\u003cp\u003eSeries V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.\u003c/p\u003e","\u003cp\u003eSeries VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.\u003c/p\u003e","\u003cp\u003eSeries VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.\u003c/p\u003e","\u003cp\u003eSeries VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.","Series II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.","Series III, Carte de Visites, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"","Series IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.","Series V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.","Series VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.","Series VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.","Series VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry."],"separatedmaterial_html_tesm":["\u003cp\u003eOne oversize photograph is stored in Oversize Drawer #1.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["One oversize photograph is stored in Oversize Drawer #1."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46f87598275857997b08523fb989a95\"\u003eThis collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design."],"corpname_ssim":["University of Richmond"],"names_ssim":["University of Richmond"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_18","ead_ssi":"viur_repositories_4_resources_18","_root_":"viur_repositories_4_resources_18","_nest_parent_":"viur_repositories_4_resources_18","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_18.xml","title_ssm":["Civil War Collection"],"title_tesim":["Civil War Collection"],"unitdate_ssm":["1860-2012"],"unitdate_inclusive_ssm":["1860-2012"],"normalized_date_ssm":["1860/2012"],"normalized_title_ssm":["Civil War Collection, 1860/2012"],"text":["Civil War Collection, 1860/2012","MS-13","/repositories/4/resources/18","Virginia","United States -- History -- Civil War, 1861-1865","Research","Communications, Military","Personal correspondence","Additional items may be added to this collection.","Transcriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included.","This collection is arranged in 8 series:","Series I: Battle of Gaines' Mill\nSeries II: William W. Bentley\nSeries III: Carte de Visites\nSeries IV: Albert M. Hayward\nSeries V: William McKinnon\nSeries VI: William C. and Amanda Morgan\nSeries VII: Thomas M. Walker\nSeries VIII: John C. Barns","Also known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.","Born in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.","Trained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.","William McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.","A printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.","Born in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.","A young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862.","Items in this collection were collected by and purchased from a private collector.","Items in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included.","The collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.","Processed by Erica Johnson.","MS-4 Lt. Henry L. Kinsey Collection\n\nMS-26 Civil War Era Naval Correspondence Collection","Series I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.","Series II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.","Series III, Carte de Visites, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"","Series IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.","Series V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.","Series VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.","Series VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.","Series VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry.","One oversize photograph is stored in Oversize Drawer #1.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design.","University of Richmond","English"],"collection_title_tesim":["Civil War Collection, 1860/2012"],"collection_ssim":["Civil War Collection, 1860/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-13","/repositories/4/resources/18"],"unitid_tesim":["MS-13","/repositories/4/resources/18"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Virginia","United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Virginia","United States -- History -- Civil War, 1861-1865"],"places_ssim":["Virginia","United States -- History -- Civil War, 1861-1865"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was purchased from a private collector in 2012."],"access_subjects_ssim":["Research","Communications, Military","Personal correspondence"],"access_subjects_ssm":["Research","Communications, Military","Personal correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accruals_html_tesm":["\u003cp\u003eAdditional items may be added to this collection.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Additional items may be added to this collection."],"altformavail_html_tesm":["\u003cp\u003eTranscriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Transcriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in 8 series:\u003c/p\u003e","\u003cp\u003eSeries I: Battle of Gaines' Mill\u003cbr\u003e\nSeries II: William W. Bentley\u003cbr\u003e\nSeries III: \u003cemph render=\"italics\"\u003eCarte de Visites\u003c/emph\u003e\u003cbr\u003e\nSeries IV: Albert M. Hayward\u003cbr\u003e\nSeries V: William McKinnon\u003cbr\u003e\nSeries VI: William C. and Amanda Morgan\u003cbr\u003e\nSeries VII: Thomas M. Walker\u003cbr\u003e\nSeries VIII: John C. Barns\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in 8 series:","Series I: Battle of Gaines' Mill\nSeries II: William W. Bentley\nSeries III: Carte de Visites\nSeries IV: Albert M. Hayward\nSeries V: William McKinnon\nSeries VI: William C. and Amanda Morgan\nSeries VII: Thomas M. Walker\nSeries VIII: John C. Barns"],"bioghist_html_tesm":["\u003cp\u003eAlso known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.\u003c/p\u003e","\u003cp\u003eBorn in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eTrained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.\u003c/p\u003e","\u003cp\u003eWilliam McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.\u003c/p\u003e","\u003cp\u003eA printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.\u003c/p\u003e","\u003cp\u003eBorn in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.\u003c/p\u003e","\u003cp\u003eA young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Also known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.","Born in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.","Trained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.","William McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.","A printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.","Born in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.","A young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862."],"custodhist_html_tesm":["\u003cp\u003eItems in this collection were collected by and purchased from a private collector.\u003c/p\u003e  ","\u003cp\u003eItems in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["Items in this collection were collected by and purchased from a private collector.","Items in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-13, Civil War Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-13, Civil War Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.\u003c/p\u003e","\u003cp\u003eProcessed by Erica Johnson.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.","Processed by Erica Johnson."],"relatedmaterial_html_tesm":["\u003cul\u003e\n\n\u003cli\u003eMS-4 \u003ca href=\"https://archives.richmond.edu/repositories/4/resources/3\"\u003eLt. Henry L. Kinsey Collection\u003c/a\u003e\u003c/li\u003e\n\n\u003cli\u003eMS-26 \u003ca href=\"https://archives.richmond.edu/repositories/4/resources/15\"\u003eCivil War Era Naval Correspondence Collection\u003c/a\u003e\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-4 Lt. Henry L. Kinsey Collection\n\nMS-26 Civil War Era Naval Correspondence Collection"],"scopecontent_html_tesm":["\u003cp\u003eSeries I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.\u003c/p\u003e","\u003cp\u003eSeries II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.\u003c/p\u003e","\u003cp\u003eSeries III, \u003cemph render=\"italics\"\u003eCarte de Visites\u003c/emph\u003e, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"\u003c/p\u003e","\u003cp\u003eSeries IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.\u003c/p\u003e","\u003cp\u003eSeries V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.\u003c/p\u003e","\u003cp\u003eSeries VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.\u003c/p\u003e","\u003cp\u003eSeries VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.\u003c/p\u003e","\u003cp\u003eSeries VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.","Series II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.","Series III, Carte de Visites, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"","Series IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.","Series V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.","Series VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.","Series VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.","Series VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry."],"separatedmaterial_html_tesm":["\u003cp\u003eOne oversize photograph is stored in Oversize Drawer #1.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["One oversize photograph is stored in Oversize Drawer #1."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46f87598275857997b08523fb989a95\"\u003eThis collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design."],"corpname_ssim":["University of Richmond"],"names_ssim":["University of Richmond"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_18"}},{"id":"viur_repositories_4_resources_157_c05","type":"File","attributes":{"title":"Collection of Civil Rights Era and Vietnam War Photojournalism Part 1, 1939/1979","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_157_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_157_c05","ref_ssm":["viur_repositories_4_resources_157_c05"],"id":"viur_repositories_4_resources_157_c05","ead_ssi":"viur_repositories_4_resources_157","_root_":"viur_repositories_4_resources_157","_nest_parent_":"viur_repositories_4_resources_157","parent_ssi":"viur_repositories_4_resources_157","parent_ssim":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"parent_ids_ssim":["viur_repositories_4_resources_157"],"title_filing_ssi":"Collection of Civil Rights Era and Vietnam War Photojournalism Part 1","title_ssm":["Collection of Civil Rights Era and Vietnam War Photojournalism Part 1"],"title_tesim":["Collection of Civil Rights Era and Vietnam War Photojournalism Part 1"],"normalized_title_ssm":["Collection of Civil Rights Era and Vietnam War Photojournalism Part 1, 1939/1979"],"text":["Collection of Civil Rights Era and Vietnam War Photojournalism Part 1, 1939/1979","Photojournalism Collection, 1800/1899, bulk 1870/1989","box 2","folder 1","English"],"parent_unittitles_ssm":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"parent_unittitles_tesim":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"normalized_date_ssm":["1939/1979"],"unitdate_inclusive_ssm":["1939-1979"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":5,"repository_ssim":["University of Richmond"],"collection_ssim":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"containers_ssim":["box 2","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"language_ssim":["English"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"_nest_path_":"/components#4","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_157","ead_ssi":"viur_repositories_4_resources_157","_root_":"viur_repositories_4_resources_157","_nest_parent_":"viur_repositories_4_resources_157","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_157.xml","title_ssm":["Photojournalism Collection"],"title_tesim":["Photojournalism Collection"],"unitdate_ssm":["[circa 1870s]- 1989","Est. 19th Century","[circa 1800s]- 1989"],"unitdate_inclusive_ssm":["Est. 19th Century","[circa 1800s]- 1989"],"unitdate_bulk_ssim":["[circa 1870s]- 1989"],"normalized_date_ssm":["1800/1899, bulk 1870/1989"],"normalized_title_ssm":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"text":["Photojournalism Collection, 1800/1899, bulk 1870/1989","MS-81","/repositories/4/resources/157","United States Army in World War II","Civil rights movements","Documentary photography","Social change","Photographers","Photographs","The content of this collection is arranged in boxes by size and each folder is arranged by photographer or related historical content.","Akg-Images London. \"The Liberation of Paris by Rene Zuber.\" Akg Images, April 19, 2024. https://akg-images.prezly.com/the-liberation-of-paris-by-rene-zuber#.","\"Briscoe Center Aquires Acclaimed Photographer John Bryson's Archive.\" Briscoe Center for American History. https://briscoecenter.org/about/news/briscoe-center-acquires-acclaimed-photographer-john-brysons-archive/ (accessed October 17, 2025).","\"Briscoe Center for American History: The University of Texas at Austin: John Bryson Archive, circa 1945-1995.\" Taro: Texas Archival Resources Online. https://txarchives.org/utcah/finding_aids/03502.xml (accessed October 17, 2025).","\"Florence Homolka (Museum Collection).\" Getty. https://www.getty.edu/art/collection/person/103KVH (accessed October 17, 2025).","\"Gordon Coster.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/gordon-coster (accessed October 17, 2025).","\"Harold Haliday Costain.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/harold-haliday-costain (accessed October 17, 2025).","\"Leonard Freed.\" Magnum Photos. https://www.magnumphotos.com/photographer/leonard-freed/ (accessed October 17, 2025).","\"Max Baur: German, 1898-1988.\" Artsy. https://www.artsy.net/artist/max-baur#:~:text=Max%20Baur%2C%20a%20native%20of,format%20and%20composed%20everything%20carefully. (accessed October 17, 2025).","Wikipedia contributors, \"Alfred Eisenstaedt,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Alfred_Eisenstaedt\u0026oldid=1311559508 (accessed October 17, 2025).","Wikipedia contributors, \"Denise Bellon,\" Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Denise_Bellon\u0026oldid=1242206314 (accessed October 17, 2025).","Wikipedia contributors, \"Dmitry Baltermants,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Dmitry_Baltermants\u0026oldid=1298058067 (accessed October 17, 2025).","Wikipedia contributors, \"Gisèle Freund,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Gis%C3%A8le_Freund\u0026oldid=1315066063 (accessed October 17, 2025).","Wikipedia contributors, \"Horst Tappe,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Horst_Tappe\u0026oldid=1211602280 (accessed October 17, 2025).","Wikipedia contributors, \"Micha Bar-Am,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Micha_Bar-Am\u0026oldid=1306602494 (accessed October 17, 2025).","Wikipedia contributors, \"Paul Almásy,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Alm%C3%A1sy\u0026oldid=1307824034 (accessed October 17, 2025).","Wikipedia contributors, \"Paul Caponigro,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Caponigro\u0026oldid=1315979719 (accessed October 17, 2025).","Wikipedia contributors, \"Philippe Halsman,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Philippe_Halsman\u0026oldid=1315892744 (accessed October 17, 2025).","Wikipedia contributors, \"Robert Doisneau,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Robert_Doisneau\u0026oldid=1283363423 (accessed October 17, 2025).","Paul Almasy was born on 29 May 1906 in Budapest and passed away 23 September 2003 in Jouars-Pontchartrain. He was a famous, Hungarian-born Swiss photographer and journalist, well known for his portrait and documentary photography. He grew up in Budapest in a family of artists and at 17, he left Hungary to pursue a political science degree in Vienna, Munich, and Heidelberg in 1924. Although he originally planned for a diplomatic career, he was drawn to journalism and photography in the 1930s. Particularly famous for his portraits of famous artists and intellectuals such as Pablo Picasso and Albert Camus, Almasy was most recognized for his dedication to capturing people from all walks of life.","Dmitri Baltermants was born on 13 May 1912 in Warsaw and passed away 11 June 1990. He was a prominent Soviet photojournalist who was most famous for his image titled \"Grief\" which depicts a Nazi massacre of Jewish people in Kerch in 1942. Having graduated from the Moscow State University and apprenticed under Vladimir Musinov, he became an official Kremlin photographer and worked for Izvestia and Ogonyok. Most of Baltermants' work focuses on the Red Army in Russia and Ukraine during World War II.","Leonard Freed was born on 23 October 1929 in Brooklyn, NY and passed away 30 November 2006. He was an American documentary photojournalist and maintained a longtime membership of Magnum Photos. Having attended The New School and studied with Alexey Brodovitch, Freed worked as a traveling freelance photojournalist for many years. Freed completed various publications, books, films, and received the New York State Grant for the Arts in 1978 and the National Endowment for the Arts in 1980. His career went to the next level when he traveled the country with Martin Luther King Jr. during the American Civil Rights Movement.","Horst Tappe was born on 13 May 1938 in Germany and passed away 21 August 2005 in Switzerland. Tappe interned at the Hamburg School of Photography, studied at the School of Experimental Photography in Hofheim am Taunus, and studied as the School of Photography in Vevey. He was a German photographer, famous for his portraits of various creative artists, writers, scientists, and philosophers.","Micha Bar-Am, a German-born Israeli photographer, was born in 1930 in Berlin. He is a founding member of Malkia kibbutz, a founding member of the International Center of Photography, a recipient of the Israel Prize for Visual Arts, the author of various publications, and one of Israel's most senior photographers. Bar-Am has worked for Bamahane magazine, Magnum Photos, and The New York Times. His photography has played a crucial role in the shaping of Israel's cultural memory and worldwide image through his documentation of various milestones such as immigration, international affairs, the Six Day War, and many other events of public importance.","Denise Bellon was born 20 September 1902 in Paris, France and passed away on 31 October 1999 in Paris, France. She was a French photographer closely connected to the Surrealist movement and she studied psychology at the University of Paris. She worked with Pierre Boucher, was a photographer at the Alliance-Photo agency, and she was the photographer for the International Exhibitions of Surrealism in 1939, 1947, 1959, and 1965.","Alfred Eisenstaedt was born on 6 December 1898 in Dirschau, West Prussia and passes away on 23 August 1995 in Oak Bluffs, Massachusetts. He was a very successful German-born American photographer and photojournalist; he received the National Medal of Arts in 1989, The Digital Journalist chose him as the 'Photojournalist of the Century' in 1999, and Eisenstaedt was inducted into the International Photography Hall of Fame and Museum in 2020. Most notable for his cover photograph of V-J Day in Times Square, he worked for various publications such as the Associated Press office in Germany, Illustrierte Zeitung, and Life magazine. Eisenstaedt's preferred method for photography was using small 35 mm film cameras like the Leica camera to capture candid photos of people in natural light.","Paul John Jerome Caponingo was born on 7 December 1932 in Boston, Massachusetts and passed away on 10 November 2024 in Cushing, Maine. Caponingo was an American photographer, writer, and pianist, most famous for his landscape and still life photographs such as Running White Deer. He attended Boston University College of Music in 1950 and California School of Fine Arts, and he received various awards such as the Guggenheim Fellowship in 1966 and 1975, the Royal Photographic Society's Centenary Medal and Honorary Fellowship in 2001, and three grants from the NEA. Caponingo's work is held in nine permanent collections around the United States.","Harold Haliday Costain was born in 1897 and passed away in 1994. He was a famous photographer who studied at the Arts Students League in New York and served in the Navy on the U.S.S. Leviathan. Costain's specialty was color photography and printing and he specialized in advertising, architectural, and narrative forms of photography. Having received various awards from annual conventions like the Photographers Association of America, the International Exposition Salon, the Preston Scientific Society Salon, and he received three Pictorial Photographs of America trophies from 1933-1935.","Robert Doisneau was born on 14 April 1912 in Gentilly, France and passed away on 1 April 1994 in Montrouge, France. He was a French photographer who studied at Ecole Estienne in 1929 and received many awards including the Kodak Prize in 1947, the Niepce Prize in 1965, and the Balzac Prize in 1986. Doisneau's photography consisted of amusing juxtapositions, mingling of social classes, and eccentrics in contemporary Paris environments. He produced many publications and exhibitions throughout his career.","Philippe Halsman was born in May of 1906 in Riga and passed away on 25 June 1979 in New York City. Halsman was an American portrait photographer who was renowned as one of the best because of his images that were sharp and closely cropped. In September 1928, he was accused of his father's murder, sentenced to four years in prison based on circumstantial evidence but only spent two there, pardoned by the President of Austria, Wilhelm Miklas, and later, his letters from prison were published as a book in 1930 titled Briefe aus der Halt an eine Freundin. Halsman photographed many famous individuals like Albert Einstein and Constance Ford as part of his portrait photographs.","Rene Zuber was a published author, photographer, and film maker born in 1902 in France and passed away in 1979. Zuber's photography captured various parts of Paris and French civilians during the Liberation of Paris. He discovered a mode of photography called New Objectivity while he was studying at the Academy of Graphic Arts and Book Trade in Leipzig, Germany. Some of his most notable accomplishments was the founding of the Studio Zuber in 1932, his co-founding of Alliance Photo Agency, starting an advertising photography agency in Paris in 1929, and his founding of Les Films du Compas.","Florence Homolka was a successful American photographer born in 1911 and passed away in 1962. She was known for her portraits of numerous celebrities and intellectuals including Judy Garland and Charles Chaplin. Homolka, originally Florence Meyer, was constantly surrounded by prominent cultural figures and improved her career with the help of hid husband, Oscar Homolka.","Gordon Coster was an American photographer born in 1906 and passed in 1988. Coster was known for his multi-faceted and resourceful approach to his work; often, Coster would cross between various genres and such as photography documenting labor strife and photography innovative advertising. He is most well-known for his extensive projects dedicated to American life in the Midwest during World War II, the Tennessee Valley Authority Dam Project, and many more. Coster rose in fame as he worked for various publications such as Time, Fortune, Holiday, Ladies Home Journal, and Scientific American.","John Bryson was a photojournalist born in 1923 in Brownwood, Texas and passed away in 2005 in Brookings, Oregon. He served in the Army Air Force during World War II then enrolled at the University of Texas at Austin. He worked for Life magazine as a correspondent, bureau chief, and picture editor before freelancing for Life, Look, Holiday, and various other publications. Bryson is most known for his years photographing Hollywood celebrities including individuals like Frank Sinatra and even capturing Ernest Hemmingway in 1959.","Max Baur was a self-taught German photographer born in 1898 in Gunzburg, Germany and passed away in 1988. Baur called himself a \"lichtbildner\" or light picture maker instead of a photographer because he worked in a large format and was very detail oriented. He was well-known for his landscape photography but also his industrial and architectural photographs. Baur opened his first photo studio in 1928 and was admitted to the Society of German Photographers in 1934.","Gisele Freund was born 19 December 1908 in Berlin, Germany and passed away 31 March 2000 in Paris, France. She was a German-born French photographer and photojournalist who studied at University of Freiburg and University of Frankfurt Sorbonne. She is well-known for her portraits, documentary photography, various exhibitions, and many books. Freund used the Leica Camera with 35 mm rolls and used Kodachrome and Agfacolor positive film for color portraits. She received many honors including being named a Officier des Arts et Lettres in 1982 and Chevalier de la Legion d'honneur in 1983, and she came the president of the French Union of Photographers in 1977.","This collection documents the work of various photographers and photojournalists from 1935-1989. With portraits, photos of landscapes, and documentary photography, social movements are highlighted as a key aspect of life in the 1900s. This collection captures important moments in U.S. history such as World War II, the Vietnam War, and the Civil Rights Movement. In addition to U.S. history, there are various graphic materials from Japan and 19th century Italy. The photographers and photojournalists showcased in this collection are Paul Almasy, Dmitri Baltermants, Leonard Freed, Micha Bar-Am, Horst Tappe, Alfred Eisenstaedt, Denise Bellon, Paul Caponingo, Harold Costain, Robert Doisneau, Philippe Halsman, Rene Zuber, Florence Homolka, Gordon Coster, John Bryson, Max Baur, and Gisele Freund.","Kusakabe Kimbei\nGraphic Material: 1236. Biwa Lake from Ishiyama","Suzanne Zuber","Fratelli Alinari\nAldophe Braun","The collection documents various photographs from World War II, the Vietnam War, and the Civil Rights Era. Although there are many photographers involved in this collection, most notable are Paul Almasy, Leonard Freed, Dmitri Baltermants, and Horst Tappe. The focus of this collection is on what life looked like around the world during this period and the various hardships that were endured during wartime.","University of Richmond","Kusakabe Kimbei","Suzanne Zuber","Fratelli Alinari","Aldophe Braun","English"],"collection_title_tesim":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"collection_ssim":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-81","/repositories/4/resources/157"],"unitid_tesim":["MS-81","/repositories/4/resources/157"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_persname_ssim":["Kusakabe Kimbei","Suzanne Zuber","Fratelli Alinari","Aldophe Braun"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Kusakabe Kimbei","Suzanne Zuber","Fratelli Alinari","Aldophe Braun","University of Richmond"],"acqinfo_ssim":["Donation acquired from Isser Elishis."],"access_subjects_ssim":["United States Army in World War II","Civil rights movements","Documentary photography","Social change","Photographers","Photographs"],"access_subjects_ssm":["United States Army in World War II","Civil rights movements","Documentary photography","Social change","Photographers","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["? Linear Feet 5 boxes."],"extent_tesim":["? Linear Feet 5 boxes."],"genreform_ssim":["Photographs"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThe content of this collection is arranged in boxes by size and each folder is arranged by photographer or related historical content.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The content of this collection is arranged in boxes by size and each folder is arranged by photographer or related historical content."],"bibliography_html_tesm":["\u003cp\u003eAkg-Images London. \"The Liberation of Paris by Rene Zuber.\" Akg Images, April 19, 2024. https://akg-images.prezly.com/the-liberation-of-paris-by-rene-zuber#. \u003c/p\u003e","\u003cp\u003e\"Briscoe Center Aquires Acclaimed Photographer John Bryson's Archive.\" Briscoe Center for American History. https://briscoecenter.org/about/news/briscoe-center-acquires-acclaimed-photographer-john-brysons-archive/ (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003e\"Briscoe Center for American History: The University of Texas at Austin: John Bryson Archive, circa 1945-1995.\" Taro: Texas Archival Resources Online. https://txarchives.org/utcah/finding_aids/03502.xml (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003e\"Florence Homolka (Museum Collection).\" Getty. https://www.getty.edu/art/collection/person/103KVH (accessed October 17, 2025).  \u003c/p\u003e","\u003cp\u003e\"Gordon Coster.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/gordon-coster (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003e\"Harold Haliday Costain.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/harold-haliday-costain (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003e\"Leonard Freed.\" Magnum Photos. https://www.magnumphotos.com/photographer/leonard-freed/ (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003e\"Max Baur: German, 1898-1988.\" Artsy. https://www.artsy.net/artist/max-baur#:~:text=Max%20Baur%2C%20a%20native%20of,format%20and%20composed%20everything%20carefully. (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Alfred Eisenstaedt,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Alfred_Eisenstaedt\u0026amp;oldid=1311559508 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Denise Bellon,\" Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Denise_Bellon\u0026amp;oldid=1242206314 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Dmitry Baltermants,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Dmitry_Baltermants\u0026amp;oldid=1298058067 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Gisèle Freund,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Gis%C3%A8le_Freund\u0026amp;oldid=1315066063 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Horst Tappe,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Horst_Tappe\u0026amp;oldid=1211602280 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Micha Bar-Am,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Micha_Bar-Am\u0026amp;oldid=1306602494 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Paul Almásy,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Alm%C3%A1sy\u0026amp;oldid=1307824034 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Paul Caponigro,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Caponigro\u0026amp;oldid=1315979719 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Philippe Halsman,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Philippe_Halsman\u0026amp;oldid=1315892744 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Robert Doisneau,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Robert_Doisneau\u0026amp;oldid=1283363423 (accessed October 17, 2025).\u003c/p\u003e  "],"bibliography_heading_ssm":["Biographical Note Bibliography"],"bibliography_tesim":["Akg-Images London. \"The Liberation of Paris by Rene Zuber.\" Akg Images, April 19, 2024. https://akg-images.prezly.com/the-liberation-of-paris-by-rene-zuber#.","\"Briscoe Center Aquires Acclaimed Photographer John Bryson's Archive.\" Briscoe Center for American History. https://briscoecenter.org/about/news/briscoe-center-acquires-acclaimed-photographer-john-brysons-archive/ (accessed October 17, 2025).","\"Briscoe Center for American History: The University of Texas at Austin: John Bryson Archive, circa 1945-1995.\" Taro: Texas Archival Resources Online. https://txarchives.org/utcah/finding_aids/03502.xml (accessed October 17, 2025).","\"Florence Homolka (Museum Collection).\" Getty. https://www.getty.edu/art/collection/person/103KVH (accessed October 17, 2025).","\"Gordon Coster.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/gordon-coster (accessed October 17, 2025).","\"Harold Haliday Costain.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/harold-haliday-costain (accessed October 17, 2025).","\"Leonard Freed.\" Magnum Photos. https://www.magnumphotos.com/photographer/leonard-freed/ (accessed October 17, 2025).","\"Max Baur: German, 1898-1988.\" Artsy. https://www.artsy.net/artist/max-baur#:~:text=Max%20Baur%2C%20a%20native%20of,format%20and%20composed%20everything%20carefully. (accessed October 17, 2025).","Wikipedia contributors, \"Alfred Eisenstaedt,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Alfred_Eisenstaedt\u0026oldid=1311559508 (accessed October 17, 2025).","Wikipedia contributors, \"Denise Bellon,\" Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Denise_Bellon\u0026oldid=1242206314 (accessed October 17, 2025).","Wikipedia contributors, \"Dmitry Baltermants,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Dmitry_Baltermants\u0026oldid=1298058067 (accessed October 17, 2025).","Wikipedia contributors, \"Gisèle Freund,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Gis%C3%A8le_Freund\u0026oldid=1315066063 (accessed October 17, 2025).","Wikipedia contributors, \"Horst Tappe,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Horst_Tappe\u0026oldid=1211602280 (accessed October 17, 2025).","Wikipedia contributors, \"Micha Bar-Am,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Micha_Bar-Am\u0026oldid=1306602494 (accessed October 17, 2025).","Wikipedia contributors, \"Paul Almásy,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Alm%C3%A1sy\u0026oldid=1307824034 (accessed October 17, 2025).","Wikipedia contributors, \"Paul Caponigro,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Caponigro\u0026oldid=1315979719 (accessed October 17, 2025).","Wikipedia contributors, \"Philippe Halsman,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Philippe_Halsman\u0026oldid=1315892744 (accessed October 17, 2025).","Wikipedia contributors, \"Robert Doisneau,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Robert_Doisneau\u0026oldid=1283363423 (accessed October 17, 2025)."],"bioghist_html_tesm":["\u003cp\u003ePaul Almasy was born on 29 May 1906 in Budapest and passed away 23 September 2003 in Jouars-Pontchartrain. He was a famous, Hungarian-born Swiss photographer and journalist, well known for his portrait and documentary photography. He grew up in Budapest in a family of artists and at 17, he left Hungary to pursue a political science degree in Vienna, Munich, and Heidelberg in 1924. Although he originally planned for a diplomatic career, he was drawn to journalism and photography in the 1930s. Particularly famous for his portraits of famous artists and intellectuals such as Pablo Picasso and Albert Camus, Almasy was most recognized for his dedication to capturing people from all walks of life. \u003c/p\u003e","\u003cp\u003eDmitri Baltermants was born on 13 May 1912 in Warsaw and passed away 11 June 1990. He was a prominent Soviet photojournalist who was most famous for his image titled \"Grief\" which depicts a Nazi massacre of Jewish people in Kerch in 1942. Having graduated from the Moscow State University and apprenticed under Vladimir Musinov, he became an official Kremlin photographer and worked for Izvestia and Ogonyok. Most of Baltermants' work focuses on the Red Army in Russia and Ukraine during World War II. \u003c/p\u003e","\u003cp\u003e\nLeonard Freed was born on 23 October 1929 in Brooklyn, NY and passed away 30 November 2006. He was an American documentary photojournalist and maintained a longtime membership of Magnum Photos. Having attended The New School and studied with Alexey Brodovitch, Freed worked as a traveling freelance photojournalist for many years. Freed completed various publications, books, films, and received the New York State Grant for the Arts in 1978 and the National Endowment for the Arts in 1980. His career went to the next level when he traveled the country with Martin Luther King Jr. during the American Civil Rights Movement. \u003c/p\u003e","\u003cp\u003eHorst Tappe was born on 13 May 1938 in Germany and passed away 21 August 2005 in Switzerland. Tappe interned at the Hamburg School of Photography, studied at the School of Experimental Photography in Hofheim am Taunus, and studied as the School of Photography in Vevey. He was a German photographer, famous for his portraits of various creative artists, writers, scientists, and philosophers.\u003c/p\u003e","\u003cp\u003eMicha Bar-Am, a German-born Israeli photographer, was born in 1930 in Berlin. He is a founding member of Malkia kibbutz, a founding member of the International Center of Photography, a recipient of the Israel Prize for Visual Arts, the author of various publications, and one of Israel's most senior photographers. Bar-Am has worked for Bamahane magazine, Magnum Photos, and The New York Times. His photography has played a crucial role in the shaping of Israel's cultural memory and worldwide image through his documentation of various milestones such as immigration, international affairs, the Six Day War, and many other events of public importance. \u003c/p\u003e","\u003cp\u003eDenise Bellon was born 20 September 1902 in Paris, France and passed away on 31 October 1999 in Paris, France. She was a French photographer closely connected to the Surrealist movement and she studied psychology at the University of Paris. She worked with Pierre Boucher, was a photographer at the Alliance-Photo agency, and she was the photographer for the International Exhibitions of Surrealism in 1939, 1947, 1959, and 1965. \u003c/p\u003e","\u003cp\u003eAlfred Eisenstaedt was born on 6 December 1898 in Dirschau, West Prussia and passes away on 23 August 1995 in Oak Bluffs, Massachusetts. He was a very successful German-born American photographer and photojournalist; he received the National Medal of Arts in 1989, The Digital Journalist chose him as the 'Photojournalist of the Century' in 1999, and Eisenstaedt was inducted into the International Photography Hall of Fame and Museum in 2020. Most notable for his cover photograph of V-J Day in Times Square, he worked for various publications such as the Associated Press office in Germany, Illustrierte Zeitung, and Life magazine. Eisenstaedt's preferred method for photography was using small 35 mm film cameras like the Leica camera to capture candid photos of people in natural light. \u003c/p\u003e","\u003cp\u003e\nPaul John Jerome Caponingo was born on 7 December 1932 in Boston, Massachusetts and passed away on 10 November 2024 in Cushing, Maine. Caponingo was an American photographer, writer, and pianist, most famous for his landscape and still life photographs such as Running White Deer. He attended Boston University College of Music in 1950 and California School of Fine Arts, and he received various awards such as the Guggenheim Fellowship in 1966 and 1975, the Royal Photographic Society's Centenary Medal and Honorary Fellowship in 2001, and three grants from the NEA. Caponingo's work is held in nine permanent collections around the United States.\u003c/p\u003e","\u003cp\u003eHarold Haliday Costain was born in 1897 and passed away in 1994. He was a famous photographer who studied at the Arts Students League in New York and served in the Navy on the U.S.S. Leviathan. Costain's specialty was color photography and printing and he specialized in advertising, architectural, and narrative forms of photography. Having received various awards from annual conventions like the Photographers Association of America, the International Exposition Salon, the Preston Scientific Society Salon, and he received three Pictorial Photographs of America trophies from 1933-1935. \u003c/p\u003e","\u003cp\u003eRobert Doisneau was born on 14 April 1912 in Gentilly, France and passed away on 1 April 1994 in Montrouge, France. He was a French photographer who studied at Ecole Estienne in 1929 and received many awards including the Kodak Prize in 1947, the Niepce Prize in 1965, and the Balzac Prize in 1986. Doisneau's photography consisted of amusing juxtapositions, mingling of social classes, and eccentrics in contemporary Paris environments. He produced many publications and exhibitions throughout his career. \u003c/p\u003e","\u003cp\u003ePhilippe Halsman was born in May of 1906 in Riga and passed away on 25 June 1979 in New York City. Halsman was an American portrait photographer who was renowned as one of the best because of his images that were sharp and closely cropped. In September 1928, he was accused of his father's murder, sentenced to four years in prison based on circumstantial evidence but only spent two there, pardoned by the President of Austria, Wilhelm Miklas, and later, his letters from prison were published as a book in 1930 titled Briefe aus der Halt an eine Freundin. Halsman photographed many famous individuals like Albert Einstein and Constance Ford as part of his portrait photographs. \u003c/p\u003e","\u003cp\u003eRene Zuber was a published author, photographer, and film maker born in 1902 in France and passed away in 1979. Zuber's photography captured various parts of Paris and French civilians during the Liberation of Paris. He discovered a mode of photography called New Objectivity while he was studying at the Academy of Graphic Arts and Book Trade in Leipzig, Germany. Some of his most notable accomplishments was the founding of the Studio Zuber in 1932, his co-founding of Alliance Photo Agency, starting an advertising photography agency in Paris in 1929, and his founding of Les Films du Compas. \u003c/p\u003e","\u003cp\u003eFlorence Homolka was a successful American photographer born in 1911 and passed away in 1962. She was known for her portraits of numerous celebrities and intellectuals including Judy Garland and Charles Chaplin. Homolka, originally Florence Meyer, was constantly surrounded by prominent cultural figures and improved her career with the help of hid husband, Oscar Homolka.\u003c/p\u003e","\u003cp\u003eGordon Coster was an American photographer born in 1906 and passed in 1988. Coster was known for his multi-faceted and resourceful approach to his work; often, Coster would cross between various genres and such as photography documenting labor strife and photography innovative advertising. He is most well-known for his extensive projects dedicated to American life in the Midwest during World War II, the Tennessee Valley Authority Dam Project, and many more. Coster rose in fame as he worked for various publications such as Time, Fortune, Holiday, Ladies Home Journal, and Scientific American.\u003c/p\u003e","\u003cp\u003eJohn Bryson was a photojournalist born in 1923 in Brownwood, Texas and passed away in 2005 in Brookings, Oregon. He served in the Army Air Force during World War II then enrolled at the University of Texas at Austin. He worked for Life magazine as a correspondent, bureau chief, and picture editor before freelancing for Life, Look, Holiday, and various other publications. Bryson is most known for his years photographing Hollywood celebrities including individuals like Frank Sinatra and even capturing Ernest Hemmingway in 1959. \u003c/p\u003e","\u003cp\u003eMax Baur was a self-taught German photographer born in 1898 in Gunzburg, Germany and passed away in 1988. Baur called himself a \"lichtbildner\" or light picture maker instead of a photographer because he worked in a large format and was very detail oriented. He was well-known for his landscape photography but also his industrial and architectural photographs. Baur opened his first photo studio in 1928 and was admitted to the Society of German Photographers in 1934. \u003c/p\u003e","\u003cp\u003eGisele Freund was born 19 December 1908 in Berlin, Germany and passed away 31 March 2000 in Paris, France. She was a German-born French photographer and photojournalist who studied at University of Freiburg and University of Frankfurt Sorbonne. She is well-known for her portraits, documentary photography, various exhibitions, and many books. Freund used the Leica Camera with 35 mm rolls and used Kodachrome and Agfacolor positive film for color portraits. She received many honors including being named a Officier des Arts et Lettres in 1982 and Chevalier de la Legion d'honneur in 1983, and she came the president of the French Union of Photographers in 1977. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Paul Almasy was born on 29 May 1906 in Budapest and passed away 23 September 2003 in Jouars-Pontchartrain. He was a famous, Hungarian-born Swiss photographer and journalist, well known for his portrait and documentary photography. He grew up in Budapest in a family of artists and at 17, he left Hungary to pursue a political science degree in Vienna, Munich, and Heidelberg in 1924. Although he originally planned for a diplomatic career, he was drawn to journalism and photography in the 1930s. Particularly famous for his portraits of famous artists and intellectuals such as Pablo Picasso and Albert Camus, Almasy was most recognized for his dedication to capturing people from all walks of life.","Dmitri Baltermants was born on 13 May 1912 in Warsaw and passed away 11 June 1990. He was a prominent Soviet photojournalist who was most famous for his image titled \"Grief\" which depicts a Nazi massacre of Jewish people in Kerch in 1942. Having graduated from the Moscow State University and apprenticed under Vladimir Musinov, he became an official Kremlin photographer and worked for Izvestia and Ogonyok. Most of Baltermants' work focuses on the Red Army in Russia and Ukraine during World War II.","Leonard Freed was born on 23 October 1929 in Brooklyn, NY and passed away 30 November 2006. He was an American documentary photojournalist and maintained a longtime membership of Magnum Photos. Having attended The New School and studied with Alexey Brodovitch, Freed worked as a traveling freelance photojournalist for many years. Freed completed various publications, books, films, and received the New York State Grant for the Arts in 1978 and the National Endowment for the Arts in 1980. His career went to the next level when he traveled the country with Martin Luther King Jr. during the American Civil Rights Movement.","Horst Tappe was born on 13 May 1938 in Germany and passed away 21 August 2005 in Switzerland. Tappe interned at the Hamburg School of Photography, studied at the School of Experimental Photography in Hofheim am Taunus, and studied as the School of Photography in Vevey. He was a German photographer, famous for his portraits of various creative artists, writers, scientists, and philosophers.","Micha Bar-Am, a German-born Israeli photographer, was born in 1930 in Berlin. He is a founding member of Malkia kibbutz, a founding member of the International Center of Photography, a recipient of the Israel Prize for Visual Arts, the author of various publications, and one of Israel's most senior photographers. Bar-Am has worked for Bamahane magazine, Magnum Photos, and The New York Times. His photography has played a crucial role in the shaping of Israel's cultural memory and worldwide image through his documentation of various milestones such as immigration, international affairs, the Six Day War, and many other events of public importance.","Denise Bellon was born 20 September 1902 in Paris, France and passed away on 31 October 1999 in Paris, France. She was a French photographer closely connected to the Surrealist movement and she studied psychology at the University of Paris. She worked with Pierre Boucher, was a photographer at the Alliance-Photo agency, and she was the photographer for the International Exhibitions of Surrealism in 1939, 1947, 1959, and 1965.","Alfred Eisenstaedt was born on 6 December 1898 in Dirschau, West Prussia and passes away on 23 August 1995 in Oak Bluffs, Massachusetts. He was a very successful German-born American photographer and photojournalist; he received the National Medal of Arts in 1989, The Digital Journalist chose him as the 'Photojournalist of the Century' in 1999, and Eisenstaedt was inducted into the International Photography Hall of Fame and Museum in 2020. Most notable for his cover photograph of V-J Day in Times Square, he worked for various publications such as the Associated Press office in Germany, Illustrierte Zeitung, and Life magazine. Eisenstaedt's preferred method for photography was using small 35 mm film cameras like the Leica camera to capture candid photos of people in natural light.","Paul John Jerome Caponingo was born on 7 December 1932 in Boston, Massachusetts and passed away on 10 November 2024 in Cushing, Maine. Caponingo was an American photographer, writer, and pianist, most famous for his landscape and still life photographs such as Running White Deer. He attended Boston University College of Music in 1950 and California School of Fine Arts, and he received various awards such as the Guggenheim Fellowship in 1966 and 1975, the Royal Photographic Society's Centenary Medal and Honorary Fellowship in 2001, and three grants from the NEA. Caponingo's work is held in nine permanent collections around the United States.","Harold Haliday Costain was born in 1897 and passed away in 1994. He was a famous photographer who studied at the Arts Students League in New York and served in the Navy on the U.S.S. Leviathan. Costain's specialty was color photography and printing and he specialized in advertising, architectural, and narrative forms of photography. Having received various awards from annual conventions like the Photographers Association of America, the International Exposition Salon, the Preston Scientific Society Salon, and he received three Pictorial Photographs of America trophies from 1933-1935.","Robert Doisneau was born on 14 April 1912 in Gentilly, France and passed away on 1 April 1994 in Montrouge, France. He was a French photographer who studied at Ecole Estienne in 1929 and received many awards including the Kodak Prize in 1947, the Niepce Prize in 1965, and the Balzac Prize in 1986. Doisneau's photography consisted of amusing juxtapositions, mingling of social classes, and eccentrics in contemporary Paris environments. He produced many publications and exhibitions throughout his career.","Philippe Halsman was born in May of 1906 in Riga and passed away on 25 June 1979 in New York City. Halsman was an American portrait photographer who was renowned as one of the best because of his images that were sharp and closely cropped. In September 1928, he was accused of his father's murder, sentenced to four years in prison based on circumstantial evidence but only spent two there, pardoned by the President of Austria, Wilhelm Miklas, and later, his letters from prison were published as a book in 1930 titled Briefe aus der Halt an eine Freundin. Halsman photographed many famous individuals like Albert Einstein and Constance Ford as part of his portrait photographs.","Rene Zuber was a published author, photographer, and film maker born in 1902 in France and passed away in 1979. Zuber's photography captured various parts of Paris and French civilians during the Liberation of Paris. He discovered a mode of photography called New Objectivity while he was studying at the Academy of Graphic Arts and Book Trade in Leipzig, Germany. Some of his most notable accomplishments was the founding of the Studio Zuber in 1932, his co-founding of Alliance Photo Agency, starting an advertising photography agency in Paris in 1929, and his founding of Les Films du Compas.","Florence Homolka was a successful American photographer born in 1911 and passed away in 1962. She was known for her portraits of numerous celebrities and intellectuals including Judy Garland and Charles Chaplin. Homolka, originally Florence Meyer, was constantly surrounded by prominent cultural figures and improved her career with the help of hid husband, Oscar Homolka.","Gordon Coster was an American photographer born in 1906 and passed in 1988. Coster was known for his multi-faceted and resourceful approach to his work; often, Coster would cross between various genres and such as photography documenting labor strife and photography innovative advertising. He is most well-known for his extensive projects dedicated to American life in the Midwest during World War II, the Tennessee Valley Authority Dam Project, and many more. Coster rose in fame as he worked for various publications such as Time, Fortune, Holiday, Ladies Home Journal, and Scientific American.","John Bryson was a photojournalist born in 1923 in Brownwood, Texas and passed away in 2005 in Brookings, Oregon. He served in the Army Air Force during World War II then enrolled at the University of Texas at Austin. He worked for Life magazine as a correspondent, bureau chief, and picture editor before freelancing for Life, Look, Holiday, and various other publications. Bryson is most known for his years photographing Hollywood celebrities including individuals like Frank Sinatra and even capturing Ernest Hemmingway in 1959.","Max Baur was a self-taught German photographer born in 1898 in Gunzburg, Germany and passed away in 1988. Baur called himself a \"lichtbildner\" or light picture maker instead of a photographer because he worked in a large format and was very detail oriented. He was well-known for his landscape photography but also his industrial and architectural photographs. Baur opened his first photo studio in 1928 and was admitted to the Society of German Photographers in 1934.","Gisele Freund was born 19 December 1908 in Berlin, Germany and passed away 31 March 2000 in Paris, France. She was a German-born French photographer and photojournalist who studied at University of Freiburg and University of Frankfurt Sorbonne. She is well-known for her portraits, documentary photography, various exhibitions, and many books. Freund used the Leica Camera with 35 mm rolls and used Kodachrome and Agfacolor positive film for color portraits. She received many honors including being named a Officier des Arts et Lettres in 1982 and Chevalier de la Legion d'honneur in 1983, and she came the president of the French Union of Photographers in 1977."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-81, Photojournalism Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-81, Photojournalism Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the work of various photographers and photojournalists from 1935-1989. With portraits, photos of landscapes, and documentary photography, social movements are highlighted as a key aspect of life in the 1900s. This collection captures important moments in U.S. history such as World War II, the Vietnam War, and the Civil Rights Movement. In addition to U.S. history, there are various graphic materials from Japan and 19th century Italy. The photographers and photojournalists showcased in this collection are Paul Almasy, Dmitri Baltermants, Leonard Freed, Micha Bar-Am, Horst Tappe, Alfred Eisenstaedt, Denise Bellon, Paul Caponingo, Harold Costain, Robert Doisneau, Philippe Halsman, Rene Zuber, Florence Homolka, Gordon Coster, John Bryson, Max Baur, and Gisele Freund.\u003c/p\u003e  ","\u003cp\u003e\u003cpersname\u003eKusakabe Kimbei\u003c/persname\u003e\nGraphic Material: 1236. Biwa Lake from Ishiyama\u003c/p\u003e","\u003cp\u003e\u003cpersname\u003eSuzanne Zuber\u003c/persname\u003e\u003c/p\u003e","\u003cp\u003e\u003cpersname\u003eFratelli Alinari\u003c/persname\u003e\n\u003cpersname\u003eAldophe Braun \u003c/persname\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection documents the work of various photographers and photojournalists from 1935-1989. With portraits, photos of landscapes, and documentary photography, social movements are highlighted as a key aspect of life in the 1900s. This collection captures important moments in U.S. history such as World War II, the Vietnam War, and the Civil Rights Movement. In addition to U.S. history, there are various graphic materials from Japan and 19th century Italy. The photographers and photojournalists showcased in this collection are Paul Almasy, Dmitri Baltermants, Leonard Freed, Micha Bar-Am, Horst Tappe, Alfred Eisenstaedt, Denise Bellon, Paul Caponingo, Harold Costain, Robert Doisneau, Philippe Halsman, Rene Zuber, Florence Homolka, Gordon Coster, John Bryson, Max Baur, and Gisele Freund.","Kusakabe Kimbei\nGraphic Material: 1236. Biwa Lake from Ishiyama","Suzanne Zuber","Fratelli Alinari\nAldophe Braun"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d49bb7321f650541019f18ada0a472ae\"\u003eThe collection documents various photographs from World War II, the Vietnam War, and the Civil Rights Era. Although there are many photographers involved in this collection, most notable are Paul Almasy, Leonard Freed, Dmitri Baltermants, and Horst Tappe. The focus of this collection is on what life looked like around the world during this period and the various hardships that were endured during wartime.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents various photographs from World War II, the Vietnam War, and the Civil Rights Era. Although there are many photographers involved in this collection, most notable are Paul Almasy, Leonard Freed, Dmitri Baltermants, and Horst Tappe. The focus of this collection is on what life looked like around the world during this period and the various hardships that were endured during wartime."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Kusakabe Kimbei","Suzanne Zuber","Fratelli Alinari","Aldophe Braun"],"names_ssim":["University of Richmond","Kusakabe Kimbei","Suzanne Zuber","Fratelli Alinari","Aldophe Braun"],"language_ssim":["English"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_157_c05"}},{"id":"viur_repositories_4_resources_9_c39","type":"File","attributes":{"title":"Contracts and correspondence concerning \"A Night Out\", 1936/1945","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_9_c39#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_9_c39","ref_ssm":["viur_repositories_4_resources_9_c39"],"id":"viur_repositories_4_resources_9_c39","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","parent_ssi":"viur_repositories_4_resources_9","parent_ssim":["Edward H. Peple Collection, 1891/1953"],"parent_ids_ssim":["viur_repositories_4_resources_9"],"title_filing_ssi":"Contracts and correspondence concerning \"A Night Out\"","title_ssm":["Contracts and correspondence concerning \"A Night Out\""],"title_tesim":["Contracts and correspondence concerning \"A Night Out\""],"normalized_title_ssm":["Contracts and correspondence concerning \"A Night Out\", 1936/1945"],"text":["Contracts and correspondence concerning \"A Night Out\", 1936/1945","Edward H. Peple Collection, 1891/1953","box 5 MS-3","folder 42"],"parent_unittitles_ssm":["Edward H. Peple Collection, 1891/1953"],"parent_unittitles_tesim":["Edward H. Peple Collection, 1891/1953"],"normalized_date_ssm":["1936/1945"],"unitdate_inclusive_ssm":["1936-1945"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":194,"repository_ssim":["University of Richmond"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"containers_ssim":["box 5 MS-3","folder 42"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"_nest_path_":"/components#38","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_9","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_9.xml","title_ssm":["Edward H. Peple Collection"],"title_tesim":["Edward H. Peple Collection"],"unitdate_ssm":["1891-1953"],"unitdate_inclusive_ssm":["1891-1953"],"normalized_date_ssm":["1891/1953"],"normalized_title_ssm":["Edward H. Peple Collection, 1891/1953"],"text":["Edward H. Peple Collection, 1891/1953","MS-3","/repositories/4/resources/9","Richmond (Va.)","New York (N.Y.)","Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs","The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.","Processed by Elizabeth Dickie.","Former child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted.","This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.","Eight books authored by Edward Peple are located in the Rare Book Collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.","University of Richmond","Peple, Edward, 1869-1924","English"],"collection_title_tesim":["Edward H. Peple Collection, 1891/1953"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-3","/repositories/4/resources/9"],"unitid_tesim":["MS-3","/repositories/4/resources/9"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)","New York (N.Y.)"],"geogname_ssim":["Richmond (Va.)","New York (N.Y.)"],"places_ssim":["Richmond (Va.)","New York (N.Y.)"],"creator_ssm":["Peple, Edward, 1869-1924"],"creator_ssim":["Peple, Edward, 1869-1924"],"creator_persname_ssim":["Peple, Edward, 1869-1924"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Peple, Edward, 1869-1924","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated by members of the Peple family."],"access_subjects_ssim":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"access_subjects_ssm":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 8 boxes"],"extent_tesim":["7 Linear Feet 8 boxes"],"genreform_ssim":["Audio-visual materials","Manuscripts","Photographs"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series:\u003c/p\u003e","\u003cp\u003eSeries I: Title Plays, Stories, Novels, Poetry \u003cbr\u003e\nSeries II: Contracts-Plays, Movies, Stories \u0026amp; Books \u003cbr\u003e\nSeries III: Estate \u003cbr\u003e\nSeries IV: Florence Peple and Charles Peple \u003cbr\u003e\nSeries V: Photographs and Ephemera\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera"],"bioghist_html_tesm":["\u003cp\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, \u003cemph render=\"italics\"\u003eThe Broken Rosary\u003c/emph\u003e, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write \u003cemph render=\"italics\"\u003eThe Prince Chap\u003c/emph\u003e, 1904, which was met with rave reviews. \u003cemph render=\"italics\"\u003eA Broken Rosary\u003c/emph\u003e was rewritten as a book, also in 1904.\u003c/p\u003e","\u003cp\u003eHis best known works are \u003cemph render=\"italics\"\u003eA Pair of Sixes\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.\u003c/p\u003e","\u003cp\u003eBy the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie.\u003c/p\u003e  ","\u003cp\u003eFormer child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie.","Former child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.\u003c/p\u003e","\u003cp\u003eSeries I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.\u003c/p\u003e","\u003cp\u003eSeries II, Contracts-Plays, Movies, Stories \u0026amp; Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.\u003c/p\u003e","\u003cp\u003eSeries III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.\u003c/p\u003e","\u003cp\u003eSeries IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.\u003c/p\u003e","\u003cp\u003eSeries V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section."],"separatedmaterial_html_tesm":["\u003cp\u003eEight books authored by Edward Peple are located in the Rare Book Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Eight books authored by Edward Peple are located in the Rare Book Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d0f735232c0582e71e0a7eb2c8741d3\"\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.\u003c/abstract\u003e\n    "],"abstract_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Peple, Edward, 1869-1924"],"names_coll_ssim":["Peple, Edward, 1869-1924"],"names_ssim":["University of Richmond","Peple, Edward, 1869-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_9_c39"}},{"id":"viur_repositories_4_resources_9_c08","type":"File","attributes":{"title":"Copyright documents, 1895/1941","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_9_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_9_c08","ref_ssm":["viur_repositories_4_resources_9_c08"],"id":"viur_repositories_4_resources_9_c08","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","parent_ssi":"viur_repositories_4_resources_9","parent_ssim":["Edward H. 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Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941],"_nest_path_":"/components#7","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_9","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_9.xml","title_ssm":["Edward H. Peple Collection"],"title_tesim":["Edward H. Peple Collection"],"unitdate_ssm":["1891-1953"],"unitdate_inclusive_ssm":["1891-1953"],"normalized_date_ssm":["1891/1953"],"normalized_title_ssm":["Edward H. Peple Collection, 1891/1953"],"text":["Edward H. Peple Collection, 1891/1953","MS-3","/repositories/4/resources/9","Richmond (Va.)","New York (N.Y.)","Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs","The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.","Processed by Elizabeth Dickie.","Former child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted.","This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.","Eight books authored by Edward Peple are located in the Rare Book Collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.","University of Richmond","Peple, Edward, 1869-1924","English"],"collection_title_tesim":["Edward H. Peple Collection, 1891/1953"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-3","/repositories/4/resources/9"],"unitid_tesim":["MS-3","/repositories/4/resources/9"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)","New York (N.Y.)"],"geogname_ssim":["Richmond (Va.)","New York (N.Y.)"],"places_ssim":["Richmond (Va.)","New York (N.Y.)"],"creator_ssm":["Peple, Edward, 1869-1924"],"creator_ssim":["Peple, Edward, 1869-1924"],"creator_persname_ssim":["Peple, Edward, 1869-1924"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Peple, Edward, 1869-1924","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated by members of the Peple family."],"access_subjects_ssim":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"access_subjects_ssm":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 8 boxes"],"extent_tesim":["7 Linear Feet 8 boxes"],"genreform_ssim":["Audio-visual materials","Manuscripts","Photographs"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series:\u003c/p\u003e","\u003cp\u003eSeries I: Title Plays, Stories, Novels, Poetry \u003cbr\u003e\nSeries II: Contracts-Plays, Movies, Stories \u0026amp; Books \u003cbr\u003e\nSeries III: Estate \u003cbr\u003e\nSeries IV: Florence Peple and Charles Peple \u003cbr\u003e\nSeries V: Photographs and Ephemera\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera"],"bioghist_html_tesm":["\u003cp\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, \u003cemph render=\"italics\"\u003eThe Broken Rosary\u003c/emph\u003e, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write \u003cemph render=\"italics\"\u003eThe Prince Chap\u003c/emph\u003e, 1904, which was met with rave reviews. \u003cemph render=\"italics\"\u003eA Broken Rosary\u003c/emph\u003e was rewritten as a book, also in 1904.\u003c/p\u003e","\u003cp\u003eHis best known works are \u003cemph render=\"italics\"\u003eA Pair of Sixes\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.\u003c/p\u003e","\u003cp\u003eBy the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie.\u003c/p\u003e  ","\u003cp\u003eFormer child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie.","Former child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.\u003c/p\u003e","\u003cp\u003eSeries I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.\u003c/p\u003e","\u003cp\u003eSeries II, Contracts-Plays, Movies, Stories \u0026amp; Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.\u003c/p\u003e","\u003cp\u003eSeries III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.\u003c/p\u003e","\u003cp\u003eSeries IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.\u003c/p\u003e","\u003cp\u003eSeries V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section."],"separatedmaterial_html_tesm":["\u003cp\u003eEight books authored by Edward Peple are located in the Rare Book Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Eight books authored by Edward Peple are located in the Rare Book Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d0f735232c0582e71e0a7eb2c8741d3\"\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.\u003c/abstract\u003e\n    "],"abstract_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Peple, Edward, 1869-1924"],"names_coll_ssim":["Peple, Edward, 1869-1924"],"names_ssim":["University of Richmond","Peple, Edward, 1869-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_9_c08"}},{"id":"viur_repositories_4_resources_36_c02_c02","type":"Sub-Series","attributes":{"title":"Correspondence, 1928/1961","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c02_c02","ref_ssm":["viur_repositories_4_resources_36_c02_c02"],"id":"viur_repositories_4_resources_36_c02_c02","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c02","parent_ssi":"viur_repositories_4_resources_36_c02","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c02"],"title_filing_ssi":"Correspondence","title_ssm":["Correspondence"],"title_tesim":["Correspondence"],"normalized_title_ssm":["Correspondence, 1928/1961"],"text":["Correspondence, 1928/1961","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes."],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968"],"normalized_date_ssm":["1928/1961"],"unitdate_inclusive_ssm":["1928-1961"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":152,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"has_online_content_ssim":["false"],"child_component_count_isi":17,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"scopecontent_html_tesm":["\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes."],"_nest_path_":"/components#1/components#1","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  ","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  ","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  ","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c02"}},{"id":"viur_repositories_4_resources_14_c05","type":"File","attributes":{"title":"Correspondence, 1936/1958","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_14_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFiles 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the Boston American or the Metro-Goldwyn-Mayer Corporation. For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_14_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_14_c05","ref_ssm":["viur_repositories_4_resources_14_c05"],"id":"viur_repositories_4_resources_14_c05","ead_ssi":"viur_repositories_4_resources_14","_root_":"viur_repositories_4_resources_14","_nest_parent_":"viur_repositories_4_resources_14","parent_ssi":"viur_repositories_4_resources_14","parent_ssim":["Harleigh Bridges Schultz Collection, 1876/1991"],"parent_ids_ssim":["viur_repositories_4_resources_14"],"title_filing_ssi":"Correspondence","title_ssm":["Correspondence"],"title_tesim":["Correspondence"],"normalized_title_ssm":["Correspondence, 1936/1958"],"text":["Correspondence, 1936/1958","Harleigh Bridges Schultz Collection, 1876/1991","box 1 MS-28","folder 5","Files 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the Boston American or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family."],"parent_unittitles_ssm":["Harleigh Bridges Schultz Collection, 1876/1991"],"parent_unittitles_tesim":["Harleigh Bridges Schultz Collection, 1876/1991"],"normalized_date_ssm":["1936/1958"],"unitdate_inclusive_ssm":["1936-1958"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":5,"repository_ssim":["University of Richmond"],"collection_ssim":["Harleigh Bridges Schultz Collection, 1876/1991"],"containers_ssim":["box 1 MS-28","folder 5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"scopecontent_html_tesm":["\u003cp\u003eFiles 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Files 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the Boston American or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family."],"_nest_path_":"/components#4","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_14","ead_ssi":"viur_repositories_4_resources_14","_root_":"viur_repositories_4_resources_14","_nest_parent_":"viur_repositories_4_resources_14","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_14.xml","title_ssm":["Harleigh Bridges Schultz Collection"],"title_tesim":["Harleigh Bridges Schultz Collection"],"unitdate_ssm":["1876-1991"],"unitdate_inclusive_ssm":["1876-1991"],"normalized_date_ssm":["1876/1991"],"normalized_title_ssm":["Harleigh Bridges Schultz Collection, 1876/1991"],"text":["Harleigh Bridges Schultz Collection, 1876/1991","MS-28","/repositories/4/resources/14","University of Richmond -- History","Clippings","Personal correspondence","Photographs","The materials were arranged in one series, roughly chronologically. Dates for undated items have been estimated based on context.","Harleigh Bridges Schultz was born at 515 E. Marshall St, Richmond, Virginia on October 12, 1883. Schultz's paternal grandparents, Augustus Frederick Schultz and Hanna Ernestine von Sauermann, immigrated to Virginia from Prussia with their children when Harleigh Schultz's father, August F. Schultz II, was a small child. A. F. Schultz II married Annie Hoomes Bridges, of Gloucester, Virginia and had five children: Bernard F. Schultz, Harleigh B. Schultz, Mary Maude Schultz (who married Walter McLelland), Annie Louise Schultz (who was called by her middle name), and August Gwynne Schultz.","This collection indicates that Schultz attended Richmond Public Schools and then Richmond College, now the University of Richmond, from which he graduated in 1904. While at the college, he achieved high marks and was an editor on the Collegian student newspaper. After school, Schultz worked as a reporter on the Richmond Evening Journal for one year, according to his niece, Evelyn McLelland Boschen, and then moved to Massachusetts to work as a reporter for the Worcester Telegram.  Shortly after, on March 7, 1906, Schultz married Natalie Salandri, whose father also worked at the newspaper. Harleigh and Natalie's children were Francis A. Schultz (who died of an illness in 1925 at the age of 17), Robert H. Schultz, and Eleanor L. Schultz. A 1921 news clipping in the collection indicated that at that time, the family lived in Martha's Vineyard, Massachusetts, and Schultz was principal of the West Tisbury School there. A 1926 letter addressed to Natalie shows that Schultz was also an officer for the Redland District Chamber of Commerce in Homestead, Florida for an undetermined period. In addition, Schultz's niece wrote that he worked as a reporter for the Boston American for 15 years, as a sports editor, motion picture critic, and city editor, though the letters in the collection that were written on Boston American letterhead span only from October 1927 to May 1934.","On November 26, 1930, Schultz informed his sister, Louise, that he and Natalie were separated and planning to divorce. A news clipping in the collection announces Schultz's marriage to \nAlice G. Falvey of Boston on June 30, 1932. Harleigh and Alice Schultz moved to Hollywood in 1934 in the hopes of finding a new job and life there. The first letters they sent from California to the Schultz family indicate that they were happy with the new location and had made friends with film star Mary Pickford. Schultz's first job in California was in the publicity department at R. K. O., but he moved to work for the Metro-Goldwyn-Mayer Corporation in 1935, where he stayed until his retirement in 1956. During that time, Schultz became the Publicity Chairman and served on MGM's board of governors. Harleigh Schultz died on October 22, 1958, and was buried in North Hollywood. Mary Pickford, his friend of 24 years, handled arrangements for his funeral.","The materials in this collection were removed from a three-ring binder labeled Middle Peninsula Planning District Commission. The papers were arranged and put in acid-free folders. Those that were in a fragile condition were placed in mylar sleeves, and several newspaper clippings were photocopied. Where possible, the copies are kept with the original. Two documents, copies of the Collegian, the Richmond College newspaper, were removed to oversized storage.","Processed by Ashley Vavra.","This collection began as a scrapbook of papers related to Harleigh Bridges Schultz. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs.","File 1, Biography, contains a two-page biography of Harleigh Schultz that was written by his niece, Evelyn M. McLelland Boschen, in 1991. This document provides an overview of Schultz's family history and career.","File 2, Childhood Education, begins in 1891, when Harleigh Schultz was in third grade. It includes several certificates of merit from Richmond Public Schools, report cards from Richmond High School, and two copies of the program for the Richmond High School Commencement Ceremony on June 13, 1901, in which Schultz gave an oration entitled \"Dignity of Labor.\" Also included are two maps of Europe that he apparently drew from memory. The series ends with a photocopy of an article about the commencement ceremony in the Richmond Dispatch.","File 3, Richmond College, contains a report card from Richmond College, which was stuck onto a page from the Fifth Annual Studio Club News, which Schultz edited at MGM. The report includes a note: \"Note on final Examination paper- Your son has been one of our very best students, and has made an admirable record, signed Prof. F. W. Boatwright.\" Other reports follow, as well as an empty envelope addressed to Harleigh Schultz's father, on which is noted \"Letter of praise from Boatwright […]\". Two documents have been removed to oversized storage: copies of the Collegian, the Richmond College student newspaper, which Schultz edited, with handwritten notes. Photocopies of the first and last pages, those with Schultz's notes, have been made and included with the collection. This is followed by news clippings regarding the 1904 commencement, a newspaper photo of the class of 1903-04, and a 1937 news clipping about the college.","Files 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the Boston American or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.","Files 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the Boston American or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.","File 6, Family, spans the largest time span, though several items are undated. It begins with a photocopy of a photograph of August F. Schultz and Hanna Ernestine von Sauermann, Harleigh's paternal grandparents. Several pages of photocopies of photographs follow, including pictures of Harleigh's parents, Harleigh's sons, and other relatives. Notes to identify the people in the images were written by a relative. This series also includes a photocopy of Harleigh Schultz's Delayed Certificate of Birth, issued in 1942 and witnessed by his sister Maude Schultz McLelland. A marriage notice and obituaries for Harleigh's parents are included, as are notices of Harleigh's marriages and death. A hand-drawn coat of arms labeled with the name Schultz is also included in this series.","File 7, Work, includes clippings of newspaper articles written by Harleigh Schultz, along with two of his business cards from his time with the Boston American.","File 8, Other News, begins with an article from 1926 regarding a hurricane that hit Miami, Florida. A handwritten note in the margins says \"Uncle Harleigh there at this time.\" The second item is a collage of clippings from the Gloucester-Mathews Gazette-Journal from July 1942, regarding local sailors lost at sea. Harleigh Schultz, whose mother's family was from Gloucester, contributed a memorial poem to the journal. The last item in this series is an article called \"The Soul Diary of Florence Nightingale Revealed by Author,\" which discusses Nightingale's reasons for deciding not to marry.","File 9, Photographs, includes several photos of Harleigh Schultz at various ages, his second wife, Alice, and himself with his son, Robert. Several photos appear to have been taken at MGM Studios, including one of Harleigh Schultz standing with Mr. Mayer and one of MGM's Board of Governors. Several of the photos are of famous people, particularly movie stars. Included in this series are signed photos of Cecil B. DeMille, Clark Gable, Van Johnson (addressed to Maude McLelland), Jean Harlow (addressed to Louise Schultz), Walter Pidgeon, and an unsigned photo of Esther Williams. The series concludes with a photo of the fountain near Harleigh's grave and a 1961 newspaper clipping with a picture of Mary Pickford after she received an honorary degree from Middlebury College.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection began as a scrapbook of papers related to Harleigh Bridges Schultz, 1883-1958. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs. Items of note include a two-page biography written by his niece, Evelyn Boschen, and signed photos of Cecil DeMille, Clark Gable, Van Johnson, Jean Harlow, and Walter Pidgeon.","University of Richmond","Metro-Goldwyn-Mayer","Schultz Family","Schultz, Harleigh B. (Harleigh Bridges), 1883-1958","English"],"collection_title_tesim":["Harleigh Bridges Schultz Collection, 1876/1991"],"collection_ssim":["Harleigh Bridges Schultz Collection, 1876/1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-28","/repositories/4/resources/14"],"unitid_tesim":["MS-28","/repositories/4/resources/14"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Schultz Family"],"creator_ssim":["Schultz Family"],"creator_persname_ssim":["Schultz, Harleigh B. (Harleigh Bridges), 1883-1958"],"creator_corpname_ssim":["University of Richmond","Metro-Goldwyn-Mayer"],"creator_famname_ssim":["Schultz Family"],"creators_ssim":["Schultz, Harleigh B. (Harleigh Bridges), 1883-1958","University of Richmond","Metro-Goldwyn-Mayer","Schultz Family"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated by Gwynne R. Litchfield, September 2014."],"access_subjects_ssim":["University of Richmond -- History","Clippings","Personal correspondence","Photographs"],"access_subjects_ssm":["University of Richmond -- History","Clippings","Personal correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1  Linear Feet"],"extent_tesim":["1  Linear Feet"],"genreform_ssim":["Clippings","Personal correspondence","Photographs"],"date_range_isim":[1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"arrangement_html_tesm":["\u003cp\u003eThe materials were arranged in one series, roughly chronologically. Dates for undated items have been estimated based on context.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials were arranged in one series, roughly chronologically. Dates for undated items have been estimated based on context."],"bioghist_html_tesm":["\u003cp\u003eHarleigh Bridges Schultz was born at 515 E. Marshall St, Richmond, Virginia on October 12, 1883. Schultz's paternal grandparents, Augustus Frederick Schultz and Hanna Ernestine von Sauermann, immigrated to Virginia from Prussia with their children when Harleigh Schultz's father, August F. Schultz II, was a small child. A. F. Schultz II married Annie Hoomes Bridges, of Gloucester, Virginia and had five children: Bernard F. Schultz, Harleigh B. Schultz, Mary Maude Schultz (who married Walter McLelland), Annie Louise Schultz (who was called by her middle name), and August Gwynne Schultz.\u003c/p\u003e","\u003cp\u003eThis collection indicates that Schultz attended Richmond Public Schools and then Richmond College, now the University of Richmond, from which he graduated in 1904. While at the college, he achieved high marks and was an editor on the \u003cemph render=\"italics\"\u003eCollegian\u003c/emph\u003e student newspaper. After school, Schultz worked as a reporter on the \u003cemph render=\"italics\"\u003eRichmond Evening Journal\u003c/emph\u003e for one year, according to his niece, Evelyn McLelland Boschen, and then moved to Massachusetts to work as a reporter for the \u003cemph render=\"italics\"\u003eWorcester Telegram\u003c/emph\u003e.  Shortly after, on March 7, 1906, Schultz married Natalie Salandri, whose father also worked at the newspaper. Harleigh and Natalie's children were Francis A. Schultz (who died of an illness in 1925 at the age of 17), Robert H. Schultz, and Eleanor L. Schultz. A 1921 news clipping in the collection indicated that at that time, the family lived in Martha's Vineyard, Massachusetts, and Schultz was principal of the West Tisbury School there. A 1926 letter addressed to Natalie shows that Schultz was also an officer for the Redland District Chamber of Commerce in Homestead, Florida for an undetermined period. In addition, Schultz's niece wrote that he worked as a reporter for the \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e for 15 years, as a sports editor, motion picture critic, and city editor, though the letters in the collection that were written on \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e letterhead span only from October 1927 to May 1934.\u003c/p\u003e","\u003cp\u003eOn November 26, 1930, Schultz informed his sister, Louise, that he and Natalie were separated and planning to divorce. A news clipping in the collection announces Schultz's marriage to \nAlice G. Falvey of Boston on June 30, 1932. Harleigh and Alice Schultz moved to Hollywood in 1934 in the hopes of finding a new job and life there. The first letters they sent from California to the Schultz family indicate that they were happy with the new location and had made friends with film star Mary Pickford. Schultz's first job in California was in the publicity department at R. K. O., but he moved to work for the Metro-Goldwyn-Mayer Corporation in 1935, where he stayed until his retirement in 1956. During that time, Schultz became the Publicity Chairman and served on MGM's board of governors. Harleigh Schultz died on October 22, 1958, and was buried in North Hollywood. Mary Pickford, his friend of 24 years, handled arrangements for his funeral.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Harleigh Bridges Schultz was born at 515 E. Marshall St, Richmond, Virginia on October 12, 1883. Schultz's paternal grandparents, Augustus Frederick Schultz and Hanna Ernestine von Sauermann, immigrated to Virginia from Prussia with their children when Harleigh Schultz's father, August F. Schultz II, was a small child. A. F. Schultz II married Annie Hoomes Bridges, of Gloucester, Virginia and had five children: Bernard F. Schultz, Harleigh B. Schultz, Mary Maude Schultz (who married Walter McLelland), Annie Louise Schultz (who was called by her middle name), and August Gwynne Schultz.","This collection indicates that Schultz attended Richmond Public Schools and then Richmond College, now the University of Richmond, from which he graduated in 1904. While at the college, he achieved high marks and was an editor on the Collegian student newspaper. After school, Schultz worked as a reporter on the Richmond Evening Journal for one year, according to his niece, Evelyn McLelland Boschen, and then moved to Massachusetts to work as a reporter for the Worcester Telegram.  Shortly after, on March 7, 1906, Schultz married Natalie Salandri, whose father also worked at the newspaper. Harleigh and Natalie's children were Francis A. Schultz (who died of an illness in 1925 at the age of 17), Robert H. Schultz, and Eleanor L. Schultz. A 1921 news clipping in the collection indicated that at that time, the family lived in Martha's Vineyard, Massachusetts, and Schultz was principal of the West Tisbury School there. A 1926 letter addressed to Natalie shows that Schultz was also an officer for the Redland District Chamber of Commerce in Homestead, Florida for an undetermined period. In addition, Schultz's niece wrote that he worked as a reporter for the Boston American for 15 years, as a sports editor, motion picture critic, and city editor, though the letters in the collection that were written on Boston American letterhead span only from October 1927 to May 1934.","On November 26, 1930, Schultz informed his sister, Louise, that he and Natalie were separated and planning to divorce. A news clipping in the collection announces Schultz's marriage to \nAlice G. Falvey of Boston on June 30, 1932. Harleigh and Alice Schultz moved to Hollywood in 1934 in the hopes of finding a new job and life there. The first letters they sent from California to the Schultz family indicate that they were happy with the new location and had made friends with film star Mary Pickford. Schultz's first job in California was in the publicity department at R. K. O., but he moved to work for the Metro-Goldwyn-Mayer Corporation in 1935, where he stayed until his retirement in 1956. During that time, Schultz became the Publicity Chairman and served on MGM's board of governors. Harleigh Schultz died on October 22, 1958, and was buried in North Hollywood. Mary Pickford, his friend of 24 years, handled arrangements for his funeral."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-28, Harleigh Bridges Schultz Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-28, Harleigh Bridges Schultz Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe materials in this collection were removed from a three-ring binder labeled Middle Peninsula Planning District Commission. The papers were arranged and put in acid-free folders. Those that were in a fragile condition were placed in mylar sleeves, and several newspaper clippings were photocopied. Where possible, the copies are kept with the original. Two documents, copies of the \u003cemph render=\"italics\"\u003eCollegian\u003c/emph\u003e, the Richmond College newspaper, were removed to oversized storage. \u003c/p\u003e","\u003cp\u003eProcessed by Ashley Vavra.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in this collection were removed from a three-ring binder labeled Middle Peninsula Planning District Commission. The papers were arranged and put in acid-free folders. Those that were in a fragile condition were placed in mylar sleeves, and several newspaper clippings were photocopied. Where possible, the copies are kept with the original. Two documents, copies of the Collegian, the Richmond College newspaper, were removed to oversized storage.","Processed by Ashley Vavra."],"scopecontent_html_tesm":["\u003cp\u003eThis collection began as a scrapbook of papers related to Harleigh Bridges Schultz. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs.\u003c/p\u003e  ","\u003cp\u003eFile 1, Biography, contains a two-page biography of Harleigh Schultz that was written by his niece, Evelyn M. McLelland Boschen, in 1991. This document provides an overview of Schultz's family history and career.\u003c/p\u003e","\u003cp\u003eFile 2, Childhood Education, begins in 1891, when Harleigh Schultz was in third grade. It includes several certificates of merit from Richmond Public Schools, report cards from Richmond High School, and two copies of the program for the Richmond High School Commencement Ceremony on June 13, 1901, in which Schultz gave an oration entitled \"Dignity of Labor.\" Also included are two maps of Europe that he apparently drew from memory. The series ends with a photocopy of an article about the commencement ceremony in the \u003cemph render=\"italics\"\u003eRichmond Dispatch\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eFile 3, Richmond College, contains a report card from Richmond College, which was stuck onto a page from the \u003cemph render=\"italics\"\u003eFifth Annual Studio Club News\u003c/emph\u003e, which Schultz edited at MGM. The report includes a note: \"Note on final Examination paper- Your son has been one of our very best students, and has made an admirable record, signed Prof. F. W. Boatwright.\" Other reports follow, as well as an empty envelope addressed to Harleigh Schultz's father, on which is noted \"Letter of praise from Boatwright […]\". Two documents have been removed to oversized storage: copies of the \u003cemph render=\"italics\"\u003eCollegian\u003c/emph\u003e, the Richmond College student newspaper, which Schultz edited, with handwritten notes. Photocopies of the first and last pages, those with Schultz's notes, have been made and included with the collection. This is followed by news clippings regarding the 1904 commencement, a newspaper photo of the class of 1903-04, and a 1937 news clipping about the college.\u003c/p\u003e","\u003cp\u003eFiles 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.\u003c/p\u003e","\u003cp\u003eFiles 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.\u003c/p\u003e","\u003cp\u003eFile 6, Family, spans the largest time span, though several items are undated. It begins with a photocopy of a photograph of August F. Schultz and Hanna Ernestine von Sauermann, Harleigh's paternal grandparents. Several pages of photocopies of photographs follow, including pictures of Harleigh's parents, Harleigh's sons, and other relatives. Notes to identify the people in the images were written by a relative. This series also includes a photocopy of Harleigh Schultz's Delayed Certificate of Birth, issued in 1942 and witnessed by his sister Maude Schultz McLelland. A marriage notice and obituaries for Harleigh's parents are included, as are notices of Harleigh's marriages and death. A hand-drawn coat of arms labeled with the name Schultz is also included in this series.\u003c/p\u003e","\u003cp\u003eFile 7, Work, includes clippings of newspaper articles written by Harleigh Schultz, along with two of his business cards from his time with the \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eFile 8, Other News, begins with an article from 1926 regarding a hurricane that hit Miami, Florida. A handwritten note in the margins says \"Uncle Harleigh there at this time.\" The second item is a collage of clippings from the \u003cemph render=\"italics\"\u003eGloucester-Mathews Gazette-Journal\u003c/emph\u003e from July 1942, regarding local sailors lost at sea. Harleigh Schultz, whose mother's family was from Gloucester, contributed a memorial poem to the journal. The last item in this series is an article called \"The Soul Diary of Florence Nightingale Revealed by Author,\" which discusses Nightingale's reasons for deciding not to marry.\u003c/p\u003e","\u003cp\u003eFile 9, Photographs, includes several photos of Harleigh Schultz at various ages, his second wife, Alice, and himself with his son, Robert. Several photos appear to have been taken at MGM Studios, including one of Harleigh Schultz standing with Mr. Mayer and one of MGM's Board of Governors. Several of the photos are of famous people, particularly movie stars. Included in this series are signed photos of Cecil B. DeMille, Clark Gable, Van Johnson (addressed to Maude McLelland), Jean Harlow (addressed to Louise Schultz), Walter Pidgeon, and an unsigned photo of Esther Williams. The series concludes with a photo of the fountain near Harleigh's grave and a 1961 newspaper clipping with a picture of Mary Pickford after she received an honorary degree from Middlebury College.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection began as a scrapbook of papers related to Harleigh Bridges Schultz. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs.","File 1, Biography, contains a two-page biography of Harleigh Schultz that was written by his niece, Evelyn M. McLelland Boschen, in 1991. This document provides an overview of Schultz's family history and career.","File 2, Childhood Education, begins in 1891, when Harleigh Schultz was in third grade. It includes several certificates of merit from Richmond Public Schools, report cards from Richmond High School, and two copies of the program for the Richmond High School Commencement Ceremony on June 13, 1901, in which Schultz gave an oration entitled \"Dignity of Labor.\" Also included are two maps of Europe that he apparently drew from memory. The series ends with a photocopy of an article about the commencement ceremony in the Richmond Dispatch.","File 3, Richmond College, contains a report card from Richmond College, which was stuck onto a page from the Fifth Annual Studio Club News, which Schultz edited at MGM. The report includes a note: \"Note on final Examination paper- Your son has been one of our very best students, and has made an admirable record, signed Prof. F. W. Boatwright.\" Other reports follow, as well as an empty envelope addressed to Harleigh Schultz's father, on which is noted \"Letter of praise from Boatwright […]\". Two documents have been removed to oversized storage: copies of the Collegian, the Richmond College student newspaper, which Schultz edited, with handwritten notes. Photocopies of the first and last pages, those with Schultz's notes, have been made and included with the collection. This is followed by news clippings regarding the 1904 commencement, a newspaper photo of the class of 1903-04, and a 1937 news clipping about the college.","Files 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the Boston American or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.","Files 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the Boston American or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.","File 6, Family, spans the largest time span, though several items are undated. It begins with a photocopy of a photograph of August F. Schultz and Hanna Ernestine von Sauermann, Harleigh's paternal grandparents. Several pages of photocopies of photographs follow, including pictures of Harleigh's parents, Harleigh's sons, and other relatives. Notes to identify the people in the images were written by a relative. This series also includes a photocopy of Harleigh Schultz's Delayed Certificate of Birth, issued in 1942 and witnessed by his sister Maude Schultz McLelland. A marriage notice and obituaries for Harleigh's parents are included, as are notices of Harleigh's marriages and death. A hand-drawn coat of arms labeled with the name Schultz is also included in this series.","File 7, Work, includes clippings of newspaper articles written by Harleigh Schultz, along with two of his business cards from his time with the Boston American.","File 8, Other News, begins with an article from 1926 regarding a hurricane that hit Miami, Florida. A handwritten note in the margins says \"Uncle Harleigh there at this time.\" The second item is a collage of clippings from the Gloucester-Mathews Gazette-Journal from July 1942, regarding local sailors lost at sea. Harleigh Schultz, whose mother's family was from Gloucester, contributed a memorial poem to the journal. The last item in this series is an article called \"The Soul Diary of Florence Nightingale Revealed by Author,\" which discusses Nightingale's reasons for deciding not to marry.","File 9, Photographs, includes several photos of Harleigh Schultz at various ages, his second wife, Alice, and himself with his son, Robert. Several photos appear to have been taken at MGM Studios, including one of Harleigh Schultz standing with Mr. Mayer and one of MGM's Board of Governors. Several of the photos are of famous people, particularly movie stars. Included in this series are signed photos of Cecil B. DeMille, Clark Gable, Van Johnson (addressed to Maude McLelland), Jean Harlow (addressed to Louise Schultz), Walter Pidgeon, and an unsigned photo of Esther Williams. The series concludes with a photo of the fountain near Harleigh's grave and a 1961 newspaper clipping with a picture of Mary Pickford after she received an honorary degree from Middlebury College."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_MS-28\"\u003eThis collection began as a scrapbook of papers related to Harleigh Bridges Schultz, 1883-1958. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs. Items of note include a two-page biography written by his niece, Evelyn Boschen, and signed photos of Cecil DeMille, Clark Gable, Van Johnson, Jean Harlow, and Walter Pidgeon.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection began as a scrapbook of papers related to Harleigh Bridges Schultz, 1883-1958. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs. Items of note include a two-page biography written by his niece, Evelyn Boschen, and signed photos of Cecil DeMille, Clark Gable, Van Johnson, Jean Harlow, and Walter Pidgeon."],"corpname_ssim":["University of Richmond","Metro-Goldwyn-Mayer"],"names_coll_ssim":["Metro-Goldwyn-Mayer","Schultz Family","Schultz, Harleigh B. (Harleigh Bridges), 1883-1958"],"famname_ssim":["Schultz Family"],"persname_ssim":["Schultz, Harleigh B. (Harleigh Bridges), 1883-1958"],"names_ssim":["University of Richmond","Metro-Goldwyn-Mayer","Schultz Family","Schultz, Harleigh B. 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