{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=Series\u0026page=4","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=Series\u0026page=3","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=Series\u0026page=5","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=Series\u0026page=248"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":248,"limit_value":10,"offset_value":30,"total_count":2472,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_5371_c17","type":"Series","attributes":{"title":"Addendum of 2012/05/29, Series 5. Manuscripts -- James Edward Davis","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c17","ref_ssm":["wvmturhc_repositories_2_resources_5371_c17"],"id":"wvmturhc_repositories_2_resources_5371_c17","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","parent_ssi":"wvmturhc_repositories_2_resources_5371","parent_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks"],"text":["James E. Davis, Artist, Papers and Artworks","Addendum of 2012/05/29, Series 5. Manuscripts -- James Edward Davis","Box 2012/05/29 5"],"title_filing_ssi":"Addendum of 2012/05/29, Series 5. Manuscripts -- James Edward Davis","title_ssm":["Addendum of 2012/05/29, Series 5. Manuscripts -- James Edward Davis"],"title_tesim":["Addendum of 2012/05/29, Series 5. Manuscripts -- James Edward Davis"],"unitdate_inclusive_ssm":["1935-1992, undated"],"normalized_date_ssm":["1935/1992"],"normalized_title_ssm":["Addendum of 2012/05/29, Series 5. Manuscripts -- James Edward Davis"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":773,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["Box 2012/05/29 5"],"_nest_path_":"/components#16","timestamp":"2026-04-30T23:14:22.348Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:14:22.348Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c17"}},{"id":"wvmturhc_repositories_2_resources_5371_c20","type":"Series","attributes":{"title":"Addendum of 2012/05/29, Series 8. John W. Davis and Julia Davis","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c20","ref_ssm":["wvmturhc_repositories_2_resources_5371_c20"],"id":"wvmturhc_repositories_2_resources_5371_c20","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","parent_ssi":"wvmturhc_repositories_2_resources_5371","parent_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks"],"text":["James E. Davis, Artist, Papers and Artworks","Addendum of 2012/05/29, Series 8. John W. Davis and Julia Davis","Box 2012/05/29 7"],"title_filing_ssi":"Addendum of 2012/05/29, Series 8. John W. Davis and Julia Davis","title_ssm":["Addendum of 2012/05/29, Series 8. John W. Davis and Julia Davis"],"title_tesim":["Addendum of 2012/05/29, Series 8. John W. Davis and Julia Davis"],"unitdate_inclusive_ssm":["1904-2012, undated"],"normalized_date_ssm":["1904/2012"],"normalized_title_ssm":["Addendum of 2012/05/29, Series 8. John W. Davis and Julia Davis"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":15,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":802,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"containers_ssim":["Box 2012/05/29 7"],"_nest_path_":"/components#19","timestamp":"2026-04-30T23:14:22.348Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:14:22.348Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c20"}},{"id":"wvmturhc_repositories_2_resources_2081_c20","type":"Series","attributes":{"title":"Addendum of 2012 November 28, Box 12, Folders 9-16","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2081_c20#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis addendum includes photographs and negatives, such as negatives of the 1978 Fourth of July and the 1979 Helvetia Fair (1978-1979); oral history releases (1979); a deed pertaining to Upshur and Randolph Counties (1874); Helvetia Farm Women's Club records, record book, and correspondence (1950-2004); Margrit Schneider, nee Steiger, Swiss and American legal papers, including naturalization certificate (1928-1961); Favri correspondence and a typescript Favri family history (1998, undated); and Helvetia: The History of a Swiss Village in the Mountains of West Virginia by David H. Sutton, with two CDs of images used in the book (2010).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2081_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_2081_c20","ref_ssm":["wvmturhc_repositories_2_resources_2081_c20"],"id":"wvmturhc_repositories_2_resources_2081_c20","ead_ssi":"wvmturhc_repositories_2_resources_2081","_root_":"wvmturhc_repositories_2_resources_2081","_nest_parent_":"wvmturhc_repositories_2_resources_2081","parent_ssi":"wvmturhc_repositories_2_resources_2081","parent_ssim":["wvmturhc_repositories_2_resources_2081"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_2081"],"parent_unittitles_ssm":["David H. Sutton, Compiler, Research Papers regarding Helvetia, West Virginia"],"parent_unittitles_tesim":["David H. Sutton, Compiler, Research Papers regarding Helvetia, West Virginia"],"text":["David H. Sutton, Compiler, Research Papers regarding Helvetia, West Virginia","Addendum of 2012 November 28, Box 12, Folders 9-16","English .","Box 12","Folder 9-16","This addendum includes photographs and negatives, such as negatives of the 1978 Fourth of July and the 1979 Helvetia Fair (1978-1979); oral history releases (1979); a deed pertaining to Upshur and Randolph Counties (1874); Helvetia Farm Women's Club records, record book, and correspondence (1950-2004); Margrit Schneider, nee Steiger, Swiss and American legal papers, including naturalization certificate (1928-1961); Favri correspondence and a typescript Favri family history (1998, undated); and Helvetia: The History of a Swiss Village in the Mountains of West Virginia by David H. Sutton, with two CDs of images used in the book (2010)."],"title_filing_ssi":"Addendum of 2012 November 28, Box 12, Folders 9-16","title_ssm":["Addendum of 2012 November 28, Box 12, Folders 9-16"],"title_tesim":["Addendum of 2012 November 28, Box 12, Folders 9-16"],"unitdate_inclusive_ssm":["1874, 1950-2010, and undated"],"normalized_date_ssm":["1874/2010"],"normalized_title_ssm":["Addendum of 2012 November 28, Box 12, Folders 9-16"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["David H. Sutton, Compiler, Research Papers regarding Helvetia, West Virginia"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":23,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"language_ssim":["English ."],"containers_ssim":["Box 12","Folder 9-16"],"scopecontent_html_tesm":["\u003cp\u003eThis addendum includes photographs and negatives, such as negatives of the 1978 Fourth of July and the 1979 Helvetia Fair (1978-1979); oral history releases (1979); a deed pertaining to Upshur and Randolph Counties (1874); Helvetia Farm Women's Club records, record book, and correspondence (1950-2004); Margrit Schneider, nee Steiger, Swiss and American legal papers, including naturalization certificate (1928-1961); Favri correspondence and a typescript Favri family history (1998, undated); and Helvetia: The History of a Swiss Village in the Mountains of West Virginia by David H. Sutton, with two CDs of images used in the book (2010).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This addendum includes photographs and negatives, such as negatives of the 1978 Fourth of July and the 1979 Helvetia Fair (1978-1979); oral history releases (1979); a deed pertaining to Upshur and Randolph Counties (1874); Helvetia Farm Women's Club records, record book, and correspondence (1950-2004); Margrit Schneider, nee Steiger, Swiss and American legal papers, including naturalization certificate (1928-1961); Favri correspondence and a typescript Favri family history (1998, undated); and Helvetia: The History of a Swiss Village in the Mountains of West Virginia by David H. Sutton, with two CDs of images used in the book (2010)."],"_nest_path_":"/components#19","timestamp":"2026-04-30T23:05:35.771Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2081","ead_ssi":"wvmturhc_repositories_2_resources_2081","_root_":"wvmturhc_repositories_2_resources_2081","_nest_parent_":"wvmturhc_repositories_2_resources_2081","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2081.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209895","title_ssm":["David H. Sutton, Compiler, Research Papers regarding Helvetia, West Virginia"],"title_tesim":["David H. Sutton, Compiler, Research Papers regarding Helvetia, West Virginia"],"unitdate_ssm":["1835-2010","1890-1925, 1979"],"unitdate_bulk_ssim":["1890-1925, 1979"],"unitdate_inclusive_ssm":["1835-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3687","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2081"],"text":["A\u0026M 3687","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2081","David H. Sutton, Compiler, Research Papers regarding Helvetia, West Virginia","Helvetia (W. Va.)","Helvetia (W. Va.) -- History","Funeral rites and ceremonies","Genealogy - Randolph County (W. Va.)","Lumber industry - Randolph County (W. Va.)","Obituaries and death records.","Photographs - Randolph County (W. Va.)","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","The collection contains material in 19 series, including:","\nSeries 1. Schneider Family","Series 2. Lutz Correspondence","Series 3. Oral Histories -- Transcriptions","Series 4. News clippings","Series 5. Genealogy","Series 6. Research Material","Series 7. Philatelic Material","Series 8. Subjects","Series 9. Ephemera","Series 10. Aegerter Papers","Series 11. Aegerter Photographs with Index","Series 12. Aegerter Photographs from Album","Series 13. Aegerter Photographs from Box","Series 14. Hofer Photographs","Series 15. Oversize Material","Series 16. Oral Histories -- Tapes","Series 17. Glass Plates -- Aegerter","Series 18. Glass Plates -- Hofer","Series 19. Funeral Programs and Obituaries","An album of Ruth Ramsey Marti's postcard correspondence from 1910-1918 can be found in A\u0026M 3819.","Books separated to the WVC Rare Books Collection:","\nBollinger, Theodore P., ed.  History of Saint John's Classis . Cleveland: Central Pub. House, 1921.","\nFrey, Heinrich.  Schweizer Brevier: Was Ich Von Meiner Heimat Wissen Muss.  Bern: Bitterli, 1947.","\nKeller, Paul.  Unsere Schweizerlieder: 118 Volks Und Nationallieder Fur Klavier Allein Oder Fur Gesang Und Klavier = Nos Chants Suisses = I Nostri Canti Svizzeri . Lausanne: Foetisch, 1931.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Research papers compiled by David H. Sutton documenting the early history of Helvetia, West Virginia, including information regarding the work, recreation, and genealogy of Helvetia's early settlers. The collection includes family papers, letters, oral histories, genealogies, photographs, and other material, regarding the Schneider, Aegerter, Hofer, Favri, and other families. Of special interest are the oral histories conducted and compiled by David Sutton of Helvetia citizens who were residents during the community's formative years (ca. 1880-1900); the interviews cover farming, education, recreation, and food, among other topics. In addition, there is a photocopy facsimile and transcription of an advertisement from 1873 designed to attract settlement to Helvetia by describing the location of the community, job opportunities, wages, terrain, and seasonal weather, among other topics.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Aegerter family","Hoffer family","Lutz family","Snyder family","Steiger family","Sutton, David H.","English"],"unitid_tesim":["A\u0026M 3687","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2081"],"normalized_title_ssm":["David H. Sutton, Compiler, Research Papers regarding Helvetia, West Virginia"],"collection_title_tesim":["David H. Sutton, Compiler, Research Papers regarding Helvetia, West Virginia"],"collection_ssim":["David H. 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"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], David H. Sutton, Compiler, Research Papers regarding Helvetia, West Virginia, A\u0026amp;M 3687, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], David H. Sutton, Compiler, Research Papers regarding Helvetia, West Virginia, A\u0026M 3687, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains material in 19 series, including:\u003c/p\u003e\n","\u003cp\u003e\nSeries 1. Schneider Family\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 2. Lutz Correspondence\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 3. Oral Histories -- Transcriptions\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 4. News clippings\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 5. Genealogy\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 6. Research Material\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 7. Philatelic Material\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 8. Subjects\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 9. Ephemera\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 10. Aegerter Papers\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 11. Aegerter Photographs with Index\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 12. Aegerter Photographs from Album\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 13. Aegerter Photographs from Box\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 14. Hofer Photographs\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 15. Oversize Material\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 16. Oral Histories -- Tapes\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 17. Glass Plates -- Aegerter\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 18. Glass Plates -- Hofer\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 19. Funeral Programs and Obituaries\u003c/p\u003e\n","\u003cp\u003eAn album of Ruth Ramsey Marti's postcard correspondence from 1910-1918 can be found in A\u0026amp;M 3819.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains material in 19 series, including:","\nSeries 1. Schneider Family","Series 2. Lutz Correspondence","Series 3. Oral Histories -- Transcriptions","Series 4. News clippings","Series 5. Genealogy","Series 6. Research Material","Series 7. Philatelic Material","Series 8. Subjects","Series 9. Ephemera","Series 10. Aegerter Papers","Series 11. Aegerter Photographs with Index","Series 12. Aegerter Photographs from Album","Series 13. Aegerter Photographs from Box","Series 14. Hofer Photographs","Series 15. Oversize Material","Series 16. Oral Histories -- Tapes","Series 17. Glass Plates -- Aegerter","Series 18. Glass Plates -- Hofer","Series 19. Funeral Programs and Obituaries","An album of Ruth Ramsey Marti's postcard correspondence from 1910-1918 can be found in A\u0026M 3819."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks separated to the WVC Rare Books Collection:\u003c/p\u003e\n","\u003cp\u003e\nBollinger, Theodore P., ed. \u003ctitle render=\"italic\"\u003eHistory of Saint John's Classis\u003c/title\u003e. Cleveland: Central Pub. House, 1921.\u003c/p\u003e\n","\u003cp\u003e\nFrey, Heinrich. \u003ctitle render=\"italic\"\u003eSchweizer Brevier: Was Ich Von Meiner Heimat Wissen Muss.\u003c/title\u003e Bern: Bitterli, 1947.\u003c/p\u003e\n","\u003cp\u003e\nKeller, Paul. \u003ctitle render=\"italic\"\u003eUnsere Schweizerlieder: 118 Volks Und Nationallieder Fur Klavier Allein Oder Fur Gesang Und Klavier = Nos Chants Suisses = I Nostri Canti Svizzeri\u003c/title\u003e. Lausanne: Foetisch, 1931.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books separated to the WVC Rare Books Collection:","\nBollinger, Theodore P., ed.  History of Saint John's Classis . Cleveland: Central Pub. House, 1921.","\nFrey, Heinrich.  Schweizer Brevier: Was Ich Von Meiner Heimat Wissen Muss.  Bern: Bitterli, 1947.","\nKeller, Paul.  Unsere Schweizerlieder: 118 Volks Und Nationallieder Fur Klavier Allein Oder Fur Gesang Und Klavier = Nos Chants Suisses = I Nostri Canti Svizzeri . Lausanne: Foetisch, 1931."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_35e8d9eda524cab782cd77bea13f8666\"\u003eResearch papers compiled by David H. Sutton documenting the early history of Helvetia, West Virginia, including information regarding the work, recreation, and genealogy of Helvetia's early settlers. The collection includes family papers, letters, oral histories, genealogies, photographs, and other material, regarding the Schneider, Aegerter, Hofer, Favri, and other families. Of special interest are the oral histories conducted and compiled by David Sutton of Helvetia citizens who were residents during the community's formative years (ca. 1880-1900); the interviews cover farming, education, recreation, and food, among other topics. In addition, there is a photocopy facsimile and transcription of an advertisement from 1873 designed to attract settlement to Helvetia by describing the location of the community, job opportunities, wages, terrain, and seasonal weather, among other topics.\u003c/abstract\u003e"],"abstract_tesim":["Research papers compiled by David H. Sutton documenting the early history of Helvetia, West Virginia, including information regarding the work, recreation, and genealogy of Helvetia's early settlers. The collection includes family papers, letters, oral histories, genealogies, photographs, and other material, regarding the Schneider, Aegerter, Hofer, Favri, and other families. Of special interest are the oral histories conducted and compiled by David Sutton of Helvetia citizens who were residents during the community's formative years (ca. 1880-1900); the interviews cover farming, education, recreation, and food, among other topics. In addition, there is a photocopy facsimile and transcription of an advertisement from 1873 designed to attract settlement to Helvetia by describing the location of the community, job opportunities, wages, terrain, and seasonal weather, among other topics."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a764dad1dd2d0a0b5af0d18077a0b247\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Aegerter family","Hoffer family","Lutz family","Snyder family","Steiger family","Sutton, David H."],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Aegerter family","Hoffer family","Lutz family","Snyder family","Steiger family","Sutton, David H."],"famname_ssim":["Aegerter family","Hoffer family","Lutz family","Snyder family","Steiger family"],"persname_ssim":["Sutton, David H."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:05:35.771Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2081_c20"}},{"id":"wvmturhc_repositories_2_resources_4608_c115","type":"Series","attributes":{"title":"Addendum of 2013 December 4, Morgantown (1927) [2 volumes] with corrections to 1948 and 1954","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4608_c115#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eNone of the maps in this addendum have been digitized.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4608_c115#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_4608_c115","ref_ssm":["wvmturhc_repositories_2_resources_4608_c115"],"id":"wvmturhc_repositories_2_resources_4608_c115","ead_ssi":"wvmturhc_repositories_2_resources_4608","_root_":"wvmturhc_repositories_2_resources_4608","_nest_parent_":"wvmturhc_repositories_2_resources_4608","parent_ssi":"wvmturhc_repositories_2_resources_4608","parent_ssim":["wvmturhc_repositories_2_resources_4608"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_4608"],"parent_unittitles_ssm":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"parent_unittitles_tesim":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"text":["Sanborn Map Company Fire Insurance Maps for West Virginia","Addendum of 2013 December 4, Morgantown (1927) [2 volumes] with corrections to 1948 and 1954","Map Case 4","None of the maps in this addendum have been digitized."],"title_filing_ssi":"Addendum of 2013 December 4, Morgantown (1927) [2 volumes] with corrections to 1948 and 1954","title_ssm":["Addendum of 2013 December 4, Morgantown (1927) [2 volumes] with corrections to 1948 and 1954"],"title_tesim":["Addendum of 2013 December 4, Morgantown (1927) [2 volumes] with corrections to 1948 and 1954"],"unitdate_inclusive_ssm":["1927, 1948, 1954"],"normalized_date_ssm":["1927/1954"],"normalized_title_ssm":["Addendum of 2013 December 4, Morgantown (1927) [2 volumes] with corrections to 1948 and 1954"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":115,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954],"containers_ssim":["Map Case 4"],"scopecontent_html_tesm":["\u003cp\u003eNone of the maps in this addendum have been digitized.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["None of the maps in this addendum have been digitized."],"_nest_path_":"/components#114","timestamp":"2026-04-30T23:22:13.649Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4608","ead_ssi":"wvmturhc_repositories_2_resources_4608","_root_":"wvmturhc_repositories_2_resources_4608","_nest_parent_":"wvmturhc_repositories_2_resources_4608","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4608.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/201951","title_ssm":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"title_tesim":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"unitdate_ssm":["1884-1934"],"unitdate_inclusive_ssm":["1884-1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1307","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4608"],"text":["A\u0026M 1307","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4608","Sanborn Map Company Fire Insurance Maps for West Virginia","Maps.","Fire insurance maps","No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Daniel Alfred Sanborn (1827-1883), a surveyor from Somerville, Massachusetts, established the Sanborn Map and Publishing Company in New York in 1867 to provide fire insurance agents with standardized maps that allowed them to analyze property hazards. Sanborn mapmakers surveyed 12,000 cities and towns in the late nineteenth and early twentieth century and, as urban areas changed and developed, updated their maps to reflect new construction and changes in existing buildings. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. In 1904 the company name changed to Sanborn Map Company, and in 1996, the collection was taken over by Environmental Data Resources, Inc.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","The Sanborn Map Company created large-scale maps of more than 12,000 American cities and towns during the late nineteenth and twentieth century to provide fire insurance agents with sufficient information to assess fire insurance liability. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. The Sanborn Map Company updated the maps to reflect new construction and changes in existing buildings, thereby illustrating the urbanization of America. Collection contains Sanborn maps for towns and counties in West Virginia from 1884 to 1934, though most date from the early twentieth century. Typically, there are several maps for each location. There are some microfilm copies available in collections W-1526 and W-3432. There are also digital scans available for most of the maps in this collection (except where noted).\n\nThe Addendum of 2013 June 17 contains one volume of Sanborn insurance maps for the town of Buckhannon, including the base map of 1930, and amendments for 1947, 1956, and 1961. The Addendum of 2013 December 04 contains two volumes of Sanborn insurance maps for Morgantown, WV; one is from 1927 with corrections to 1948, the other is from 1927 with corrections to 1954.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Sanborn Map Company","English \n.    "],"unitid_tesim":["A\u0026M 1307","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4608"],"normalized_title_ssm":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"collection_title_tesim":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"collection_ssim":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Sanborn Map Company"],"creator_ssim":["Sanborn Map Company"],"creator_corpname_ssim":["Sanborn Map Company"],"creators_ssim":["Sanborn Map Company"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Maps.","Fire insurance maps"],"access_subjects_ssm":["Maps.","Fire insurance maps"],"has_online_content_ssim":["false"],"extent_ssm":["4.56 Linear Feet 4 ft. 6 3/4 in. (113 oversize folders, 1 ft. 10 in.); (1 large flat storage box, 1 1/2 in.); (5 unboxed volumes, 5 in.); (15 reels of microfilm, 1.75 in. each)"],"extent_tesim":["4.56 Linear Feet 4 ft. 6 3/4 in. (113 oversize folders, 1 ft. 10 in.); (1 large flat storage box, 1 1/2 in.); (5 unboxed volumes, 5 in.); (15 reels of microfilm, 1.75 in. each)"],"genreform_ssim":["Fire insurance maps"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eDaniel Alfred Sanborn (1827-1883), a surveyor from Somerville, Massachusetts, established the Sanborn Map and Publishing Company in New York in 1867 to provide fire insurance agents with standardized maps that allowed them to analyze property hazards. Sanborn mapmakers surveyed 12,000 cities and towns in the late nineteenth and early twentieth century and, as urban areas changed and developed, updated their maps to reflect new construction and changes in existing buildings. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. In 1904 the company name changed to Sanborn Map Company, and in 1996, the collection was taken over by Environmental Data Resources, Inc.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daniel Alfred Sanborn (1827-1883), a surveyor from Somerville, Massachusetts, established the Sanborn Map and Publishing Company in New York in 1867 to provide fire insurance agents with standardized maps that allowed them to analyze property hazards. Sanborn mapmakers surveyed 12,000 cities and towns in the late nineteenth and early twentieth century and, as urban areas changed and developed, updated their maps to reflect new construction and changes in existing buildings. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. In 1904 the company name changed to Sanborn Map Company, and in 1996, the collection was taken over by Environmental Data Resources, Inc."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Sanborn Map Company Fire Insurance Maps for West Virginia, A\u0026amp;M 1307, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Sanborn Map Company Fire Insurance Maps for West Virginia, A\u0026M 1307, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cf38b6d78702271bd88d0a9b1744abb4\"\u003eThe Sanborn Map Company created large-scale maps of more than 12,000 American cities and towns during the late nineteenth and twentieth century to provide fire insurance agents with sufficient information to assess fire insurance liability. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. The Sanborn Map Company updated the maps to reflect new construction and changes in existing buildings, thereby illustrating the urbanization of America. Collection contains Sanborn maps for towns and counties in West Virginia from 1884 to 1934, though most date from the early twentieth century. Typically, there are several maps for each location. There are some microfilm copies available in collections W-1526 and W-3432. There are also digital scans available for most of the maps in this collection (except where noted).\n\nThe Addendum of 2013 June 17 contains one volume of Sanborn insurance maps for the town of Buckhannon, including the base map of 1930, and amendments for 1947, 1956, and 1961. The Addendum of 2013 December 04 contains two volumes of Sanborn insurance maps for Morgantown, WV; one is from 1927 with corrections to 1948, the other is from 1927 with corrections to 1954.\u003c/abstract\u003e"],"abstract_tesim":["The Sanborn Map Company created large-scale maps of more than 12,000 American cities and towns during the late nineteenth and twentieth century to provide fire insurance agents with sufficient information to assess fire insurance liability. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. The Sanborn Map Company updated the maps to reflect new construction and changes in existing buildings, thereby illustrating the urbanization of America. Collection contains Sanborn maps for towns and counties in West Virginia from 1884 to 1934, though most date from the early twentieth century. Typically, there are several maps for each location. There are some microfilm copies available in collections W-1526 and W-3432. There are also digital scans available for most of the maps in this collection (except where noted).\n\nThe Addendum of 2013 June 17 contains one volume of Sanborn insurance maps for the town of Buckhannon, including the base map of 1930, and amendments for 1947, 1956, and 1961. The Addendum of 2013 December 04 contains two volumes of Sanborn insurance maps for Morgantown, WV; one is from 1927 with corrections to 1948, the other is from 1927 with corrections to 1954."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5eefe12e62bf9dac989089216bd8b76e\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Sanborn Map Company"],"corpname_ssim":["West Virginia and Regional History Center","Sanborn Map Company"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":115,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:22:13.649Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4608_c115"}},{"id":"wvmturhc_repositories_2_resources_943_c06","type":"Series","attributes":{"title":"Addendum of 2013 January","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_943_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series includes miscellaneous business material including legal documents, blueprints, and financial papers.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_943_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_943_c06","ref_ssm":["wvmturhc_repositories_2_resources_943_c06"],"id":"wvmturhc_repositories_2_resources_943_c06","ead_ssi":"wvmturhc_repositories_2_resources_943","_root_":"wvmturhc_repositories_2_resources_943","_nest_parent_":"wvmturhc_repositories_2_resources_943","parent_ssi":"wvmturhc_repositories_2_resources_943","parent_ssim":["wvmturhc_repositories_2_resources_943"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_943"],"parent_unittitles_ssm":["Thoney Pietro, Contractor, Papers"],"parent_unittitles_tesim":["Thoney Pietro, Contractor, Papers"],"text":["Thoney Pietro, Contractor, Papers","Addendum of 2013 January","Box 12","Map Case 10","Drawer 10","Folder 3","This series includes miscellaneous business material including legal documents, blueprints, and financial papers."],"title_filing_ssi":"Addendum of 2013 January","title_ssm":["Addendum of 2013 January"],"title_tesim":["Addendum of 2013 January"],"unitdate_inclusive_ssm":["1911-1928, 1941-1956"],"normalized_date_ssm":["1911/1956"],"normalized_title_ssm":["Addendum of 2013 January"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Thoney Pietro, Contractor, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":88,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"containers_ssim":["Box 12","Map Case 10","Drawer 10","Folder 3"],"scopecontent_html_tesm":["\u003cp\u003eThis series includes miscellaneous business material including legal documents, blueprints, and financial papers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series includes miscellaneous business material including legal documents, blueprints, and financial papers."],"_nest_path_":"/components#5","timestamp":"2026-04-30T23:13:36.389Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_943","ead_ssi":"wvmturhc_repositories_2_resources_943","_root_":"wvmturhc_repositories_2_resources_943","_nest_parent_":"wvmturhc_repositories_2_resources_943","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_943.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/210871","title_ssm":["Thoney Pietro, Contractor, Papers"],"title_tesim":["Thoney Pietro, Contractor, Papers"],"unitdate_ssm":["circa 1867-1982"],"unitdate_inclusive_ssm":["circa 1867-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2836","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/943"],"text":["A\u0026M 2836","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/943","Thoney Pietro, Contractor, Papers","Morgantown (W. Va.)","Account books","Builders and contractors.","Italian immigrants - Sons of Italy.","No special access restriction applies.","During reprocessing in 2022, the arrangement of the collection was altered to improve housing of the materials for long term preservation. In order to help users who have citations from prior to this reprocessing, we have below a list matching the new boxes with the previous (\"old\") box content.","Box 1: Old Box 1 and Old Box 5 (except folder 3 containing the State v. Pietro and other correspondence which is in Box 3 now). ","Box 2: Old Box 2 (except the unfoldered hardback ledger, now in Box 5).","Box 3: Old Box 3, and Old box 5, folder 3. ","Box 4: Old Box 4. ","Box 5: Ledger from Old Box 2.  ","Box 6: Old Box 6. ","Box 7: Old Box 1 ADD 2004 (except for the plans for Penn. Ave. House, now in oversized folders). ","Box 8: Old Box 2 ADD 2004. ","Box 9: Old Box 3 ADD 2004.","Box 10: Old Box 4 ADD 2004. ","Box 11: Old Box 5 ADD 2004. ","Box 12: Old Box 1 ADD 2013 (except one map moved to oversize folder), and content from unnumbered OS box (added as Folder 2).","Box 13: Castle Blueprints (ADD 2004) ","Box 14: new addendum from 2021-2022","Oversize folders: Old Oversized Box with no number [from original accession], plus additions of oversized material from previous boxes.  ","Thoney Pietro, born Ferdinando Pitassi in Ateleta, Italy on March 1, 1877, arrived at Ellis Island in 1896. First living in Pittsburgh, Pietro met and married his first wife, Josephine Bell, who also immigrated from Italy with her family. Upon moving to Morgantown, they had one daughter, Mary Virginia Pietro, born 1907. Josephine died in 1908. He married his second wife, Blanche, who died in 1909. He and his third wife, Mary, had one child, George Henry Pietro, born 1910.","Pietro is noted for his work in construction, pavement, and excavation in West Virginia, Pennsylvania, and Maryland. In his personal time, Pietro promoted Italian culture and language in the community- he was a founding member of the Junior Sons of Italy Organization in Morgantown and a key player in the enactment of Italian language classes in schools. In 1934, he was awarded a medal by the Italian government for what was translated to, \"Diffusion of Italian Culture to Foreign,\" all of which is noted throughout the collection. Throughout his life in Morgantown, Pietro built two homes–  including a castle, now belonging to the Good Counsel Friary, on Tyrone Road. Pietro died on July 21, 1972. ","This collection holds the personal and business papers of Thoney Pietro, a Morgantown, WV contractor and president of the Thoney Pietro Company. This collection highlights the social and business aspects and built landscape of Morgantown, WV and its surrounding areas during the early to mid 20th century. The collection includes personal and business correspondence, legal documents, time books and checkbook ledgers from the Pietro Company, business cards, blueprints, stock certificates, photographs, documents pertaining to the Sons of Italy Organization, the WVU Libraries' Bust of Dante Alighieri, Thoney Pietro Company Stockholders, and the implementation of teaching the Italian language in schools, among others. Other items of interest include correspondence with Italian prisoners of war during the Second World War, to people of interest such as Jennings Randolph, and letters to friends and family in Italy. ","The addendum of 2004/01, held in boxes 7 through 11 and 13 and oversize folders, includes mostly business papers of the Pietro Company, as well as some family papers of and historical documentations of Morgantown, WV. Notable items include the blueprints and specifications of the Construction of his Pennsylvania Avenue residence, business correspondence, and photographs of construction projects. ","The addendum of 2013/01, held in box 12 and an oversize folder, includes an accounting ledger, which contains various financial documents, legal papers, and blueprints. Items of interest include drawings and blueprints for the Pietro Castle.","The addendum of 2021-2022, in box 14, includes envelopes, cards, and business material.","The following books were forwarded to Harold Forbes for processing: Wheeling telephone directory (1934), Charleston telephone directory (1934-1935), Morgantown telephone directory (1955), West Virginia tourism report (1937), and \"Italian-American Who's Who\" (1935).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Personal letters, business correspondence, account and time books, and Sons of Italy papers of Thoney Pietro, a member of the Morgantown contracting company of Pietro Brothers. An addendum (2004 January) includes mostly business papers of the Pietro Company, as well as some family papers and historical documentation of Morgantown, WV. Notable are the map and blue print of the Pietro Castle grounds (later the Good Counsel Friary). Another addendum (2013 January) includes an accounting ledger, financial documents, legal papers (some involving a dispute with a Franciscan monastery, circa 1950), and blueprints (1911-1917, 1941-1954). See Scope and Content Note and Historical Note for more details and additional addenda. For additional Pietro family and business papers, see A\u0026M 2768.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Pietro Brothers","Order Sons of Italy in America","Pietro family","Pietro, Thoney, 1877-1972","English \n,        Italian \n.    "],"unitid_tesim":["A\u0026M 2836","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/943"],"normalized_title_ssm":["Thoney Pietro, Contractor, Papers"],"collection_title_tesim":["Thoney Pietro, Contractor, Papers"],"collection_ssim":["Thoney Pietro, Contractor, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Pietro, Thoney, 1877-1972"],"creator_ssim":["Pietro, Thoney, 1877-1972"],"creator_persname_ssim":["Pietro, Thoney, 1877-1972"],"creators_ssim":["Pietro, Thoney, 1877-1972"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Initial gift from DelSardo, Mary (thru Sue Ann Hyer), 1982/08/13"],"access_subjects_ssim":["Account books","Builders and contractors.","Italian immigrants - Sons of Italy."],"access_subjects_ssm":["Account books","Builders and contractors.","Italian immigrants - Sons of Italy."],"has_online_content_ssim":["false"],"extent_ssm":["5.77 Linear Feet 5 ft. 9.25 in. (8 document cases, 5 in. each); (1 document case, 2.5 in.); (1 records carton, 15 in.); (1 flat storage box, 3 in.); (2 flat storage boxes, 1.5 in. each); (1 roll, 5 in.); (5 oversize folders, 0.75 in.)"],"extent_tesim":["5.77 Linear Feet 5 ft. 9.25 in. (8 document cases, 5 in. each); (1 document case, 2.5 in.); (1 records carton, 15 in.); (1 flat storage box, 3 in.); (2 flat storage boxes, 1.5 in. each); (1 roll, 5 in.); (5 oversize folders, 0.75 in.)"],"date_range_isim":[1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"arrangement_html_tesm":["\u003cp\u003eDuring reprocessing in 2022, the arrangement of the collection was altered to improve housing of the materials for long term preservation. In order to help users who have citations from prior to this reprocessing, we have below a list matching the new boxes with the previous (\"old\") box content.\u003c/p\u003e\n","\u003cp\u003eBox 1: Old Box 1 and Old Box 5 (except folder 3 containing the State v. Pietro and other correspondence which is in Box 3 now). \u003c/p\u003e\n","\u003cp\u003eBox 2: Old Box 2 (except the unfoldered hardback ledger, now in Box 5).\u003c/p\u003e\n","\u003cp\u003eBox 3: Old Box 3, and Old box 5, folder 3. \u003c/p\u003e\n","\u003cp\u003eBox 4: Old Box 4. \u003c/p\u003e\n","\u003cp\u003eBox 5: Ledger from Old Box 2.  \u003c/p\u003e\n","\u003cp\u003eBox 6: Old Box 6. \u003c/p\u003e\n","\u003cp\u003eBox 7: Old Box 1 ADD 2004 (except for the plans for Penn. Ave. House, now in oversized folders). \u003c/p\u003e\n","\u003cp\u003eBox 8: Old Box 2 ADD 2004. \u003c/p\u003e\n","\u003cp\u003eBox 9: Old Box 3 ADD 2004.\u003c/p\u003e\n","\u003cp\u003eBox 10: Old Box 4 ADD 2004. \u003c/p\u003e\n","\u003cp\u003eBox 11: Old Box 5 ADD 2004. \u003c/p\u003e\n","\u003cp\u003eBox 12: Old Box 1 ADD 2013 (except one map moved to oversize folder), and content from unnumbered OS box (added as Folder 2).\u003c/p\u003e\n","\u003cp\u003eBox 13: Castle Blueprints (ADD 2004) \u003c/p\u003e\n","\u003cp\u003eBox 14: new addendum from 2021-2022\u003c/p\u003e\n","\u003cp\u003eOversize folders: Old Oversized Box with no number [from original accession], plus additions of oversized material from previous boxes.  \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["During reprocessing in 2022, the arrangement of the collection was altered to improve housing of the materials for long term preservation. In order to help users who have citations from prior to this reprocessing, we have below a list matching the new boxes with the previous (\"old\") box content.","Box 1: Old Box 1 and Old Box 5 (except folder 3 containing the State v. Pietro and other correspondence which is in Box 3 now). ","Box 2: Old Box 2 (except the unfoldered hardback ledger, now in Box 5).","Box 3: Old Box 3, and Old box 5, folder 3. ","Box 4: Old Box 4. ","Box 5: Ledger from Old Box 2.  ","Box 6: Old Box 6. ","Box 7: Old Box 1 ADD 2004 (except for the plans for Penn. Ave. House, now in oversized folders). ","Box 8: Old Box 2 ADD 2004. ","Box 9: Old Box 3 ADD 2004.","Box 10: Old Box 4 ADD 2004. ","Box 11: Old Box 5 ADD 2004. ","Box 12: Old Box 1 ADD 2013 (except one map moved to oversize folder), and content from unnumbered OS box (added as Folder 2).","Box 13: Castle Blueprints (ADD 2004) ","Box 14: new addendum from 2021-2022","Oversize folders: Old Oversized Box with no number [from original accession], plus additions of oversized material from previous boxes.  "],"bioghist_html_tesm":["\u003cp\u003eThoney Pietro, born Ferdinando Pitassi in Ateleta, Italy on March 1, 1877, arrived at Ellis Island in 1896. First living in Pittsburgh, Pietro met and married his first wife, Josephine Bell, who also immigrated from Italy with her family. Upon moving to Morgantown, they had one daughter, Mary Virginia Pietro, born 1907. Josephine died in 1908. He married his second wife, Blanche, who died in 1909. He and his third wife, Mary, had one child, George Henry Pietro, born 1910.\u003c/p\u003e\n","\u003cp\u003ePietro is noted for his work in construction, pavement, and excavation in West Virginia, Pennsylvania, and Maryland. In his personal time, Pietro promoted Italian culture and language in the community- he was a founding member of the Junior Sons of Italy Organization in Morgantown and a key player in the enactment of Italian language classes in schools. In 1934, he was awarded a medal by the Italian government for what was translated to, \"Diffusion of Italian Culture to Foreign,\" all of which is noted throughout the collection. Throughout his life in Morgantown, Pietro built two homes–  including a castle, now belonging to the Good Counsel Friary, on Tyrone Road. Pietro died on July 21, 1972. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thoney Pietro, born Ferdinando Pitassi in Ateleta, Italy on March 1, 1877, arrived at Ellis Island in 1896. First living in Pittsburgh, Pietro met and married his first wife, Josephine Bell, who also immigrated from Italy with her family. Upon moving to Morgantown, they had one daughter, Mary Virginia Pietro, born 1907. Josephine died in 1908. He married his second wife, Blanche, who died in 1909. He and his third wife, Mary, had one child, George Henry Pietro, born 1910.","Pietro is noted for his work in construction, pavement, and excavation in West Virginia, Pennsylvania, and Maryland. In his personal time, Pietro promoted Italian culture and language in the community- he was a founding member of the Junior Sons of Italy Organization in Morgantown and a key player in the enactment of Italian language classes in schools. In 1934, he was awarded a medal by the Italian government for what was translated to, \"Diffusion of Italian Culture to Foreign,\" all of which is noted throughout the collection. Throughout his life in Morgantown, Pietro built two homes–  including a castle, now belonging to the Good Counsel Friary, on Tyrone Road. Pietro died on July 21, 1972. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Thoney Pietro, Contractor, Papers, A\u0026amp;M 2836, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Thoney Pietro, Contractor, Papers, A\u0026M 2836, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection holds the personal and business papers of Thoney Pietro, a Morgantown, WV contractor and president of the Thoney Pietro Company. This collection highlights the social and business aspects and built landscape of Morgantown, WV and its surrounding areas during the early to mid 20th century. The collection includes personal and business correspondence, legal documents, time books and checkbook ledgers from the Pietro Company, business cards, blueprints, stock certificates, photographs, documents pertaining to the Sons of Italy Organization, the WVU Libraries' Bust of Dante Alighieri, Thoney Pietro Company Stockholders, and the implementation of teaching the Italian language in schools, among others. Other items of interest include correspondence with Italian prisoners of war during the Second World War, to people of interest such as Jennings Randolph, and letters to friends and family in Italy. \u003c/p\u003e\n","\u003cp\u003eThe addendum of 2004/01, held in boxes 7 through 11 and 13 and oversize folders, includes mostly business papers of the Pietro Company, as well as some family papers of and historical documentations of Morgantown, WV. Notable items include the blueprints and specifications of the Construction of his Pennsylvania Avenue residence, business correspondence, and photographs of construction projects. \u003c/p\u003e\n","\u003cp\u003eThe addendum of 2013/01, held in box 12 and an oversize folder, includes an accounting ledger, which contains various financial documents, legal papers, and blueprints. Items of interest include drawings and blueprints for the Pietro Castle.\u003c/p\u003e\n","\u003cp\u003eThe addendum of 2021-2022, in box 14, includes envelopes, cards, and business material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection holds the personal and business papers of Thoney Pietro, a Morgantown, WV contractor and president of the Thoney Pietro Company. This collection highlights the social and business aspects and built landscape of Morgantown, WV and its surrounding areas during the early to mid 20th century. The collection includes personal and business correspondence, legal documents, time books and checkbook ledgers from the Pietro Company, business cards, blueprints, stock certificates, photographs, documents pertaining to the Sons of Italy Organization, the WVU Libraries' Bust of Dante Alighieri, Thoney Pietro Company Stockholders, and the implementation of teaching the Italian language in schools, among others. Other items of interest include correspondence with Italian prisoners of war during the Second World War, to people of interest such as Jennings Randolph, and letters to friends and family in Italy. ","The addendum of 2004/01, held in boxes 7 through 11 and 13 and oversize folders, includes mostly business papers of the Pietro Company, as well as some family papers of and historical documentations of Morgantown, WV. Notable items include the blueprints and specifications of the Construction of his Pennsylvania Avenue residence, business correspondence, and photographs of construction projects. ","The addendum of 2013/01, held in box 12 and an oversize folder, includes an accounting ledger, which contains various financial documents, legal papers, and blueprints. Items of interest include drawings and blueprints for the Pietro Castle.","The addendum of 2021-2022, in box 14, includes envelopes, cards, and business material."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books were forwarded to Harold Forbes for processing: Wheeling telephone directory (1934), Charleston telephone directory (1934-1935), Morgantown telephone directory (1955), West Virginia tourism report (1937), and \"Italian-American Who's Who\" (1935).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books were forwarded to Harold Forbes for processing: Wheeling telephone directory (1934), Charleston telephone directory (1934-1935), Morgantown telephone directory (1955), West Virginia tourism report (1937), and \"Italian-American Who's Who\" (1935)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0162fdb1b0e4546ec7ed85b06356bdd1\"\u003ePersonal letters, business correspondence, account and time books, and Sons of Italy papers of Thoney Pietro, a member of the Morgantown contracting company of Pietro Brothers. An addendum (2004 January) includes mostly business papers of the Pietro Company, as well as some family papers and historical documentation of Morgantown, WV. Notable are the map and blue print of the Pietro Castle grounds (later the Good Counsel Friary). Another addendum (2013 January) includes an accounting ledger, financial documents, legal papers (some involving a dispute with a Franciscan monastery, circa 1950), and blueprints (1911-1917, 1941-1954). See Scope and Content Note and Historical Note for more details and additional addenda. For additional Pietro family and business papers, see A\u0026amp;M 2768.\u003c/abstract\u003e"],"abstract_tesim":["Personal letters, business correspondence, account and time books, and Sons of Italy papers of Thoney Pietro, a member of the Morgantown contracting company of Pietro Brothers. An addendum (2004 January) includes mostly business papers of the Pietro Company, as well as some family papers and historical documentation of Morgantown, WV. Notable are the map and blue print of the Pietro Castle grounds (later the Good Counsel Friary). Another addendum (2013 January) includes an accounting ledger, financial documents, legal papers (some involving a dispute with a Franciscan monastery, circa 1950), and blueprints (1911-1917, 1941-1954). See Scope and Content Note and Historical Note for more details and additional addenda. For additional Pietro family and business papers, see A\u0026M 2768."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d7185c420fb61aebb3ec123069534c33\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Pietro Brothers","Order Sons of Italy in America","Pietro family","Pietro, Thoney, 1877-1972"],"names_ssim":["West Virginia and Regional History Center","Pietro Brothers","Order Sons of Italy in America","Pietro family","Pietro, Thoney, 1877-1972"],"corpname_ssim":["West Virginia and Regional History Center","Pietro Brothers","Order Sons of Italy in America"],"famname_ssim":["Pietro family"],"persname_ssim":["Pietro, Thoney, 1877-1972"],"language_ssim":["English \n,        Italian \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":100,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:13:36.389Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_943_c06"}},{"id":"wvmturhc_repositories_2_resources_4608_c114","type":"Series","attributes":{"title":"Addendum of 2013 June 17, Buckhannon (1933) [1 volume] with amendments for 1947, 1956, and 1961","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4608_c114#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eNone of the maps in this addendum have been digitized.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4608_c114#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_4608_c114","ref_ssm":["wvmturhc_repositories_2_resources_4608_c114"],"id":"wvmturhc_repositories_2_resources_4608_c114","ead_ssi":"wvmturhc_repositories_2_resources_4608","_root_":"wvmturhc_repositories_2_resources_4608","_nest_parent_":"wvmturhc_repositories_2_resources_4608","parent_ssi":"wvmturhc_repositories_2_resources_4608","parent_ssim":["wvmturhc_repositories_2_resources_4608"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_4608"],"parent_unittitles_ssm":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"parent_unittitles_tesim":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"text":["Sanborn Map Company Fire Insurance Maps for West Virginia","Addendum of 2013 June 17, Buckhannon (1933) [1 volume] with amendments for 1947, 1956, and 1961","Box 1","None of the maps in this addendum have been digitized."],"title_filing_ssi":"Addendum of 2013 June 17, Buckhannon (1933) [1 volume] with amendments for 1947, 1956, and 1961","title_ssm":["Addendum of 2013 June 17, Buckhannon (1933) [1 volume] with amendments for 1947, 1956, and 1961"],"title_tesim":["Addendum of 2013 June 17, Buckhannon (1933) [1 volume] with amendments for 1947, 1956, and 1961"],"unitdate_inclusive_ssm":["1933, 1947, 1956, 1961"],"normalized_date_ssm":["1933/1961"],"normalized_title_ssm":["Addendum of 2013 June 17, Buckhannon (1933) [1 volume] with amendments for 1947, 1956, and 1961"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":114,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"containers_ssim":["Box 1"],"scopecontent_html_tesm":["\u003cp\u003eNone of the maps in this addendum have been digitized.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["None of the maps in this addendum have been digitized."],"_nest_path_":"/components#113","timestamp":"2026-04-30T23:22:13.649Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4608","ead_ssi":"wvmturhc_repositories_2_resources_4608","_root_":"wvmturhc_repositories_2_resources_4608","_nest_parent_":"wvmturhc_repositories_2_resources_4608","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4608.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/201951","title_ssm":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"title_tesim":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"unitdate_ssm":["1884-1934"],"unitdate_inclusive_ssm":["1884-1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1307","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4608"],"text":["A\u0026M 1307","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4608","Sanborn Map Company Fire Insurance Maps for West Virginia","Maps.","Fire insurance maps","No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Daniel Alfred Sanborn (1827-1883), a surveyor from Somerville, Massachusetts, established the Sanborn Map and Publishing Company in New York in 1867 to provide fire insurance agents with standardized maps that allowed them to analyze property hazards. Sanborn mapmakers surveyed 12,000 cities and towns in the late nineteenth and early twentieth century and, as urban areas changed and developed, updated their maps to reflect new construction and changes in existing buildings. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. In 1904 the company name changed to Sanborn Map Company, and in 1996, the collection was taken over by Environmental Data Resources, Inc.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","The Sanborn Map Company created large-scale maps of more than 12,000 American cities and towns during the late nineteenth and twentieth century to provide fire insurance agents with sufficient information to assess fire insurance liability. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. The Sanborn Map Company updated the maps to reflect new construction and changes in existing buildings, thereby illustrating the urbanization of America. Collection contains Sanborn maps for towns and counties in West Virginia from 1884 to 1934, though most date from the early twentieth century. Typically, there are several maps for each location. There are some microfilm copies available in collections W-1526 and W-3432. There are also digital scans available for most of the maps in this collection (except where noted).\n\nThe Addendum of 2013 June 17 contains one volume of Sanborn insurance maps for the town of Buckhannon, including the base map of 1930, and amendments for 1947, 1956, and 1961. The Addendum of 2013 December 04 contains two volumes of Sanborn insurance maps for Morgantown, WV; one is from 1927 with corrections to 1948, the other is from 1927 with corrections to 1954.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Sanborn Map Company","English \n.    "],"unitid_tesim":["A\u0026M 1307","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4608"],"normalized_title_ssm":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"collection_title_tesim":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"collection_ssim":["Sanborn Map Company Fire Insurance Maps for West Virginia"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Sanborn Map Company"],"creator_ssim":["Sanborn Map Company"],"creator_corpname_ssim":["Sanborn Map Company"],"creators_ssim":["Sanborn Map Company"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Maps.","Fire insurance maps"],"access_subjects_ssm":["Maps.","Fire insurance maps"],"has_online_content_ssim":["false"],"extent_ssm":["4.56 Linear Feet 4 ft. 6 3/4 in. (113 oversize folders, 1 ft. 10 in.); (1 large flat storage box, 1 1/2 in.); (5 unboxed volumes, 5 in.); (15 reels of microfilm, 1.75 in. each)"],"extent_tesim":["4.56 Linear Feet 4 ft. 6 3/4 in. (113 oversize folders, 1 ft. 10 in.); (1 large flat storage box, 1 1/2 in.); (5 unboxed volumes, 5 in.); (15 reels of microfilm, 1.75 in. each)"],"genreform_ssim":["Fire insurance maps"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eDaniel Alfred Sanborn (1827-1883), a surveyor from Somerville, Massachusetts, established the Sanborn Map and Publishing Company in New York in 1867 to provide fire insurance agents with standardized maps that allowed them to analyze property hazards. Sanborn mapmakers surveyed 12,000 cities and towns in the late nineteenth and early twentieth century and, as urban areas changed and developed, updated their maps to reflect new construction and changes in existing buildings. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. In 1904 the company name changed to Sanborn Map Company, and in 1996, the collection was taken over by Environmental Data Resources, Inc.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daniel Alfred Sanborn (1827-1883), a surveyor from Somerville, Massachusetts, established the Sanborn Map and Publishing Company in New York in 1867 to provide fire insurance agents with standardized maps that allowed them to analyze property hazards. Sanborn mapmakers surveyed 12,000 cities and towns in the late nineteenth and early twentieth century and, as urban areas changed and developed, updated their maps to reflect new construction and changes in existing buildings. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. In 1904 the company name changed to Sanborn Map Company, and in 1996, the collection was taken over by Environmental Data Resources, Inc."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Sanborn Map Company Fire Insurance Maps for West Virginia, A\u0026amp;M 1307, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Sanborn Map Company Fire Insurance Maps for West Virginia, A\u0026M 1307, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cf38b6d78702271bd88d0a9b1744abb4\"\u003eThe Sanborn Map Company created large-scale maps of more than 12,000 American cities and towns during the late nineteenth and twentieth century to provide fire insurance agents with sufficient information to assess fire insurance liability. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. The Sanborn Map Company updated the maps to reflect new construction and changes in existing buildings, thereby illustrating the urbanization of America. Collection contains Sanborn maps for towns and counties in West Virginia from 1884 to 1934, though most date from the early twentieth century. Typically, there are several maps for each location. There are some microfilm copies available in collections W-1526 and W-3432. There are also digital scans available for most of the maps in this collection (except where noted).\n\nThe Addendum of 2013 June 17 contains one volume of Sanborn insurance maps for the town of Buckhannon, including the base map of 1930, and amendments for 1947, 1956, and 1961. The Addendum of 2013 December 04 contains two volumes of Sanborn insurance maps for Morgantown, WV; one is from 1927 with corrections to 1948, the other is from 1927 with corrections to 1954.\u003c/abstract\u003e"],"abstract_tesim":["The Sanborn Map Company created large-scale maps of more than 12,000 American cities and towns during the late nineteenth and twentieth century to provide fire insurance agents with sufficient information to assess fire insurance liability. Maps show size, shape and construction of buildings, street names and widths, property boundaries, building use, and the locations of water mains, fire alarms, and hydrants, among other things. The Sanborn Map Company updated the maps to reflect new construction and changes in existing buildings, thereby illustrating the urbanization of America. Collection contains Sanborn maps for towns and counties in West Virginia from 1884 to 1934, though most date from the early twentieth century. Typically, there are several maps for each location. There are some microfilm copies available in collections W-1526 and W-3432. There are also digital scans available for most of the maps in this collection (except where noted).\n\nThe Addendum of 2013 June 17 contains one volume of Sanborn insurance maps for the town of Buckhannon, including the base map of 1930, and amendments for 1947, 1956, and 1961. The Addendum of 2013 December 04 contains two volumes of Sanborn insurance maps for Morgantown, WV; one is from 1927 with corrections to 1948, the other is from 1927 with corrections to 1954."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5eefe12e62bf9dac989089216bd8b76e\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Sanborn Map Company"],"corpname_ssim":["West Virginia and Regional History Center","Sanborn Map Company"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":115,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:22:13.649Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4608_c114"}},{"id":"wvmturhc_repositories_2_resources_5371_c25","type":"Series","attributes":{"title":"Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c25","ref_ssm":["wvmturhc_repositories_2_resources_5371_c25"],"id":"wvmturhc_repositories_2_resources_5371_c25","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","parent_ssi":"wvmturhc_repositories_2_resources_5371","parent_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks"],"text":["James E. Davis, Artist, Papers and Artworks","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material","Box 2015/01/31 10 - 2015/01/31 12"],"title_filing_ssi":"Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material","title_ssm":["Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material"],"title_tesim":["Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material"],"unitdate_inclusive_ssm":["1914-1997, undated"],"normalized_date_ssm":["1914/1997"],"normalized_title_ssm":["Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":28,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":859,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["Box 2015/01/31 10 - 2015/01/31 12"],"_nest_path_":"/components#24","timestamp":"2026-04-30T23:14:22.348Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:14:22.348Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c25"}},{"id":"wvmturhc_repositories_2_resources_3133_c14","type":"Series","attributes":{"title":"Addendum of 2015/04/24","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3133_c14#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes photos and postcard of or regarding Pearl S. Buck as well as a signed letter.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3133_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3133_c14","ref_ssm":["wvmturhc_repositories_2_resources_3133_c14"],"id":"wvmturhc_repositories_2_resources_3133_c14","ead_ssi":"wvmturhc_repositories_2_resources_3133","_root_":"wvmturhc_repositories_2_resources_3133","_nest_parent_":"wvmturhc_repositories_2_resources_3133","parent_ssi":"wvmturhc_repositories_2_resources_3133","parent_ssim":["wvmturhc_repositories_2_resources_3133"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3133"],"parent_unittitles_ssm":["Pearl S. Buck, Author, Papers"],"parent_unittitles_tesim":["Pearl S. Buck, Author, Papers"],"text":["Pearl S. Buck, Author, Papers","Addendum of 2015/04/24","Box 14","Folder 14","Includes photos and postcard of or regarding Pearl S. Buck as well as a signed letter."],"title_filing_ssi":"Addendum of 2015/04/24","title_ssm":["Addendum of 2015/04/24"],"title_tesim":["Addendum of 2015/04/24"],"unitdate_inclusive_ssm":["1939-1988, undated"],"normalized_date_ssm":["1939/1988"],"normalized_title_ssm":["Addendum of 2015/04/24"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Pearl S. Buck, Author, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":355,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["Box 14","Folder 14"],"scopecontent_html_tesm":["\u003cp\u003eIncludes photos and postcard of or regarding Pearl S. Buck as well as a signed letter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes photos and postcard of or regarding Pearl S. Buck as well as a signed letter."],"_nest_path_":"/components#13","timestamp":"2026-04-30T23:23:30.867Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3133","ead_ssi":"wvmturhc_repositories_2_resources_3133","_root_":"wvmturhc_repositories_2_resources_3133","_nest_parent_":"wvmturhc_repositories_2_resources_3133","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3133.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209189","title_ssm":["Pearl S. Buck, Author, Papers"],"title_tesim":["Pearl S. Buck, Author, Papers"],"unitdate_ssm":["1921-2018 and undated","1933-1966 and undated"],"unitdate_bulk_ssim":["1933-1966 and undated"],"unitdate_inclusive_ssm":["1921-2018 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133"],"text":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133","Pearl S. Buck, Author, Papers","China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers.","Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States","No special access restriction applies.","Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.","Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel,  East Wind, West Wind,  was published in 1930. She published the bestselling and Pulitzer Prize-winning novel  The Good Earth  in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include  Sons  (1932),  A House Divided  (1935),  The First Wife and Other Stories  (1933),  All Men are Brothers  (1933, translation),  The Mother  (1934),  The Exile  (1936),  Fighting Angel  (1936), and  This Proud Heart  (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.","By 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include  Dragon Seed  (1942),  Pavilion of Women  (1946),  God's Men  (1951),  Come, My Beloved  (1953),  Imperial Woman  (1956),  Letter from Peking  (1957), and  The Living Reed  (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.","Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.","Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.","4052","Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. ","Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. ","Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. ","Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. ","Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. ","For additional Pearl Buck material, see A\u0026M 4052, Pearl S. Buck, Author, Literary Manuscripts. ","There are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. ","Series 1. Articles; circa 1937-1944; box 1 - box 2, folder 39. \nSeries 2. Book Reviews; undated; box 2, folder 40-51.  \nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7. \nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1. \nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B. \nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27. \nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32. \nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9. \nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10. \nSeries 10. James Comstock Collection; 1939-1970, undated; box 11. \nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14. \nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9. \nAddendum of 2006/05/22; 1948; box 34. \nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14. \nAddendum of 2015/05/08; 1921-1945; boxes 15-24. \nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19. \nAddendum of 2016/06/08; circa 2002; box 25. \nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3. \nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17. \nAddendum of 2017/07/17; 2017; box 25. \nAddendum of 2017/07/28; 1983; box 25, folder 3. \nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10. \nAddendum of 2017/08/22; 2010; box 26, folder 4. \nAddendum of 2018/02/27; 2015; box 26, folder 5. \nAddendum of 2018/05/23; undated; box 35, folder 4. \nAddendum of 2018/06/01; 1943-1962; box 35, folder 6. \nAddendum of 2018/08/16; 1932; box 35, folder 2. \nAddendum of 2018/08/17; 1942; box 35, folder 3. \nAddendum of 2019/02/18; 1973; box 29. \nAddendum of 2019/03/19; 2015-2018; boxes 30-31. \nAddendum of 2019/07/23; 2015-2018; boxes 32-33. \nAddendum of 2019/10/01; undated; box 34.  \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5. \nAddendum of 2021/03/07; September 2015; box 32, folder 1. \nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1.  \nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2.","Original signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026M 435, Rare Signatures.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","New York City Ballet","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966","English \n.    "],"unitid_tesim":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133"],"normalized_title_ssm":["Pearl S. Buck, Author, Papers"],"collection_title_tesim":["Pearl S. Buck, Author, Papers"],"collection_ssim":["Pearl S. Buck, Author, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"geogname_ssim":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"creator_ssm":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"creator_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"creator_persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum"],"creator_corpname_ssim":["New York City Ballet"],"creators_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"places_ssim":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Purchase from Apfelbaum, Charles, 1987/01/16\n---\nADD of 2006/05/22:  Purchase, Wolf's Head Books, 2006 May 22.\n---\nADD of 2018/05/23: Gift of Haden, Priscilla, 2018 May 23.\n---\nADD of 2018/06/01: Purchase, internet vendors, 2018 June.\n---\nADD of 2018/08/16: Purchase, Gregory, Jim, 2018 August.\n---\nADD of 2018/08/17: Purchase, Good, Kimberly, 2018 August.\n---\nADD of 2019/10/01: Purchase, Metcalf, Skip, 2019 October.\n---\nADD of 2020/08/17: Purchase, Lord Durham Rare Books, 2020 August.\n---\nADD of 2021/04/28: Gift of Musgrave, Grace, 2021 April 28."],"access_subjects_ssim":["Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"access_subjects_ssm":["Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["13.33 Linear Feet 13 ft. 4 in. (23 document cases, 5 in. each); (9 document cases, 2.5 in. each); (1 large flat storage box, 3.5 in.); (1 record carton, 15 in.); (1 large flat storage box, 3 in.); (1 large flat storage box, 1 in.)"],"extent_tesim":["13.33 Linear Feet 13 ft. 4 in. (23 document cases, 5 in. each); (9 document cases, 2.5 in. each); (1 large flat storage box, 3.5 in.); (1 record carton, 15 in.); (1 large flat storage box, 3 in.); (1 large flat storage box, 1 in.)"],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003ePearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.\u003c/p\u003e\n","\u003cp\u003ePearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind,\u003c/emph\u003e was published in 1930. She published the bestselling and Pulitzer Prize-winning novel \u003cemph render=\"italic\"\u003eThe Good Earth\u003c/emph\u003e in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include \u003cemph render=\"italic\"\u003eSons\u003c/emph\u003e (1932), \u003cemph render=\"italic\"\u003eA House Divided\u003c/emph\u003e (1935), \u003cemph render=\"italic\"\u003eThe First Wife and Other Stories\u003c/emph\u003e (1933), \u003cemph render=\"italic\"\u003eAll Men are Brothers\u003c/emph\u003e (1933, translation), \u003cemph render=\"italic\"\u003eThe Mother\u003c/emph\u003e (1934), \u003cemph render=\"italic\"\u003eThe Exile\u003c/emph\u003e (1936), \u003cemph render=\"italic\"\u003eFighting Angel\u003c/emph\u003e (1936), and \u003cemph render=\"italic\"\u003eThis Proud Heart\u003c/emph\u003e (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.\u003c/p\u003e\n","\u003cp\u003eBy 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include \u003cemph render=\"italic\"\u003eDragon Seed\u003c/emph\u003e (1942), \u003cemph render=\"italic\"\u003ePavilion of Women\u003c/emph\u003e (1946), \u003cemph render=\"italic\"\u003eGod's Men\u003c/emph\u003e (1951), \u003cemph render=\"italic\"\u003eCome, My Beloved\u003c/emph\u003e (1953), \u003cemph render=\"italic\"\u003eImperial Woman\u003c/emph\u003e (1956), \u003cemph render=\"italic\"\u003eLetter from Peking\u003c/emph\u003e (1957), and \u003cemph render=\"italic\"\u003eThe Living Reed\u003c/emph\u003e (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.\u003c/p\u003e\n","\u003cp\u003ePearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.\u003c/p\u003e\n","\u003cp\u003eRichard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.","Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel,  East Wind, West Wind,  was published in 1930. She published the bestselling and Pulitzer Prize-winning novel  The Good Earth  in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include  Sons  (1932),  A House Divided  (1935),  The First Wife and Other Stories  (1933),  All Men are Brothers  (1933, translation),  The Mother  (1934),  The Exile  (1936),  Fighting Angel  (1936), and  This Proud Heart  (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.","By 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include  Dragon Seed  (1942),  Pavilion of Women  (1946),  God's Men  (1951),  Come, My Beloved  (1953),  Imperial Woman  (1956),  Letter from Peking  (1957), and  The Living Reed  (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.","Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.","Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Papers, A\u0026amp;M 0727, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Papers, A\u0026M 0727, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e4052\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["4052"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. \u003c/p\u003e\n","\u003cp\u003eDating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. \u003c/p\u003e\n","\u003cp\u003eProminent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. \u003c/p\u003e\n","\u003cp\u003eProminent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. \u003c/p\u003e\n","\u003cp\u003eAddenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. \u003c/p\u003e\n","\u003cp\u003eFor additional Pearl Buck material, see A\u0026amp;M 4052, Pearl S. Buck, Author, Literary Manuscripts. \u003c/p\u003e\n","\u003cp\u003eThere are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. \u003c/p\u003e\n","\u003cp\u003eSeries 1. Articles; circa 1937-1944; box 1 - box 2, folder 39.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Book Reviews; undated; box 2, folder 40-51. \u003clb\u003e\u003c/lb\u003e\nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7.\u003clb\u003e\u003c/lb\u003e\nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10.\u003clb\u003e\u003c/lb\u003e\nSeries 10. James Comstock Collection; 1939-1970, undated; box 11.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2006/05/22; 1948; box 34.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/05/08; 1921-1945; boxes 15-24.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2016/06/08; circa 2002; box 25.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/07/17; 2017; box 25.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/07/28; 1983; box 25, folder 3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/08/22; 2010; box 26, folder 4.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/02/27; 2015; box 26, folder 5.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/05/23; undated; box 35, folder 4.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/06/01; 1943-1962; box 35, folder 6.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/08/16; 1932; box 35, folder 2.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/08/17; 1942; box 35, folder 3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/02/18; 1973; box 29.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/03/19; 2015-2018; boxes 30-31.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/07/23; 2015-2018; boxes 32-33.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/10/01; undated; box 34.\u003clb\u003e\u003c/lb\u003e \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2021/03/07; September 2015; box 32, folder 1.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1. \u003clb\u003e\u003c/lb\u003e\nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. ","Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. ","Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. ","Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. ","Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. ","For additional Pearl Buck material, see A\u0026M 4052, Pearl S. Buck, Author, Literary Manuscripts. ","There are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. ","Series 1. Articles; circa 1937-1944; box 1 - box 2, folder 39. \nSeries 2. Book Reviews; undated; box 2, folder 40-51.  \nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7. \nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1. \nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B. \nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27. \nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32. \nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9. \nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10. \nSeries 10. James Comstock Collection; 1939-1970, undated; box 11. \nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14. \nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9. \nAddendum of 2006/05/22; 1948; box 34. \nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14. \nAddendum of 2015/05/08; 1921-1945; boxes 15-24. \nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19. \nAddendum of 2016/06/08; circa 2002; box 25. \nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3. \nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17. \nAddendum of 2017/07/17; 2017; box 25. \nAddendum of 2017/07/28; 1983; box 25, folder 3. \nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10. \nAddendum of 2017/08/22; 2010; box 26, folder 4. \nAddendum of 2018/02/27; 2015; box 26, folder 5. \nAddendum of 2018/05/23; undated; box 35, folder 4. \nAddendum of 2018/06/01; 1943-1962; box 35, folder 6. \nAddendum of 2018/08/16; 1932; box 35, folder 2. \nAddendum of 2018/08/17; 1942; box 35, folder 3. \nAddendum of 2019/02/18; 1973; box 29. \nAddendum of 2019/03/19; 2015-2018; boxes 30-31. \nAddendum of 2019/07/23; 2015-2018; boxes 32-33. \nAddendum of 2019/10/01; undated; box 34.  \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5. \nAddendum of 2021/03/07; September 2015; box 32, folder 1. \nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1.  \nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2."],"separatedmaterial_html_tesm":["\u003cp\u003eOriginal signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026amp;M 435, Rare Signatures.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Original signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026M 435, Rare Signatures."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_333ae7a4aced96d0a9d85dffabb69677\"\u003ePapers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material.\u003c/abstract\u003e"],"abstract_tesim":["Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b80b18ed2fa6efaf420bb73ebeea23dd\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","New York City Ballet","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966"],"corpname_ssim":["West Virginia and Regional History Center","New York City Ballet"],"names_coll_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Hocking, William Ernest, 1873-1966"],"persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966"],"language_ssim":["English \n.    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Buck, Author, Papers"],"parent_unittitles_tesim":["Pearl S. Buck, Author, Papers"],"text":["Pearl S. Buck, Author, Papers","Addendum of 2015/05/08","Box 15-24","Contains 31 bound volumes of  Asia  magazine, with each of the magazines numbered volumes bound in two parts: volumes 21-22, 28-31, 33 part II, 34-40 part I, 43-44, and 45 part II."],"title_filing_ssi":"Addendum of 2015/05/08","title_ssm":["Addendum of 2015/05/08"],"title_tesim":["Addendum of 2015/05/08"],"unitdate_inclusive_ssm":["1921–1945"],"normalized_date_ssm":["1921/1945"],"normalized_title_ssm":["Addendum of 2015/05/08"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Pearl S. Buck, Author, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":357,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"containers_ssim":["Box 15-24"],"scopecontent_html_tesm":["\u003cp\u003eContains 31 bound volumes of \u003cemph render=\"italic\"\u003eAsia\u003c/emph\u003e magazine, with each of the magazines numbered volumes bound in two parts: volumes 21-22, 28-31, 33 part II, 34-40 part I, 43-44, and 45 part II.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains 31 bound volumes of  Asia  magazine, with each of the magazines numbered volumes bound in two parts: volumes 21-22, 28-31, 33 part II, 34-40 part I, 43-44, and 45 part II."],"_nest_path_":"/components#14","timestamp":"2026-04-30T23:23:30.867Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3133","ead_ssi":"wvmturhc_repositories_2_resources_3133","_root_":"wvmturhc_repositories_2_resources_3133","_nest_parent_":"wvmturhc_repositories_2_resources_3133","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3133.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209189","title_ssm":["Pearl S. Buck, Author, Papers"],"title_tesim":["Pearl S. Buck, Author, Papers"],"unitdate_ssm":["1921-2018 and undated","1933-1966 and undated"],"unitdate_bulk_ssim":["1933-1966 and undated"],"unitdate_inclusive_ssm":["1921-2018 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133"],"text":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133","Pearl S. Buck, Author, Papers","China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers.","Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States","No special access restriction applies.","Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.","Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel,  East Wind, West Wind,  was published in 1930. She published the bestselling and Pulitzer Prize-winning novel  The Good Earth  in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include  Sons  (1932),  A House Divided  (1935),  The First Wife and Other Stories  (1933),  All Men are Brothers  (1933, translation),  The Mother  (1934),  The Exile  (1936),  Fighting Angel  (1936), and  This Proud Heart  (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.","By 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include  Dragon Seed  (1942),  Pavilion of Women  (1946),  God's Men  (1951),  Come, My Beloved  (1953),  Imperial Woman  (1956),  Letter from Peking  (1957), and  The Living Reed  (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.","Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.","Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.","4052","Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. ","Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. ","Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. ","Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. ","Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. ","For additional Pearl Buck material, see A\u0026M 4052, Pearl S. Buck, Author, Literary Manuscripts. ","There are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. ","Series 1. Articles; circa 1937-1944; box 1 - box 2, folder 39. \nSeries 2. Book Reviews; undated; box 2, folder 40-51.  \nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7. \nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1. \nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B. \nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27. \nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32. \nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9. \nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10. \nSeries 10. James Comstock Collection; 1939-1970, undated; box 11. \nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14. \nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9. \nAddendum of 2006/05/22; 1948; box 34. \nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14. \nAddendum of 2015/05/08; 1921-1945; boxes 15-24. \nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19. \nAddendum of 2016/06/08; circa 2002; box 25. \nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3. \nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17. \nAddendum of 2017/07/17; 2017; box 25. \nAddendum of 2017/07/28; 1983; box 25, folder 3. \nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10. \nAddendum of 2017/08/22; 2010; box 26, folder 4. \nAddendum of 2018/02/27; 2015; box 26, folder 5. \nAddendum of 2018/05/23; undated; box 35, folder 4. \nAddendum of 2018/06/01; 1943-1962; box 35, folder 6. \nAddendum of 2018/08/16; 1932; box 35, folder 2. \nAddendum of 2018/08/17; 1942; box 35, folder 3. \nAddendum of 2019/02/18; 1973; box 29. \nAddendum of 2019/03/19; 2015-2018; boxes 30-31. \nAddendum of 2019/07/23; 2015-2018; boxes 32-33. \nAddendum of 2019/10/01; undated; box 34.  \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5. \nAddendum of 2021/03/07; September 2015; box 32, folder 1. \nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1.  \nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2.","Original signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026M 435, Rare Signatures.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","New York City Ballet","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966","English \n.    "],"unitid_tesim":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133"],"normalized_title_ssm":["Pearl S. Buck, Author, Papers"],"collection_title_tesim":["Pearl S. Buck, Author, Papers"],"collection_ssim":["Pearl S. Buck, Author, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"geogname_ssim":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"creator_ssm":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"creator_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"creator_persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum"],"creator_corpname_ssim":["New York City Ballet"],"creators_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"places_ssim":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Purchase from Apfelbaum, Charles, 1987/01/16\n---\nADD of 2006/05/22:  Purchase, Wolf's Head Books, 2006 May 22.\n---\nADD of 2018/05/23: Gift of Haden, Priscilla, 2018 May 23.\n---\nADD of 2018/06/01: Purchase, internet vendors, 2018 June.\n---\nADD of 2018/08/16: Purchase, Gregory, Jim, 2018 August.\n---\nADD of 2018/08/17: Purchase, Good, Kimberly, 2018 August.\n---\nADD of 2019/10/01: Purchase, Metcalf, Skip, 2019 October.\n---\nADD of 2020/08/17: Purchase, Lord Durham Rare Books, 2020 August.\n---\nADD of 2021/04/28: Gift of Musgrave, Grace, 2021 April 28."],"access_subjects_ssim":["Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"access_subjects_ssm":["Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["13.33 Linear Feet 13 ft. 4 in. (23 document cases, 5 in. each); (9 document cases, 2.5 in. each); (1 large flat storage box, 3.5 in.); (1 record carton, 15 in.); (1 large flat storage box, 3 in.); (1 large flat storage box, 1 in.)"],"extent_tesim":["13.33 Linear Feet 13 ft. 4 in. (23 document cases, 5 in. each); (9 document cases, 2.5 in. each); (1 large flat storage box, 3.5 in.); (1 record carton, 15 in.); (1 large flat storage box, 3 in.); (1 large flat storage box, 1 in.)"],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003ePearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.\u003c/p\u003e\n","\u003cp\u003ePearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind,\u003c/emph\u003e was published in 1930. She published the bestselling and Pulitzer Prize-winning novel \u003cemph render=\"italic\"\u003eThe Good Earth\u003c/emph\u003e in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include \u003cemph render=\"italic\"\u003eSons\u003c/emph\u003e (1932), \u003cemph render=\"italic\"\u003eA House Divided\u003c/emph\u003e (1935), \u003cemph render=\"italic\"\u003eThe First Wife and Other Stories\u003c/emph\u003e (1933), \u003cemph render=\"italic\"\u003eAll Men are Brothers\u003c/emph\u003e (1933, translation), \u003cemph render=\"italic\"\u003eThe Mother\u003c/emph\u003e (1934), \u003cemph render=\"italic\"\u003eThe Exile\u003c/emph\u003e (1936), \u003cemph render=\"italic\"\u003eFighting Angel\u003c/emph\u003e (1936), and \u003cemph render=\"italic\"\u003eThis Proud Heart\u003c/emph\u003e (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.\u003c/p\u003e\n","\u003cp\u003eBy 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include \u003cemph render=\"italic\"\u003eDragon Seed\u003c/emph\u003e (1942), \u003cemph render=\"italic\"\u003ePavilion of Women\u003c/emph\u003e (1946), \u003cemph render=\"italic\"\u003eGod's Men\u003c/emph\u003e (1951), \u003cemph render=\"italic\"\u003eCome, My Beloved\u003c/emph\u003e (1953), \u003cemph render=\"italic\"\u003eImperial Woman\u003c/emph\u003e (1956), \u003cemph render=\"italic\"\u003eLetter from Peking\u003c/emph\u003e (1957), and \u003cemph render=\"italic\"\u003eThe Living Reed\u003c/emph\u003e (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.\u003c/p\u003e\n","\u003cp\u003ePearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.\u003c/p\u003e\n","\u003cp\u003eRichard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.","Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel,  East Wind, West Wind,  was published in 1930. She published the bestselling and Pulitzer Prize-winning novel  The Good Earth  in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include  Sons  (1932),  A House Divided  (1935),  The First Wife and Other Stories  (1933),  All Men are Brothers  (1933, translation),  The Mother  (1934),  The Exile  (1936),  Fighting Angel  (1936), and  This Proud Heart  (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.","By 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include  Dragon Seed  (1942),  Pavilion of Women  (1946),  God's Men  (1951),  Come, My Beloved  (1953),  Imperial Woman  (1956),  Letter from Peking  (1957), and  The Living Reed  (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.","Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.","Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Papers, A\u0026amp;M 0727, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Papers, A\u0026M 0727, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e4052\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["4052"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. \u003c/p\u003e\n","\u003cp\u003eDating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. \u003c/p\u003e\n","\u003cp\u003eProminent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. \u003c/p\u003e\n","\u003cp\u003eProminent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. \u003c/p\u003e\n","\u003cp\u003eAddenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. \u003c/p\u003e\n","\u003cp\u003eFor additional Pearl Buck material, see A\u0026amp;M 4052, Pearl S. Buck, Author, Literary Manuscripts. \u003c/p\u003e\n","\u003cp\u003eThere are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. \u003c/p\u003e\n","\u003cp\u003eSeries 1. Articles; circa 1937-1944; box 1 - box 2, folder 39.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Book Reviews; undated; box 2, folder 40-51. \u003clb\u003e\u003c/lb\u003e\nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7.\u003clb\u003e\u003c/lb\u003e\nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10.\u003clb\u003e\u003c/lb\u003e\nSeries 10. James Comstock Collection; 1939-1970, undated; box 11.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2006/05/22; 1948; box 34.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/05/08; 1921-1945; boxes 15-24.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2016/06/08; circa 2002; box 25.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/07/17; 2017; box 25.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/07/28; 1983; box 25, folder 3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/08/22; 2010; box 26, folder 4.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/02/27; 2015; box 26, folder 5.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/05/23; undated; box 35, folder 4.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/06/01; 1943-1962; box 35, folder 6.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/08/16; 1932; box 35, folder 2.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/08/17; 1942; box 35, folder 3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/02/18; 1973; box 29.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/03/19; 2015-2018; boxes 30-31.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/07/23; 2015-2018; boxes 32-33.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/10/01; undated; box 34.\u003clb\u003e\u003c/lb\u003e \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2021/03/07; September 2015; box 32, folder 1.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1. \u003clb\u003e\u003c/lb\u003e\nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. ","Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. ","Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. ","Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. ","Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. ","For additional Pearl Buck material, see A\u0026M 4052, Pearl S. Buck, Author, Literary Manuscripts. ","There are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. ","Series 1. Articles; circa 1937-1944; box 1 - box 2, folder 39. \nSeries 2. Book Reviews; undated; box 2, folder 40-51.  \nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7. \nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1. \nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B. \nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27. \nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32. \nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9. \nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10. \nSeries 10. James Comstock Collection; 1939-1970, undated; box 11. \nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14. \nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9. \nAddendum of 2006/05/22; 1948; box 34. \nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14. \nAddendum of 2015/05/08; 1921-1945; boxes 15-24. \nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19. \nAddendum of 2016/06/08; circa 2002; box 25. \nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3. \nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17. \nAddendum of 2017/07/17; 2017; box 25. \nAddendum of 2017/07/28; 1983; box 25, folder 3. \nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10. \nAddendum of 2017/08/22; 2010; box 26, folder 4. \nAddendum of 2018/02/27; 2015; box 26, folder 5. \nAddendum of 2018/05/23; undated; box 35, folder 4. \nAddendum of 2018/06/01; 1943-1962; box 35, folder 6. \nAddendum of 2018/08/16; 1932; box 35, folder 2. \nAddendum of 2018/08/17; 1942; box 35, folder 3. \nAddendum of 2019/02/18; 1973; box 29. \nAddendum of 2019/03/19; 2015-2018; boxes 30-31. \nAddendum of 2019/07/23; 2015-2018; boxes 32-33. \nAddendum of 2019/10/01; undated; box 34.  \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5. \nAddendum of 2021/03/07; September 2015; box 32, folder 1. \nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1.  \nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2."],"separatedmaterial_html_tesm":["\u003cp\u003eOriginal signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026amp;M 435, Rare Signatures.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Original signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026M 435, Rare Signatures."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_333ae7a4aced96d0a9d85dffabb69677\"\u003ePapers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material.\u003c/abstract\u003e"],"abstract_tesim":["Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b80b18ed2fa6efaf420bb73ebeea23dd\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","New York City Ballet","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966"],"corpname_ssim":["West Virginia and Regional History Center","New York City Ballet"],"names_coll_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Hocking, William Ernest, 1873-1966"],"persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":401,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:23:30.867Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3133_c15"}},{"id":"wvmturhc_repositories_2_resources_5371_c26","type":"Series","attributes":{"title":"Addendum of 2015/08/17, Series 14. Photographs and Paintings","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c26#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c26","ref_ssm":["wvmturhc_repositories_2_resources_5371_c26"],"id":"wvmturhc_repositories_2_resources_5371_c26","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","parent_ssi":"wvmturhc_repositories_2_resources_5371","parent_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks"],"text":["James E. Davis, Artist, Papers and Artworks","Addendum of 2015/08/17, Series 14. Photographs and Paintings","Box 2015/08/17 1 - 2015/08/17 7 and unboxed"],"title_filing_ssi":"Addendum of 2015/08/17, Series 14. Photographs and Paintings","title_ssm":["Addendum of 2015/08/17, Series 14. Photographs and Paintings"],"title_tesim":["Addendum of 2015/08/17, Series 14. Photographs and Paintings"],"unitdate_inclusive_ssm":["1926-1970s, undated"],"normalized_date_ssm":["1926/1979"],"normalized_title_ssm":["Addendum of 2015/08/17, Series 14. Photographs and Paintings"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":24,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":888,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"containers_ssim":["Box 2015/08/17 1 - 2015/08/17 7 and unboxed"],"_nest_path_":"/components#25","timestamp":"2026-04-30T23:14:22.348Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. 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