{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=4","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=6","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=23"},"meta":{"pages":{"current_page":5,"next_page":6,"prev_page":4,"total_pages":23,"limit_value":10,"offset_value":40,"total_count":227,"first_page?":false,"last_page?":false}},"data":[{"id":"viur_repositories_4_resources_36","type":"collection","attributes":{"title":"Carl Van Vechten - Mark Lutz Collection, 1881/1980","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36#creator","type":"document_value","attributes":{"value":"Van Vechten, Carl, 1880-1964","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  ","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  ","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  ","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  ","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  ","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  ","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36"}},{"id":"viur_repositories_4_resources_36_c04_c01","type":"Sub-Series","attributes":{"title":"Carl Van Vechten, Personal, 1881/1958","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c04_c01","ref_ssm":["viur_repositories_4_resources_36_c04_c01"],"id":"viur_repositories_4_resources_36_c04_c01","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c04","parent_ssi":"viur_repositories_4_resources_36_c04","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c04"],"title_filing_ssi":"Carl Van Vechten, Personal","title_ssm":["Carl Van Vechten, Personal"],"title_tesim":["Carl Van Vechten, Personal"],"normalized_title_ssm":["Carl Van Vechten, Personal, 1881/1958"],"text":["Carl Van Vechten, Personal, 1881/1958","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms."],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963"],"normalized_date_ssm":["1881/1958"],"unitdate_inclusive_ssm":["1881-1958"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":301,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"has_online_content_ssim":["false"],"child_component_count_isi":15,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"scopecontent_html_tesm":["\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms."],"_nest_path_":"/components#3/components#0","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  ","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  ","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed Portrait of Mabel Dodge at the Villa Curonia, which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  ","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01"}},{"id":"viur_repositories_4_resources_18","type":"collection","attributes":{"title":"Civil War Collection, 1860/2012","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_18#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_18#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_18","ead_ssi":"viur_repositories_4_resources_18","_root_":"viur_repositories_4_resources_18","_nest_parent_":"viur_repositories_4_resources_18","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_18.xml","title_ssm":["Civil War Collection"],"title_tesim":["Civil War Collection"],"unitdate_ssm":["1860-2012"],"unitdate_inclusive_ssm":["1860-2012"],"normalized_date_ssm":["1860/2012"],"normalized_title_ssm":["Civil War Collection, 1860/2012"],"text":["Civil War Collection, 1860/2012","MS-13","/repositories/4/resources/18","Virginia","United States -- History -- Civil War, 1861-1865","Research","Communications, Military","Personal correspondence","Additional items may be added to this collection.","Transcriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included.","This collection is arranged in 8 series:","Series I: Battle of Gaines' Mill\nSeries II: William W. Bentley\nSeries III: Carte de Visites\nSeries IV: Albert M. Hayward\nSeries V: William McKinnon\nSeries VI: William C. and Amanda Morgan\nSeries VII: Thomas M. Walker\nSeries VIII: John C. Barns","Also known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.","Born in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.","Trained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.","William McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.","A printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.","Born in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.","A young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862.","Items in this collection were collected by and purchased from a private collector.","Items in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included.","The collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.","Processed by Erica Johnson.","MS-4 Lt. Henry L. Kinsey Collection\n\nMS-26 Civil War Era Naval Correspondence Collection","Series I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.","Series II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.","Series III, Carte de Visites, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"","Series IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.","Series V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.","Series VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.","Series VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.","Series VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry.","One oversize photograph is stored in Oversize Drawer #1.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design.","University of Richmond","English"],"collection_title_tesim":["Civil War Collection, 1860/2012"],"collection_ssim":["Civil War Collection, 1860/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-13","/repositories/4/resources/18"],"unitid_tesim":["MS-13","/repositories/4/resources/18"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Virginia","United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Virginia","United States -- History -- Civil War, 1861-1865"],"places_ssim":["Virginia","United States -- History -- Civil War, 1861-1865"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was purchased from a private collector in 2012."],"access_subjects_ssim":["Research","Communications, Military","Personal correspondence"],"access_subjects_ssm":["Research","Communications, Military","Personal correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accruals_html_tesm":["\u003cp\u003eAdditional items may be added to this collection.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Additional items may be added to this collection."],"altformavail_html_tesm":["\u003cp\u003eTranscriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Transcriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in 8 series:\u003c/p\u003e","\u003cp\u003eSeries I: Battle of Gaines' Mill\u003cbr\u003e\nSeries II: William W. Bentley\u003cbr\u003e\nSeries III: \u003cemph render=\"italics\"\u003eCarte de Visites\u003c/emph\u003e\u003cbr\u003e\nSeries IV: Albert M. Hayward\u003cbr\u003e\nSeries V: William McKinnon\u003cbr\u003e\nSeries VI: William C. and Amanda Morgan\u003cbr\u003e\nSeries VII: Thomas M. Walker\u003cbr\u003e\nSeries VIII: John C. Barns\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in 8 series:","Series I: Battle of Gaines' Mill\nSeries II: William W. Bentley\nSeries III: Carte de Visites\nSeries IV: Albert M. Hayward\nSeries V: William McKinnon\nSeries VI: William C. and Amanda Morgan\nSeries VII: Thomas M. Walker\nSeries VIII: John C. Barns"],"bioghist_html_tesm":["\u003cp\u003eAlso known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.\u003c/p\u003e","\u003cp\u003eBorn in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eTrained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.\u003c/p\u003e","\u003cp\u003eWilliam McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.\u003c/p\u003e","\u003cp\u003eA printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.\u003c/p\u003e","\u003cp\u003eBorn in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.\u003c/p\u003e","\u003cp\u003eA young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Also known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.","Born in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.","Trained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.","William McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.","A printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.","Born in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.","A young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862."],"custodhist_html_tesm":["\u003cp\u003eItems in this collection were collected by and purchased from a private collector.\u003c/p\u003e  ","\u003cp\u003eItems in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["Items in this collection were collected by and purchased from a private collector.","Items in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-13, Civil War Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-13, Civil War Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.\u003c/p\u003e","\u003cp\u003eProcessed by Erica Johnson.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.","Processed by Erica Johnson."],"relatedmaterial_html_tesm":["\u003cul\u003e\n\n\u003cli\u003eMS-4 \u003ca href=\"https://archives.richmond.edu/repositories/4/resources/3\"\u003eLt. Henry L. Kinsey Collection\u003c/a\u003e\u003c/li\u003e\n\n\u003cli\u003eMS-26 \u003ca href=\"https://archives.richmond.edu/repositories/4/resources/15\"\u003eCivil War Era Naval Correspondence Collection\u003c/a\u003e\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-4 Lt. Henry L. Kinsey Collection\n\nMS-26 Civil War Era Naval Correspondence Collection"],"scopecontent_html_tesm":["\u003cp\u003eSeries I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.\u003c/p\u003e","\u003cp\u003eSeries II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.\u003c/p\u003e","\u003cp\u003eSeries III, \u003cemph render=\"italics\"\u003eCarte de Visites\u003c/emph\u003e, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"\u003c/p\u003e","\u003cp\u003eSeries IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.\u003c/p\u003e","\u003cp\u003eSeries V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.\u003c/p\u003e","\u003cp\u003eSeries VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.\u003c/p\u003e","\u003cp\u003eSeries VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.\u003c/p\u003e","\u003cp\u003eSeries VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.","Series II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.","Series III, Carte de Visites, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"","Series IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.","Series V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.","Series VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.","Series VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.","Series VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry."],"separatedmaterial_html_tesm":["\u003cp\u003eOne oversize photograph is stored in Oversize Drawer #1.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["One oversize photograph is stored in Oversize Drawer #1."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46f87598275857997b08523fb989a95\"\u003eThis collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design."],"corpname_ssim":["University of Richmond"],"names_ssim":["University of Richmond"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_18","ead_ssi":"viur_repositories_4_resources_18","_root_":"viur_repositories_4_resources_18","_nest_parent_":"viur_repositories_4_resources_18","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_18.xml","title_ssm":["Civil War Collection"],"title_tesim":["Civil War Collection"],"unitdate_ssm":["1860-2012"],"unitdate_inclusive_ssm":["1860-2012"],"normalized_date_ssm":["1860/2012"],"normalized_title_ssm":["Civil War Collection, 1860/2012"],"text":["Civil War Collection, 1860/2012","MS-13","/repositories/4/resources/18","Virginia","United States -- History -- Civil War, 1861-1865","Research","Communications, Military","Personal correspondence","Additional items may be added to this collection.","Transcriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included.","This collection is arranged in 8 series:","Series I: Battle of Gaines' Mill\nSeries II: William W. Bentley\nSeries III: Carte de Visites\nSeries IV: Albert M. Hayward\nSeries V: William McKinnon\nSeries VI: William C. and Amanda Morgan\nSeries VII: Thomas M. Walker\nSeries VIII: John C. Barns","Also known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.","Born in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.","Trained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.","William McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.","A printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.","Born in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.","A young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862.","Items in this collection were collected by and purchased from a private collector.","Items in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included.","The collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.","Processed by Erica Johnson.","MS-4 Lt. Henry L. Kinsey Collection\n\nMS-26 Civil War Era Naval Correspondence Collection","Series I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.","Series II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.","Series III, Carte de Visites, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"","Series IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.","Series V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.","Series VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.","Series VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.","Series VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry.","One oversize photograph is stored in Oversize Drawer #1.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design.","University of Richmond","English"],"collection_title_tesim":["Civil War Collection, 1860/2012"],"collection_ssim":["Civil War Collection, 1860/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-13","/repositories/4/resources/18"],"unitid_tesim":["MS-13","/repositories/4/resources/18"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Virginia","United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Virginia","United States -- History -- Civil War, 1861-1865"],"places_ssim":["Virginia","United States -- History -- Civil War, 1861-1865"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was purchased from a private collector in 2012."],"access_subjects_ssim":["Research","Communications, Military","Personal correspondence"],"access_subjects_ssm":["Research","Communications, Military","Personal correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accruals_html_tesm":["\u003cp\u003eAdditional items may be added to this collection.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Additional items may be added to this collection."],"altformavail_html_tesm":["\u003cp\u003eTranscriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Transcriptions of most letters are available within the corresponding series. In some cases, prints created from digital images are also included."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in 8 series:\u003c/p\u003e","\u003cp\u003eSeries I: Battle of Gaines' Mill\u003cbr\u003e\nSeries II: William W. Bentley\u003cbr\u003e\nSeries III: \u003cemph render=\"italics\"\u003eCarte de Visites\u003c/emph\u003e\u003cbr\u003e\nSeries IV: Albert M. Hayward\u003cbr\u003e\nSeries V: William McKinnon\u003cbr\u003e\nSeries VI: William C. and Amanda Morgan\u003cbr\u003e\nSeries VII: Thomas M. Walker\u003cbr\u003e\nSeries VIII: John C. Barns\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in 8 series:","Series I: Battle of Gaines' Mill\nSeries II: William W. Bentley\nSeries III: Carte de Visites\nSeries IV: Albert M. Hayward\nSeries V: William McKinnon\nSeries VI: William C. and Amanda Morgan\nSeries VII: Thomas M. Walker\nSeries VIII: John C. Barns"],"bioghist_html_tesm":["\u003cp\u003eAlso known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.\u003c/p\u003e","\u003cp\u003eBorn in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eTrained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.\u003c/p\u003e","\u003cp\u003eWilliam McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.\u003c/p\u003e","\u003cp\u003eA printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.\u003c/p\u003e","\u003cp\u003eBorn in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.\u003c/p\u003e","\u003cp\u003eA young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Also known as the First Battle of Cold Harbor or the Battle of the Chicahominy River, the Battle of Gaines' Mill was the third in the 7-Days Battles of the Peninsula Campaign. Taking place on June 27, 1862, in Hanover County, Virginia, Gaines' Mill pitted the troops of General Robert E. Lee against those of Union Brigadier General Fitz John Porter. The battle was a critical juncture in saving the city of Richmond for the Confederacy during the early years of the Civil War.","Born in 1839, William Weldon Bentley was an 1860 graduate of VMI who studied under Thomas J. Jackson. As a VMI cadet, Bentley was present at the execution of John Brown. He joined the Confederate Army at the outbreak of the war and served in the 24th Virginia Infantry Regiment, leading a battalion during Pickett's Charge. Bentley died on July 23, 1924, and was buried in Hollywood Cemetery, Richmond, Virginia.","Trained as a wheelwright, Albert M. Hayward enlisted in the Massachusetts 7th Infantry as a private in late August 1862. In this service, Hayward participated in and was wounded at the Battle of Fredericksburg, from December 12-15, 1862. He mustered out in June 1864, when the term of service for the company expired.","William McKinnon was a North Carolina resident who enlisted with the North Carolina 26th Infantry as a Private in June 1861. He wrote a brief note to his father, Daniel McKinnon, on June 22, 1862, from Petersburg, Virginia, noting that he and some others were quite ill. McKinnon was later in the battles at Gettysburg in July 1863, where he was wounded and taken prisoner. He was late transferred to Point Lookout, Maryland, where he died in the hospital on December 6, 1863.","A printer by trade, William C. Morgan of Cornville, Maine, enlisted in the Maine 3rd Infantry on October 19, 1861. He was promoted to captain in September 1861 and Major in 1864. The 3rd Maine saw action at Bull Run in 1861 and 1862, as well as later involvements at Fair Oaks and Gettysburg as well as engagements throughout Virginia, including the 1864 Battle at North Anna, where Morgan was killed on May 23, 1864. Amanda (McClure) Morgan was born on June 14, 1835. The widow of Oliver Case and mother of one child, Amanda and William were parents to two children, Frank born in 1860, and Emma in 1862. Amanda passed away May 10, 1908.","Born in 1834 in Pennsylvania, Thomas McCormick Walker served as an officer with the 111th Pennsylvania Volunteer Infantry. Beginning as a Major in 1861, Walker led the regiment at Cedar Mountain and Antietam, where he was wounded. He went on to command at Gettysburg and eventually joined the Sherman's Atlanta campaign, earning his promotion to Colonel and eventually Brigadier General by 1865. The 111th Pennsylvania Volunteer Regiment was known as a powerful fighting unit throughout the Civil War and was the first to enter both Atlanta and Savannah under General Walker's command. In late May 1865, the 111th completed a march from Raleigh, North Carolina, to Richmond, Virginia. Walker mustered out on July 19, 1865.","A young gentleman from Germantown, Pennsylvania, John Barns joined the 71st Pennsylvania Infantry, Company B (California Regiment) in June 1861. During Spring 1862, the regiment took part in the Peninsular campaign, including fighting at Fair Oaks, Chickahominy, Savage Station, and White Oak Swamp, among others. Barnes was killed in action during the battle of White Oak Swamp on June 30, 1862."],"custodhist_html_tesm":["\u003cp\u003eItems in this collection were collected by and purchased from a private collector.\u003c/p\u003e  ","\u003cp\u003eItems in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["Items in this collection were collected by and purchased from a private collector.","Items in this collection were collected by and purchased from a private collector who also supplied transcriptions and research materials included."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-13, Civil War Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-13, Civil War Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.\u003c/p\u003e","\u003cp\u003eProcessed by Erica Johnson.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was removed from the binders it was initially stored in and organized in acid-free folders. The decision was made to maintain all the printed research and reference materials given with the collection as part of the collection itself and can be located within each individual series.","Processed by Erica Johnson."],"relatedmaterial_html_tesm":["\u003cul\u003e\n\n\u003cli\u003eMS-4 \u003ca href=\"https://archives.richmond.edu/repositories/4/resources/3\"\u003eLt. Henry L. Kinsey Collection\u003c/a\u003e\u003c/li\u003e\n\n\u003cli\u003eMS-26 \u003ca href=\"https://archives.richmond.edu/repositories/4/resources/15\"\u003eCivil War Era Naval Correspondence Collection\u003c/a\u003e\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-4 Lt. Henry L. Kinsey Collection\n\nMS-26 Civil War Era Naval Correspondence Collection"],"scopecontent_html_tesm":["\u003cp\u003eSeries I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.\u003c/p\u003e","\u003cp\u003eSeries II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.\u003c/p\u003e","\u003cp\u003eSeries III, \u003cemph render=\"italics\"\u003eCarte de Visites\u003c/emph\u003e, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"\u003c/p\u003e","\u003cp\u003eSeries IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.\u003c/p\u003e","\u003cp\u003eSeries V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.\u003c/p\u003e","\u003cp\u003eSeries VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.\u003c/p\u003e","\u003cp\u003eSeries VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.\u003c/p\u003e","\u003cp\u003eSeries VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I, the Battle of Gaines' Mill, contains a handwritten battle report dated July 7, 1862. A direct copy from the original draft, the document is signed by Lt. Robert P. Wilson, who served as AGG for General Joseph J. Bartlett, Brigade Commander, and by Charles Ellis, Bartlett's clerk. In addition to a detailed description of the battle itself, the document also contains several specific listings of casualties and injuries. A transcription and research materials are also included.","Series II, William W. Bentley, contains a four-page handwritten letter from William W. Bentley to his mother, dated July 15, 1863. In the letter, Bentley describes the events of the battle in some detail.  The series also contains a transcription of the letter as well as additional research materials on Bentley, including service and census records, and about Pickett's Charge and the 24th Virginia Calvary. Also included are a reproduction of a photograph of the Pulaski County Confederate Veterans and a published book on a later relative of Bentley's.","Series III, Carte de Visites, contains 2 items. The first photograph is a memorial depiction of Robert E. Lee, from Mosher's Historical Photography, Chicago, Illinois. The second item is a photograph labeled \"Confederate Commanders\" and copyrighted 1885. From the Notman Photo Co., Boston, MA., the back of the photograph is stamped \"with compliments of the Travelers Insurance Company of Hartford, Conn.\"","Series IV, Albert M. Hayward, contains a letter written by Hayward to his sister, Martha.  Written from camp near Fredericksburg and dated December 19, 1862, Hayward documents the battle describing movements in some detail. A transcription of the letter is included. Of additional interest is a file containing copies of Hayward's service and pension records, including statements documenting his blindness in one eye as a result of his Civil War injuries.","Series V, William McKinnon, contains a short letter written by McKinnon to his father in June 1862. A confederate soldier, McKinnon briefly documents his illness and need for money. A year later, McKinnon would be wounded and captured in the Battle of Gettysburg in July 1863, dying in a Maryland hospital later that year. The series also contains a transcription of the letter as well as research materials on McKinnon, other individuals he mentions (especially Noah Deaton), and general information about the 26th North Carolina.","Series VI, William C. and Amanda Morgan, contains three letters exchanged between husband and wife. Amanda's letters, most likely from late 1863, talk of daily events to her husband. William's letters to Amanda were written on May 9 and 13, 1864, just days before he was killed on May 23. Also included are transcriptions of William's letters, printed copies of the letters, and research materials on Morgan and the 3rd Maine.","Series VII, Thomas M. Walker, contains a letter written by Brigadier General Thomas McCormick Walker to his mother on June 1, 1865, just after the march through Richmond towards Washington, D.C. In the letter, he describes his feelings about his military service and the war in general as well as documenting the conditions he saw around them. In the letter, he also describes the battlefield scenes of Chancellorsville and Spotsylvania. Also in the series are a transcription of the letter and additional reference material on Walker and the 111th Pennsylvania Infantry.","Series VIII, John Barns, is the largest series of the collection. A period scrapbook contains 21 letters, the majority sent by Barns to his brother, and document most of Barns' career as a soldier. Also included in the series are transcriptions of the letters and additional reference materials on Barns and the 71st Pennsylvania Infantry."],"separatedmaterial_html_tesm":["\u003cp\u003eOne oversize photograph is stored in Oversize Drawer #1.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["One oversize photograph is stored in Oversize Drawer #1."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46f87598275857997b08523fb989a95\"\u003eThis collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains a sampling of Civil War correspondence referencing both Union and Confederate soldiers fighting throughout Virginia at various points during the Civil War. Individually acquired, the collection was created by a private collector, so the items were brought together as a collection by his design."],"corpname_ssim":["University of Richmond"],"names_ssim":["University of Richmond"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_18"}},{"id":"viur_repositories_4_resources_8_c06_c60","type":"File","attributes":{"title":"Clippings about J. M. Barrie \u0026 lecture by Roberts about Barrie, 1937","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_8_c06_c60#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_8_c06_c60","ref_ssm":["viur_repositories_4_resources_8_c06_c60"],"id":"viur_repositories_4_resources_8_c06_c60","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8_c06","parent_ssi":"viur_repositories_4_resources_8_c06","parent_ssim":["Marguerite Roberts Collection, 1924/1980","Series VI: General Research, 1874/1980"],"parent_ids_ssim":["viur_repositories_4_resources_8","viur_repositories_4_resources_8_c06"],"title_filing_ssi":"Clippings about J. M. Barrie \u0026 lecture by Roberts about Barrie","title_ssm":["Clippings about J. M. Barrie \u0026 lecture by Roberts about Barrie"],"title_tesim":["Clippings about J. M. Barrie \u0026 lecture by Roberts about Barrie"],"normalized_title_ssm":["Clippings about J. M. Barrie \u0026 lecture by Roberts about Barrie, 1937"],"text":["Clippings about J. M. Barrie \u0026 lecture by Roberts about Barrie, 1937","Marguerite Roberts Collection, 1924/1980","Series VI: General Research, 1874/1980","box 15 MS-9","folder 35"],"parent_unittitles_ssm":["Marguerite Roberts Collection, 1924/1980","Series VI: General Research, 1874/1980"],"parent_unittitles_tesim":["Marguerite Roberts Collection, 1924/1980","Series VI: General Research, 1874/1980"],"normalized_date_ssm":["1937"],"unitdate_other_ssim":["1937"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":278,"repository_ssim":["University of Richmond"],"collection_ssim":["Marguerite Roberts Collection, 1924/1980"],"containers_ssim":["box 15 MS-9","folder 35"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1937],"_nest_path_":"/components#5/components#59","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_8","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_8.xml","title_ssm":["Marguerite Roberts Collection"],"title_tesim":["Marguerite Roberts Collection"],"unitdate_ssm":["1924-1980"],"unitdate_inclusive_ssm":["1924-1980"],"normalized_date_ssm":["1924/1980"],"normalized_title_ssm":["Marguerite Roberts Collection, 1924/1980"],"text":["Marguerite Roberts Collection, 1924/1980","MS-9","/repositories/4/resources/8","Nonbook Materials","Photocopying","Clippings","Manuscripts","The collection is arranged into 8 series:","Series I: The Dynasts\nSeries II: Hardy's Dramatic Poetry and the Theater\nSeries III: Tess and the Theater\nSeries IV: Hardy and the Theater\nSeries V: Max Gate Circle\nSeries VI: General Research\nSeries VII: Manuscripts and Journals\nSeries VIII: Personal","Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled Thomas Hardy and the Theater. She continued with this theme in two of her scholarly publications, Tess in the Theater, 1950, and Hardy's Poetic Drama and the Theater, 1965. A third book, Florence Hardy and the Max Gate Circle, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the Journal of the Deans of Women, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.","Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.","The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the Westhampton College Oral Histories in audio and transcription.","This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse, The Dynasts. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work Hardy's Poetic Drama and Theater. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on Tess and the Theater, originally part of Roberts' dissertation. Hardy's book, Tess of the D'Urbervilles, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, Hardy and the Theater. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of Hardy and the Theater. (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, Thomas Hardy and the Theater; and her books, Tess and the Theater, Hardy's Poetic Drama and the Theater, and Florence Hardy and the Max Gate Circle, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.","University of Richmond","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937","English"],"collection_title_tesim":["Marguerite Roberts Collection, 1924/1980"],"collection_ssim":["Marguerite Roberts Collection, 1924/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-9","/repositories/4/resources/8"],"unitid_tesim":["MS-9","/repositories/4/resources/8"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"creator_corpname_ssim":["University of Richmond","Thomas Hardy Society"],"creators_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937","University of Richmond","Thomas Hardy Society"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"access_subjects_ssim":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"access_subjects_ssm":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"extent_tesim":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"genreform_ssim":["Clippings","Manuscripts"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series:\u003c/p\u003e","\u003cp\u003eSeries I: The Dynasts\u003cbr\u003e\nSeries II: Hardy's Dramatic Poetry and the Theater\u003cbr\u003e\nSeries III: Tess and the Theater\u003cbr\u003e\nSeries IV: Hardy and the Theater\u003cbr\u003e\nSeries V: Max Gate Circle\u003cbr\u003e\nSeries VI: General Research\u003cbr\u003e\nSeries VII: Manuscripts and Journals\u003cbr\u003e\nSeries VIII: Personal\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 8 series:","Series I: The Dynasts\nSeries II: Hardy's Dramatic Poetry and the Theater\nSeries III: Tess and the Theater\nSeries IV: Hardy and the Theater\nSeries V: Max Gate Circle\nSeries VI: General Research\nSeries VII: Manuscripts and Journals\nSeries VIII: Personal"],"bioghist_html_tesm":["\u003cp\u003eDr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.\u003c/p\u003e","\u003cp\u003eDr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.\u003c/p\u003e","\u003cp\u003eDr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e. She continued with this theme in two of her scholarly publications, \u003cemph render=\"italics\"\u003eTess in the Theater\u003c/emph\u003e, 1950, and \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and the Theater\u003c/emph\u003e, 1965. A third book, \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).\u003c/p\u003e","\u003cp\u003eDuring the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the \u003cemph render=\"italics\"\u003eJournal of the Deans of Women\u003c/emph\u003e, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled Thomas Hardy and the Theater. She continued with this theme in two of her scholarly publications, Tess in the Theater, 1950, and Hardy's Poetic Drama and the Theater, 1965. A third book, Florence Hardy and the Max Gate Circle, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the Journal of the Deans of Women, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate."],"relatedmaterial_html_tesm":["\u003cp\u003eThe rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the \u003ca href=\"https://richmond.access.preservica.com/uncategorized/SO_bd7ac587-3a3c-4c65-82dc-79217b000972/\"\u003eWesthampton College Oral Histories\u003c/a\u003e in audio and transcription.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the Westhampton College Oral Histories in audio and transcription."],"scopecontent_html_tesm":["\u003cp\u003eThis collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.\u003c/p\u003e","\u003cp\u003eSeries I, The Dynasts, contains materials relating to Hardy's drama in verse, \u003cemph render=\"italics\"\u003eThe Dynasts\u003c/emph\u003e. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)\u003c/p\u003e","\u003cp\u003eSeries II, Hardy's Dramatic Poetry and the Theater, focuses on the work \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and Theater\u003c/emph\u003e. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)\u003c/p\u003e","\u003cp\u003eSeries III, Tess and the Theater, includes materials on \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e, originally part of Roberts' dissertation. Hardy's book, \u003cemph render=\"italics\"\u003eTess of the D'Urbervilles\u003c/emph\u003e, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)\u003c/p\u003e","\u003cp\u003eSeries IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. (Boxes 6, 7, and 8)\u003c/p\u003e","\u003cp\u003eSeries V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)\u003c/p\u003e","\u003cp\u003eSeries VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)\u003c/p\u003e","\u003cp\u003eSeries VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)\u003c/p\u003e","\u003cp\u003eSeries VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse, The Dynasts. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work Hardy's Poetic Drama and Theater. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on Tess and the Theater, originally part of Roberts' dissertation. Hardy's book, Tess of the D'Urbervilles, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, Hardy and the Theater. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of Hardy and the Theater. (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5d14460ea85e1a2d844806d9fe01bc9a\"\u003eDr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e; and her books, \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e,\u003cemph render=\"italics\"\u003e Hardy's Poetic Drama and the Theater\u003c/emph\u003e, and \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.\u003c/abstract\u003e\n    "],"abstract_tesim":["Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, Thomas Hardy and the Theater; and her books, Tess and the Theater, Hardy's Poetic Drama and the Theater, and Florence Hardy and the Max Gate Circle, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers."],"corpname_ssim":["University of Richmond","Thomas Hardy Society"],"names_coll_ssim":["Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"names_ssim":["University of Richmond","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_8_c06_c60"}},{"id":"viur_repositories_4_resources_13_c42","type":"File","attributes":{"title":"Combretaceae, 1937","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_13_c42#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_13_c42","ref_ssm":["viur_repositories_4_resources_13_c42"],"id":"viur_repositories_4_resources_13_c42","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","parent_ssi":"viur_repositories_4_resources_13","parent_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_ids_ssim":["viur_repositories_4_resources_13"],"title_filing_ssi":"Combretaceae","title_ssm":["Combretaceae"],"title_tesim":["Combretaceae"],"normalized_title_ssm":["Combretaceae, 1937"],"text":["Combretaceae, 1937","W. H. Brown Botanical Drawings Collection, 1930/1939","Box 4","folder 7","Vasquez","The only named artist is Vasquez"],"parent_unittitles_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_unittitles_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"normalized_date_ssm":["1937"],"unitdate_other_ssim":["1937"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":193,"repository_ssim":["University of Richmond"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"extent_ssm":["21 Items"],"extent_tesim":["21 Items"],"containers_ssim":["Box 4","folder 7"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"famname_ssim":["Vasquez"],"names_ssim":["Vasquez"],"date_range_isim":[1937],"odd_html_tesm":["\u003cp\u003eThe only named artist is \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The only named artist is Vasquez"],"_nest_path_":"/components#41","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_13","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_13.xml","title_ssm":["W. H. Brown Botanical Drawings Collection"],"title_tesim":["W. H. Brown Botanical Drawings Collection"],"unitdate_ssm":["1930-1939"],"unitdate_inclusive_ssm":["1930-1939"],"normalized_date_ssm":["1930/1939"],"normalized_title_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"text":["W. H. Brown Botanical Drawings Collection, 1930/1939","MS-23","/repositories/4/resources/13","Plants in art","Botanical illustration","There are no restrictions on accessing material in this collection.","This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.","These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.","The dates mentioned are 1937; the artists and  other names are R. Graham, J Galvante; one drawing labeled on the back as dill looks like fennel","The only named artists are RIT, J Galvante, Yatco","The only named artist is Stella Dernoga","The only named artist is CZ","\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"","The only named artist is Stella Dernoga","The only named artist is Santiago","Notes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea","Named artists are J Galvante, Chris Mikolaitis, H Vasquez, RIT","these are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae","Named artists are Cruz, R. ICO, Galvante, Santiago","Named artists are Santiago, Cruz, Galvante\nNote some of the Plumeria names are invalid","note: \"Los Banos Target range\"","One tiny illustration unidentified, partial label on back says \"thopana\"","Named artists are Dernoga, Santiago, Cruz","The only named artist is Galvante","Named artists are RIT, Vasquez, Yatco\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"","The only named artist is RIT\nnotes: Baguio City, Philippines mentioned \"from Baguio\"","The only named artist is Galvante","Named artists are Grace Parker, Chris Mikolautis, Stella Dernoga","labeled \"from Phillippines\"","The only named artist is Vasquez","\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"","also labeled \"Kapok\"","some of these glued down to a sheet of paper, not ready to pop off","\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"","four pieces glued together","The only named artist is Stella Dergona","Named artists are Vasquez, Galvante, CZ\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"","The only named artist is Santiago","Notes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder","The only named artist is Chris Mikolaitis","Although widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae","The only named artist is Vasquez","names: Santiago, RIT, Vasquez, Galvante","Baguinio- Mt. Prov., one goldenrod drawing is very creased","Named artists are Galvante, Iananaco, Cruz, Vasquez","Brassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage","Named artists are Galvante, RIT","most labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant","The only named artist is Vasquez","The only named artist is Vasquez","one drawing says \"from Miyazaki\" a city in Japan","The only named artist is Galavante","The only named artist is Chris Mikolaitis","Names: Chris Mikolaitis","Named artists are Galvanteand Santiago","The only named artist is Yacto/Hatco","Named artists are M.T. Cruz, Chris Mikolaitis, Stella Dervoga","new name Rhododendron japonicum (A. Gray) Sur.","this plant is now  sometimes classified as part of the Saxifragacea family","Named artists are Galvante, Yateo, Vasquez, Santiago","The only named artist is Stella Dernoga","The only named artist is Santiago","New family Salicaeae","new family Salicaeae","New family Salicaeae","New family Achariaceae","New family Salicaeae?","The only named artists are Cruz, Santiago, Vasquez","interesting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium","Named artists are Cruz, Vasquez\nnotes: Allopectus should actually be Alloplectus?","accepted name Agalmyla chorisepala","one oversize","2 Ink by Yatco, Aug 1937","1 ink/sketch by Galavante, Aug 27-28/1937\n1 ink by Yatco, Aug 27/1937","Plus one info sheet, not counted","The only named artist is Chris Mikolaitis","Named artists are RIT, Vasquez","dates: 8/10/37, 8/3/37","The only named artist is Galvante","The only named artist is Chris Mikolaitis","Named artists are Stella Dernoga, Chris Mikolaitis, Parker, Larkspur, Grace Parker","The only named artist is Cruz","These files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold.","Indexed and moved to Vault with rest of the collection, labeled as Box 14","Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.","This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.","University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur","English\n      Latin"],"collection_title_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-23","/repositories/4/resources/13"],"unitid_tesim":["MS-23","/repositories/4/resources/13"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_corpname_ssim":["University of Richmond"],"creator_famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"creators_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated to the library by Dr. John Hayden, Professor of Biology, University of Richmond"],"access_subjects_ssim":["Plants in art","Botanical illustration"],"access_subjects_ssm":["Plants in art","Botanical illustration"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet"],"extent_tesim":["13 Linear Feet"],"genreform_ssim":["Botanical illustration"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThese drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics."],"odd_html_tesm":["\u003cp\u003eThe dates mentioned are 1937; the artists and  other names are \u003cfamname\u003eR. Graham\u003c/famname\u003e, \u003cfamname\u003eJ Galvante\u003c/famname\u003e; one drawing labeled on the back as dill looks like fennel\u003c/p\u003e","\u003cp\u003eThe only named artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eJ Galvante\u003c/famname\u003e, \u003cfamname\u003eYatco\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eCZ\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003e\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNotes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eJ Galvante\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eH Vasquez\u003c/famname\u003e, \u003cfamname\u003eRIT\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003ethese are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eCruz\u003c/famname\u003e, R. \u003cfamname\u003eICO\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e\nNote some of the Plumeria names are invalid\u003c/p\u003e","\u003cp\u003enote: \"Los Banos Target range\"\u003c/p\u003e","\u003cp\u003eOne tiny illustration unidentified, partial label on back says \"thopana\"\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eDernoga\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eYatco\u003c/famname\u003e\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eRIT\u003c/famname\u003e\nnotes: Baguio City, Philippines mentioned \"from Baguio\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are\u003cfamname\u003e Grace Parker\u003c/famname\u003e, \u003cfamname\u003eChris Mikolautis\u003c/famname\u003e, \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003elabeled \"from Phillippines\"\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003e\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"\u003c/p\u003e","\u003cp\u003ealso labeled \"Kapok\"\u003c/p\u003e","\u003cp\u003esome of these glued down to a sheet of paper, not ready to pop off\u003c/p\u003e","\u003cp\u003e\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"\u003c/p\u003e","\u003cp\u003efour pieces glued together\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dergona\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eCZ\u003c/famname\u003e\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNotes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eAlthough widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003enames: Santiago, RIT, Vasquez, Galvante\u003c/p\u003e","\u003cp\u003eBaguinio- Mt. Prov., one goldenrod drawing is very creased\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eIananaco\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eBrassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eRIT\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003emost labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003eone drawing says \"from Miyazaki\" a city in Japan\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalavante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNames: Chris Mikolaitis\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003eand \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is Yacto/Hatco\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eM.T.\u003c/famname\u003e \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eStella Dervoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003enew name Rhododendron japonicum (A. Gray) Sur.\u003c/p\u003e","\u003cp\u003ethis plant is now  sometimes classified as part of the Saxifragacea family\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eYateo\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNew family Salicaeae\u003c/p\u003e","\u003cp\u003enew family Salicaeae\u003c/p\u003e","\u003cp\u003eNew family Salicaeae\u003c/p\u003e","\u003cp\u003eNew family Achariaceae\u003c/p\u003e","\u003cp\u003eNew family Salicaeae?\u003c/p\u003e","\u003cp\u003eThe only named artists are \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003einteresting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\nnotes: Allopectus should actually be Alloplectus?\u003c/p\u003e","\u003cp\u003eaccepted name Agalmyla chorisepala\u003c/p\u003e","\u003cp\u003eone oversize\u003c/p\u003e","\u003cp\u003e2 Ink by \u003cfamname\u003eYatco\u003c/famname\u003e, Aug 1937\u003c/p\u003e","\u003cp\u003e1 ink/sketch by \u003cfamname\u003eGalavante\u003c/famname\u003e, Aug 27-28/1937\n1 ink by \u003cfamname\u003eYatco\u003c/famname\u003e, Aug 27/1937\u003c/p\u003e","\u003cp\u003ePlus one info sheet, not counted\u003c/p\u003e","\u003cp\u003eThe only named artist is Chris \u003cfamname\u003eMikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003edates: 8/10/37, 8/3/37\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is Chris \u003cfamname\u003eMikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eStella Dernoga\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eParker\u003c/famname\u003e, \u003cfamname\u003eLarkspur\u003c/famname\u003e, \u003cfamname\u003eGrace Parker\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eCruz\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThese files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold. \u003c/p\u003e","\u003cp\u003eIndexed and moved to Vault with rest of the collection, labeled as Box 14\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The dates mentioned are 1937; the artists and  other names are R. Graham, J Galvante; one drawing labeled on the back as dill looks like fennel","The only named artists are RIT, J Galvante, Yatco","The only named artist is Stella Dernoga","The only named artist is CZ","\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"","The only named artist is Stella Dernoga","The only named artist is Santiago","Notes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea","Named artists are J Galvante, Chris Mikolaitis, H Vasquez, RIT","these are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae","Named artists are Cruz, R. ICO, Galvante, Santiago","Named artists are Santiago, Cruz, Galvante\nNote some of the Plumeria names are invalid","note: \"Los Banos Target range\"","One tiny illustration unidentified, partial label on back says \"thopana\"","Named artists are Dernoga, Santiago, Cruz","The only named artist is Galvante","Named artists are RIT, Vasquez, Yatco\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"","The only named artist is RIT\nnotes: Baguio City, Philippines mentioned \"from Baguio\"","The only named artist is Galvante","Named artists are Grace Parker, Chris Mikolautis, Stella Dernoga","labeled \"from Phillippines\"","The only named artist is Vasquez","\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"","also labeled \"Kapok\"","some of these glued down to a sheet of paper, not ready to pop off","\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"","four pieces glued together","The only named artist is Stella Dergona","Named artists are Vasquez, Galvante, CZ\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"","The only named artist is Santiago","Notes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder","The only named artist is Chris Mikolaitis","Although widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae","The only named artist is Vasquez","names: Santiago, RIT, Vasquez, Galvante","Baguinio- Mt. Prov., one goldenrod drawing is very creased","Named artists are Galvante, Iananaco, Cruz, Vasquez","Brassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage","Named artists are Galvante, RIT","most labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant","The only named artist is Vasquez","The only named artist is Vasquez","one drawing says \"from Miyazaki\" a city in Japan","The only named artist is Galavante","The only named artist is Chris Mikolaitis","Names: Chris Mikolaitis","Named artists are Galvanteand Santiago","The only named artist is Yacto/Hatco","Named artists are M.T. Cruz, Chris Mikolaitis, Stella Dervoga","new name Rhododendron japonicum (A. Gray) Sur.","this plant is now  sometimes classified as part of the Saxifragacea family","Named artists are Galvante, Yateo, Vasquez, Santiago","The only named artist is Stella Dernoga","The only named artist is Santiago","New family Salicaeae","new family Salicaeae","New family Salicaeae","New family Achariaceae","New family Salicaeae?","The only named artists are Cruz, Santiago, Vasquez","interesting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium","Named artists are Cruz, Vasquez\nnotes: Allopectus should actually be Alloplectus?","accepted name Agalmyla chorisepala","one oversize","2 Ink by Yatco, Aug 1937","1 ink/sketch by Galavante, Aug 27-28/1937\n1 ink by Yatco, Aug 27/1937","Plus one info sheet, not counted","The only named artist is Chris Mikolaitis","Named artists are RIT, Vasquez","dates: 8/10/37, 8/3/37","The only named artist is Galvante","The only named artist is Chris Mikolaitis","Named artists are Stella Dernoga, Chris Mikolaitis, Parker, Larkspur, Grace Parker","The only named artist is Cruz","These files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold.","Indexed and moved to Vault with rest of the collection, labeled as Box 14"],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eMuch of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_292b1d89c62a3ee6826c4ddfb3eb795a\"\u003eThis collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names."],"corpname_ssim":["University of Richmond"],"famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"names_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"language_ssim":["English\n      Latin"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_13_c42"}},{"id":"viur_repositories_4_resources_13_c44","type":"File","attributes":{"title":"Compositae Pt. 1, 1937","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_13_c44#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_13_c44","ref_ssm":["viur_repositories_4_resources_13_c44"],"id":"viur_repositories_4_resources_13_c44","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","parent_ssi":"viur_repositories_4_resources_13","parent_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_ids_ssim":["viur_repositories_4_resources_13"],"title_filing_ssi":"Compositae Pt. 1","title_ssm":["Compositae Pt. 1"],"title_tesim":["Compositae Pt. 1"],"normalized_title_ssm":["Compositae Pt. 1, 1937"],"text":["Compositae Pt. 1, 1937","W. H. Brown Botanical Drawings Collection, 1930/1939","Box 4","folder 9"],"parent_unittitles_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_unittitles_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"normalized_date_ssm":["1937"],"unitdate_other_ssim":["1937"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":202,"repository_ssim":["University of Richmond"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"extent_ssm":["43 Items"],"extent_tesim":["43 Items"],"containers_ssim":["Box 4","folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1937],"_nest_path_":"/components#43","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_13","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_13.xml","title_ssm":["W. H. Brown Botanical Drawings Collection"],"title_tesim":["W. H. Brown Botanical Drawings Collection"],"unitdate_ssm":["1930-1939"],"unitdate_inclusive_ssm":["1930-1939"],"normalized_date_ssm":["1930/1939"],"normalized_title_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"text":["W. H. Brown Botanical Drawings Collection, 1930/1939","MS-23","/repositories/4/resources/13","Plants in art","Botanical illustration","There are no restrictions on accessing material in this collection.","This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.","These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.","The dates mentioned are 1937; the artists and  other names are R. Graham, J Galvante; one drawing labeled on the back as dill looks like fennel","The only named artists are RIT, J Galvante, Yatco","The only named artist is Stella Dernoga","The only named artist is CZ","\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"","The only named artist is Stella Dernoga","The only named artist is Santiago","Notes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea","Named artists are J Galvante, Chris Mikolaitis, H Vasquez, RIT","these are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae","Named artists are Cruz, R. ICO, Galvante, Santiago","Named artists are Santiago, Cruz, Galvante\nNote some of the Plumeria names are invalid","note: \"Los Banos Target range\"","One tiny illustration unidentified, partial label on back says \"thopana\"","Named artists are Dernoga, Santiago, Cruz","The only named artist is Galvante","Named artists are RIT, Vasquez, Yatco\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"","The only named artist is RIT\nnotes: Baguio City, Philippines mentioned \"from Baguio\"","The only named artist is Galvante","Named artists are Grace Parker, Chris Mikolautis, Stella Dernoga","labeled \"from Phillippines\"","The only named artist is Vasquez","\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"","also labeled \"Kapok\"","some of these glued down to a sheet of paper, not ready to pop off","\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"","four pieces glued together","The only named artist is Stella Dergona","Named artists are Vasquez, Galvante, CZ\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"","The only named artist is Santiago","Notes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder","The only named artist is Chris Mikolaitis","Although widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae","The only named artist is Vasquez","names: Santiago, RIT, Vasquez, Galvante","Baguinio- Mt. Prov., one goldenrod drawing is very creased","Named artists are Galvante, Iananaco, Cruz, Vasquez","Brassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage","Named artists are Galvante, RIT","most labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant","The only named artist is Vasquez","The only named artist is Vasquez","one drawing says \"from Miyazaki\" a city in Japan","The only named artist is Galavante","The only named artist is Chris Mikolaitis","Names: Chris Mikolaitis","Named artists are Galvanteand Santiago","The only named artist is Yacto/Hatco","Named artists are M.T. Cruz, Chris Mikolaitis, Stella Dervoga","new name Rhododendron japonicum (A. Gray) Sur.","this plant is now  sometimes classified as part of the Saxifragacea family","Named artists are Galvante, Yateo, Vasquez, Santiago","The only named artist is Stella Dernoga","The only named artist is Santiago","New family Salicaeae","new family Salicaeae","New family Salicaeae","New family Achariaceae","New family Salicaeae?","The only named artists are Cruz, Santiago, Vasquez","interesting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium","Named artists are Cruz, Vasquez\nnotes: Allopectus should actually be Alloplectus?","accepted name Agalmyla chorisepala","one oversize","2 Ink by Yatco, Aug 1937","1 ink/sketch by Galavante, Aug 27-28/1937\n1 ink by Yatco, Aug 27/1937","Plus one info sheet, not counted","The only named artist is Chris Mikolaitis","Named artists are RIT, Vasquez","dates: 8/10/37, 8/3/37","The only named artist is Galvante","The only named artist is Chris Mikolaitis","Named artists are Stella Dernoga, Chris Mikolaitis, Parker, Larkspur, Grace Parker","The only named artist is Cruz","These files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold.","Indexed and moved to Vault with rest of the collection, labeled as Box 14","Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.","This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.","University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur","English\n      Latin"],"collection_title_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-23","/repositories/4/resources/13"],"unitid_tesim":["MS-23","/repositories/4/resources/13"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_corpname_ssim":["University of Richmond"],"creator_famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"creators_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated to the library by Dr. John Hayden, Professor of Biology, University of Richmond"],"access_subjects_ssim":["Plants in art","Botanical illustration"],"access_subjects_ssm":["Plants in art","Botanical illustration"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet"],"extent_tesim":["13 Linear Feet"],"genreform_ssim":["Botanical illustration"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThese drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics."],"odd_html_tesm":["\u003cp\u003eThe dates mentioned are 1937; the artists and  other names are \u003cfamname\u003eR. Graham\u003c/famname\u003e, \u003cfamname\u003eJ Galvante\u003c/famname\u003e; one drawing labeled on the back as dill looks like fennel\u003c/p\u003e","\u003cp\u003eThe only named artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eJ Galvante\u003c/famname\u003e, \u003cfamname\u003eYatco\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eCZ\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003e\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNotes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eJ Galvante\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eH Vasquez\u003c/famname\u003e, \u003cfamname\u003eRIT\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003ethese are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eCruz\u003c/famname\u003e, R. \u003cfamname\u003eICO\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e\nNote some of the Plumeria names are invalid\u003c/p\u003e","\u003cp\u003enote: \"Los Banos Target range\"\u003c/p\u003e","\u003cp\u003eOne tiny illustration unidentified, partial label on back says \"thopana\"\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eDernoga\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eYatco\u003c/famname\u003e\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eRIT\u003c/famname\u003e\nnotes: Baguio City, Philippines mentioned \"from Baguio\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are\u003cfamname\u003e Grace Parker\u003c/famname\u003e, \u003cfamname\u003eChris Mikolautis\u003c/famname\u003e, \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003elabeled \"from Phillippines\"\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003e\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"\u003c/p\u003e","\u003cp\u003ealso labeled \"Kapok\"\u003c/p\u003e","\u003cp\u003esome of these glued down to a sheet of paper, not ready to pop off\u003c/p\u003e","\u003cp\u003e\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"\u003c/p\u003e","\u003cp\u003efour pieces glued together\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dergona\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eCZ\u003c/famname\u003e\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNotes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eAlthough widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003enames: Santiago, RIT, Vasquez, Galvante\u003c/p\u003e","\u003cp\u003eBaguinio- Mt. Prov., one goldenrod drawing is very creased\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eIananaco\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eBrassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eRIT\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003emost labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003eone drawing says \"from Miyazaki\" a city in Japan\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalavante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNames: Chris Mikolaitis\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003eand \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is Yacto/Hatco\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eM.T.\u003c/famname\u003e \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eStella Dervoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003enew name Rhododendron japonicum (A. Gray) Sur.\u003c/p\u003e","\u003cp\u003ethis plant is now  sometimes classified as part of the Saxifragacea family\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eYateo\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNew family Salicaeae\u003c/p\u003e","\u003cp\u003enew family Salicaeae\u003c/p\u003e","\u003cp\u003eNew family Salicaeae\u003c/p\u003e","\u003cp\u003eNew family Achariaceae\u003c/p\u003e","\u003cp\u003eNew family Salicaeae?\u003c/p\u003e","\u003cp\u003eThe only named artists are \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003einteresting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\nnotes: Allopectus should actually be Alloplectus?\u003c/p\u003e","\u003cp\u003eaccepted name Agalmyla chorisepala\u003c/p\u003e","\u003cp\u003eone oversize\u003c/p\u003e","\u003cp\u003e2 Ink by \u003cfamname\u003eYatco\u003c/famname\u003e, Aug 1937\u003c/p\u003e","\u003cp\u003e1 ink/sketch by \u003cfamname\u003eGalavante\u003c/famname\u003e, Aug 27-28/1937\n1 ink by \u003cfamname\u003eYatco\u003c/famname\u003e, Aug 27/1937\u003c/p\u003e","\u003cp\u003ePlus one info sheet, not counted\u003c/p\u003e","\u003cp\u003eThe only named artist is Chris \u003cfamname\u003eMikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003edates: 8/10/37, 8/3/37\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is Chris \u003cfamname\u003eMikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eStella Dernoga\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eParker\u003c/famname\u003e, \u003cfamname\u003eLarkspur\u003c/famname\u003e, \u003cfamname\u003eGrace Parker\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eCruz\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThese files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold. \u003c/p\u003e","\u003cp\u003eIndexed and moved to Vault with rest of the collection, labeled as Box 14\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The dates mentioned are 1937; the artists and  other names are R. Graham, J Galvante; one drawing labeled on the back as dill looks like fennel","The only named artists are RIT, J Galvante, Yatco","The only named artist is Stella Dernoga","The only named artist is CZ","\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"","The only named artist is Stella Dernoga","The only named artist is Santiago","Notes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea","Named artists are J Galvante, Chris Mikolaitis, H Vasquez, RIT","these are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae","Named artists are Cruz, R. ICO, Galvante, Santiago","Named artists are Santiago, Cruz, Galvante\nNote some of the Plumeria names are invalid","note: \"Los Banos Target range\"","One tiny illustration unidentified, partial label on back says \"thopana\"","Named artists are Dernoga, Santiago, Cruz","The only named artist is Galvante","Named artists are RIT, Vasquez, Yatco\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"","The only named artist is RIT\nnotes: Baguio City, Philippines mentioned \"from Baguio\"","The only named artist is Galvante","Named artists are Grace Parker, Chris Mikolautis, Stella Dernoga","labeled \"from Phillippines\"","The only named artist is Vasquez","\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"","also labeled \"Kapok\"","some of these glued down to a sheet of paper, not ready to pop off","\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"","four pieces glued together","The only named artist is Stella Dergona","Named artists are Vasquez, Galvante, CZ\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"","The only named artist is Santiago","Notes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder","The only named artist is Chris Mikolaitis","Although widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae","The only named artist is Vasquez","names: Santiago, RIT, Vasquez, Galvante","Baguinio- Mt. Prov., one goldenrod drawing is very creased","Named artists are Galvante, Iananaco, Cruz, Vasquez","Brassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage","Named artists are Galvante, RIT","most labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant","The only named artist is Vasquez","The only named artist is Vasquez","one drawing says \"from Miyazaki\" a city in Japan","The only named artist is Galavante","The only named artist is Chris Mikolaitis","Names: Chris Mikolaitis","Named artists are Galvanteand Santiago","The only named artist is Yacto/Hatco","Named artists are M.T. Cruz, Chris Mikolaitis, Stella Dervoga","new name Rhododendron japonicum (A. Gray) Sur.","this plant is now  sometimes classified as part of the Saxifragacea family","Named artists are Galvante, Yateo, Vasquez, Santiago","The only named artist is Stella Dernoga","The only named artist is Santiago","New family Salicaeae","new family Salicaeae","New family Salicaeae","New family Achariaceae","New family Salicaeae?","The only named artists are Cruz, Santiago, Vasquez","interesting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium","Named artists are Cruz, Vasquez\nnotes: Allopectus should actually be Alloplectus?","accepted name Agalmyla chorisepala","one oversize","2 Ink by Yatco, Aug 1937","1 ink/sketch by Galavante, Aug 27-28/1937\n1 ink by Yatco, Aug 27/1937","Plus one info sheet, not counted","The only named artist is Chris Mikolaitis","Named artists are RIT, Vasquez","dates: 8/10/37, 8/3/37","The only named artist is Galvante","The only named artist is Chris Mikolaitis","Named artists are Stella Dernoga, Chris Mikolaitis, Parker, Larkspur, Grace Parker","The only named artist is Cruz","These files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold.","Indexed and moved to Vault with rest of the collection, labeled as Box 14"],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eMuch of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_292b1d89c62a3ee6826c4ddfb3eb795a\"\u003eThis collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names."],"corpname_ssim":["University of Richmond"],"famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"names_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"language_ssim":["English\n      Latin"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_13_c44"}},{"id":"viur_repositories_4_resources_13_c45","type":"File","attributes":{"title":"Compositae Pt. 2, 1937","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_13_c45#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_13_c45","ref_ssm":["viur_repositories_4_resources_13_c45"],"id":"viur_repositories_4_resources_13_c45","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","parent_ssi":"viur_repositories_4_resources_13","parent_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_ids_ssim":["viur_repositories_4_resources_13"],"title_filing_ssi":"Compositae Pt. 2","title_ssm":["Compositae Pt. 2"],"title_tesim":["Compositae Pt. 2"],"normalized_title_ssm":["Compositae Pt. 2, 1937"],"text":["Compositae Pt. 2, 1937","W. H. Brown Botanical Drawings Collection, 1930/1939","Box 4","folder 10","names: Santiago, RIT, Vasquez, Galvante","Baguinio- Mt. Prov., one goldenrod drawing is very creased"],"parent_unittitles_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_unittitles_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"normalized_date_ssm":["1937"],"unitdate_other_ssim":["1937"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":214,"repository_ssim":["University of Richmond"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"extent_ssm":["40 Items"],"extent_tesim":["40 Items"],"containers_ssim":["Box 4","folder 10"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1937],"odd_html_tesm":["\u003cp\u003enames: Santiago, RIT, Vasquez, Galvante\u003c/p\u003e","\u003cp\u003eBaguinio- Mt. Prov., one goldenrod drawing is very creased\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["names: Santiago, RIT, Vasquez, Galvante","Baguinio- Mt. Prov., one goldenrod drawing is very creased"],"_nest_path_":"/components#44","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_13","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_13.xml","title_ssm":["W. H. Brown Botanical Drawings Collection"],"title_tesim":["W. H. Brown Botanical Drawings Collection"],"unitdate_ssm":["1930-1939"],"unitdate_inclusive_ssm":["1930-1939"],"normalized_date_ssm":["1930/1939"],"normalized_title_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"text":["W. H. Brown Botanical Drawings Collection, 1930/1939","MS-23","/repositories/4/resources/13","Plants in art","Botanical illustration","There are no restrictions on accessing material in this collection.","This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.","These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.","The dates mentioned are 1937; the artists and  other names are R. Graham, J Galvante; one drawing labeled on the back as dill looks like fennel","The only named artists are RIT, J Galvante, Yatco","The only named artist is Stella Dernoga","The only named artist is CZ","\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"","The only named artist is Stella Dernoga","The only named artist is Santiago","Notes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea","Named artists are J Galvante, Chris Mikolaitis, H Vasquez, RIT","these are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae","Named artists are Cruz, R. ICO, Galvante, Santiago","Named artists are Santiago, Cruz, Galvante\nNote some of the Plumeria names are invalid","note: \"Los Banos Target range\"","One tiny illustration unidentified, partial label on back says \"thopana\"","Named artists are Dernoga, Santiago, Cruz","The only named artist is Galvante","Named artists are RIT, Vasquez, Yatco\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"","The only named artist is RIT\nnotes: Baguio City, Philippines mentioned \"from Baguio\"","The only named artist is Galvante","Named artists are Grace Parker, Chris Mikolautis, Stella Dernoga","labeled \"from Phillippines\"","The only named artist is Vasquez","\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"","also labeled \"Kapok\"","some of these glued down to a sheet of paper, not ready to pop off","\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"","four pieces glued together","The only named artist is Stella Dergona","Named artists are Vasquez, Galvante, CZ\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"","The only named artist is Santiago","Notes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder","The only named artist is Chris Mikolaitis","Although widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae","The only named artist is Vasquez","names: Santiago, RIT, Vasquez, Galvante","Baguinio- Mt. Prov., one goldenrod drawing is very creased","Named artists are Galvante, Iananaco, Cruz, Vasquez","Brassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage","Named artists are Galvante, RIT","most labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant","The only named artist is Vasquez","The only named artist is Vasquez","one drawing says \"from Miyazaki\" a city in Japan","The only named artist is Galavante","The only named artist is Chris Mikolaitis","Names: Chris Mikolaitis","Named artists are Galvanteand Santiago","The only named artist is Yacto/Hatco","Named artists are M.T. Cruz, Chris Mikolaitis, Stella Dervoga","new name Rhododendron japonicum (A. Gray) Sur.","this plant is now  sometimes classified as part of the Saxifragacea family","Named artists are Galvante, Yateo, Vasquez, Santiago","The only named artist is Stella Dernoga","The only named artist is Santiago","New family Salicaeae","new family Salicaeae","New family Salicaeae","New family Achariaceae","New family Salicaeae?","The only named artists are Cruz, Santiago, Vasquez","interesting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium","Named artists are Cruz, Vasquez\nnotes: Allopectus should actually be Alloplectus?","accepted name Agalmyla chorisepala","one oversize","2 Ink by Yatco, Aug 1937","1 ink/sketch by Galavante, Aug 27-28/1937\n1 ink by Yatco, Aug 27/1937","Plus one info sheet, not counted","The only named artist is Chris Mikolaitis","Named artists are RIT, Vasquez","dates: 8/10/37, 8/3/37","The only named artist is Galvante","The only named artist is Chris Mikolaitis","Named artists are Stella Dernoga, Chris Mikolaitis, Parker, Larkspur, Grace Parker","The only named artist is Cruz","These files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold.","Indexed and moved to Vault with rest of the collection, labeled as Box 14","Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.","This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.","University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur","English\n      Latin"],"collection_title_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-23","/repositories/4/resources/13"],"unitid_tesim":["MS-23","/repositories/4/resources/13"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_corpname_ssim":["University of Richmond"],"creator_famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"creators_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated to the library by Dr. John Hayden, Professor of Biology, University of Richmond"],"access_subjects_ssim":["Plants in art","Botanical illustration"],"access_subjects_ssm":["Plants in art","Botanical illustration"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet"],"extent_tesim":["13 Linear Feet"],"genreform_ssim":["Botanical illustration"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThese drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics."],"odd_html_tesm":["\u003cp\u003eThe dates mentioned are 1937; the artists and  other names are \u003cfamname\u003eR. Graham\u003c/famname\u003e, \u003cfamname\u003eJ Galvante\u003c/famname\u003e; one drawing labeled on the back as dill looks like fennel\u003c/p\u003e","\u003cp\u003eThe only named artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eJ Galvante\u003c/famname\u003e, \u003cfamname\u003eYatco\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eCZ\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003e\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNotes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eJ Galvante\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eH Vasquez\u003c/famname\u003e, \u003cfamname\u003eRIT\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003ethese are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eCruz\u003c/famname\u003e, R. \u003cfamname\u003eICO\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e\nNote some of the Plumeria names are invalid\u003c/p\u003e","\u003cp\u003enote: \"Los Banos Target range\"\u003c/p\u003e","\u003cp\u003eOne tiny illustration unidentified, partial label on back says \"thopana\"\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eDernoga\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eYatco\u003c/famname\u003e\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eRIT\u003c/famname\u003e\nnotes: Baguio City, Philippines mentioned \"from Baguio\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are\u003cfamname\u003e Grace Parker\u003c/famname\u003e, \u003cfamname\u003eChris Mikolautis\u003c/famname\u003e, \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003elabeled \"from Phillippines\"\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003e\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"\u003c/p\u003e","\u003cp\u003ealso labeled \"Kapok\"\u003c/p\u003e","\u003cp\u003esome of these glued down to a sheet of paper, not ready to pop off\u003c/p\u003e","\u003cp\u003e\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"\u003c/p\u003e","\u003cp\u003efour pieces glued together\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dergona\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eCZ\u003c/famname\u003e\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNotes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eAlthough widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003enames: Santiago, RIT, Vasquez, Galvante\u003c/p\u003e","\u003cp\u003eBaguinio- Mt. Prov., one goldenrod drawing is very creased\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eIananaco\u003c/famname\u003e, \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eBrassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eRIT\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003emost labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003eThe only named artist is Vasquez\u003c/p\u003e","\u003cp\u003eone drawing says \"from Miyazaki\" a city in Japan\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalavante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNames: Chris Mikolaitis\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003eand \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is Yacto/Hatco\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eM.T.\u003c/famname\u003e \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eStella Dervoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003enew name Rhododendron japonicum (A. Gray) Sur.\u003c/p\u003e","\u003cp\u003ethis plant is now  sometimes classified as part of the Saxifragacea family\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eGalvante\u003c/famname\u003e, \u003cfamname\u003eYateo\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eStella Dernoga\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eSantiago\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNew family Salicaeae\u003c/p\u003e","\u003cp\u003enew family Salicaeae\u003c/p\u003e","\u003cp\u003eNew family Salicaeae\u003c/p\u003e","\u003cp\u003eNew family Achariaceae\u003c/p\u003e","\u003cp\u003eNew family Salicaeae?\u003c/p\u003e","\u003cp\u003eThe only named artists are \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eSantiago\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003einteresting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eCruz\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\nnotes: Allopectus should actually be Alloplectus?\u003c/p\u003e","\u003cp\u003eaccepted name Agalmyla chorisepala\u003c/p\u003e","\u003cp\u003eone oversize\u003c/p\u003e","\u003cp\u003e2 Ink by \u003cfamname\u003eYatco\u003c/famname\u003e, Aug 1937\u003c/p\u003e","\u003cp\u003e1 ink/sketch by \u003cfamname\u003eGalavante\u003c/famname\u003e, Aug 27-28/1937\n1 ink by \u003cfamname\u003eYatco\u003c/famname\u003e, Aug 27/1937\u003c/p\u003e","\u003cp\u003ePlus one info sheet, not counted\u003c/p\u003e","\u003cp\u003eThe only named artist is Chris \u003cfamname\u003eMikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eRIT\u003c/famname\u003e, \u003cfamname\u003eVasquez\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003edates: 8/10/37, 8/3/37\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eGalvante\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is Chris \u003cfamname\u003eMikolaitis\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eNamed artists are \u003cfamname\u003eStella Dernoga\u003c/famname\u003e, \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e, \u003cfamname\u003eParker\u003c/famname\u003e, \u003cfamname\u003eLarkspur\u003c/famname\u003e, \u003cfamname\u003eGrace Parker\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThe only named artist is \u003cfamname\u003eCruz\u003c/famname\u003e\u003c/p\u003e","\u003cp\u003eThese files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold. \u003c/p\u003e","\u003cp\u003eIndexed and moved to Vault with rest of the collection, labeled as Box 14\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The dates mentioned are 1937; the artists and  other names are R. Graham, J Galvante; one drawing labeled on the back as dill looks like fennel","The only named artists are RIT, J Galvante, Yatco","The only named artist is Stella Dernoga","The only named artist is CZ","\"The AGP II states that Alangiaceae is a synonym of Cornaceae but still recognizes it as a nom. cons.\"","The only named artist is Stella Dernoga","The only named artist is Santiago","Notes: two marked Furcreae/ Amaryllidaceae but those belong elsewhere..\n** 3/21 moved to Agavaceae w/ other Fucraea","Named artists are J Galvante, Chris Mikolaitis, H Vasquez, RIT","these are in this folder but belong to a different family that does not have a folder- Alstroemeriaceae","Named artists are Cruz, R. ICO, Galvante, Santiago","Named artists are Santiago, Cruz, Galvante\nNote some of the Plumeria names are invalid","note: \"Los Banos Target range\"","One tiny illustration unidentified, partial label on back says \"thopana\"","Named artists are Dernoga, Santiago, Cruz","The only named artist is Galvante","Named artists are RIT, Vasquez, Yatco\n\"According to APG II, the Asclepiadaceae is a former plant family now treated as a subfamily (subfamily Asclepiadoideae) in the Apocynaceae (Bruyns 2000).\"","The only named artist is RIT\nnotes: Baguio City, Philippines mentioned \"from Baguio\"","The only named artist is Galvante","Named artists are Grace Parker, Chris Mikolautis, Stella Dernoga","labeled \"from Phillippines\"","The only named artist is Vasquez","\"Bombacaceae is no longer recognized by the Angiosperm Phylogeny Group I 1998, II 2003 and Kubitzki system 2003 at the rank of family, the bulk of the taxa in question being treated as subfamilies Bombacoideae and Helicteroideae within family Malvaceae sensu lato.\"","also labeled \"Kapok\"","some of these glued down to a sheet of paper, not ready to pop off","\"The Boraginaceae is paraphyletic with respect to Hydrophyllaceae and the latter is included in the former in the APG II system. In some recent classifications the Boraginaceae is broken up into several families: Boraginaceae sensu stricto, Cordiaceae, Ehretiaceae, Heliotropiaceae, Lennoaceae, and Hydrophyllaceae.\"","four pieces glued together","The only named artist is Stella Dergona","Named artists are Vasquez, Galvante, CZ\n\"Caesalpinioideae is a botanical name at the rank of subfamily, placed in the large family Fabaceae or Leguminosae.\"","The only named artist is Santiago","Notes: coca is in wrong folder, belongs to Erythroxlaceae Family\n**3/21 Moved to Erythroxlaceae Folder","The only named artist is Chris Mikolaitis","Although widely recognized in most plant classifications (notably the Cronquist system), the more recent gene-based APG system (1998) and the APG II system (2003) have included these plants in the family Amaranthaceae","The only named artist is Vasquez","names: Santiago, RIT, Vasquez, Galvante","Baguinio- Mt. Prov., one goldenrod drawing is very creased","Named artists are Galvante, Iananaco, Cruz, Vasquez","Brassicaceae is also an accepted alternative name, Cruciferae is the older name\nBaguio is noted on Shanghai Cabbage","Named artists are Galvante, RIT","most labeled Panama Palm, Carludodovia palmata, some just with the genus name, labelling suggests they're all the same plant","The only named artist is Vasquez","The only named artist is Vasquez","one drawing says \"from Miyazaki\" a city in Japan","The only named artist is Galavante","The only named artist is Chris Mikolaitis","Names: Chris Mikolaitis","Named artists are Galvanteand Santiago","The only named artist is Yacto/Hatco","Named artists are M.T. Cruz, Chris Mikolaitis, Stella Dervoga","new name Rhododendron japonicum (A. Gray) Sur.","this plant is now  sometimes classified as part of the Saxifragacea family","Named artists are Galvante, Yateo, Vasquez, Santiago","The only named artist is Stella Dernoga","The only named artist is Santiago","New family Salicaeae","new family Salicaeae","New family Salicaeae","New family Achariaceae","New family Salicaeae?","The only named artists are Cruz, Santiago, Vasquez","interesting to see drawings in progress (one pencil, one partially inked)\nmost labeled using Geranium, but a few also use the genus name Pelargonium","Named artists are Cruz, Vasquez\nnotes: Allopectus should actually be Alloplectus?","accepted name Agalmyla chorisepala","one oversize","2 Ink by Yatco, Aug 1937","1 ink/sketch by Galavante, Aug 27-28/1937\n1 ink by Yatco, Aug 27/1937","Plus one info sheet, not counted","The only named artist is Chris Mikolaitis","Named artists are RIT, Vasquez","dates: 8/10/37, 8/3/37","The only named artist is Galvante","The only named artist is Chris Mikolaitis","Named artists are Stella Dernoga, Chris Mikolaitis, Parker, Larkspur, Grace Parker","The only named artist is Cruz","These files were found in the B2 workroom, separate from the collection. Most have water damage either from basement flooding or previous storage. Some have mold.","Indexed and moved to Vault with rest of the collection, labeled as Box 14"],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eMuch of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_292b1d89c62a3ee6826c4ddfb3eb795a\"\u003eThis collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names."],"corpname_ssim":["University of Richmond"],"famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"names_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"language_ssim":["English\n      Latin"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_13_c45"}},{"id":"viur_repositories_4_resources_9_c82","type":"File","attributes":{"title":"Concerns over sound rights to \"A Pair of Sixes\", 1929","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_9_c82#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_9_c82","ref_ssm":["viur_repositories_4_resources_9_c82"],"id":"viur_repositories_4_resources_9_c82","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","parent_ssi":"viur_repositories_4_resources_9","parent_ssim":["Edward H. Peple Collection, 1891/1953"],"parent_ids_ssim":["viur_repositories_4_resources_9"],"title_filing_ssi":"Concerns over sound rights to \"A Pair of Sixes\"","title_ssm":["Concerns over sound rights to \"A Pair of Sixes\""],"title_tesim":["Concerns over sound rights to \"A Pair of Sixes\""],"normalized_title_ssm":["Concerns over sound rights to \"A Pair of Sixes\", 1929"],"text":["Concerns over sound rights to \"A Pair of Sixes\", 1929","Edward H. Peple Collection, 1891/1953","box 6 MS-3","folder 4"],"parent_unittitles_ssm":["Edward H. Peple Collection, 1891/1953"],"parent_unittitles_tesim":["Edward H. Peple Collection, 1891/1953"],"normalized_date_ssm":["1929"],"unitdate_other_ssim":["1929","1937"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":237,"repository_ssim":["University of Richmond"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"containers_ssim":["box 6 MS-3","folder 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1929,1937],"_nest_path_":"/components#81","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_9","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_9.xml","title_ssm":["Edward H. Peple Collection"],"title_tesim":["Edward H. Peple Collection"],"unitdate_ssm":["1891-1953"],"unitdate_inclusive_ssm":["1891-1953"],"normalized_date_ssm":["1891/1953"],"normalized_title_ssm":["Edward H. Peple Collection, 1891/1953"],"text":["Edward H. Peple Collection, 1891/1953","MS-3","/repositories/4/resources/9","Richmond (Va.)","New York (N.Y.)","Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs","The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.","Processed by Elizabeth Dickie.","Former child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted.","This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.","Eight books authored by Edward Peple are located in the Rare Book Collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.","University of Richmond","Peple, Edward, 1869-1924","English"],"collection_title_tesim":["Edward H. Peple Collection, 1891/1953"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-3","/repositories/4/resources/9"],"unitid_tesim":["MS-3","/repositories/4/resources/9"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)","New York (N.Y.)"],"geogname_ssim":["Richmond (Va.)","New York (N.Y.)"],"places_ssim":["Richmond (Va.)","New York (N.Y.)"],"creator_ssm":["Peple, Edward, 1869-1924"],"creator_ssim":["Peple, Edward, 1869-1924"],"creator_persname_ssim":["Peple, Edward, 1869-1924"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Peple, Edward, 1869-1924","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated by members of the Peple family."],"access_subjects_ssim":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"access_subjects_ssm":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 8 boxes"],"extent_tesim":["7 Linear Feet 8 boxes"],"genreform_ssim":["Audio-visual materials","Manuscripts","Photographs"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series:\u003c/p\u003e","\u003cp\u003eSeries I: Title Plays, Stories, Novels, Poetry \u003cbr\u003e\nSeries II: Contracts-Plays, Movies, Stories \u0026amp; Books \u003cbr\u003e\nSeries III: Estate \u003cbr\u003e\nSeries IV: Florence Peple and Charles Peple \u003cbr\u003e\nSeries V: Photographs and Ephemera\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera"],"bioghist_html_tesm":["\u003cp\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, \u003cemph render=\"italics\"\u003eThe Broken Rosary\u003c/emph\u003e, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write \u003cemph render=\"italics\"\u003eThe Prince Chap\u003c/emph\u003e, 1904, which was met with rave reviews. \u003cemph render=\"italics\"\u003eA Broken Rosary\u003c/emph\u003e was rewritten as a book, also in 1904.\u003c/p\u003e","\u003cp\u003eHis best known works are \u003cemph render=\"italics\"\u003eA Pair of Sixes\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.\u003c/p\u003e","\u003cp\u003eBy the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie.\u003c/p\u003e  ","\u003cp\u003eFormer child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie.","Former child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.\u003c/p\u003e","\u003cp\u003eSeries I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.\u003c/p\u003e","\u003cp\u003eSeries II, Contracts-Plays, Movies, Stories \u0026amp; Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.\u003c/p\u003e","\u003cp\u003eSeries III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.\u003c/p\u003e","\u003cp\u003eSeries IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.\u003c/p\u003e","\u003cp\u003eSeries V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section."],"separatedmaterial_html_tesm":["\u003cp\u003eEight books authored by Edward Peple are located in the Rare Book Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Eight books authored by Edward Peple are located in the Rare Book Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d0f735232c0582e71e0a7eb2c8741d3\"\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.\u003c/abstract\u003e\n    "],"abstract_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Peple, Edward, 1869-1924"],"names_coll_ssim":["Peple, Edward, 1869-1924"],"names_ssim":["University of Richmond","Peple, Edward, 1869-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_9_c82"}},{"id":"viur_repositories_4_resources_9_c39","type":"File","attributes":{"title":"Contracts and correspondence concerning \"A Night Out\", 1936/1945","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_9_c39#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_9_c39","ref_ssm":["viur_repositories_4_resources_9_c39"],"id":"viur_repositories_4_resources_9_c39","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","parent_ssi":"viur_repositories_4_resources_9","parent_ssim":["Edward H. Peple Collection, 1891/1953"],"parent_ids_ssim":["viur_repositories_4_resources_9"],"title_filing_ssi":"Contracts and correspondence concerning \"A Night Out\"","title_ssm":["Contracts and correspondence concerning \"A Night Out\""],"title_tesim":["Contracts and correspondence concerning \"A Night Out\""],"normalized_title_ssm":["Contracts and correspondence concerning \"A Night Out\", 1936/1945"],"text":["Contracts and correspondence concerning \"A Night Out\", 1936/1945","Edward H. Peple Collection, 1891/1953","box 5 MS-3","folder 42"],"parent_unittitles_ssm":["Edward H. Peple Collection, 1891/1953"],"parent_unittitles_tesim":["Edward H. Peple Collection, 1891/1953"],"normalized_date_ssm":["1936/1945"],"unitdate_inclusive_ssm":["1936-1945"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":194,"repository_ssim":["University of Richmond"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"containers_ssim":["box 5 MS-3","folder 42"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"_nest_path_":"/components#38","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_9","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_9.xml","title_ssm":["Edward H. Peple Collection"],"title_tesim":["Edward H. Peple Collection"],"unitdate_ssm":["1891-1953"],"unitdate_inclusive_ssm":["1891-1953"],"normalized_date_ssm":["1891/1953"],"normalized_title_ssm":["Edward H. Peple Collection, 1891/1953"],"text":["Edward H. Peple Collection, 1891/1953","MS-3","/repositories/4/resources/9","Richmond (Va.)","New York (N.Y.)","Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs","The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.","Processed by Elizabeth Dickie.","Former child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted.","This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.","Eight books authored by Edward Peple are located in the Rare Book Collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.","University of Richmond","Peple, Edward, 1869-1924","English"],"collection_title_tesim":["Edward H. Peple Collection, 1891/1953"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-3","/repositories/4/resources/9"],"unitid_tesim":["MS-3","/repositories/4/resources/9"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)","New York (N.Y.)"],"geogname_ssim":["Richmond (Va.)","New York (N.Y.)"],"places_ssim":["Richmond (Va.)","New York (N.Y.)"],"creator_ssm":["Peple, Edward, 1869-1924"],"creator_ssim":["Peple, Edward, 1869-1924"],"creator_persname_ssim":["Peple, Edward, 1869-1924"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Peple, Edward, 1869-1924","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated by members of the Peple family."],"access_subjects_ssim":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"access_subjects_ssm":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 8 boxes"],"extent_tesim":["7 Linear Feet 8 boxes"],"genreform_ssim":["Audio-visual materials","Manuscripts","Photographs"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series:\u003c/p\u003e","\u003cp\u003eSeries I: Title Plays, Stories, Novels, Poetry \u003cbr\u003e\nSeries II: Contracts-Plays, Movies, Stories \u0026amp; Books \u003cbr\u003e\nSeries III: Estate \u003cbr\u003e\nSeries IV: Florence Peple and Charles Peple \u003cbr\u003e\nSeries V: Photographs and Ephemera\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera"],"bioghist_html_tesm":["\u003cp\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, \u003cemph render=\"italics\"\u003eThe Broken Rosary\u003c/emph\u003e, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write \u003cemph render=\"italics\"\u003eThe Prince Chap\u003c/emph\u003e, 1904, which was met with rave reviews. \u003cemph render=\"italics\"\u003eA Broken Rosary\u003c/emph\u003e was rewritten as a book, also in 1904.\u003c/p\u003e","\u003cp\u003eHis best known works are \u003cemph render=\"italics\"\u003eA Pair of Sixes\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.\u003c/p\u003e","\u003cp\u003eBy the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie.\u003c/p\u003e  ","\u003cp\u003eFormer child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie.","Former child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.\u003c/p\u003e","\u003cp\u003eSeries I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.\u003c/p\u003e","\u003cp\u003eSeries II, Contracts-Plays, Movies, Stories \u0026amp; Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.\u003c/p\u003e","\u003cp\u003eSeries III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.\u003c/p\u003e","\u003cp\u003eSeries IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.\u003c/p\u003e","\u003cp\u003eSeries V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section."],"separatedmaterial_html_tesm":["\u003cp\u003eEight books authored by Edward Peple are located in the Rare Book Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Eight books authored by Edward Peple are located in the Rare Book Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d0f735232c0582e71e0a7eb2c8741d3\"\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.\u003c/abstract\u003e\n    "],"abstract_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Peple, Edward, 1869-1924"],"names_coll_ssim":["Peple, Edward, 1869-1924"],"names_ssim":["University of Richmond","Peple, Edward, 1869-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_9_c39"}},{"id":"viur_repositories_4_resources_9_c08","type":"File","attributes":{"title":"Copyright documents, 1895/1941","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_9_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_9_c08","ref_ssm":["viur_repositories_4_resources_9_c08"],"id":"viur_repositories_4_resources_9_c08","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","parent_ssi":"viur_repositories_4_resources_9","parent_ssim":["Edward H. Peple Collection, 1891/1953"],"parent_ids_ssim":["viur_repositories_4_resources_9"],"title_filing_ssi":"Copyright documents","title_ssm":["Copyright documents"],"title_tesim":["Copyright documents"],"normalized_title_ssm":["Copyright documents, 1895/1941"],"text":["Copyright documents, 1895/1941","Edward H. Peple Collection, 1891/1953","box 5 MS-3","folder 11"],"parent_unittitles_ssm":["Edward H. Peple Collection, 1891/1953"],"parent_unittitles_tesim":["Edward H. Peple Collection, 1891/1953"],"normalized_date_ssm":["1895/1941"],"unitdate_inclusive_ssm":["1895-1941"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":163,"repository_ssim":["University of Richmond"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"containers_ssim":["box 5 MS-3","folder 11"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941],"_nest_path_":"/components#7","timestamp":"2026-06-23T07:40:51.481Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_9","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_9.xml","title_ssm":["Edward H. Peple Collection"],"title_tesim":["Edward H. Peple Collection"],"unitdate_ssm":["1891-1953"],"unitdate_inclusive_ssm":["1891-1953"],"normalized_date_ssm":["1891/1953"],"normalized_title_ssm":["Edward H. Peple Collection, 1891/1953"],"text":["Edward H. Peple Collection, 1891/1953","MS-3","/repositories/4/resources/9","Richmond (Va.)","New York (N.Y.)","Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs","The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.","Processed by Elizabeth Dickie.","Former child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted.","This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.","Eight books authored by Edward Peple are located in the Rare Book Collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.","University of Richmond","Peple, Edward, 1869-1924","English"],"collection_title_tesim":["Edward H. Peple Collection, 1891/1953"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-3","/repositories/4/resources/9"],"unitid_tesim":["MS-3","/repositories/4/resources/9"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)","New York (N.Y.)"],"geogname_ssim":["Richmond (Va.)","New York (N.Y.)"],"places_ssim":["Richmond (Va.)","New York (N.Y.)"],"creator_ssm":["Peple, Edward, 1869-1924"],"creator_ssim":["Peple, Edward, 1869-1924"],"creator_persname_ssim":["Peple, Edward, 1869-1924"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Peple, Edward, 1869-1924","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated by members of the Peple family."],"access_subjects_ssim":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"access_subjects_ssm":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 8 boxes"],"extent_tesim":["7 Linear Feet 8 boxes"],"genreform_ssim":["Audio-visual materials","Manuscripts","Photographs"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series:\u003c/p\u003e","\u003cp\u003eSeries I: Title Plays, Stories, Novels, Poetry \u003cbr\u003e\nSeries II: Contracts-Plays, Movies, Stories \u0026amp; Books \u003cbr\u003e\nSeries III: Estate \u003cbr\u003e\nSeries IV: Florence Peple and Charles Peple \u003cbr\u003e\nSeries V: Photographs and Ephemera\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera"],"bioghist_html_tesm":["\u003cp\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, \u003cemph render=\"italics\"\u003eThe Broken Rosary\u003c/emph\u003e, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write \u003cemph render=\"italics\"\u003eThe Prince Chap\u003c/emph\u003e, 1904, which was met with rave reviews. \u003cemph render=\"italics\"\u003eA Broken Rosary\u003c/emph\u003e was rewritten as a book, also in 1904.\u003c/p\u003e","\u003cp\u003eHis best known works are \u003cemph render=\"italics\"\u003eA Pair of Sixes\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.\u003c/p\u003e","\u003cp\u003eBy the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie.\u003c/p\u003e  ","\u003cp\u003eFormer child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie.","Former child record (uri=/repositories/4/digital_objects/4 - digital_object_id=photos) was deleted from catalogue on [Tue Apr 10 15:20:37 UTC 2018] as matching Preservica Deliverable Unit 499156b9-fb3e-4a85-b98f-6c7969fa158b was deleted."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.\u003c/p\u003e","\u003cp\u003eSeries I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.\u003c/p\u003e","\u003cp\u003eSeries II, Contracts-Plays, Movies, Stories \u0026amp; Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.\u003c/p\u003e","\u003cp\u003eSeries III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.\u003c/p\u003e","\u003cp\u003eSeries IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.\u003c/p\u003e","\u003cp\u003eSeries V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section."],"separatedmaterial_html_tesm":["\u003cp\u003eEight books authored by Edward Peple are located in the Rare Book Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Eight books authored by Edward Peple are located in the Rare Book Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d0f735232c0582e71e0a7eb2c8741d3\"\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.\u003c/abstract\u003e\n    "],"abstract_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Peple, Edward, 1869-1924"],"names_coll_ssim":["Peple, Edward, 1869-1924"],"names_ssim":["University of Richmond","Peple, Edward, 1869-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:40:51.481Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_9_c08"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":227},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Carl Van Vechten - Mark Lutz Collection, 1881/1980","value":"Carl Van Vechten - Mark Lutz Collection, 1881/1980","hits":45},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Carl+Van+Vechten+-+Mark+Lutz+Collection%2C+1881%2F1980\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Civil War Collection, 1860/2012","value":"Civil War Collection, 1860/2012","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Civil+War+Collection%2C+1860%2F2012\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Earl and Jewell Ratliff Collection, 1860/2013, bulk 1920/1990","value":"Earl and Jewell Ratliff Collection, 1860/2013, bulk 1920/1990","hits":8},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Earl+and+Jewell+Ratliff+Collection%2C+1860%2F2013%2C+bulk+1920%2F1990\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Edward H. Peple Collection, 1891/1953","value":"Edward H. Peple Collection, 1891/1953","hits":8},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Edward+H.+Peple+Collection%2C+1891%2F1953\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Fred Morgan III Collection, 1925/1974","value":"Fred Morgan III Collection, 1925/1974","hits":17},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Fred+Morgan+III+Collection%2C+1925%2F1974\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Gresham Correspondence Collection, 1901/1984","value":"Gresham Correspondence Collection, 1901/1984","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Gresham+Correspondence+Collection%2C+1901%2F1984\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Harleigh Bridges Schultz Collection, 1876/1991","value":"Harleigh Bridges Schultz Collection, 1876/1991","hits":7},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Harleigh+Bridges+Schultz+Collection%2C+1876%2F1991\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Hazel Paris Cederborg Collection, 1893/1989","value":"Hazel Paris Cederborg Collection, 1893/1989","hits":12},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Hazel+Paris+Cederborg+Collection%2C+1893%2F1989\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Historic Map and Government Documents Collection, 1630/1978","value":"Historic Map and Government Documents Collection, 1630/1978","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Historic+Map+and+Government+Documents+Collection%2C+1630%2F1978\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Marguerite Roberts Collection, 1924/1980","value":"Marguerite Roberts Collection, 1924/1980","hits":33},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Marguerite+Roberts+Collection%2C+1924%2F1980\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Miscellaneous Correspondence Collection, 1837/1965","value":"Miscellaneous Correspondence Collection, 1837/1965","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Miscellaneous+Correspondence+Collection%2C+1837%2F1965\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1630","value":"1630","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bdate_range%5D%5B%5D=1630\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1631","value":"1631","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bdate_range%5D%5B%5D=1631\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1632","value":"1632","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bdate_range%5D%5B%5D=1632\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1633","value":"1633","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bdate_range%5D%5B%5D=1633\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1634","value":"1634","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bdate_range%5D%5B%5D=1634\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1635","value":"1635","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bdate_range%5D%5B%5D=1635\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1636","value":"1636","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bdate_range%5D%5B%5D=1636\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1637","value":"1637","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bdate_range%5D%5B%5D=1637\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1638","value":"1638","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bdate_range%5D%5B%5D=1638\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1639","value":"1639","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bdate_range%5D%5B%5D=1639\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1640","value":"1640","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bdate_range%5D%5B%5D=1640\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Cederborg, Hazel Paris, 1892-1975","value":"Cederborg, Hazel Paris, 1892-1975","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Cederborg%2C+Hazel+Paris%2C+1892-1975\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Dew Gresham, William, 1925-1986","value":"Dew Gresham, William, 1925-1986","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Dew+Gresham%2C+William%2C+1925-1986\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Gresham family","value":"Gresham family","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Gresham+family\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Lutz, Mark, 1901-1969","value":"Lutz, Mark, 1901-1969","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Lutz%2C+Mark%2C+1901-1969\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Marchand, Debbie","value":"Marchand, Debbie","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Marchand%2C+Debbie\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Martin, Robert Ray, 1918-2013","value":"Martin, Robert Ray, 1918-2013","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Martin%2C+Robert+Ray%2C+1918-2013\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Morgan family","value":"Morgan family","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Morgan+family\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Peple Family","value":"Peple Family","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Peple+Family\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Peple, Edward, 1869-1924","value":"Peple, Edward, 1869-1924","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Peple%2C+Edward%2C+1869-1924\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Ratliff, Earl Gordon, 1926-2013","value":"Ratliff, Earl Gordon, 1926-2013","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Ratliff%2C+Earl+Gordon%2C+1926-2013\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Ratliff, Jewell, 1929-2016","value":"Ratliff, Jewell, 1929-2016","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Ratliff%2C+Jewell%2C+1929-2016\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Aldophe Braun","value":"Aldophe Braun","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bnames%5D%5B%5D=Aldophe+Braun\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Attic Press","value":"Attic Press","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bnames%5D%5B%5D=Attic+Press\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Auden, W. H. (Wystan Hugh), 1907-1973","value":"Auden, W. H. (Wystan Hugh), 1907-1973","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bnames%5D%5B%5D=Auden%2C+W.+H.+%28Wystan+Hugh%29%2C+1907-1973\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Buchwald, Art","value":"Buchwald, Art","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bnames%5D%5B%5D=Buchwald%2C+Art\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","value":"Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bnames%5D%5B%5D=Buck%2C+Pearl+S.+%28Pearl+Sydenstricker%29%2C+1892-1973\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"CZ","value":"CZ","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bnames%5D%5B%5D=CZ\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Cederborg, Hazel Paris, 1892-1975","value":"Cederborg, Hazel Paris, 1892-1975","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bnames%5D%5B%5D=Cederborg%2C+Hazel+Paris%2C+1892-1975\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Chris Mikolaitis","value":"Chris Mikolaitis","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bnames%5D%5B%5D=Chris+Mikolaitis\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Chris Mikolautis","value":"Chris Mikolautis","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bnames%5D%5B%5D=Chris+Mikolautis\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Cruz","value":"Cruz","hits":7},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bnames%5D%5B%5D=Cruz\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Dernoga","value":"Dernoga","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bnames%5D%5B%5D=Dernoga\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"American Southwest","value":"American Southwest","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bplaces%5D%5B%5D=American+Southwest\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Barbados","value":"Barbados","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bplaces%5D%5B%5D=Barbados\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"China","value":"China","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bplaces%5D%5B%5D=China\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Hong Kong (China)","value":"Hong Kong (China)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bplaces%5D%5B%5D=Hong+Kong+%28China%29\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Mexico","value":"Mexico","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bplaces%5D%5B%5D=Mexico\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"New York (N.Y.)","value":"New York (N.Y.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bplaces%5D%5B%5D=New+York+%28N.Y.%29\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Nigeria","value":"Nigeria","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bplaces%5D%5B%5D=Nigeria\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Panama","value":"Panama","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bplaces%5D%5B%5D=Panama\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Richmond (Va.)","value":"Richmond (Va.)","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bplaces%5D%5B%5D=Richmond+%28Va.%29\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Sri Lanka","value":"Sri Lanka","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bplaces%5D%5B%5D=Sri+Lanka\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"United States -- Armed Forces -- Handbooks, manuals, etc.","value":"United States -- Armed Forces -- Handbooks, manuals, etc.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Bplaces%5D%5B%5D=United+States+--+Armed+Forces+--+Handbooks%2C+manuals%2C+etc.\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Armed Forces","value":"Armed Forces","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Armed+Forces\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Audio-visual materials","value":"Audio-visual materials","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Audio-visual+materials\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Botanical illustration","value":"Botanical illustration","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Botanical+illustration\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Catalogs","value":"Catalogs","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Catalogs\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Civil rights movements","value":"Civil rights movements","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Civil+rights+movements\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Clippings","value":"Clippings","hits":5},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Clippings\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Communications, Military","value":"Communications, Military","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Communications%2C+Military\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Diplomatic and consular service United States","value":"Diplomatic and consular service United States","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Diplomatic+and+consular+service+United+States\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Documentary photography","value":"Documentary photography","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Documentary+photography\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Drama","value":"Drama","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drama\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Ephemera","value":"Ephemera","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Ephemera\u0026f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":18},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"File","value":"File","hits":155},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Item","value":"Item","hits":5},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Series","value":"Series","hits":29},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Sub-series","value":"Sub-series","hits":20},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=5\u0026sort=title_sort+desc"}}]}